FRED Entertainment

April 22, 2009

Masters Of Song Fu #3: Final Challenge Voting Begins!

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We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a brand new form of creative combat here at the Stop – Masters of Song Fu.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

We invited 28 challengers to pick up the thrown-down gauntlet (You know, some spares as well). 26 Responded in time.

Like a songwriting version of Iron Chef, these 26 competitors are presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop to be voted on by you, the readers.

In past editions of Song Fu, we’ve used these votes to eliminate Challengers as we’ve progressed from Challenge to Challenge. For this cycle, however, we’ve decided that all of the Challengers will be able to compete in every Challenge, and the Challenger with the most cumulative votes after the 3 Challenges will be the one that takes on the Master in the Final Round. So what was the first Challenge?

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ROUND 1 CHALLENGE

In light of all the doom and gloom of recent months, as financial markets crashed and winter closed in, we’re going to kick things off with a rather straightforward challenge. You can interpret this challenge however you’d like – how you do so will give people a sense of just what your songwriting personality and style is…

Your first challenge is to WRITE A HAPPY SONG.

That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.

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After voting on Round 1, our masters and Challengers were then given their second Challenge…

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ROUND 2 CHALLENGE

Write a song containing *exactly* 10 unique words (this includes words such as a, and, the, etc.). You can repeat the words you choose as few or as many times as you want, but the sum total of the unique words can not be less than or more than 10.. You can write on any topic and in any style. Your song must run no shorter than 1 minute 15 seconds.

Here’s a word cloud look at what everyone chose:

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After voting on Round 2, our masters and Challengers were then given their third Challenge…

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ROUND 3 CHALLENGE

For your third challenge, you have to write a song with the title “It All Makes Sense At The End”. You can interpret what song would be given that title in any way you see fit. Your song must run no shorter than 1 minute 45 seconds.

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Well, you voted on the Round 3 Challenge HERE. Your votes determined the one Master and the one Challenger who would battle head-to-head  – Paul & Storm vs Molly Lewis – in the final challenge…

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FINAL CHALLENGE

I call this one FRANKENSONG. For this fourth and final challenge, you must craft a composition that contains AT LEAST THREE (3) distinctly different songs within your final song, but which fit together into a cohesive whole. By distinct, I mean both tempo and style. Your song must run no shorter than 1 minute 45 seconds. For examples of Frankensong, think of tunes like The Beatles’ “A Day In The Life” and Paul McCartney’s “Uncle Albert/Admiral Halsey”, or have a listen to the track below:

Harry Chapin – “There Only Was One Choice”

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Below, you’ll find the Final Challenge songs from both Paul & Storm and Molly Lewis, followed by the all-important voting form. Beneath that, we’ve also included a pair of out-of-competition “Shadow Entries” done by Challengers just for fun (be sure to give ’em a spin, too). For all of the previous songs from all of our Masters and Challengers, you can find the archive of this edition of Masters Of Song Fu HERE. But for now, let’s get this show on the road – Paul & Storm vs Molly Lewis…

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PAUL & STORM vs MOLLY LEWIS

PAUL & STORM

songfu-02.jpgPaul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.

Official Website: www.paulandstorm.com
Twitter: twitter.com/paulandstorm
FINAL CHALLENGE SONG:Frogger! The Frogger Musical
ROUND 1 SONG:Hippie with a Djembe
ROUND 2 SONG:Boolean Love Song” (WORDS USED: Amy, Bobby, Mary, if, then, equals, and, not, loves, happy)
ROUND 3 SONG: Sadly, Paul & Storm were eaten by dingoes in the night. They got all better for the Final.

MOLLY LEWIS

When she’s not bluffing her way through college courses or looking passably attractive from a distance, Molly Lewis enjoys playing ukulele, microwaving marshmallow Peeps, talking to cats, and Twittering. Early last year, she wrote two original songs, “MyHope” and “Road Trip”. “MyHope” is about the inevitable day when our children will learn how to navigate the interweb and how they will LOL at our old internet presences, namely MySpace; of “Road Trip”, Molly says it’s about “that astronaut lady who went crazy and wore the diapers, you remember that?”  She has not written any songs since.  Hopefully this competition will remedy that. When Molly was in middle school, she took up the guitar. That sank into the swamp. So she took up the mandolin. That sank into the swamp. So she took up the banjo. That burned down, fell over, then sank into the swamp. But the ukulele has stayed. And that’s what you’re going to get, Quick Stop Entertainment: the strongest ukulele in all of Tacoma, Washington.

Official Website: www.sweetafton23.com/primer/
Twitter: twitter.com/Molly23
FINAL CHALLENGE SONG:Our American Cousin
ROUND 1 SONG:I Pity The (Song) Fu
ROUND 2 SONG:Peep Fight” (WORDS USED: marshmallow, Peeps, toothpicks, microwave, sword, fight, stomach, put, in, the)
ROUND 3 SONG:It All Makes Sense At The End

[display_podcast]

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FINAL CHALLENGE VOTING

Voting ends at 11:59pm EST on Wednesday, April 29th, 2009.

[poll id=”17″]

View Results

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THE SHADOW ENTRIES

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MICK BORDET

songfu-mickbordet.jpgMick Bordet steadfastly insists on bouncing between and across genres at every opportunity like a hummingbird with ADD, using an eclectic collection of instruments for his sonic palette, from guitar and ukulele to theremin, yobstick and electric harmonium. Mick is a founder member of “The Lunacy Board”, Scotland’s premier progressive avant-garde skiffle duo, and cites influences as diverse as Edgard Varèse, Ivor Cutler, Conlon Nancarrow, and Roy Harper, to name but four. The duo have recently released three debut albums, including one written, recorded, and mixed within a single day. Mick’s latest project is a year-long weekly podcast set in an alternative universe as it diverges from our reality.

Official Website: mickbordet.blogspot.com
SHADOW ENTRY – FINAL CHALLENGE:#onedayintwitter
ROUND 1 SONG:Happy People
ROUND 2 SONG:What Is Wrong” (WORDS USED: doctor, what, is, wrong, with, me, you, need, some, methionylglutaminylarginyltyrosylglutamylseryl-
leucylphenylalanylalanylglutaminylleucyllysylglutamylarginyl- lysylglutamylglycylalanylphenylalanylvalylprolylphenylalanyl- valylthreonylleucylglycylaspartylprolylglycylisoleucylglutamyl- glutaminylserylleucyllysylisoleucylaspartylthreonylleucyl- isoleucylglutamylalanylglycylalanylaspartylalanylleucylglutamyl- leucylglycylisoleucylprolylphenylalanylserylaspartylprolyl- leucylalanylaspartylglycylprolylthreonylisoleucylglutaminyl- asparaginylalanylthreonylleucylarginylalanylphenylalanyl- alanylalanylglycylvalylthreonylprolylalanylglutaminylcysteinyl- phenylalanylglutamylmethionylleucylalanylleucylisoleucylarginyl- glutaminyllysylhistidylprolylthreonylisoleucylprolylisoleucyl- glycylleucylleucylmethionyltyrosylalanylasparaginylleucylvalyl- phenylalanylasparaginyllysylglycylisoleucylaspartylglutamyl- phenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylvalyl- glycylvalylaspartylserylvalylleucylvalylalanylaspartylvalyl- prolylvalylglutaminylglutamylserylalanylprolylphenylalanyl- arginylglutaminylalanylalanylleucylarginylhistidylasparaginyl- valylalanylprolylisoleucylphenylalanylisoleucylcysteinylprolyl- prolylaspartylalanylaspartylaspartylaspartylleucylleucylarginyl- glutaminylisoleucylalanylseryltyrosylglycylarginylglycyltyrosyl- threonyltyrosylleucylleucylserylarginylalanylglycylvalylthreonyl- glycylalanylglutamylasparaginylarginylalanylalanylleucylprolyl- leucylasparaginylhistidylleucylvalylalanyllysylleucyllysyl- glutamyltyrosylasparaginylalanylalanylprolylprolylleucyl- glutaminylglycylphenylalanylglycylisoleucylserylalanylprolyl- aspartylglutaminylvalyllysylalanylalanylisoleucylaspartylalanyl- glycylalanylalanylglycylalanylisoleucylserylglycylserylalanyl- isoleucylvalyllysylisoleucylisoleucylglutamylglutaminylhistidyl- asparaginylisoleucylglutamylprolylglutamyllysylmethionylleucyl- alanylalanylleucyllysylvalylphenylalanylvalylglutaminylprolyl- methionyllysylalanylalanylthreonylarginylserine)
ROUND 3 SONG:It All Makes Sense At The End

JUTZE SCHULT

songfu-jutzeschult.jpgJohannes “Jutze” Schult (from Germany) likes to make songs about weird stories and situations. It’s all about creating a musical scenario that is somewhat original, yet believable by some stretch of imagination. Jutze used to play drums in a heavy metal band, and then founded his own pop band where he played guitar. These days he’s mainly doing solo work for the fun of it.

Official Website: www.jutze.com
Twitter: twitter.com/schult
SHADOW ENTRY – FINAL CHALLENGE:Reunion Street
ROUND 1 SONG:A Mallful Of Brains
ROUND 2 SONG:God Of Bingo” (WORDS USED: bingo, Jimmi, Simpson, is, awesome, rocks, the, god, of, he)
ROUND 3 SONG:It All Makes Sense At The End

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Whoever triumphs will not only win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, they will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.

Good luck, and bring on the Fu.

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April 21, 2009

Win SQUIDBILLIES: VOLUME 2 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 10:41 pm

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In conjunction with Adult Swim Home Video, we’re giving away three (3) copies of SQUIDBILLIES: VOLUME 2 on DVD.

Contest ends at 11:59pm EST on Wednesday, May 13th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 13th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Contest Round-Up: 2009-04-22

Filed under: Articles — Tags: , , , , , , , , — UncaScroogeMcD @ 9:48 pm

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Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Fox Home Video, we’re giving away three (3) copies of BRIDE WARS on DVD.

In conjunction with Buena Vista Home Video, we’re giving away three (3) sets of X-MEN: VOLUME 1 and X-MEN: VOLUME 2 on DVD.

In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of SCOOBY-DOO: WHERE ARE YOU VOLUME 2 on DVD.

In conjunction with Dreamworks Home Video, we’re giving away three (3) copies of THE UNINVITED on DVD.

In conjunction with Adult Swim Home Video, we’re giving away three (3) copies of SQUIDBILLIES: VOLUME 2 on DVD.

Win THE UNINVITED on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 9:46 pm

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In conjunction with Dreamworks Home Video, we’re giving away three (3) copies of THE UNINVITED on DVD.

Contest ends at 11:59pm EST on Wednesday, May 13th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 13th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win SCOOBY-DOO: WHERE ARE YOU on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 9:38 pm

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In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of SCOOBY-DOO: WHERE ARE YOU VOLUME 2 on DVD.

Contest ends at 11:59pm EST on Wednesday, May 13th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 13th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win X-MEN: VOLUME 1 & 2 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 9:26 pm

contestheader.jpg

In conjunction with Buena Vista Home Video, we’re giving away three (3) sets of X-MEN: VOLUME 1 and X-MEN: VOLUME 2 on DVD.

Contest ends at 11:59pm EST on Wednesday, May 13th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 13th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win BRIDE WARS on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 9:15 pm

contestheader.jpg

In conjunction with Fox Home Video, we’re giving away three (3) copies of BRIDE WARS on DVD.

Contest ends at 11:59pm EST on Wednesday, May 13th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 13th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Party Favors: Marc Caro Interview

Filed under: Interviews,Joe Corey's Party Favors — Tags: , — UncaScroogeMcD @ 4:48 pm

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caro-01PARIS – During the early ’90s, Marc Caro and Jean-Pierre Jeunet were the toast of French cinema with Delicatessen and City of Lost Children. They created a bizarre universe that was a step up in visual weirdness from Tim Burton and Terry Gilliam. However the pair’s creative partnership split when Hollywood came calling with a shot at Alien Resurrection. Jeunet became sole director on the Winona Ryder meets the monster film. People wondered what happened to Caro while Jeunet released Amelie and A Very Long Engagement.

Marc Caro is back with Dante 01, a claustrophobic rush of science fiction cinema on the edge of the universe. Lambert Wilson (The Matrix Reloaded‘s Merovingian) arrives in suspended animation on a distant space center. He’s a prisoner who will be a guinea pig for a treatment involving nano-technology. His fellow patients include Dominique Pinon (City of Lost Children). The new medicine is extreme and highly unethical. But who is to argue so far away from a government watchdog group? In space there is no whistleblower hotline. The film is intense with its tight sets, quick edits and unnerving audio effects. Everyone in the film has a shaved head and looks like they’re about to explode. This is not peaceful Sunday afternoon viewing. Instead of a space station, these people should be floating around in a can of Red Bull. The end of the film is 2001 in overdrive.

The location and story does make Dante 01 comparable to Alien Resurrection. However nothing in the Sigourney Weaver was this agitating. Dante 01 reveals that Caro understands how to apply pressure in zero gravity. The movie is being released on DVD by the Weinstein Company’s Dimension Extreme label. The Party Favors was able to interview Caro. Instead of the usual phone interview that would have involved a few UN translators, we sent Caro a list of questions and he emailed them back. Here’s the exchange.

PARTY FAVORS: When you write a script, is it text or a mix of text and storyboards like an animator would use?

MARC CARO: At the beginning it’s a text and the script was written by the co-author Pierre Bordage, a famous French sci-fi novelist…. Then the storyboard was drawn.

PARTY FAVORS: What ignited you to create Dante 01?

CARO: Finding money for “SciFi genre film” is very difficult in France.. so we try to find a story we are interested in with a limited number of characters and a unique set.

PARTY FAVORS: Did your production designer background assist you in creating the space station so that it worked within your budget constraints without losing visual impact?

CARO: It’s help a little… for example for budget constraints I have to change the space station design from “Ouroboro’s style” very round to the final squared version less expensive… without losing visual impact… I hope ???

PARTY FAVORS: At what point did you ask Dominique Pinon to be in the
film?

CARO: From the start, when the fuzzy idea of the film appear in my weird sick mind… the character of Dominique Pinon was soon there…

PARTY FAVORS: How is your working relationship with Dominique Pinon?

CARO: We don’t need words to communicate together… It’s just an ancestral
telepathic complicity…

PARTY FAVORS: How did you maintain the claustrophobic feel between takes? The actors really did look stuck in the space.

CARO: We didn’t feed the actors during the shoot and I would tell really bad jokes!

PARTY FAVORS: Viewers in America are used to Lambert Wilson being the cool headed character in The Matrix movies. Did you have to do much coaxing to get him be so raw on screen?

CARO: It was a great pleasure to collaborate with Lambert Wilson… I have his trust and he came with enthusiasm in the film universe…

PARTY FAVORS: Did you ever have moments when you needed to leave the soundstage to bask in the sun?

CARO: I am not a huge fan of the sun because my skin is so delicate…

PARTY FAVORS: How hard was it to get actors to shave their heads for the
roles?

CARO: No problem at all for men and not so difficult for the two actress. Everybody understood the purpose.

PARTY FAVORS: Do you think it is harder for actors to work with shaved heads since they don’t have a fictional haircut to hide behind and create a character?

CARO: No , I think the shaved head helped to create the character… it is a change, lots of actors have never done it before… each actor feels himself different so, may be, it’s easier to be involved in a different world ???

PARTY FAVORS: Did any of the crew members shave their heads to make the
cast feel normal? Did you?

CARO: Unfortunately not but the crew had to wear helmets and I was born without hair.

PARTY FAVORS: What do you think of people who prefer to watch foreign films with dub tracks instead of reading subtitles?

CARO: Every taste was in the Narure.

PARTY FAVORS: How influential is Chris Marker’s La Jetee on French Science fiction?

CARO: I am a huge fan of Chris Marker… but except for me I don’t know the impact of La Jetée on the French Sci-Fi….

BEAM ME UP IN BLU-RAY

Before we get a new version of the crew origins of the U.S.S. Enterprise, take a fresh look at Star Trek: The Original Series – Season 1 Blu-Ray. The boxset contains the first 29 episodes featuring Kirk, Spock and McCoy when they were middle aged. This isn’t the original time the first season was released for 1080p. However that boxset was the HDDVD-DVD flipper set which featured the new High-Def remastered version of the show. As part of upgrading the original series to HD, they replaced the model shots of the Enterprise with CGI to take advantage of the new resolution. Purists were upset and swore they stick with their old DVDs even if the transfers were scratchy and blemished. The good news is Star Trek: The Original Series – Season 1 Blu-ray contains both the HD enhanced and the original special versions. You don’t have to chose.

The first season kicks off the show with “The Man Trap.” McCoy discovers that his old girlfriend isn’t seen the same way by the rest of his buddies. A monster is sucking the salt out of people. The things that happen during a tequila bender. “Charlie X” has an intergalactic brat destroying the crew when he can’t get his way. “Mudd’s Women” introduces us to the first interstellar pimp in Harry Mudd (Roger C. Carmel). He’s got three ladies that are due at a mining colony. What happens when the pimp meets the Galaxy’s biggest stud in Kirk? Pure magic.

“The Menagerie” is the two-parter where Spock kidnaps his old captain. He wants the invalid leader to return to an uncharted planet. The show is amazing in that they were able to use the original pilot for the series without having to explain why Kirk wasn’t in the captain’s seat. Do wonder how they’ll explain Captain Pike in the new Star Trek movie.

Unexpected love is a theme in this season. “This Side of Paradise” has Spock want to get nasty with Jill Ireland. Although this rush of emotion comes from his taking a hit of a flowery Spanish fly. “The City on the Edge of Forever” has Kirk and McCoy falling for a relatively young Joan Collins (Dynasty). This is always picked as a classic of science fiction.

The bonus features are taken from the last two season set releases. For this boxset we get pieces on William Shatner and Leonard Nimoy. They’re nice, but it’s a low level crewman who really puts the experience of the show into perspective. “Billy Blackburn’s Treasure Chest” gives plenty of memories from a supporting actor who filled in wherever was necessary on the ship. He was a navigator, DeForest Kelly’s stand in and monsters in rubber suits. He breaks out his home movies that he shot around the set. Amazing how many different roles he played on the show.

Star Trek: The Original Series – Season 1 Blu-ray is what fans have been waiting for since they introduced home video back with the Betamax. The image quality brings out the details of the sets and costumes without exposing the strings. Spock’s pointy ears and Kirk’s hair still look “natural.” The 1080p heightens my appreciation for the series by enhancing the elements that made it special. Even the enhanced effects aren’t overdone in a George Lucas mode. This is the Blu-ray treat of the month.

ALI ROUND 2

Don’t throw in the towel before watching HBO’s Thrilla In Manila. This is the evil side of Muhammad Ali. The boxing legend was lionized in When We Were Kings with his Rumble in the Jungle defeat of George Foreman. The Champ has become a fixture as a great American and a humanitarian. What gets exposed in this documentary is how Ali can be a cruel man. Joe Frazier was the champ at the time that Ali was banned from the sport for his refusal to be drafted during the Vietnam War. Frazier pleaded with President Nixon to let Ali back into the ring. He funneled money to Ali during these tough times. And how did Ali pack Frazier back for all his help when he got his gloves back? By calling the guy ugly, stupid and Uncle Tom. It’s rather disgusting to see Ali’s rants about Frazier in the film. He painted Smokin’ Joe to be a suck up to the white man. When they finally fight in Manila, you will fully understand why even the risk of death made Frazier want to go out for the 15th round (even if calmer hands threw in the towel to protect the blinded fighter). What’s upsetting is how certain fight folks think that Frazier was stupid for not backing off and risking it all. But watching the footage, it’s easy to see that Frazier in kill or be kill mode. He wanted to pay back the pain and teach Ali a lesson.

At the end of the fight, we learn that Ali sent messages to Frazier that he didn’t mean all his defamation. The Uncle Tom talk was merely to sell tickets. But Ali was never man enough to say it directly to Frazier. If this film wins the Emmy, you won’t see Ali and Frazier clowning at the podium like Ali did with Foreman. Frazier will take one last swipe at The Greatest.

Thrilla in Manila is right now on HBO’s OnDemand. Watch it instead of a marathon of America’s Next Top Model on Oxygen.

THE COMEBACK KID CONTINUES

The folks at Party Favors are excited with the news that Jackie Earle Haley is going to be the new Freddy Krueger in the remake of A Nightmare on Elm Street. Bring on the bladed gloves for Kelly Leak. Normally we’re not happy at Hollywood studios being less creative, but they’ve cast this one right. Haley as Rorshach was the reason why Watchmen was watchable. His fight scene in the prison lunch line should get him a role when they make Oz: The Movie. We’re still waiting for him to do the film where he’s the owner of a stripclub investigating what happened to his top dancer. Oddly enough we caught Robert Englund (the original Freddy) as a gentleman’s club owner in Zombie Strippers!”

TV Or Not TV: The Morning After for CHUCK (4/20)

Filed under: TV Or Not TV — Tags: , — admin @ 3:03 pm

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Welcome back to TV or Not TV where I’m once again blown away by my good buddy Chuck .

Last night’s episode of Chuck was by far one of the best of the entire run of the series and a great near-payoff for this season. After last night I find it hard to believe that there is still one more episode left to see with the season finale (Monday, 4/27 @ 8 PM) since there were so many things that were finally handed to the viewers.

The first payoff happened as this episode started with Chuck and Sarah hiding from the government in trying to rescue Chuck ‘s dad (guest star Scott Bakula) from the clutches of FULCRUM and evil software guru Ted Roark (guest star Chevy Chase). After finding nothing but an abandoned drive-in at the location Chuck flashed on, the pair retire to a motel to collect their thoughts. Yes, a motel room. One bed. Yes folks, that’s right. Sarah and Chuck finally give in to all that sexual tension that has been building up. Too bad Morgan slipped an IOU for a condomn in the place of Chuck ‘s wallet protection (as well as Casey tracking the two down) and put the breaks on the mood.

The second great payoff comes when someone else finally gets to learn that Chuck is an operative for the CIA. Who is this lucky person? Turns out it’s Captain Awesome himself, giving us one of the best lines ever on the show (“I need you to be awesome. Can you do that for me? Can you be… awesome?”). It was really nice to have someone else finally learn that Chuck has been doing a lot to save his country and understand all of the conflict this surely brings him internally. It’s bad that it was Ellie’s fiance, since really they shouldn’t be keeping any secrets from one another as husband and wife, and I have to wonder if this will lead to conflict in the season finale. However it turns out Awesome was awesome in settling his fiance’s nerves as it seemed that neither her dad nor her brother would be ther for the rehearsel dinner.

The third payoff comes in the eventual rescue of Chuck ‘s dad. When Casey learns that an air strike team has been assembled to dispatch the FULCRUM drive-in instead of being able to keep his promise to rescue Steve Bartowski, Casey rushes to help his two fugitive team mates. The rescue doesn’t go as planned and all are captured in the same room the newly built Intersect is being run. Chuck ‘s dad tells Chuck too watch the screen since he “made it for him” and POW! Chuck is now Intersect free! The air strike force shows up just in time to give them cover for an escape and everyone gets away.

The last payoff we were given was the culmination of the Buy More power struggle saga. Emmett is now the manager of the store and he applies pressure to Morgan to become his assistant manager (which he refers to as Ass Man). Morgan originally caves in and does his evil bidding, but girlfriend Anna finally gets him to realize what is important and in a shocking move Morgan gets up his nerve, quits the Buy More and whisks Anna away to fulfill his dream of moving to Hawaii to become a chef at Benihana. Everyone even gives him a slow clap build up sendoff.

Of course it wasn’t all champagne and roses at the end as we learn that Roark has survived the air strike and is now on his way to crash the wedding.

NEXT WEEK AND THE FUTURE OF CHUCK

As mentioned above, the season finale of Chuck is next week. Roark is going to try to crash the party and an Intersect free Chuck has to face off against him. I have no idea what else will happen next week. I’m dying to see what will happen next week, especially since SOMETHING has to happen next week to perpetuate the premise of the show. Chuck was pivotal to the operation because he was the Intersect with all kinds of info trapped in his head. How can the show continue without this? What diabolical plan do they have to move things forward?

The other real question is will they actually move forward? The Hollywood Reporter set the Internet ablaze on Monday with a Save Chuck fire after they described the show as “on the bubble” which means that even though it’s fate isn’t decided it hasnt’ been saved yet from cancellation. Bloggers, journalists and fan sites are all sending out their appeals this week to make sure that we all do our part in saving the show. There’s good reason to save the show as well since, according to television producer Josh Schwartz in a New York Times Article, “If…. that is the last episode of the show to ever air, it will be one of the least satisfying finales of all time. Chris Fedak, the guy who created the show, said people will set their living rooms on fire.” We can’t have a ton of domestic arson, can we?

If you want to know how to try to do your part to save the show Chuck than the best strategy is the one outlined on the fan site ChuckTV.net with their watch/buy/share campaign. Watch the show live, get you and everyone you know to watch everthing Chuck related on NBC.com (the show, mashup videos, everything). If you really want to flex your power and have your voice heard in the digital age then traffic and hits are probably the sure fire way to tip the scales folks.

I can’t wait to see the season finale of Chuck and I’ll hope you’ll be there with me.

Will Wilkins is neither an Asset nor the Intersect.

Terminator: Salvation 3 3/4 Action Figures

Filed under: Toy Box — Tags: , — admin @ 2:19 pm

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You’d have to be living under a rock, and it would have to be a pretty big rock at that, to not realize that May is the movie month for 2009. There’s some potentially great films coming out later this summer, including G.I. Joe, Harry Potter and Transformers 2, but May has four big ones hitting us that are all required viewing.

One of the four is Terminator: Salvation, the fourth film in the story of Skynet and the destruction of the human race. Opening on the 21st (a Thursday), this film takes us back…uh, forward…in time to the early days of the war, before the T-800 was developed, when the first T-600 and T-700 Terminators were terrorizing the Resistance.

The current brouhaha over the movie has to do with the MPAA rating. Most assumed it would be R, just like the first three films in the franchise. The trailer certainly appears to have R-like tendencies. But recent rumors have it at a PG-13, and this has caused quite the stir. Some have said that the Terminator:Salvation toy line is part of the reasoning for Warner Brothers to push for the lighter rating, in an attempt to get at least some kids indoctrinated in the film franchise. But plenty of R rated movies have had toy lines in the past, and if you swing by your local Toys R Us right now you can find Watchmen action figures, clearly a movie not intended for kids. The mere existence of a toy line does not indicate the rating, but it does tend to indicate the amount of whining some parents may do.

Playmates Toys, probably best known for there long running Teenage Mutant Ninja Turtles, Star Trek and World of Springfield action figure lines, picked up the license for the Terminator: Salvation toys. They are producing action figures in three scales – 3 3/4″, 6″ and 10″. I’ve already covered several of the 6″ figures over at my site, and I’ll be hitting up at least one of the 10″ versions as well. This week here at QSE I’m looking at four of the 3 3/4″ figures, including the T-600, T-700, T-R.I.P. and Marcus.

If you have any questions of comments, drop me a line at mwc@mwctoys.com or visit my site, Michael’s Review of the Week – Captain Toy.

Terminator: Salvation – 1/18th action figures

Just to keep things straight in the review, the T-600 is the huge endo with the skin and clothes, Marcus is the much smaller endo with skin and clothes, the T-700 is the dark endo, and the T-R.I.P. is the brighter silver endo pictured below. Although I can’t be sure, I’m assuming the T-R.I.P. is a T-800 prototype of some sort.

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These figures are about 1/18th scale, also often called 3 3/4″ although most figures in this scale (like Star Wars or Indiana Jones) are generally closer to 4″ tall.

Packaging – ***
The packaging matches the larger scale 6″ line, with good golor and bright graphics, but it comes across a tad cartoonish. I like the inclusion of a little personalization on the front bubble (there’s a very small bio of each character), and showing the whole series on the cardback is good. The big downside is the ridiculous number of twist ties for this scale figure, with arms, legs and even torsos often strapped in place.

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Sculpting – T-700, T-R.I.P. ***; T-600, Marcus **1/2
I was pretty hard on the non Endoskeleton 6″ figures in this series, and with good reason. Even the Endos were pretty mediocre, but in this smaller scale, I’m liking the whole bunch a lot better.

One of my major grips with the 6″ T-600 was the extremely cartoon-like styling of the skin covered head. Some folks ragged me, saying of course it was cartoonish, because it was supposed to look fake. The 3 3/4″ figure makes my point for me though – it DOES look fake here, just like it should, but doesn’t look like it could double as a Teenage Mutant Ninja Turtle bad guy. Both this version and the 10″ version have the proper look to the skin, while the 6″ fails completely. Considering how much smaller this figure is, that’s no small feat.

However, he still has one issue in common with his larger brother – he’s huge. He stands just over 5″ tall, making him about 8 feet tall in true 1/18th scale. Both Marcus and the Endos are almost 4″ tall though, so it isn’t *quite* that bad, but he’s still gargantuan compared to them. I don’t think the fake skin, no matter how realistic, would fool anyone into thinking a T-600 was a person.

The work on the clothing is better than on the larger scale figure too, another plus in his favor. He has less clothing (the pants are ripped up a bit more) which helps quite a bit. There’s a few weird, unrealistic rips (did someone take a bit out of the hood?), but it’s still an improvement.

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The T-700 and T-R.I.P. look to have the same sculpt as the larger versions, but as you might expect, when you shrink down a sculpt the detailing improves. There’s still soft areas, particularly with the T-700. Because the paint is so dark, and because there’s no wash to bring out the detail, much of it is lost visually.

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Both of the Endos are about 4″ tall, making them fit in much better with other modern lines in this scale (like Star Wars) than the other Playmates 1/18th line on the shelf right now, Star Trek. That’s good news, since one of the biggest attractions to this smaller scale is putting figures from different licenses together. They’re still a smidge shrimpy, but it’s not a major issue.

My biggest issue with both Endos in this category is the forearms. They are long to begin with, and because of the lack of a wrist joint, the hand and forearm become one piece visually, making them appear even longer. It throws off the proportions somewhat on an otherwise solid job.

It’s worth pointing out that both are sculpted with open mouths, a complaint I know lots of folks have had with the Endos in all the scales. I don’t mind, but you might not be as forgiving.

Of the various scale Marcus figures I’ve seen so far, this one is my favorite. That doesn’t mean he’s great, but he’s an improvement over the other versions out there.

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The likeness isn’t great, but half the face is damaged, showing off the underlying endo parts. The detailing on these robotic sections is quite good, although they look nothing like a T-700, which is what I assume (perhaps incorrectly) he is.

I did have a couple sculpt issues, however. The biggest one is a weird warp to the lower half of the left leg. I don’t think it’s just from the insert tray (although it could be due to a bad package design), because there’s no gapping at the joint on either side. The leg looks like it is actually designed to bend slightly off to the side, and it makes it tough to get him to stand properly.

They cheaped out a bit on his hands too. The left and right hand are both sculpted as though they are exposed endoskeleton, but the right hand is painted flesh colored with a painted glove. It stands out, even at this scale.

Finally, the boots are a bit wonky. The idea is that one has the pant leg tucked in, while the other has the pant leg hanging down over half the boot. Unfortunately, the sculpt doesn’t really translate. Because of the way the edge between the pant leg and boot is sculpted on both sides, they both look like the leg is tucked in, making it look like he’s wearing two different boots.

Paint – Marcus **1/2; the others ***
Again, keep in mind the scale here. The detailing is quite good, especially for a mass market line.

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The T-R.I.P. is the basic silver, but has a nice wash to bring out the sculpting. He also has very cool eyes, painted with some sort of reflective paint. Notice how on both he and the T-700, the eyes look lit up in the photos, but they aren’t. Unlike the larger versions, there’s no plastic tubes to bring light down to the eyes, but the bright paint appears to glow even in normal room light.

As I mentioned in the Sculpt section, much of the detail work on the T-700 is lost since the paint is so dark. However, that dark contrast makes his glowing eyes stand out even more.

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The paint work on the T-600 is a little less cartoonish than the larger scale figure, and there’s a wash used on the pants to make them a little less goofy looking. Thankfully, the pelvis is actually painted the right color too! The same wash on the endo parts brings out the finer details there, making this version a huge improvement over the 6″ figure.

Marcus also has a solid paint job, although he has fewer details. The overall figure (both clothing and endo sections) lacks any wash, making him look a bit cheaper than the other three. The cut lines and general quality of the paint work is decent, but he lacks some of the visual pop of the others. He’s reasonable considering the price point, but nothing special.

Articulation – T-700, T-R.I.P., T-600 ***; Marcus **1/2
These are fairly well articulated for this scale, with just a few issues holding them back.

Marcus had the most potential, but the wonky legs end up hurting him. He is the only one to have a ball jointed neck, and it works quite well. He also has ball jointed shoulders (pin/post style), pin/post elbows, and cut wrists, making his arms quite poseable. He adds in a cut waist, single pin knees, and T hips.

With just the T hips and single pin knees, there’s not much you can do with the legs, and because of the warping of the right one, he has trouble standing. This ends up pulling him down slightly over the other three.

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The T-600 has a cut neck, which is fine since he’d be a pretty stiff guy in person. He has the same style shoulders as Marcus, with single pin elbows and cut wrists. That means his forearms can’t move inward and outward from the body, making his arms a little less poseable. He finishes off with the same cut waist, single pin knees, and T hips. He really needs some sort of cut joint on the legs to improve his overall posability, but he stands great on his own in basic stances.

The T-700 and T-R.I.P. have identical articulation. Neither has any neck joint, but like their skin covered cousins, they have pin/post swivel shoulders. They also have pin/post elbows, which allow for the arms to move inward, very useful with these figures. Unfortunately, they lack cut wrists, making it tough for them to hold the large gun properly.

They have simple pin hips, much like the T hips on the other figures, and single pin knees. Perhaps it’s surprising because of the tiny feet, but they stand great on their own in a number of poses.

Accessories – ***
Most figures in this scale come with one accessory, maybe two if you’re really lucky. Three of the four here have two plastic accessories, plus one paper accessory.

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The T-700 comes with a large scale rifle, which can be held in either hand, although straddling it across is hands is the best way to keep him standing. Unfortunately, due to the lack of wrist articulation mentioned earlier, he can’t really hold it properly in both hands, but he can approximate the look.

He also has a beat up and bent steel girder that he can use to pound on various resistance fighters, or Stormtroopers, your choice. Like the gun, this can fit in either or both hands. It’s a pretty small girder, but it’s a nice change of pace from the steel pipe that was in the 6″ series.

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The T-R.I.P. comes with two guns, but both are pistols, one much smaller than the other. While I’m betting we see these actual guns at some point in the film, I really would have rather gotten a larger cannon style weapon. He can hold both guns at once for some rip roarin’, shootin’ tootin’ poses.

The T-600 has the same large Gatling style cannon that his 6″ cousin carries. The ammo back pack is removable, as is the ammo clip. The gun fits tightly to his arm, and looks great in most poses.

Also like the 6″ scale, each comes with a Topps movie trading card. They are high quality, high gloss cards, but they are identical to the ones you get with the same characters in the larger scale. On top of that, you know my general disdain for paper extras. This kind of stuff almost always ends up in a junk box.

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Fun Factor – Marcus ***; the rest ***1/2
Figures in this scale are always one thing if nothing else – fun. Because these are more in line in both style and size with other current 1/18th lines, these can easily be added to any display or play scenario with the likes of Star Wars, Indiana Jones or Narnia. Kid’s would probably end up frustrated with Marcus’ weird legs, but the other three would make for terrific bad guys, and are sturdy enough to stand up to normal sandbox play.

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Value – ***
These guys will run you around $7 at most stores, about a buck cheaper than many other well known licenses in this scale. On top of that, you’re getting a reasonably good set of accessories, adding to the value. Slightly better articulation, and these would have gotten another half star here.

Things to Watch Out For –
Not much. You’ll want to check those paint ops carefully when picking them off the peg of course, but once you have them in hand, you should be issue free.

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Overall – T-700, T-R.I.P. ***; T-600, Marcus **1/2
These are quite a bit better than the 3 3/4″ Star Trek line from Playmates, also on pegs right now, and they’re a bit better than I’ve seen most folks giving them credit for. They aren’t amazing by any means, and the work from someone like Mezco in this scale (who did the Hellboy in the photo) blows them away, but the two clean Endoskeletons will fit in pretty well with most other modern 1/18th lines. Marcus doesn’t do much for me, especially with the wonky legs, and the huge, towering T-600 looks like he belongs in another line. But if you’re looking for a basic Endo to go with your Star Wars figures, you should grab the T-R.I.P. or the T-700.

Scoring Recap –
Packaging – ***
Sculpting – T-700, T-R.I.P. ***; T-600, Marcus **1/2
Paint – Marcus **1/2; the others ***
Articulation – T-600, T-700, T-R.I.P. ***; Marcus **1/2
Accessories – ***
Fun Factor – Marcus ***; the rest ***1/2
Value – ***
Overall – T-700, T-R.I.P. ***; T-600, Marcus **1/2

Where to Buy –
Plenty of local retailers should have these, including Toys R Us and Target. Expect to pay around $7 each. online options include:

Entertainment Earth has them by the case of 12 for $91, or about $7.60 each.

– For the UK folks, Forbidden Planet has them individually for about 6 GBP each.

Bagged & Boarded 22: “I’d like to smash them!!!”

Filed under: Bagged & Boarded — Tags: , , , , — UncaScroogeMcD @ 2:11 pm

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #22: “I’d like to smash them!!!”  – In which Matt and Jesse give you a taste of the ol’ ultra-violence, discuss “boring classics.” and Matt does his Margot Kidder impression (Finally, right?). Listen well, my droogies.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #22 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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April 19, 2009

SModcast 83

Filed under: SModcast — Tags: , , , , , , — UncaScroogeMcD @ 8:20 pm

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 83: Aquatic Justice –

In which our heroes profile a Legendary Puss-Hole.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

DOWNLOAD:

SModcast 83 (MP3 format)

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SUBSCRIBE

Subscribe to this Podcast via iTunes

Subscribe to this Podcast via FeedBurner

Wanna add your two cents? Spend it here, in the SModcast mailbag.

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CLICK HERE FOR THE SMODCAST ARCHIVES

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TV Or Not TV: 4/20 – 4/26

Filed under: TV Or Not TV — Tags: — admin @ 7:24 pm

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Welcome to TV or Not TV where I’m finally ready to weigh in on Parks and Recreation.

If you haven’t been made aware of it yet, Parks and Recreation is a new show set in a nondescript part of the country that takes a look at the day to day drudgery of the city political arena. If this sounds more like The Office it should be no surprise as the show is made by the same people.

The importance of Parks and Recreation stems from it is being front run by former SNL cast member Amy Poehler. This is a very major step for her and the entire ensemble cast depends on her performance. They should all be thankful that she is pulling off a pretty decent job as a not-quite-as-clueless Michael Scott and she has even more of an endearing quality than her male Office counterpart. Just like Steve Carell she makes the character believable, even in her ignorance.

The rest of the show is very similar in the feeling of the first season of NBC’s The Office as well. The pacing and comedy is uneven right now. This isn’t to say that the performances by the supporting cast are bad, nor that the writing is bad either. The show right now is young, it’s finding itself, it’s purpose and it’s chemistry. We have a new ensemble cast to deal with, their idiosyncrisies need to be worked out, and how they all work together still needs come together. The show isn’t yet stellar, but it is still entertaining and I’d be willing to wager that if it is given time it can also become a Thursday night staple.

With that little bit said let’s take a look at what this week holds for us.

MONDAY

NBC – 8:00 PM: Chuck and Sarah are on the run to save Chuck’s dad. With no one watching they really want us to think these two get their naughty on. Tune in to find out.

FOX – 9:00 PM: Oh no they didn’t! Last week’s reveal that Tony may not have been the double operative we thought he was and Jack‘s worsening condition let’s us know (along with the show’s early renewal) that Jack‘s got to bounce back and go after Tony. This week or next week?

NBC – 10:00 PM: OK, so on Medium it turns out that Allison has a stalker. What’s good with being a psychic if you can’t stop this kind of thing before it starts?

G4 – 10:00 PM: Comic Doug Benson abstains from smoking marijuana for 30 days, than smokes it for 30 days straight in Super High Me. I can’t imagine a better day to watch it on.

TUESDAY

FOX – 8:00 PM: Last week on American Idol the judges finally used their “save” on Matt Giraud so will he perform well enough to change the public’s mind? I hope so because tomorrow night two people get cut, not just one.

ABC – 8:00 PM: Wow, a full hour of According to Jim? I don’t think I hate myself that much, thanks though.

NBC – 8:00 PM: Contestants on The Biggest Loser have a competition to shop healthy on a budget. In other words, they have to shop like the rest of us.

CW – 8:00 PM: Now that Sam has found successfully escaped soul Alan he strikes a deal for the secret to getting out of a contract with the Devil. Wouldn’t it just be easier to hire an entertainment lawyer?

FOX – 9:00 PM: On Fringe, bad dreams come true. Someone must have dreamed about a full hour of According to Jim.

WEDNESDAY

ABC – 9:00 PM: Hoping to get newer viewers caught up, and stretch things out for sweeps, we are given Lost: The Story of the Oceanic 6 in place of our regular show.

FOX – 9:00 PM: With the fact that two people are getting eliminated tonight I wonder if you won’t have to sit through an entire hour for the three minute true elmination on American Idol. Maybe they’ll cut someone half way through too? Naw, who am I kidding?

HIST – 10:00 PM: I always enjoy UFO Hunters but if you’ve never watched I’ve got two words that may tweak your interest: Nazi UFOs.

THURSDAY

NBC – 8:00 PM: What’s harder than trying to make up for that bad thing you did to a minister? Getting him to keep forgiving you time and again and again and again as you keep remembering other things on My Name is Earl.

CW – 8:00 PM: Lois starts faking being a super-hero named Stiletto on Smallville. Sounds more like a dominatrix to me but I’ll watch.

A&E – 10:00 PM: It’s the season finale of The Beast tonight.

FRIDAY

ABC – 8:00 PM: Another great pairing on Wife Swap as a rodeo loving cattle rancher trades places with a new age vegan.

FOX – 9:00 PM: It’s the creepiest imprinting yet on Dollhouse when Echo becomes a murdered woman in order to solve her own untimely death.

COMEDY – 9:30 PM: How can you go wrong with 3-and-a-half hours of Southpark? This show culminates with the classic Cartoon Wars episodes, so I’ll probably be watching.

SATURDAY

ABC – 8:00 PM: If you want to get ready for this summer’s release of Harry Potter and the Half-Blood Prince you can get caught up by watching Harry Potter and the Chamber of Secrets tonight. It’s better than reading, right?

FX – 8:00 PM: Witness the movie that proved Internet hype isn’t all it’s cracked up to be with Snakes on a Plane.

HBO – 8:00 PM: Was it any good at all? I’ll find out tonight when I watch Journey to the Center of the Earth.

SUNDAY

FOX – 8:00 PM:Homer decides to closely monitor Bart and Lisa to make sure they succeed in life. What’s next, have them study economics with Bernie Madoff?

ABC – 9:00 PM: Someone should tell Susan on Desperate Housewives that if you are going to reveal your dark secret, you might not want to do it to the local nut job Dave. Too bad for her that he’s probably going to find it ties is with his own past.

VH1 – 9:00 PM: Another second stringer gets a shot at fame as Daisy De La Hoya from Rock of Love 2 tries to find her one true fame seeking man in Daisy of Love, and my faith in mankind dies a little more.

Will Wilkins had his named changed to protect the innocent.

April 17, 2009

10 Quick Questions: Neko Case

Filed under: Interviews,Trailer Park — Tags: , , , — admin @ 9:23 am

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By Christopher Stipp

The Archives, Right Here

So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about. This week a debate about whether video games are art and the new trailer for MOON created some waves.

Hey kids, before we get to the interview with Neko Case, and it absolutely is the highlight of my year, I had to mention my appearance on the latest ScreenGeeks podcast wherein I talk about Fox’s issues with piracy. I absolutely love those guys over there so please run, don’t walk, to hear me blather on. If that doesn’t convince you then knowing I am only on for a little bit and then leave should convince you to check it out. Enjoy.

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middleThe music industry is dying a slow and protracted death. Note well that I am obviously not indicting the artists who are scraping by as their corporate overlords are wondering what ingenious scheme can wrest away more money from an audience that seems to be under the delusion that the $9.99 they’ve just spent at Best Buy for the latest Young Jeezy album is making its way back to young Jeez. What’s more is that their death is being expedited like a nurse smothering a patient looking to die by suffocation by the digital realm; one that has been relentless with its Wild West set of rules and laws. From free downloads, illegal downloads, RIAA lawsuits, digital distribution, FTP sharing services and an array of boneheaded moves by those in power to keep its power it’s a wonder this hasn’t happened faster.

From music industry promises to lower CD costs, to broken buisness models that simply do not work in the 21st century I welcome its demise.

Artists have proven that you don’t necessarily need big time distributors to help get their music out there, simply look at the new paths being blazed by Nine Inch Nails’ Trent Reznor or Radiohead where a pay-what-you-want model seems to be taking root, but it’s the lazy and corpulent management of these labels that continue to try and play the game as it has always been played.

And that’s where Neko Case comes in.

A musician who has consistently proven herself as a versatile artist in crafting a sound with her 7 releases that you can’t label as anything but her own, Neko plays well with others; her stints in the band The New Pornographers has more than established her prowess as an individual who can either demonstratively make her presence known in a track like “Mood To Burn Bridges” from her 2000 release Furnace Room Lullaby or richly blended in a catchier than catchy song like “Spanish Techo” from The New Pornographers’ release Twin Cinema. Neko’s latest album Middle Cyclone is everything that her previous efforts have proven her so adept at doing: mixing emotion, steady hooks and grabbing you the very first moment you play a song like “This Tornado Loves You” or the title track “People Got A Lot of Nerve.” It’s the latter’s ability to make you want to see her play this song live that, in part, makes her a dynamic songstress. She makes you believe in the restorative power of music and strengthens my resolve that great music shouldn’t have to be this obsequious, opaque experience where you have to play a record more than a few times to “get it.” There isn’t anything wrong with that, just play Wilco’s Yankee Hotel Foxtrot to someone for their first time and dare them not say something about its density, but Neko makes me want to elevate so many other of her peers who just don’t get it. This is absolutely one of the best albums released this year, she is now on tour throughout the US and I thought that having her answer a few questions in support of the album would be a nice way to expose all of you to all of her.

At about this time the convergence of record company and artist drove a wedge between getting this done.

I pride myself, at the very least, as someone who will go after a story when I think there’s something there. I’ll call, e-mail, voice mail, anything I can to get a response of “yay” or “nay.” Lots of times, loads of times, it’s a “nay.” Just this week I was given the Heisman when I tried to angle some time with the members of Spinal Tap who are now out in support of their acoustic Unwigged and Unplugged tour. I can respect that, however flimsy a response like “Right now their sched won’t permit” is. What made this request so unique is that it perfectly crystallizes the issue with dealing with PR flunkies who are above such niceties as returning an e-mail inquiry or phone call. Over at ANTI-Records, the label putting out Middle Cyclone, the situation was just inflamed by the shitheads over at ANTI where “real artists creating great records on their own terms” is a mantra who either feel a) that I am insignificant enough not to respond to, which I completely can understand b) above returning a call or e-mail in which case I hope this makes a woman like Hilary Villa, part of ANTI’s crack publicity team, feel special/mighty c) like they can be a pack of rude twats out of perceived entitlement. All valid reasons I tell you! I’ll be the first to admit that I am not very big, not very influential at all and not very invested in the music business. However, what I am, though, is a fan of music who has a small outlet with a small voice where once a week I can choose to help get the word out about something I think people should take a minute to digest. I have the e-mails and logged calls to back my story, I can map it out on an Etch-A-Sketch and prove my work if needed, but when you flat out can’t be bothered to communicate back with another human being it still gets under my skin all these years later doing this job.

So, rather than just forgetting the story I thought I would post the 10 questions I was going to ask Neko had her PR representatives not been a pack of troublesome assholes needing a little public flogging; those you choose to align yourself with are sometimes a reflection of you no matter how much you want to make the argument that one doesn’t have anything to do with another.

Again, though, buy Middle Cyclone and support one of the better talents working out there in music today. Better yet, knowing how much ANTI is skimming from the top of every CD sale I think it would be just as well to instruct to you to go out, get a ticket, see her live and buy some of her merch. At least that way the bastards at ANTI “real artists creating great records on their own terms” can go suck it…You pack of chuckleheads.

CHRISTOPHER STIPP: Neko, thanks for making the time to talk to me. You’re obviously busy so I hope to keep this brief. You good for time?

NEKO CASE:

CS: Good…So, I was wondering as I saw you during some of your recording sessions why you look to record some of your music in unconventional locales? I am speaking here of the barn you spent some time in.

CASE:

CS: I am not very up with the trappings of Tucson. Mostly, living here in Phoenix, I see it as an even more dusty backwater than its larger cousin. What do you find Arizona does to the creative juices? Mostly I find it just drains mine…

CASE:

CS: In this age of digital distribution I have to think that there is some lure to ditching conventional channels in favor of one that you could directly benefit from. Do you see yourself being tied to a label in 3 years, 5 years? Or, are they a necessary evil, with an emphasis on evil, in order for you to do best?

CASE:

CS: Some boys get into rock and roll so they can get laid. There doesn’t seem to be a function for it other than that with some of the kids out there trying to rock a mic. What made you think, or inspired you, to pick up a gee-tar and try to move some people?

CASE:

CS: This album isn’t a departure for you. I am thoroughly sick of hearing interviews with artists who feel the need to have a soundbite somewhere in the promotion process to say why their new album is unlike anything I’ve heard from them. You are content, and are excellent at, simply refining your sound and not changing much. Do you agree that you aren’t out to rediscover yourself, sonically, with every album?

CASE:

CS: With a track like “This Tornado Loves You” there is a lot swirling around in the harmony and in the lyrics. Do you find a song comes to you lyrically first and then a melody presents itself or does there seem to be a pattern with your writing?

CASE:

CS: Performing live. One of the things I enjoy when going to a show is how unique the artist can get with their songs. It doesn’t always happen but, for instance, Wilco will give you a little bit of a jam within a song that normally only lasts 3-4 minutes long. Do you like this sort of noodling, as it were, when you’re playing the same set again and again?

CASE:

CS: The track selection process. When you record your album the way you think you want it done is there a batting order of some kind that you come up with so that even though you have these songs that are quite unique there is some flow?

CASE:

CS: As you look towards where you’re going as an artist is it really just as easy to say “I just want to have fun” or is there some definitive point you want to reach in your career that might represent the ultimate moment which crystallizes why you got started with music in the first place?

CASE:

CS: Thank you, kindly, for your time today…

April 16, 2009

Ken P. D. Snyde-Cast #91: Dad’s Vinyl Pool

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 10:35 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #91: Dad’s Vinyl Pool – Dana makes his triumphant return, joining Ken and bringing tales of faraway lands and blindingly pink palaces, as the pair also find time to discuss childhood memories and forgotten contests.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #91 (MP3 format)

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Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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Weekend Shopping Guide 4/17/09: So F***ing Rock

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Also, please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

Like chocolate and peanut butter, Tim Minchin is one of those rare breed of stand-ups that have hit upon the sweet combination of comedy and music, and over the last few years he’s brought his nouveau-cabaret act to audiences that have explosively grown in size and loyalty in both Britain and his native Australia. He’s set his sights on the US next, so be the first on your block to be hip to a wonderful performer I can best describe as combining equal parts theatricality, musicianship, and glorious bombast. Minchin is the Meat Loaf of comedy. For an easy primer, pick up both his most recent DVD – So Fucking Rock (Universal, Not Rated, DVD-£15.99) – and his most recent CD, Ready For This? Live At The Queen Elizabeth Hall, London (£10), available directly from his website at www.TimMinchin.com.

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Thinkgeek has just recently launched a brilliant new section on their website featuring a plethora of products aimed at proto-geeks from ages 0-10. I’ll be featuring a few items from there over the coming months, but I thought I’d start with one that the music lover in me can really get behind – called the Sweetpea 3, it’s essentially Baby’s First MP3 Player ($59.99). Coated in durable rubber, it features 3 large buttons, sports an idle auto-shutoff, and contains 1 gig of storage. It’s the perfect carry along for kiddies, and parents can pack it full of Sesame Street, Spongebob, and Fraggle Rock tunes. At least that’s what I’ll be doing for my nephews.

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Humor in mainstream comics is a rarity, so it’s nice to be reminded of one of the genre’s truly funny classics with the Showcase release of Keith Giffen’s Ambush Bug (DC Comics, $16.99 SRP). Where else can you get nearly 500 pages of insane fun for such a low, low price these days? Exactly!

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Someone described Skins (BBC, Not Rated, DVD-$39.98 SRP) as the teenage years we all wish we had – full of sex, parties, and drama aplenty – but we more often, in reality, found ourselves at home with a book, or constantly wondering where exactly all of the drunken debauchery was taking place. That said, Skins certainly is gripping TV, even more so in its second season, now available on DVD here in the US. The 3-disc set features all 10 episodes, plus auditions, bonus stories, and the Christmas special.

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Another month, and another batch of new-to-Blu-Ray catalogue releases have come down the pike from Paramount. The best on the list is probably Mean Girls (Paramount, Rated PG-13, Blu-Ray-$29.99 SRP), which ports over the original release’s audio commentary, deleted scenes, featurettes, and bloopers. Next up is Happy Madison’s great outdoors comedy Strange Wilderness (Paramount, Rated R, Blu-Ray-$29.99 SRP), featuring deleted scenes, featurettes, and the Comedy Central Reel Comedy special. Zach Braff stars in the rom-com The Last Kiss (Paramount, Rated R, Blu-Ray-$29.99 SRP), with a pair of commentaries, deleted scenes, a gag reel, and a music video. Last up is polar bears and walruses in the nature film Arctic Tale (Paramount, Rated G, Blu-Ray-$29.99 SRP), which contains featurettes and the theatrical trailer.

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Erasure fans will be a half dozen kinds of giddy with the release of the Total Pop! Deluxe Box set (Rhino, $54.98 SRP). Not only does it contain 2 discs collecting 40 of their hits and most beloved tracks, but there’s also 3rd disc of just live tracks and a DVD featuring their numerous appearances on various BBC programs, including Top Of The Pops and Later with Jools Holland. Top notch.

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The first documentary to take a look at the then fully-reborn Star Wars fan movement – you know, before actually seeing the prequels killed it all off – was A Galaxy Far Far Away (Cinevolve, Not Rated, DVD-$19.95 SRP), which is actually celebrating its 10th anniversary with a brand new special addition contains additional commentaries, deleted scenes, featurettes, and more.

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It’s not exactly a visual feast, but the BBC’s now-classic adaptation of Pride & Prejudice (BBC, Not Rated, Blu-Ray-$49.95 SRP) – starring Colin Firth as Mr. Darcy – finds it’s way to high definition in a 2-disc special edition which ports over the featurettes found on the original special edition DVD release.

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They’re trying to sell them as great films, but I think a better way to describe them is 80’s cable comfort food. Either way, the titles comprising “The Lost Collection” (Lionsgate, Rated PG/R, DVD-$14.98 SRP each) are Irreconcilable Differences, The Night Before, My Best Friend Is A Vampire, Morgan Stewart’s Coming Home, Repossessed, Hiding Out, Homer & Eddie, and Slaughter High.

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Most of the classic MGM musicals library resides over at Warner Bros. – and they’ve been doing a fine job of releasing deluxe special editions of those titles – but there are a few that still remain with MGM, and a trio of them are getting a release – A Song Is Born, The Goldwyn Follies, & It’s A Pleasure! (MGM, Not Rated, DVD-$14.98 SRP each).

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Go behind the walls and delve into its past with the Smithsonian Channel’s China’s Forbidden City (Infinity, Not Rated, DVD-$14.98 SRP),which takes a look at the 500+ year history of Beijing’s architectural and political enigma.

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Buy your ticket for the eighth and final season of Wings (Paramount, Not Rated, DVD-$39.98 SRP) and put another tick in the box on your “fully released on DVD” checklist. The 3-disc set features all 23 episodes of Sandpiper Air’s swan song.

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Oh, science fiction. You’ve suffered so many slings and arrows as a genre in recent years, and some of those attacks have even been knife blades to the heart of true classics that have had the misfortune to be remade. In that latter category, I offer you the wretched, abysmal, baffling and dull remake of The Day The Earth Stood Still (Fox, Rated PG-13, DVD-$34.98 SRP), starring Keanu Reeves as the enigmatic alien Klatuu who decides Earth needs saving from itself through the use of intense boredom. Bonus materials include an audio commentary, featurettes, deleted scenes, galleries, and a making-of documentary. The Blu-Ray edition ($39.99 SRP) adds a bonus disc with the original – and far superior – film. Watch that instead.

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And I know it’s not the holidays, but let’s wrap things up this week with a limited edition vinyl figure from Medicom that the fine folks at Sideshow have imported and made available here in the States – Santa Stitch & Scrump ($64.99). As always, the Medicom sculpts are dead-on to the source material, and the festive accoutrements will certainly make a fine display at the end of the year.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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TV Or Not TV: The Morning After for LOST 4/15

Filed under: TV Or Not TV — Tags: , , , — admin @ 7:47 pm

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Welcome to another Morning After edition of TV or Not TV where I’ll be reflecting on last night’s episode of LOST titled Some Like it Hoth. As usual, I will be freely be talking about what happened in the episode, so if you don’t want to have anything spoiled I suggest you come back after you’ve seen it.

One of the things that LOST has done this season is introduced questions that seem self-contained and answered within the same season. An example would be the question of where Kate took Aaron before deciding to come with Jack to the Island in the episode 316. In the episode Whaever Happened, Happened we see Kate delivering Aaron to his maternal grandmother. Question served, question answered. A quick and simple device to allow the writers of the show to compel us to watch.

Last week we were handed another mini-mystery which also carried over to this week’s episode. Ilana asked pilot Frank Lapidus the question, “What lies in the shadow of the statue?” During this question there was a man standing next to Ilana. This week we see this same fellow again in a flashback for Miles Straum. We learn his name is Bram (at least I did) and he is with a group that abducts Miles to try to convince him to not work for Charles Widmore. During this exchange he asks Miles the same cryptic question, “What lies in the shadow of the statue?”

Since Bram was trying to convince Miles to not work for Widmore I guess we can stick a pin in my theory that Bram was hired by Widmore and put on the plane. Without that theory I’m left to wonder if Bram is aligned with Ben Linus, or is this in fact the introduction of a new faction that we haven’t been made aware of before? I do not know who these people could be, unless they some how pre-date the Others when it comes to exotic Island living.

Another bit of history came back to us when Miles was being auditioned for hire by Naomi to join the freighter expedition in another flash back. Miles used his talent for hearing the dead on a body Naomi brought him to that was to deliver photos of empty graves and the purchase order for an old plain to Widmore. This is a reference to the documents that were shown to Michael Dawson back in last season’s episode Meet Kevin Johnson. What Michael was shown was proof that it was Widmore who had bought and sunk a plane identical to Oceanic 815 that was filled with dead bodies. After this revelation one has to wonder why someone would be delivering these documents to Widmore since they could really only be used as evidence. Widmore wouldn’t need evidence of the acts that he had himself had performed, would he? This bit of inquiry, mixed with the knowledge of our “shadow of the statue” people makes me wonder if maybe there is a third party that is playing Ben and Widmore against each other?

The “daddy issues” theme of LOST also carried over into this week’s episode when we discover that the father of Miles Straum is in fact Dr. Pierre Chang (or Dr. Marvin Candle, Dr. Edgar Halliwax or Dr. Mark Wickmund… take your pick), who wasn’t ever present when his son was growing up. I think a lot of people have been thinking that Chang was Miles’ father since we saw the scientist tending to his new born baby in this season’s premiere. The theory was further emphasized when both Miles and Charlotte seem to be having greater ailment from the time jumps on the Island, something Daniel Faraday mentions could be to amount of time exposed to the Island (suggesting they had been there longer than those around them / been there before).

The two other big things that occurred this episode aren’t really thought provokers at all, they are the elements that move the story forward. Miles wasn’t able to erase the camera footage of the pylons, so Phil was able to see Sawyer and Kate taking 13 year old Ben. This lead to Phil being cold-cocked by Sawyer after he reveals that he hasn’t yet told anyone about this. Juliet went to get a rope to tie Phil up and we now know that the comfy life in Dharma-ville is officially coming to a close.

Right before the end title of LOST we also saw a group of scientists arriving on the Island in 1977. One of these scientists was Daniel Faraday, the physicist who has been missing for the past five episodes. I find it very interesting that he is returning to the Island as a scientist in a dark jumpsuit but during the season premiere Because You Left we see him in a gray jumpsuit (with no identifying emblem on the Dharma patch) seemingly trying to infiltrate the Dharma station The Orchid. Was this scene from the season premiere something that has happened before or after Daniel left the Island? I guess we’ll know the answer in the next four hours of the show.

If you are like me you’re probably dissapointed that we are getting handed a clips show next week and have to wait two weeks for the last four hours of this season. At least you won’t have to be married to your television next Wednesday night, right?

Join me again in two weeks and we’ll talk LOST again.

Will Wilkins loved that Miles shot his dad a dirty look when he heard that his dad liked country music.

Party Favors: Documentaries & Wavy Gravy

Filed under: Joe Corey's Party Favors — Tags: , , , , — UncaScroogeMcD @ 7:43 pm

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DURHAM – Realism and connecting with your audience were the themes of the Full Frame Documentary Film Festival.

The days that numerous documentaries inspired major bidding wars, received massive publicity campaigns and pulled in healthy theatrical revenue are over. Many of the key dependable distributors have been slashed by the major studio parents. During the “State of the Doc” panel, there was no bragging about massive returns that were common during the era of March of the Penguins ($77 million) and Super-Size Me ($11 million). Magnolia was happy with the returns on Oscar winner Man on Wire from theatrical and DVD. But nobody was pricing a Porsche and a house in Malibu from their Wire share. The recession has hit the documentary world.

Matt Cowal, the VP of publicity and marketing at Magnolia said the company was more comfortable sinking a million dollars to advertise a film that makes $3 million than burn through $9 million in hopes of having the documentary crack $10 million. The tightening of promotional dollars has made marketing more strategic in an industry that loves to carpetbomb. What is the new model?

Gary Hustwit took over the discussion when it came to coming up with a new business model. The director of Helvetica and the upcoming Objectified said a good documentary film director must go straight to his audience via the internet. Helvetica became a sensation last year when the rep from Red Envelope/Netflix talked about how it was doing great numbers on the website’s WatchNow function. Why? Because graphic designers were geeking out to the documentary about the font. This wasn’t merely word of mouth. Hustwit spent his time working blogs and websites frequented by graphic designers. He made them part of the discussion of the film. It became a chapter in any good student’s textbook. He’s currently doing the same thing for Objectified which deals with designers of devices such as the iPod. No matter the subject of your documentary, there’s bound to be dozens of blogs receptive to knowing there’s a film coming out.

Hustwit also believes the documentary director needs to create a sensation when his film arrives in a town by appearing at a screening. He’s doing a cross-country journey when it opens later this spring. This is not a business for the shy. It should be noted that Hustwit worked at legendary indie label SST (Black Flag, fIREHOSE and Husker Du). He has the get in the van bravado when it comes to bring a movie to the people. He was not happy at the thought of letting the distributor take care of the “heavy work.” He likes to meet the people and share a beer with them after the screening. Plus he doesn’t want to lose control of his film.

Ira Deutchman of Emerging Pictures mentioned that digital projection should help movie theaters be able to grow an audience since they don’t have to deal with prints and storage. A film can only play once a week without it being a burden in the booth. He predicts a Midnight Movies effect can be possible. Plus it won’t require a distributor to spend $5,000 a print. But you still have to put butts in the seats.

Rick Allen of Snag Films wasn’t about the theatrical. Their company distributes documentaries over the internet using ad breaks to generate revenue. Their big boost is a connection to AOL. They place their nearly 1,000 titles into news articles related to the film. He mentioned that more people saw The Life And Times of Harvey Milk from their streams than watched it when it made it’s Oscar winning run two decades ago. There’s still not enough cash flow from online streaming to cover the nut on a quality documentary.

Molly Thompson of A&E’s IndieFilms discussed how a low budget reality series like Intervention get high ratings than when Jesus Camp ran on the channel. I asked if a filmmaker would be better off pitching an idea to A&E in which the documentary was a pilot movie for a reality series. She didn’t quite see that working. Although in a way this is how Cathouse and King of Cars went from one shot deals to shows. Although I can’t imagine weekly episodes of Burma VJ..

While some might view this panel as depressing, the words spoken by these players should be inspirational. If you’re going to make a documentary: Do it because you are passionate about the subject. If you are going to invest in a documentary: Do it because you want to spread the word about the subject. Be extremely sensible in your expenses and expectations. This isn’t a great way to get rich.

THE SCOOP

Saint Misbehavin’: The Wavy Gravy Movie proved to be a smash success. The film takes us into the life of the Woodstock icon who became an ice cream flavor. He’s the guy who served breakfast in bed to the concertgoers. He was also part of Ken Kesey’s Merry Pranksters as covered in Tom Wolfe’s Electric Acid Kool-Aid Test. His story doesn’t end as merely a relic of the ’60s. Director Michelle Esrick enlightens us to his two main passions: Camp Winnarainbow and the Seva Foundation. The Camp is for kids to learn circus skills. Seva goes around the world performing eye surgery on people who need it. Wavy has hosted numerous benefit concerts for Seva. This is a much happier and inspirational film than Rainbow Man.

After the screening, I had a chance to interview Wavy Gravy and Esrick. She had worked on this documentary for nearly a decade. His 72 years have been packed with a lot of major experience from the Beats to the psychedelic San Francisco scene. This connection made me ask a question that accidentally combine Neal Cassidy, the inspiration for Jack Kerouac’s On the Road and Jack Casady, the bassist for the Jefferson Airplane. This first segment deals with Wavy’s relationship with Neal and Jack and Jack. Plus he talks about his time with the Merry Pranksters.

Wavy now discusses the process of how he became an ice cream flavor. We also get the inside scoop on why the corporate beancounters killed his popular flavor. He reveals his plan as a frozen treat comeback as a sorbet. Finally he issues a challenge to Stephen Colbert and his Americone Dream.

Wavy gives you his surefire tip on how to come down from a bad LSD trip. The Party Favors would like you to either walk or get a sober friend to drive you to the grocery store. We do not condone people tripping behind the wheel. Wavy remembers his time at the first Woodstock. He has choice words for Fred Durst. Finally we get the answer to the question: Has Wavy Gravy met Meatloaf?

AFTER SHOW

Legendary documentarian D. A. Pennebaker was an executive producer on Saint Misbehavin’. He directed Don’t Look Back, Monterery Pop and The War Room (with his wife Chris Hegedus). We had a short unfilmed chat after the film. Turns out that contrary to rumor, he is not making a sequel to Al Franken: God Spoke. Al didn’t think it would be a good move to have a film crew following him around on his campaign to be Minnesota’s senator. Hopefully someone will construct a documentary on the insanity that is the recount that’s gone nearly half a year. Also no luck on Pennebaker making a director’s cut of Bob Dylan’s Eat the Document anytime soon.

THE FILMS

What I appreciate the most about Full Frame is that it is only about documentaries instead of mixing it up with the latest Indie drama sensations like Sundance. You’re getting an eyeful of reality instead of watching Hollywood stars slum it for a shot at Oscar gold. These are real people in jeopardy on the big screen.

The big winner of the festival was Burma VJ. Remember a few years back when we’d occasionally get reports on the news about riots in Rangoon? There wasn’t too much to show us since the military generals running the country had completely blocked all outside media from their borders. Burma VJ exposed a group of daring individuals who used small videocameras and cellphones to get the truth out to the world. Their footage is inspirational and horrifying. Ever seen a Japanese tourist with a videocamera get shot down in the street? There’s footage of a group of protesters trapped in a stairwell as the armed troops advance. These are people who are as good as dead. This is not a tourism board approved vision of the country. Burma VJ takes us to the heart of the battle for a struggle that we reduce to a blurb on a news network crawl while we get another update on the Octomom.

Unmistaken Child is a real life version of Little Buddha. A monk goes out in search of the reincarnated soul of his master. When he finds the kid, he has to talk the parents in giving up control of the child. The film also won several of the major awards. Supermen of Malegaon takes us to the indie world of Bollywood. It’s the creation of a fake Superman film minus paying any rights to use a version of the character. It’s hilarious to see the barely legal production.

Art & Copy is perfect viewing for fans of Mad Men. This is a historical appreciation of the advertising minds that brought us campaigns that have been seared into our collective minds. Did you know the same guy who created those sweet Perrier ads about the quaint village also brought us Ronald Reagan’s “It’s Morning Again in America” commercials? The troubling disclosure is that Nike’s “Just Do It” campaign was inspired by Gary Gilmore’s last words to the firing squad when he was execute in Utah. I spoke with the director and producers afterward. The big problem they had was clearing the commercials for inclusion. They had to take off the Beatles’ “Revolution” from the Nike ad since there was no way they could license the song. After seeing the film, you’ll have to hop onto youtube to see bootleg copies of the ads that couldn’t make the cut. Mechanical Love wasn’t quite Lars and the Real Girl Come Alive. The film focuses on a more platonic robot-human relationship. A woman at a retirement home gets happiness from taking care of her cyber-seal pup. The interaction keeps her active versus the other elderly ladies. The bizarre part is a Japanese scientist making an android version of himself. His goal is to see how his wife and child react to the replacement dad. He thinks the wife will like the robo-hubby since the guy will pay attention to her. It’s a creepy film that can be a precursor to The Terminator.

Wounded Knee breaks down the time in 1973 when the American Indian Movement took over a small town in South Dakota to protest the injustices at a nearby reservation. The filmmakers got their hands on plenty of original footage to let us get a sense of the stand off. All sides get their say in the recent interviews. Like Burma VJ, we get to see the heart of the battle as it happened. This is scheduled to play on PBS soon. Bitch Academy takes us inside a class that teaches Russian women how to seduce and marry rich Western men. It’s almost a stripper education for these ladies.

The film that made me a raving cheerleader was Smile Til It Hurts: The Up With People Story. Because the movie is under a review embargo, I’m not allowed to say too much. If you every wondered if those lame kids who used to sing at halftime of the Super Bowl were part of a freakish cult, this movie answers the question. It’s a “family friendly” creepfest. What makes this documentary really work is that director Lee Story and crew were able to interview every side from the disenchanted ex-members to the guy who ran it. Did you know they paid to be a part of the show? Your impression of these kids will change by the end of the film. They also have tons of vintage footage including their squeaky clean Super Bowl performances. When “Smile Til It Hurts comes to your town, run down to the cinema or festival.

Once more Full Frame proved to be a top tier film festival with it’s line up. It’s impossible to see all the films they show, but I never felt completely cheated by the ones I chose. They wrapped it up with an Awards lunch featuring BBQ. Mmmmmm. Nothing tastes like victory than a plate of BBQ and a sweet tea. If you have a free week in April, come on down for next year’s festival. I’ll save a hush puppy for you.

DVD SHELF

American Swing gets inside the world of Plato’s Retreat. The legendary Manhattan swingers club rose to fame in the late ’70s with its message of sexual liberation for married couples. The club was a great place to bring the wife, meet interesting people and catch their crabs. Larry Levinson was the owner of Plato’s. He became the spokesperson for the swinging lifestyle. We get to see him on various talkshows including Phil Donahue old chatter. The movie is hilarious with Buck Henry and others talking about the buffet they served at the sex club. They didn’t have a sneeze guard. Who knew what dripped on the meatloaf. The most disturbing part of the film is realizing that the proclaimed King of Swing wasn’t really a swinger. He had a girlfriend that was the semi-Queen of the club, but she was a figurehead in his life. They weren’t a couple. Larry was guy who liked to screw and built a kingdom to get him more ladies than a fleet of Corvettes. There’s the hint that mobsters controlled this den of sin. What makes this documentary better than any talking head effort on VH1 is that there’s tons of X-rated footage from inside Plato’s Retreat. For folks with a fetish for ’70s Bridge and Tunnel grooming, you’ll be chicken choking heaven. I dare you to watch this with grandma and ask if she had the double fro in ’77.

Ron White: Behavioral Problems brings more insight from the boozing member of The Blue Collar Comedy Tour. He’s my favorite of the quartet. Ron’s the only one I can imagine paying to see. This performance from Seattle allows him to breakdown his recent bust for marijuana possession when the cops cornered his private jet. He talks about how the pleasure of a bidet has made him understand the allure of gay sex. The talk about anal sex with his wife is right on the mark. The DVD gives 40 more minutes to his routine than what you’ll catch on the Comedy Central version of the special. It’s worth it for his talk about Brokeback Mountain. You’ll never spit in your hand again without thinking of Ron’s take.

Splinter is the perfect excuse to not take your significant other on a camping trip. A happy couple (Paulo Costanzo and Jill Wagner) go on a romantic outdoor vacation. She’s lured him into the wilderness with the promise of anniversary sex under the stars. However things go wrong when they’re taken hostage by an escaped convict (Shea Whigham) and his girlfriend (Rachel Kerbs). Normally that’s enough for a film, but this one takes a monster twist. A weird virus is spreading that turns creatures into killer porcupines. The couples are trapped inside a country service station while the monsters attack wanting to make them monsters. This is good spooky fun with the vicious, spiny creatures tearing up the screen. Splinter is the Party Favors’ scare-fest of the week.

Hawaii Five-O: The Sixth Season brings another dose of island justice to the mainland. You can’t top Steve McGarrett (Jack Lord) as the ultimate lawman since he answers to nobody when he’s on a case. “Hookman” has a sniper going around killing cops. He’s got a bullet for McGarrett. The twist is the killer has hooks for hands thus he leaves no fingerprints at the crime scenes. “Charter for Death” has Bert Convy playing a mobster’s son-in-law. They’re smuggling themselves back into America except they caught bubonic plague. The Five-O crew have to track him down before he infects the town. “One Big Happy Family” is a stunner since it has Slim Pickens (Blazing Saddles) being the father of a murderous family. Have you ever seen Slim knife a man to death? His equally cold blooded son is Bo Hopkins. He’s the guy who looked like Jerry Reed in those Burt Reynolds’ films. Hawaii Five-O: The Sixth Season has the show being more grounded in the cop work than the freaky sci-fi angles. There’s no Wo Fat this season.

Mission: Impossible: The Sixth TV Season is the penultimate outing for the espionage series. Lynda Day George has replaced Lesley Ann Warren as the female member of the task force. Leonard Nimoy is gone after two seasons. But they didn’t replace him with a new man of a 1,000 faces mimic. We’re left with Peter Graves, Peter Lupus and Greg Morris as the key team members. The show in 1971-72 season focuses on them fighting mobsters. There’s not too many missions involving Latin America or Eastern Bloc countries. “Blind” has Peter Graves using a special pair of contact lens to fake being blind. Can he fool a mobster into letting him take over the inner sanctum. Tom Bosley (Happy Days) is part of the mob. “Encore” has the team make William Shatner (Star Trek) fooled into thinking it’s three decades earlier. They want to know where he hid a body. Can they fool him into a flashback confession? “The Miracle” brings us the magic of Joe Don Baker. They have to locate a heroin shipment. Russ Meyer’s mega-star and Squidbilly voice Charles Napier is a thug on “Run for the Money.” Geoffrey Lewis (the man who isn’t Robert Pine) is part of a devious plot to put a murder witness into mental hospital in “The Committed.” Following up his Hawaii Five-O guest shot, Bert Convy is back in “Trapped.” The shift to domestic missions helps the show since they no longer have to redress the Desliu studios as an alleged foreign country. Rumor has it the final season will be out this fall.

Jake and the Fatman: Season Two was a major game changer for the series since they decided to send William Conrad and Joe Penny to Hawaii. Why the location shift? To fill the production gap left by Magnum P.I. Because of a writer’s strike, season two only had the two-hour movie and 9 episodes. “Wish You Were Here” has Jake fly to Hawaii to visit an old buddy. Things go bad when the guy is killed by a sniper. There’s a few Hawaii Five-O alumni on this episode including Al Harrington (Det. Ben Kokua) and Khigh Dhiegh (Wo Fat) still on their same side of the law. The new location does pretty up the gruff Fatman. He’s an unshaven Buddha in a tropical paradise. Can the Fatman clean up the islands like Jack Lord?

A Song Is Born brings together Howard Hawks and Billy Wilder in a world of jazz legends. A gangster’s moll (Virginia Mayo) hides from the cops at a musical research institute. She attacks the eye of the head professor (Danny Kaye). Can he impress a woman who has a thing for extremely bad boys? The highlight of the film is getting to see Tommy Dorsey, Louis Armstrong, Lionel Hampton and Benny Goodman perform in Technicolor.

It’s a Pleasure will answer the question for fans of Car Talk that wonder what they mean by “Sonja Henie’s tutu.” The ice skating sensation stars in this Technicolor romance on ice. This is an early version of The Cutting Edge. Michael O’Shea is hockey player that’s banned from the sport after he beats up a ref. His only chance at redemption is to become Sonja Henie’s figure skating partner. Can he clean up his act? He gets tempted to party up with Marie McDonald skates onto the ice. There’s plenty of great skating action that should appeal to the fans of the sport.

The Goldwyn Follies is a Technicolor musical featuring the music of George and Ira Gershwin. Adolphe Menjou is the producer of box office hits who hits a cold streak. In order to connect to the little people, he hires Andrea Leeds to connect to the common man. However his wants to connect with her on a carnal basis. Things get complicated when singer Kenny Baker also wants Andrea. Producer versus crooner is never a fair fight since a producer really knows how to thrill a woman with a production. The songs include “Love Walked In” and “Love Is Here to Stay.” It’s a fun nostalgic view of an innocent love triangle that glows like its hues.

GIVEAWAY

CBS DVD is letting us send 5 lucky Party Favors readers a copy of Mission: Impossible: The Sixth TV Season. If you chose to accept this giveaway, all you need to do is answer this question: What hosts of Tattle Tales and Raw Nerve are guest villains on this boxset. Send the answers along with your name and address to mokaha@aol.com. Put “Mission: Impossible 6” in the subject line. Contest ends on April 29, 2009. Good luck. This column won’t go up in smoke.

April 14, 2009

Contest Round-Up: 2009-04-15

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Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with BBC Home Video, we’re giving away three (3) copies of TOP GEAR: THE COMPLETE 10th SEASON on DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of THE WRESTLER on DVD.

In conjunction with BBC Home Video, we’re giving away three (3) copies of SKINS: SEASON 2 on DVD.

In conjunction with Universal Home Video, we’re giving away three (3) copies of FROST/NIXON on DVD.

In conjunction with Miramax Home Video, we’re giving away three (3) copies of SIN CITY on Blu-Ray.

In conjunction with Universal Home Video, we’re giving away three (3) copies of CAPRICA on DVD.

In conjunction with Nickelodeon Home Video, we’re giving away three (3) copies of iCARLY: VOLUME 2 on DVD.

In conjunction with Universal Home Video, we’re giving away three (3) copies of PILLOW TALK on DVD.

In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of SNOOPY’S REUNION on DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of NOTORIOUS on DVD.

In conjunction with Genius Home Video, we’re giving away three (3) copies of ELMO & THE BOOKANEERS on DVD.

Win ELMO & THE BOOKANEERS on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 11:36 pm

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In conjunction with Genius Home Video, we’re giving away three (3) copies of ELMO & THE BOOKANEERS on DVD.

Contest ends at 11:59pm EST on Wednesday, May 6th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 6th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win NOTORIOUS on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 11:29 pm

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In conjunction with Fox Home Video, we’re giving away three (3) copies of NOTORIOUS on DVD.

Contest ends at 11:59pm EST on Wednesday, May 6th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 6th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win SNOOPY’S REUNION on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 8:46 pm

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In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of SNOOPY’S REUNION on DVD.

Contest ends at 11:59pm EST on Wednesday, May 6th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 6th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win PILLOW TALK on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 8:40 pm

contestheader.jpg

In conjunction with Universal Home Video, we’re giving away three (3) copies of PILLOW TALK on DVD.

Contest ends at 11:59pm EST on Wednesday, May 6th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 6th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win iCARLY: VOLUME 2 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 8:34 pm

contestheader.jpg

In conjunction with Nickelodeon Home Video, we’re giving away three (3) copies of iCARLY: VOLUME 2 on DVD.

Contest ends at 11:59pm EST on Wednesday, May 6th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 6th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win CAPRICA on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 8:29 pm

contestheader.jpg

In conjunction with Universal Home Video, we’re giving away three (3) copies of CAPRICA on DVD.

Contest ends at 11:59pm EST on Wednesday, May 6th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 6th.

The winner must allow 4-6 weeks after notification of win to receive the product.

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