Tag: lost

  • TV Or Not TV: THE END of LOST

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    Six years, over 121 hours, and now it’s THE END.

    First and foremost I have to say that as a fan of LOST, having watched it from the very beginning, I was completely satisfied with the ending of LOST. It brought a certain level of cohesiveness to this six year journey that I wasn’t really aware of all the way up to the final episode. It treated me, as a fan, in a kind manner and after all was said and done it let me know that it was OK to say good-bye to these characters that I’ve followed all this time. It didn’t try to be overly intellectual but at the same time it was still damn smart television.

    I didn’t realize when I was writing my post-LOST wrap up last week that I would be hitting the nail on the head when I said that the flash-sideways world was in many ways coming across as a love letter to the fans. This entire season we’ve been building up to a moment of closure in the flash-sideways world, which I’ll just now refer to as the Gathering, as it got ready to cushion the blow for us that we all knew was coming. We knew that some people would make it to the end of the show, others wouldn’t, but the Gathering is the place where eventually all of our characters would come back together and prepare themselves for whatever the next step is after their journey in LOST would end. As viewers it was a place that reminded us that it doesn’t really matter what characters get off the Island and which ones don’t because eventually everyone dies and after they do they would come to the Gathering and rejoin those that they wanted to be with. This was their reward for entertaining us and this is the place where we know it is OK to wish them well and know that we can all move on now from our LOST experience together.

    In a similar line of thought I also found that the Gathering is that special place for us, the viewer, where the characters will always be there for us to enjoy them again later much in the same way our favorite literary characters still reside in our books when we return to them. I’ve never been happy with the eventual death of GLEN BATEMAN in that Las Vegas jail cell but when I come back and read THE STAND again I can always find him sitting by a creek, painting, and waiting for his eventual discovery by STU REDMAN.

    Of all of the characters that came to their realizations of where they really were in the Gathering I think the journey that was most interesting was actually that of BENJAMIN LINUS. In many ways I think it is fitting that BEN’s journey stands out for me given that the amazing acting of MICHAEL EMERSON transformed a simple three episode guest spot in the second season into one of the most complicated characters on network television who stuck around for the remainder the series run. In the Island word BEN sought and was granted redemption, so much so that he goes on to act as a confidant to HURLEY, the purest soul on the show. In the Gathering BEN is outside of the church in those final scenes and apologizes to LOCKE for what he had done to him. He further bonds with HURLEY but when it is all said and done he remains outside. I’m sure there are many interpretations why. BEN may have come to bid farewell to all of these lives that he had been involved with but knows that his journey doesn’t continue with them. Maybe BEN is waiting for ALEX and DANIELLE to have their own realizations so they can journey on together as a family. Perhaps his deeds as a man make it so that he can not continue on. I don’t know the answer but I love that the complexity of the character now will live on in perpetuity.

    The big bit of enlightenment for me in watching the finale, the bit that much like The Dude’s rug really tied it all together, was the realization that what we had watched for the past six years was at its core one man’s journey. The series began with the awakening of JACK SHEPHERD after the crash. Looking back at the past six years it may be that his awakening was also in more of a spiritual sense. He was a man that was broken and needed to travel his own journey to redemption. When it is all said and done that redemption comes after fulfilling his purpose in restoring balance to the Island so that it can continue on beyond him. For six years we were able to see that journey and travel it with him and bore witness to the sacrifice he made that allowed for his redemption. The fact that it was his story and his journey that we followed is reflected in those that were chosen, or drawn together, to be with him in the Gathering before they all passed on to whatever comes next. This is possibly another reason why BEN wasn’t part of JACK’s Gathering.

    I’m sure that there will be those that will simply look to the obvious and cry foul. They will be angered because they still don’t know exactly what the Island is, why babies stopped being born on it, or any number of other dangling questions that may be out there. The truth, however, is that in the grand scope of LOST we won’t be any happier if we actually knew why JULIET was branded by the Others, how WALT was special, or where Kate’s toy plane went. In the big picture these things don’t apply because what we were watching was JACK’s story and these answers just aren’t important to his story being told.

    Be aware, as well, of the future because there may still be just a bit more of LOST for us to discover. The series finale breaks the 44 minute average show model and there may be a few scenes we didn’t see to help pad the shows so they can complete and balanced for syndication. Maybe we’ll see how BEN gets out from under that log, how JACK got back to place where the plug had to be put back in the ground, or maybe even a scene where MILES, RICHARD and FRANK are in an outrigger during pouring rain and another outrigger mysteriously appears in front of them and they open fire? This is all just based on conjecture but I can’t see much being trimmed from this finale in order to make it into two clean episodes. I guess we’ll eventually see.

    The executive producers have also hinted that they haven’t quite completed telling their story of WALT. I don’t know where they plan on telling more of it so keep an eye out on the Internet, TV, DVD store or local comic book shop for that story possibly wrapping up.

    Here is a simple laundry list of all of the things that I came away liking in the finale:

    • The Island truly was a cork keeping evil, malevolance, whatever at bay.
    • The knowledge that DESMOND was actually given a glimpse into the afterlife and didn’t even realize it.
    • The emotion evoked during each of the characters realizations in the Gathering.
    • The simple fact that MILES, FRANK and RICHARD actually got off the Island after being dragged there not knowing what they were really getting in to.
    • HURLEY taking on the mantle of ISLAND protector after JACK. This made his confidence and knowledge acquired before the Gathering even more meaningful.
    • The shock BEN had at being asked by HURLEY to help him in protecting the ISLAND.
    • The mutual respect that BEN and HURLEY have for each other at the Gathering.
    • The multi-denominational nature of the back room where JACK accepts his own death at the church.
    • VINCENT keeping JACK company in the bamboo forest so that our hero would not have to “die alone.”

    So there we have it folks, THE END has come, the discussion and arguments will still continue and I’m very glad to say that after the story has been told I’m not really that LOST anymore.

    Namaste.

    – Will Wilkins

    PS: This coming week will also bring the final installment of the comprehensive and witty “The Final Season of LOST as Seen by Someone Who Has Never Seen LOST” and I had the opportunity to interview the author mere hours before the finale for your listening pleasure right here.

  • TV Or Not TV: Finding Out ‘What They Died For’ (LOST)

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    I suppose, before I do anything else, I should issue a half-hearted apology to the writers and producers of LOST for the harsh review of ‘ACROSS THE SEA’ that I put out last week. I only say this in context to having seen this week’s episode ‘WHAT THEY DIED FOR’ since there are holes that would have been left unfilled had we not seen ‘ACROSS THE SEA’. I still stand by it being one of my least favorite episodes of the season for many reasons but I can not at least see the logic of what they were trying to accomplish as well as the reason why they placed it exactly where they placed it.

    If you have been tracking the number of special LOST columns that I have written for this season than you will notice that I haven’t written one for every single episode. My reason for leaving out certain episodes is the same reason that I almost did not write one for this series penultimate episode. It is very hard to talk about the elements of what happened in ‘WHAT THEY DIED FOR’ because it feels like both a lot happened and a lot didn’t happen in the episode. If I were to sit down and list all of the things that did happen in this episode you would probably think I’m off my nut in saying a lot didn’t happen, but maybe my perception is in the fact that we didn’t see much progress happen in the story.

    THREE MEN AND A BADDY
    One of the three stories transpiring in this episode was the tale of MILES, RICHARD and BEN going to BEN’s former house to pick up some C4 from his special pantry of disaster in order to blow up the AJIRA plane on the smaller island. This seemingly small and uninteresting story had most of the action and progress in it because the following all happens:

    • Before getting to the cabin we find out RICHARD took the time to bury BEN’s daughter ALEX
    • Right after getting the C4 the trio find their party crashed by CHARLES WIDMORE and the EVIL TINA FEY (ZOE).
    • Right after THAT party crash the party gets crashed further by LOCKE MONSTER (why have I not been calling him this all along?) who tosses RICHARD ALPERT into the jungle (with MILES having ditched the party in favor of living via a jungle jog).
    • BEN seems to turn coat pretty quick after in handing over ZOE and WIDMORE over to LOCKE, both of whom wind up dead shortly after WIDMORE reveals that DESMOND was JACOB’s failsafe should all the candidates get made dead.
    • BEN accompanies LOCKE MONSTER to the well where DESMOND is supposed to be but find an empty well and a rope instead.

    See, lots of action? In the story we’re reminded of BEN’s daughter being ALEX since that will come up in the flash-sideways story also in this episode. WIDMORE and ZOE have to be there in order to tell LOCKE MONSTER why they brought DESMOND to the ISLAND as well as allowing their game pieces to be cleared off of the board. This gets them added to the pile along with FRANK (pilot the AJIRA flight) and ILLANA (get the ashes from JACOB’s death pyre) as characters who enjoyed several episodes on the Island to only fulfill one purpose. WIDMORE is also crucial to either prove to us through his death that BEN is vengeful and evil or just that he’s vengeful and hopefully he’s working the long con on the LOCKE MONSTER in order to simply survive this whole ordeal. I really hope that this is the case because BEN first seems to switch sides again when the LOCKE MONSTER offers him control of the Island after he’s left. By the episodes end, however, he says he is going to find DESMOND and use him to do what he’s never been able to do which is to destroy the Island. This naturally leaves BEN with a LOSE/LOSE situation so if we see him hanging around with LOCKE MONSTER on the Sunday finale it means he’s working the long con or simply trying to survive.

    I think the writers really want us to believe that RICHARD ALPERT is dead. I don’t really know if that is the case. RICHARD was trying to use dynamite to off himself a few episodes back because, I’m assuming, that living after you’ve been blown to bits is kind of hard to do. Being tossed into a jungle like a wild foul ball probably bangs you up really bad, probably to the point where you wish you were dead, but RICHARD was given immortal life by JACOB wasn’t he?

    During LOCKE MONSTER and BEN’s trip to the well it was nice to have the writers also answer a very simple question that I’m sure many a geek like myself has wondered. He asked LOCKE MONSTER directly, “If you can become smoke whenever you want why do you bother walking?” Turns out LOCKE MONSTER is the granola eating tree hugging type who likes to feel the Earth under his feet. Good on you LOCKE MONSTER!

    CAMP FIRE STORIES
    The second of the three stories that went on in the 42 minutes and 20 seconds of screen time was the story of the remaining candidates. They grieved over their sunk comrades, they started on their quest to find DESMOND and they ended up all finally meeting JACOB. It turns out that those ashes that ILLANA took from the base of the statue could be used to bring JACOB back one last time when burned in a fire (if I describe any more detail it comes off even crazier so let’s just leave it at that).

    Even though HURLEY seemed to find JACOB in a matter of moments some how it takes him all afternoon and evening to finally get his friends back to JACOB’s fireside vigil where he finally let’s them know why their friends died and ‘WHAT THEY DIED FOR’. He cops to accidentally creating the SMOKE MONSTER almost 2000 years ago and how that LOCKE MONSTER wants to destroy the light of all creation at the heart of the Island, and that’s what needs protecting. One of them has to choose to become the new protector of the Island and hopefully dispatch the LOCKE MONSTER because the LOCKE MONSTER is going to be gunning for them. Faster than you can say, “JACK has been building up to this all season” JACK stands up and takes the job. JACOB says an incantation and gives him a mug of river water to chug down and then tells JACK, “Now you’re like me.” I suppose this means that JACK will now speak in vague statements and won’t be able to answer any question posed to him in a direct manner.

    This is part of the story that had to happen but it contained the least amount of action and momentum. The torch was passed from one protector to another and that’s about it.

    TAKE A WALK ON THE WILD SIDE
    The third story that occured in under three quarters of an hour can really be labeled as the adventures of DESMOND the enlightened in the alternate reality. Flash-sideways DESMOND is still on his quest to open the eyes of his fellow Flight 815’ers. The first stop is to prank call JACK to let him know that his Dad’s coffin has been found. The second is to stop off at the school and beat the snot out of BEN. The third is to turn himself in to the cops so that he can be transferred to county with SAYID and KATE and helps bust them out with the help of HURLEY and ANNA LUCIA. His final reveal is that KATE is his date to a concert, which might be the concert that is being hosted by DANIEL FARADAY WIDMORE, even though I thought that was happening the same night that CHARLIE took DESMOND into the bay for a leisurely underwater drive.

    The flash-sideways world, in many ways, comes off more like a love-letter to the long time fans of the show. After getting his beat down from DESMOND the very timid BENJAMIN LINUS accepts a ride home and dinner invitation by ALEX’s mom DANIELLE who insists he comes over, “even if we have to kidnap you.” His appearance during this invitation, after the beat down by DESMOND, is almost the same as… well… his appearance after the beat down by DESMOND in the previous season. There’s also a touching scene after dinner where BEN finds out that ALEX thinks of him as a father figure, where he subsequently gets all choked up and we as an audience all are supposed to go “AHHHHHHH.”

    Another item that stemmed from BEN’s whoopin’ is the re-installation of faith into JOHN LOCKE. When BEN tells him that the guy that beat him up said he was trying to help LOCKE to “let go” LOCKE has coincidence overload and goes to see JACK to let him know he’s ready to get out of his chair if JACK really thinks that he can help him. This scene has a great call back to a line to one said by MR. EKO in the second season when JACK says to LOCKE that he is, “confusing coincidence for fate.”

    I think the most important item of note is probably one of the most subtle. In the very beginning of the episode we see flash-sideways JACK in the bathroom noticing the same bloody neck wound that he had in the first episode of this season as well. Sideways JACK is the only person that we’ve seen a persistent wound on this season, he’s also the only one that seems to notice physical problems or issues with himself (remember the appendix question a while back?). I don’t think that this bodes very well for sideways JACK. I don’t know how and I don’t know why this isn’t a good thing for him but I think that in the series finale things aren’t going to end well for him.

    ALMOST TO ‘THE END’
    That’s really all that I have to say about this episode. After seeing this episode I think that there is a lot of story to still be told so I’m glad that the broadcast slot for the episode was expanded to 2.5 hours, especially since this actually means roughly 110 minutes of actual show time. That’s just 10 minutes shy of two full hours to have three separate stories converge into one final tale. I still have no idea about what is going to happen and I’m glad I don’t. It means that ht writing isn’t predictable, the story is unique, and the experience will be a memorable one.

    See you on the other side.

  • TV Or Not TV: I’d Rather Not Be ‘Across the Sea’ (LOST)

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    There are times when I’m watching a TV show that I really love that I sometimes sit in wonder and amazement at how compelling it can be. Other times I can be blown away by the use of imagery and symbolism that require me to think deeper about the message being delivered. Finally there are times that I am watching the show and have the feeling that I’m just completely missing the point because I don’t care for what I’m seeing at all. Sadly the 15th episode of the final season of LOST played out that last case scenario for me. As usual I will warn you that I am about to discuss the episode in detail so if you haven’t watched it yet and don’t want to know what happened than I suggest you return at a later date to read this.

    I’m sure both on paper and in concept the idea behind the episode of ACROSS THE SEA sounded great and made the writers feel that they were really going to deliver on answering some questions for fans of the show while also tying up a few loose ends. We the fans would finally know who the skeletons of ADAM & EVE, discovered in the caves in the season one episode HOUSE OF THE RISING SUN, were. We would find out who built the DONKEY WHEEL that when turned moved the Island, and we’d find out the origin story of both JACOB and the SMOKE MONSTER/MAN IN BLACK. Unfortunately, for this viewer and fan anyway, what may have sounded good didn’t come off very good. I think that the Tweet from writer BRIAN LYNCH sums up my viewing experience best:

    OK, maybe that doesn’t really sum it up but it made me laugh upon reading. I think fan reaction to the episode is also pretty clear from the Tweet sent out today by Executive Producer Damon Lindelof:

    With ACROSS THE SEA what I ended up getting was a rather uninteresting story that lead to more questions than answers, which this late in the LOST game isn’t a good thing. I’m not just talking about a little list either. Here’s all of the questions that got stuck in my head while watching this episode:

    • Why did they have to clearly make a point out of the MAN IN BLACK not having a name by never saying his name, a move that just made me want to know his name even more?
    • Where did the MOTHER character played by ALLISON JANNEY come from and how did she become (I’m so sorry for this bad cliche) the protector of the light (yes, again, sorry, you read that right but hey I didn’t write the episode)?
    • Why throw us a bone by showing us it was the MAN IN BLACK who built the DONKEY WHEEL only to also show us that his job site was collapsed before being finished forcing me to wonder who did in fact finish it? Yes, I get that he probably convinced others that came to the Island to finish the job but still, why even give me that question?
    • Why have MOTHER say that she’s made it so that JACOB and MAN IN BLACK can’t harm one another and then have JACOB beat the crap out of him twice in the episode and then either nearly or completely fatally wound him as he’s tossed into the tunnel where the LIGHT is?
    • Why the heavy handed inter-cutting of the HOUSE OF THE RISING SUN footage of the skeletons being found in the future while JACOB places the bodies in the past? I know the producers said that this is one of the things that proves that they had the end game planned the entire time but instead it just came off as them finding a solution that fit the scenario they set up six years ago (not to mention JACK said the bodies looked like they could have been there for 30 or 40 years… that’s a bit off the mark from 100’s of years).

    I suppose if you break it down to the essentials seeing this episode brought me the same level of frustration I experienced with the introduction of the MAN IN BLACK and the actual appearance of JACOB in the season five finale. Meeting these two characters made me feel like a lot of what we had watched up to this point and the struggles we had seen were diminished by these new players who apparently held a greater importance to the show than we had ever known. It felt like one of those bad mysteries where suddenly the bad guy is revealed and it is a character who was playing a bag handler in the background of the second scene.

    Maybe I would feel better about this episode if they had come up with this idea earlier in the season, like immediately after the season premiere where we learned that SMOKE MONSTER and UN-LOCKE were one and the same. It certainly didn’t spoil anything for the rest of the season. I’d probably also feel better about this episode if it didn’t actually make me feel almost sympathetic again for the MAN IN BLACK right after the episode that let us know that he was completely, totally and unarguably the bad guy. In this story he came off more as a victim who doesn’t want to be trapped on an Island where for 13 years he was raised by the crazy woman who murdered his mother. Yes in the end he ends up stabbing his “Mother” but this can also be taken as avenging the death of his real mother and the people he has lived with for the past 30 years as well as freeing himself of the evil that this mother murdering monster clearly seemed to be capable of. Instead of black and white (a metaphor and bit of symbolism used WAY TOO MUCH in this episode) and the struggle of DARK and LIGHT we get dumped right back into shades of grey. From a story telling perspective this sudden shift made no sense.

    Another frustrating element of this episode was taking JACOB from the wise and enlightened being we previously viewed him as and reduced him to a whiney little momma’s boy. He didn’t come by the job of protector of the light (ugh) and Island as a noble calling or through trials and redemption. He was handed a job at the family business that he didn’t want and just like so many others in the same role he screwed up on his very first day on the job. All he has to do is protect the light and keep men out of the cave. First command decision? Throw his brother into the tunnel and BAM he makes a smoke monster. Way to go JACOB!

    Oh yeah, before I forget, I think we should officially ban any writer from ever using the term “There’s a storm coming” again. I’m calling for a moratorium on this one folks, it’s been overused and is such a heavy handed term used in foreshadowing that it pretty much insults my ears for hearing it. In this episode that was overflowing with symbolism it was pretty much the straw that broke the camel’s back.

    Going in to this episode I really wanted to love it but instead it was just too long of a story that did very little to hold my attention long enough to show me who built the DONKEY WHEEL, how MAN IN BLACK became the SMOKE MONSTER and who two skeletons were in the caves. If this episode is any indication for the type of writing we can expect over the next three episodes than I can only tell you one thing folks: There’s a storm coming.

  • TV Or Not TV: I Vote YES for The Candidate (LOST)

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    Before I delve into anything about the May 4th episode of LOST I just have to say that there was some very surprising news that I almost didn’t hear on JIMMY KIMMEL LIVE later that same night. I’ve been a long time fan of KIMMEL but haven’t watched or DVR’d the show for a long time because I work and already can’t watch all the TV I’ve already got on my plate (another reason to get the HD TiVO already so I can go portable too!). Yesterday, however, Executive Producer of LOST Damon Lindelof sent out the following Tweet:

    Sorry, that’s the one I read in my head after watching THE CANDIDATE. The real Tweet was:

    JORGE GARCIA was a guest and just at the close of the interview, almost drowned out by the cheers of the crowd and the band as they go to commercial KIMMEL made the special announcement that LOST’s climax would not take up two hours of television programming time that night. It would actually take up 2 and a half hours of programming time. Yup, the series finale just got 22 minutes longer folks because (I’m assuming and hoping) they just couldn’t cram that much awesome into the time they were given.

    Now that we’ve gotten that bit of business out of the way, and since I’m sure you’ve already heard or read the news about the finale, let’s move on to taking a look at what happened on the 14th episode of this final season titled THE CANDIDATE. As always I remind you that I write this with the assumption that you are reading this because you’ve already seen the episode so if you haven’t this is your final warning.

    I was really looking forward to sitting down today and writing out the fact that I in fact hit the nail on the head with a prediction I had made. I was all excited and I went back to find out what column I had written it in and much to my own horror it turns out that I never actually seemed to write it. This really bummed me out so let me now tell you the words that I could have sworn that I put down in print.

    I don’t like to speculate on what is coming up but I really hope that the ‘Candidates’ don’t some how get tricked into going along with whatever UN-LOCKE/SMOKEY JOE has planned. He’s not ‘allowed’ to kill the candidates so this means that he probably wants and needs to kill the candidates. Every time he says he needs them all to get off the ISLAND the part of the sentence that I hear him purposely leaving out is the word ‘dead’ after all and before to get off the ISLAND.

    I don’t know what article I completely abandoned and discarded some time after writing that but oh how I wish I still had it to present to you as proof that I saw this one coming. Explained as simply as the way I had before pressing the delete button it’s pretty clear, right? At least I did say in this week’s column for recommendations that with the remaining number of episodes of LOST there was a high probability of an important character body count increase this week, so there’s one for the win column.

    Yes, that’s right those of you who didn’t take my warning and have no idea what happened in THE CANDIDATE, main characters died. I knew it was going to happen the very moment that UN-LOCKE/SMOKEY JOE handed JACK his backpack that the previously seen explosives were going to be in that backpack. If UN-LOCKE had a big bad guy soup handle mustache when he handed that backpack over he would have been twirling it with one finger and saying “mwuahahaha” under his breath.

    So with most of our favorite LOST-ies stuck in a submarine they found the bomb and did everything wrong. SAYID took a final shot at redemption by grabbing the bomb and running to the other side of the sub before he was blown to bits (which makes sense because SAYID is so bad ass he HAD to go out in a blaze of glory). Our favorite pilot FRANK took a flying door to the face and JIN stayed with SUN after she was trapped behind debris proving that true love means staying with someone so you both can die together. I personally would have had JIN try to break my hip or pelvis so I could be pried out from behind the wreckage but clearly it was time to lighten the load.

    This show did leave me with a lot of questions, but not in the usual LOST sense. I wouldn’t say I’m pondering plot holes however there are certain things that don’t add up to me.

    • After SAYID some how gets through the sonic fence he cuts the generator power so all the LOST-ies can be un-caged after UN-LOCKE as SMOKEY JOE takes care of the guards. Shortly after there are two guards at the plane. Why didn’t SMOKEY JOE just go all kinds of nuts and make a clean sweep of the whole smaller ISLAND?
    • JACK figured the bomb couldn’t go off because UN-LOCKE can’t kill any of them. Just like the stick of dynamite he shared with RICHARD ALPERT he’s convinced that nothing will happen. (Think of it like a mathproblem LOCKE can’t kill Candidate and LOCKE makes bomb so LOCKE BOMB can’t kill Candidate). SAWYER doesn’t believe him, pulls the leads, and the timer stops only to quickly speed up (No Mr. Bond, I expect you to DIE!). How is tampering with a bomb different then JACK lighting the fuse on a stick of dynamite if he too can’t kill himself? I have to believe that JACK’s logic was somewhat flawed because he was able to get out of the situation alive so the magic voodoo power of the ISLAND or whatever didn’t need to intercede. This could mean that JACK is probably going to be there to the very end (and doesn’t bode well for SAWYER since he pulled the wires and ka-BOOM!). This is kind of funny to think about since the original intention was to kill JACK at the end of the show’s PILOT episode.
    • Where the hell was CHARLES WIDMORE after the first five minutes? Did he know that LOCKE was coming and made way for the main ISLAND to try to fulfill his electronmagnetic dreams?

    The flash-sidewayswhateveritis also pointed out something else that, if allowed to play out, won’t bode very well for flash-sidewayswhateveritis SAWYER since he still has a blood feud with ANTHONY COOPER who it now turns out is a vegetable. Sorry SAWYER, no revenge for you in the other dimension/reality/confusion. This also is the only real revelation to come out of the flash-sidewayswhateveritis other than the fact that LOCKE mutters things about the ISLAND in his sleep and once again JACK is found to be looking into a mirror, this time that of the music box his father left CLAIRE.

    Just as many on the Internet have suspected it’s pretty clear that SAYID didn’t in fact kill DESMOND. His little speach about leaving something in a well caused millions of female viewers to cheer all at once.

    The one thing that was nice to see was something we haven’t really seen in a while on LOST: actual mourning. After escaping the submarine of doom the quartet of Hurley, Jack, Sawyer and Kate now realize that from all of flight 815 they are all that is left. They’ve just lost two definite friends, 1 kinda friend and 1 dude they shared a secret with. They break down. They cry. All of them (well, except Sawyer because he got bonked on the head and is out of it). It was nice to finally show these characters have a real moment after all hell broke loose. They’re usually running around and dealing with seven types of crazy so they haven’t really had these moments recently. Nice touch.

    That’s all I’ve really got to reflect on this week folks. Next week’s episode is titled ACROSS THE SEA and I’m pretty sure it’s going to be an AB AETERNO style flashback look at the life of JACOB and UN-LOCKE/SMOKEY JOE, which is perfectly timed since it’s pretty clear now that even though JACOB isn’t a saint SMOKEY JOE is pretty much THE bad guy.

    See you next week!

  • TV or Not TV: ¡Ab Aeterno es Muy Bueno!

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    Welcome to another Wednesday where I sit down and presume that you even care what I think about last night’s episode of LOST, titled AB AETERNO. Even if you don’t yesterday’s Tweet from Damon Lindelof let’s me know that someone out there cares.

    I’m sure that this episode is the kind that will divide the LOST fan community in half. The ep was a virtual stand-alone that had very little connection to the current events on the Island. This thing was 95% backstory for the mysterious and non-aging RICHARD ALPERT. We were able to see where he came from, how he came to be on the Island, and why this guy never gets any older. I’m sure there are going to be plenty of people out there that are venting today how this is the last season and they just don’t care about the life of some second stringer and instead want to see some real action go down on the Island. Hopefully next week will really deliver for these people (if they are in fact out there). I’m not one of these people. I really enjoyed this episode.

    I admit that AB AETERNO was a welcome change of pace for me. There was no flash sideways in the episode to distract me. There wasn’t a lot of back-and-forth action between different groups and trying to keep track of what is going on between them. Once the writers got us from JACOB to CANDIDATES to RICHARD they sent us into a view of his life and they did not break from it at all until near the end of the episode. They dropped us into a romantic tradgedy that, at the end, held the potential for redemption.

    I really enjoyed being able to see more of the range of NESTOR CARBONELL in this episode. I am one of those people that actually watched and enjoyed SUDDENLY SUSAN during it’s brief run on NBC and for me NESTOR was one of the highlights. His performance of BAT MANUEL on the short lived live action version of THE TICK for FOX was a pleasant surprise as well. These two instances, however, were the most memorable performances that I’ve caught of MR. CARBONELL so seeing him truly act in AB AETERNO was incredible. During this episode he had to deliver desperation, loss, pain, suffering, confusion and even a little bit of a man on the brink of insanity. One of the best moments of the episode for me was his near psychotic giggle that he gives when asked by Ilana, “What do we do now?” CARBONELL did a great job of stepping off of the side lines and taking a strong lead in this episode.

    Even though we did not see a lot of action in the “present” on the Island we did get an explanation of what might be the real reason why people eventually find the Island and why exactly JACOB has been shopping around for his replacement.

    During a conversation between RICHARD and JACOB the latter explains, with the aid of a wine bottle, the reason why he is there. The bottle contains pure evil, the kind that will dangerously spread if not kept in check. The Island that we’ve all been in wonder of for the past five years is the cork that keeps the evil in the bottle. JACOB’s role is to protect the Island to make sure the cork stays in place and keeps evil in the bottle. This, of course, makes me wonder if the writers of the show came up with this final idea about what’s going on while hitting the sauce pretty hard one night in quiet desperation in the writer’s room knowing they had to wrap this show up.

    All kidding aside that wine bottle description is great in that we finally understand why JACOB is there, why the SMOKE MONSTER is there, and what the struggle is. Makes perfect sense. JACOB also tells us that he keeps drawing people to the Island because the SMOKE MONSTER believes that people are easy to corrupt because it is in our nature to sin and JACOB wants to prove him wrong. We also already know from the first few opening minutes of last season’s finale episode THE INCIDENT that SMOKE MONSTER really wants to kill JACOB. Exactly where does bringing people to the Island so ol’ SMOKEY JOE can try to turn them into JACOB killing machines fit in to the whole “keep the cork in the bottle by protecting the Island” equation? Seems like playing a risky game just to prove a point. I’ve tried doing this kind of thing during arguments with my wife but it always ends with the fight going longer than I wanted and every time I start to do it I know it won’t be worth the effort. Maybe JACOB should have tried arguing with my wife to see how much his effort to prove his point wouldn’t be worth it.

    I really shouldn’t have brought up that opening of THE INCIDENT because it, coupled with the final moments of AB AETERNO, just makes me confused in the world of continuity. In the beginning of THE INCIDENT we find JACOB and the MAN IN BLACK/SMOKEY JOE watching a boat on the horizon. The statue is still intact and SMOKEY JOE asks JACOB, “Do you know how badly I want to kill you?” This tells us that this conversation had to have happened prior to the BLACK ROCK showing up since the ship rode a gigantic wave into the island that made it smash the statue to bits before bending the laws of phsyics and coming to rest well inland (that was one big wave). After everything in AB AETERNO we find JACOB coming up to the MAN IN BLACK and stating to him, “So you tried to kill me.” Either JACOB has a very bad memory or he some how was arrogant enough to think that there was no way that SMOKEY JOE could actually harm him with the people that he brings to the Island. I don’t know which, but that bit kind of bothered me.

    I think a lot of us assumed that the boat they were watching in THE INCIDENT was the BLACK ROCK. Since she ran aground during a big storm during the night it would seem they were just watching some other boat. Then again they may have been seeing her as she passed the Island and the storm could have later forced her crew to turn around to head for the safety of dry land. I suppose it doesn’t really matter.

    It was nice to also see some things come in to play that we’ve seen already this season. The knife given to RICHARD by SMOKEY JOE was the same one given to SAYID to kill SMOKEY JOE. We now know why the term, “It’s nice to see you out of those chains” was the trigger for how RICHARD knew who our Island LOCKE really was. Seeing where the white rock that LOCKE throws into the ocean in THE SUBSTITUTE (if it was the same one) was both amusing and made me raise questions on whether the cave was really JACOB’S cave or SMOKEY JOE’s (since if it was the same rock it was given to SMOKEY by JACOB).

    We also learned that ILANA’s true mission, in coming to the ISLAND was to protect the six remaining candidates. I have no idea why protecting the candidates included bringing the dead body of LOCKE to the statue to show JACOB. I would think that her time would have been better spent looking for the candidates. I guess JACOB must have told her to drop by the statue and say hello to let him know she was there and she thought the dead body might be a nice gift to bring. We also learn that she knows the names of the remaining six candidates so unles FRANK is actually a candidate she must like his company or needed someone to help lug around her housewarming gift for JACOB.

    One last item that I haven’t really discussed is the whole CANDIDATE business. For some reason I never really wondered who the remaining candidates were. I realized last night, however, that they are trying to get us to wonder who they are since they really went out of their way to specifically say that there are six remaining candidates. Some candidates are already given since KATE, SAWYER (as FORD), JACK, SAYID and HURLEY have already been identified. That only leaves one of the two KWON’s (JIN or SUN)? I’m sorry I ever thought about this since most of the other failed candidates are failed because of the inconvenience of death. I really hope there might be an exception in this case since without it there would be a very unhappy ending for the KWON’s. (Man, I’m really sorry I bothered to stop and think about this.)

    So, in conclusion, we may have learned the following with AB AETERNO:

    • RICHARD ALPERT has been on the Island since 1867.
    • JACOB protects the Island because it is the only thing that is keeping a pure kind of evil trapped from infecting the entire world.
    • THE SMOKE MONSTER/MAN IN BLACK is what JACOB believes is that pure kind of evil.
    • JACOB keeps bringing people to the Island to try to prove his point that all of man isn’t completely corruptable with sin (and doesn’t mind that the people he brings keep dying).
    • JACOB made ALPERT his spokeperson because he didn’t want to directly influence the people that he brings to the Island.
    • THE BLACK ROCK is what broke the big statue on the Island while coming ashore.
    • HURLEY once again seems to be fighting on the side of good by convincing RICHARD to not join the evil LOCKE/SMOKE MONSTER.
    • The knife that SAYID tried to kill evil LOCKE with was the same knife that the MAN IN BLACK gave to RICHARD to kill JACOB.
    • The white rock that evil LOCKE threw into the ocean may have been the one that JACOB gave to RICHARD to give to the MAN IN BLACK.
    • JACOB sent ILANA to the Island to protect the remaining six candidates and she doesn’t like to show up without a gift.

    From the preview for next week’s episode, THE PACKAGE, it would seem that evil LOCKE is either going to drop in on the JACK camp to try to lure SUN away with promises of taking her to her husband. Based on his past tactics this can’t really be his real intention. THE PACKAGE also marks our start of the ‘back nine’ as there are only 9 hours of LOST ever. If my predictions are correct than from this point out it is just going to be a roller-coaster ride until the finale. I really hope I’m right.

    Will Wilkins is a little less LOST than he was last week.

  • TV Or Not TV: What I Reckon from Recon (LOST)

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    Well once again it’s Wednesday and I’m left wondering what exactly it was that I watched last  night. Thankfully Damon tried to let me know in advance what I should be thinking about:

    Last night’s episode of LOST was titled RECON. Originally I would think of this as an abbreviated form of the word reconnaissance. After seeing the episode last night I would think that my interpretation would have been more on the money. SAWYER goes over to the smaller island at the request of UN-LOCKE to see what is up with the people from the Ajira plane crash. Reconnaissance, right?

    It could be that what Damon was eluding to was that they were in fact conning us again. The whole flash sideways thing gave us another glimpse of the world where flight 815 safely landed. SAWYER and MILES are actually LAPD. Before this reveal we’re lead to believe SAWYER is the same grifter that we saw in the crashed 815 reality when suddenly ‘surprise’ he’s a cop! Congrats guys, you got me!

    I don’t like to dwell in the flash sideways world very much, mostly because I don’t know a lot of what is going on there or where that side of the story is going. I do like, however, if you connect the dots one piece from the premiere actually does make a little bit of sense. SAWYER didn’t turn in fugitive KATE when he had a chance to in the elevator. Kind of makes him a bad cop, right? In the episode last night, however, it turns out SAWYER was keeping his little trip down under real hush-hush so he wanted to stay low profile. Turn in a fugitive and you’ve got questions to answer. Not very high profile.

    So what about life back on the Island? Did we learn anything new? Turns out that ol’ SMOKEY JOE UN-LOCKE had a mother that was crazy, just like how CLAIRE is crazy. I’m sure that there are all kinds of LOST-philes on the Internet now trying to figure out how to connect the dots to prove that CLAIRE is the one and the same mother and UN-LOCKE is actually AARON. I don’t buy into it.

    I was kind of shocked last night to discover that we were actually given a payoff from the final moments of last week’s episode when we learned that CHARLES WIDMORE and his non-yellow submarine has stopped and set up base on the smaller island (I feel silly calling it the Hydra island, sorry). I was even more shocked when SAWYER revealed the first real logical plan from any person on the Island: there’s two sides at war and he’s just going to stay out of the way, let them duke it out, and try to slip out the back door. BRILLIANT! I suppose this is the first time this type of plan can actually happen, however, since the LOST-ies for the first time aren’t actually in the center of the conflict. Still I bet the people that died by flaming aarow on the beach last season had wished they had given up their beach life a few seasons ago and just stayed in the caves instead of getting involved in all of JACK’s whacky shenanigans.

    In speaking with a co-worker a few weeks ago I made the analogy that the beginning of this season is like the starting point of a roller coaster. You’ve got that long slow climb to the peak before you are moved along slowly to the first big drop and the ride goes all kinds of crazy, you lose your hat or sunglasses, kids scream (maybe some puke) and in the end everyone loved the ride. Right now we’re about up to the peak. Soon we’ll be carted over and then all hell is going to break loose. No sense in over-dissecting what is going on. Just try to get through it so we can be where we are supposed to before the big drop, right?

    I’m looking forward to next week where we (hoepfully) see more of what’s going on with JACK and his crowd and maybe we get to see some of these split up people coming together. Next week marks the official half-way point in this final season so they just HAVE to crank things up, right?

  • TV Or Not TV: LOST with The Substitute

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    Welcome back folks to another TV or Not TV morning after for LOST.

    Last week I opted not to say very much about the episode “WHAT KATE DOES” mainly because of the following tweet from Damon Lindelof.

    Since I have no interest in watching NCIS: Los Angeles I opted to stay mum. Not a lot happened last week so there wasn’t very much to actually expand on. There weren’t many revelations or unique thoughts that popped in to my head. I can’t say the same for this week. As always I will warn you that I do not hold back on information that we were given in the episode and I’ll be taking that a step further based on the preview that we were given for next week. If you haven’t seen the episode “The Substitute” yet and you continue to read please be aware that you are volunteering to get SPOILERS thrown at you.

    The Substitute had the same method of story telling that we have seen in the episodes prior. We have the on Island story and the “sideways flash” storyline. This week that story line was about our dearly departed (but now alive in the sideways flash) John Locke.

    I have to admit that these sideways flash story lines have done very little to hold my interest but this week I bought in to the concept completely. I don’t know if it is because we are seeing the story of a character that is now dead in the time line/reality that we’ve come to know on the show or not but I was very eager to learn of John Locke. This particular John Locke has some differences than the other John Locke we knew. It turns out he is engaged to be married to Helen Norwood and, in a very interesting twist, it would seem that he is on speaking terms with his father (which a keen eye may notice a picture of the two together on a hunting trip displayed on his cubical wall just below a picture of he and Helen together). We also find out that this John Locke did try to go on Walkabout and was told that he couldn’t. Unlike the John Locke we are used to, however, by the end of this episode we find out that this John Locke is finally ready to accept that fact that there are some things that he just can no longer do.

    The sideways flash also caused a bit of a spark in my head when we discovered that the temp agency that Hurley sent Locke to had Rose (of Rose & Bernard) working there. She reveals to Locke, during their discussion, that she has terminal cancer but decided to keep living the life that she had. This made me realize that this other Locke may not have quite such a good future going for him since, as seen in last season’s LIFE AND DEATH OF JEREMY BENTHAM, Helen may die of a brain aneurysm in 2007. I doubt we’ll see that far ahead into the sideways flashes, however, so that probably won’t happen. Oh yeah, I almost forgot, Benjamin Linus works at the school where Locke goes to as a substitute teacher as the European History teacher. WHOAH!

    Back on the Island, after much drama and discussion we were given a pretty big reveal. Jacob, it would seem, has been drawing people to the Island as potential replacements for him to serve as the protector of the Island. This process, it would appear, involved Jacob touching people some time in their past (even though in Hurley and Sayid’s case it was AFTER they landed on the Island). Suddenly some of the subtle differences in the sideways flash reality are starting to make a little bit of sense. Cindy, the flight attendant, only gives Jack one extra mini-bottle of alcohol instead of two because this Jack won’t need the second to sterilize the needle (and cleanse the wound) in his side right after the plane crash. Maybe this means that the sideways flash John Locke some how wound up in his wheelchair through another incident as it seemed pretty clear that Jacob revived the “my daddy pushed me out the window” John Locke.

    When it comes to Jacob’s list and what it means I have to ask the same question that Sawyer does: What does the Island need protecting from? According the the Evil Locke nothing, but we know that can’t be true. We also learn that Jacob seemed to have a thing for numbers and assigned each candidate with a number. It just so happens that all of our Flight 815 candidates were assigned the same numbers used in the hatch, stamped on to the hatch, and transmitted from the Island prior to Russo changing the recording. All of this was revealed to Sawyer (also known as James Ford) and after learning all of this he appears to be willing to help Evil Locke in getting off the Island in an attempt to go home.

    There were other tid-bits thrown our way during the episode.

    • Ilana was crying inside of the base of the statue in the same way that someone who has lost someone important to them might. Right after this she collects some of Jacob’s ashes. I don’t know if this is because Jacob was the someone that was important to her or if it will be used some how later as a protection method against the Evil Locke/Smoke Monster. Time will tell on this one.
    • Evil Locke is now stuck in the appearance of John Locke. We don’t know why, it’s just what Illana told us.
    • Evil Locke is not immune to seeing things on the Island. He had a vision of a young blonde boy with blood on his hands that Richard Alpert couldn’t see.
    • There still appear to be rules in place and Evil Locke is not allowed to kill any of the chosen candidates (as revealed by the same young blonde boy who’se hands this time were not bloody and who was able to be seen by Sawyer). This may mean that the candidate’s job won’t be protecting the Island so much as making sure that the Evil Locke/Smoke Monster doesn’t get to leave the Island.

    So the above is everything I was able to take away from the episode. What are we in store for next week?

    Next week’s episode title is “The Lighthouse.” If we can believe the previews that they showed us at the end of this week’s episode (since we’ve seen some of these same clips in a briefer form after the two prior episodes) it would appear that we are going to find out how Jin is faring with Claire Gone Wild. From the many glimpses of Jacob in the preview and from the quick shot of Jack yelling at Hurley about “What does he want from me?!?” followed by the subsequent smashing of glass I think that Jack is taken to some sort of lighthouse and Hurley is being a communication conduit for Jacob. I don’t know if the Lighthouse is a literal lighthouse or if it is instead some mystical lighthouse (it does, after all, look like it’s been carved out of stone) but whatever it’s function Jack must not like it enough to smash some glass (unless he’s just irrationally pissed). I have no idea.

    This being the last season I don’t really like to dwell too much on what the end game plan is for the show. Last week’s episode aside I like that the momentum is picking up again and the direction that they are heading seems to be a good one. I just hope it doesn’t get too confusing over the next few episodes.

  • TV Or Not TV: Completely and Totally Lost

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    Welcome to the special LOST edition of TV or Not TV where, well, yeah, the title says it all.

    LOST fans around the world have probably already spoken at length about the season premiere of the final season of LOST. I’m sure they’ve been all a-Twitter about it and I’m sure there is much debate about what they saw. As usual I am going to say this: IF YOU HAVEN’T SEEN THE EPISODES DON’T READ THIS!

    The two episodes that made up the season premiere did something I didn’t know the show LOST could do: it gave the fans both of the possible outcomes from the bomb being set off at the time of The Incident. Somehow we are shown a version of Flight 815 that was never brought down by the Swan hatch button not being pressed and the plane lands safely in LAX. How is this possible? It would appear it is because the Island is now resting at the floor of the ocean after the bomb went off. After this amazing revelation what do we see? All of our favorite LOSTies recovering from apparently being thrown back into the present and coming to the realization that the plan DIDN’T work and they are still on the Island. I know, real easy to make sense out of.

    So what is it that we are seeing in these “flash” scenes? Clearly we’re not seeing the reality that the main events of the show are set in or else everyone would have to be wearing scuba gear. The sound that accompanies the flashes is different than seasons past as well, another clue that what we are see isn’t what we’re used to. There are people on Flight 815 that shouldn’t have been, there are some that aren’t on the flight that originally were. What we are seeing is an alternate reality. The real question I have about this is why? This is the last season of the show. Do we still really need a new method to tell what seems, on the surface, like a non-related story? With only 18 total episodes for the rest of the show to play out I’m sure they’ve already got enought story line to go around. Why do this to the audience?

    When it is all said and done the only rational use that I can see of this new method of storytelling is being done to eventually show us that life wasn’t going to be better off of the Island and that undoing everything wouldn’t have improved their lives at all. We are probably going to see these characters play out this alternate timeline in 2004 and each and every one of them is going to live a miserable existence that is unfufilling because these folks were meant to be where they are and doing what they are doing. Why are they doing it? I have no frickin’ clue.

    All of that being said I’m glad to see the show played out in a way that had me completely engrossed. Tonight was the first time in a long time I actually watched TV in real time instead of on a DVR delay so advertisers should be thrilled.

    Some of the bits that made me chuckle:

    – Alternate reality Charlie saying he was meant to die.
    – Alternate reality Hurley saying nothing bad ever happens to him and he’s the luckiest guy in the world.
    – Alternate reality Boone telling Locke that if the plane goes down he’s sticking with him to survive.
    – Having Hurley see Jacob an hour after his death. This kind of gives Hurley’s “gift” of seeing dead people a whole new purpose.
    – Finding out that the fake John Locke we saw back on the Island last season is Jacob’s Nemesis AND the Smoke Monster. With that knowledge in your head go back and watch DEAD IS DEAD from last season. Puts everything into a whole new context.
    – In reference to the item above: Ben saying to “Locke” You’re the monster and his response is “Let’s not resort to name calling.”
    – Finding out that there are still Others at the Temple. This tells me that these Others are possibly a different faction of the group, one not so willing maybe to follow Richard or the new regime. Maybe they are the more devout followers of Jacob? Not sure, but I like the possibilities.

    I’ll bite my tongue about this alternate reality story telling that is occurring and I will give it a chance to see how it plays out. By the second season of LOST the flashbacks were my least favorite part of the show and with everything going on even in these first two episodes the alternate reality stories had almost the same level of disinterest from me. They just feel like mind-confusing filler right now, so I really hope they go somewhere with this.

    Come back again next week where I’ll once again try to get a little less LOST with the rest of you.

  • TV Or Not TV: The Morning After for LOST – FINALE

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    Welcome to another edition of TV or Not TV where I am, in fact, thoroughly LOST.

    I sit here writing this column just 38 minutes after having watched the season finale of LOST. I’m still in my pre-column Internet blackout to ensure that I give you my clean perspective on what I thought happened or what I think is going on without reading what others are having to say. Usually I don’t write the column this soon, giving myself the night to ruminate on what I had seen. Tonight there is no need. Please remember, as always, I will be discussing things that did transpire in the show so if you haven’t seen it yet you might want to drop back in later.

    Being such a rabid fan I have been taking in all of the interviews prior to the airing of the season finale. I also subscribe to the Official LOST Podcast from ABC.com. Given everything that was said I had a pretty clear idea of what would be the very end of tonight’s episode. Carlton Cuse and Damon Lindeloff kept referring in interviews and the podcast as this season having quite a few parallels to the first season where it all ended with the hatch being opened, but we saw nothing inside. This set me up, I knew we were going to see The Incident (especially since this was the two-hour finale’s name) and I also knew that when it happened it would be the final frame of the episode tonight, giving us no clear answer on what has happened to those wonderful cast members who were stuck in 1977. This came as no shock to me at all. I even had a pretty good idea that if someone was going to die during tonight’s finale it would be in getting the bomb to go off, and again I was right.

    So now that we have dispensed with the things that I did have a pretty good hunch on what was coming to pass, let’s move on to the things that just plain baffle me. First and foremost I have to address the issue of Jacob. Tonight we finally were able to see Jacob, even though we have very little insight into anything about him. In the opening sequence of this season finale we see Jacob making string and putting together a tapestry (a nice little touch since it comes to pass that Jacob seems to also be weaving a tapestry of destiny for the show’s characters), we see him catch and prepare a fish, and we see him eating this fish leisurely on the beach. While he is on the beach another man joins him, they have a discussion about the boat that is out on the horizon (more than likely the Black Rock perhaps having one Richard Alpert aboard?), and the man joining Jacob mentions how much he would like to kill Jacob. One day he will find a loop hole and Jacob tells him he will be waiting. This entire conversation happens next to the complete statue, seemingly an Anubis (or Sobek) holding an ankh in each hand.

    From that sequence I took a few things, whether they prove true or not only 2010 will tell. I found it very interesting that Jacob was wearing a white/light shirt, where as this other fellow was wearing dark/black colors. A classic representation of the struggle between good and evil, right and wrong, light and dark (and it was John Locke himself who told us in the first season how backgammon was a similar representation). Further evidence comes from the dark fellow when he says, “Still trying to prove me wrong” after it is revealed that these two draw people to the Island, seemingly to play out a game to prove that the nature of man is either good or bad. Once this exchange happened, once we could see that these men were in a time long ago in what we would call the past, I began to guess that perhaps this dark stranger is the Smoke Monster (especially after you know what is in the box and you ponder the rammifications and signsoif manipulation it has for Ben and the events in the episode Dead is Dead), and maybe ol’ Smokey Joe has been in a power struggle this whole time with Jacob. If this is the case and Jacob really is the “good” side then I know a few people that will be vindicated when this line of thinking will justify their position that in the long run Benjamin Linus will be shown to actually have been the good guy who had to do bad things.

    After this initial scene unfolded I started to realize what was in the box that the people who have asked “What lies in the shadow of the statue” had and I began to realize the loophole was being played out. Having this realization in the first 15 minutes of the show was no great thrill, especially since it had the gears in my mind turning as it made no sense. Finding out in the last 15 minutes of the show that these same people were actually on the side of Jacob made a big ol’ red flag go off in my head as things continued to not make sense to me. When we finally see what actually is in the box and my suspicions were confirmed I remembered that in Dead is Dead these people know that John Locke is walking around and they seem to try to do nothing to stop him from going anywhere and doing anything regardless of what they have in the box. What kind of sense does that make? Clearly there is something very suspect about John Locke, so much so that these people carry the box with the intent to show Jacob what is in it so he knows who he is up against. Somewhere down the line we better be shown that Jacob has a strict “non-interference” policy that he handed down saying not to engage John Locke because that’s about the only way their actions will make sense to me. He certainly seemed to have a “everyone has free will” approach with everyone, so maybe that is the case.

    Seeing what was inside the box also made me feel even more sorry for John Locke since it pretty much made him a tragic character who never was actually able to attain or gain anything. He came to this Island, we granted the use of his legs again, seemed to worship the Island and his only real reward was being choked to death by Ben. Will the character of John Locke continue next season after what we saw in the finale?

    One wonderful payoff that we did get was the return of Rose, Bernard, and Vincent. They’ve all settled in a hut near the ocean and in Rose’s own words, “We’ve retired.” They will be having no part of any of this gallivanting around to try to battle strange people, change fates, or avert nuclear disaster. After their last encounter following Sawyer ended in fleeing the beach under a hail of flaming arrows can you really blame them?

    With this season finale I have to give credit where credit is due. The writers, director, and producers of the show put out two hours of television that I was glued to my seat watching. I was captivated from beginning to end, hanging on every word, completely immersed in the viewing experience. Reflecting upon it, however, what I really find is that not a whole lot happened during that time (especially since we were being told three stories at once) and sadly we were once again handed more questions to balance out all of answers we were given.

    Here are some of the dangling questions that still need answering (that I can actually think of):

    • Who are Jacob and the dark fellow (having just re-read The Stand I want to also call him the dark man, the Walkin’ Dude, a real hard case)?
    • Where did Richard Alpert come from?
    • Why did Jacob have to touch each of the Losties and does the fact that he touched Hurly AFTER Flight 815 hold any importance?
    • Is Jacob‘s fate as we saw final?
    • When and who will be shooting at Sawyer and crew when they are paddling around as seen in the episode The Little Prince?
    • What happens after The Incident?
    • Why was Sun left in the present?
    • Where is Claire and if the Christian Shepard we’ve seen on the Island is part of the same “thing” as the revived John Locke on the Island is she safe?

    I’m sure there are a ton more but these are the ones that just hang out in my brain. ‘Till 2010 when we’ll do it all again!

    -Will

  • Trailer Park: STAR TREK – Review / Eric Lange of LOST

    By Christopher Stipp

    The Archives, Right Here

    So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on Twitter under the name: Stipp. This week saw all sorts of conversations about the horribleness of Wolverine and the promise that Star Trek would easily dethrone the big cat with claws at the box office this weekend.

    ***CONTEST – THE FALL AND RISE OF REGINALD PERRIN***

    rp_3dWhat was just a fleeting opportunity to promote another DVD turned into something of a curiosity to me.

    I had never heard of The Fall and Rise of Reginald Perrin, for the most obvious reason that it was on the BBC in the late 70’s, but after watching a few clips I have to admit I am more curious to watch this and am wanting to give you rascals the chance to see what could be just the thing to get me going as all my other shows on television are dipping below the surface, not to return until the fall.

    I have a few copies of the series on DVD. If you’d like a chance to win one just shoot me a note at Christopher_Stipp@yahoo.com and let me know your favorite BBC program. It’s as easy as that.

    More about the show:
    Michael Scott of “The Office” didn’t write the book on career disillusionment. Back in the “˜70s, Reginald Perrin was fighting his own demons at Sunshine Desserts. The BBC’s “The Fall and Rise of Reginald Perrin” starred brilliant actor Leonard Rossiter (Barry Lyndon, 2001: A Space Odyssey) and aired from 1976-1979 to great critical and popular acclaim. The darkly-comedic series featured an outstanding cast of Britain’s best ““ Pauline Yates (Darling, “Peacekeepers”), Sue Nichols (“Coronation Street”, “Crossroads”), and Geoffrey Palmer (A Fish Called Wanda, Tomorrow Never Dies). This spring, E1 Entertainment brings all 21 episodes, plus “The Reginald Perrin Christmas Special” to DVD for the first time. THE FALL AND RISE OF REGINALD PERRIN: THE COMPLETE SERIES arrives in-stores as a 4-DVD set on May 12 for $59.98 SRP.

    The DVD release of “The Fall and Rise of Reginald Perrin” is sure to excite classic British comedy fans, as will the revival of the series by the BBC this fall. BBC One has announced that Martin Clunes (“Doc Martin,” Shakespeare in Love) will play the title character in “Perrin,” which will be written by the original series writer and creator David Nobbs with “Men Behaving Badly” writer Simon Nye.

    Eccentric sales executive Reginald Perrin is disillusioned with his life and unrewarding job at Sunshine Desserts. As the stresses of his mundane life surface, he pushes the boundaries of acceptable behavior at work. Finally, Reggie reaches a breaking-point, his mid-life crisis leading him to an extreme attempt at escape. He leaves his clothes on a bench at the beach, and fakes his own suicide. Instead of starting a new life somewhere else, Reggie tours the countryside assuming a variety of disguises ““ from buck-toothed pig farmer to pompous explorer. In his attempt at finding fulfillment, he discovers he truly misses his wife, and he returns home to start a brand new life. But, will he fall back into the same old routine again and again?

    STAR TREK – REVIEWED

    “How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.” – Isaac Asimov

    star_trek_poster1After thinking about the highest compliment I can confer on this film it would be this: I want to see this movie again.

    Something I didn’t realize I’ve missed after all the films I’ve seen in the last year is the innate sensation after the credits roll when you know you could sit through another viewing. That moment when you honestly could sit back down in the theater and watch the movie all over again with the same pleasure as you did before it started the first time. What JJ Abrams has managed to create is a summer film that bridges the chasm between those who have simmered in the Star Trek universe broth for decades, and explains to some degree why the franchise was in such dire straits as the latter films sputtered towards extinction, and those of us who just want to be entertained by a thin story and giant explosions.

    JJ delivers on all the elements necessary to crafting a great mass market summer film starting with an opening reminiscent of BAMBI, FINDING NEMO and any other Disney film when a child needs to learn the tragedy of life from the get-go. What the first 10 minutes feel like is JJ finding his groove and to lay the foundation of what’s to come; the sequence establishes the tenor and mood of the entire film. So many times you have an opening sequence that seems so well-crafted that the next hour and 50 minutes couldn’t possibly live up to the great first chapter when you realize there was never enough in the tank to go more than a mile. JJ seems ballasted by not only knowing what is needed for every moment to feel weighty, in that every moment feels like it belongs and adds something extra to the overall whole, but his world as he’s creating it feels real.

    Now, reality as I’ve come to define it after seeing STAR TREK is one that has rules but has to convince others to believe the reality. Keeping in mind we’re talking about warping star ships, phasers, drills that are miles long that can burrow into the center of a planet, interdimensional time warps and scads of other nuanced things that simply are not real. However, JJ and Co. manage those observations in a delicate balance of delivering superb special effects but not leaning on them like a crutch, an awful disease that many directors have succumbed to as of late. It’s the actors, deigned with the opportunity to bring a fantastical script to an even more apparent reality, that deserve some notice and praise.

    Chris Pine (James Kirk), who up until this point charmed me in his turn as a twisted and demonic hillbilly in SMOKIN’ ACES, does a superb job playing the would be/will be Shatner. He carries himself with a hint, a whiff, of obnoxiousness that makes his role one that exudes a swagger rolled up with the classic underdog trope of a boy who needs to become a man. His boyhood mischief, his bar room brawls are nothing more than flimsy set-ups to show the depths of which he’s lost in his own PR and male bravado as a Lothario that never can seal the deal with Uhura (Zoe Saldana). But, and this is key, it’s the moment when Kirk meets Bones (Karl Urban) when you can feel the velocity of this film taking hold and never relenting. It’s also the time when we meet up with a young Spock (Zachary Quinto) who lives on planet Vulcan. What’s silly, of course, is to suppose this is all happening on a real planet removed from the safety of Earth’s natural berms and landscape but Abrams wills and makes Vulcan seem like a planet; the effects here are slight but rich in impact. He gives his situations, and all situations from start to finish, a polish, a thin veneer, of reality. Yes, Vulcan exists. Yes, cops of the future do ride motorcycles that fly. Yes, it is possible to beam from a ship to a planet’s surface; all the while, mind you, of never compromising the intentions of the actors in the scenes they’re in.

    Kirk’s eventual rise to power as the ship’s captain is an intriguing one if not completely predictable, and there is a lot of goofiness to be had in the moments leading up to the logical blocks that are put in front of him from even being allowed ON the Enterprise, but these are all quibbles with the film’s focus on creating a summer movie. You could find yourself straining at wondering at the logical issues concerning the film’s villain Nero (a one-noted and camouflaged performance by Eric Bana) and his actions, however, this would take away from the sheer delight in wondering at the sight of John Cho (Sulu) kicking in some Romulan head during the film’s first real hand-to-hand combat scene, witnessing the fate of the first red shirt to go into battle and feeling the physics involved to make me believe that this all seems plausible as a viewer. Suspension of disbelief is not enough in this film as JJ takes the effects to a level that should cement this movie’s place as one of the more intensely enjoyable movies of the summer movie season.
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    As well, when you consider all the personalities that need to be juggled, from introducing an entire ship’s worth of STAR TREK regulars to the plot that can get a touch convoluted if not completely unbelievable, Abrams manages to make you care about each one of them. Now, the depths to which we care can be debated but for the core cast of regulars there isn’t one throw-away moment for any of them especially when you consider the handful of characters that seemed to be much for lesser directors of recent summer films. It is important to give everyone the chance to be meaningful to the film’s progression, for if they weren’t why even be included in a script and, at that point, if they were I could guarantee a troubled film, and JJ does that. From Chekov’s minor miracles to Simon Pegg’s (Scotty) delightful and atmospheric comedic relief at a moment when the film delivers one of the more emotionally charged scenes STAR TREK is a record that knows what speed to play at without ever speeding up or slowing down unnecessarily. The movie is filled with enough crags and crevices which bring us to the penultimate moment but to explain them would spoil the fun of witnessing the birth of a franchise that finally is able to appeal to those like me who are familiar with the characters but aren’t beholden to the rigid back history of the iconic series. This isn’t to say, though, the film doesn’t have some issues.

    The musical cues seem a little too ostentatious at times and threatens to take over the production and, unless you’re Ray Charles, there is no way not to notice the copious use the many lens flares that JJ seems to use as if he were a little kid just shown how to fire a gun; he loves using both almost to the detriment to the picture. The writing, as well, could be picked apart and dissected like a splayed open frog in biology class but, really, if you’re going to take issue with a summer film which is specifically designed to generate income and to be one of the few movies to help a studio make its annual nut you need to understand a few theories of basic economics. Which isn’t to say JJ has to make an inferior product, and he absolutely does not, but it’s important in understanding that the movie is not some artistic vision that can stand up to scrutiny if you were to compare it to a film like MILK. These kinds of films, these summer films, are made to entertain and to hopefully coming back for more. I already know this film is a special one in that I am already thinking about when I can see it again.

    Forget WOLVERINE, STAR TREK is the real beginning of your summer.

    ERIC LANGE of LOST

    eric-lange-as-radzinskyThere’s this great Night Court episode that has always stayed with me ever since I saw it air decades ago. Harry, played by Harry Anderson, has to convince a very deranged woman who is brandishing a grenade in his court that what she sees on television is not reality. The blend of humor and the very not funny threat of someone dying was emblematic of a series that blurred the line of what a sitcom was. So, too, is my love affair of Lost.

    A program that has dared me to leave it more than once and a program that keeps finding ways to bring me back, Lost provides audiences with the kind of drama that looks to challenge traditional methods of storytelling on television. So, it was with great anticipation that I was able to talk to Eric Lange, who you all know by the name Stuart Radzinsky and rocks a beard like no other on that show, wherein I was able to find out more about the man who has become synonymous with supreme jerkitude on the series. The “others” may be mysterious and wanton in their violence and malevolence towards others but Lange is just plain mean.

    It was a pleasure, then, to talk to the actor playing Radzinsky. What I found was an actor just excited to be playing a role like this, in a series like this. His passion for the craft was something refreshing when you consider how far gone other performers can get when they stop seeing the ephemeral winning lotto ticket in their hand. Eschewing any question that even tiptoes the line of “What can be expect from the season finale…” I instead wanted to know more about him as an actor, a working actor, and what this opportunity means to his career.

    From ditching the series as a viewer to realizing the importance of bug spray there couldn’t be a better jerk on television who I hope finds success after he finds his way off the island. The series finale airs this upcoming Wednesday, May 13th on ABC.

    CHRISTOPHER STIPP: I’ve been reading a little bit about you as an actor and what led you here to Lost. I’m really just curious to find out, at least to start off things with what happened from 1998 and 2001 where there doesn’t seem to be much from you?

    ERIC LANGE: ’98 and 2001? Well, to be honest, when I first moved to LA I couldn’t get an agent or get anyone to represent me theatrically so I was doing a lot of theatre which is sort of my roots ““ theatre and commercials ““ and every now and then I got friends to come to a play I was in and toss me a job here and there. That’s what the Bold and the Beautiful is and my early, early jobs. But really they were just from people that knew me at the time.

    So it’s really all I was doing.

    Then after that it just of moved into commercials. I was doing commercials for about 7 years here and making a living that way and saying I was a working actor but I obviously wanted to be making movies and scripted television. So then I ended up doing another play years later and a friend of mine brought her manager to the play and he picked me up. After that things moved relatively quickly because I had all that time here doing commercials and theatre to just sort of marinate and get ready for the day I was going to be able to get into rooms and I would be able to work relatively quickly. So that’s sort of the reason for that gap.

    CS: Certainly after that it looks like Lost is the longest time you’ve spent on scripted television.

    LANGE: Yes. I had smaller recurring things on other shows earlier. LAX, the Heather Locklear/Blair Underwood show I was on for just a little bit and just prior to Lost I did a show called 26 Miles which was like a 6 episode pilot basically. It was made to be sold as a half season and then a network or studio would pick up the other half of the season. So, that was 6 episodes and that was my longest stint and now Lost is a little past that, so you are correct.

    CS: So how did this come into your life? Was it one of those things where you were just out on auditions or were you asked to audition for it?

    LANGE: Yes, my manager called and said you need to audition for this or that and I was particularly excited about this because I wanted to do something on that show for so long I just had the highest respect for it and wanted to be on there. The show I had done previously, the 26 Miles pilot, I had about 6 months before that started and I was going to do it and I had to change rather drastically. My hair was always rather short so I spent all this time growing my hair out and this beard and so I thought if I’m ever going to be on Lost, now is the time to do it. I got the beard, the long hair, I can pop out of the jungle. I could say I was on the plane, or I was an accountant, or something.

    (Laughs)

    So, I just went in to audition. It’s not a typical audition with them. Usually you go to meet the producers in an audition ““ and the writer ““ but with Lost because everybody is in Hawaii you’re really just reading for the casting director and somebody films you and they mail the tape off and you either get it or you don’t. So it felt like such a simple process for what became such a great job. You know?

    CS: Yes, and an interesting character too. We all know how he ends up but it’s really interesting to see how he gets to where that finite end is. Could you speak a little bit about how… I read in a previous interview where there really wasn’t so much direction given to you regarding these origins of the character but you were allowed to make him up – as it were?

    LANGE: The original audition ““ I know I’ve spoken about this before ““ but they didn’t even have the name Radzinski on the audition side it was this Marty Jankowski guy. So that’s who I was auditioning for initially. So, when I got the job they called and said you are playing Radzinski and the name sort of rang a bell. I wasn’t sure why it was so secretive but that’s how a lot of things are on that show. I ended up googling him and found all these web pages about him and immediately got very nervous about the shoes I had to fill.

    It was evident that there were a lot of fans that were curious about him and what he knows and why he offs himself and all these different things and I though, boy, I have a lot of people to please. So I ended up calling my manager and said is there something they want me to know? Now, knowing where we are going to take him eventually, or if they will, knowing where he ends up in the bible of Lost, is there something they want me to know now that I could put in play and the answer was a pretty definitive no. They said, “No, if we want him to know something we’ll tell him.” It was good in a sense because I had the information about where the guy’s going to eventually go and I had the scripts and the words they give me are rather strong clues to what kind of person he is. But I did get to work a fair amount on my little back story and sort of create this guy from scratch. The guy we’ve heard about but never seen.

    200px-eric_langeCS: And you mentioned something about Lost having something close to a bible. The pantheon of fans out there…that there’s no detail that goes unnoticed with the people who really dig this show. How was that knowing that every tick, every peculiarity is poured over? I don’t know if you ever now gone back to see what people are talking about and see if people are really on the mark or off the mark with about what’s to come later on in the season?

    LANGE: You mean in terms of what they were picking up about him before him even being seen or since I started on the show?

    CS: That’s interesting. I would be interested in hearing both. First of all, we caught glimpses of him and now that you are fully realized ““ what people are saying now about the character.

    LANGE: Well, you know. Let me think. I just want to make sure about what you are asking. You are asking how I feel about what people are saying about the guy now that he’s out there?

    CS: Correct. Now that people have had the chance to see you, what are they saying about you?

    LANGE: Well, I don’t have a lot of fans. Let’s put it that way.

    (Laughs)

    I’m hoping people are enjoying it but obviously he’s a thorn in the side of our heroes at this point and it is interesting that he’s so hot blooded. That does contribute to someone who could put a shotgun in his mouth. He’s a wildly passionate individual and it was sort of assumed early on that the guy had some wild knowledge about a lot of things and now we find out that he was the architect of the Swan so he’s been credited with being a genius or scientist. But, no, the few things I’ve been sent from friends and from what I’ve seen on the internet is pretty hard to read sometimes.

    (Laughs)

    I’ve been called all sorts of names. He’s a problem child but in terms of my fears about living up to the expectations of the fans. I just said I’m going to make what I make and hopefully they can get behind it. The thing to me about playing people like that is as long as there’s justification for the way they act, people can get behind it. And with him, we are sort of catching him in the middle of a period for him. In the middle of building the Swan and his work with Darma and so I just created this thing in my head that he was sort of told a story that he was going to be this big deal there and when he got there there were all these other people running around and touching his stuff and running projects and he sort of wanted to run the show so that’s the place I’m taking it from now but there’s got to be ways to justify the way he’s such a complete pompous ass he is and certainly leaving people curious enough without just hating the guy and writing him off, which is a danger.

    CS: Correct. And this is one of the, and I don’t want to say tightest written series on television for sounding too hyperbolic, but looking at the scripts you are being given week after week, how do you respond to something when you are used to going on some of these shows, doing an episode and then leaving. Looking at a script where you are not allowed to know some things but know others… how does that all work in a cohesive sense when there are so many things going on at once?

    LANGE: It’s tricky because you don’t know anything really. You know that at the end of some episodes that if there’s a story line left untold you assume that they will come back to it. So you do see some sort of arch but don’t know exactly where it’s going to go but it’s actually kind of exciting. I remember being in Hawaii at the hotel and the day that the scripts would come out running down from the Lobby wondering what the heck am I going to be doing this week. It’s been exciting. When you do one spot on one show you are gone. You don’t get that kind of thrill.

    Every now and then it’s a little jarring, oh my goodness the things they have me saying and doing, the character they are forming as I find it in the script week to week and sometimes I find it a bit jarring and I have to go into my justification pile as say why is this important to him. And the bigger picture that this is sort of like war to him. He’s sort of like a general in an army and there are possible enemies lurking around and gaining information and that’s life and death. A lot of things on Lost aren’t life and death. But it’s a pretty curious thing. I sort of see him as a policeman who is jus trying to protect what they built and what they are working on and he just happens to get quite agitated when things don’t go his way, if any of that makes any sense.

    CS: It does. You are now the 4th person I’ve talked to from the cast in the many years it’s been on. You hit a central theme when you say it’s all a matter of life and death and everyone who I’ve talked to says life off the set and in the set while you are working on it couldn’t been a more congenial and open and warm place to be.

    LANGE: Absolutely.

    CS: How have you responded to that sort of climate as an actor?

    LANGE: Coming from doing one show at a time, mainly a guest star here and there, you sort of get thrown into this family that you don’t know but they have been working together for years and you are trying to look like a seamless part of this giant machine they have created. Sometimes the families are friendly and sometimes because they know you are leaving that week there is really no attempt to make any conversation or environment where you might feel more comfortable. Going into Lost when I first got the job I only knew I was doing two episodes. That was the deal. So I thought, well two episodes but I was a little intimidated because of the size of the show and the scope of that show and I thought, “My God, what if these people are monsters? What if their ego’s have gone to their head because they are on this giant train that is Lost?” And I could not have found anything farther from the truth.

    I mean, from day one they were the most down to earth, friendly, there was no ego involved, just acceptance and I felt like I was part of the crew right away. They were really wonderful in that way. And when you are comfortable like that you are just able to do better work. You feel better about yourself, you can trust in what you are doing better and it’s just nice to have that support. But throughout my entire stint there I just grew closer and closer to those people and have a huge amount of respect for them on their behavior on the set and their generosity really. And, the crew is the same way. The crew is a lot of Hawaii based people, very down to earth, very kind and really it is funny how sort of light hearted the set is. It’s not that anyone’s careless about their work but it really is like a very friendly place to be. I had an absolute blast there.

    eric-langeCS: And one of the interesting things about the show itself too, for how many years it’s been on, you don’t hear anything about any petty sort of in-fighting or anything associated with some programs that are on a very long time that most succumb to. Any ideas of how they’ve managed to avoid needless drama?

    LANGE: I don’t know. I’m always amazed when I hear about the drama on these things. It’s like you think when you get a job on that level you would just be happy to do you job and go home. I think part of it has to be because they are so removed. Being there in Hawaii is like you own little camp. Like you go to Lost camp. And they are not right there in Hollywood hearing about the bickering that goes on or seeing the power plays that get pulled. I think to some degree everyone just really likes being on the show and happy with their jobs and happy to be a part of something that has such an impact on culture in television. But, I think the distance is a big thing because when you get there it’s not like Hollywood. It’s Hawaii ““ a much different environment and relatively laid-back, peaceful place to be. I think it engenders that on the set as well.

    CS: One of the things that I think makes you a perfect representation of Lost is that I read that you bailed on the series for a little while and then came back to it as you boned up on your part. I would think that any Lost fan agrees that this season just outshines ““ the writing is better, it’s tighter…How do you think they found their groove back? What’s your take on why it’s so good this season?

    LANGE: Well, my take is that ““ I did. I hate to say it but somewhere at the end of season 3 I thought, boy, they did such a good job the first two seasons at peaking interest and creating mysteries and things I was just so curious about and wanted answers to, and they kept stretching them out.

    And now my belief about why they did that is because they didn’t know how long they were going to be on the air. They didn’t know how long they were going to have to keep these things a mystery.

    So I think for a while there it sort of felt like they were treading water. I don’t know if this is the fact or not but I got the sense of having to keep these story lines afloat because what if we are doing this for 10 years. And now that they have given themselves an end point, now they see a finish line and they are saying, what do we need to get in before the finish line? And it’s much easier to plot and plan and really build things on a more detailed level I would guess, episode to episode knowing they only have this many to go. So I think they are really sinking their teeth in and challenging audiences and giving everyone a great run for their money and a great piece of television.

    CS: One of the other things that you brought up was that largely, the production is very picturesque. It’s done outside in Hawaii. What kind of challenges does filming on a beach, in jungles, in that kind of humidity present from day to day?

    LANGE: That’s where I give props to their crew. I see these guys in season 5 and a lot of these guys are Hawaii based so they are used to working in that and used to working some adverse conditions and they are incredibly adapt at it. It’s amazing to watch how quickly and with such economy they can get these major shots set up and pulled off. And people running around the jungle with a steady cam. They are not running on boards. It’s dirt and mud. We had a couple days where it was very rainy and there was just mud everywhere. It’s so humid. I was there at relatively decent conditions given the time of the year. But it was 85 ““ 90 degrees and very humid and you got the bugs in the jungle. There were days I came off the set with many mosquito bites and I learned very quickly to take the bug spray when they offer it to you.

    (Laughs)

    But it was kind of fun. It feels very genuine as an actor. You are out in that. It’s not a sound stage with a bunch of plastic trees. You are in the jungle. It’s really exciting that way. But, it’s not a show for the faint of heart. There’s not always a trailer right next to where you are shooting but it makes it kind of fun. I always felt bad about complaining about anything because I’ve watched the show and know the things they have been through and this is nothing.

    CS: I am amazed when I read an interview when someone from Lost says they are always trying to ply them for information about what’s coming next ““ to the extent that everyone dodges the question. It makes me feel uncomfortable, must make you feel uncomfortable. But, as the series now trends toward the end, do you feel, now that there is an end in sight, that we can expect more of the same of what we’ve been given this season?

    LANGE: Oh yeah. My sense of it as it gets from this the new episode forward would be the variable forward the last episode Some Like it Hot was relatively, some themes in there, but it was relatively lighthearted for an episode of Lost. I think it’s partly because from here on out it ups the ante all the time. It becomes a great roller coaster ride. I think that the rest of the episodes to come and the finale should be some stupendous television. It really is quite an action packed end of season from this point forward.

    CS: Having already taped the finale, when you reflect on it, how do you see your time on the program itself and what it’s done for you professionally and as an actor?

    LANGE: My time on the program? I can’t say anything other than it was a dream job. It really was. To be on a show that you are already a big fan of and to have it go as well as it did for me ““ great challenge as an actor and befriend the people that work on that set ““ it was just nothing short of spectacular for me. And professionally, it really is amazing the difference between working on one level of show (and I won’t name names) and then working on Lost.

    When my third episode aired, and I hadn’t really heard anything on the street and I went out over the weekend there must have been 10 different people that came up to me and said, “Are you Radzinsky? Lost is a great show.” So out of the blue people are starting to come up to me and things like that. It’s just a testament to the audience and kind of impact that show has.

    You never know where your career is going to go or what opportunities are going to come to you or not but it certainly in terms of it’s stature I think it’s the biggest thing I’ve been a part of. I hope it does great things for my career, obviously but I’m already getting a sense that it is a bit bigger than you in some ways.

    CS: I have to imagine ““ I know everyone talks about acting ““ “It’s just a job…It’s just something I do” – do you get some sort of thrill when you get recognized for being on the show?

    LANGE: Yeah. I went to some art fair this guy walked by me and just yelled, “Radzinsky!” Like that’s my name, you know? And I turned around and said “Yeah?” and he said “I’m such a fan of the show” and he was with a friend and they introduced themselves and just the nicest people. Coming from theatre you do a role, you do a show and you get instant audience feedback. You get applause, you get laughter, you get validation that what you did meant something to somebody. But on television you never really get that. It just airs and who knows what anyone really thought of it. So it’s always nice to have people come up to you and say, “Hey, I dig the show” or “Dig what you’re doing.”

    It’s just confirmation that you are on the right path in some way. It feels good that whatever it is you do makes somebody a little happier than they were before, I guess to put it simply. So yes, it’s a great feeling.

  • TV Or Not TV: 5/4 – 5/10

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    Welcome to TV or Not TV where I am humbled by mother nature.

    This week I was able to get caught up on the new History Channel original series Life After People. This series, crafted after last year’s startling special, takes a unique look at what would happen if we people of the planet Earth just suddenly vanished. What would become of our cars, our buildings, our legacy? The results are very humbling.

    In the discussion of “saving our planet” I have long been a student of the philosophy that we are not needing to save our planet but instead we need to save ourselves. Yes, we need to treat mother Earth a lot better so that her environment will still be suitable for us. We, however, do not need to save the planet because as this show outlines pretty harshly the planet will in face go on without us.

    It is one thing, when watching this show, to see the computer generated scenarios of a Statue of Liberty crumbling, or the Houston Astrodome becoming a richly vegetated rain forest climate, but it is another thing to see the real evidence in today’s society where we see how the planet will reclaim that which we leave behind. A coal mining island in Japan, after only 35 years, is already falling apart and appears on the precipice of complete collapse. Mother Nature will quickly reclaim that which we turn our backs on proving that her creations are the only ones that can stand the test of time.

    If you haven’t seen this show I  strongly suggest you tune in to Life After People every Tuesday night at 10 PM to see this eye opening look at what the future may hold for that which we leave behind.

    Now let’s see what television transmissions we can choose from this week that will just be static two light years from now.

    MONDAY

    LIFETIME – 5:00 PM: It’s not every week that I make a recommendation for Lifetime, but a show called Cook Yourself Thin can’t go without mentioning in this day and age of the obese American.

    FX – 9:00 PM: Now that 24 is in the 21st of it’s 24 hours Jack has got to be getting a miracle cure any minute now, right?

    NBC – 9:00 PM: Allison is bailing on the DA’s office to work for a big corporate job on Medium. Do I sense a new Ms. Cleo?

    TUESDAY

    NBC – 8:00 PM: With only four contestants left standing on The Biggest Loser: Couples you’d think by now they’ve been through enough. Nope. They have to run a full marathon.

    FOX – 9:00 PM: Olivia starts having visions, Walter confesses his connection to the Z.F.T. manifesto and we finally get to learn what Peter’s secret side project is this week on Fringe? Whoah! It must be sweeps!

    HISTORY – 10:00 PM: As mentioned above, a new episode of Life After People premieres as it takes a look at what happens to Washington, D.C. and Los Angeles over the test of time.

    WEDNESDAY

    ABC – 8:00 PM: JD says farewell to Sacred Heart as the shows tries to wrap up what was envisioned as Scrubs final season. Will that actually be the case?

    FOX – 9:00 PM: I really don’t care who gets booted on American Idol tonight, I’m just interested in seeing Daughtry perform.

    ABC – 9:00 PM: This time next week I’ll be half-way into the season finale of LOST, so I’m eagerly anticipating what happens in this episode as the prelude to that.

    THURSDAY

    FOX – 8:00 PM: Tonight on Bones FBI agent Boothe gets a visit from Stewie from Family Guy. No, really… it happens.

    NBC – 9:30 PM: Jack learns something shocking about his parentage and Alan Alda guest stars on 30 Rock. Coincidence?

    ABC – 10:00 PM: It’s been over a decade since being diagnosed with Parkinson’s Disease and tonight we get to see just how far it has taken him in Michael J. Fox: Adventures of an Incurable Optimist.

    FRIDAY

    CW – 8:00 PM: Will this be the season or series finale for Everybody Hates Chris? Chris Rock himself has been quoted as saying it would be a good end point in the storytelling based on his life. It’s looking like the CW might agree.

    FOX – 9:00 PM: The same question as asked above can be asked for Dollhouse as well. Last week we finally learned who Alpha is, we learned why he kept Echo alive and now they’re both on the run. Will this be the show’s swan song or only the ending of this chapter (not counting the un-aired thirteenth episode)?

    SATURDAY

    HISTORY – 8:00 PM: Cashing in on the release of Star Trek the History Channel rolls out Ancient Aliens followed by Star Trek: Beyond the Final Frontier.

    FOOD – 9:00 PM: Duff and company get to go to Hawaii to create a special cake for the show LOST on Ace of Cakes. This hour special is nestled between two other hours of some of their other great entertainment themed cakes. I’ll be watching (and snacking) for the duration.

    SUNDAY

    FOX – 8:00 PM: Jodie Foster guests as a voice of Maggie (kind of) in tonight’s episode of The Simpsons.

    NBC – 8:00 PM: It’s the season finale of The Celebrity Apprentice with Annie Duke vs. Joan Rivers. After the venom that was spewed when Melissa got the boot this should be a good one.

    CBS – 8:00 PM: The Amazing Race has actually had an interesting season and this one comes to a close as the remaining teams are making the small jaunt from Beijing to Maui to cross the finale finish line.

    Will Wilkins loved the new Star Trek movie, but since it’s not TV I can’t talk about it.

  • TV Or Not TV: The Morning After for LOST (4/30)

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    Welcome to another edition of TV or Not TV where I wish there were more constant to The Variable.

    When I first learned the title of this week’s episode I was excited since it seemed to be one that would be paired directly with last season’s stellar episode The Constant. When it comes to season 4 of LOST I think many would agree that The Constant delivered on so many levels and packed such an emotional wallop that it is by far one of the stand-outs not only from that season but perhaps the entire series. If The Variable from it’s name alone seems to be a sister episode to The Constant so I was just plain giddy.

    This week’s episode of LOST was very similar to the previous episode Some Like It Hoth because it was another bridge episode. The episode exists solely to move the story from point A to point C while having to traverse that awkward point B. They slip in some interesting revelations but really the episode exists just to nudge the characters in the direction our story tellers need them to go. There was no wallop, there wasn’t much emotion, just a brief step taken in certain directions with a shocker once again thrown in to the ending to make us go oooh and aaaah (which I just didn’t do).

    In the way of the underlining thread that ties everything together we finally received confirmation (I hope) from Charles Widmore that he is in the fact the one who purchased a plane, filled it with corpses and sunk it to the bottom of the ocean to be the fake Oceanice Flight 815. This may or may not be an important item for a lot of people, but in my dicussion groups where we are trying to determine if Widmore or Ben are the more evil of these two apparently bad men (with one friend still holding hope for the fact that Ben will be proven in the long run to actually be the good guy) it is nice to see that something that Ben Linus told us seems to actually be true.

    Even though the flashbacks in this episode related to Daniel Faraday we didn’t really learn a whole heck of a lot. There wasn’t really much revealed, and it all really just kind of came across as a part of the story I just didn’t care too much about. Some elements of the flashbacks even kind of confused me when I look at the overall scope of the show and the things that have occured. One of them would be when Charles Widmore comes to a now mentally hindered Daniel Faraday to offer him the job of going to the Island on the freighter. One item used to entice Faraday is the knowledge that the Island might heal his mind. In this season’s episode Jughead we find out that Daniel loves fellow freighter scientist Charlotte. This makes me wonder just how long they were on that frieghter and just how charming is the mentally hindered Faraday that he was able to some how hook up with Charlotte and have time to really fall in love with her? The timing just doesn’t add up in my head.

    Another item of frustration for me with this episode is the former man of science Jack finally decided to take some action since getting the Island, only to take that action in following Faraday with his seemingly crazy plan to undo the Incident that will soon happen at the Swan station that initiates the chain of events that brings our Flight 815 people to the Island to begin with. The fact that the entire plan screams paradox doesn’t seem to concern Jack in the least, even when Kate tries to tell him that the whole thing sounds crazy. Jack is also not taking in to account that when everyone last saw Faraday he had mentally come unglued and to be honest I think his idea that people are the variables that can actually cause change comes from that same mental breakdown, a delusion he is creating to try to justify his actions. Faraday himself could have proven his very own concept of variables by not talking to Charlotte as a child in 1977 as she told him he previously had done in the episode This Place is Death. If he hadn’t done that prior to what we saw happen at the end of the episode we would know that his theory was sound. Instead I would think that his actually still telling her exactly what she said he toldher proves more than anything else that “whatever happened, happened” and there is no chance to make any changes if you are playing around in a time that can be considered your past.

    This episode of LOST also suffered from a convention that the writers of this show often use to a frustrating degree. Many times characters will ensist on taking certain actions or try to talk other characters out of certain actions, however they never give a compelling reason. They will use dialogue to dance around the reason but they’ll never say why. One great example is from the season finale of Season 3 when Ben is trying to tell Jack that if he calls the freighter everyone on the Island will be killed. He never gives more of a detailed reason so Jack has no reason to comply at all. Faraday did this a bit last night and it is like nails dragging on a chalkboard for me whenever it occurs.

    My last gripe with The Variable is in the ham fisted dialogue handed to us from Faraday in reminding Jack that any of them could die here in 1977. The writers were clearly trying to not only telegraph to use the ending of this episode, they were also setting us up for something that is clearly to come in the next three hours of the show. I would lay good money on the fact that one of our original Flight 815-ers is going to be shuffling this mortal coil, and that’s too bad since I like just about every one of them.

    I will admit that even with all of these complaints I still really enjoyed the episode. If anything I’m probably just frustrated by the fact that I still have to wait two weeks to see how the rest of this season plays out and that is coming out in my perception of this episode.

    Will Wilkins still recited “the numbers” in his head at night.

  • TV Or Not TV: The Morning After for LOST 4/15

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    Welcome to another Morning After edition of TV or Not TV where I’ll be reflecting on last night’s episode of LOST titled Some Like it Hoth. As usual, I will be freely be talking about what happened in the episode, so if you don’t want to have anything spoiled I suggest you come back after you’ve seen it.

    One of the things that LOST has done this season is introduced questions that seem self-contained and answered within the same season. An example would be the question of where Kate took Aaron before deciding to come with Jack to the Island in the episode 316. In the episode Whaever Happened, Happened we see Kate delivering Aaron to his maternal grandmother. Question served, question answered. A quick and simple device to allow the writers of the show to compel us to watch.

    Last week we were handed another mini-mystery which also carried over to this week’s episode. Ilana asked pilot Frank Lapidus the question, “What lies in the shadow of the statue?” During this question there was a man standing next to Ilana. This week we see this same fellow again in a flashback for Miles Straum. We learn his name is Bram (at least I did) and he is with a group that abducts Miles to try to convince him to not work for Charles Widmore. During this exchange he asks Miles the same cryptic question, “What lies in the shadow of the statue?”

    Since Bram was trying to convince Miles to not work for Widmore I guess we can stick a pin in my theory that Bram was hired by Widmore and put on the plane. Without that theory I’m left to wonder if Bram is aligned with Ben Linus, or is this in fact the introduction of a new faction that we haven’t been made aware of before? I do not know who these people could be, unless they some how pre-date the Others when it comes to exotic Island living.

    Another bit of history came back to us when Miles was being auditioned for hire by Naomi to join the freighter expedition in another flash back. Miles used his talent for hearing the dead on a body Naomi brought him to that was to deliver photos of empty graves and the purchase order for an old plain to Widmore. This is a reference to the documents that were shown to Michael Dawson back in last season’s episode Meet Kevin Johnson. What Michael was shown was proof that it was Widmore who had bought and sunk a plane identical to Oceanic 815 that was filled with dead bodies. After this revelation one has to wonder why someone would be delivering these documents to Widmore since they could really only be used as evidence. Widmore wouldn’t need evidence of the acts that he had himself had performed, would he? This bit of inquiry, mixed with the knowledge of our “shadow of the statue” people makes me wonder if maybe there is a third party that is playing Ben and Widmore against each other?

    The “daddy issues” theme of LOST also carried over into this week’s episode when we discover that the father of Miles Straum is in fact Dr. Pierre Chang (or Dr. Marvin Candle, Dr. Edgar Halliwax or Dr. Mark Wickmund… take your pick), who wasn’t ever present when his son was growing up. I think a lot of people have been thinking that Chang was Miles’ father since we saw the scientist tending to his new born baby in this season’s premiere. The theory was further emphasized when both Miles and Charlotte seem to be having greater ailment from the time jumps on the Island, something Daniel Faraday mentions could be to amount of time exposed to the Island (suggesting they had been there longer than those around them / been there before).

    The two other big things that occurred this episode aren’t really thought provokers at all, they are the elements that move the story forward. Miles wasn’t able to erase the camera footage of the pylons, so Phil was able to see Sawyer and Kate taking 13 year old Ben. This lead to Phil being cold-cocked by Sawyer after he reveals that he hasn’t yet told anyone about this. Juliet went to get a rope to tie Phil up and we now know that the comfy life in Dharma-ville is officially coming to a close.

    Right before the end title of LOST we also saw a group of scientists arriving on the Island in 1977. One of these scientists was Daniel Faraday, the physicist who has been missing for the past five episodes. I find it very interesting that he is returning to the Island as a scientist in a dark jumpsuit but during the season premiere Because You Left we see him in a gray jumpsuit (with no identifying emblem on the Dharma patch) seemingly trying to infiltrate the Dharma station The Orchid. Was this scene from the season premiere something that has happened before or after Daniel left the Island? I guess we’ll know the answer in the next four hours of the show.

    If you are like me you’re probably dissapointed that we are getting handed a clips show next week and have to wait two weeks for the last four hours of this season. At least you won’t have to be married to your television next Wednesday night, right?

    Join me again in two weeks and we’ll talk LOST again.

    Will Wilkins loved that Miles shot his dad a dirty look when he heard that his dad liked country music.

  • TV or Not TV: The Morning After for LOST 4/8

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    Welcome to another edition of TV or Not TV where my head is once again left spinning from the night before.

    Last night, just like every Wednesday night, I continued my romance with the television show LOST. I am still amazed at just how powerful this season is. I know I shouldn’t be surprised since this is in essence the act that immediately preceeds the final chapter in this story, however last season had some slow points so I keep expecting to hit one this season. It hasn’t happened yet. I’m not sure it is going to.

    I will warn you now that I will be freely discussing what occured in last night’s episode of LOST, so if you haven’t yet watched the show than I would strongly encourage you to return once you have.

    This episode, titled Dead is Dead, was another episode where we saw more into the past of Benjamin Linus. There was a whole lot else that went on in this episode, but it is these flashbacks that have given me the most food for thought because of what they revealed.

    Back in The Life and Death of Jeremy Bentham I was left wondering how much of the tale told to John Locke by former Islander Charles Widmore was true. Widmore claimed that he had a camera where John had appeared because it is the exit point, the same place that he himself had appeared years ago when Ben had tricked him into leaving the Island. At that time I had my doubts, mostly because in the episode The Shape of Things to Come there was no camera present when Ben appeared on this same spot. When I first saw the camera it was my suspicion that Widmore had some how back tracked Ben‘s steps to find the spot where Ben had appeared (which shouldn’t be too hard since Ben left two dead bodies there) and set up the camera so he could watch for another person to show up that might help him get back to the Island. After it was revealed last night that Widmore did, in fact, NOT leave the Island via trickery or deception as he had previously indicated I think my original speculation may be closer to the truth than what Locke was told by Widmore.

    Last night it was also revealed to us exactly how Ben became so banged up prior to boarding Ajira flight 316. Many have speculated that this happened in pursuit of completing his promise to Widmore that he would kill Widmore‘s daughter in retaliation for the death of his own daughter Alex, which turned out to be right on the money. In this revelation a few more important facts, for me anyway, were revealed…. ones that got my mind working. While on the phone to gloat about his impending actions Ben tips his hand to Widmore that he would be returning to the Island that day. Widmore points out that the Island will not let him return if it doesn’t want him to, just as he has tried for nearly 20 years. Not a very thrilling conversation, and not something that really seems to reveal a lot, not when you look at the facts alone. If you couple these comments, however, with later actions in the episode I think we can get a bigger picture.

    In The Life and Death of Jeremy Bentham we see that Widmore has been keeping tabs on the Oceanic 6. I would think it is also a safe assumption that he may have been trying to keep tabs on Ben. We also know from the episode Jughead that he knows the whereabouts of Eloise Hawking. This may mean that Hawking could be sharing information with Widmore, or that simply by following all of these people and their activities Widmore could know that they booked travel on Ajira flight 316. Where am I going with this? Let me tell you.

    I think there may be a possibility that the bounty hunter, Ilana, and maybe other people on the plane could have been on the Widmore payroll. Near the end of last night’s episode we see pilot Frank Lapidus return to the site of the Ajira 316 crash. There he finds Ilana and another crash survivor continuing the securing of the large metal canister that, earlier, she indicated was something they just “needed to move.” I’m sure a man of Widmore‘s wealth and resources could arrange for weaponry to be packed in the cargo hold of a plane, and what better way to try to find the Island without detection than to send in an undercover group in the hopes they survive getting there? The fact that Ilana seemed to have some type of pass-phrase that she asked to Lapidus (“What lies in the shadow of the statue?”) would really seemed to imply that she’s under orders/control of someone and was looking to verify that Lapidus was as well, making me think that maybe this is a code the Widmore people were given to use to identify each other once they got to where they were going.

    This guess is nothing but a speculative guess. It could be that our good old friend the Smoke Monster took a trip over to the second island and worked the same mojo he did on the French Scientists that we saw back in This Place is Death and they are now all “infected” or doing the Island’s bidding. It could be that Ilana is also just taking charge of a group of people now that someone seemingly with them (Ben) killed someone else with them (Caesar) before fleeing to the main Island. That pass-phrase however makes me think the latter is not that likely.

    Setting aside all of my crazy theories, it was very interesting to see in last night’s episode how the tables have really been turned on Ben. It was made very clear to him, by episodes end, that he is no longer the architect of the Island’s bidding and he darned well better get in line and follow John Locke. It was also interesting to see how the Smoke Monster made Ben reflect on the life of his daughter, and seemingly let him live because he truly had regret for his actions.  This regret, and admission of his own guilt, seems to be the redeeming quality. Back in season 3’s episode The Cost of Living we saw how Mr. Eko was not as fortunate when facing judgment by the Smoke Monster because when told to confess his sins he instead stated he had not choosen the life he was given, he was not sorry for the things he had done, and that he believed he did his best with what was given to him.  No regret, no guilt, no redemption.

    One last observation: Did anyone else feel like Ben‘s statement that, “It let me live” almost seemed to be filled with regret?

    There you have it folks, the meandering thoughts that come to me after watching last night’s episode of LOST. Now that I’ve gotten them out of my head I am going to explore the Internet to see what other people thought as well.

    Tune in next week and we’ll do it all again.

    Will Wilkins can’t wait for the 100th episode of LOST.

  • TV Or Not TV: 9/15 – 9/21

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    Welcome back for a very special TV or Not TV.

    OK, it’s not really all that special. This week we’re taking a look at the new shows on the ABC Fall Schedule. There’s a reason why, however, I’ve been saving ABC for last. They’ve got two new shows. Yes, that’s right, just two.

    Opportunity Knocks (Premieres 9/23) ““ This new show from Punk’d creative team Ashton Kutcher and Jason Goldberg‘s is a reality show made me think they almost lifted Brian Lynch‘s Party Truck USA idea. Instead the show concept is this: semi-truck game show pulls up infront of your house and uses objects and clues in the house to quiz the family as to how well they know one another. Cash prizes involved. I’ll wait to see to base judgment.

    Life on Mars (Premieres 10/9) ““ This show is a BBC import. The Americanized version was executive produced by David E. Kelley and stars Jason O’Mara as a present day police detective who, after a car crash, wakes up as a detective in the 70’s. The show has had lots of buzz because Kelley’s pilot “didn’t hew close enough” to the BBC original, so Kelley walked. A new pilot, a change of location and an entire recasting of everyone but the lead means this is one you have to catch just to see what turned out in the end.

    Well, I hope you were able to get through all of that and now you still have an appetite for the TV viewing opportunities out there this week.

    MONDAY

    SCIFI ““ 7:00 PM: If you’ve put off getting caught up in LOST-mania but you’ve always wanted to watch it from the beginning, now is your chance. You can sit back, relax and enjoy four hours of lost every week on Monday night.

    ABC ““ 8:00 PM: Oh look, someone else is airing Batman Begins.

    CBS ““ 8:00 PM: Get ready for the return of The Big Bang Theory, How I Met Your Mother and Two and a Half Men by watching tonight’s repeat of the season finale.

    TUESDAY

    NBC ““ 8:00 PM: Last year’s edition of The Biggest Loser using couples was a great one, so they are keeping the concept going with this year’s edition: The Biggest Loser: Families. Husband-Wife and Parent-Child teams vie to lose big and win bigger. This show is a great motivator and great entertainment.

    CBS ““ 9:00 PM: Will it be Dan or Memphis who walks away with the half mill tonight? Which one of the jury members will win the $25,000 pity prize from America’s vote? After tonight you won’t hear me say Big Brother again for at least four months.

    FOX ““ 9:00 PM: Let’s see if Fringe can keep up the creepy momentum that they started with the pilot.

    ABC ““ 9:30 PM: The ABC news department is stretching for ratings with Primetime: UFOs”¦ Seeing is Believing. I haven’t seen a hubcap hung from fishing line in a long time, this should be fun.

    WEDNESDAY

    CBS ““ 8:00 PM: Two episodes of The New Adventures of Old Christine try to prime you for next week’s season premiere.

    HIST ““ 8:00 PM: How could you not watch Monster Quest tonight with a title like this? Bigfoot in New York.

    CW ““ 9:00 PM: If you missed this week’s new episode of 90210 yesterday than you can catch it tonight.

    THURSDAY

    MAX ““ 8:00 PM: Matt Damon steps away from F’ing Sarah Silverman long enough to try to uncover his real identity in The Bourne Ultimatum.

    NBC ““ 8:30 PM: Get ready for next week’s premiere of My Name is Earl and The Office by watching both shows season finales.

    USA ““ 10:00 PM: Unfortunately after tonight we’re going to have to wait until 2009 to see more of Burn Notice. Don’t miss it.

    FRIDAY

    You know the recommendations aren’t going to be good for a night when the writer leads off with”¦

    OXYGEN ““ 8:00 PM: The entertaining Legally Blonde and the dismal Legally Blonde 2 are back-to-back tonight.

    BRAVO ““ 8:00 PM: More proof that a sequel is too much of a good thing comes from Miss Congeniality 2: Armed and Dangerous.

    BBCA ““ 8:00 PM: Forget all that other crap. Enjoy 80 minutes of Monty Python’s Flying Circus and enjoy the universal language of pure comedy.

    SATURDAY

    TNT ““ 8:00 PM: Queen Latifah finds out she is terminally ill so she does what we all do, sells all her stuff and lives it up in Europe in Last Holiday. I’m not really recommending this, this is what we call filler.

    FOOD ““ 9:00 PM: Two hours of Dinner: Impossible lead up to Iron Chef: America. Keep healthy snacks handy or this could be trouble.

    NBC ““ 11:29 PM: James Franco hosts SNL. I predict a Seth Rogen surprise visit.

    SUNDAY

    ABC ““ 8:00 PM: Every fashionista and star f’er will be tuning in for the 60th Prime Time Emmy Awards. I’m not one of them. No, really, I’m not.

    NGC ““ 8:00 PM: At last Titanic: The Final Secret is revealed! Wait, was there something we still didn’t know? Turns out there was. The guy who found the famed cruise ship was actually on a secret Navy mission to examine submarines lost during the Cold War. Who knew?

    FOX ““ 9:00 PM: Robot Chicken did a much better Star Wars special, however you might find the Family Guy‘s Blue Harvest chuckle-worthy. Some items I found funny, a lot of it felt like too drawn out of a joke. You decide.

    Will Wilkins really wishes there were better things to watch on Friday nights.

     

  • TV Or Not TV: 9/8 – 9/14

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    Greetings one and all as we start the next to last of our discussions on the upcoming new shows on TV. This week I am taking a look at the offerings that the FOX network is giving us (and in the way of new shows, there aren’t many).

    Fringe (Premieres 9/9) – When the previews for this show starting airing I had absolutley no clue what it is about. The only thing that we knew is that things blew up, bad things happened to people, and the show was executive produced by JJ Abrams. After seeing the pilot for Fringe (the name comes from fringe science, ie: regeneration, teleportation, etc.) I can tell you that it has the potential to be the successor to The X-Files as the show sets up the premise for good stand alone episodes as well as story arc episodes. The acting is good, the plot holds up, and the first five minutes of the show is truly frightening to watch (after you see it you will also wonder if Abrams and company have something against flying as the pilot for LOST was another example of why people are afraid to fly). FOX has a lot of faith in the show as it is one of the only two shows that they are trying their new “Remote-Free TV” advertising strategy that expands shows to have only 7 minutes of advertising time. I think their faith might be justified.

    Hole in the Wall (Premieres 9/9) – When I first heard this show name I thought it was something dirty or a situation comedy set in an old bar. It’s actually a game show where there is a moving wall that comes at contestants. The hole is a different shape that contestants must contort their body to fit through (like a plus symbol or the number four). Can’t fit? The wall will knock you into the pool of water behind it. This is a HUGE game show in Asia, so FOX thought they would try their luck with it here.

    Do Not Disturb (Premieres 9/10) – Let out a groan with me as FOX brings us another work place sitcom. This time instead of a news room the show is set at The Inn, a New York hotel voted one of the 10 best places to stay. It’s run by Jerry O’Connell who is dying to find another steady job since Crossing Jordan ended. Niecy Nash from Reno 911! is the head of HR who keeps O’Connell in check. I won’t even bother looking at the rest of the cast as I’m sure they’re going to have eye candy at the front desk, a newcomer to the big city handling bags or room service and the “awkward chick” working some other part of the hotel. It’s a sitcom and it is on FOX. Let’s face it, this won’t rock your socks off. Mind you I haven’t seen it, but I’d lay money on the fact that it will limp through the first season and go no further.

    Dollhouse (Mid-Season Replacement)All right, I admit reviewing the show now is a stretch because it isn’t coming out in the fall, it is slated for January no matter what. Dollhouse however is the other show that will be “Remote-Free TV” so I thought it was worth mentioning. The show is also from TV guru Joss Whedon and features Buffy alumni Eliza Dushku. We’ll talk about what the show is like when we get closer to January, but it is one of the ones that I’m looking forward to.

    And on that note, queue the schedule…

    MONDAY

    FOX – 8:00 PM: Finally we will know how Cameron fared in the Jeep explosion and we get to see where this story will continue to go on Terminator: The Sarah Connor Chronicles.

    HIST – 8:00 PM: A computerized rendition of the Zapruder film leads is the basis for two hours of The Kennedy Assasination: Beyond Conspiracy.

    FOX – 9:00 PM: I dared them to get better, and they may have just done it. Prison Break has now become Mission Impossible and The Dirty Dozen as the gang is back together and now they have to break in to a facility while in a virtual prison while they find the pieces they need before pulling the big job.

    SHO – 10:00 PM: It’s the season finale for Weeds and based on what we saw this season it may be the last episode. For me this season came off as hollow and I’m glad at this point that it is over.

    TUESDAY

    FOX – 8:00 PM: The hype is over, Fringe is here. Enjoy.

    CBS – 8:00 PM: Will the 75 year old former Marine finally leave the Big Brother house? I hope so.

    FOX – 9:35 PM: Behold the glory of Hole in the Wall!

    CW – 9:00 PM: Yet another show on the CW catering to the younger generation with Privileged. The touching story of a nanny in charge of twin sisters who party harder than the Hilton sisters and Olsen Twins combined.

    WEDNESDAY

    FOX – 8:00 PM: The show is officially in the crapper when someone is found decaying in an outhouse on Bones.

    FOOD – 8:00 PM: Alton Brown takes to the seas saling through the Leeward Islands and on to the British Virgin Islands as he looks for America’s culinary origins and fine Caribbean cuising in Feasting on Waves. How does this guy keep getting Food Network to pay for his vacations?

    FOX – 9:30 PM: Do Not Disturb may be the name of the show or what you wish you had done instead of watching.

    THURSDAY

    There is plenty else on, but even 7 years after 9/11 I still remember the day vividly and I am thankful I am one of the few people I know that did not lose anyone on this tragic day in American history. As such I only wish, for this day, to recommend the following:

    HIST – 8:00 PM: Rick Rescorla, the director of security for Morgan Stanley Dean Witter, predicts the attack on the World Trade Center and leads 100’s out of the South Tower before dying in its collapse.

    HIST – 9:00 PM: 102 Minutes that Changed America – Films, photos and recordings from unique and rarely seen or heard archives chronicle the terrorist attack on New York City’s World Trade Center Sept. 11, 2001.

    HIST – 10:41 PM: Witness to 9/11 – Interviews with individuals who provided video footage for 102 Minutes that Changes America.

    FRIDAY

    NICK – 8:00 PM: Christopher Meloni proved in both Harold & Kumar films that he has comedic chops. This gives me hope that his playing a coach that has to take a gangly kid from mathlete to athlete to fufill his own dream in Gym Teacher: The Movie will be more than a movie with a catchy title.

    USA – 9:00 PM: Monk is trapped acting as a 9 year old child after a hypnosis session goes bad. Same thing happened with my brother when he used hypnosis to try to quict smoking.

    FOX – 9:00 PM: Wayne Brady is back for another season of Don’t Forget the Lyrics!

    SATURDAY

    FX – 8:00 PM: The Wachowski Brothers wrote this film adaption of the Alan Moore comic V for Vendetta. I really enjoyed it, you might to.

    NBC – 11:29 PM: Sure he can swim like a dolphin, but can Michael Phelps bring home the gold on SNL tonight? My hopes are not high.

    SUNDAY

    FOX – 8:00 PM: FOX really wants you to watch Fringe. So much so that they are re-airing the season premiere tonight.

    TNT – 8:00 PM: Take in each of the Wilson brothers seperately starting with Owen in Wedding Crashers followed by Luke in Old School.

    IFC – 9:00 PM: Not a big fan of Wedding Crashers? You can still get your Owen Wilson on with the very quirky The Life Aquatic with Steve Zissou.

    Will WIlkins is the product of fringe science.

  • SModcast 46

    newhead2.jpg

    Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.

    The best thing about SModcast? It don’t cost nothing.

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    SModcast 46: Mr. Deaves Goes to Town –

    In which our heroes struggle to get the show started, vicariously cruise a gay website, and puzzle over the current state of father/daughter relationships.

    [CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

    DOWNLOAD: (right click to save)
    SModcast 46 (MP3 format) – 48.27 MB

    [display_podcast]

    SUBSCRIBE
    Subscribe to this Podcast via iTunes
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    Wanna add your two cents? Spend it here, in the SModcast mailbag.

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    CLICK HERE FOR THE SMODCAST ARCHIVES

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  • SModcast 45

    newhead2.jpg

    Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.

    The best thing about SModcast? It don’t cost nothing.

    line.gif

    SModcast 45: The End of the SMod-fast –

    In which our heroes finally appease the hunger with chatter about where they’ve been, what they’d do if they were “Lost”, and how they ride their mellow.

    [CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

    DOWNLOAD: (right click to save)
    SModcast 45 (MP3 format) – 48.42 MB

    [display_podcast]

    SUBSCRIBE
    Subscribe to this Podcast via iTunes
    Subscribe to this Podcast via FeedBurner

    Wanna add your two cents? Spend it here, in the SModcast mailbag.

    line.gif

    CLICK HERE FOR THE SMODCAST ARCHIVES

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