Once again I give you the run down of my favourite things of the past month because when I enjoy myself, I like to share it.
…ladies.
1) Strange Love: Married to the Eiffel Tower
I have to be honest, when I was introduced to this documentary at the start of the month by a friend online I couldn’t stop watching it. It follows two women who are objectosexuals. That means that they don’t fall in love with human beings but instead inanimate objects. The documentary illuminates some of the reasons for this so I won’t go into it now but needless to say, it’s fascinating.
I just loved the idea that someone was actually able to marry the Eiffel Tower and to see just how much joy someone got out of looking at a fairground ride. It’s all a little mad but you can’t help but like these women. They speak clearly and honestly (often with too much information) but that’s their life and I found it a little wonderful to spend 45 minutes in it.
You can watch it in it’s entirety below. (slightly NSFW)
2) Randy Parcel
Despite the fact that none of us here at FRED were invited (cough cough) many of our friends took part in Jonathan Coulton’s “JocCo Cruise Crazy” cruise type thing. Apparently it was a lot of fun. We wouldn’t know. We’re not bitter though. Nope. Not us.
Anyway, after folks got back lots of footage and pictures emerged online of the fun that went on. My favourite? Well that has to be from Paul F. Tompkins’ karaoke night when a young man by the name of Randy Parcel delivered what I can only call, the greatest karaoke performance ever. Seriously. It’s great.
Watch as he sings SOLO the classic duet “You Make Me Feel Brand New”.
3) The $8 Billion iPod
Rob Reid gives a great TED Talk about how the copyright industry fudge the numbers on piracy. It’s really interesting but also quite important to know with the likes of SOPA and ACTA trying to police the internet based on “facts” like this.
4) Evolution of the Moon
I’ve always loved stuff like this. NASA’s Lunar Reconnaissance Orbiter helped compose this video about how the Moon got it’s appearance. It’s both informative and beautiful to watch so watch it.
5) I Like To Shift Girls
To play us out, the notorious Rubberbandits are back to educate the world in the ways of shifting. I’ll be fascinated to see if this phrase takes off outside of my country because it’s usually hilarious to hear non-Irish try our colloquilisms.
(very NSFW) (actually NSF brains)
God help us all.
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And that’s it! My favourite things of the last month.
– Aaron Poole is the creator of the doughnut lottery. He is also more accurately an internet whore and rarely leaves the house. If you like what you read here check out his blog http://aaronfever.blogspot.com
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have a chat with actress Yvette Nicole Brown about COMMUNITY, Cleveland fences, Paris, Motown, buses, DRAKE AND JOSH, and hat closets.
The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…
(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)
It’s been a few months, so that means another much-anticipated addition to the MSTie library with Mystery Science Theater 3000: Volume XXIII (Shout Factory, Not Rated, DVD-$59.97 SRP). For this set, we’re back to the pair o’ Joel, pair o’ Mike ratio, all 4 being from the Comedy Central era. From the Joel Era, we have King Dinosaur and The Castle Of Fu Manchu, while the Mike Era delivers Last Of The Wild Horses & Codename: Diamondhead. The set is also packed with bonus featurettes, interviews, vintage promos, and trailers.
Sure, they’re a bit of a novelty, but for goofball geeks and kids, the Angry Birds Speakers ($49.99-$59.99) are actually pretty darn spiffy, allowing you to hook up your iPhone, iPod, or iPad and play music that sounds pretty good for the prize and size. You can choose from either a red or black bird, or get the evil helmeted pig.
I still don’t think we’ve gotten enough perspective on the events and repercussions of 9/11 to make a truly remarkable film about it, but Extremely Loud & Incredibly Close (Warner Bros., Rated PG-13, Blu-Ray-$35.99 SRP) makes a decent go at it, brining the drama down to human level by focusing on the fallout to an 11-year-old boy who finds a key in the belongings of his father (Tom Hanks), who died in the Towers, and sets out to find the lock it opens. Treacle is kept at bay, and the story manages to be quite affecting. Bonus materials include a quartet of featurettes.
While James Cameron’s film has the edge in the effects and actual mechanics of the sinking, the far more accurate portrayal of the real people and events leading up to the disaster – and the exclusion of saccharine fiction – makes A Night To Remember (Criterion, Not Rated, Blu-Ray-$39.95 SRP) the so-far definitive cinematic take on the voyage of the RMS Titanic. The new Criterion release is a glorious high-def remaster, featuring an audio commentary, a making-of documentary, an archival survivor interview, and additional historical documentaries. A must-have.
I would have hoped it would have been better timed to be released alongside the big screen adventures, but at least we still get the second and final volume of the animated The Adventures Of Tintin (Shout Factory, Not Rated, DVD-$19.93 SRP) TV show from the early 90’s, which brings us up to the final Tintin story, Tintin And The Picaros.
I’m a big fan of the various documentaries that Top Gear co-presenter James May has done over the years, all of which contain an almost boyish enthusiasm for the various subjects at hand. He goes enjoyably DIY with the first series of James May’s Man Lab (BFS, Not Rated, DVD-$24.98 SRP), tackling many a task with a very rah-rah approach. Fun!
Fifteen seasons of South Park (Paramount, Not Rated, Blu-Ray-$57.99 SRP)? I can’t believe it, either. After a shaky, often superficial first few seasons, the show has now grown into a very pointed, very funny satire that manages, through its record production schedule, to stay bleeding edge topical. In fact, that lightning fast process is detailed in the included documentary 6 Days To Air, which features alongside a clutch of mini-commentaries and deleted scenes.
Packed with the Hollywood luminaries that received their career start from him and chronicling his profitable existence as the King of the Quickie, Corman’s World: Exploits Of A Hollywood Rebel (Anchor Bay, Rated R, Blu-Ray-$29.97 SRP) is lovely new documentary about the one and only Roger Corman. Bonus materials include extended interviews and a special message from Roger.
So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have a chat with actor Charley Koontz about COMMUNITY, Just Neil, Shakespeare Re-Doeth, Doctor Toolmaster, Sweetums, and Juniper Joe.
Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.
Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.
Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.
Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to some microphones.
Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.
Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉
CABIN FEVER #110: Anti-Ocular – This week the lads discuss a comparison made by their good friend JJ Hawkins, wondering if they really are “The Ramones of podcasting”, Aaron gets introduced to the wonder that is Terry Crews’ Old Spice adverts, and the two marvel at the act of sponge-eating. Music this week is provided by Aaron’s band from another dimension, The Outline.
[CONTENT WARNING]:Explicit contents! We say every naughty word you can think of. You have been warned!
Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp
JOHN CARTER – FILM REVIEW
John Carter Soars By Ray Schillaci
First off let’s have a reality check for all those haters that have not even seen this film. The great Edgar Rice Burroughs (of Tarzan fame) delivered the character of John Carter in his stories of Barsoom (Mars) in September of 1911 in a serialized form within a pulp magazine through July of 1912. In 1917 a hardcover novel was produced entitled, “A Princess of Mars” and subsequently 10 other novels were to follow for the next 45 years. The character of John Carter appeared in 8 out of the 11 novels. Burroughs stories have inspired films from Flash Gordon, Star Wars and all the way to Avatar and even Cowboys & Aliens.
Add all this to the fact that many studio executives and filmmakers have tried to get a John Carter project off the ground and failed miserably. To quote one famous novelist who was at the screening, “For every dollar Disney spent, there are 10 people that want to see this fail.” Enter Pixar’s Andrew Stanton (director and writer of Wall-E, Finding Nemo and writer of Toy Story 2 & 3) determined to deliver the same whiz-bang feeling we experienced when we first saw the original “Star Wars”. Other than the minor glitch of having a slow start incorporating a back love story, “John Carter” proves to be a rousing spectacular, fun-filled adventure for all ages.
Andrew Stanton has given us a wonderful story infused with good humor and an anti-hero that we want to cheer for. John Carter, a former famed Confederate officer from Virginia has been captured by the North just after he discovers a cave filled with gold. They try to recruit him for his abilities as a strategist and fighter, but Carter has no intention to fight anybody’s battles. Upon his escape, Carter heads back to the cave and is mysteriously transported to another world.
Carter’s introduction to the gravity of the new world is enjoyable and becomes increasingly fun as he realizes he is no longer on Earth when he encounters the unusual life forms. The exchange is very humorous and that is where director Andrew Stanton and his cast shine. It brings back the joys of watching Han Solo from “Star Wars”. The subtle tongue-in-cheek humor pervades and makes our journey all the more enjoyable. John Carter is once again urged to join another war, but he is more inclined to save himself until he meets up with the princess of Mars, Dejah Thoris. Lynn Collins is fetching as the princess, poised, classy and sassy all at the same time.
As one would expect, Carter ends up helping the Martian tribe and the princess, but not without the intention of helping himself as well. He is a flawed hero and Taylor Kitsch makes him all the more interesting with his charismatic presence. Carter leads a fight against another tribe all fighting for the dying planet’s resources. The opposition is also aided by mysterious astral beings that appear to have control over time and space, which makes Carter’s fight all the more suspenseful.
John Carter is a fantastic fantasy/science-fiction tale that captures both the spirit of its originator Edgar Rice Burroughs and the sweeping epic feel of David Lean (Lawrence of Arabia, Bridge on the River Kwai). Some may compare it to a desert version of “Avatar,” but that would be doing this roaring adventure a disservice. The comparisons of so many past films will not be helped since this story was basically the impetus for so many others, right down to the flying vehicles.
Everything about the film is top notch from the set design, special effects to the rousing score by Michael Giacchino. There is no question about viewing an IMAX presentation. John Carter is meant for the BIG screen. Whether or not there is a need to see it in 3D is debatable (at least for this critic). I still have my reservations about 3D. I felt that way about “Up” and “Hugo”. The only true depth perception that really captured the imagination was “Avatar” and even that, after awhile, was hard on the eyes with its running time.
John Carter deserves to garner repeat business and it definitely warrants sequels. It is definitely far better than the last three Star Wars movies. I may even go as far as saying that it nearly exceeds “Return of the Jedi” since it is sans anything that is like a Ewok.
Is it a film that everyone will love, probably not? Rom-com and pseudo intellectuals will scoff at the fun and that Saturday matinee feel, but this film was not made for them. John Carter’s audiences are thrill seekers searching for an escape to another time and place in order to leave their troubles outside the theater doors. So, grab your popcorn and soda and as the theater lights dim, be prepared for enough action and adventure for several summer openings, and it’s barely spring.
The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…
(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)
It’s n ice that the original adaptation of John Le Carre’s Tinker Tailor Soldier Spy (Acorn, Not Rated, Blu-Ray-$59.99 SRP), starring Sir Alec Guinness as the sidelined spy George Smiley who’s tapped to root out a mole, makes its high-def debut at the same time as the new big screen Tinker Tailor Soldier Spy (Universal, Rated R, Blu-Ray-$34.98 SRP), starring Gary Oldman as Smiley. Both are beautiful bits of clockwork intrigue and suspense, but Guinness gets the edge only because, as a mini-series, the story is allowed to breath and get far richer in its plot and character. Both, however, are worth watching.
If you want to make your weekend decidedly Kubrickian, why not go about your life and run your errands wearing your very own Horse Head Mask ($25.99). Not only will you be a true individual, but you’ll also be downright creepy.
There are quite a few ways that The Muppets (Walt Disney, Rated PG, Blu-Ray-$49.99 SRP) is just an awful, misguided attempt to bring Jim Henson’s beloved creations back into the public consciousness. Perhaps the one that galls me the most is that this really isn’t a film about The Muppets. It’s fanfiction about Jason Segal and his resurrection of The Muppets with the help of a character he created, the Anything-Muppet Walter… Who’s really just a proxy for Jason Segal. If you’re going to make a film about The Muppets, present them without first setting them up to have become culturally irrelevant failures, and also, maybe, let them be the actual stars of their own damn film, and not second fiddles. So, yeah. Anyhoo, bonus materials include an audio commentary, featurettes, a blooper reel, and more.
I’m not about to go and say it’s anything brilliant, but as far as family films about the Easter Bunny as played by Russell Brand go, Hop (Universal, Rated PG, Blu-Ray-$39.98 SRP) is a fun little diversion with enough humor and energy yo make for an enjoyable watch with the kids. Even with the pooping jelly beans thing. Bonus materials include a new mini-movie, featurettes, and more.
It’s not very often that a stage play makes the transition to film and retains its single location, and even rarer that it actually works, but Carnage (Sony, Rated R, Blu-Ray-$35.99 SRP) uses its enclosed locale to brilliantly bring together the parents of a bully with the parents of his victim for a conversational dinner that devolves into verbal warfare. The ensemble is the key, and John C. Reilly, Jodie Foster, Kate Winslet, and Christoph Waltz pull it off beautifully. Bonus materials include a trio of featurettes.
Fans of ABC Family’s series about a high school student leading a double life as a fashion house intern, Jane By Design (ABC Family, Not Rated, DVD-$29.99 SRP) can pick up the first volume, containing the initial 10 episodes of its debut season.
Jonah Hill’s blink-and-you-missed-it The Sitter (Fox, Not Rated, Blu-Ray-$39.99 SRP) is an affable, if unmemorable piece of pass-the-time comedy. Think Adventures In Babysitting, but raunchy. And with Jonah Hill. Bonus materials include featurettes, deleted scenes, outtakes, and more.
MGM opens their vaults for more releases from their MOD Limited Edition Collection. Titles this time around include John Huston’s Sinful Davey (MGM, Rated R, DVD-$19.98), Robert Carradine & Billy Dee Williams in Number One With A Bullet (MGM, Rated R, DVD-$19.98), Anthony Edwards & Kathy Bates in the Depression-era romance Summer Heat (MGM, Rated R, DVD-$19.98), and the National Enquirer-esque tabloid spoof The American Snitch (MGM, Rated R, DVD-$19.98).
While many of you are waiting for the cinematic arrival of The Hunger Games, there are many who claim that it’s ripping off a now-legendary cult Japanese action flick that’s getting a deluxe treatment with Battle Royale: The Complete Collection (Anchor Bay, Not Rated, Blu-Ray-$49.99 SRP), which features multiple cuts of the film, the sequel, and loads of bonus materials. So if you want to check out if this bloody war between Japanese Junior High students and see how it stacks up against Hunger Games, this is the way to do it.
Deep in the caves of Androzani Minor, the Doctor and Peri are swept up in a struggle full of political backstabbing and murder pitting Androzani Major against a deformed madman named Sharaz Jek. Well, now you can get both Jek and Peri via the nifty Caves Of Androzani Set ($40), so you can finally re-enact the death of Peter Davison’s 5th Doctor.
So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…
FAIR CITY – Who knew crime fighting, dictionaries and meat would taste so well together? That’s the recipe for an episode of the animated WordGirl.
The PBS show is a hit with the younger set. Who can’t resist the charms of a WordGirl and Captain Huggyface? They pose as an elementary school student who loves libraries and her pet chimp to look normal to humans. But when trouble comes, they reveal their alien superpowers from the planet Lexicon. They have to protect citizens from evil villains like Kid Potato, The Butcher, Chuck the Evil Sandwich Making Guy and The Masked Meat Marauder. It’s a food court of sinister elements. The show has more real action than an episode of classic Super Friends even with educational elements. Plenty of cool actors lend their voices including Tom Kenny (SpongeBob SquarePants), Chris Parnell (fellow NCSA graduate), Patton Oswalt, Fred Stoller, Pamela Adlon (Californication), Tim Conway, Elliot Gould, Brian Posehn, Ed Asner, Kristen Schaal, Amy Sedaris and the late Peter Graves.
WordGirl is now being released as original adventure graphic novels from Boom! Studios. My internet pal Anita Serwacki wrote the story “The Ham Van Makes the Man” in WordGirl: Word Up. Steve Young created the artwork. The story centers around WordGirl’s dad winning a Ham Van that the Butcher covets. If you want a peek at the first few pages, visit: http://www.comicbookresources.com/prev_img.php?pid=11154&pg=1
Serwacki’s no stranger to WordGirl. She’s already written a few episodes of the TV show. She’s also familiar to bookstores. Serwacki along with others including her husband Joe Garden have written The Devious Book for Cats, The Dangerous Book for Dogs and The New Vampire’s Handbook: A Guide for the Recently Turned Creature of the Night. While she contributes to The Onion, she’s most recognized as a survivor of the Yo La Tengo Concert Disaster coverage. She’s been a DJ on Luxuriamusic.com as The Meat Mistress and runs a website exposing meat related crimes.
The Party Favors had a chance to swap some questions with Serwacki about her work with WordGirl. We had to find out the secrets of Lexicon Living.
Party Favors: When you pitch to WordGirl, do you give them the big words to be explained in the episode or are they provided in advance?
Serwacki: The pitch phase is focused on villain-specific story ideas. After a pitch is selected, the writer incorporates two vocabulary words that work organically within the script. However, Scholastic, which owns the WordGirl property, has ultimate approval. I did have to change a word in my first comic script, “Fondue, Fondon’t,” when it was flagged for having been used in the television show. That involved a bit of rewriting. I now have a handy list of words that have been previously defined!
Party Favors: Did you originally write “The Ham Van” for the animated series or was written specifically for the comic book?
Serwacki: “The Ham Van Makes The Man” was only pitched for the comic book, but it wouldn’t have been viable for the show. One of Boom’s goals for the comic is to publish stories that are bigger than what could be produced for the television series. For example, multiple villains, which the show’s voice talent budget may not be able to support, can be incorporated, and elaborate set pieces that would be too difficult and time-consuming to animate (like the Ham Van parade that appears in my story), can be included.
Party Favors: Was this a dream job for you since you were able to combine your passion for meat and words in one juicy story?
Serwacki: Boy, when my husband and I began writing for the TV show and were introduced to the characters, it seemed like someone emptied the contents of our brains into a children’s program. I, of course, have a slightly unhealthy obsession with meat (e.g. my longtime DJ moniker “Meat Mistress” and the Meat Crimes blog – meatcrimes.tumblr.com). My husband has a similar obsession with monkeys and had been a long time moderator for a monkey news email list. It was no coincidence that our two Season One episodes featured The Butcher.
Party Favors: What’s the major difference between writing a TV script and a comic book?
Serwacki: With the show, you just wait for it to air and see what magic the production company coaxed from the page! Comics have rigid parameters and it’s a bit more of a writer’s burden. For WordGirl there are 28 printed pages per story. Within those pages there can be, with few exceptions, no more than 4 panels. The writer specifies the contents of each panel in the script. Every physical action, or even nuance, such as a sideways glance, must to be represented in its own panel. You also need to open up the story for art and allow for at least one, maybe two, one-panel pages, so that limits how much space you have to tell the story. Figuring how three acts are going to unfold within those limitations can sometimes feel like playing a strategy board game.
Party Favors: Does it feel bad that the Butcher is a villain? Do you think he’s merely misunderstood?
Serwacki: One of the many reasons I love The Butcher is that, deep down, he’s a real softy. I co-wrote the TV episode “Meat With A Side Of Cute” where he finds a kitten, names it “Meat Hook,” and tries to make it his sidekick. When The Butcher is hauled off to jail, the only thing he cares about is the kitten’s welfare. Same thing with the Ham Van, actually. The Butcher doesn’t care about getting locked up so long as he knows the vehicle he loves is safe.
I do enjoy him as a villain, though. He throws meat at people! C’mon!
Party Favors: Is the Butcher irritated by Sandwich Guy since the butcher has to cut his meat while Sandwich guy gets pre-cut lunch meats?
Serwacki: Chuck does battle with condiments, so there’s no conflict. Plus, cutting meat is The Butcher’s life-passion, followed closely by crime.
Party Favors: Did the Spiral Ham Van concept come from a childhood wish?
Serwacki: The Wienermobile was the launching point for the idea. As many do, I sat down and considered what other meat products could be fashioned into a motor vehicle. There’s just something about ham that has a higher comedic value than other meat.
Party Favors: What would be cooler to own: The Spiral Ham Van or the Oscar Mayer Wienermobile?
Serwacki: Speaking of…! Since you are talking to someone without a driver’s license, I would choose to be a Ham Van passenger, for sure. If you look closely at the art, the illustrator, Steve Young, made the bumpers out of bones…
Party Favors: Are you hoping this comic book inspires a future George Barris to make a Spiral Ham Van?
Serwacki: Yes, and it should be driven exclusively by Paula Deen.
Party Favors: Is it nice to be able to have at least a hint of physical violence when WordGirl takes out Dr. Two-Brains and Sandwich Guy?
Serwacki: WordGirl actually has a fairly congenial relationship with most of the villains, particularly Two-Brains with whom she was pals before he had a mouse brain fused to his head. She’s not so much interested in retribution ala The Bride from Kill Bill as she is in just stopping the crime-nonsense so she can get back to school work and Pretty Princess.
Party Favors: Are there rules for what WordGirl can do during a battle?
Serwacki: She has her established super hero traits: speed, strength, flight, and extensive vocabulary. But there must be a bit of vulnerability. A hundred pounds of meat needs to incapacitate her for at least a few minutes. In the end, she usually ties up the villain with Huggy’s assistance.
Party Favors: Who would win in a fight between WordGirl and Yo Gabba Gabba‘s Super Martian Robot Girl?
Serwacki: Neither! They’d have a sleepover, drink hot chocolate with little marshmallows, and watch a “Pretty Princess and Magic Pony Power Hour” marathon.
Party Favors: How come if Captain Huggyface can fight crime, he isn’t toilet trained?
Serwacki: I think the diaper is more of a disguise akin to Clark Kent’s spectacles. Who’d ever suspect an incontinent monkey of being a superhero sidekick?
Party Favors: Is WordGirl one word or two since the title has the star between the words?
Serwacki: One! You have written it correctly. Bravo, sir!
Party Favors: What female superheroes inspired you as a kid?
Serwacki: It wasn’t a particularly great show, but I did love “Electra Woman and Dyna Girl.” How can you not appreciate female superheroes who fight evil deeds while writing for a magazine? Since I was the little sister, I always had to play Dyna Girl though.
Party Favors: Do you see little girls dressing up as WordGirl for Halloween?
Serwacki: While I have not witnessed it first hand, I have seen pictures of girls in WordGirl costumes accompanied by their dads dressed as The Butcher. That is adorable.
Party Favors: Have you framed the WordGirl panels to hang around the apartment?
Serwacki: I have not, but I should get on that. The art is owned by Boom!, of course, however I should ask the illustrators to send me some high res images. A Ham Van parade print would be nice in the bathroom.
Party Favors: If they make a live action WordGirl, who would Nic Cage play?
Serwacki: The safe, most obvious choice is Dr. Two-Brains, but I think Chuck The Evil Sandwich Making Guy would be more inspired. What could be more terrifying than Nic Cage hosing people down with mayonnaise while encased in sandwich-head creature make-up?
?Remember to pick up WordGirl: Word Up for the young readers in your life. It’s also great for people who love stories about driving around in a Spiral Ham Van.
FULL FRAME COMING
The next column shall have a complete preview of the Full Frame Documentary Film Festival that’s running in Durham, North Carolina from April 13 – 16th. The big highlights to report will be Samsara from Ron Fricke. He’s the man behind Baraka. Kevin Macdonald’s Marley is about Bob Marley and not the dog that dies. Bones Brigade: An Autobiography is the second installment in Stacy Peralta’s life of a skateboard legend. His Dogtown and Z-Boys explored how he and his pals revolutionized the sport in the mid-70s. Bones Brigade was Tony Hawk’s big break. We’re waiting on news if Stacy will be in attendance so he can show me how to skate the water fountain. That’s going to be highlight video.
If you want to know anything about tickets or hotel reservations visit www.fullframefest.org. It’s nearly 70 movies that don’t star Channing Tatum. How can you resist?
KRAUTROCK OVERDRIVE
I made a big mistake. Instead of landing tickets to see Kraftwerk at New York’s Museum of Modern Art, I’m going to a reunion of the Baader-Meinhof Gang at the Guggenheim. The good news is the show is also an eight day event although it might end early if their demands are met.
DARTH MAUL RETURNS
Turns out they’ve upped the Star Wars online game. Darth Maul is back and he’s ready to party with you. And by party, I mean cut your head off and use it as a beer mug for his Big Boss Beer. Here’s the info about the new part of the game:
A fallen enemy rises! The evil Darth Maul, long thought dead since his defeat by Obi-Wan Kenobi at the Battle of Naboo, has returned to wreak havoc during the Clone Wars! As Maul returns to menace the galaxy in the season four finale of “Star Wars: The Clone Wars,” he also appears in Sony Online Entertainment’s (SOE) Star Wars(r): Clone Wars Adventures(tm).
In addition to seeing the vicious Sith Lord in action tonight on the Cartoon Network, Star Wars players can see him appear in-game in three different missions including:
“¢ A new stage in the ‘Dark Side Duel’ mini-game
“¢ A holoprojector that allows players to disguise themselves and turn their character into his image
“¢ An ultimate boss fight in the Ancient Sith Academy on the surface of Umbara
In order to experience the ultimate boss fight with Darth Maul, players must complete the Sinister Holocron collection to gain access into the ruined Academy where Maul has hidden and retreated to recover his strength, alongside his long-lost brother, Savage Opress. Once there, players should approach with caution as they must first battle Ancient Sith Training Droids and mad Dark Acolytes with dangerous Force mind tricks in order to confront Darth Maul himself in his lava-strewn lair. Gamers be warned: Opress will be close at hand throughout the entire mission!
Players who complete these missions will be given in-game rewards and can earn the new player title, “The Unyielding.”
If you want to play, visit www.clonewarsadventures.com.
DVD Shelf
Mystery Science Theater 3000 XXIII packs four more episodes of talking back to the screen excitement to enhance painfully bad films. The episodes are split between Joel and Mike as the hosts. King Dinosaur brings astronauts to a new planet called Nova. Bert I. Gordon made his own version of Avatar. This is cheap and cheesy sci-fi using stock footage and reptiles in costumes to cover up the budget shortfalls. Prepare yourself for the joy of “Joey the Lemur” song. The Castle of Fu Manchu might be the major reason why Christopher Lee can’t get a lifetime achievement Oscar. This is truly horrible and plot jumpy as Lee terrorizes the world and cinema while made up to be Chinese. Crow gets so upset he writes a letter to complain about non-Asian actors getting Asian roles. Code Name: Diamond Head was a failed pilot from when Quinn Martin stepped on Jack Lord’s turf. Roy Thinnes (The Invaders() is teamed with Zulu (Hawaii Five-O‘s Kono) to hunt down Ian McShane (Deadwood). This should have been a sure fire hit, but it looks like Jack Lord placed a taboo tiki curse on the production for stepping on his turf. At the time Ian McShane was best known in America for Lovejoy so Mike and the Bots don’t make any jokes about McShane cussing up a storm. At least Zulu’s near primetime return can be seen here. Last of the Wild Horses is a real Western from Robert L. Lippert. This is the saga of a man who sells wild horses being told to lay off and let the herd build up. The real joy of this episode is a tribute to the “Mirror, Mirror” episode of Star Trek. Evil Mike looks like Evil Spock. The Mad Scientists get to riff in the theater. It’s insane. They’ve packed plenty of bonus features into the boxset. “Code Name: Quinn Martin” gives a rundown on the successful TV producer who gave us Cannon and The Fugitive. “The Incredible Mr. Lippert” is an involving biography about how a theater owner turned movie mogul. “Life After MST3K: Kevin Murphy” lets us know about his career. He’s still making fun of the movies. “Vintage MST3K Promos” are the ads from Comedy Central. “Darkstar: Robots Don’t Need SAG Cards” reunites cast members for a video game. While the four titles in MST3K: XXIII is a few great nights of weirdness. You might feel guilty eating Chinese food while watching Fu Manchu.
Bob: The Complete Series was Bob Newhart’s last big sitcom. After playing a psychologist and an innkeeper, he evolved into a comic book artist. He’s the creator of Mad Dog, a superhero that’s a vet defending animals around the world. Decades before the comic was a major flop. But during the comic book boom of the early ’90s, Mad-Dog gets revived by a publisher that wants Bob to quit his greeting card gig. You might not remember Bob since it only lasted a season and a half. Newhart didn’t count on his show ending up in the graveyard of Friday night. The first season had Bob discovering all the major changes in the comic book world since his last encounter. He deals at home with his wife and adult daughter. The producers completely retooled the show for the second season. He’s back at making greeting cards for a company run by Betty White. Even with the Betty White magic, the show didn’t even get a complete half season. It was canceled with three episodes in the can. All is on this boxset. They even include interviews from Entertainment Tonight with Bob reuniting with his previous co-stars from his early hits for a Poker game. Strange to think that Bob Newhart’s less successful show would be the only one to be complete on DVD.
Transformers Prime: The Complete First Season is the new CGI entry into the series. It airs on the Hub cable channel. This is so much better than the Michael Bay movies.
The Adventures of Tintin: Season Two brings another seven of Herge’s comics. Tintin is a young reporter who roams the globe with a formerly drunk Captain Haddock, the brainy Calculus and his dog Snowy. I’m still not sure why he’s considered a reporter since he rarely writes down notes or argues with an editor during his adventures. This boxset features the animated TV series that brings the artwork to life. “The Shooting Star” puts a giant meteor on a collision course with the Earth. “The Broken Ear” features a museum heist and cover up that leads to South America. “King Ottokar’s Sceptre” is another royal artifact theft. “Tintin in Tibet” pits Snowy against the Yeti. “Tintin and the Picaros” is a Latin American coup led by Tintin. This was the final comicbook completed by Herge. “Land of Black Gold” scares us with exploding gasoline. “Flight 714” flies them to Indonesia for a kidnapping. If you’re eager for more Tintin after the Spielberg film, this will more than make you happy.
Neverland is SyFy’s latest entry into their classy revisionist classics after Tin Man and Alice. These aren’t the cheap Corman CGI mutant monster movies. This time it’s Peter Pan who gets reworked. Peter and the Lost Boys are a pack of Dickens-esque characters pulling scams around London. They work for Jimmy Hook (Rhys Ifans). They group get sucked into an alternate world when they steal a globe. Turns out it’s Neverland. Hook hooks up with a female pirate (Anna Friel) and her crew including Bob Hoskins. Peter and the kids hook up with the Indians and fairies. We learn how Peter got the ability to fly as he fights against the Pirates to save the secrets of Neverland. Rhys Ifans is perfect in his role. I finally understand why this guy deserves to have a name above the credits. He’s got that wicked gleam working on full blast. New World‘s Q’orianka Kilcher returns as Tigerlily.
Kojak: Season Three reminds us that bald isn’t merely beautiful, it’s beacon for justice in the Big Apple. Telly Savalas continues his reign as the greatest police detective on TV with his brother George and Kevin Dobson as his main men. The season opens with “A Question of Answers” with the trio of Eli Wallach, Jerry Orbach and F. Murray Abraham. This gets topped with “My Brother, My Enemy” with Sylvester Stallone (Cobra) and Charles Napier (Squidbillies). The duo would reunite years later for Rambo: First Blood Part II. “Life, Liberation and the Pursuit of Death” brings us more William Katt (Greatest American Hero). Forrest Tucker (F Troop) is willing to break all the rules to close one final case. Football legend Rosey Grier is a private detective with a hitman on his trail in “Bad Dude.” Rosey reads his lines like a hostage carefully reading his kidnapper’s demands. Future bad dude Bill Duke (Predator) gets a small role. This is the middle time of the five season run so all the actors are making things click effectively. Season 4 comes out on May 1.
Hey Arnold: Season 2, Part 1 is 10 more episodes of one of the finest animated urban kid shows since Fat Albert and the Cosby Kids. “Save The Tree” has Arnold, Helga and their pals doing their best to save the neighborhood tree from being chopped down. Why? Because Helga’s dad wants to build a new Big Bob’s Beeper store. She going to let her dad do this? “Helga’s Love” drives her to buy a potion to stop caring about the football shaped head boy. “Ransom” puts Arnold and his pal Gerald on the trail of a stolen doll. “Operation: Arnold’s Halloween” plays off of Orson Welle’s “The War of the Worlds” broadcast. The kids’ pumpkin night stunt turns the enter city into a warzone. They think the aliens really are coming this time. Hey Arnold is one of the essential Nickelodeon shows from the ’90s worth rediscovering as an adult.
Roadie had me at Blue Oyster Cult. Unfortunately it’s a sad story about what happens when BOC fires their roadie after two decades. Ron Eldard (Super 8) isn’t sure what to do with his life after spending so much of his time on a tour bus with the guys behind “Don’t Fear the Reaper.” How is he going to get more cowbell in his life? He hooks up with an old friend, Jill Hennessy (Crossing Jordan). She has musical talent and might be able to make it with his odd connections. The one thing that doesn’t connect is Jill’s husband, Bobby Carnnavale (Snakes on a Plane). He’s the jealous type. Ron seems destined to eat pavement again. Eldard does a fine job making sure this film doesn’t get confused with Meatloaf’s Roadie. He gives the appearance of a man in a hard career crisis yet with killer facial hair. He could always roadie for a Blue Oyster Cult cover band, but that’s just faking it.
Melancholia is a bride’s worst nightmare when after a beautiful ceremony, the reception is marred by the end of the world. Turns out the Earth had hidden twin planet that wants to reunite in the worst of ways. But why must it ruin Kirsten Dunst’s wedding to Alexander Skarsgard (True Blood)? They look so perfect together. The festivities are hosted by Kiefer Sutherland and Charlotte Gainsbourg (daughter of the legendary Serge Gainsbourg) at a lavish country estate. This is Lars von Trier’s first truly fulfilling movie since Breaking the Waves. The production design is more than chalk on a black floor. The science fiction joining of a wedding flick works here. It even brings back the always creepy Udo Kier.
The Tribe Season One Part 1 is a captivating mix of The Lord of the Flies and BBC’s Survivors series with a touch of Lost In Space‘s planet of the teenagers. A virus has wiped out all the adults in the world. Kids and teens now rule the world. This would sound great except it turns into complete tribalism with massive power struggles. The kids form tribes for protection as they survive mainly by rooting out the remains of society. The Locos are the more powerful groups in the New Zealand locations. The stars of the show are the Mall Rats since they hide inside an old shopping mall. The boxset contains the first 26 half-hour episodes. It’s a compelling youth soap opera with the Post-Apocalyptic Sweet Valley High feel. The show lasted five years.
Adventures in Lalaloopsy Land: The Search for Pillow is really 75 minutes long movie featuring the doll line. I mention this fact so any parent won’t hit the play button thinking it’s only 40 minutes long like other kiddie “movies.” Don’t start this right before your preschooler’s bedtime. The movie is based off the popular line of dolls that mix Raggedy Ann button eyes with more athletic bodies. Their pal Pillow gets lost so her friends track her down. It’s low impact so not to startled little ones. This shouldn’t be viewed by a grown up after the kids go to bed.
Alien Opponent grabbed my attention with Rowdy Roddy Piper dressed as a priest. The fact that the gets to battle an alien is pure icing. Why this man’s acting career isn’t given marathons on Spike is an injustice. An alien’s space ship lands at a rural junkyard. He gets used as the excuse for a local guy being murdered by his relatives. To sell the story even harder, they turn the tables on the predator by offering a large reward for the head of ET. The locals head on over to try to take down the alien like they would a prized deer or hog. Nobody truly seems packed for intergalactic game. This includes TMZ trainwreck Jeremy London who enhances the thespian skills of Roddy Piper. This movie however belongs to Roddy like They Live and Hell Comes to Frogtown. The film has just enough cheese with the cracker action to be a fine late night snack.
On the subject of Filmmakers, Filmmockers, Critics, and Cynics:
Tucked and sucked deep within the underbelly of the no-dough-low-budget-micro independent realm of filmmaking for too long can turn a man (or woman, or hermaphrodite) into a bitter by-product that splits off into two essential steams of flowing hate-fire directed at very different targets.
Group A, or as I like to call them, “Groupay” are the ones brimming with classic fits of jealous spite toward that town located on the west coast with that giant hill with words on it. They spell out HOLLYWOOD. Deep within his hill is of course the very dwelling in which Michael Bay sleeps in his money-bunker nightly, on top of a pile of gyrating women who have been genetically modified to smell like newly minted cash. Groupays have diamond-solidified opinions with serrated teeth attached to them, the kind meant to tear flesh off the bone with a single quip. They are busting their ass to make their flick, sweat, blood, tears, and some type of stupidity-passion-willpower mixture pour over every location, shot, and actor they thank almighty Odin for bestowing to the set on their day off work.
If they make it to the final cut of their film still standing and with enough debt to be able to afford avoiding scurvy for a few months they have won, they are adept vikings, they sit atop the mighty throne and look down on the kingdom they stitched together with After Effects and lots of ADR. Those people, those Groupays, when they go to the cinema, shirts soaked in bile and hard work, pockets empty from the massive Pizza-Hut runs to feed cast and crew, they sit there and see a movie in which the catering bill for ONE DAY was more than the budget on their entire production. Of course they aren’t going to give them an inch. The slightest misstep in a $200 million tent-pole film is enough to write off the entire thing as a “pile of sucktastic suckicide with a side of suckitude.” Now it’s easy to assume that the reasoning behind this is, as indy filmmakers, they see a world where the talentless reign and the gifted fail and struggle, and while that might be the main catapulting force behind their searing contempt, one must consider the possibility that they are also, much like myself, natural born buttholes (but not surfers, indy filmmakers hate water and sunlight. We are the gizmos of humanity.)
"...Actually Michael, that was you that said it. In fact, you screamed it."
That brings us to Groopee, or as I like to confusingly call them, “Group B”, the rarer of the two species, the one with no country, the outcasts of a society that tolerated Outkast. This is a group that until around 3 years ago I was uninitiated of their existence and I’m still not quite sure that Group B is even a group, as I only know about 3 people that fall into this reject community. B, the group, consists of the same blokes with silver-screen colored fantasies as I spoke of above, with one major difference, a severe and intense sympathy for all their fellow filmmakers and crews (here comes the difference) INCLUDING Hollywood sized productions past and present. Unlike Larry Talbot, I’ve witnessed the change within me slowly occurring over years, luckily with much less deer slaughter. Being on the other side of production has made me re-examine the constant onslaught of criticism that seeps from the pores of GENERATION PWNED like needles on a gamma irradiated cactus. The venom coming from the net (where Sandra Bullock jokes have finally subsided,) as well as from those that are in, or yearn to be in, film production doesn’t speak to me any more. In fact, seeing behind the curtain has infected the very foundations of my feelings on criticism, art, and ultimately what exactly the word SUCKS truly means, vacuums and straws aside.
It has been said before, will be said again, and is being said in about three or four words from now, you can’t respond to critics with “Well let’s see you make a better film.” You can’t look Roger Ebert in his face after he eviscerates your favorite Bruce Willis film and challenge him to make a better movie than Hudson Hawk. Why? WHY? Well…um…because while it makes perfect sense, you negate all criticism, OF ALL KINDS, in one simplistic statement. It’s a retort that all of us see on the web from time to time but it has to be largely ignored just because of its power to destroy the very institution of criticism. Having an opinion is a human right, voicing it a constitutional one, but being able to actually prove it? (no one is going to shell out the cash for Hudson Hawk: The REquel directed by Roger Ebert.)
"I like HUDSON HAWK this much."
Now, this specifically is interesting to think about in the world of independent filmmakers. In my travels and adventures (all of which usually require less movement than chewing) I have many a spirited session of movie discussion with fellow filmmakers and have often wondered, as I listen to them claw the ass out of the likes of Underworld 9: Rim Job Restitution, if it’s ok to say “Well let’s see you make a better film.” Is it? Is this indy film world the exception? I really don’t have the answer. The first point that will be made is budget. “Give me $200 billiontrillion and I will make a better movie, until then, it’s sucks. FACT.” And yeah, that seems like a pretty great rebuttal, but…is it? Is anything being taken into consideration here besides the “art” of it? Yeah, I could give you a truckload of money, but could you bring in a better Transformers film than Michael Bay on time and under budget that is artistically superior but not alienating to the broad base audiences enough to cause it to lose returns? The average person, and I’d say the average indy filmmaker, couldn’t do such a thing right out of the gate, if at all. I couldn’t. Shouldn’t there be some respect at least toward the type of WAR GENERAL you need to be to get Transformers 3 made on time and underbudget and have it still be arguably coherent?
“I’ve seen you on set man, I’ve seen your last film…the problem isn’t money and time, the problem is talent, and I suck worse than you, how do you think that makes me feel?”
You probably think I am trying to make some grandiose point about how “everyone should shut their damn mouths cause everything is awesome and made of happiness and pink bunnies!” No. I’m not even sure I have a point, I’m trying to lay out all that has run through my head in the past 3 years or so that has contributed to my newfound bafflement at criticism. As all filmmakers know, no one sets out to make a bad movie, and every movie IS NOT suppose to be made or tailored to each individual audience member during every picosecond of its runtime. My thoughts also transferred to critics themselves and the “art” of criticism, sure you can’t tell them to make a better movie, but you can point out that since facts and/or the scientific method aren’t involved in this world that really what criticism is (get ready for a thunderous roar of “duh”) is a giant bullcrap weaving institution. I realized that my love of a film didn’t matter, I could easily “intellectually” bullcrap my way through a negative review of something I loved just as easily as something I loathed. Anyone worth their weight in wit, with the power to truly critically think about their ramblings knows that its not about GOOD or BAD, it’s about how a piece of “art” strikes you AND what amazing streaming barbs of bullcrap you will fire out of your head hole in order to defend what is essentially a gut reaction that you really can’t explain. Sure, there are people who will violently disagree with me here, they will say that there are rules, there are time tested patterns, there are dimensions and facets to all areas of art, specifically film for our purposes, and GOOD and BAD are real and definable and there’s no arguing that. Well…I’m arguing that. Why? Answer these two questions:
1) (directed at all heterosexual males and homosexual females) Could you write a well thought out review of boobs? Yes…boobs.
2) How do you account for enjoyment?
“I don’t get the boobs thing.” Right, its sort of a weird point, one that I normally reserve for defensive discussion of equality in marriage. Let’s say you are a boob lover, not everyone is, but most people at least are casual fans. You know why you like them, you can research WHY you like them, science, psychology and/or biology and all that will explain to you WHY it is that you just seem to be hopelessly addicted to boobs: instinct. Plain. Simple. Now, biological reasoning aside, can you actually put into words why you personally love them beyond the deeply imbedded evolutionary instinct? (feel free to substitute boobs with feet, or lips, or Alf costumes, whatever floats your boat.) I can’t do it. I sit there and think and think and think and no matter how well spoken and thoughtful I try to explain my endearing love for them all I get is this:
“They…uh…they are awesome for one, and uh…they are…well they are awesome cause they are, wait…did I say awesome? They are so awesome.”
Really, what is instinct if not nature’s hardwired version of “gut reaction.” My love for The Big Lebowski can be explained with all sorts of examples of film theory, historical relevance, script originality, line delivery, story structure, but when it comes down to it THAT ISN’T WHY I LOVE WATCHING THAT MOVIE, THAT IS ME TRYING TO GIVE FACTUAL REASONS WHY I LOVE WATCHING THAT MOVIE. Is it not the same for you? Am I a weird guy? Do the films you most love to enjoy and absorb time and time again only get placement into your dvd player due to a list of “artistic quality criteria” that they meet or because you truly, unexplainably love it for reasons either personal to you, and only you, or beyond your own ability to define in words, such as your love of Alf costumes. All I’m saying is think about why you’ve watched Better Off Dead a hundred times since the 80s…is it because of its merit? or cause you enjoy it? If it’s the former how come a film buff like yourself isn’t constantly watching Schindler’s List, Das Boot, or Ghandi? If you are a champion of “Good Art” then why watch films that don’t seem to really fit into that scheme? How do you separate the merit of “merit” itself and pure enjoyment?
The definition of "pure enjoyment."
That brings me to…
“What do you mean? How do I account for enjoyment…what?” Why are we so bitter, why do we hate so hard on these things when they react improperly with our guts? I don’t know. SERIOUSLY I DON’T. Why does it anger us to know that some dude who loved Glitter is at his home right now watching that movie and having a grande ol’time? I’ve admittedly never seen Glitter, but if it’s anything like the substance I won’t be a fan, that stuff gets on everything. Sure, the movie most likely isn’t a shining example of the historical and time tested requirements of the nationally approved cinematic checklist…but that dude, that dude truly enjoys watching it, it brings him endless glee. You and me might not get it, the dude might not even get it, but the question is, is Mr. Dude wrong? I realize its only natural to want the entire planet to adopt our personal opinions as law but really, concerning art and entertainment, why?
Once again, and I apologize for beating you over the head with it, but I DON’T KNOW. It has been a slow process but the notion that other people’s palpably real enjoyment of films I downright hate is completely valid. That dude isn’t faking his Glitter-mania because he is an agent of all that is hackneyed-evil-dreck in the world. He’s not out to destroy me and my opinions, which are righteous and true, fighting on the front-lines of quality and SUPERB TASTE! No. He legitimately enjoys it, and its not some war between good and bad or art and garbage…its essentially a war between opinions and delusions of grandeur, and history has shown that those are always battles that we can be proud of! (the sarcasm checker in Microsoft word froze my computer after that last sentence. I sooooooooooooo love when that happ{{}}{>><<<|||||||||||||||||——#######{program not responding.}#######
Dudes love this movie.
with all that being said…my review of JOHN CARTER:
It didn’t suck too much.
Dooders and Dooderettes, seriously thanks for reading… I promise I’ll be back soon with more “conventional” reviews.
Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.
Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.
Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.
Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to some microphones.
Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.
Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉
CABIN FEVER #109: Durrtbird McGhee – The boys try to recuperate after St. Patrick’s day with tales of strange calls and query the kids of today. Seriously, we sound like old men at certain points. Also old women, but that’s another story entirely.
[CONTENT WARNING]:Explicit contents! We say every naughty word you can think of. You have been warned!
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have another chat with writer and COMMUNITY producer Megan Ganz about celery flats, Knott’s Berry Farm, lock outs, dark times, and It’s a Goth World After All.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have a chat with writer and COMMUNITY producer Chris McKenna about pre-med, cold calling, spec living, Marion Ravenwood, and snack tables…
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have a chat with actor Simon Day about Borstal, Crosby Holes, The Fast Show, Grass, awkward Gabriel, and his autobiography COMEDY AND ERROR.
And you can pick up his autobiography, COMEDY AND ERROR, HERE
The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…
(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)
I’m still not sold on the exaggerated realistic character design they chose for Herge’s famous characters, but there’s enough verve and energy to make Spielberg & Jackson’s The Adventures Of Tintin (Paramount, Rated PG, 3D Blu-Ray-$54.99 SRP) a fun watch, careening from one set piece to the next in a similar vein to Spielberg’s Raiders Of The Lost Ark. And really, the only way to watch this at home, if you have the capability, is in 3D – they did a great job of making the environments immersive, particularly during the big chase near the end. Bonus materials include making-of featurettes and much more.
If you want a nice and easy geek-friendly LEGO set for kids who might not have the skill or patience to tackle the larger sets, the LEGO Star Wars Droid Escape ($19.99) features C-3PO and R2-D2 with their Tantive IV escape pod plus a few Stormtroopers and a Speeder Bike to pursue them with.
Arrested development and the delusion that goes with it is front and center in Young Adult (Paramount, Rated R, Blu-Ray-$39.99 SRP) when writer & one-time prom queen Mavis Gary (Charlize Theron) heads back home and determines recapturing her married high school boyfriend is the way to relive a past long gone. Theron is brilliant, but she’s matched by Patton Oswalt, a fellow classmate who slaps her with the reality stick. Bonus materials include an audio commentary, featurettes, deleted scenes, and more.
It seems every month is a holiday for fans of the Doctor’s classic adventures as we get not only a special edition of the 10th anniversary special with Doctor Who: The Three Doctors (BBC, Not Rated, DVD-$34.98 SRP), but also a new special edition of 4th Doctor Tom Baker’s Doctor Who: The Robots Of Death (BBC, Not Rated, DVD-$18.99 SRP). Both are real crackers, and are loaded with the usual clutch of commentaries, featurettes, knick-knacks, rarities, and more.
Ah, but that’s not all of the new classic Who you’re getting this week! Oh no, no, no! There’s also a newly restored special edition of Patrick Troughton’s tin-plated tussle with cyberdoom in Doctor Who: The Tomb Of The Cybermen (BBC, Not Rated, DVD-$34.98 SRP) and 4th Doctor Tom Baker’s first encounter with savage companion Leela in Doctor Who: The Face Of Evil (BBC, Not Rated, DVD-$24.98 SRP). Again, there’s loads and loads of great bonus material for both. So is THAT enough new Who for you?
Anyone who has had a loss that is at the same time sudden yet lingering will understand the power of a film like The Descendants (Fox, Rated R, Blu-Ray-$39.99 SRP), that even for its twist and the light it casts on the character who has gone into a coma after an accident, it still makes you feel for the lurch it places family her into. I really don’t want to give away much about the film, but suffice it to say she leaves a husband (George Clooney) and two troubled daughters to pick up the pieces. Just see it. Bonus materials include featurettes, deleted scenes, interviews, and more.
It was only a matter of time before Martin Scorsese’s The Last Temptation Of Christ (Criterion, Rated R, Blu-Ray-$39.95 SRP) made it to the high definition realm in a beautifully put together edition, and it should come as no real surprise that it’s from the fine folks at Criterion. Not only does the picture and sound get a healthy bump, but there’s also an audio commentary, interview with Peter Gabriel, location footage, photos, and more.
It’s always a delight to get new Wallace & Gromit material, even if it’s in the form of interstitial around a spotlight on r3eal life gadgets and contraptions in Wallace & Gromit’s World Of Invention (Lionsgate, Not Rated, Blu-Ray-$14.99 SRP), a 6-part series that does just that.
The fine folks at Rifftrax have released a brand new pair of cinematic bombs made wonderfully hilarious – the dime store creature feature The Crater Lake Monster (Legend, Not Rated, DVD-$9.95 SRP) and the nickel store alien flick The Galaxy Invader (Legend, Not Rated, DVD-$9.95 SRP). Should you get both? Yes. You should get both. Right now.
You know another installment of a film franchise is in the offing when the back-catalogue is dusted off for release, so it should come as little surprise that the forthcoming American Reunion brings the Blu-Ray debut of American Pie, American Pie 2, and American Wedding (Universal, Rated R, Blu-Ray-$19.98 SRP each). All 3 carry over all of the previous DVD special features, as well as adding a look at the upcoming sequel.
They’re certainly not up to the quality of the original, but there’s enough charm and storytelling competence to make both The Lion King 1 1/2 & The Lion King 2: Simba’s Pride (Walt Disney, Rated G, Blu-Ray-$39.99 SRP each) decent viewing, and will probably hold the attention of most kids. Both have just gotten a full high definition release, sporting featurettes, deleted scenes, music videos, and more.
The Warner Archive Collection has dug up a pair of Jim Brown rarities from the 70’s for your viewing pleasure. Tick Tick Tick (Warner Bros., Rated G, DVD-$19.95) finds brown starring as a southern sheriff caught in the middle of a breakdown in race relations, while The Slams (Warner Bros., Rated R, DVD-$19.95) as a jailed criminal who needs to overcome quite a few obstacles to go over the wall and try and recover a hidden stash of cash before the demolition of its hiding place.
Yeah, I’m not entirely sure anyone is supposed to understand what’s going on in Tarsem’s big Greek mythology epic Immortals (Fox, Rated R, 3D Blu-Ray-$49.99 SRP), but it is a captivatingly beautiful thing to look at in 3D, particularly any scene where the gods are doing battle. It’s a crazy flick, but definitely worth a look-see. Bonus materials include featurettes, deleted scenes, an alternate opening, and alternate endings.
Director Ralph Bakshi’s animated films are an acquired taste, and one I never have acquired. I can certainly see his passion, but the movies don’t speak to me. But there are plenty of people who have a special place in their heart for his fantasy film Wizards (Fox, Rated PG, Blu-Ray-$34.99 SRP), which arrives in high definition for a special 35th anniversary edition containing an audio commentary, featurettes, a TV spot, a gallery, and trailers.
As this year marks the 100th anniversary of the legendary maritime disaster, it’s perfectly understandable that the History Channel is collecting together a trio of their best documentaries on the subject into Titanic: The Complete Story (History Channel, Not Rated, DVD-$19.95 SRP). The documentaries in question are Death Of A Dream, The Legend Lives On, and Titanic’s Achilles Heel.
Michelle Williams certainly deserved her Oscar nomination for her turn as Marilyn Monroe in My Week With Marilyn (Anchor Bay, Rated R, Blu-Ray-$39.99 SRP), which focuses on the memoir of Colin Clark, who as a 23-year-old 3rd assistant director formed a special relationship with the very fragile superstar while she was in London filming The Prince And The Showgirl with the Sire Laurence Olivier (Kenneth Branagh). A lovely little flick.
I’m not exactly sure what they were thinking with the overly-slick, utterly baffling new take on The Three Musketeers (Summit, Rated PG-13, 3D Blu-Ray-$34.99 SRP). Well, I do know – they were trying to capture the same teenage audience that flocked to Twilight. And for them, this is probably a lovely bit of fluff. The 3-D edition contains an audio commentary and deleted scenes.
Do you like penguins? Do you like them dancing? Do you like them talking with the voices of Elijah Wood and Robin Williams while they’re dancing? Did you like all of this when it was in an animated movie called Happy Feet? Then you’ll like the equally ingratiating Happy Feet Two (Warner Bros., Rated PG, Blu-Ray-$35.99 SRP), as Wood’s Mumble returns with a son in tow. Bonus materials include a clutch of featurettes and more.
For Come Fly With Me (BBC, Not Rated, DVD-$24.98 SRP) Matt Lucas and David Walliams have followed up their immensely successful run on Little Britain with a brand new series that weaves what are still essentially just recurring character sketches but with the conceit that all of these characters work and revolve around an airport, from ground crews to the rich airline owner. The set features all 6 episodes plus a behind-the-scenes documentary.
How do you compress 13.7 million years of Earth’s existence into one concise special? Seems like a tall task, but it’s one History Of the World In Two Hours (History Channel, Not Rated, DVD-$19.95 SRP) attempts to do, from the stellar formation of the planet all the way up to today.
It’s still not my bag, but for those that enjoy Adult Swim’s Superjail (Adult Swim, Not Rated, DVD-$19.97 SRP), the complete second season set contains all 10 episodes plus a clutch of bonus materials.
In the Tom Baker 4th Doctor story “City Of Death”, our traveling Time Lord encounters an art dealer selling actual originals of the Mona Lisa to fund his time experiments. The seemingly-debonair Count Scarlioni played by Julian Glover, is actually a time-splintered alien named Scaroth, who is eager to prevent the destruction of his ship over primeval Earth – an event that not only flung him through time, but also happened to have jump-started life on Earth. So yes, the Doctor must stop him. The City Of Death Collector’s Set (Underground Toys, $38.99 SRP) contains the Doctor and Cunt Scarlioni – who also has a swappable Scarloth head. Oh, and there’s also a Mona Lisa. Just don’t try to sell it.
So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…