FRED Entertainment

May 31, 2009

SModcast 87

Filed under: SModcast — Tags: , , , , , , — UncaScroogeMcD @ 7:00 pm

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 87: Tapoo –

In which a simple concept slips from our heroes’ grasps.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

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SModcast 87 (MP3 format)

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May 29, 2009

Masters Of Song Fu #4: Challenge 1 Listening Party!

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This evening – Friday, May 29th – we’ll be holding a special live, streaming listening party. We’ll be playing all 30 Challenge 1 tunes.

The event begins at 7pm EST, and you can access it by clicking HERE

Come on out, support all of the wonderful artists, and then go place your votes if you haven’t already.

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Trailer Park: DRAG ME TO HELL

By Christopher Stipp

The Archives, Right Here

So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on TWITTER under the name: Stipp

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LAND OF THE LOST – SCREENING

Who here is from Arizona?

Who has some time next Tuesday to see a screening of LAND OF THE LOST, starring Will Ferrell and Danny McBride? I have passes galore for some lucky Quick Stop Entertainment readers so if you’re going to be around please shoot me a note at Christopher_Stipp@Yahoo.com and I’ll make sure you get in.

For those of you who are still in the dark about the film, here’s a breakdown:

Space-time vortexes suck.

Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world – a place of spectacular sights and super-scaled comedy known as the Land of the Lost.

Sucked alongside him for the adventure are crack-smart research assistant Holly (Anna Friel) and a redneck survivalist (Danny McBride) named Will. Chased by T. rex and stalked by painfully slow reptiles known as Sleestaks, Marshall, Will and Holly must rely on their only ally – a primate called Chaka (Jorma Taccone) – to navigate out of the hybrid dimension. Escape from this routine expedition gone awry and they’re heroes. Get stuck, and they’ll be permanent refugees in the Land of the Lost.

Based on the classic television series created by Sid & Marty Krofft, Land of the Lost is directed by Brad Silberling and produced by Jimmy Miller and Sid & Marty Krofft.

Doctor Who S4 - The Next DoctorDR. WHO?

People love their Dr. Who.

While I could never get into it in the way a lot of you do I just received this in my in-box and thought I would share with the fellow geek community if you didn’t already know.

I remember being in 8th grade and having a friend who was REALLY into it. Even then I could see it was a really important series to some people so I figure this is my way of helping out a contingent of people who have a deep reverence for this program. I am equally a fan of BBC America and think that the programming on that channel whips the tar out of 90% of our own domestic network offerings (Check out Skins, people…Seriously…) so I like to help when I can. Without any ado here is the release…

U.S. PREMIERE OF DOCTOR WHO SPECIALS ON BBC AMERICA

– BBC AMERICA premieres five specials from TV’s longest running sci-fi series –

New York, NY ““ May 28, 2009 ““ BBC AMERICA today announced the acquisition of five new specials from Doctor Who, television’s longest running science fiction series and a global phenomenon. The deal gives the cable channel the exclusive first window to the Doctor Who 2009 Specials (4 x 60), the final four adventures of the tenth Time Lord played by David Tennant. As part of the same deal, BBC AMERICA acquired the 2008 Christmas Special, The Next Doctor featuring David Morrissey and Dervla Kirwan. It will air Saturday, June 27, 2009.

The first of the 2009 specials, Doctor Who: Planet of the Dead, premieres in July. As a London red bus takes a detour to an alien world it forces the Doctor (Tennant) to work with the extraordinary Lady Christina (Michelle Ryan, Bionic Woman). But the mysterious planet holds terrifying secrets hidden in the sand and time is running out as the deadly Swarm gets closer.

“The outstanding quality of the Doctor Who scripts from Russell T Davies and the on-screen dynamic that David Tennant brings to the role are a magic combination for our viewers. Russell’s spin-off series Torchwood is already our highest rated show on the channel and I know the fans will follow these new specials with equal passion and support. We’re thrilled to bring this iconic show to BBC AMERICA, home of the best British sci-fi programming on television,” says President, BBC Worldwide America Garth Ancier.

Doctor Who: The Waters of Mars is the second special and along with the two additional untitled specials will premiere later in 2009 and early 2010.

Building off the successful Supernatural Saturdays programming block, Doctor Who will be leveraged across multiple platforms including Doctor Who: Planet of the Dead, the first Doctor Who DVD to be released on Blu-ray, shortly after the U.S. broadcast premiere.

The writers are Russell T Davies and Gareth Roberts (The Sarah Jane Adventures) with Executive Producers Russell T Davies and Julie Gardner (Torchwood, Life on Mars). It is a BBC production and distributed by BBC Worldwide.

drag-me-to-hell-posterDRAG ME TO HELL – REVIEW

David: Have you seen the movie, Texas Chainsaw Massacre?

Anna-Maria: No. It is good?

David: Oh, I’ve got to tell you, I love this film. It had passion and a plucky spirit. And, the characters had integrity, like when Leatherface went on that strict diet of human flesh, he had to cut out chicken and fish completely.


Francis “Chainsaw” Grimp: Dave, I agree with you. I’ll go a step further, sure Leatherface, he wore a mask made out of human skin, and he hung people on meat-hooks, but hey, we’ve all got quirks, I got ’em, you’ve got ’em Dave, that’s what makes this character so, so compelling. Thumbs up for me.

David: Same here.

Francis “Chainsaw” Grimp: To sum it up, I’m Chainsaw . . .

David: I’m Dave.
Francis “Chainsaw” Grimp and David: Will see you . . . At the Movies.

– SUMMER SCHOOL, 1987

It was a tenuous peace at first but, Lord, did I almost have to look away by the end.

When first we meet Christine Brown (Alison Lohman), a beautiful heroine if ever there was one, not strikingly gorgeous nor feeble and weak as so many other films would have made her, she’s introduced as a bland loan officer who works for a one-dimensional boss by the name of Mr. Jacks (played pitch perfectly by David Paymer). Christine and her weasel of a co-worker are vying for a promotion within the small bank where they work.

The seemingly bland and head-scratchingly inane set-up had me wondering momentarily whether I had walked into a movie that would be just yet another entry into the horror genre this year (think MY BLOODY VALENTINE, FRIDAY THE 13TH, et al.) where spectacle is being used as a replacement for genuine thrills and chills. DRAG ME TO HELL separates itself from its predecessors precisely at the moment when we meet Mrs. Ganush (Lorna Raver). Decrepit, frail and overtly disgusting she is everything that Michael Myers and Jason Voorhees as of late are not and that is unnerving. Raver is perhaps the one linchpin in making this film far more original than cliché; I have no qualms at admitting that merely reflecting on her role in its entirety still raises little bumps of flesh on the back of my neck. She is played with the right amount of camp and eerie sensibility.

The movie has such a basic and forced beginning, you almost start wondering what the hype is all about, that when things start getting fantastical it thrusts the film’s hum-drum reality into a sphere . Much of believing in this character’s universe, obviously, goes to director/writer Sam Raimi and his brother Ivan Raimi for establishing such a compelling premise. What’s more is that the two of them seem to be operating at a level that is not meant to be demeaning or insulting and, point of fact, are playing around in a sandbox of fundamentals. Fundamentals with regard to getting at what makes a good scare, to not having one jump out of your skin moment but to pummel you continuously with them at any one time, creating one-note characters (read here: Justin Long’s parents, Lohman’s boss, co-worker) who only help to serve the spooky vibe of the film and not take away from it, wrapping absurdist comedy up within moments that shouldn’t have it and, finally, how to keep you locked in and keyed up to what’s happening.

All of these elements come in to play continuously throughout the film but when Lohman is thrust into the cursed world of the Lamia through a quite disconcerting battle between her and Mrs. Ganush there couldn’t be a more precise distillation of all these elements into one prickly scene that, if you are fully on-board with the movie, properly punches your ticket into one of the best reasons to be in the theater this summer. From the fight to the eventual curse that is put upon her this is beats out any battle you’ll get in the month of May from any other blockbuster playing at the multiplex.

As the film progresses you can’t help but feel a strong connection to the story. Sam and Ivan deserve the kind of credit that you would give to an author like Stephen King but the ruse is that they’re not like Stephen, and this isn’t meant as a slap, they’re more on par with Richard Matheson or authors like him. The story feels small, intimate, powerful. Some of the best horror fiction, for me anyway, always centers on the personal and individual circumstance. There is no room for sprawling narratives in these stories and this movie should be applauded for keeping things tight. As it weaves its reality, Lohman employing the help of soothsayer and psychic Rham Jas (Dileep Rao) to deconstruct what she needs to do in order to unsaddle herself from the eventual demise that is coming for her. Rao is given a bit part, for sure, but his presence in this film is quite entertaining as he provides the push needed for the events to unravel as they do.

Justin Long, for his part, plays his role better than anyone in his position has a right to as it is just a role that you see in countless other horror films where you have to have the sensitive significant other who has to sympathize, but not necessarily do anything about, the present condition of the protagonist. It’s a throwaway role, almost, but Long is delightful as the concerned boyfriend who can’t do anything about his lady’s impending doom and, almost like Rao, only serves the plot when needed. In terms of leanness and scales of economy, taking a page from writers who are good at not adding anything that doesn’t serve the plot, there isn’t a wasted character or needless inclusion of a hot best friend, a little kid or any number of other insignificant elements that drag some horror films, and their pacing along with it, down.

It’s about here where talking any more about the film’s cracks, crags and nuances would only serve to spoil what should be experienced as cold as possible. The thrill of this film is not knowing too much about what is to follow, expecting and knowing where a scare is coming from only defeats the great triumph of the Raimis. Sam has managed, SPIDER-MAN 3 be damned, to actually go back to what made him such an endearing element to independent horror fans. I will however make note of the scene where Lohman needs to visit a graveyard where she expects to rid herself of the foul curse that saddles her soul.

Lohman’s moments in the comedically stereotype that is a Raimi graveyard is played with the kind of ferocity, brutality, excitement and sexiness (the delicately brushed away mud splash on her porcelain white skin was a nice touch) that I came to love and fear in a similar moment in POLTERGEIST during a pool scene many here should know all too well. The gross-out factor is compounded by a few things but, again, the moment is tinged with both abject horror and farcical humor in a blend that deserves not to be spoiled by anyone much less me.

And, it should be mentioned, you may not notice the work Sam does with sound and music throughout but he deserves kudos here as well. He pays attention to the way sounds move within the speaker field and Christopher Young’s excellent and chilling score only helps to accentuate the action on the screen.

DRAG ME TO HELL is a wondrous film going experience that not only reminds you why horror can be so much more than just updating it to satisfy the torture porn sensibilities of young moviegoers who demand their horror to be brutal. The Raimis give the kind of scares that are worth so much more than the quick cuts, slick production values and ostentatiousness of films in its genre. The movie reads like a delicious short story that you want to read again just so you can see if it hits the same high points.

If ever there was a reason to get out and enjoy a movie with dozens of others, if only to hear the squeals and screams of others in attendence, DRAG ME TO HELL is it.

Weekend Shopping Guide 5/29/09: Yes, Jeeves

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

The books are classics of English humor, and the television adaptations starring Stephen Fry & Hugh Laurie serve the material exceptionally well, as you can discover in P.G. Wodehouse’s Jeeves & Wooster: The Complete Collection (A&E, Not Rated, DVD-$59.95 SRP), which contains all four seasons.

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When I’m out running errands, I never seem to have a pen with me when I need it most. You know, like when you want to write something down, or make a deposit, or defend yourself against a mountain lion. Well, the Inka Pen Travel Pen ($14.99) is perfect, because not only does it store itself at half size and come on a keychain, but it also features a PDA stylus to boot. Perfect.

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Director Mamoru Oshii (Ghost In The Shell returns with a beautiful feature about a group of eternally young fighter pilots engaging in incredible dogfights against an implacable enemy, and the one pilot that wants to discover his missing past. Sky Crawlers (Sony, Rated PG-13, DVD-$27.96 SRP) features both the English and original Japanese versions of the film, plus a pair of featurettes. A Blu-Ray edition ($34.95 SRP) is also available, with identical bonus features.

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I’ve praised the fine folks at Twomorrows Publishing many, many times in the past, and that praise it deserved. In fact, I’m going to do so again, by recommending the latest volume in their magnificent Modern Masters artist spotlight series, which has just featured Kyle Baker (Twomorrows, $14.95). Equal parts in-depth interview and sketchbook, it’s a must-have.

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As if murderers weren’t enough of a pain, Deputy Chief Brenda Johnson (Kyra Sedgwick) now has a snooping reporter to make things awkward in the complete fourth season of The Closer (Warner Bros., Not Rated, DVD-$39.98 SRP). The 4-disc box set contains all 15 episodes, plus unaired scenes, featurettes, and a gag reel.

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A long time coming, Harlan Ellison: Dreams With Sharp Teeth (Docurama, Not Rated, DVD-$26.95 SRP) is an unblinking, affectionate, warts-and-all portrait of a writer whose creativity is matched only by his curmudgeonly, combative nature. Read the man’s work and then pick this up for a look at the man behind it. The DVD features additional readings, a featurette from the film’s premiere, and pizza with Harlan and Neil Gaiman.

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While all of the attention went to the flashier Matrix, I always enjoyed the quieter, more cerebral sci-fi of producer Roland Emmerich’s The Thirteenth Floor (Sony, Rated R, Blu-Ray-$28.95 SRP), which is now making its debut in high definition. It’s part virtual reality, part noir, part detective whodunit, and more. If you’ve never given it a spin, try it out. The disc features an audio commentary and a music video.

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All these years later, there’s something comically over-the-top about Falling Down (Warner Bros., Rated R, DVD-$19.98 SRP), which starred Michael Douglas as a laid off defense worker whose had enough and is not willing to take it anymore. Controversial at the time, it’s more a caricature now. The new special edition adds a commentary track with Douglas and director Joel Schumacher, an interview with Douglas, and the theatrical trailer. A Blu-Ray edition ($34.99 SRP) is also available, with identical bonus features.

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Kids today have no idea what seemingly-endless cartoon fun Saturday mornings used to be before the rise of cable and home video. For just a taste of what it was like, Warners has put together both Saturday Morning Cartoons: 1960s Volume 1 & Saturday Morning Cartoons: 1970s Volume 1 (Warner Bros., Not Rated, DVD-$26.98 SRP each), 2-disc set featuring over 5 hours of Hanna-Barbera and Warners cartoons that evoke memories of that bygone era. The sets also contain documentaries on Quick Draw McGraw, The Herculoids, Frankenstein, Jr., Charlie Chan, and The Funky Phantom.

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The Beeb has brought together a quintet of their recent Dickens adaptations into the Charles Dickens Masterworks Collection (BBC, Not Rated , DVD-$119.98 SRP). The set collects the previously released discs of Oliver Twist, The Old Curiosity Shop, Bleak House, Little Dorrit, and Great Expectations, with the exact same bonus features as those original versions.

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However, the Beeb hasn’t brought out any of their classic comedy in high definition yet, but we are getting a pair of their recent prestige productions on Blu-Ray. The first is their multi-art adaptation of Charles Dickens’ Bleak House (BBC, Not Rated, Blu-Ray-$49.99 SRP), starring Gillian Anderson and containing bonus commentaries, interviews, and a photo gallery. Also available is Cranford (BBC, Not Rated, Blu-Ray-$39.98 SRP), their adaptation of the works of Elizabeth Gaskell. The sole bonus feature is a making-of featurette.

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I’m not entirely a fan of the split-season approach to releasing classic DVD series, but if it’s the only economically viable way to get them out, I guess we’ll all just have to be patient. The latest installments are Gunsmoke: The Third Season Volume 2 (Paramount, Not Rated, DVD-$36.98 SRP) and The Mod Squad: Season 2 Volume 2 (Paramount, Not Rated, DVD-$36.98 SRP).

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Get a complete, compelling look at the prehistory of Planet Earth through the arrival of mankind with the History Channel’s Prehistoric Collection (History Channel, Not Rated, DVD-$59.95 SRP), which collects four previous documentaries in one set – Jurassic Fight Club, Prehistoric Megastorms, Journey To 10,000 BC, and Clash Of The Cavemen. Bonus materials include additional footage and the Mega Disasters episode “Asteroid Apocalypse”.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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May 28, 2009

Ken P. D. Snyde-Cast #97: Lobster Pants and Tank Tops

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 5:32 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #97: Lobster Pants and Tank Tops – Ken & Dana return with a meandering conversation which touches on lobster pants before delving deeper into embarrassing clothing from their deep, dark pasts. Then, other stuff happens.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #97 (MP3 format)

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Cabin Fever #66: Starcrash and Burn

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 1:26 am

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #66: Starcrash and Burn – This week the guys open up the floor to the listeners and let them chime in on The Greatest Movie Ever, with varying results. They also discuss Insane Ian Bonds’ new album, n3rds0ngs, as well as parody music in general, and everyone’s favourite 60 second music review makes a welcome return… of sorts.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #66 (MP3 format)

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Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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May 27, 2009

Opinion In A Haystack: UP Makes Children Cry

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Hollywood hates children. Well, nowadays, for the most part. The past decade has seen a decline in the realm of family films so drastic it’s almost embarrassing to behold. A constant barrage of sub-par, placating, dreck that insults the intelligence of the child and the adult they will one day grow to be. Substance and craft are no longer the main concerns for children and families, simply be garish, be happy, and NEVER be realistic in tone (DEATH DOESN’T EXIST, ONLY iPods DO!!!) The youth of today have virtually nothing to grow up with and rediscover as surprisingly well-made entertainment, all they have is films equivalent to my generation’s Masters Of The Universe (great for nostalgia, not so great for adult criticism.) They need, and deserve, more fare like Beetlejuice, Return to Oz, Gremlins, or The Neverending Story (yes, I’m bias)… films where they grow up, re-watch and think “Holy hell! This was for kids?” They are feeding them messy piles of sugary air such as Alvin and the Chipmunks, Beverly Hills Chihuahua, or Night At The Museum (1 or 2, take your pick), which are so hackneyed and sloppy that the slightest hint of adolescent logic or understanding of story structure forces them to collapse under their own faulty welds and lashings. However, in a world of film that treats kids like permanently-imbecilic-spider-monkeys, there is still Pixar.

And Pixar has balls. SEXY. PLUMP. BALLS.

Not even going to bother jumping on the Pixar worship-wagon here. You know, as well as I do, about their reputation and their increasingly growing catalogue of well-crafted films that are arguably genre masterpieces (Wall-E, The Incredibles) or great against all odds (Cars: completely entertaining in spite of stilted-premise and Larry The Cable Guy.) Up continues this trend, possibly in the animation house’s greatest triumph of supremely original ideas and adult-story-telling-for-kids.

The film opens by following the life, from pre-adolescence to golden years, of Carl Fredricksen (voiced by the great Ed Asner.) He is an old man with an unfulfilled dream of adventuring in the South American wilderness and a home that is being strangled by industrial development. In short, he ties thousands upon thousands of balloons to his house and floats away, toward South America, on what is to be the last adventure of his life, one that he is forced to share with a young boy who inadvertently is on his porch during take off. Simple right? Odd right? Confusing right? Right, but it’s the approach that matters.

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Amongst the fantastical elements in the film, the ones that can be seen in the trailer, like a house being floated by mere balloons, talking dogs, or elderly men being WAY too physically active for their own good, Up has a grounded heart and realism in place that metaphorically punches the adult-mind in the gut, and righteously, yet not viciously, sprays pepper-sauce in children’s faces (the kid next to me in the theater cried A LOT.) The movie deals with death, abandonment, and the loss of heroes at the fore front of its surface.

******************SPOILERS START HERE**************************

This blunt realism kicks right off, as the beginning of the film introduces us to the epitomes of pure cuteness and naivete that are young Carl and Ellie (his future wife.) They both seek adventure and have the same hero, Charles Muntz (voiced by the legendary Christopher Plummer), and we are treated to a montage of their life together. We witness their marriage, their home life, their romance, their laughter, and eventually, their inability to conceive children (yup,) and ultimately their parting. THAT’S RIGHT. Ellie dies. Not just dies, but dies in a montage around 20 minutes or so into the film… Pixar sets you up, and knocks you down… all to the loving tunes of a soothing and sad score. All that went through my mind was “Holy hell! This is for kids?” Which, trust me, is a huge compliment.

Pixar’s balls, by this point in the movie are already huge and pulsating, but they still get even bigger. The reason Carl even floats his home in the first place is because the government is taking it away and forcing him into a retirement-home due to him attacking a construction worker with his cane (drawing blood!) Through the course of the film we also see Carl discover that his (and Ellie’s) childhood hero is a deranged, psychopathic, MULTI-murderer and that the kid, Russell, has a deadbeat dad who basically wouldn’t care if he lives or dies… we even see dogs getting hurt and possibly killed (due to their own actions, its not Pixar’s Hostel.) Topping off the dark tones found here is a joke played on the audience that is so genius, cruel and hilarious that scriptwriter Bob Peterson must have been laughing since the day he put it on paper. I won’t spoil it for you. Heh.

******************END SPOILERS*******************

Up‘s realism, risks, and complimentary attitude toward the audience is not the only positive however. In no way am I trying to sell it on the merits of making children cry alone… ok, maybe a little. It is also quite successful on all other standard fronts, and it’s got plenty of well-executed laughs and a grand vibrant color scheme. The script is extremely original, not to mention the cast of characters which includes a huge bird, Dug the Dog, and his fellow army of talking K-9 brethren. Dug is the comedic stand out of the movie, as his dialogue perfectly plays out the awkward nature of how dogs would actually sound if they could miraculously speak English. All the main players in the movie get their own small, but useful, character-arcs… even the bird (oddly the only character not able to speak.)

The fantastical elements are handled in a way that doesn’t grate the logic. Unlike sloppy piles of confusion like the continuity, rules, or consistency of the magic tablet in Night At The Museum 2, the material here is given mystery and logic where it needs it, and glazes over where it doesn’t… which is why you wont be questioning how Muntz (Christopher Plummer) invented a collar that translates dog speak to English, or how those balloons wouldn’t remotely lift that house, let alone tear it from it’s foundation (I believe Mythbusters tested a similar idea, and it was only picking up the weight of a single child)

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The triumph of the animation here is that Pixar does make art, but they don’t try to re-invent the wheel when the wheel is working just fine. The movie is absolutely beautiful, not as visually breath taking as Wall-E, but still it looks fantastic. The blocking of some of the scenes is incredible, the little house mushroom-topped with a cloud of balloons floating across a vast blue sky in an ultra-wide shot is iconic and slightly haunting, especially considering the “rainbow” visual of the balloons. Up, much like most of Pixar’s flicks, excels in its craft (from all angles, writing, direction, choreography) and not merely in the technology of the craft. The digital 3D print is especially gorgeous, and is highly recommended.

It’s not often that a bitter old grump like me sees a film and can’t find too much negative to say about it. If I had to really rack my brain, I guess I could say the only problem was that maybe the movie makes Carl too much of a physical action hero at times, considering his age, but it’s handled with such care in the narrative of the movie, so its not a big deal, and certainly not out-weighing the good. This is probably Pixar’s least marketable film yet, being so morbid an odd. The less broad they get, the better they get…which is kind of a mind boggler when concerning Pixar… how do they continue to get better? How? In this case most of the praise should be directed toward director Pete Doctor, who some how improved on his wonderful Monsters Inc. with this new offering.

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Also, just to put things into perspective, this review was written by someone who doesn’t even honestly like computer-generated animation at all, and who has really never publicly “sucked off” Pixar. Up was just class-A entertainment, and perhaps an arguable masterpiece in the family film genre. It’s good to know that this generation has at least a few movies, like Up, to grow older with and re-watch and see the adult themes, the quality craftsmanship and exclaim “This was for kids?”

QUICK THOUGHTS AND RANDOM BITS

Star Trek: a few weeks later…

J.J. Abrams’s Star Trek was great fun. As a die hard Original-Cast-film fan, still have no debilitating complaints… except, upon further reflection… it was great, but it really just isn’t Star Trek. Long Live Shatner.

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Annoyed at “revisiting” reviews

Something that grates on the nerves is when an old franchise is resurrected (Terminator) or announced to be resurrected (Ghostbusters) and we have to sit through a plethora of reviews, rants, and ravings by young-ins saying how the originals (T1, T2, Ghostbusters) are overrated in the first place. Just want to say: SHUT UP JUNIOR! Your ill-informed meandering is not making your CGI-raped re-imagining any less horrendous.

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What’s in a name?

If you hate McG, director of Terminator Salvation, simply because of his name then your opinion is invalid. First, his real name is McGinty, “McG” is the nickname given to him by his family… it’s not a self-chosen moniker due to douchebaggery. Second, hate him because his movies are sub-par… even though to hear the guy talk it really seems like he is actually trying, just failing miserably.

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Exterminators exterminate… so Terminators should… ?

If you are going to make Terminator 4, if you just can’t help but do it, and you have to make it a heaping pile of poorly constructed blandness… could you at least follow the one rule that even the hokey Terminator 3 didn’t break? If a Terminator, no matter what make or model, gets its hands on a human, don’t let the machine give a dramatic pause, don’t let the machine just “play around” with them, let them INSTANTLY kill. Terminator 1-3 never let the villains even touch the targets… why? Because they are terminators, they would terminate at all costs. Why couldn’t you at least follow this logic? Why sir?

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It works in Reno, but not at the multiplex.

Robert Ben Garant and Thomas Lennon, You were great writers on The State, and are hilarious writers on Reno 911!, so how come every time you make the leap to film its completely dreadful? Taxi (the Queen Latifah movie), Balls of Fury, The Pacifier, Let’s Go To Prison, Herbie Fully Loaded, Night at the Museum, Night at the Museum 2: Battle for the Smithsonian… Your film work reads like the listings for a multiplex in the deepest circles of hell… what is going on there guys?

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There is always room for Jell-O… and more Bitterness!

Got into an argument with a young “film buff” who was saying that The Dark Knight and Iron Man are better films then The Outlaw Josey Wales, Akira Kurosawa’s Seven Samurai, and Apocalypse Now. Is there any hope for the future?

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Party Favors: Jo Koy Interview

Filed under: Interviews,Joe Corey's Party Favors — Tags: , , , , — UncaScroogeMcD @ 5:52 pm

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KANSAS CITY – Jo Koy’s cellphone was calling me.

The stand up comedian’s excited that his first hour long Comedy Central special is now out on DVD. Jo Koy: Don’t Make Him Angry gives the uncensored version of tales about Michael Phelps, his son’s ting-ting and his mom playing Wii.

Before we discussed the funny, there was the matter of people thinking he was saying “Joe Corey” on his Amp’d Mobile ad. It was more confusing since we have matching haircuts. He was not playing me in the pool hall. He wanted to know if other people messed up my name like his.

“Whenever I go to get a reservation they go, ‘Your first name is Joy?'” Koy said.

The most embarrassing butchering of his name came at the hands of a former Fox News employee.

“I was doing an industry showcase in LA. Dom Irrera was the host. This is the first time I get to LA. The networks are in the audience to watch. He goes up to do my intro, ‘This next gal, I’ve worked with her several time. She’s hilarious. You’re going to love her. Put your hands together for Joy Koy!'” Jo had to burn one of his precious minutes explaining to the folks that he wasn’t a girl.

Luckily Koy’s career wasn’t destroyed by Dom’s gaf. He graduated from a doing a Comedy Central Presents half hour special to a full fledged hour long show. Here’s a clip from Don’t Make Him Angry with Koy talking about Michael Phelps:

Jokes.com
Jo Koy – Swimming
dians.comedycentral.com
Joke of the Day Stand-Up Comedy Free Online Games

What’s remarkable is the background image of Koy’s crying son isn’t a projected photograph. It’s a giant mobile hanging from above. Bruce Ryan was responsible for this wicked good piece of stagecraft.

“What’s crazy is that each individual piece had weights on them so they would sit perfectly and wouldn’t sway if wind hit them. The guy is a genius. Bruce Ryan does the big sets for everybody,” Koy explained. Ryan created the sets for Larry the Cable Guy, Jeff Dunham, Kathy Griffin and AFI’s Tributes to George Lucas. “We were blessed to have him. He didn’t tell us what he was going to do until the day of the show. I looked up and I teared up. It was so beautiful.”

The piece was too huge for Koy to take back to his place. Even after all these months, it still pangs him that he couldn’t save it. Who wouldn’t want a 20 ft high sculpture of your kid to show off to family and friends? He confessed how he wished he’s just taken one piece.

Koy is really close to his son and taps the child for several of his best routines. He still remembers the delivery room. “That was the best moment of my life,” he said. “Seeing that baby being born. So amazing even though I threw up.”

Koy merely gushed when it came to talking about director Troy Miller’s work on Don’t Make Him Angry. “The way he shot it was awesome. It has a different look than most one hour specials. He went above and beyond also.”

The DVD also includes Koy’s first half hour Comedy Central Presents that was done last year. What was the difference in making the step up to the big show? “When you’re doing an hour, you’re literally doing an hour and thirty minutes,” Koy said. “That way they have enough material to go to. I had to write a longer set. I had to do two tapings in one night. It was pretty much three hours that I did on stage. What’s crazy was we had a technical difficulty in the first show. We couldn’t even use any of the material from the first taping. The whole DVD is the performance I did that night.”

What technical glitch happened to zilch the early show? Did someone forget to press record on the tape deck? Did the front row consist of CIA undercover agents?

“We had no air conditioning,” Koy confessed. “I was sweating profusely. It was bad. I had that silver jacket on so you could see big sweat spots starting to grow. We couldn’t use it because it wouldn’t match. During the second show we still didn’t have an air conditioning unit. At the end of every joke, I was basically stopping. I’d apologize to the crowd. We’d have to do make up and wipe the sweat off my face between each joke. Then I’d start back up again.”

Unlike Madonna, he didn’t rush off stage for the touch up. He never lost sight of the audience. “I was joking and interacting with them in between,” Koy said. If you were in the audience that night, he still thinks highly of you.

You’ve already seen the first half of his routine about Olympic champion Michael Phelps. The routine gets a little darker in the second half. How do the crowds react to him talking about Phelps without his swimcap?

“They love it,” Koy confirmed. “I go on the road and people request it. I don’t do that hour at all. I don’t touch any of those jokes anymore. Last night people were yelling out ‘Michael Phelps!” And ‘Wii!’ My mom playing the wii. They scream that out loud and I have to do it for these people. It’s awesome. I love it. I never had a request before.”

We had a joke about how if Michael Phelps had been photographed eating pot brownies, he could have received a Duncan Hines endorsement instead of apologizing to the people of China.

Here’s a little bit of Jo talking about his mom while she’s in the audience:

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Jo Koy – P’s and F’s
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Joke of the Day Stand-Up Comedy Free Online Games

“My mom keeps giving me material without knowing that she’s giving me material,” Koy said. “She gets joy every time I go up on stage and have a story about her. She’s a ham, as you can tell.”

We joke about between his son and his mom, he ought to have a reality show on Bravo.

“I shot a pilot with Comedy Central which didn’t get picked up,” Koy said. “Now we’re moving along. I would love to shoot a pilot again based on me and my son.”

Like myself, Jo Coy is also disgusted that “Joe the Plumber” is really a guy named Sam. People that aren’t a first name Joe aren’t really Joes. “This is a classic name,” Koy said. “Don’t mess it up.”

With Jay Leno going to 10 p.m. next season, will there be even more opportunities for stand up comics with all the talkshows needing talent?

“I can’t wait to do Jay Leno again,” Koy said. “What a great talkshow to be on. That guy is nothing, but class. I love Jay. The Tonight Show changed my life completely. I did Kimmel and Carson Daly, but when I did The Tonight Show it was something special. Jay came into my dressing room and spent thirty minutes with my mom, dad, sister and me. He’s a class act. Him and Craig Ferguson are the two guys I admire a lot in the talk show world.”

His first visit with Leno got even better after the show wrapped up. “At the end of the show they do the local drops. He pre-tapes those and keeps the audience there. I’m standing next to Jay Leno. He did four station IDs. When he was done, he looked out in the crowd and said, ‘Where’s Jo Koy’s parents at?” My dad raises his hand. Jay says, ‘Come down. I want to take a picture of you and your son on my stage.’ It was so classy.”

Another show he enjoy is Chelsea Lately on E! He’s been a regular guest on the opening roundtable segment. “I’m pretty much a fixture there and I love it. She’s done so much for my career. She’s really giving and sweet. I want to pay it forward just like her.” And when it comes to her sidekick Chuy Bravo? “I love that guy. He takes those punches so good.”

Koy got his start in Las Vegas. We joked about the badness Criss Angel’s show at the Luxor. We got a little too ghastly with talk about the potential future home of the Jo Koy theater. He gave his recommendation for food in Sin City. “The best place for late night steaks is the Rio.”

When he was working out his material for Don’t Get Him Angry, did Koy work on the language to figure out what moments would work best when bleeped so people would be really interested into getting the uncensored DVD?

“The beautiful thing about the hour is that you get to go up and be yourself and (Comedy Central) has to deal with the bleeping,” Koy said. “It doesn’t take you out of your routine. I’m on the road every day of the week. I’m doing club style comedy. To prepare for my hour special I was one the road for eight months working on my set. I was writing jokes for the hour, but I still have to perform for these people who are coming out to see me.”

What’s always interesting about a comic how they have to constantly be updating their material. Once a comic gets a routine just right, they have to dump it. Don’t expect Koy to perform all the jokes on Don’ t Make Him Angry when he comes to your town in the next few months.

“That’s why people don’t understand how hard it to do stand up,” Koy said. “Writing a joke is equivalent to writing a song. It’s just as hard to work out the kinks and make sure it’s hilariously funny. It takes a while for each joke to develop and work out. Unfortunately when we finally get it on DVD, we have to retire it. Or when it’s on TV, we have to drop it. Otherwise people think you’re doing the same material all the time. It’s unfortunate, but that’s part of the game. A singer writes a song and can milk it for 25 years. We can’t do the classics. It sucks cause there’s a few jokes that I didn’t get to do on the road. I never really got to perform that Michael Phelps joke anywhere. That joke came right after the Olympics.”

There is one exception to the retirement rule.

“If they request it; let’s do it. But it’s a double edged sword for a comedian,” Koy said. “If I go up and do it, the crowd is like, ‘He’s just doing the stuff from the DVD.’ But if you don’t do it, the crowd says, ‘Why didn’t you do any of the stuff from the DVD?’ What do you guys want from me?”

Koy understands the ultimate reason that he needs to keep updating his material. “I don’t want be at the end of my set talking about my three year old and someone comes up to me and goes, ‘Isn’t your son six and a half now?'”

If you want to see Jo Koy talk about his son’s Ting-Ting while the kid is still young, visit his website at:

www.jokoy.com

REVENGE TIME?

Anyone else suspect that the recent rash of hatred against Craigslist is being funded by big newspaper publishers wanting us to return to their “safe” classified pages? There’s such a rabid exploitation of any news story dealing with someone using Craigslist.

TRUMP SCAM

How can this season of Donald Trump’s Celebrity Apprentice not be viewed as fixed? Joan Rivers was a worthless mess on a majority of the episodes, but Trump refused to fire her. Did it have something to do with Joan’s charity being God’s Love We Deliver? Joan likes to call it a small, little known charity. Except it’s not that unknown in the world of Donald Trump since Blaine Trump, his sister-in-law, sits on the Board of Directors of God’s Love We Deliver.

Donald Trump funneled $532,000 of NBC’s money to a relative’s charity without admitting his connection. How could Annie Duke have a chance to win? She was dead meat in that boardroom. The network didn’t let us know that the judge had a rooting interest in this decision. I would normally say that this is against the game show laws, but there’s no real game in this show, Trump can do what he wants without preset rules and conditions. He doesn’t have to be consistent or make sense. He got rid of a Kardashian because he won’t tolerate people with a drunk driving conviction. Yet he allowed Dennis Rodman to stick around even though the Worm had also been nailed for drunk driving. Where’s the justice?

The bigger scandal is why NBC had to give this show three hours for its finale. Couldn’t they have cut it in half and started the Today Show early?

BOND BLU-RAY

Another two James Bond classics are out on Blu-ray this month. Time to break out my martini glasses to enjoy 007 in 1080p.

The Man With The Golden Gun takes the Roger Moore Bond to the Far East. He’s in pursuit of a notorious hitman played by Christopher Lee. How will the secret agent do against a man who played Dracula in the Hammer Films? Lee gets a little help from Herve Villechaize (Tattoo from Fantasy Island). Bond gets stuck with a ditzy agent, Britt Ekland (The Wicker Man) so he’s out manned. The film does have quite a few exciting scenes including a spiral car leap off twisted bridge. Christopher Lee turns his car into an airplane with a few handy accessories. Unlike today’s CGI effects, they really did get that car to fly. All the bonus features from the Ultimate Edition have been brought over. The transfer image brings out the beauty of the Asian location. The Phuket islands in Thailand look like a high quality travel poster on the screen. And you’ll want to be able to see Britt Ekland and Maud Adams in extreme resolution as they wander around Lee’s lair in bikinis.

Licence to Kill was Timothy Dalton’s second and final outing as Bond. They wanted to make a harder Bond than the glib Roger Moore persona. While this film isn’t as intense as Daniel Craig’s Bond, Dalton wasn’t a happy go lucky agent. The cut on the Blu-ray contains the moments snipped after the MPAA rated the film with an R back in ’89. The film has Robert Davi (the creepy stripclub owner in Showgirls) as a Latin American drug kingpin. Bond and Felix Leiter (David Hedison) bust the guy right before Felix’s wedding. The honeymoon goes bad when Davi escapes and gives Felix a really bad wedding gift. Bond is bent on revenge, but M wants him off the case. Bond resigns from MI6 so he can keep up his pursuit. His only help is Carey Lowell and Davi’s abused girlfriend. Davi’s main muscle is a very young Benicio Del Toro. Injecting a little humor to the film is Wayne Newton as a televangelist. The high definition transfer makes the shark torture scene more intense than the pan and scan run on cable. The bonus features include a breakdown of how they made the tanker trucks for the big stunt sequence. You also get two really cheesy ’80s videos from Gladys Knight and Patti LaBelle. If you’ve upgraded your home entertainment system, make sure you’ve upgraded your Bonds.

DVD SHELF

Man Hunt is our Ray Regis pick of the week. In the wake of Tarantino’s World War II fantasy called Inglourious Basterds, Fox has finally put out Fritz Lang’s own fictional plot against Hitler that was released in 1941. Walter Pidgeon has a clear shot at Hitler during a hunting trip in Bavaria. He’s captured by Hitler’s guards. They torture him in hopes of getting a confession that he is a British agent on a mission. Can he withstand the enhanced interrogation techniques? What would happen if he does as told? This was pre-World War II so plenty hangs in the balance for Pidgeon to resist. Can he escape before he becomes another victim of the Third Reich? The movie is a tight thriller for its time. Patrick McGilligan contributes a commentary track. He wrote Fritz Lang: The Nature of the Beast so he’s giving plenty of details instead of describing what we’re seeing. He lets us know the guy playing Hitler had already put on the mustache for Citizen Kane. The late film archivist Ray Regis was really excited to screen Man Hunt a few years back. I know he’d be pleased by the excellent black and white transfer on this DVD. Before you see Basterds, witness how Fritz Lang threatened Hitler while the Fuhrer was alive.

Pufnstuf is the winner of the DVD that requires you to be baked. The big screen musical adaptation of the Saturday morning H.R. Pufnstuf. This was the first major freakishness from Sid and Mary Krofft. A little boy is kidnapped by a witch who wants his magic flute. His only help is a giant lizard in little white cowboy boots. Can he get his flute back? Why is everything on Living Island alive? How do they eat without fruit screaming? Will Mama Cass sing more songs? This film is not made to be watched while sober. Only bonus feature is the trailer.

Contest Round-Up: 2009-05-27

Filed under: Articles — Tags: , , , , , , , — UncaScroogeMcD @ 1:17 am

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Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with New Video, we’re giving away five (5) copies of DOCTOR HORRIBLE’S SING-ALONG BLOG on DVD.

In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of THE JETSONS: SEASON 2 VOLUME 1 on DVD.

In conjunction with Titan Books, we’re giving away four (4) copies of TERMINATOR: SALVATION – THE OFFICIAL MOVIE COMPANION.

Win TERMINATOR: SALVATION – THE OFFICIAL MOVIE COMPANION!

Filed under: Contests — UncaScroogeMcD @ 12:43 am

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In conjunction with Titan Books, we’re giving away four (4) copies of TERMINATOR: SALVATION – THE OFFICIAL MOVIE COMPANION.

Contest ends at 11:59pm EST on Wednesday, June, 17th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on June, 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE JETSONS: SEASON 2 VOLUME 1 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:35 am

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In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of THE JETSONS: SEASON 2 VOLUME 1 on DVD.

Contest ends at 11:59pm EST on Wednesday, June, 17th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on June, 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win DOCTOR HORRIBLE’S SING-ALONG BLOG on DVD!

Filed under: Contests — UncaScroogeMcD @ 12:25 am

contestheader.jpg

In conjunction with New Video, we’re giving away five (5) copies of DOCTOR HORRIBLE’S SING-ALONG BLOG on DVD.

Contest ends at 11:59pm EST on Wednesday, June, 17th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on June, 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

May 25, 2009

TV Or Not TV: 5/25 – 5/31

Filed under: TV Or Not TV — Tags: , , , — admin @ 3:50 pm

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Welcome to TV or Not TV where I am full of Glee.

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Last week FOX did something very unusual by giving us a full episode preview of their fall show Glee. Originally I wasn’t going to watch this show because to me it seemed to be a show created to try to tap into to the High School Musical craze. I then remembered how I originally wrote off The Secret Life of the American Teenager due to pre-conceived notions without seeing a single moment of the show. Seeing as how I’m trying to at least be perceived as an actual TV critic I realized it was my duty to watch this show and actually make an educated decision.

First and foremost I would like to emphatically state that I thoroughly enjoyed Glee and think that the only major problem I had with the show after watching it was the fact that I was going to have to wait until the fall to see more of it. The show is about a former glee club member turned teacher Will Schuester (played by Matthew Morrison) who takes over the completely underfunded and underappreciated glee club for William McKinley High School (the same school name from Judd Apatow’s critically acclaimed and short lived Freaks & Geeks). From there the show begins to present to us the typical players of a high school drama with the popular quarterback Finn Hudson (Cory Monteith) who hides his real passion in fear of ridicule, the over-achieving girl Rachel Berry (Lea Michele) who wants to be a star to the degree that it alienates her from the rest of the student body, the affeminite and fashionably conscious male Kurt Hummel (Chris Colfer), the shy asian girl Tina (Jenna Ushkowitz), the powerful african-american singer Mercedes Jones (Amber Riley), and the nerd (not just nerdy but also in a wheelchair… nice touch). We are also introduced to the pain that Schuester has to deal with competing for the rights of his glee club at a school where the cheerleading squad is a national competitor that gets the majority of the school funding. His pain also extends to the home with a very over-controlling and dependant wife (who clealry doesn’t appreciate him). The dynamic with is wife is further complicated by the clear adoration and support that he receives from germaphobe co-worker Emma Pillsbury (played by Jayma Mays).

This pilot episode had a lot to set up so I can’t fault them for going deeper into the background of Kurt, Tina and Mercedes. The fact that these characters still exist to be fleshed out helps give us more to look forward to as well. There is plenty to still be explored in the other characters that we’ve only seen briefly like Finn‘s chearleader girlfriend Quinn (Dianna Agron) and fellow football player Puck (Mark Salling). I’m also very interested to see more of the backstory to Emma Pillsbury and look forward to the guest stars that this show could undoubtedly pull in.

Of course the show couldn’t be a hit if the musical numbers aren’t good. The performance of Rehab by the competing high school’s glee club definitely was both entertaining as well as conflicting in the words vs. the clean cut presentation. When we see our main characters finally perform at the end of the show Journey will be stuck in your head for a few hours as you are left longing for more.

Now that I’ve expressed all of my glee about Glee let’s move on to what we can watch in the next 7.

MONDAY

Memorial Day is all about celebrating those that serve the U.S. military with their service and sacrifice. Nothing says that more than the tradition of the television marathon.

HIST: The history channel offers up an all-day marathon of MonsterQuest.

TLC: Just as they’ve done the entire weekend, Jon & Kate Plus 8 marathon’s up to the 9 PM premiere of the new season.

A&E: There’s nothing more uplifting than watching an entire day of Intervention.

TUESDAY

THECW – 8:00 PM: Sadly tonight is the final episode (probably ever) of Reaper. When the show was given the 13 episode pick-up last year the show’s producers said that this finale would give a certain level of satisfaction, so will Sam actually win his way out of his deal with the Devil? Either way I’m really going to miss Ray Wise as the Devil.

NBC – 8:00 PM: You have to ask if they NBC is really starting to scrape the bottom of the barrel with TV’s 50 Funniest Phrases. Yes, two hours of prime time dedicated to D’oh!, Where’s the Beef?, and Whatchoo talkin’ ’bout Willis?

FOX – 9:00 PM: I don’t know much about Mental, but it’s a new show so I’ll at least be checking it out. Is it the House of psychiatry? I’ll let you know.

WEDNESDAY

ABC – 8:00 PM: The painful smackfest that is Wipeout returns. It’s self-inflicted suffering at it’s finest.

CBS – 8:00 PM: George Strait: ACM Artist of the Decade All Star Concert has Jamie Foxx (and a whole lot of others that make for more sense) some how paying tribute to George Strait. Can’t wait to see how this plays out.

ABC – 9:00 PM: ABC once again hopes to come up with an animation hit with The Goode Family. It’s by Mike Judge so I’m also trying to hold out hope, but sadly I don’t have much.

THURSDAY

ABC – 8:00 PM: Strap in for a night of thrills and excitement as Tom Bergeron hosts the 2009 Scripps National Spelling Bee.

DISCOVERY HEALTH – 8:00 PM: Oprah‘s personal trainer Bob Greene tries to break the yo-yo dieting cycle of three individuals in I’m Fat Again: A Best of Life Special. I’m sure he can help, it’s not like Oprah has that yo-yo dieting problem. Speaking of Oprah

CNBC – 9:00 PM: CNBC takes a look at what happens when Oprah pimps a product for you. I wonder if Bob Greene will be on this too?

FRIDAY

FOX – 8:00 PM: Mark McGrath tries to help out Gary Dell’Abate win money for the charity LIFEBeat. Here’s hoping he does a lot better than that first pitch for the Mets! (Bababooey!)

ABC – 9:00 PM: Financial advisor Mellody Hobson talks to a bunch of rich people, including Will Smith and Samuel Jackson, about the basics of financial knowledge and management. Glad to see she’s taking a real Main Street perspective on this one.

SATURDAY

HIST – 2:00 PM: A 10 hour marathon of the first season of Ice Road Truckers might just get me to not leave the house today.

TBS – 7:00 PM: Apparently it’s bad Will Ferrell movie night on TBS with Kicking & Screaming followed by A Night at The Roxbury.

ABC – 10:00 PM: There are only 6 episodes left to the amazing yet cancelled show Pushing Daisies and it looks like the alphabet net is finally going to let us see them with tonight’s return of the show. Enjoy the Pie Maker with me as we kick off one last run will you?

SUNDAY

MTV – 8:00 PM: What will The Hills be after Laura Conrad leaves? I have no idea, I don’t watch.

TBS – 8:00 PM: As a fan of Clive Cussler novels I was excited to see Sahara. When it turned out it was another movie to feature Mathew McConaughey‘s chest? Not so muh.

MTV – 9:00 PM: This year Andy Samberg hosts the MTV Movie Awards. I might actually tune in for once.

– Will Wilkins now returns to his regularly scheduled broadcast.

Masters Of Song Fu #4: Round 1 Challenge Voting Begins!

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We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a unique form of creative combat here at the Stop.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

Like a songwriting version of Iron Chef, the competitors will be presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop to be voted on by you, the audience.

Oh, and what do we call this competition?

MASTERS OF SONG FU

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Let us not forget the very special Masters of MASTERS OF SONG FU. Think of them as the iron chefs of Song Fu – one of which will be revealed as the ultimate challenger in THE FINAL CHALLENGE. Past Masters have included Jonathan Coulton, Paul & Storm, Neil Innes, The RiffTones, and Garfunkel & Oates. Any one of them could be the Master in the final Challenge – or perhaps it could be a brand new Master. Only the Challenger who garners the most cumulative votes in all 3 Challenges will move on to the Final and face that Master, mano a mano.

As with the last edition of Song Fu, all of the Challengers will be able to compete in every Challenge, and the Challenger with the most cumulative votes after the 3 Challenges will be the one that takes on the Master in the Final Round. So what was the first Challenge?

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ROUND 1 CHALLENGE

Write a song from the perspective of an inanimate object. This inanimate object must have no moving parts. Also no computers, no objects that look like living things, either human or animal (i.e. a statue, an action figure, etc.), and no celestial objects (i.e. the sun or the moon). Your song can be in any style you choose.

That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.

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THE CHALLENGERS

MOLLY LEWIS

When she’s not bluffing her way through college courses or looking passably attractive from a distance, Molly Lewis enjoys playing ukulele, microwaving marshmallow Peeps, talking to cats, and Twittering. Early last year, she wrote two original songs, “MyHope” and “Road Trip”. “MyHope” is about the inevitable day when our children will learn how to navigate the interweb and how they will LOL at our old internet presences, namely MySpace; of “Road Trip”, Molly says it’s about “that astronaut lady who went crazy and wore the diapers, you remember that?” She has not written any songs since. Hopefully this competition will remedy that. When Molly was in middle school, she took up the guitar. That sank into the swamp. So she took up the mandolin. That sank into the swamp. So she took up the banjo. That burned down, fell over, then sank into the swamp. But the ukulele has stayed. And that’s what you’re going to get, Quick Stop Entertainment: the strongest ukulele in all of Tacoma, Washington. Molly defeated Masters Paul & Storm in Masters of Song Fu #3.

Official Website: www.sweetafton23.com/primer/
Twitter: twitter.com/Molly23
ROUND 1 SONG: Unfortunately, Molly was cornered by retaliatory dingoes sent by Paul & Storm, and was unable to compete in this Challenge.

EDRIC HALEEN

songfu-edrichaleen.jpgEdric has been writing music (off and on) since the early nineties. He wrote and directed a musical, The Pushcart War, based on Jean Merrill’s wonderful novel. He has written and/or arranged a number of songs for various friends – some commissioned, some as surprises. He loves acting in community theatre, and is inspired by the music of Stephen Sondheim, Jason Robert Brown, Adam Guettel, Lynn Ahrens and Stephen Flaherty. He is also happy to finally return his Happiness Board to the Internet. Check out the link on his web pages.

Official Website: happinessboard.com/Edric_Haleen.html
ROUND 1 SONG:All For This Moment

“BUCKETHAT” BOBBY MATHESON

songfu-buckethatbobby.jpgI’m “BucketHat” Bobby Matheson. I used to make cartoons for the internet, and sometimes still do, but mostly focus on my music right now. Lately, I’ve been getting more into recording other singer/songwriters in my little, make-shift studio than I have been recording myself. I want Masters Of Song Fu to change that. I don’t really know what genre my music would fall under. Influences range from Klezmer to folk, to punk and back, which ends up sounding more like Zydeco than anything else (who’d have guessed?). I’ve been thinking of dropping the “BucketHat” from my stagename, but fear change.

Official Website: www.buckethatbobby.randomsociety.com
Twitter: twitter.com/BucketHatBobby
ROUND 1 SONG:Noose

MIKE LOMBARDO

Mike Lombardo is a piano-playing pop-rock singer-songwriter who likes to use hyphens when describing his occupation. A recent graduate of Berklee College of Music, he spends most of his time banging on pianos, teaching children how to bang on pianos, or playing shows with his band, the Mike Lombardo Trio. Feel free to go to his website and send him lots of money. Or cookies.

Official Website: www.mikelombardomusic.com
Twitter: twitter.com/mikelombardo
ROUND 1 SONG:Rock Song

GöDZ PööDLZ

Legendz foretell of a mighty duo, born in the frozen North. Two neighborz and friendz will unite to form “Gödz Pöödlz” and battle the Mazterz or Song Fu for glory and bragging rightz! Gödz Pöödlz are Rüss Rögers and Röd Dürre. Rüss Rögers was once a member of “Kit and Kaboodle” (still available on iTunes) and currently performs in “Rusty’s Rocking Jamboree!” Röd Dürre wrote and performed with the Goth Rock Godz “Sear”, and last year Röd won the Coor’s Light “Take the 4:53 to Happy Hour” songwriting contest! Remember, the heaviest of metals are soft!

Official Website: www.rockingjamboree.com
ROUND 1 SONG:Bad Penny

STEVE CHATTERTON

songfu-stevechatterton.pngHi, my name is Steve Chatterton, the quintessential one-man-band singer/songwriter net-based recording project. Mom always said I marched to the sound of a different drummer, but she never mentioned which one. Dad had a fondness for bagpipes. Fortunately, neither of them have any direct influence on my music. Specializing in quirky little guitar-oriented pop songs about bugs, the Scooby gang, pirates, palindromes, superheroes, old movies, infectious diseases, imaginary friends and sideshow freaks, I guess you could say I pretty much write love songs. I’m a cheesy bastard at heart. I’m a stay-at-home dad who’s looking to find more time in the studio when my youngest starts school in September. I have an ever-expanding back catalog (at least 3 albums worth & counting) I’m dying to share with the world one download at a time.

Official Website: www.stevechatterton.com
Twitter: twitter.com/SteveChatterton
ROUND 1 SONG:I Will Always Look Up To You

JUTZE SCHULT

Johannes “Jutze” Schult (from Germany) likes to live in a dream world where there has been no Grunge and where he is a talented singer. Sometimes his little folky pop songs find their way into the real world. Here they suffer from his hoarse voice and the do-it-yourself home recording production, struggling to appeal off and on beaten musical paths.

Official Website: www.jutze.com
Twitter: twitter.com/schult
ROUND 1 SONG:Natalie Portman’s Doormat

JARRETT HEATHER

Although he has no formal training, Jarrett is an accomplished pianist who has been composing music for nearly twenty years. A relative newcomer to the world of online amateur competitive songwriting, he burst onto the scene earlier this year when he filled out an entry form just before the deadline. While earning his living as a graphic artist and website developer, Jarrett secretly dreams of leaving behind the glamor and prestige of internet publishing so he can focus on composing music for songwriting contests full-time. With no fanbase, loyal followers, obedient minions or friends, Jarrett will rely on his music-crafting skills alone to win over converts and earn votes.

Official Website: www.spaceparanoids.net
Twitter: twitter.com/SpaceParanoids
ROUND 1 SONG:Trapped Inside Your Sofa

AUDIOMOHEL

Forged in the furnace of irony, molded with the hammer of satire, flattened on the anvil of righteousness, and cooled in the water of awesomeness, AudioMohel was thrust upon the world. Named from the lost audio transcripts of ’09, AudioMohel serves as a public-service backlash against the anti-circumcision trend sweeping the so-called “enlightened parents” crowd, AudioMohel urges their more devoted and impressionable fans to undergo the snip two or even three times. AudioMohel enjoys experimenting with new breakthrough genres like speed blues and death classical even though most of AudioMohel’s tunes reside firmly in the ethereal realm of vapor-ware. Some of AudioMohel’s members admitted to being a bit intimidated by the professed experience and actual musical talent apparently possessed by the Song Fu Masters, but finally it was decided that if the need arose, sabotage would not be out of the question. To be used as a last resort, naturally, but not out of the question.

Official Website: www.AudioMohel.com
Twitter: twitter.com/AudioMohel
ROUND 1 SONG:Hubcap Without A Home

JALEPENO HABANEROS

In the far off land of Chandler, Arizona, where the rivers flow with sand and cacti, our leader and master, the Lord of Our Lady Gwynyth, guitar and microphone in hand, called for the greatest musicians in the land to assemble a rock and roll group like none other. Unfortunately, they were cut off on the road, and the Jalapeño Habañeros made it there first. With The Rogue Bohemian on saxophone and The Boxcar Bassist on bass and keyboards, the Lord was pleased. Now, they roam the streets of Chandler, playing epic songs and rocking faces, much like Bon Jovi. Unfortunately they are paid in change, and often get thrown into the street, also like Bon Jovi. Their lives have intertwined, and the era of the Jalapeño Habañeros has begun. Be prepared.

Official Website: None
ROUND 1 SONG:Aquaman’s Trident’s Lament

THE SCRIBBLES

The Scribbles are one of the most popular ukulele-based trios in their entire 6th grade class. Oh sure, there is the rumor that Peter Choi hates them. Meh. He’s a hater. Ha ha. The Scribbles formed last November when they all agreed on the name. After that they bought some instruments and started writing songs and stuff. So far, they’ve played a handful of shows around their hometown of Springfield, MO. Everyone’s favorite song seems to be “The Robot Song”. Maybe it’s because robots really are taking over the world, or maybe because Connor wears the robot suit during that song and that’s pretty funny. Thanks to MySpace, they are now friends with really cool people like The Beatles and Weezer and Tom. They’ve said some really nice things like “iloveyouguys:D” and “thanx for the add:).” Oh, and by the way, Peter Choi, The Scribbles still luv u.

Official Website: www.myspace.com/thescribbles1
ROUND 1 SONG:Snuggie Like Me

GORBZILLA

songfu-gorbzilla.pngGorbzilla is a musician/band teacher in Mid-Michigan. He has been in a few bands over the years, most notably as the bass player/vocalist for the band “Satin Jones” and the guitarist/vocalist for the band “Jimmy Likes Pie”. The proud father of two future rock maniacs, Gorbzilla has been writing music for the past twenty years, and is currently working on his first musical Beer ““ Finally a Musical for Men based on the Haiku by Patrick “Horkmeister” Sweet entitled, “I Think I Threw Up”. He has been happily married for eight years, and is looking forward to this competition.

Official Website: gorbzilla.blogspot.com
ROUND 1 SONG:I Am Your Pants

DARRELL MacLAINE

Darrell Maclaine has been devouring comedy songs and interesting music ever since he was old enough to know better, and is taking part in this competition essentially as penance for the amount of free music he has obtained via the previous rounds. He plays piano and keyboard bass as one fifth of oddball UK pop group The Directors (another fifth of the group, Mathew Cornah, possesses both more instrumental expertise and a much better home studio than him and will inevitably be press-ganged into contributing to his entries), and has decided to exercise his rusty songwriting muscles in the most embarrassingly public way possible.

Official Website: directors.mashedbins.com
ROUND 1 SONG:Strawberry Fool

BERG AND JERRY

Berg and Jerry are a small suburban acoustic group comprised of Andrew Berg (Lead Vocals, Melodica and, maybe, eventually the Ukulele) and Jerry Geleff (Guitar and Backup Vocals). Mid-summer ’08, Berg and Jerry began writing songs together and since then… well, basically nothing. As rookies to this competition, these guys hope to at least make one good song, and entertain at least one person (*fingers crossed*). Berg and Jerry have a fun ska/indie/punk acoustic sound and often try to write clever witty lyrics. So listen, laugh, and something else that starts with an “L”, because Berg and Jerry are ready to slightly attempt to be THE MASTERS OF SONG FU!!!!!!!!!!!!!!

Official Website: www.myspace.com/bergandjerry
ROUND 1 SONG:The Green Potato Chip Song

DERREK J. THOMPSON

Derrek J. Thompson is an irresponsible and unimportant song-writer and all-around creative type that lives in the middle of nowhere. His hobbies include sleeping and performing Bach at old-folks homes. He plays keyboards in a band called Anthropophobia but they don’t seem to be going anywhere. He hopes to become more disciplined with his creative endeavors as a result of Song Fu.

Official Website: www.derrekswords.com/
ROUND 1 SONG:O’Riely’s Underpants

JEREMY PIERSON

Jeremy’s turn-ons include big eyes, belly laughter, and long walks on the beach. Turn-offs include bad breath, knobby knees, and fungal growth. Huh? This isn’t my post for eHarmony.com? Oh. It’s for what? “Song Fu”? What’s that? I voluntarily submitted to participate? I’ve participated before? Oh. That. I didn’t get any votes last time? Oh, only a few? How many is “a few”? Eight? Why am I participating again? The challenge of it all and the friendly competition? Just to be considered, however briefly, a peer of Jonathan Coulton? Sweet.

Official Website: www.jeremypierson.com
ROUND 1 SONG:Your Welcome Mat

DENISE HUDSON

Denise lived in a grey house in the city of Austin. Her favorite pastimes were playing piano, polishing her guitar, and tormenting the geeky programmer boy who lived there. His name was Michael, but she never called him that… Isn’t that a wonderful bio???

Official Website: www.myspace.com/denisehudson
ROUND 1 SONG:Leave The Stone Alone, Yep

LEX VADER

Lex Vader was born to a single mother who worked as silicon tycoon’s personal assistant. When she died of poor hygiene, Lex was sent to an orphanage where he showed interest in organizing races and laser fencing. After being recruited into a religious order, he spent the next few years between several of their private schools. In his final year, Lex lost his hand in an argument with a professor over Kryptochlorians. Despite this, Lex was able to achieve a successful business career and even a knighthood. Tragedy struck, however, when a former classmate’s arctic home caught fire during a business lunch, scarring half of Lex’s face. At this point, Lex’s behavior became erratic. When he managed to buy SithCo, the cult that schooled him, he was shunned by the corporate world. No longer taken seriously, Lex started an evil empire and now moonlights with his evil emotronic alternapop band.

Official Website: lexvaderssecretjournal.wordpress.com
ROUND 1 SONG:Just A Rock

TOM MILSOM

Tom Milsom is a musician, writer, artist and videomaker who has had nearly 2,000,000 views of his YouTube videos and has released an album, Awkward Ballads for the Easily Pleased, to murmurs of critical success. Faced with this onslaught of vague acceptance, he plans to release his second album, Painfully Mainstream, later this year, and is thrilled to be a part of this frankly charming and delightful competition.

Official Website: www.tommilsom.com
ROUND 1 SONG:The Raincoat’s Lament

CALEB HINES

Caleb became a software engineer instead of a musician because the type of music he likes best went out of style at the end of the 18th century. Self-taught in music theory, he is more comfortable writing a four-part instrumental fugue than he is writing a verse-chorus-bridge song. After discovering the likes of Weird Al, Dr. Horrible, and especially Jonathan Coulton, he realized that “modern music” can be fun too. Now he is on a quest to update, expand, and diversify his musical knowledge and experience. In addition to singing, he plays a whole family of recorders (not usually all at once) and baroque flute, pretends to play keyboard, and most recently, ukulele. He also uses virtual MIDI instruments because a real orchestra costs too much.

Official Website: NONE
ROUND 1 SONG:Ancient Wonder

MILES FROM NASHVILLE

Miles from Nashville was born in early 2009 when multi-instrumentalist Charlie Wolf and harmonica player Michael Ruhland ran into each-other one day at the Albertson’s supermarket in Hermosa Beach, CA. Miles from Nashville play an eclectic mix of country, folk, rock, blues, pop, indie rock, rap (just kidding), and polka that they like to call “guacamole rock”. They are currently working on their debut album, Songs about November, and have their very own website (though who doesn’t these days?). If you happen to have large sums of money and/or expensive guitars that you don’t need, they’ll be glad to put them to use for you. Miles from Nashville plays shows around Los Angeles, CA every so often, so be sure to check the website for gigs.

Official Website: www.milesfromnashville.com
ROUND 1 SONG:A Bridge To Nowhere

ANDREW THOMSON

Hello. I am singer-songwriter, multi-instrumentalist, filmmaker, writer and activist Andrew Jon Thomson. I am honored to have played, collaborated, performed, and recorded with many outstanding musicians from many fantastic bands including the following current and past collaborators: The Memphis Horns, Dweezil Zappa, Anton Fig, Chuck Rainey, Tom Roady, Charlie Chalmers, Roades Chalmers Roades, Arthur Barrow, Walfredo Reyes Jr., Tommy Mars, Clayton Ivey, Charlie Morgan, Pablo Herrera (Cuba), Richard Nelson (Ireland), Mike Garson, Pat Mastellotto, Marc Muller, Rob Paporozzi, Sammy Merendino, Graham Maby, Paul Robinson (UK), Paul C. Robinson (US), Pete Lockett (UK),Victor Indrizzo, Fima Ephron, Dave “Fuze” Fiuczynski, Bassy B Brockman, David Gilmore, Victor Damiani, Todd Roper, Greg Brown, and DJ Qbert.

Official Website: www.helloandrew.com
ROUND 1 SONG:Someplace 2 Land: Bush’s Flight Suit’s Lament

CALEB LEE

To Whom It May Concern: Caleb didn’t want to write his own bio (musicians, eh?) so I will do the honours. After peddling his wares leading the criminally unnoticed Yay For Squares (www.myspace.com/yayforsquares) and playing an inadvisable amount of shows alongside good friends The Tastydactyls, Caleb decided to go solo in the early parts of 2008. Since then he’s enjoyed the success of dozens of fans and casual mentions on low-brow podcasts. With a flair for heartfelt song-writing and a wildly erotic combover, he’s hoping to win your love in this competition and will be wildly neurotic about it until he does so. – His bud, Aaron.

Official Website: www.myspace.com/caleblee
Twitter: twitter.com/thecaleblee
ROUND 1 SONG:How Man Years Bad Luck If You Break A Mirror’s Heart

RICHARD CLAYTON SPRING

Hailing from a small town in Southern Minnesota, Richard Clayton Spring has risen above the norm, blossoming into a beautiful butterfly of acoustic guitars, pianos, synths, electronic beats, and vocals ranging from the softest of whispers to the yelp of the Great Wolf. The only style of music Richard can’t write incredibly is generic pop music, or else he would be in a limousine drinking champagne with Lady GaGa. But he has acquired an auto-tuner, so he’s working his way there.

Official Website: www.myspace.com/richardclaytonspring
ROUND 1 SONG:Crazy Straw

SARA PARSONS

Parsons is a 20-year-old student from California. She can leap small buildings in a few bounds. She fears large fish, but for some reason not sharks or whales. Parsons always makes the same New Year’s resolution: to survive to see the next year. So far, this has worked well for her. Parsons comes from an impressive songwriting pedigree: her older brother wrote the song “Blue Moon” in 1934, managing to overcome his crippling dyslexia and the fact that the song was written 51 years before his birth. Parsons’s songwriting influences include Beethoven, The Beatles, and Weird Al. Her sense of humor comes from The Simpsons, Mystery Science Theater 3000, and her frequent injections of concentrated doses of Vitamin K. Parsons hopes to go far in this competition. If she doesn’t emerge victorious, she will be forced to turn to Operation Omega. Nobody wants that to happen.

Official Website: www.youtube.com/user/sargeantketchup
ROUND 1 SONG:Throw Me Away

AUSTIN & THE PUDAKS

With only two members, the name may be misleading, but that seems to be a theme here. Austin Morley and Jeremy Pudak have been playing music together for several years now, and have never really settled on a genre or a name. In their younger days they would draw on rock influences like Rancid or The Ramones. In recent years, they have settled into slightly quieter influences like She & Him and Bob Dylan. Jeremy has always had a talent for the guitar, but Austin was not so lucky and decided to stick with a bass guitar. Austin & The Pudaks will be rocking your face off, but may not actually be in a rock genre. Be careful, as exposure to this amount of awesome has unpredictable effects.

Official Website: www.myspace.com/nodirectionhome89
ROUND 1 SONG:A Record Of Your Life

IAN & MELISSA

Melissa and Ian are two amateur musicians with a longtime love of composing and performing classical music. Whether this is useful or relevant for a songwriting competition remains to be seen. They are eagerly awaiting the “Write a song in the style of an obscure Baroque composer” round, ’cause somebody totally told them there would be such a round and why would someone lie like that?

Official Website: www.ianandmelissa.com
ROUND 1 SONG:I Remember

TRAVIS NORRIS

Over the twelve years since young-ish midwesterner Travis Norris first picked up a guitar, he has played and written music in a wide variety of genres ranging from rock that a-billies, metal of a medium or heavier weight, “outlaw” country (aka “the good kind”) and “frosty” jazz (not a real subgenre). Left to his own devices, something like “U2 meets Jonny Lang meets various two-to-three-hit-wonder bands of the ’90s indie/alternative scene” is what you’ll usually get. Travis’s instrumental talents range from lead guitar, 2nd lead guitar, rhythm guitar, auxiliary guitar, and bass (sorta). He can also drag and drop drum loops like you wouldn’t believe. He comes to this competition armed with three electric guitars, a neglected bass, an Ebow, and absolutely no fan base or public recognition. So be nice, eh? I hear he’s real sensitive when people that aren’t him make fun of him.

Official Website: NONE
ROUND 1 SONG:Enertronic Bow

THE GREMLINS

When we’re not turning scrap metal into transportation and weaponry suited to post-apocalyptic life, studying the obsolete sociopolitical establishment of the twenty-first century under the guise of civil service, or scouting subterranean wilds for a suitable base of operations, The Gremlins are dedicated to sabotaging the destructive technological forces that have become your way of life through whatever mischief is at our disposal. Banjos are fun, too.

Official Website: NONE
ROUND 1 SONG:Neutron Star

THE PERFECT PLACE

When two musicians marry one another, it’s a wonderful thing. When a multi-instrumental songwriter marries an amazing vocalist, it’s even better. Bud (oldest of three, one insane sibling of each gender) was born and raised in sunny San Diego, CA ““ a drummer first, guitarist second, and just about everything you could imagine third through last. Christin Joy (youngest of four, with 3 older brothers) was born and raised in beautiful Annapolis, MD ““ with the voice of an angel and the compassion to match; she is quite a wonderful singer and writer. The Perfect Place is a Husband/Wife duo that enjoys writing and performing music in their spare time. While their main area of expertise is theologically minded, they have been known to get a little silly from time to time. Masters of Song Fu should prove to be an interesting challenge, one we await with eager anticipation. Woot!

Official Website: www.myspace.com/oneperfectplace
ROUND 1 SONG:If I’ve Learned Anything

HIS NAME IS LEGS

His Name Is Legs is a newly-created rock band comprised of guitarist/vocalist/Song Fu veteran Hazen Nester and bassist Cameron Accola, who collaborated with Nester on two of his previous entries. Born out of a mutual love of Rush and talented musicians in general, His Name Is Legs pledges to provide listeners with an eclectic array of sounds designed to stimulate and elevate. What makes this band unique is that neither Accola nor Nester have ever met each other in person.

Official Website: www.myspace.com/hisnameislegs
ROUND 1 SONG:One Of The Team

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To download a ZIP FILE containing all of the ROUND 1 songs, CLICK HERE.

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ROUND 1 VOTING

And now, it’s time for that all important voting. For this round, you can choose your TOP 5 FAVORITE Challenger songs. Be sure to choose carefully. VOTING CLOSES AT 11:59pm EST on SUNDAY, MAY 31st. If you are having trouble voting, CLEAR YOUR BROWSER’S CACHE and try again.

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ROUND 1 VOTING – THE CHALLENGERS

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View Results

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If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.

Good luck, and bring on the Fu.

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May 22, 2009

Weekend Shopping Guide 5/22/09: Branded In New York

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

I’ve known of Russell Brand – his stand-up and celebrity in the UK – for years, so it was with great delight that I greeted his first US stand-up special, which is now available on DVD in an expanded form. Russell Brand In New York City (Paramount, Not Rated, DVD-$16.99 SRP) contains not only the extended cut of the special, but also Brand’s infamous (and funny) 2008 MTV VMA monologue, a featurette, and gem titled “Loose Cannon Drunk Girl”.

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As someone who’s stressed himself inordinately trying to reach around corners and through tiny crevices to get to unreachable screws – wither putting them in or taking them out – the Flexible Shaft Ratcheting Screwdriver ($19.99) is a godsend. With a mighty reach, a flexible shaft, and full ratcheting action even when bent (no jokes, please) – plus a ton of magnetic sockets – it’s a hand tool to have around the house or office.

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While Cars, Ratatouille, and Wall-E have all been available on Blu-Ray, A Bug’s Life (Walt Disney, Rated G, Blu-Ray-$39.99 SRP) is the first of the classic Pixar films to make their way into high definition, and the results are spectacular. The original DVD release was always a stunner, but this is even better. The bonus materials are identical to that original 2-disc DVD edition, with the addition of newly-animated sequences from the original story treatment, plus a filmmakers’ round table discussion about the creation of the film.

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For all of the drama that surrounded its filming and reception, Valkyrie (United Artists, Rated PG-13, DVD-$34.98 SRP) – about the internal German military plot to assassinate Hitler and starring Tom Cruise as chief conspirator Colonel Claus von Stauffenberg – is a solid if unmemorable piece of historical dramatization. It certainly features a cast that makes it entirely watchable – including Eddie Izzard, Kenneth Branagh, Bill Nighy, Terrance Stamp, and Tom Wilkinson. The 2-disc set features a pair of audio commentaries, a documentary on the history behind the story, featurettes, and a Q&A with Cruise and director Bryan Singer. A Blu-Ray edition ($39.99 SRP) is also available, with identical bonus features.

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Oh, Terminator 2 (Lionsgate, Rated R, Blu-Ray-$29.99 SRP). I must have owned about a dozen versions of you over the years. I think the only film re-released more is Evil Dead II. Now you’ve made the transition to high definition, looking rather spiffy, and containing audio commentaries, over 140 minutes of behind-the-scenes video, storyboards, and more.

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Another pair of classic Bond flicks make their way into spiffy high-definition with the release of both the Moore-era The Man With The Golden Gun and the Dalton-era License to Kill (MGM, Rated PG, Blu-Ray-$34.98 SRP each). Both discs, besides looking and sounding wonderful, also sport audio commentaries, loads of featurettes, TV & radio spots, documentaries, galleries, and much more.

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Paramount’s prestige Centennial Collection continues with another pair of 2-disc, fully restored special editions – El Dorado & The Man Who Shot Liberty Valance (Paramount, Not Rated, DVD-$16.99 SRP each). Both sets contain audio commentaries, new and vintage featurettes, trailers, and galleries.

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Warner Bros. has an immense catalogue of titles. Thousands and thousands of them. And even with their aggressive DVD release schedule, there’s no way they can get to all of them – and, economically, some of the titles have such a small appeal that it’s just not viable to do a wide release on them. Those who thought their chances of picking up some of those obscure titles were nil can rejoice in the continuation of Warner’s Archive Collection – www.warnerarchive.com. Essentially, it’s DVDs on demand, allowing you to purchase either a physical DVD-R copy (for a flat $19.95) or an instantly downloadable digital copy (for $14.95) of an ever-increasingly library of titles from the Warner vaults. I’ve had a chance to look at a pair of new additions – Sidney Lumet’s Bye Bye Braverman and the wisecracking Freebie And The Bean.

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You know how, every once in awhile, you want a simple comedy whose only goal is to give you a chuckle and a smile? Paul Blart: Mall Cop (Sony, Rated PG, DVD-$28.96 SRP) is that film, and does exactly as the tin describes. How you can you not love Kevin James? In everything but Hitch? Bonus features include deleted scenes, featurettes, outtakes, and more. A Blu-Ray edition ($39.95 SRP) is also available, with identical bonus features.

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Paramount kicks out another clutch of brand-new-to-Blu-Ray catalogue titles, leaving other studios in the dust after a slow start (backing HD-DVD). With some very nice high definition transfers and bonus features identical to their standard edition cousins, the new titles are Wayne’s World, Wayne’s World 2, Without A Paddle, 3 Days Of The Condor, Black Sheep, Paycheck, The Machinist, Changing Lanes, Enemy At The Gates, and Major League (Paramount, Rated PG/PG-13/R, Blu-Ray-$29.99 SRP each).

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Neither rain, nor sleet, nor diversions ordered by a court of law would keep Jack Bauer from eventually getting 24‘s 7th season mission (Fox, Not Rated, DVD-$49.98 SRP) finished. Bauer has been hauled before Congress to justify his tactics, but wouldn’t you know it – a big national emergency arises, and who are they gonna call? The 6-disc set features audio commentaries, deleted scenes, and a trio of featurettes.

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A legendary album gets a fantastic live performance in Van Morrison: Astral Weeks Live At The Hollywood Bowl – The Concert Film (Listen To The Lion Films, Not Rated, DVD-$29.99 SRP). As you can probably guess, it features the elfin Irishman performing the entirety of the Astral Weeks album, and he sounds just as good as ever.

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Fox has dropped a pair of catalogue transfers to high definition, bringing both Big and There’s Something About Mary (Fox, Rated PG/R, DVD-$34.98 SRP each) to Blu-Ray with upgraded sound an picture, but identical bonus features to their standard def editions, including commentaries, deleted scenes, featurettes, and more.

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Almost 300 years after his reign of terror ended with his capture and beheading, a group of marine archeologists have recovered the remains of Blackbeard’s flagship, the Queen Anne’s Revenge, in Secrets Of The Dead: Blackbeard’s Lost Ship (PBS, Not Rated, DVD-$24.99 SRP). The documentary seeks to piece together whether the grounding of the ship off the Carolina coast was an accident, or part of a plan by the infamous pirate to doublecross his own men.

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Ridiculously over-the-top, Elton John: The Red Piano (Universal, Not Rated, Blu-Ray-$24.95 SRP) is exactly what you’d expect Elton John’s Las Vegas show to be. In addition to the concert itself, the disc also contains a documentary with unseen backstage footage from the show, plus the full-length versions of the David LaChappelle films shown during the concert.

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I don’t know about you, but any movie with a title like Afro Ninja: Destiny (Lightyear, Not Rated, DVD-$19.99 SRP) at least deserves a second glance. Yes, it’s based on the YouTube video, and its title explains exactly what it is – an ninja with an afro.

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Anyone familiar with Mystery Science Theater 3000 will remember with glee the cringe-inducing Hercules Against The Moon Men. Well, now you can get that flick – plus 4 other muscle-y kitsch classics – in the Muscle Madness set (Infinity, Not Rated, DVD-$24.98 SRP). In addition to Moon Men, you also get Giant Of Marathon, War Of The Trojans, Goliath And The Sins Of Babylon, & Colossus And The Amazon Queen.

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Schwarzenegger fans hoping to pass the weekend on the cheap should pick up the Schwarzenegger 4-Film Collector’s Set (Lionsgate, Rated R, DVD-$29.98 SRP), which packaged together a quartet of catalogue titles – Terminator 2, Total Recall, Red Heat, and The Running Man into one convenient box.

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I’m sure the makers of Fanboys (Genius, Rated PG-13, DVD-$19.98 SRP) thought they were making a film for geeks like me, but it’s such a ham-fisted, inconsistent comedy (with some drama) – about a group of buddies who travel to George Lucas’s Skywalker Ranch in order to steal a pre-release copy of Star Wars: Episode I (the poor fools) – that I just couldn’t find any love in it. Which is a shame, because there’s a good film in there somewhere. The DVD features an audio commentary, deleted scenes, webisodes, and a quartet of featurettes.

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If Twilight seemed too tween for you and the Buffyverse was too nerd – and you like your soap drama – then HBO’s True Blood (HBO, Not Rated, DVD-$59.99 SRP) is probably for you. Alan Ball has brought together an eclectic bunch of locals in a small Louisiana town – and by eclectic, I mean vampires and mind readers and hicks. The 5-disc set features all 12 episodes, plus audio commentaries, featurettes, a mockumentary, and fake PSAa and ads.

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It’s difficult to sell the 3-D gimmick with the limitations of home theaters, when you’re stuck using rinky-dink red-green glasses. That’s what makes seeing My Bloody Valentine (Lionsgate, Rated R, DVD-$34.98 SRP) at home even more of a let down than its theatrical run. At least in a theater, the by-the-numbers horror flick could at least rely on the 3-D gimmick. At home? No such luck. The 2-disc set contains both the 2-D and 3-D versions of the film, an audio commentary, featurettes, deleted scenes, an alternate ending, and a gag reel.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Trailer Park: TERMINATOR SALVATION

By Christopher Stipp

The Archives, Right Here

So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on Twitter under the name: Stipp

A lot of talk this week about Quentin Tarantino’s newest film screening at Cannes. Consensus? It’s talky, light on action and seems like a WWII DEATH PROOF.

TERMINATOR SALVATION – REVIEW

terminatorThere absolutely shouldn’t have been any blessing given from James Cameron with regard to TERMINATOR SALVATION. The only religious intonations given over this movie should have been its last rites.

Now, I can’t stop you from seeing this movie. You will see it irrespective of anything I have to say on this. I realize this.

You’ve been sold on it, I was sold on it, director McG’s P.T. Barnum huckster antics during preview showcases to fanboys teased and titillated audiences everywhere (“I really fought hard for those mammaries to be in there, fellas!”) but there is no escaping the fact that behind the tell-tale daa-daa-daa-daa-daa drum beat we all know as the sonic opening calling card for this franchise is nothing but a lot of smoke and a weak film. A film, mind you, which McG himself said should speak for itself. If it did it would say: Don’t spend $10 on me. Wait for Netflix.

There are a few things that make this a truly remarkable misstep in a franchise that should have ended 2 films ago but one of them comes early on as we meet John Connor (Christian Bale) who absolutely owns the first few minutes of the film in the way he carries his heavy burden as the leader for the resistance and the Batman-like voice with which he wants reality to conform to his own. He’s badass, he chews nails for fun and he’s not going to let crashing in a helicopter, which is a great special effects moment in this film, stop him from thrashing a terminator that deserves leaded violence.

The problems begin with the moments following when Bale is flying over an ocean, wanting to get back to resistance headquarters. He’s been beat up, almost killed and is denied entry to the underwater base of operations. But that’s not going to stop him from getting in! Much like another summer movie hero from over two decades ago, Jack Ryan in HUNT FOR RED OCTOBER, he’s going to get on that damn sub. The fundamental issue which is wholly representative of what ails this movie is that in OCTOBER there was some emotional weight, genuine drama as he unhooked himself from that line to get in that submarine; there was tension, mood, atmosphere, a real sense of danger. Bale’s bullheaded bravado, masked by the tired trope of cinematic bullheaded machismo as he flippantly tosses himself out of the low flying aircraft into the ocean, is nothing more than a cheap way to try and make this guy seem like a real tough guy.

When next we see Bale, he’s sitting in a chair looking all kinds of torqued, moody, getting chewed out by Michael Ironside, playing a character I am not unsure of whether is any different than we saw from any number of 80’s movies where his role is to try and be an even tougher character than those he’s acting opposite of, all the while it begs the question of how much suspension of disbelief is going to be required of me in this film?

It’s a trick question, of course, as the film has moments like this peppered throughout the entire film. For example, the people who have been living without real homes since Judgment Day. They’re fantastically dirty and dusty but the glare coming off their teeth as their lips and faces are sullied with the detritus of a cataclysmic event reminds you that at least they have their Colgate. Another: When Marcus Wright (Sam Worthington, and you’ve got to appreciate the grade school irony in a script that names a man Wright) meets up with young Kyle Reese (Anton Yelchin) in one of the best sequences of the film as we have our first look at a terminator who is at once zombie-looking and completely sinister. Hours later, after escaping death, Marcus fiddles with a radio. He just happens to fix it at just the time when, speak of the devil, Connor is broadcasting his fireside chat with those out in the field regarding their next moves. Never mind the timing, the way they catch the signal at just the right frequency or the acknowledgment that it’s Connor speaking to them. It’s just all very convenient.

Later, Reese is part of an escape from a very bad situation from a slew of terminating machines. He and Marcus are departing the explosive moment in a tow truck when moments later he has to pull a single lever at just the right time to make the scene work; forget logic, it begs us, as not only does Reese pull the right one at the right time from a literal array of choices it does nothing to help the dramatic thrust of the film. There is no danger here, no threat of imminent danger, because these guys have an exponential amount of luck on their side and this is the problem with the film.

Further, in the film’s first hour, we find out early that the resistance has found a way to stop the machines, a poorly explained software program that is embedded on a jump drive that needs a clunky boombox to use. About this time, Connor sends his team to fetch an aqua terminator, a lot like the squids from the MATRIX sequels, to which they find one, bring it aboard, all the while being able to keep it from informing other aqua terminators that its been captured or of its current location. This sonic disruptor is one of the weakest McGuffins as it leads exactly nowhere. It’s a ruse, a poorly devised plot device whose sole purpose is used to an awful and regrettable convenience when finally employed to its strongest effect. The film is riddled with lapses in logic, and honestly if an action movie were on point doing what it has to, we shouldn’t care but from rain that just seems to stop on cue to a fiery explosion that singes nary a hair on the person who is caught in a fireball there is more than enough to puzzle at.

Moon Bloodgood, for all that McG has made about her, is actually one of the more redeemable things about this film. Along with Sam Worthington and Anton Yelchin as the reluctant hero you have the three best reasons to see the film. I would even posit that their story, by itself, could have been a more entertaining diversion than what we build up to here. Marcus’ second lease on life is slightly introspective and rather interesting. Kyle’s progression from hesitant killer to lethal hero is wonderfully laid out. But that’s the most frustrating thing about this film. It has fits and starts of potential and has excellent action set pieces only to dumb itself down to appease the lowest common denominator as moments just happen to break positively for those we are supposed to care the most about in the movie. When the “big reveal” in the 3rd act happens near the end try and convince me otherwise that it doesn’t make you feel cheated. The shadows, the calculated angles, the careful placement of bodies, it feels more like a math assignment than it does a celebration of all that’s great in excellent action movies. The effects at this point felt on par with THE CROW. The penultimate battle between man and machine, in the bowls of Skynet headquarters, however, tries to win you back with a glorious display of physicality and menace but by then it’s too late. The film cannot elevate itself above a 2nd tier auctioneer when compared to more thought out films in its genre; leave it to Nolan to raise the bar for everyone else who comes behind him. I commend McG for not bowing to the pressure of actually integrating more of the terminators in the film, Lord knows that would’ve made it far more intriguing and add to the summer spectacle this should have been, but he demurs to telling a bullet ridden story with nowhere to end but with a whimper.

For all his ruminations about how Bale said he flatly turned down this role until he was given a script that you would have thought came with gilded light pouring down from every page if it got Bruce Wayne to say “Yes” to it after turning it down what you have is a story that is full of logical missteps, plots that go nowhere, effect work that at times has you wondering whether it was worth the cameo and the questionable taste for an actor that proved with DARK KNIGHT you could have a great summer film that was designed, and whose sole purpose was, to make money for its cash master while being reasonably intelligent. TERMINATOR SALVATION is a wonder as it doesn’t want to be intelligent, it doesn’t even want to be smart, it just wants to be a throwback to the films you could enjoy on basic cable and be done with once you’ve seen it. It’s an embarrassment of spectacle that leaves a lot of money on the table.

From a pure franchise standpoint, a solely economic exercise, McG may win the weekend but he will lose the summer war.

May 21, 2009

Ken P. D. Snyde-Cast #96: Banana Breath

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 8:33 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #96: Banana Breath – Ken & Dana return with a bit of an in-depth reminiscence on a certain Southern California attraction that does not involve a mouse, but does involve a shark.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #96 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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The Greatest Movie Blog Of All Time: Terminator Starvation

Filed under: Reviews,The Greatest Movie Blog of All Time — Tags: , , , , — UncaScroogeMcD @ 2:44 pm

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TERMINATOR: STARVATION

terminatorThe year is 2018. Skynet has risen and the few humans left (Terminator: Salvation makes it seem that there are only a handful of humans remaining) are trying to win the war against the machines. This is a few years before John Conner (Christian Bale) will acquire his legendary status and he comes across a new kind of enemy. Unfortunately, this is not the core of the film. Conner doesn’t even seem to be the primary character. Mostly, we follow Marcus Wright (Sam Worthington), an apparently resurrected man who was lethally injected after serving time on death row in 2003 (For a crime that is never explained). He awakens fifteen years later, having not aged a minute, and befriends a young Kyle Reese (Anton Yelchin), the future father of John Conner. Reese is soon kidnapped by the machines and Conner is forced to trust Wright in rescuing his dad.

I tried to find a way to eloquently put into words the way I feel about this film and the following is what I came up with. Enjoy.

Oh, Terminator: Salvation
When you were announced, it scared me
There was no cause for celebration
And you were going to be directed by McG

But my interest was ignited
With the casting of Christian Bale
And I will admit that I got excited
When the trailer was unveiled

So when the lights went down
My eyes lit up
But what I actually found
Was that you really did suck

The story was bland
Common sense you were ignoring
The acting was far from grand
In fact, it was quite boring

You took away the depth
The legend you have devoured
Maybe you could have saved yourself
But you didn’t utilize Bryce Dallas Howard

So when they captured Kyle Reese
Why hasn’t he died yet?
With that single little piece
It would  be victory for Skynet

You tried to be clever
But smart you were not
With in-jokes during the bad weather
But unintentional laughs were all you got

But I have to say
There are a couple reasons why I would recommend it
At the end of the day
The cinematography was absolutely splendid

And I also cannot lie
I may give it another visit
Because I won’t even try
To say the action scenes were not exquisite

But that wasn’t enough
At least not for me
I had to deal with enough stuff
While watching Terminator 3

Go ahead McG, ask the main man
You know this is not what Cameron intended
Obviously, I’m not a fan
But at least Michael Ironside was in it

So I’m quite disappointed with you
I wish I could keep our relationship intact
But if Terminator Salvation is the best you can do
Please, I beg you, don’t come back

VROOOM!

*MINOR SPOILER TO FOLLOW*
So that is my review, but there is one more thing I would like to comment on. In the last bit of the film, a T-800 arrives. A real T-800, with the face of Arnold Schwarzenegger. It doesn’t 100% work, but it’s pretty damn close. I’m not sure of the specifics of how they did this (apparently they CGI’d Arnold’s face onto someone else’s body), but I think it’s a great achievement. It leads me to wonder how close we are to being able to do this on a consistent basis. How many actors will we be able to replicate? I’m not saying that computer graphics will overtake actors anytime in the future. We still need the personal connections to a role, the emotions, and so forth, but if someone were to use this in a different way, what could happen? Is it possible that we will sit in a theater one day and see Jimmy Stewart chasing Tom Cruise? Or maybe Cary Grant investigating George Clooney? The possibilities would be literally endless. I’m extremely interested to see where this goes.

-Jesse Rivers would love to see a Jackie Chan/Ingrid Bergman movie.

And, as always, check out Bagged and Boarded.

May 20, 2009

Party Favors: Chazz Palminteri Interview

Filed under: Interviews,Joe Corey's Party Favors — Tags: , , , — UncaScroogeMcD @ 11:53 pm

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STATEN ISLAND – Fifteen years after making a major name for himself in A Bronx Tale, Chazz Palminteri has conquered another New York title in Yonkers Joe. He’s a hustler who lurks at low level gambling functions fixing Poker and dice games with his slimy crew. He doesn’t believe in chance when he can sneak a pair of loaded bones into his hands. His life gets complicated when he’s forced to take care of his teenage son, Joe Jr. (Tom Guiry). The son has Down Syndrome so he’s not as controllable as a marked deck of cards in Yonkers Joe’s hands. He’s got to make a big score to support the kid.

Chazz Palminteri called up the Party Favors hotline to discuss Yonkers Joe. The movie has just been released on DVD by Magnolia Home Entertainment. He’s a soft spoken guy over the phone.

What attracted him to the role of a man who wasn’t a gambler, but a pure cheater?

“It’s really a guy who is like a magician with his hands,” Chazz said. “These types of guys came out of World War II. They didn’t have jobs so a lot of them became hustlers. They started learning this trade. They were a sub-culture. They weren’t robbing Las Vegas. They were going around to dice games and clam bakes.”

Had Chazz ever been victimized by these hustlers at friendly Poker games? “If I did, I wouldn’t know about it,” Chazz declared.

Unlike the Poker players that have become superstars thanks to ESPN and NBC, the cheaters can’t be so high profile. Chazz was drawn to this element of gamblers who can’t brag about their feats. “The interesting thing about these guys is that they live these lives by themselves. They can’t tell anyone what they do. If they do, they’ll be killed.”

The third act of the film has Yonkers Joe conceiving an amazing way to cheat in a casino. The big scam was shot at the Plaza Hotel and Casino on Las Vegas’s Fremont Street. You might know this location from Cool World. What did the real hotel security think of the scheme?

“They thought it was incredible,” Chazz said. “They thought it was a pretty amazing how the writer thought up the scheme.” Now that it’s been exposed in Yonkers Joe, can a cheat pull it off without the eyes in the sky catching them? “It would be tough. You take some licenses in movies. Can some of these things work? The dice thing could work. But it’s still risky.” Chazz does not recommend you losing a hand to Cheater’s justice. It’s always best to gamble according to the house rules.

Besides acting, Chazz was an executive producer for Yonkers Joe. He helped in selecting the talent. “I like working with certain people,” Chazz said. “I’d talk with the director and he’d ask me what I’d think about certain people. I really liked working with Christine Lahti. I directed her in a movie called Women Vs. Men. It’s a great feeling when you can just look at an actor and direct them. You kinda tell them what you want and they just do it. You don’t have to explain.”

The toughest work in the film belonged to Tom Guiry in the role of Joe Jr. He had to pull off the physicality of the son with Down Syndrome. He was recently on NBC’s Kings and The Black Donnellys. He spent months living with a family with a Down Syndrome child to understand the character. The research paid off according to his co-star.

“I thought he did a great job,” Chazz said. “That’s one of those roles that if you don’t do your homework, you come off looking like a cheap suit. A lot of people thought he really was that way.” Did Guiry’s ability to look realistic in the role help Chazz get into his role? “Yeah. He made my job easier by doing such a great job.”

The movie takes Yonkers Joe from Atlantic City to Las Vegas. What does Chazz think is the difference between these two gambling capitals? “In Las Vegas, it’s about the shows and the gambling. In Atlantic City, it’s just the gambling part. Vegas is showy. The glitz is not there in Atlantic City. In Vegas, it’s all about the glitz.”

Chazz will be bringing a little glitz to the land of Monopoly when he performs his A Bronx Tale on Atlantic City’s Harrah’s stage from July 1 to August 9. He’s also going to be doing it in the fall in Las Vegas. This one man show elevated his career. “This is what Robert De Niro saw,” he said. De Niro decided to make the play his directorial debut. Not only did he have Chazz write the script, but co-star with De Niro. Robert was the good dad while Chazz played the mobster fighting for the soul of the kid. How hard was the adaptation process from stage to screen?

“If you saw the show, you’ll see that I did the movie on stage,” Chazz said.

The script is the most important part of why he accepts a project. In the case of Yonkers Joe, writer-director Robert Celestino got the script to Chazz’s agent. The actor laid out the process that gets him excited about a project.

“I read the script first then look at my part. If my part is good and it’s a great story; I say let’s meet the director. I meet the director and ask who else is in it. If that’s good than we have a shot for something good to happen. A shot…doesn’t necessarily mean it’s going to happen. But at least if you’re happy with all those elements, you have a good chance to make a good movie.

“The script has to be good. You can’t make chicken salad out of shit. You got to have a good script.” But what happens if a script isn’t great? “Usually the agent knows if it’s bad. He’ll say, ‘Look, the script ain’t great, but they’re offering you a ton of money.’ Then you have to decide.”

Chazz does improve scripts that aren’t quite up to snuff. “I get paid to ghost write.” He still works on original scripts. “The writing is harder because you have to have time to sit down and do it.” Being a busy actor does cut into the alone time.

After A Bronx Tale, Chazz was cast in Woody Allen’s Bullets Over Broadway. His role as a mobster who rewrites a play earned him an Oscar nomination and an Indie Spirit Award. Chazz appreciated working with Woody Allen. “He is hands off,” Chazz described. “He knows what he wrote and he casts the right people. That’s it. You just do it.”

Perhaps the strangest thing about Chazz’s long list of productions is two things that you’d expect on his filmography. While he’s worked with Robert De Niro on a few projects, he’s never been directed by Martin Scorsese. “I haven’t,” he admitted. “I want to, but I haven’t. I know him, but I haven’t.” Perhaps the upcoming Frank Sinatra bio-pic will finally team him up with Scorsese.

Another oddity is that he didn’t appear in The Sopranos. Did he deliberately avoid being cast on the show? “I don’t think so,” Chazz said. “I think it’s just one of those things. I think there’s only two Italian actors that weren’t in The Sopranos: me and John Turturro.”

As our conversation wrapped up, we came back to Yonkers Joe. “What’s really nice in the film is that we stay away from the cliches,” Chazz said. “At the end of the film he says, “Dad, I love you” a few times. I don’t say I love you back. A few people commented on that. How come I didn’t say, “I love you back?” Because you saw it. This guy, who had lived his life as a stranger to everyone, is just finally starting to get there. He’ll get there.”

DRATS DISNEY

Bad news always travels fast and there’s nothing worse than hearing “NO!” over the mouse hotline. Recently Disney wanted a new show to teach the counting and numbers to kiddies. We came up with Roscoe the Pimpopotamus. The colorful large animal in bright suits instructed toddlers on counting to 20. The Disney snobs had an objection to the scene where a pre-schooler passed off 16 as 20. Roscoe cut him 4 times to illustrate the difference. Our production got slashed. These educational people are so ignorant when it comes to giving a lesson that won’t be forgotten. Children need to learn the consequences of bad math skills.

THAT VOICE

As much as I want to watch Pitchmen, I’m not willing to risk my marriage. The wife barely take Billy Mays’ voice for a minute. Asking her to sit through an hour of the show is not an option. This means my only shot for watching episodes is the 1 a.m. repeat. I have to wear headphones for fear that Billy Mays’ voice will wake her up. Propane gas leaks are less overwhelming than him.

The addictive nature of the show is seeing the upcoming product line from “As Seen On TV.” Where is the Pocket Crab Repeller? It was amazing to see Billy Mays chumming the water while Anthony Sullivan tests out a shark be-gone device.

FOR YOU CONSIDERATION

If somehow you vote for the Emmys, the Golden Globes or the Mack of the Year awards, please give a little nomination love to Jim Parsons. His role of Sheldon Cooper on The Big Bang Theory is a pure geek comic masterpiece. He’s the offspring of Tony Randall’s Felix on The Odd Couple and Leonard Nimoy’s Spock on Star Trek. Parson’s work will be remembered for decades.

BLU-RAY HEAVEN

Star Trek Motion Picture Trilogy only focuses on what most consider the best of the movie series featuring Kirk, Spock and McCoy. The Wrath of Khan, The Search For Spock and The Voyage Home are bundled here. As pointed out in the review of the Star Trek: The Original Motion Picture Collection, The Wrath of Khan is the best when it comes to the picture quality. The others aren’t bad, but Khan got the major restoration treatment. Even in 1080p, you can’t see Kirk’s toupee weave in the close ups. Plus there is nothing more impressive than Ricardo Montalban’s massive chest in Blu-ray. He’s got Fabio action as he terrorizes Kirk. The Search For Spock has Kirk and Bones attempt to reunite with Spock in an unorthodox pursuit. The Voyage Home brings the crew back to the 1980s in a survival mission involving whales. I was hoping we’d have Kirk being chased around by T.J. Hooker, but there would be no Shatner alternate universe in this time travel plot. Each movie comes with plenty of dedicated bonus features. The best is Shatner pondering if Nimoy kept swearing not to do Spock in order to get his paychecks improved. Or course is Shatner held out, they’d just replace him with Robert Pine. This selection is perfect for folks who aren’t completionists and don’t want to pay for Shatner’s Final Frontier weirdness. Khan looks the best on the big screen. But all three play so nicely together that you’ll swear it’s a real trilogy.

Seth MacFarlane’s Cavalcade of Cartoon Comedy – Blu-ray brings the webisode cartoons to your big TV screen. The jokes play like the cutaway moments from MacFarlane’s Family Guy. There’s no framing device for the minute long shorts. You get the title card and then the action for nearly an hour. Because of the blitz rate of the jokes, some of them work better than others. There’s a long piece about what happens to the Coyote when he kills the Roadrunner that’s exceptional. A really gross moment has Fred Flintstone using the toilet. Repeating the fat Jesus sketch will take you off your grandmother’s Christmas card list. A farmer shearing a sheep will make you bust a spleen. Unlike the version shown on the internet, there’s no bleeping or blocking of graphic image. There’s even animated naughty bits including Kermit the Frog’s schlong. This is Seth uncensored. The Blu-ray will give you a resolution better than streaming. The big bonus feature is the star studded premiere party. Ever wonder what it’s like to party with Seth Green and Seth MacFarlane? Here’s your answer.

3 Days of the Condor – Blu-ray is a masterpiece of paranoia. Robert Redford is a CIA agent assigned to an office that reads novels to see if state secrets are being exposed. They’re not a big thing in the agency. He’s a bit of a loose cannon who doesn’t play by the uptight rules of the unit’s director. It’s this attitude that allows him to be the only one in the office not mowed down by a hit squad. He’s fleeing for his life while trying to figure out why Max von Sydow wants to blow him away. The CIA isn’t too much of a help at bringing him in from the cold. His only “help” is an unwilling Faye Dunaway. Of course she warms up after a while since what woman can resist the charms of Redford? 3 Days of the Condor gritty New York look remains stunning in 1080p. The only bonus feature is the original trailer.

THE DVD SHELF

The Man Who Shot Liberty Valance: The Centennial Collection is our Raymond J. Regis Pick of the Week. Jimmy Stewart is a politician who made his career when he shot down Liberty Valance (Lee Marvin). But was he really the gunman? Is his career based on legend? John Wayne plays an important role in the outcome. Vera Miles is Stewart’s wife. This is a great film for it’s ability to show how a Western myth can evolve and elevate the characters. The bonus features illuminate the film’s already legendary status. Peter Bogdanovich does a commentary track which splices in his archival interviews with director John Ford and Jimmy Stewart. There’s a fresh documentary that explores the creation and impact of the film.

El Dorado: The Centennial Collection has John Wayne and director Howard Hawks take another lap around the Wild West. Ed Asner (The Mary Tyler Moore Show) is an evil rancher wanting take control of the town. John Wayne turns down Asner’s offer to fight Robert Mitchum. But Asner won’t back off from his power plays. Wayne has to get involved in this battle to help Michum. They also bring along a very young James Caan to even up the fight. This is just a great badass shoot ’em up with Wayne, Mitchum and Caan dragging out the hardware. The bonus features include a documentary that addresses the final years of Howard Hawk’s career behind the camera. Ed Asner contributes to the commentary track. A.C. Lytes remembers working with John Wayne.

The Mod Squad: Season 2 Volume 2 continues my lust affair with Julie Barnes (Peggy Lipton). She’s part of a groovy undercover police unit with Pete Cochran (Michael Cole) and Linc Hayes (Clarence Williams III). There job is to find out what evil middle aged folks are messing with the kids. “The King of Empty Cups” demonstrates the dangers of shooting speed. A cop’s daughter runs off to be a groupie for Noel Harrison. His Hollywood mansion is a druggie pleasure dome. Can the Mod Squad save her from the dangers of bad message rock? “Survival House” brings back Sammy Davis Jr. However he’s not the priest from season one. He’s a half-way house guy getting his life back on track. “Return to Darkness, Return to Light” brings back the blind woman that Linc protected in the first season. She invites him over for a party. He gets a shock to discover she’s engaged to Ivan Dixon (Hogan’s Heroes). What happens with Linc meets Kinch? The season finale is more star studded than a Love Boat. The Squad ends up with Martin Sheen, Marion Ross (Happy Days), Harold Gould (Rhoda) and David Cassidy (The Partridge Family) in “The Loser.” The series is the coolest cop show ever.

Gunsmoke: The Third Season, Volume 2 is 20 episodes of Dodge City action when the series was still a half hour long in black and white. “Sunday Supplement” has Werner Klemperer (Hogan’s Heroes‘ Col. Klink) as a reporter starting an Indian revolt in order to get a scoop. “The Cabin” is a trip with Harry Dean Stanton (Big Love) and Claude Akins (Sheriff Lobo) as two loco bandits. Matt Dillon (James Arness) takes shelter with them in the middle of a snow storm. “Dooley Surrenders” stars Strother Martin (The Wild Bunch in the title role. He’s a hide skinner who thinks he might have killed someone during a drinking bender. “The Gentleman” has Jack Cassidy (David Cassidy’s dad) protecting Miss Kitty from Timothy Carey (Paths of Glory). This is another great batch of Westerns guaranteed to keep your father on the sofa during Saturday afternoon. The bonus is feature is the original L&M Cigarette ad.

Eden Log is a really creepy SciFi film from France. This is like Resident Evil without being too viewer friendly. You have no idea what’s going on as Clovis Cornillac awakens in a mucky mess. What is the situation in this post apocalyptic subterranean world? Who are the people chasing him? What are the strange noises in the dark? Who is the girl? This is like a video game come to life without the cute single shooter moments. Under no circumstances should you watch this film with the guy who always asks, “What’s going on?” Eden Log is a tense and confusing futuristic pursuit.

Action Packed gives the pilot episodes of Mission: Impossible, MacGyver, Walker Texas Ranger and NCIS. Walker Texas Ranger spends more time kicking ass than giving us a true representation of police work in the Lone Star State. Chuck Norris is the man with the badge who doesn’t mind letting his boots do the heavy work. The pilot film has him getting revenge on the robbery crew that took out his buddy. Mission: Impossible has Wally Cox (Mr. Peepers) appear as a safe cracker. The crew must swipe a set of nukes. Remember that the first season has Steven Hill running the show. It wouldn’t be till the next go around that Peter Graves accepted the mission. MacGyver goes underground to rescue scientists. He makes up some special devices to save the day. NCIS starts with a case at the top when a man is poisoned to death while eating with the president on Air Force One. It’s cool to see David McCallum (Man From UNCLE) back on the case.

Forever Funny offers the pilot episodes of The Honeymooners, I Love Lucy, Frasier, The Brady Bunch, Taxi and Cheers. This is a fun night of how memorable sitcoms kicked off. The Odd Couple‘s “The Laundry Orgy” reunites us with the actresses that played the Pigeon sisters on the big screen. Jack Klugman and Tony Randall owned their roles instead of merely dressing up as Walter Matthau and Jack Lemmon. Cheers reminds us that it all started when Diane dropped by the bar with an ill-fated romance. The big problem with this set is that the producers didn’t notice that the audio on The Honeymooners‘s “TV or Not TV” is horrible. You’ll have to crank it up all the way. The other 38 episodes on the complete boxset have better levels. The only sitcom that isn’t available completely on DVD is Taxi. They need to finish up this show soon. In these troubled times, we need more Tony Danza.

The Best of Star Trek The Original Series is the perfect sampler for anyone who enjoyed the new Star Trek movie, but haven’t experienced William Shatner as Captain Kirk. The four episodes on this compilation are prime choices. “The City on the Edge of Forever” has Dr. McCoy overdosing on a drug and turning into a madman. He passes through a time traveling portal and alters the course of Earth’s history. It’s up to Kirk and Spock to follow him into the past to put history right. An almost young Joan Collins is a woman running a mission in the Great Depression. Kirk ends up getting frisky with the star of Dynasty. “The Trouble with Tribbles” reminds us that cute things can get out of control and irritating. In this case it is the Tribble, a fuzzy ball that makes a sweet cooing sound. This predicts the rise of the Furby. “Balance of Terror” introduces the Romulans as a menace that’s worse than the Klingons. It’s a high pursuit episode as Kirk uncovers the weakness to the Romulan ship’s cloaking device. “Amok Time” takes the crew to the planet Vulcan. While the Vulcans seem to be logical folks, their dating rituals are extremely violent. Spock’s fiancée orders him to fight Kirk in order to get to hitched. It’s a brutal battle between two friends. The episodes are taken from the new enhanced versions so the models have been replaced by CGI spaceships.

The Best of Star Trek The Next Generation has three adventures from the second go around on the Enterprise. These are the journeys of Picard and Riker at the helm. “The Best of Both Worlds” is a two parter with the Borg assimilating Picard. He looks extra creepy with the bio-mechanical accessories. The second episode has the crew looking to free their leader from the grip of the Cube folks. “Yesterday’s Enterprise” has the ship time travel. They discover the older Enterprise and Denise Crosby. The Klingons of the past want a piece of them. Is Denise Crosby bound to bite it again? “The Measure of a Man” has Picard fight to keep Data from being scrapped. Can he prove this robot is not state property? This is a fine primer for anyone wanting to know about the better adventures of ST:TNG without picking through 178 episodes.

GIVEAWAYS

We’ve got a double contest this week. How lucky can you get?

CBS DVD has given us 5 copies of The Mod Squad: Season 2 Volume 2 to give to very special Party Favors readers. In order to win, answer this question: What character returns from the pilot movie to get his revenge on the Mod Squad in this boxset? Send your answer, name and address to mokaha@aol.com. Put “Mod Squad” in the subject.

CBS DVD has given us 5 copies of Gunsmoke: The Third Season, Volume 2 to give away to Party Favors readers who like Westerns. In order to win, answer this question: What’s the freaky connection of Harry Dean Stanton’s name in “The Cabin?” Send your answer, name and address to mokaha@aol.com. Put “Mod Squad” in the subject.

Both contests end May 30, Good luck.

Cabin Fever #65: Skippy’s Balls

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 11:13 pm

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #65: Skippy’s Balls – After a few weeks apart, our Cabin Dwellers return to normality. They regale each other with wondrous tales of anal alcoholics and refrigerated poop, catch up with everybody’s Fantasy Premier League status before the final game week, and chow down on some delicious jerky from down under. Music is provided by QSE’s own Insane Ian Bonds.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #65 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_65.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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CLICK HERE FOR THE CABIN FEVER ARCHIVES

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Contest Round-Up: 2009-05-20

Filed under: Articles — Tags: , , , , , , , , , — UncaScroogeMcD @ 12:32 am

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Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with New Video, we’re giving away ten (10) copies of HARLAN ELLISON: DREAMS WITH SHARP TEETH on DVD.

In conjunction with Hear Music, we’re giving away two (2) copies of PLAYING FOR CHANGE: SONGS AROUND THE WORLD on CD/DVD.

In conjunction with Hasbro, we’re giving away one (1) SUPER SOAKER 50 WATER BLASTER: 20th ANNIVERSARY EDITION.

In conjunction with Universal Music, we’re giving away one (1) copy of ELTON JOHN: THE RED PIANO on Blu-Ray.

In conjunction with Shout! Factory Home Video, we’re giving away five (5) copies of DESIGNING WOMEN: SEASON 1 on DVD.

Win DESIGNING WOMEN: SEASON 1 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:29 am

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In conjunction with Shout! Factory Home Video, we’re giving away five (5) copies of DESIGNING WOMEN: SEASON 1 on DVD.

Contest ends at 11:59pm EST on Wednesday, June, 10th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on June, 10th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win ELTON JOHN: THE RED PIANO on Blu-Ray!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:21 am

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In conjunction with Universal Music, we’re giving away one (1) copy of ELTON JOHN: THE RED PIANO on Blu-Ray.

Contest ends at 11:59pm EST on Wednesday, June, 10th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on June, 10th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win a SUPER SOAKER 50 WATER BLASTER: 20th ANNIVERSARY EDITION!

Filed under: Contests — Tags: , , , — UncaScroogeMcD @ 12:11 am

contestheader.jpg

In conjunction with Hasbro, we’re giving away one (1) SUPER SOAKER 50 WATER BLASTER: 20th ANNIVERSARY EDITION.

Contest ends at 11:59pm EST on Wednesday, June, 10th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on June, 10th.

The winner must allow 4-6 weeks after notification of win to receive the product.

May 19, 2009

Win PLAYING FOR CHANGE: SONGS AROUND THE WORLD on CD/DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 11:58 pm

contestheader.jpg

In conjunction with Hear Music, we’re giving away two (2) copies of PLAYING FOR CHANGE: SONGS AROUND THE WORLD on CD/DVD.

Contest ends at 11:59pm EST on Wednesday, June, 10th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on June, 10th.

The winner must allow 4-6 weeks after notification of win to receive the product.

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