
The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…
(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)
Let’s kick things off this week with a very special video feature – an episode of COOKERY! hosted by me, Ken Plume. Like many others before me, I’ve become addicted to partaking of both Pineapple and Orange-flavored Dole Whips whilst enjoying a day… or a week (whatever!)… in either Disneyland or Walt Disney World. Thanks to a bit of sleuthing and the fine folks at Precision Foods and Cuisinart’s ICE-45 soft-serve ice cream machine, I managed to make my very own batch of Dole Soft Serve in my very own home, and you can, too. Watch…

When I first saw the prototype shots for the latest in Sideshow’s line of 1/6-scale DC Comics figures, I was overjoyed to see that its styling was evocative of my favorite comic artist, John Byrne. So yes, that made their Superman ($199.99) even more appealing than it already was just by dint of being the next in their line of iconic characters. It’s also one of their more versatile figures, coming with a total of three different head sculpts, ranging from happy (take that, Snyder) to determined to heat vision intense. All three are great, but the gong goes to the brilliant heat vision sculpt. There are two capes packed in – one free flowing, the other with hidden wire for poseability, plus a handful of hands for accenting that perfect pose. Niftiest of all, though, is the Sideshow-exclusive hand that comes clutching Metallo’s head. Boy oh boy, this figure is just great. See for yourself…







Oh, Shout Factory. I’ve long since come to have an unconditional belief in your ability to clear even the gnarliest of rights tangles, and you’ve proven your miraculous powers once again in Mystery Science Theater 3000: Volume XXXII (Shout Factory, Not Rated, DVD-$59.97 SRP) and its inclusion of Space Travelers (aka Marooned), which was once thought to be unclearable. And then you did it. The set rounds out with Hercules, Radar Secret Service, and San Francisco International, making for a nice mix of Joel and Mike episodes, plus a clutch of bonus featurettes and introductions from Frank Conniff.
Their brand new seasons are returning soon to deliver us from the doldrums of Girls, but in the meantime you can rewatch the stellar debut season of Silicon Valley (HBO, Not Rated, Blu-Ray-$49.99 SRP) and the equally brilliant third season of Veep (HBO, Not Rated, Blu-Ray-$49.99 SRP). As for bonus materials, Silicon Valley has audio commentaries and a trio of featurettes, while Veep has a quartet of audio commentaries and a clutch of deleted scenes.
In an era of CG, it’s refreshing to see a beautifully realized animated film like Song Of The Sea (Universal, Rated PG, Blu-Ray-$34.98 SRP) done in hand-drawn 2D by the same folks who created the also-gorgeous Secret Of The Kells. Based on the Irish legend of the Selkies, it’s like getting a feature film mash-up between The Legend Of Zelda and The Black Cauldron. And did I mention how wonderful it looks? Bonus materials include an audio commentary, featurettes, and animation tests.
I’d like to say that the final installment of Peter Jackson’s 3-part adaptation of pulls together all of the threads into a gloriously satisfying finish, but The Hobbit: The Battle Of The Five Armies (Warner Bros., Rated PG-13, 3D Blu-Ray-$49.95 SRP) instead feels like a lot of sound and fury, signifying nothing. There are some grand moments, and a fair number of characters we’ve come to, if not love, at least be fond of, but poor Bilbo feels like an afterthought in his own story, as the focus remains squarely on Thorin and its associated sturm & drang. A shame, really. And we all know we’re merely marking time until the release of the expanded edition at the end of the year, so this theatrical cut gets only the barest of bonus features, with about an hour’s worth of featurettes.
Chris Rock is a funny, funny man. And his writing and directorial debut, Top Five (Paramount, Rated R, Blu-Ray-$39.99 SRP) is a funny, funny film, starring Rock as a stand-up forced to take a long, hard look at himself after an encounter with a journalist (Rosario Dawson). Bonus materials include an audio commentary, deleted scenes, and outtakes.
As both a documentary film and a powerful indictment of justice mishandled, Errol Morris’s The Thin Blue Line (Criterion, Not Rated, Blu-Ray-$39.95 SRP) remains just as effective today, particularly in light of recent events. And now the film looks and sounds better than ever, thanks to a high definition upgrade from Criterion. Bonus materials include new interviews with Morris and The Act Of Killing director Joshua Oppenheimer, an NBC news report from 1989, and an essay by film scholar Charles Musser.
It seems hard to believe, but it’s only now that the Marlon Brando classic The Wild One (Mill Creek, Not Rated, Blu-Ray-$14.98 SRP) is making its high definition debut. Joining it on Blu-Ray is the lesser Orson Welles classic The Lady From Shanghai (Mill Creek, Not Rated, Blu-Ray-$14.98 SRP). Both are a long time in coming, but finally here.
Much like the overly-ballyhooed Gravity before it, Christopher Nolan’s Interstellar (Paramount, Rated PG-13, Blu-Ray-$39.99 SRP) tries to trade on a ham-fisted approach to real science before devolving into mealy-mouth spiritual gobbledygook in a saccharine finale. Which is a shame, because it could have been so much more, rather than a half-baked Kubrick. Bonus materials include a clutch of behind-the-scenes featurettes.
A beautifully shot documentary about an incredibly nifty animal narrated by Morgan Freeman? In 3D? Yes, please. Because that’s exactly what IMAX Island Of Lemurs: Madagascar (Warner Bros., Rated G, Blu-Ray-$35.99 SRP) delivers. plus a passel of additional featurettes.
If you’re not willing or able to dive into the complete season sets but just want to dip your toe, CBS has released a trio of sampler collections for just that purpose. Star Trek: Captain Kirk’s Boldest Missions (CBS, Not Rated, DVD-$16.99 SRP) contains the episodes “The Corbomite Maneuver”, “The Doomsday Machine”, “The City On The Edge Of Forever”, “The Conscience Of The King”, “Balance Of Terror”, “Space Seed”, “Mirror Mirror”, and “Return To Tomorrow”. Matlock: Greatest Cases (CBS, Not Rated, DVD-$24.99 SRP) is a 3-disc affair sporting a dozen episodes spanning the run of the show. Finally, Petticoat Junction: Family Favorite Episodes (CBS, Not Rated, DVD-$12.98 SRP) sports 8 episodes, fully restored, from across its black & white and color run.
Exercise your dormant creativity with Drawing Is Magic: Discovering Yourself In A Sketchbook (Melanie Falick, $17.95 SRP), as artist John Hendrix presents scores of brilliant creative prompts and lessons that make drawing fun and interactive.
Another week, and the fine folks at Olive Films surprise with another solid clutch of new-to-high-def catalogue releases. This week brings Brian Dennehy & James Woods in Best Seller (Olive, Rated R, Blu-Ray-$29.95 SRP), Bill Pullman & Gabriel Byrne in Wim Wenders’ The End Of Violence (Olive, Rated R, Blu-Ray-$29.95 SRP), Robert Duvall & James Earl Jones in Convicts (Olive, Not Rated, Blu-Ray-$29.95 SRP), Gary Oldman & Dennis Hopper in Chattahoochee (Olive, Rated R, Blu-Ray-$29.95 SRP), Tim Roth & Paul Rhys in Vincent & Theo (Olive, Rated PG-13, Blu-Ray-$29.95 SRP), and the brilliant documentary John Ford: Dreaming The Quiet Man (Olive, Not Rated, Blu-Ray-$29.95 SRP), about the director’s 20 year journey to realize his film.
It came and went at the box office, but the modern re-make of Annie (Sony, Rated PG, Blu-Ray-$38.99 SRP) is a nice little charmer, even if it will never reach the iconic status of the flawed John Huston take on the musical. Bonus materials include featurettes, an audio commentary, a deleted song, bloopers, a music video, and more.
So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…
-Ken Plume
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Let’s kick things off this week with a very special video feature – an episode of COOKERY! hosted by me, Ken Plume. Like many others before me, I’ve become addicted to partaking of both Pineapple and Orange-flavored Dole Whips whilst enjoying a day… or a week (whatever!)… in either Disneyland or Walt Disney World. Thanks to a bit of sleuthing and the fine folks at
Oh, Shout Factory. I’ve long since come to have an unconditional belief in your ability to clear even the gnarliest of rights tangles, and you’ve proven your miraculous powers once again in
Their brand new seasons are returning soon to deliver us from the doldrums of Girls, but in the meantime you can rewatch the stellar debut season of
In an era of CG, it’s refreshing to see a beautifully realized animated film like
I’d like to say that the final installment of Peter Jackson’s 3-part adaptation of pulls together all of the threads into a gloriously satisfying finish, but
Chris Rock is a funny, funny man. And his writing and directorial debut,
As both a documentary film and a powerful indictment of justice mishandled, Errol Morris’s
It seems hard to believe, but it’s only now that the Marlon Brando classic
Much like the overly-ballyhooed Gravity before it, Christopher Nolan’s
A beautifully shot documentary about an incredibly nifty animal narrated by Morgan Freeman? In 3D? Yes, please. Because that’s exactly what
If you’re not willing or able to dive into the complete season sets but just want to dip your toe, CBS has released a trio of sampler collections for just that purpose.
Exercise your dormant creativity with
Another week, and the fine folks at Olive Films surprise with another solid clutch of new-to-high-def catalogue releases. This week brings Brian Dennehy & James Woods in
It came and went at the box office, but the modern re-make of 










I admit – I was wary of Wall-E. Cars had left me a little cold (and the creepy, post-apocalyptic, human-less but made by humans world it was set in was just disturbing), but Ratatouille was more enjoyable than I thought it was going to be, and my faith in Pixar was ready to be fully restored. And it was. It helps that I experienced the film sitting beside my 4-year-old nephew, who was in the process of taking in his very first movie on a movie theater’s BIG SCREEN. It was a magical time from start to finish, and the DVD brings it on home. If standard definition is still your cup of tea, then I recommend the
Kudos to Stephen Colbert for reviving the tradition of a pundit holiday special – just like the George Plimpton celebrations of yore – with
While I don’t think it’s quite the revelatory masterpiece that the hype made it out to be, I did enjoy
After a pair of unsatisfying “best-of” compilations spanning the show’s entire run, we finally go back to the beginning for a proper complete first season set of
After her turn in the Christmas special “The Runaway Bride”, some were worried about Catherine Tate reprising her role of Donna Noble as the 10th Doctor’s new companion in the fourth series of
There’ve been a boxful of previous soundtrack releases for the Indiana Jones films, but now we’ve got
If you’ve been patiently avoiding the single-disc releases for the next seasonal batch of that happy chap that lives in a pineapple under the sea, then you’ll rejoice in your purchase of
Criterion sprinkles their cinematic fairy dust and delivers to film geeks another stellar special edition, this time for the acclaimed 1965 adaptation of John le Carre’s
I view the remastered editions of the original Star Trek to be a unique aberration that sometimes succeeds in providing a richer experience than the original effects work, but often just plays as just an awkward exercise. Still, you can now wrap things up with the release of the final season,
It’s been edited to remove Kermit, but Jim Henson’s
By now, when one goes into a Werner Herzog film, one expects an experience wholly unique. That’s certainly what you get with
Fans of The Who have been waiting years for a pristine release of the band’s 1977 concert in Kilburn, North London, and
You know, I didn’t think I’d get anything out of
When it first premiered, I had Bones pegged as one of those quirky shows that couldn’t possibly survive the network ignoramusi for long. But here we are with
The idea of Will Smith playing an antisocial ex-superhero who gets hooked up with an image consultant played by Jason Bateman seems like it should delight me to no end, but
The third season of
A&E Home Video has leapt into the world of high definition with a pair of pre-existing catalogue releases that certainly set the stage for some nice drops in the future. First up is the inaugural season of their interstellar documentary series
Full disclosure time. I consider my very first crush to be on Punky Brewster. Just to show how aware I was at the time, as a wee lad, I even knew that the precocious Punky was played by a girl named Soleil Moon Frye – who I vowed I would one day marry. At least that’s what I told my friends while we played in our junk wood playhouse at the top of the hill behind Quantico base housing all those years ago. I never did marry Soleil (her loss, really), but I did watch her show. Now, thanks to those pop culture machiavellis at Shout! Factory, I can relive that long-ago crush with all four seasons of
It’s hard for them to dig themselves out of the hole the show has been going deeper and deeper into the past few years after its stellar first few seasons, but they at least attempted some course correction during the 7th season of
It’s a legendary concert and now it’s gotten a suitably reverent release with
Minoru Kawasaki is a bizarre filmmaker whose bizareness is matched only by that of his films themselves. Don’t believe me? Check out the psychological thriller starring a 6-foot office-working
Tick another one off the list, as the fifth and final season of
One of my nephew’s favorite Nick shows is The Fairly Oddparents, so I’m sure he’ll eagerly devour
I am not the target audience. At all. But I know the target audience is probably screaming in giddy anticipation for the release of
A staple of my 80’s Nick At Nite viewing returns with its sophomore outing in the form of
There were times during the 3rd season of
The pants-loving foursome is back in