Tag: reno 911

  • Weekend Shopping Guide 11/14/14: Bada Bing Crosby

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    Considering the legal tangle that has stymied its home video release for decades, miraculous is a perfectly suitable word to describe the arrival of the 1966 Batman (Warner Bros., Not Rated, Blu-Ray-$269.97 SRP) TV show to your home theater. And, as if one miracle weren’t enough, they’ve also gone and remastered and restored the original film elements in stunning high definition, making the show’s beautifully colorful 60s palette positively pop in crystal clarity literally never bore seen by audiences. And because you’re already excited, the only way you should buy it, true fans that you are, is via the deluxe collector’s edition box set, which packages all 3 seasons with copious bonus features, an Adam West scrapbook, an episode guide, a set of reproduction trading cards, and your very own 1:64 scale diecast Hot Wheels Batmobile. Holy nostalgia, Batman!

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    If you’ve been holding off on a grand refresher binge of The Sopranos, your perfect moment – and rationale – has arrived in the form of the honkingly massive 28-disc The Sopranos: The Complete Series (HBO, Not Rated, Blu-Ray-$279.98 SRP), which marks the high definition debut of the now-classic drama that redefined both HBO and television. Not only does the series look and sound amazing, but there are plenty of brand new bonus features that make an already easy sell that much easier, including a retrospective documentary on the show’s creation and impact, a pair of cast & crew dinner roundtables, 25 commentaries, lost scenes, a 2-part interview with creator David Chase, and more. Don’t stop believin’.

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    After Paramount cruelly teased fans a few years back with both a best-of collection and a first season set, it took the miracle workers to deliver unto us the beautifully mastered complete four season set of the legendary Sgt. Bilko (aka The Phil Silvers Show) (Paramount, Not Rated, DVD-$129.99 SRP). If you’ve never seen the show and consider yourself a fan of comedy, you must rectify the oversight immediately. Not only is the writing sterling, but Phil Silvers is a brilliant comic performer, elevating the material and making his role as a con-happy army sergeant iconic. The 20-disc set contains all 142 episodes, plus audio commentaries, interviews with Phil Silvers, the original network opening, original cast commercials, the lost audition show, an episode of The New Phil Silvers Show, Silver’s guest-starring episode of The Lucy Show, and more.

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    There have been best-of clip package DVDs released in the past – all of which are well worth adding to your collection – but what makes The Tonight Show Starring Johnny Carson: The Vault Series (Carson Entertainment Group, Not Rated, DVD-$114.99 SRP) so delightfully unique is that the 12-disc box set contains complete, unedited episodes, including the vintage commercials! The 24 episodes within are like little time capsules that are fun, funny, and fascinating. In addition to the 24 episodes, there are also over 4 hours of bonus clips. Here’s hoping there are many more sets to come.

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    I didn’t dislike the first Hobbit film, but it did suffer from a bloated sense of not much happening, as well as a decided lack of a dragon. And because of the decision to turn two films into three, its extended edition was not extended by very much, as most of the material that would have been put back in was instead shunted over to help fill out its first sequel. That being said, the extended edition of The Hobbit: The Desolation Of Smaug (Warner Bros., Rated PG-13, 3D Blu-Ray-$54.98 SRP) certainly ups both the something happening and the dragon quotient, as our band of dwarves (and a thief) finally make their way to the Lonely Mountain and have their confrontation with the titular dragon, adding in some pretty significant scenes involving Gandalf at Dol Guldur and much more. The real draw to these extended editions for me, though, are the incredibly in-depth and riveting production Appendices, the excellence of which continues through the 10 hours contained in this new set. I could watch these all day. And I did.

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    Nothing says Turkey Day like Mystery Science Theater 3000, so Shout Factory has crafted the perfect way to fill your holiday viewing in proper fashion with Mystery Science Theater 3000: Volume XXXI – The Turkey Day Collection (Shout Factory, Not Rated, DVD-$64.99 SRP). Not only do fans get four more films to fill in the holes in their collection – Jungle Goddess, The Painted Hills, The Screaming Skull, & Squirm – but the set is packed with new Turkey Day intros from Joel Hodgson, Turkey Day featurettes, additional featurettes, mini-posters, and even comes packaged in a nifty collectible tin. Hi-keeba!

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    There are a few shows long since passed that I could still see running today and being every bit as enjoyable, and one of that select few is most certainly Reno 911 (Comedy Central, Not Rated, DVD-$45.98 SRP). If you don’t believe me, or you just want a refresher course, check out the brand new set collecting all 6 seasons of the whip-smart and absurd Cops parody from a handful of alum of The State. Bonus materials include audio commentaries, deleted/alternate scenes, featurettes, and more.

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    Age and familiarity have in no way lessened the weird wonderfulness of Weird Al Yankovic’s UHF (Shout Factory, Rated PG-13, Blu-Ray-$22.97 SRP) as it makes its high definition debut replete with an audio commentary, deleted scenes, behind-the-scenes footage, easter eggs, promo materials, and a 2014 retrospective panel from Comic-Con.

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    Irving Berlin’s White Christmas (Paramount, Not Rated, Blu-Ray-$26.98 SRP) is a certifiable holiday classic, so it’s perfectly acceptable that it’s being celebrated with a brand new diamond anniversary edition. Looking and sounding great, it adds a bag of new bonus materials, including an audio commentary with Rosemary Clooney, classic holiday TV appearances by Bing Crosby and Danny Kaye, a special UNICEF documentary from 1954 featuring Kaye, photo galleries, and a sing-along feature.

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    I really do despise the “Anakin Effect”. I am a firm believer that there not all evil needs a backstory, and a tender, forgiving one, at that, and that is sadly what Maleficent (Walt Disney, Rated PG-13, Blu-Ray-$36.99 SRP) does for one of the most iconic villains in either animated or live action film history. By making the antagonist of Sleeping Beauty into the central character, this prequel has decided to defang the character and instead make Briar Rose’s father into the villain of the piece, as the person whose actions transformed Angelina Jolie into a fallen faerie bent on revenge. Unfortunate, really. Bonus materials include deleted scenes and a handful of featurettes.

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    The single-disc releases of Adventure Time have made it up to season 3 with Adventure Time: Finn The Human (Cartoon Network, Not Rated, DVD-$24.98 SRP), featuring 16 episodes (from “The New Frontier” to ” Sad Face” and comes packaged with a limited edition Finn backpack to add to your Finn and Jake hats from previous releases.

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    If you were expecting a truly batshit crazy final season from True Blood (HBO, Not Rated, Blu-Ray-$79.98 SRP) – you know, in keeping with the tone of the series thus far – then the final fate of the denizens of Bon Temps certainly delivers. Because it is just as batshit crazy as it’s ever been. Bonus materials include audio commentaries and a behind-the-scenes special. And because this is the end, and it’s also the holidays, also available is the full caboodle True Blood: The Complete Series (HBO, Not Rated, Blu-Ray-$299.99 SRP) continuing all 7 seasons and bonus features from the original single-season sets.

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    Even when the film is an I-wish-it-was-better road trip comedy, there’s something eminently and irresistibly watchable about Melissa McCarthy. Such is the case with Tammy (Warner Bros., Not Rated, Blu-Ray-$35.99 SRP), which pairs McCarthy’s down-on-her-luck Tammy with her desperate for freedom grandmother (Susan Sarandon) in a multigenerational Thelma & Louise. Bonus materials include featurettes, deleted scenes, and a gag reel.

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    Let Seth Green and Co. into your hearts for the holidays with the Robot Chicken Christmas Specials collection (Adult Swim, Not Rated, DVD-$14.97 SRP), which brings together on a single disc all of the show’s Yuletide episodes, plus audio commentaries, deleted scenes/animatics, and promos.

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    If you’re jonesing for some Star Wars and were a fan of the abruptly terminated animated series Clone Wars, see where it all was going with Clone Wars: The Lost Missions (Walt Disney, Not Rated, Blu-Ray-$45.99 SRP), containing the final 13 episodes, plus four story reels for now never-to-be-produced future episodes and a brand new documentary. However, if you’re in the mood for a more lighthearted journey to a galaxy far, far away, see the classic tale told with a spin via Phineas & Ferb: Star Wars (Walt Disney, Not Rated, DVD-$19.99 SRP), in which the toon cast take on story.

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    If you’re in the mood to be uplifted, Legends Of The Knight (Virgil Films, Not Rated, DVD-$19.99 SRP) is a documentary built on tales of people who have overcome adversity and given back to their communities, inspired by the character Batman. Bonus materials include a featurette, deleted scenes, and a trailer.

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    The music is iconic, the story is interesting, and the actors are game, but there just doesn’t seem to be any real spark to Clint Eastwood’s big screen adaptation of the musical Jersey Boys (Warner Bros., Rated R, Blu-Ray-$35.99 SRP), which tells the tale of the rise , break-up, and rapprochement of Franki Valli and the Four Seasons, from their rough and tumble Garden State roots to the heights of stardom. Bonus materials include a trio of behind-the-scenes featurettes.

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    Add years of advancement in effects technology and the deadening of audience expectations for drama after numerous SyFy spectacles and you get this generation’s Twister, Into The Storm (Warner Bros., Rated PG-13, Blu-Ray-$35.99 SRP). The story, if it really matters, focuses on a group of storm chasers on a day where a small Midwestern town is targeted by an onslaught of deadly tornadoes. Because why not? Hey, it looks cool. Bonus materials include a clutch of behind-the-scenes featurettes.

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    As a story, the wholly unnecessary sequel Planes: Fire & Rescue (Walt Disney, Rated PG, Blu-Ray-$39.99 SRP) is just as slight and merchandise-driven as its predecessor. However, it’s very clear that the filmmakers were well aware of the script’s plot and character shortcomings and decided to have some fun with a couple of actually quite showstopping action set pieces that are really the only reason to take the time to give the disc a spin. Bonus materials included a bonus short, deleted scenes, featurettes, and more.

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    I feel bad for Dwayne Johnson. Supposedly, he always dreamed of playing a certain hero of Greek myth. It’s just a shame that when he finally did, it was the painfully dull and thoroughly forgettable Hercules (Paramount, Rated PG-13, 3D Blu-Ray-$54.99 SRP), which at least manages to look nice, even if that’s all it really has going for it besides the enthusiastic Johnson. Bonus materials include deleted/extended scenes, an audio commentary, featurettes, and more.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • A Bit Of A Chat with Ken Plume & David Wain

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    I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

    In this episode, I’m having a bit of a chat with writer, actor, and director David Wain.

    Not only is he 1/11 of the now-legendary sketch comedy troupe The State, but David Wain is also the director of the cult-classic comedies Wet Hot American Summer and The Ten, as well as the box office hit Role Models.

    If that weren’t enough, his post-State slate has also been filled with the far-too-short-lived Comedy Central series Stella and his web show, Wainy Days.

    After what’s seemed like a torturous wait filled with false alarms and delays, The complete 4-season run of The State is finally getting released on DVD, jam-packed with bonus features sure to dazzle, and probably blind, even the most jaded of fans.

    For more information about David, be sure to check out his website at www.DavidWain.com

    Here now is my chat with David Wain… Hope you enjoy…

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    Download “A Bit of a Chat with Ken Plume & David Wain“:

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    SUBSCRIBE
    Subscribe to this Podcast via iTunes

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    Drop Ken a line HERE.

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    You can also find more of my interviews by clicking HERE.

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  • Contest Round-Up: 2009-07-01

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    Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with MPI Home Video, we’re giving away five (5) copies of THE IT CROWD: SEASON 2 on DVD.

    In conjunction with Thinkgeek.com, we’re giving away ten (10) tins of SMART MASS: THINKING PUTTY.

    In conjunction with Universal Pictures, we’re giving away a PUBLIC ENEMIES prize pack containing 1 Hat, 1 T-shirt, 1 Long sleeve shirts, and 1 Poster.

    In conjunction with Universal Pictures, we’re giving away two (2) BRUNO prize packs containing 1 Hat, 1 Bruno Title Treatment T-shirt, 1 Bruno Face T-shirt, 1 Get Uber It T-shirt, 1 Ich Don’t Think So T-shirt, and 1 Nicht Nicht T-shirt – with one special winner also getting a Backpack.

    In conjunction with Paramount Home Video & Comedy Central, we’re giving away five (5) copies of RENO 911: SEASON 6 on DVD.

    In conjunction with Summit Entertainment, we’re giving away five (5) copies of PUSH on DVD.

    In conjunction with Summit Entertainment, we’re giving away five (5) copies of KNOWING on DVD.

    In conjunction with EMI, we’re giving away three (3) copies of Sinead O Connor’s I DO NOT WANT WHAT I HAVEN’T GOT limited edition.

    In conjunction with EMI, we’re giving away three (3) copies of Lenny Kravitz’s LET LOVE RULE 20th anniversary edition.

    In conjunction with EMI, we’re giving away three (3) copies of THE VERY BEST OF EL ALMA DE LILA DOWNS.

  • Win RENO 911: SEASON 6 on DVD!

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    In conjunction with Paramount Home Video & Comedy Central, we’re giving away five (5) copies of RENO 911: SEASON 6 on DVD.

    Contest ends at 11:59pm EST on Wednesday, July 22nd.

    Enter the contest!
    Email:
    First name:
    Last name:
    Street Address:
    Address Line 2 (if needed):
    City:
    State/Province/Whatever:
    Zip Code/Postal Code:
    Country:
    Birth Month:
    Birth Day:
    Birth Year:

    Official Rules

    No member of Quick Stop Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on July, 22nd.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Opinion In A Haystack: UP Makes Children Cry

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    Hollywood hates children. Well, nowadays, for the most part. The past decade has seen a decline in the realm of family films so drastic it’s almost embarrassing to behold. A constant barrage of sub-par, placating, dreck that insults the intelligence of the child and the adult they will one day grow to be. Substance and craft are no longer the main concerns for children and families, simply be garish, be happy, and NEVER be realistic in tone (DEATH DOESN’T EXIST, ONLY iPods DO!!!) The youth of today have virtually nothing to grow up with and rediscover as surprisingly well-made entertainment, all they have is films equivalent to my generation’s Masters Of The Universe (great for nostalgia, not so great for adult criticism.) They need, and deserve, more fare like Beetlejuice, Return to Oz, Gremlins, or The Neverending Story (yes, I’m bias)… films where they grow up, re-watch and think “Holy hell! This was for kids?” They are feeding them messy piles of sugary air such as Alvin and the Chipmunks, Beverly Hills Chihuahua, or Night At The Museum (1 or 2, take your pick), which are so hackneyed and sloppy that the slightest hint of adolescent logic or understanding of story structure forces them to collapse under their own faulty welds and lashings. However, in a world of film that treats kids like permanently-imbecilic-spider-monkeys, there is still Pixar.

    And Pixar has balls. SEXY. PLUMP. BALLS.

    Not even going to bother jumping on the Pixar worship-wagon here. You know, as well as I do, about their reputation and their increasingly growing catalogue of well-crafted films that are arguably genre masterpieces (Wall-E, The Incredibles) or great against all odds (Cars: completely entertaining in spite of stilted-premise and Larry The Cable Guy.) Up continues this trend, possibly in the animation house’s greatest triumph of supremely original ideas and adult-story-telling-for-kids.

    The film opens by following the life, from pre-adolescence to golden years, of Carl Fredricksen (voiced by the great Ed Asner.) He is an old man with an unfulfilled dream of adventuring in the South American wilderness and a home that is being strangled by industrial development. In short, he ties thousands upon thousands of balloons to his house and floats away, toward South America, on what is to be the last adventure of his life, one that he is forced to share with a young boy who inadvertently is on his porch during take off. Simple right? Odd right? Confusing right? Right, but it’s the approach that matters.

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    Amongst the fantastical elements in the film, the ones that can be seen in the trailer, like a house being floated by mere balloons, talking dogs, or elderly men being WAY too physically active for their own good, Up has a grounded heart and realism in place that metaphorically punches the adult-mind in the gut, and righteously, yet not viciously, sprays pepper-sauce in children’s faces (the kid next to me in the theater cried A LOT.) The movie deals with death, abandonment, and the loss of heroes at the fore front of its surface.

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    This blunt realism kicks right off, as the beginning of the film introduces us to the epitomes of pure cuteness and naivete that are young Carl and Ellie (his future wife.) They both seek adventure and have the same hero, Charles Muntz (voiced by the legendary Christopher Plummer), and we are treated to a montage of their life together. We witness their marriage, their home life, their romance, their laughter, and eventually, their inability to conceive children (yup,) and ultimately their parting. THAT’S RIGHT. Ellie dies. Not just dies, but dies in a montage around 20 minutes or so into the film… Pixar sets you up, and knocks you down… all to the loving tunes of a soothing and sad score. All that went through my mind was “Holy hell! This is for kids?” Which, trust me, is a huge compliment.

    Pixar’s balls, by this point in the movie are already huge and pulsating, but they still get even bigger. The reason Carl even floats his home in the first place is because the government is taking it away and forcing him into a retirement-home due to him attacking a construction worker with his cane (drawing blood!) Through the course of the film we also see Carl discover that his (and Ellie’s) childhood hero is a deranged, psychopathic, MULTI-murderer and that the kid, Russell, has a deadbeat dad who basically wouldn’t care if he lives or dies… we even see dogs getting hurt and possibly killed (due to their own actions, its not Pixar’s Hostel.) Topping off the dark tones found here is a joke played on the audience that is so genius, cruel and hilarious that scriptwriter Bob Peterson must have been laughing since the day he put it on paper. I won’t spoil it for you. Heh.

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    Up‘s realism, risks, and complimentary attitude toward the audience is not the only positive however. In no way am I trying to sell it on the merits of making children cry alone… ok, maybe a little. It is also quite successful on all other standard fronts, and it’s got plenty of well-executed laughs and a grand vibrant color scheme. The script is extremely original, not to mention the cast of characters which includes a huge bird, Dug the Dog, and his fellow army of talking K-9 brethren. Dug is the comedic stand out of the movie, as his dialogue perfectly plays out the awkward nature of how dogs would actually sound if they could miraculously speak English. All the main players in the movie get their own small, but useful, character-arcs… even the bird (oddly the only character not able to speak.)

    The fantastical elements are handled in a way that doesn’t grate the logic. Unlike sloppy piles of confusion like the continuity, rules, or consistency of the magic tablet in Night At The Museum 2, the material here is given mystery and logic where it needs it, and glazes over where it doesn’t… which is why you wont be questioning how Muntz (Christopher Plummer) invented a collar that translates dog speak to English, or how those balloons wouldn’t remotely lift that house, let alone tear it from it’s foundation (I believe Mythbusters tested a similar idea, and it was only picking up the weight of a single child)

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    The triumph of the animation here is that Pixar does make art, but they don’t try to re-invent the wheel when the wheel is working just fine. The movie is absolutely beautiful, not as visually breath taking as Wall-E, but still it looks fantastic. The blocking of some of the scenes is incredible, the little house mushroom-topped with a cloud of balloons floating across a vast blue sky in an ultra-wide shot is iconic and slightly haunting, especially considering the “rainbow” visual of the balloons. Up, much like most of Pixar’s flicks, excels in its craft (from all angles, writing, direction, choreography) and not merely in the technology of the craft. The digital 3D print is especially gorgeous, and is highly recommended.

    It’s not often that a bitter old grump like me sees a film and can’t find too much negative to say about it. If I had to really rack my brain, I guess I could say the only problem was that maybe the movie makes Carl too much of a physical action hero at times, considering his age, but it’s handled with such care in the narrative of the movie, so its not a big deal, and certainly not out-weighing the good. This is probably Pixar’s least marketable film yet, being so morbid an odd. The less broad they get, the better they get…which is kind of a mind boggler when concerning Pixar… how do they continue to get better? How? In this case most of the praise should be directed toward director Pete Doctor, who some how improved on his wonderful Monsters Inc. with this new offering.

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    Also, just to put things into perspective, this review was written by someone who doesn’t even honestly like computer-generated animation at all, and who has really never publicly “sucked off” Pixar. Up was just class-A entertainment, and perhaps an arguable masterpiece in the family film genre. It’s good to know that this generation has at least a few movies, like Up, to grow older with and re-watch and see the adult themes, the quality craftsmanship and exclaim “This was for kids?”

    QUICK THOUGHTS AND RANDOM BITS

    Star Trek: a few weeks later…

    J.J. Abrams’s Star Trek was great fun. As a die hard Original-Cast-film fan, still have no debilitating complaints… except, upon further reflection… it was great, but it really just isn’t Star Trek. Long Live Shatner.

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    Annoyed at “revisiting” reviews

    Something that grates on the nerves is when an old franchise is resurrected (Terminator) or announced to be resurrected (Ghostbusters) and we have to sit through a plethora of reviews, rants, and ravings by young-ins saying how the originals (T1, T2, Ghostbusters) are overrated in the first place. Just want to say: SHUT UP JUNIOR! Your ill-informed meandering is not making your CGI-raped re-imagining any less horrendous.

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    What’s in a name?

    If you hate McG, director of Terminator Salvation, simply because of his name then your opinion is invalid. First, his real name is McGinty, “McG” is the nickname given to him by his family… it’s not a self-chosen moniker due to douchebaggery. Second, hate him because his movies are sub-par… even though to hear the guy talk it really seems like he is actually trying, just failing miserably.

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    Exterminators exterminate… so Terminators should… ?

    If you are going to make Terminator 4, if you just can’t help but do it, and you have to make it a heaping pile of poorly constructed blandness… could you at least follow the one rule that even the hokey Terminator 3 didn’t break? If a Terminator, no matter what make or model, gets its hands on a human, don’t let the machine give a dramatic pause, don’t let the machine just “play around” with them, let them INSTANTLY kill. Terminator 1-3 never let the villains even touch the targets… why? Because they are terminators, they would terminate at all costs. Why couldn’t you at least follow this logic? Why sir?

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    It works in Reno, but not at the multiplex.

    Robert Ben Garant and Thomas Lennon, You were great writers on The State, and are hilarious writers on Reno 911!, so how come every time you make the leap to film its completely dreadful? Taxi (the Queen Latifah movie), Balls of Fury, The Pacifier, Let’s Go To Prison, Herbie Fully Loaded, Night at the Museum, Night at the Museum 2: Battle for the Smithsonian… Your film work reads like the listings for a multiplex in the deepest circles of hell… what is going on there guys?

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    There is always room for Jell-O… and more Bitterness!

    Got into an argument with a young “film buff” who was saying that The Dark Knight and Iron Man are better films then The Outlaw Josey Wales, Akira Kurosawa’s Seven Samurai, and Apocalypse Now. Is there any hope for the future?

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