FRED Entertainment

January 12, 2009

Win DALLAS: SEASON 10 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:22 am

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We’re giving away, in conjunction with Warner Bros. Home Video, three (3) copies of DALLAS: SEASON 10 on DVD.

Contest ends at 11:59pm EST on Monday, February 2nd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, February 2nd.

The winner must allow 4-6 weeks after notification of win to receive the product.

January 10, 2009

Ken P. D. Snyde-Cast #77: My Name Is Fish

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 5:20 am

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #77: My Name Is Fish – Ken & Dana return to greet a brand new year with an ostensible year-in-review, but instead get to chatting and a bickering with each other in an over-long episode packed with something. Lots of something.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #77 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-77.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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January 9, 2009

Trailer Park: Attack of the Article

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on Twitter. Find me here, my oh so original name on the thing is Stipp so come on and follow my stray ramblings. The nice thing you should know is that I don’t machine gun blast with the number of tweets I put out there, I’m fairly mellow….

Now, as for this special edition of Trailer Park I have to start with a question: How many times do I come out and shill for something?

Exactly, none times. Anyone pointing to my free book up there doesn’t count as I’m truly giving that away.

I want you to spend $5.99 on a copy of the January issue of GEEK MONTHLY. Or, at the very least, read the teaser page right here and see whether you want to read the rest. That’s fair, isn’t it?

I’m proud of the little article that could and I am indebted to the fine folks at Geek for thinking that Kevin and Olivia of Attack of the Show would make for a good story. And they did. Olivia even gives an excellent conclusion to the time I spent with her on the phone.

The thing about the article was that the time I spent talking to Kevin and Olivia was interesting insofar that these hosts defy the usual definition of what it means to be a television host. You never know what you’re going to get on the phone or what will be sitting across from you when you get set up for one of these interviews but both of them proved not only to be just as razor sharp about technology and what is on the horizon with technology but they were flat out fun to talk to.

The chemistry the two of them share transcends the page when you hear the inflections and manner in which they talk about one another but thankfully it also came across in their seriousness about what they value more than anything when it comes to the program: honesty.

Frankly, it’s their honesty to call out anything and everything that earns my respect as a viewer. I hate being smiled at by a vapid talking head but Kevin and Olivia just like to say it like it is. For those who wonder whether it’s really their opinion at times just watch a gadget review if Kevin happens not to like a product; it would be enough to make an entire PR department run screaming from their lily white office spaces.

Hopefully that comes across in the article I wrote and I can’t tell you how appreciative I would be, if you are not related to me by blood, semen or any other fluids, if you bought a copy, and if you dig it, to write in and let them know about it.

Regardless of what happens with this, I am thankful just for the opportunity to write for a magazine that I, myself, buy on a monthly basis and it really is a thrill to think that I have my name in something that can be bought anywhere from Seattle, Washington to Chicago, Illinois to New York, New York. You’ve just got to geek out about that and I know how lucky I am that I can cross this accomplishment off my life list.

Special thanks to Comic101’s and raconteur extraordinaire, Josh Jabcuga for the heads-up that it came out.
And now, a little sumthin’ sumthin’ from Ray “Don’t Hurt ’em Hammer” Schillaci…
[ad#contestbox]

Worth Reviving: Animal Instincts Prevail

When people mention classic monster/horror movies, usually Frankenstein, Dracula, The Mummy and The Wolf Man come to mind. On a rare occasion you may get somebody bringing up the disturbing Todd Browning’s “Freaks” which is like the Ark of the Covenant of horror with it’s combination of dark brooding direction and story. But the one that rarely gets mentioned and is a tent pole of freakish horror is the 1932 version of H.G. Wells’ “Island of Lost Souls”. Upon it’s release the film was banned in the UK till 1958 with Britain labeling it “a crime against nature”. Some scenes actually caused some to vomit in the theater in the U.S.

Now with all this hype one may go into this film with extremely high expectations ““ don’t! Remember, this was the 1930’s. But the film is a great piece of cinematic history that has somehow missed the video revolution. Other than a few terrible pirated versions, “Island of Lost Souls” still remains unavailable to this day. This is a shame since the story itself has inspired countless sub-par rip offs and a horrible bastardization starring an over indulgent performance by Marlon Brando with make-up effects that were laughable at best. There is no comparison to the original with the eerie performances by Charles Laughton and Bela Lugosi. The make-up creations (for back then) for Pig Man, Manimal and several other man-beasts is the stuff of childhood nightmares with sound effects that linger in one’s memory long after.

The story, if you are not familiar with it, involves Edward Parker who is thrown overboard while getting into a fight with the captain of a ship that makes deliveries for a nefarious doctor on an uncharted island. The obsessed, sociopath, whip-cracking Dr. Moreau is conducting human experiments involving evolution. He has established himself as some God-like deity to the misfortunate ones who have survived as mutated half human/animal abominations. Moreau prefers to be secretive about his work and becomes incensed when he is visited upon by Parker, who happens to take an interest in one of the doctor’s more successful experiments, Lota, the beautiful panther woman. Parker eventually disrupts his plans, causing all hell to break loose amongst the mutated half-human/animal kingdom.

Bela Lugosi gives his best performance since Dracula as the Sayer of the Law. The raw power that emanates from the last fifteen minutes of this landmark film rivals that creepy last scene in Todd Browning’s “Freaks” where the sideshow performers hunt down Cleopatra during a storm-filled night to show her what it really is like being a freak. This film is a flat-out classic that deserves a Criterion release. There are so many interesting background stories that surround the film; it would be a shame to put out a bare bones edition. Of course, at this point many of us fans would be happy with any kind of decent release and one cannot help wonder what has held this great film back from the public. For now, there is only a VHS version of the film from Universal. Perhaps a letter (or email) campaign can spur the studio that prides itself as the home of monster classics to release one of the very best.

January 8, 2009

Weekend Shopping Guide 1/9/09: Bod’s Oddkins

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

There’s nothing more depressing than finishing a good novel. Perhaps the absolute was a bit much, I admit, but it is with a sense of disappointment that one finishes a good novel and must leave its world. I felt that sense of loss upon completing Neil Gaiman’s The Graveyard Book (HarperCollins, $17.99 SRP) – the wonderful tale of a boy named Bod, adopted by the dead in a small town graveyard after his family is murdered by a mysterious evil man named Jack. I shall not attempt to summarize if further (or any more poorly) except to say that you should seek the book out immediately and give it a read. I’ve read many a book in my day – fiction and non, biographies (both auto & non), textbooks… you name it. I’ve finally determined exactly what I enjoy about Neil Gaiman’s books, and that is the sense of magic in the stories he writes. It may not even be literal magic – though there’s plenty of that – it’s more a general sensibility that permeates his work.

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He’s avoided taking the plunge into many a feature film (besides small roles in Stardust, For Your Consideration, & A Night At The Museum), so there must have been something special that Ricky Gervais saw in Ghost Town (Paramount, Rated PG-13, DVD-$29.98 SRP) to finally sign up for the lead. After watching it, I can see why – it’s a nicely calculated move that allows him to have a plum part with a well-written script in a film that also has a broad appeal. In a nutshell, imagine if the lead in Ghost had been Whoopi Goldberg’s character – but instead of just hearing them, Gervais’s curmudgeonly dentist Dr. Pinkus can see and hear the departed after a brief “episode” during a routine colon examination. Ultimately, this does involve a love story and Greg Kinnear and a true heart, but the real joy is just watching Ricky be Ricky. Bonus features include an audio commentary with writer/director David Koepp & Gervais, and a trio of behind-the-scenes featurettes. A Blu-Ray edition is also available ($39.99 SRP) with identical bonus features.

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While it’s not exactly the continuing adventures that some fans have been clamoring for, JK Rowling dipped back into the Harry Potter universe to bring to life the magical book of fairy tales that played a role in the 7th and final Potter installment. The only catch was that she originally crafted those books as a clutch of handmade tomes distributed to those who had helped make the Potter series a reality, plus one edition that was sold at auction for charity. That edition sold to Amazon.com, and through many a winding path and all for charity, the general public can now get their own copy of The Tales Of Beedle The Bard (Scholastic, $12.99 SRP) with commentary from the late Albus Dumbledore. It’s a slight volume, but it is a fun little peek back into that world.

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It was dismissed by many, but I got a kick out of Joel & Ethan Coen’s spy comedy Burn After Reading (Universal, Rated R, DVD-$29.98 SRP), as it plays like a quirky cross between the plot twists of Fargo and the quirkiness of O Brother, Where Art Thou. Bottom line, it’s a nice character piece, and worth a second look. Bonus features include a trio of behind-the-scenes featurettes.

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I wasn’t sure, going in, whether or not I’d enjoy Pineapple Express (Sony, Not Rated, DVD-$34.95 SRP). When all was said and done, though, I wound up digging it’s genre-melding ability to place a Judd Apatow pot and immature adult flick into an 80’s action flick that feels like Michael Mann meets John McTiernan. If you’ve been hesitant to give it a spin, give it a chance. The 2-disc special edition features an unrated cut of the film, an audio commentary, deleted/alternate scenes, making-of featurettes, raw footage, line-o-ramas, rehearsal footage, a table read, a gag reel, and more. A Blu-Ray edition ($39.95 SRP) with the same bonus features is also available.

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It didn’t make much of a blip at the box office despite a strong showing on the festival circuit, but here’s hoping home video will give a second life to the made-for-cult status comedy Hamlet 2 (Universal, Rated R, DVD-$29.98 SRP), which stars Steve Coogan as a not-terribly-talented actor turned high school drama teacher who devises a grand scheme to save the budget-axed drama program. That scheme? Engaging his blasé students and saving the program via his grand epiphany – a sequel to Hamlet that’s equal parts Shakespeare, Jesus Christ Superstar, and Doctor Who. Just watch the thing already. Bonus materials include deleted scenes, a making-of featurette, a sing along, and more.

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John Hodgman has been hounding me to give it a second chance, and now that I have the penultimate Battlestar Galactica: Season 4.0 (Universal, Not Rated, DVD-$49.98 SRP) in hand, I may very well go back and give the whole thing another try. For fans, the 4-disc set features the extended version of the TV movie Razor, featurettes, podcasts, deleted scenes, and video blogs.

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It’s light, it’s frothy, but the real reason to watch The House Bunny (Sony, Rated PG-13, DVD-$39.95 SRP) is for the always-enjoyable comedic talents of star Anna Faris, here playing a Playmate who’s tossed out of the mansion and finds herself turning around a sorority filled with awkward girls. Think of it as some kind of bizarre Playboy’s Revenge Of The Nerds. Bonus materials include deleted scenes, behind-the-scenes featurettes, a music video, and more. A Blu-Ray edition is also available ($ SRP), sporting the same bonus materials.

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Strip away some of the self-aware smarm of Juno and throw it on TV with Molly Ringwald playing the mother to the pregnant teen and you’ve essentially got the ABC family series The Secret Life Of The American Teenager (Buena Vista, Not Rated, DVD-$39.99 SRP). The first season set features all 11 episodes, plus an on-set featurette.

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Everybody’s favorite sociopath makes his Blu-Ray debut with Dexter: The First Season (Showtime, Not Rated, Blu-Ray-$54.98 SRP). It’s essentially the same special edition set as the standard DVD release, except in high definition and featuring a clutch of BD-Live features, including featurettes, a Michael C. Hall podcast, the first episode of season 3, and episodes of United States Of Tara.

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Less meets the eye in the second visually off-putting season of Transformers Animated (Paramount, Not Rated, DVD-$26.98 SRP), which took great characters and designs and turned them into graphic noise. I guess the kids today like it. The 2-disc set features a pair of audio commentaries, two animated shorts, and a photo gallery.

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From Doctor Who companion to woman for hire, Billie Piper stars in Secret Diary Of A Call Girl (Lionsgate, Not Rated, DVD-$29.98 SRP) as the low-key Hannah, who by night transforms herself into London’s wildest and most successful high-priced female escort. The first season set features all 8 episodes, plus a featurette.

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The students of Cyprus-Rhodes University are back in class for the second season of ABC Family’s Greek (Buena Vista, Not Rated, DVD-$29.99 SRP). Will a Spring Break trip to Myrtle Beach rock a few boats? Who knows? You will, if you watch the 12 episodes here, replete with audio commentaries, a flashback episode, a music video, and bloopers.

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Known for his work on Battlestar Galactica, composer Bear McCreary has also been tackling the score for Terminator: The Sarah Connor Chronicles (La-La Land Records, $17.99 SRP), the first CD of which is now available for your listening pleasure.

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Soft-spoken Monika Hertwig has a horrible family legacy that she has spent her whole life trying to reconcile – that her father was the monstrous Nazi Officer Amon Goeth, commandant of the Plaszow concentration camp that was portrayed on screen in Schindler’s List. In attempting to come to terms with that legacy, she meets up with Helen Jonas, who lived as an enslaved servant under Goeth’s roof. This struggle – and the meeting of these two women – is chronicled in the fascinating documentary Inheritance (Docurama, Not Rated, DVD-$26.95 SRP). Give it a spin.

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Will the secret past of bellybutton-less Kyle finally be revealed in the second season of Kyle XY (Buena Vista, Not Rated, DVD-$39.99 SRP)? Or who the equally enigmatic Jessi XX is? Or anything, really? Find out in the 23 episodes comprising the second season, featuring audio commentaries, deleted scenes, featurettes, and an alternate ending.

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Obnoxious sarcasm has a name – and a species – and it is Duckman (Paramount, Not Rated, DVD-$49.98 SRP). Even all these years later, it still stands as a caustic, bitter pill of a show that’s also quite funny. The complete 3rd and 4th season set features all 48 episodes, plus video of the original pilot animatics, walk cycles, expressions, pencil tests, storyboards, and more.

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From the Pang Brothers, Bangkok Dangerous (Lionsgate, Rated R, DVD-$34.98 SRP) has the unfortunate luck to star Nicolas Cage as its lead, a hired assassin who tries to retire but finds himself being hunted himself. Sad that Cage has now become a parody of himself, and is largely unwatchable. The 2-disc edition features an alternate ending, featurettes, and the theatrical trailer.

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No matter how much my Irish friend Brian sings its praises, I just don’t enjoy Frisky Dingo (Adult Swim, Not Rated, DVD-$19.97 SRP). It doesn’t strike my funny bone, and I accept that. Still, people like Brian will delight in the complete second season, featuring all 13 episodes, a political commercial and an Xtacles skit.

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So you’ve got state of CGI and a bunch of theories about the hunting techniques of the dinosaurs. What do you do with all of this and get today’s audience to watch? Why, Jurassic Fight Club (History Channel, Not Rated, DVD-$39.95 SRP) – in which these theories are presented for various predators in full computer generated glory. The complete first season set features all 12 episodes, plus additional footage.

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Showtime’s sudsy pseudo-historical drama The Tudors returns for a second season (Paramount, Not Rated, DVD-$40.99 SRP), as King Henry VIII (Jonathan Rhys Myers begins to hit the rocky relationship road that in many ways would define his reign. The 4-disc set features all 10 episodes, plus featurettes, galleries, and episodes of Californication and The United States Of Tara.

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In many ways the Seventh Heaven of its day, the eighth season of The Waltons (Warner Bros., Not Rated, DVD-$39.98 SRP) finds America’s first family in turmoil as their son is reported MIA. Of course, it’s not all doom and gloom, as there are plenty of things like births, graduations, and so forth to brighten the day. The 3-disc set features all 24 episodes, plus a bonus retrospective special.

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Seeking to recapture his Riddick heyday, Vin Diesel stars as the unfortunately named Toorop in the turgid sci-fi actioner Babylon AD (Fox, Not Rated, DVD-$29.99 SRP) that plays like a futuristic cross between Transporter and The Bodyguard. The 2-disc set contains a clutch of featurettes, a digital graphic novel, and more. A Blu-Ray edition ($39.98 SRP) is also available, with identical bonus features.

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Considering they cost next to nothing, I suppose the recent spate of parody movies really don’t need to make much at the theater and home video to be considered a massive success. It’s good that the threshold is so easily attainable, considering just how awful the latest, Disaster Movie (Lionsgate, Not Rated, DVD-$29.98 SRP) is.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Win NATIONAL LAMPOON’S STONED AGE on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 10:44 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of NATIONAL LAMPOON’S STONED AGE on DVD.

Contest ends at 11:59pm EST on Friday, January 30th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Friday, January 30th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Cabin Fever #52: If At First You Don’t Succeed

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 3:14 am

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #52: If At First You Don’t Succeed – Our Cabin dwellers round off their fireside chat trilogy in the worst way possible – by losing the first hour of the show to technical douchebaggery. Profanities are uttered and walls are punched, but eventually the duo muster up the bother to re-record the episode, to varying degrees of success.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #52 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_52.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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CLICK HERE FOR THE CABIN FEVER ARCHIVES

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Trailer Park: Darren Aronofsky Interview – Part 1

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

While you’re at it, follow me over at Twitter! You can find me here at: Twitter.com/Stipp I’m not sure what I’m doing, I’m not positive I’ve gotten down what a “hash tag” is but I do know I haven’t asked anyone to get off my virtual lawn.

Darren Aronofsky got jailed in East Germany. I had no clue. The arrest and the subsequent punishment made the press day all that more hilarious…From hiking mountains, his honest view of The Matrix and the latest Star Wars entries, what got Marisa Tomei in tip top shape to play a stripper, why we re-named a mountain because of its derogatory implications, why he’s angry about the digital releases of his films and oodles of completely useless but fascinating information.

This is going to be a funky 2 part interview. I’m actually reversing things. Usually you would get the proper interview and the outtakes but I’m flipping it here because I feel like it. What’s contained in this thing was just too good not to run first. You’ll get the straight laced interview next week so I hope you dig this.

What follows is, genuinely, a lunch with Darren Aronofsky. I talked to the guy, along with some other journos, during the Phoenix press day for THE WRESTLER. The interview was odd, and I’ll get into this later, in that it was just me and one more film site and then another guy who accidentally showed up late with about 5 minutes left in the interview. The situation was absolutely bizarre in that to further increase the oddity factor this interview was not held in some hotel room, it was in a vacated condominium. After I was about to leave the hotel where the interview took place, and I could have had the opportunity to talk to Marisa Tomei with the other guys, but I didn’t and don’t belong to the Phoenix Film Critics Society and was, therefore, denied entry into the interview room.

Lord knows I would never be part of club that would have me as a member but considering that of the whole city of Phoenix you had 2 outlets representing the entire metropolitan area it didn’t make sense that my conditional membership would have prevented me from asking a few questions. Believe me, there were no sour grapes at all as I am comfortably numb to just go with the flow. One of the solid PR reps who has been an absolute godsend in my tenure here in the Phoenix area – he was the very first guy who helped me get Darren the last time he came through town for THE FOUNTAIN – suggested I walk across the hall to another abandoned condo that was being set up for what was a Meet and Greet luncheon with both Darren and Marisa. The spread was phenomenal. Meats and cheeses of all different varieties. Fruit and veggies and breads of various kinds. Now, while Darren eventually saddled up close to me at the one of two tables for the event (I believe there was only about a dozen or so people who were invited to this mid-day hootenanny) I decided to click on my recorder and capture some real interesting tidbits about THE WRESTLER and when we can expect a better version of PI on DVD.

CHRISTOPHER STIPP: Was the deli scene improvised or was it all scripted?

DARREN ARONOFSKY: It was 50/50. A lot of it was improvised. We couldn’t close the deli in the supermarket, people were coming by and ordering stuff, and I said, “Mickey, go serve them,” and he just said, “Do you mind if we shoot you?” People couldn’t really recognize him, he couldn’t really be famous, his hair was up. It was hard to recognize him.

CS: Was the potato salad lady real?

ARONOFSKY: A little more, a little less? She was a real actress. The woman who ordered the fried chicken was fake, half of them were fake. And at one point the manager of the deli came over to me and said, “Can you ask Mickey to improve his handwriting? ” And I said, “What are you talking about?” I guess people were really buying the meat!

He was scribbling nonsense. Between takes he’s not sterile…he’s wiping his nose….

(Laughs)

QUESTION: The character reminds me in some odd way of Charlize Theron’s MONSTER. He’s not the kind of person that you would associate with, and you would almost avoid him, but he has so much heart, so much humanity that you are just pulling for him all the way. And I felt like, Marisa’s character, I didn’t want him to go in that ring, I wanted him to go with her. And of course I loved that you just leave it up to our imagination what happened there. You just root for him all the way.

ARONOFSKY: Thank you so much. I’m glad. It’s kind of the magic of cinema. I’ve been watching My Neighbor Totoro, the Miyazaki film, with my 2 ½ year old and we watch it over and over again and that’s about a 7 year old Japanese animated film and that’s the beauty of film is that you can connect with Randy the Ram or a 7 year old animated Japanese girl and it’s just humanness.

QUESTION: I was talking to Marisa, she mentioned that one of her favorite scenes was shopping for the clothes, and I said it was nerve wracking when he pulls out that sweater and I’m thinking, “You made the wrong decision.” And then here’s the second package and she said originally that there may have only been the one gift.

ARONOFSKY: Yeah, the pea coat evolved because we realized that it was just too ridiculous just like that. It made sense because it made him more thankful to Marisa’s character and she kind of saved him as well. The script evolved a lot. There must have been 25-30 drafts. I tortured the writer. Normally I torture myself so it was really nice to have someone else do the heavy lifting.

(Marisa Tomei enters the luncheon)

Hello Marisa. Everybody this is Marisa.

MARISA TOMEI: Hello everybody.

(Applause)

[Ed. note – I have no idea why people felt compelled to clap. I kept eating my hummus and pita.]

SOME RANDOM A-HOLE: You look beautiful.

[Ed. note – I have no idea what sycophant tossed this out there but they obviously had grand illusions of possibly scoring with her at the hot artichoke dip table]

ARONOFSKY: Tell them your secret.

TOMEI: Hula hoops.

(Laughs)

ARONOFSKY: Yeah, she had the hula hoop everywhere.

QUESTION: How often do you hula hoop?

TOMEI: I do do it everyday.

QUESTION: How long to you do it?

TOMEI: The longer you do it, the better. Less than an hour.

ARONOFSKY: Would you drop it after an hour?

TOMEI: I won’t do it longer than an hour anyway.

QUESTION: You are a tough interviewer.

[Ed. note – No, this person was not being ironic.]

ARONOFSKY: She talks about it all the time and I never really asked.

TOMEI: I try to get people into it. I gave a lot of people hoops for Christmas last year.

QUESTION: Did you take a lot of dancing classes, especially with the pole work?

TOMEI: I took pole classes. The pole is different than stripping. It’s more athletic, more like gymnastics. Like doing the uneven bars. I was always a balancing, floor work kind of girl. When I was young I went to tap school and jazz school and I do have a natural flexibility. I tried to use the assets that I had and then learned more skills. It’s very hard.

He has a new found respect for wrestlers and I have a new found respect for strippers. It really is not easy.

QUESTION: What attracted you to the role?

TOMEI: Part of it was that. I wanted to do that. I wanted to work on this film.

QUESTION: It was moving and I was really touched.

[Ed. note – Can you see what I am up against here?]

TOMEI: Women like it better than the men ““ at least my character. They really have a reaction.

QUESTION TO ARONOFSKY: When did you finish the movie?

ARONOFSKY: We finished filming in March. It was really quick work. We started filming in late January or early February. It took a long time to get the money ““ about two years. And during that time we kept working on the script.

QUESTION: How’s Noah’s Ark?

ARONOFSKY: Working on it. We’re doing a graphic novel of it. That will probably come out first probably. We’ve been interviewing a bunch of people and negotiating because we don’t know where we’re going to get the money for it.

QUESTION: The guy who did The Fountain graphic novel is doing the story board for the Jodorowsky film, King Shot I believe it is?

ARONOFSKY: Kent Williams? Really? So Jodorowsky is working now?

QUESTION: Yeah, he’s working with Marilyn Manson and Nick Nolte in King Shot.

ARONOFSKY: Have they started shooting?

QUESTION: I think they were scheduled to start.

ARONOFSKY: That’s wild. What’s the premise?

QUESTION: It’s set in the desert and there is a casino which is the head of Christ, beard, everything. Marilyn Manson is going to be the pope.

ARONOFSKY: Geez. So it’s buried up to here? Up to here? And the top is Christ’s head.

QUESTION: Yeah, casino slash bar or whatever.

ARONOFSKY: And some drama unfolds inside.

Good for him. I met him at a film festival in Spain at a sci-fi fantasy film fest and he came to a screening of The Fountain and he was great.

QUESTION: Have you read his comics?

ARONOFSKY: A bit. But don’t really care for them too much. I like his films but his comics go too far I think. I think it’s good that he has limitations. But, he’s getting rediscovered now. His DVD boxed set. So, it’s pretty cool.

QUESTION: Where’s the Aronofsky boxed set?

ARONOFSKY: We’ll see.

CS: Do you have any involvement in that at all?

ARONOFSKY: A little bit. They did do a Pi / Requiem boxed set but I was pissed off.

CS: You didn’t like that one?

ARONOFSKY: No, because what happened is that I called them up and said it was the 10th anniversary of Pi. “We should do a 5.1 mix for it,” I said. We did it old school with a stereo mix. I think it might have surrounds but it’s not 5.1. My crew wanted to go in for free and just wanted to update it and they said, “Why don’t we just put out a box set?” I said, “No, I don’t want to put out a box set. I want to do a re-mix of Pi.” But they wouldn’t do it.

The film comes back to me in 10 years. I sold it for 20 years. And at the time I remember they almost broke the deal. They said, “We’re not giving it back to you.” And I said, “Then I’m breaking the deal. I want it back.” And now it’s been 10 years. Amazing how time goes by. Maybe then I’ll do a 5.1 update.

QUESTION: Any special edition for Requiem?

ARONOFSKY: We got everything out on that DVD. It was a good DVD. There was so much on there ““ Easter Egg ““ we worked hard on that.

CS: Not so much on The Fountain?

ARONOFSKY: The Fountain? I was pissed off as shit, man. Whatever. It made less money internationally than Requiem did. Made less than Pi did. They just completely dumped it. If it doesn’t go for blockbuster they just”¦. I said, “Just do an art house release, you’ll get your money back. There’s enough people out there…” But they didn’t. When it went to DVD they just kind of dumped it and I didn’t give them any support.

CS: The commentary track you did was a rare freebie.

ARONOFSKY: That’s cool. It was one way of doing it. But at some point I’ll get enough power to put that out in the right way.

(Laughs)

It’s all about power.

QUESTION: Is it out on Blue Ray yet?

ARONOFSKY: It is out on Blu Ray. It looks OK and sounds OK. My sound guys still think it’s the best mix we ever did. So I think the sound mix is good.

CS: Some filmmakers make their films, shooting material specifically for the DVD ““ this obviously was a low budget film. Did you do anything special?

ARONOFSKY: For the Wrestler? Not really. There is going to be an hour long documentary which is going to be really great. I’ve already seen a trailer for it and it’s really cool. Same guy who did the documentary for The Fountain

It’ll be a good one.

CS: Commentary?

ARONOFSKY: I don’t think so. I don’t think I have the energy to do it. Maybe if I can get Mickey to do it with me. We could just sit there and joke and smoke a couple cigars to get through it.

CS: Do you have an aversion of seeing your films or are you just done with it?

ARONOFSKY: I just think you shouldn’t go back there. You watch it so many times when you are finishing it because you have to go over it inch by inch and then when all the technical stuff you have to go over it and by the time you’re done you are so exhausted from it.

CS: Why does Lucas keep going back to the well?

ARONOFSKY: Howard the Duck.

QUESTION: That was supposed to come out on DVD.

ARONOFSKY: It’s not out on DVD?

QUESTION: Not officially. But you can get it.

ARONOFSKY: Those second pre-Star Wars sucked, didn’t they?

CS: Yes.

ARONOFSKY: Indiana Jones sucked.

Question: But a lot of critics liked that one. They said it was right in the same vein as the other ones ““ and it was like, “No, it’s not. It’s terrible.”

ARONOFSKY: I actually liked the aliens part of it ““ when the thing took off – I liked the ending but the action scene through the jungle and stretching of the jeeps and stuff…it was just terrible action.

QUESTION: Cate Blanchett. She looked cool in the trailers.

ARONOFSKY: She did look cool in the trailers.

Question: I was waiting for the face melting off scene but then it was so stupid ““ just this blur of special effects ““ couldn’t even tell what was going on. What was funny that a lot of people don’t realize that early on she was supposed to have psychic powers and she goes to Harrison Ford “You’re a hard man to read” and then the rest of it was supposed to be about her powers.

ARONOFSKY: She was supposed to have powers?

QUESTION: Yeah, she was supposed to have psychic powers but couldn’t read Indiana Jones.

ARONOFSKY: She quit. The other night I saw the 2nd or 3rd Matrix while I was surfing through the channels on TV. Oh man, that’s bad. I really kind of like them too but it doesn’t really hold up. There’s a scene in Zion…the costumes are terrible.

The Massie Twins: The whole story falls apart because they tried to split it between two movies so then number 2 doesn’t make sense and number 3 doesn’t do a good job of resolving anything. It’s too abstract. Although I like the action in number 2. I liked the drunk.

ARONOFSKY: I don’t remember the drunk. Oh yeah, the albino.

The Massie Twins: Yeah, he dresses up for Halloween ““ we bought the official costumes from Matrix.com and had all the makeup.

ARONOFSKY: Did you look good?

The Massie Twins: Yeah, I thought we did.

(Laughs)

The Massie Twins: We were over on Mill Avenue and thousands and thousands of people gather there people were taking pictures. We took like 3rd place for the costumes. That was the best part about Matrix is the fact that they created those characters.

ARONOFSKY: So, there you have it.

(Laughs)

CS: You mentioned you started out not knowing a whole lot about wrestlers.

ARONOFSKY: Yeah.

CS: On the other side when you saw that moment when The Ram was sitting at the table for a signing and you see a guy with a catheter and a lot of other broken men. Did you see a lot of that, guys all busted up?

ARONOFSKY: We went to an autograph show that was just desperate. All these legends and nobody there. It was just desperate. The catheter and the urine bag was fictional but there was a guy in a wheelchair that we saw. Actually Lou Albano was there. I think I talked about that, but he looked terrible. I didn’t even recognize him, that’s how bad he looked. He had a lot of strokes and it was just sad, holding on to that glory.

Can’t you wait to see what Paris Hilton will turn into?

(Laughs)

ARONOFSKY: It’s the reason I stay alive, just to watch her decay.

(Laughs)

CS: So how much longer are you on this tour?

ARONOFSKY: I’m almost done. I’ve got two more cities. We’re going to go to San Francisco and Seattle. I’ve never done Russia so I want to go. My grandparents came from Russia and I’m very curious to see it.

QUESTION: How many places have you been too before here?

ARONOFSKY: Too many.

Question: All over the U.S.?

ARONOFSKY: Not really, just major cities. San Diego, Boston, D.C., Miami, Dallas.

QUESTION: If they make you go all over the place they should make you go in a straight line.

ARONOFSKY: Did Will Smith come through here for Seven Pounds? He seemed to be one city ahead of us. I think he’s doing St. Louis, Cleveland, he does tiny towns. I was talking to his people in Dallas, he comes with a private plane, 4 SUV’s, they got two giant tour buses that are wrapped with the poster and his face.

(Laughs)

It’s just like a circus. The fact that he does that at that level just shows you how hard a job it is. I guess he does it for every movie.

QUESTION: What about Mickey? Did you try to get him to come on this thing?

ARONOFSKY: I don’t think he could have handled the pace of it. He’s actually 57 years old or so ““ I don’t know how old he is, so don’t quote me on that, I don’t think he can handle it. I’m getting a day off tomorrow and I’m going to stay here. It was between here or going to San Fran. I know what San Fran looks like and I’m so glad I’m staying. I’m going to climb Camelback tomorrow. I’m very excited. And go to the Botanical Gardens, that’s my day.

QUESTION: Take lots and lots of water.

[Ed. Note – Keep reading this stream of consciousness. I have no idea who was talking but it’s quite a bizarre, hilarious exchange.]

ARONOFSKY: Even though it’s cold you have to just keep drinking, right?

QUESTION: Yes. And Run from the bees.

ARONOFSKY: What bees? What are you talking about?

QUESTION: Swarms.

ARONOFSKY: There are bee swarms?

QUESTION: Along the mountains there are.

ARONOFSKY: Really? Tell me more.

[Ed. Note – Point, Aronofsky]

QUESTION: Mountain lions, jack-a-lopes.

ARONOFSKY: Any of you climb that thing?

QUESTION: Yeah.

ARONOFSKY: Is it hard?

CS: No. It’s all relative. You are not running up the mountain.

ARONOFSKY: Four hours, right?

CS: No, not a chance. Unless you’re 80 and have a heart condition. Maybe 45 minutes. Depending on how fast you move. Are you taking a leisurely stroll?

ARONOFSKY: Yeah.

QUESTION: It’s tougher than Squaw Peak.

ARONOFSKY: I’ve heard that. That’s been renamed right? Is that because it’s a racist term?

QUESTION: That was part of why they wanted to rename it. There was just a real outcry that she be recognized, which was nice.

ARONOFSKY: Who was she?

QUESTION: Laurie Piestewa was the first Native American killed in combat. She was ambushed with Jessica Lynch.

ARONOFSKY: Was that the first Iraq war or the second Iraq war?

QUESTION: That was the second one.

ARONOFSKY: Jessica Lynch was the second war? This war?

QUESTION: Yeah, can you believe it?

ARONOFSKY: When George W. was in office?

QUESTION: Yeah.

ARONOFSKY: That’s crazy. That feels like the first war. Really? That’s when we were all pro-war and she was a hero and everything.

QUESTION: It would be nice to be living in a time when we didn’t have a war.

ARONOFSKY: Yea. Well that’s these kids. When were you born? 80’s?

The Massie Twins: ’84.

ARONOFSKY: Right when the Cold War was winding down. You don’t even remember the Cold War do you? But you’ve heard about it, right?

The Massie Twins: Yeah. Just what’s in the history books.

ARONOFSKY: I got arrested in East Berlin.

CS: Really?

ARONOFSKY: For stealing an East German flag. I was there on May Day and there were flags everywhere and I told someone I was going to steal a flag. So I lowered a flag and stuffed it down my pants and I hear, “Passport!”

And they took me to this East German jail. We had to be back across the border by 10:00 PM to get through Checkpoint Charlie. So I was in jail. They took away my shoelaces, took away my belt so I wouldn’t hang myself. It was a concrete room with just a little peephole.

I was crying.

I was 17-18 years old. I was just sobbing. And finally they came and said they would let me go if I just raised the flag. I said absolutely. I don’t care. I’ll raise your flag. So we go and me and the Australian kid raised the flag and he said what are you doing because we were raising it upside down.

(Laughs)

We walked across Checkpoint Charlie at 1:00 o’clock in the morning.

Question: That’s amazing.

ARONOFSKY: It’s a good story though.

Win CITY OF EMBER on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 2:47 am

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We’re giving away, in conjunction with Fox Home Video, five (5) copies of CITY OF EMBER on DVD.

Contest ends at 11:59pm EST on Thursday, January 29th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Thursday, January 29th.

The winner must allow 4-6 weeks after notification of win to receive the product.

January 7, 2009

Party Favors: Smile A Smile

Filed under: Joe Corey's Party Favors — Tags: , , , , , — UncaScroogeMcD @ 2:22 am

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GRAND BAHAMA ISLAND – Why do critic groups ignore the finest moment in cinema this year? Can anyone rate up with Anna Faris’ performance in Smiley Face? Could Meryl Streep or Kate Winslet have pulled off playing an entire movie as if they ate a dozen cupcakes loaded with pot? Nope. But Anna is amazing in the most messed up role of the year that doesn’t involve being naked near Mickey Rourke.

Faris’ imaginary conversations with the late Roscoe Lee Browne (Soap) should be taught in acting schools. She has a magical blankness in the stare when keeps zoning out. Her ability to run like a cast member of Lancelot Link, Secret Chimp must be praised. It’s hard to believe that Faris didn’t rehearse the entire film after smoking a Tommy Chong-sized joint to memorize her actions for when the cameras rolled. It’s hard to maintain a buzz while waiting for the gaffer to tweak the lamps. Although I’ll guess that at the wrap party, every gaffer wanted to get high with her.

Some may argue that this is a 2007 release based on an extremely light theatrical release. Where did this film play? A peep show booth in Butte, Montana? If Roger Ebert can list films that came out in 2007 as a best of 2008, so can I. Does this film play well on the big screen> It’s the perfect size for my TV when it routinely pops up on pay channels at 2 a.m.

Smiley Face is a stoner film with a proper warning message to the kids. There is a danger to eating pot laced baked goods. They create a vicious circle since you get high, you have the munches so you eat more pot laced cupcakes and get even more high. And that leads to eating more cupcakes. It’s not a pretty picture when you become “motion sensitive.” Also getting really high and attempting to bake more pot cupcakes isn’t a good idea. These are drug education messages that kids really need to know. Don’t bake and bake.

The movie is loaded with plenty of famous cameos like The Love Boat smashing into Reefer Madness. Marion Ross looks ready to star in Happy Days: The Next Generation. Fans of The Office will finally know what Jim looks like while spanking off in the shower. He goes full release face on camera. Likewise The ’70s Show viewers will be scarred while watching Hyde humping a skull. The most stomach retching moment is merely a close up of Carrot Top.

I was going to link to the trailer, but it’s horrible. Just program your Tivo to snag it next time Smiley Face airs on your cable box.

Instead of an Oscar, Anna Faris deserves a postage stamp in Jamaica for Smiley Face. She’s the Queen of Comedy this year.

I’M BROKE LIKE ERIC ROTH

Bernie Madoff stole 2.3 billion dollars from the Party Favors Global Lengthwise Fold Charity Fund. I should have invested the money in Jar-Jar Binks Beanie Babies. I feel bad for all the school children who sent me their pennies in order to make the world a better place for strippers. But do we really expect someone like Madoff to care about the kids or the strippers?

This is what I deserve from believing the hype that Steven Spielberg is the smartest man in Showbiz. He put his holocaust charity bucks into the secure hands of Bernie. Why would Spielberg get fooled? Of course he’ll get his fat dough back when his musical production of the Flintstones hits Broadway. Or will that money be sent to Steven Spielrock’s Swiss bank account?

For all the talk about how lame and tired Hollywood is when it comes to recycling films; is there more creatively desolate landscape than the Great Blight Way? Why do they keep turning bad films into lame Broadway shows? Xanadu and Christine weren’t emotional rollercoasters begging for the stage. Did anyone really want Young Frankenstein to exist without Gene Wilder and Peter Boyle?

When a creatively bankrupt producer decides to remake a crappy film with bigger stars, they’re only forcing actors to do it once to capture it on celluloid (or HD). But a Broadway producer gets sadistic as they make actors repeat their performances each night to earn their bucks. Will Smith didn’t have to endure Wild Wild West the entire summer. Although that could be a good “community service punishment” for the crime known as Hancock.

Should the legit theater Marquees hype movie titles that belong at the buck cinema? Maybe next season we’ll get musical versions of Billy Madison, Jurassic Park 3 and Transformers.

CRYPT KEEPER’S BALL

“Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest” needs to have a Highlander moment. There can only be one name in that title. For once, I’m not rooting for Ryan to have his head chopped off by the World’s Oldest Teenager.

Ever since Dick survived his stroke a few years back, he’s insisted at being a part of the show> He sits in the warm confines of an indoor studio with a view of the Times Square action. It’s a sweet reminder that Dick has been a constant host for over 35 years on that special night. But his post-stroke appearances make him less animated than the Cryptkeeper.

I wouldn’t mind a kiss and wave moment from Dick right before the ball drops. Or a pre-recorded introduction for the hot new band. But Dick insists on giving himself prime chunks of live air time to chit chat with Ryan. It’s really hard to listen since he’s still in severe speech therapy mode. He’s not broadcast quality. If he was on Entertainment Tonight, they’d subtitle the interview. Dick Clark the producer would never allow a TV personality with the same issues as Dick Clark that much time on the air.

Perhaps it is the desire to host another New Year’s Eve show is what keeps the 79 year-old Dick Clark alive. But he kills the fun when he arrives on the TV screen. People at home are in a partying mood. They tune into the broadcast to know exactly when the ball drops instead of counting on a drunk hostess’ cuckoo clock that’s five minutes fast. They have champagne flowing and lips ready for kissing. And then there’s Dick Clark speaking like Frankenstein’s Monster. “Fire bad when Jonas Brothers follow Doobie Brothers.”

Dick needs to realize that he’s old enough to let go of this part of his life. I also give this advice to Carson Daly. He was outshined by a smashed beer cup. Kathy Griffin’s naughty moment on CNN about slapping something out a heckler’s mouth was such a letdown since it’s such an old rip. She needs to get with the 21st Century. She could have at least claimed the guy worked as a taste tester at Analeze.

SHOW IT

When is Bravo going to have The Real Househusbands of the Internet? Or are guys smart enough to avoid having their child raising skills hidden from the public?

My scummy source in the adult industry has told me that the hottest “get” celebrities are the older daughters from a certain reality TV family. “Duggar Girls: 69 and Counting” could easily outpace sales of Nailin’ Palin. John and Katie: Goin’ For Nine is their dream back up title.

VINCE SELLS IT

America has its second great TV pitchman. Vince selling the Shamwow and Slap Chop is moving into Billy Mays hallowed turf. Vince rocks the headset mic and has no problem going off the script during the demo. He shows us that his products make you want to party. What gets me is that he’s not merely talking to me, but giving business to the camera guy.

Plus he knows we all love his nuts.

What the hell is Vince’s last name? Perhaps that’s what makes him such a mysterious guy even after all those amazing things he tells us about the product. He seems to be like Tom Cruise’s Vince in The Color of Money. He’s the rock and roll hustler as seen on TV. Rumor has it that he’s Vince Offer, who directed The Underground Comedy Movie. Remember that movie being advertised on TV?

It’s good to have two Americans selling to us instead of importing another snotty Englishman. I don’t see Vince as competition for Billy Mays, but a tag-team pal during the marathon commercial breaks. Odds are that Billy still has a shot at a political career as a Vice President. Somebody ought to do a spoof of The Color Of Money with Billy Mays as Fast Eddie and Vince as Vince. Or maybe Ron Popeil training Vince to take on Billy Mays at a swap meet showdown? You can still call it “The Color of Money.” Or “How Long Was My Pocketfisherman?”

BURN IT OFF

Is Jillian Reynolds (formerly Barberie) dark enough to get her own Univision sitcom? Did I miss the memo that she’s up for the lead for Broadway’s adaptation of Spanglish? She needs to get on Celebrity Rehab in order break her tanning habit. George Hamilton has volunteered to conduct the Intervention episode. For her own good, she needs to lighten up.

BOTH SIDE OF THE ROAD

North Carolina Beats Duke is the perfect gift for UNC basketball fans. The boxset contains three complete games featuring the Tarheels pulling out tight wins over Coach K. and his Blue Devils. A contest from March 1984 has Michael Jordan taking Duke into two overtimes before claiming victory for Dean Smith. The second game is from 1992 when UNC spanked Christian Laettner. The guy choked on the charity stripe with the game on the line. Tarheel’s center Eric Montross iced the game with blood dripping from his face. They don’t let you play with bleeding wounds anymore. The final game is from 1995 when Rasheed Wallace and Jerry Stackhouse shut up the Cameron Crazies in another double overtime game. These are the original broadcasts with all the action and none of the car ads.

Duke Beats Carolina gives the other side of the Tobacco Road Rivalry. Now if you cheer for Coach K, you’ll get glee seeing UNC’s whine and cheese crowd crying in their cushy leather courtside seats. A game from 2000 has Shane Battier and Carlos Boozer deflating the Dean Dome in overtime. From 2004 comes the first Coach K vs. Roy Williams battle. Guess who pulls this one out in overtime. The final game is a nail biter with J.J. Redick following the coach’s plan. Both sets will get you extremely excited even though you know the outcome.

BLU-RAY HEAVEN

Without A Paddle: Nature’s Calling Blu-Ray deserves high definition love just for the shot of a squirrel chugging straight out of the keg. This is not really a sequel to the original film that starred Seth Green and Dax Shepard. This has two relatively unknown actors heading into the wilderness in pursuit of an almost lost love. It’s just complete goofiness that has a greenie message since the love interest wants to save nature. The film also stars NFL Hall of Famer Jerry Rice. The San Francisco legend is now a thespian. Perhaps soon the dancing wide receiver will be making a Tyler Perry film. The highlight of the movie is the squirrel attacking a keg like a sophomore at Party Headquarters. The bonus features include a blooper reel that shows Rice is ready to challenge Howie Long in the acting field. “The Furious Nuts” short gives us the truth behind working with squirrels.

DVD SHELF

Matlock: The Second Season brings more deep fried Southern-style law from Andy Griffith. The big change for this sophomore outing is Matlock’s daughter (Linda Purl) splitting for Philadelphia. He hires Cassie Phillips (Kari Lizer) to be his legal back up. Tyler Hudson (Kene Holliday) is back as his real feet on the ground when it comes to finding the evil people who set up Matlock’s clients. There’s numerous recognizable guest stars in this boxset. Billy Mumy is no longer Lost In Space when he lands in “The Genius.” Ralph Bellamy, Robert Culp and Scott Bakula mix it up in “The Power Brokers.” “The Annihilator” stars Dick Butkus as a pro wrestler accused of killing his ring rival. Chick Hearn announces the action. Only seven more seasons left to complete the series.

This American Life: The Second Season features another 6 installments of the popular NPR radio series brought to video by Showtime. The highlight is “John Smith” which attempts to tell the story of a life using numerous John Smiths of various ages from across America. It’s an engrossing experiment. A single life does come out of these same name participants. “Going Down In History” examines a jail break with the convicts using dental floss to make their escape rope. Ira Glass really needs to make more of these episodes. This American Life The Second Season is exclusively being sold at Borders bookstores.

Funny Face – Paramount Centennial Collection shares a blissful 103 minutes with Audrey Hepburn. She’s swooped up from her lowly bookstore job to become a super model in Paris. Her photographer is Fred Astaire. The music and dancing propels this movie into the high fashion zenith. Audrey strikes more perfect poses than a season of America’s Next Top Model. The 2 DVD set includes a bonus feature about Vistavision that should be seen by fans of cinematography. Learn the secret of the film that went through the camera sidewise. “Kay Thompson: ‘Think Pink'” reveals the life of this amazing performer. “The Fashion Designer and His Muse” exposes the wardrobe love between fashion designer Herbert de Givenchy and Hepburn.

Breakfast at Tiffany’s – Paramount Centennial Collection is the ultimate Manhattan partygirl movie. Holly Golightly (Audrey Hepburn) is a force of nature who bursts into her neighbor’s life. Paul Varjak (George Peppard) is a writer who slowly discovers the truth about the girl who recreated herself for the Big Apple scene. Their strange romance plays out with Henry Mancini’s lush score and “Moon River” song. The only bad move in the film is the casting of Mickey Rooney as a Japanese neighbor. It’s a squirm time when he’s on the screen. There’s a great array of bonus features on the two disc set including a history of the film and Tiffany’s. “Mr. Yunioshi: An Asian Perspective” allows people to complain about Mickey Rooney’s role in the film. “Behind the Gates: The Tour” is a quicky trip around Paramount studio.

My Three Sons, The First Season, Volume Two allows us 18 more episodes that bask in the greatness of William Frawley. What happens when Fred Mertz (I Love Lucy) has to raise three boys while their absentee father spends why too much time at work and working the ladies? You get the best grandfather in TV history in Frawley. As I watch these episodes, I really hate Fred McMurray. Sure he means well with his sons, but there’s a strange distance between them. This boxset contains the final 18 episodes of the first season. “Man in a Trenchcoat” has dad away for the night (big surprise) and the kids get creeped out by a stranger. Dad thinks his son is spy crazy. “Organization Woman” has McMurrary’s sister arrive and mess up William Frawley’s routines. “The Horseless Saddle” has Frawley get a saddle in the mail. Is this a secret message from Ethel? The shows switch in tone from comical to serious family dramas so you never quite know what to expect.

Walker, Texas Ranger The Complete Sixth Season opens up another can of Chuck Norris whoopass. Why did criminals even think of coming to Texas? Didn’t they know after five seasons that they had no chance of being a success? Chuck isn’t always about knocking heads with his cowboy boots. “Lucas” has him helping a boy stricken with AIDS find his mother. “Brainchild” has a super genius kid forcing Walker to help him find his mother. He was all about finding some mommies this season. Walker busts up illegal medical testing on nursing home patients in “Forgotten People.” “The Last of a Breed” has Norris play a legendary Texas Ranger. He’s diverse that way. John Beck (Rollerball‘s Moonpie) pops up at “Rainbow’s End.” Chuck Norris lands 23 episodes of kung fu crime fighting that Conan O’Brien will love.

Burn After Reading would have been a complete disappointment except for a genius case of casting. Sledge Hammer (David Rasche) and Oz‘s Vern Schillinger (J.K. Simmons) finally meet. It’s the rabid lawman reporting to the Aryan Brotherhood’s main man. Good versus evil meet over a desk at the CIA headquarters. Did the Coen Brothers really know what they were doing? This goes up with Donald Duck and Daffy Duck facing off in Who Framed Roger Rabbit? Although it’ll be nice when the Coen brothers decide to show us the third act play out.

Win WALKER, TEXAS RANGER: SEASON 6 on DVD!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 2:13 am

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of WALKER, TEXAS RANGER: SEASON 6 on DVD.

Contest ends at 11:59pm EST on Wednesday, January 28th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 28th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win MATLOCK: SEASON 2 on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 2:04 am

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of MATLOCK: SEASON 2 on DVD.

Contest ends at 11:59pm EST on Wednesday, January 28th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 28th.

The winner must allow 4-6 weeks after notification of win to receive the product.

January 6, 2009

Toy Box: Batman – The Brave and the Bold Deluxe Aquaman/Blue Beetle

Filed under: Toy Box — Tags: , , , , , , — admin @ 1:46 am

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Cartoon Network recently started a brand spankin’ new Batman cartoon on Friday nights, with a lot of your favorite old time characters. Batman – The Brave and the Bold has a Super Friends look, with some witty banter and interesting relationships between characters like Aquaman, Green Arrow, Green Lantern, Plastic Man and even Blue Beetle. The stories and writing style are very much directed at that 5 – 8 age range, but adults can enjoy the show as well.

Mattel has also released action figures based on the show, and they seem to be hitting the New Year hard with plenty of different characters. I reviewed the regular single pack Batman, Aquaman, Kanjar Ro, and Black Manta over at mwctoys.com just last week, and over the weekend picked up the single pack Red Tornado as well. Today I’m checking out the deluxe Aquaman and deluxe Blue Beetle, which come with a larger, action feature based accessory.

If you have any questions or comments, drop me a line at mwc@mwctoys.com, or swing by my site at Michael’s Review of the Week – Captain Toy.

Batman The Brave and The Bold: Deluxe Aquaman and Blue Beetle

You can expect to find these at mass market retailers, like Target, Meijers, or my least favorite, Wal-mart, where they’ll run you right around $8 for the singles, and around $11 for the deluxe sets. There are also a couple vehicles hitting right now, including the Batsub, and you should see quite a bit of the product as part of the new Target reset.

Packaging – ***1/2
I’m digging the packaging, largely due to two aspects. Yes, the design is attractive, and I like the retro feel to the graphics and colors, but those aren’t my main pluses. I really like the personalization on each cardback and bubble, with specific graphics and text for the character housed inside. Also, there’s no twisties or rubber bands anywhere to be found. They’ve used intelligently designed interior trays to hold the figures in place, making their removal a much easier process.

Sculpting – Beetle ***; Aquaman **1/2
The show has a very Super Friends feel to it, and Mattel has added to that some of the characteristics of their recent Super Friends line of figures, designed for that under 5 set. The larger, blocky feet and legs are obvious on most of the characters, but some (like Beetle) lack the huge honking feet.

Most folks will either hate or tolerate the accessory holes on the figures. Nobody over 8 (and probably not many under) are going to love them, at least from an aesthetic point of view. These holes are on the back, shoulders, forearms and calves of most of the figures, but interestingly, Blue Beetle does not have them on his forearms, and he’s the better looking figure for it. I don’t mind the one on the back of course, and the one on the shoulders actually looks fine on Beetle. It also helps that he has some cool looking armor pieces as part of this deluxe set that can snap on his shoulders. Had they dropped the calf holes, I may have even gone another half star on this figure.

Aquaman has that smart ass grin, and as voiced by John Di Maggio, he has that attitude on the show too. I love the chiseled head sculpt, but I’m less enamored with the standard body sculpt than in my first review. The longer I look at certain characters (like Aquaman and Batman) the less tolerant I am of some of the holes. The ones on Aquaman at the shoulders and elbows are way too obvious, while his calf holes are fine – completely different than Blue Beetle. I think it’s the rounded shoulders and skinny elbow joints that are doing it, whereas the more square shoulders (like on Beetle or Red Tornado) don’t look quite as bad with the holes.

These figures stand about 5″ tall, making them slightly shorter than The Batman figures. They are also stockier, so they don’t really work together, but I included a group shot that has the Batman figure from the eariler line in back for comparison. It will be the last photo in the review.

Paint – Beetle **1/2; Aquaman **
These are mass market figures, and they have very mass market paint jobs. Poor Aquaman also suffers from a rather dopey looking color scheme.

Blue Beetle looks good, although it’s a bit of a variation on his suit in the show. The suit tends to morph a whole lot though, so you can give them some leeway there. He has some overspray, weak cut lines, and the occasional rub mark, much like your average run of the mill big toy store figure. And by ‘big’, I mean the store, not the figure.

Aquaman has a sub par paint job, even for a kid’s toy. There’s plenty of slop between the green and gold, and there’s even inconsistent coverage with both colors. Cut lines are weaker than Don Knotts after a weekend bender, and there’s a fair share of stray marks. Most of these issues are on the body though, with the paint job on the face and hair a bit more similar in quality to Beetle’s.

I was very happy with the paint on the first four figures I picked up, so this is a huge step backward. What this really means is that the line is very inconsistent with the quality of the paint ops, so be careful picking them off the peg.

Articulation – **
The articulation is the most disappointing for me, but as a kid’s line, I can understand the decision behind some of the missing joints.

These figures only have cut neck, cut shoulders, pin elbows, and cut waists. Oh, and don’t forget those old school T hips. I’m not surprised they dropped the knee joints, as these tend to break a lot when kids get their hands on them. But ball jointed shoulders would have been nice, particularly with figures like Aquaman and Batman who already have rounded shoulders. Yea, those dopey holes probably made it impossible, but it’s still disappointing. I’m also disappointed that there are no cut wrists or ball jointed necks, as these would add a lot to both the playability and poseability of the figures.

Accessories/Action Features – ***
Ah, those goofy peg holes on the bodies might look odd, but they do serve a purpose. Now it’s time to break out the accessories and add them to the mix.

Beetle is the ‘bug zapper’ version. Generally he’s the only bug in the fight (unless we get to see a Blue Beetle/Killer Moth battle royale!) so having a ‘bug zapper’ doesn’t make a lot of sense to me, but I’m sure somebody was very proud of themselves when they came up with that name.

His zapper is actually made up of several interchangable parts. There are small articulated bug wings, two blade like side attachments, and the main zapper body that fires a small projectile. The entire attachment can be put together as a single unit (and worn on his back), or you can pop off the blades and attach them to his shoulders, put the wings on his back, and even have him hold the zapper body in his hand. Because of the multiple holes, you can attach these things in a whole lot of different ways.

Aquaman also has a fairly large contraption, called the “aqua pack”. It has a center backpack piece, as well as two fan blade like attachements, and two long sorta Trident looking front blades. When these blades are attached to the main backpack and the button on top is pushed, they spin menacingly.

Like the Beetle’s weapon, these can all pop apart and be reattached to Aquaman on any of his peg holes. I’m not sure why he’d want the fan blades on his shoulders, but I gave that a try anyway. These can also be used on any other version of Aquaman or on any other figure in the series for that matter, making the build/accessorize feature pretty cool.

Fun Factor – ***1/2
Sure, these aren’t exactly a collector’s line, but kid’s should have a lot of fun with the build/accessorize feature of the accessories and holes. They are also very solid figures, so breakage should not be much of an issue. They’ve aimed these squarely at the 5 – 8 range, giving smaller kids DC figures before they are old enough to enjoy and appreciate something like the DC Universe line.

Value – **
Eleven bucks for a 5 inch action figure with an accessory – even one that can be used as armor – is not a great deal. The regular figures are eight bucks or less, and the action feature of this slightly more complex accessory is not worth another three bucks.

Things to Watch Out For –
Of course, always watch that mass market paint, but otherwise, you shouldn’t have any issues.

Overall – Beetle ***; Aquaman **1/2
This is quite clearly a line – and show – designed primarily for kids. But just like Playmobil or Lego, that doesn’t mean they can’t be pretty damn cool. So far, I’m liking this line more than I’m disliking it, and I suspect it’s going to grow on me over time. If Mattel can get a nice healthy line up of figures on the pegs, that’s going to go a long way as well. It’s only been out a couple weeks, and I already have six different characters, and I’m on the hunt for that Batsub. However, if the distribution ends up being as crappy as their DC Infinite Heroes line, it’s going to die an early death with me.

Where to buy –
These are hitting mass market retailers like Target and Meijers right now.

Related Links –
As I mentioned earlier, I covered several of the single packs last week.

Opinion In A Haystack: Buck Shots – Round 2

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Money Shot (Wikipedia): provocative, sensational, or memorable sequence in a film, on which the film’s commercial performance is perceived to depend.

Buck Shot: moments on which a film’s cheese-factor is based, often underlining the tone of the entire production and providing the viewer with the opposite effect intended.

Round 2: WET MUSCLES AND DOOKIE!!!

(Here’s Round 1)

No Holds Barred (1989) ““ HULK HOGAN PONDERS A FAMILIAR SCENT

Tag Lines:

  • No Ring. No Ref. No Rules.
  • The battle of the super tough guys.

Who would have thought that only 19 years after No Holds Barred that a celebrated filmmaker, Darren Aronofsky, would take the subject of wrestling and make an Oscar worthy piece of art along side one of the greatest comeback performances in the history of cinema? The end of 2008 has brought us a film, The Wrestler, which proves that no genre is too silly or maligned to not only be salvaged, but perfected to the point of beauty. However, in no way does this take any of the joy out of watching a genius piece of camp like No Holds Barred, easily Hulk Hogan’s greatest screen performance (right above Suburban Commando of course.)

NHB, as it’s called on the streets, is one of those glorious titles that is made up of almost 100% Buck Shots. This is due to several competing factors. Hogan’s plethora of skin tight, rainbow tinted, spandex outfits worn through out the film to Tiny Lister’s extremely heavy breathing every second he is in frame to the great Kurt Fuller playing an evil fight promoter that calls everyone a “JOCKASS,” this movie is brimming with endless moments of pure delight. All of this is complimented by the awesome 80’s fight scenes, the rouges gallery of silly contestants, the title of the film’s fight competition: THE BATTLE OF THE TOUGH GUYS (yeah, no joke) and the single greatest “poopy scene” of the entire decade. The plot is simple. Hulk Hogan, showing his acting range, plays the world wrestling champion named Rip. His catch phrase is, you guessed it: “RIP “˜EM!” He is challenged to a NO HOLDS BARRED fight by an ex-convict named Zeus, played to hardcore perfection by Tiny Lister (best known as Debo from Friday, or the President from The Fifth Element.) Rip initially refuses to fight him, but eventually gives in due to various factors and they have an all out brawl in which no holds, NONE, are barred.

Hindsight is 20/20, and it is easy to look back on movies like this and laugh, but I will admit that I unabashedly love this movie in all its zany, kick ass, and slightly homosexual tension. It might be because of the camp, it might be the nostalgia, but I love it. Sue me. I even own the VHS and One sheet. You need to have a firm grasp on crap to know the opposite of such, and there is a lot of crap that is truly great”¦No Holds Barred being that very crap. So as someone who knows every inch of this Rocky 3-rip-off-cheesy-wrestling masterpiece I can safely say that the following scene is the greatest moment of its run time. Here we have Hogan, LITERALLY, explode out the top of the top of the limo in which he is being held captive. The heavy guitar starts up, Hulk begins throwing bad guys left and right. He tosses two full grown men completely over the limo, then one into the windshield, then back-punches a guy through the passenger window, followed by stuffing another bad-dude into the roof hole. The violent rage is just too much for the driver, as he sits in fear of what the Hulkster will do next. Hogan pulls the driver out of the car”¦and”¦well”¦one of the greatest dialogue exchanges of all time then occurs between them. The actor playing the limo driver has the edge here for most “buck-shoty,” but Hulk’s use of breathing and overblown eye movements keep him right up there as well. It’s one of those “How did this make the cut and what were they thinking?” moments. Watch:

R.O.T.O.R. (1989) ““ R.O.T.O.R. vs. BOB’S COUNTRY BUNKER

Tag Line:

  • Judge, Jury, and Executioner.

R.O.T.O.R. or, more specifically, the Robotic Officer of the Tactical Operations Research unit is probably the best example of the sheer glut of uninspired low budget dreck that was churned out during the VHS boom all those centuries ago. No part of this movie is even remotely original. The poster, as admittedly awesome as it is, is completely stolen from Mad Max. The plot is completely ripped from Terminator, sans the time travel. The only reason one can’t rag on it for stealing Judge Dredd‘s tagline is that it was released prior. Also, the title is excessively annoying to type due to the damn periods.

I was lucky enough to stumble onto the destruction path of R.O.T.O.R. through the miracle of Cinemax circa 2000. My friend, I shall refer to him as Pie, caught it around the same time and both of us marveled at how downright awful it was. Luckily the video store I was managing had a VHS copy so I could spread the joy among the unenlightened. It’s mostly (mostly…not totally) boring, incompetent and completely devoid of coherence. As Pie pointed out, the entire film seems to be completely over dubbed with separate audio, and upon further viewings it became exceedingly obvious that the editors chucked out some underlying story lines which culminated in the main character getting shot in the back while walking to his car AFTER the R.O.T.O.R. was dead and gone. I’ve watched the movie all the way through about three times and still don’t understand why exactly that happens, but it makes it all the funnier.

The plot is a tale as old as time. A “special unit” laboratory creates a police robot to fight crime, something goes wrong, robot malfunctions, robot drives away on it’s motorcycle and begins murdering innocents that don’t realize he is, in fact, a robot. If only all Sci-fi characters would heed the words of Jeff Goldblum: “your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.” However they don’t heed those words and this is what happens”¦a robot with a mustache punches them in the face.

As boring and uneventful as the film is, there are at least 3 solid Buck Shots to be found in it, so expect for this title to pop up again in a future entry. The scene I have chosen is easily my favorite of the whole movie, when R.O.T.O.R. attacks the diner. The obvious cheapness displayed in this clip gives you a feel of the whole production. Things to pay attention to are the constantly looping synthetic music, the shiny bald eagle sticker on R.O.T.O.R.’s helmet and the cook’s painfully fake front teeth and country accent, perhaps the only sign that the movie was laughing at it self (or was it?) The best moment is of course when the super strong R.O.T.O.R. tries to attack a waitress, but is hindered by the featherweight tables. As she runs away, three “good ole boys” mosey on in, each of them prepared to take down the evil cop in their own fashion. The first guy is the ignorant redneck brawler, who sexually harasses the waitress as she panics in fear, then immediately tries slugging the Robot whom he addresses as a “Faggot city cop.” The second guy, surprisingly, knows karate”¦which of course is no match for the likes of the R.O.T.O.R. Then of course, the third dude steps up to the plate. He stands around 6 feet tall with a hair helmet and a 3 inch thick mustache. He proudly questions the R.O.T.O.R. “How about a real man now, asshole?” He then proceeds (I’m giggling as I type this) to rip off his pre-torn shirt, give a huge bicep flex display, then grabs the R.O.T.O.R. in the most sexually tensioned “are they going to make out?” manner possible. It’s quite the sight. Also, all of this is done in one master shot, only cutting away once”¦very artistic, almost documentary style (I will admit that the slow move-in shot on the Robot in the doorway is pretty bad ass, I’ll give them that.) I think that the slo-mo at the end of the clip works wonders here:


That’s all for round 2…Thanks for reading!

Bagged & Boarded 13: Beyond the Matt

Filed under: Bagged & Boarded — Tags: , , , , — UncaScroogeMcD @ 1:16 am

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #13: Beyond the Matt – In which Matt and Jesse discuss the new film THE WRESTLER, bicker about the definition of “Art”, and reminisce on New Year’s long ago. Countdown to this, sucka!

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #13 (MP3 format)

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Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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Win APPALOOSA on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 1:06 am

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We’re giving away, in conjunction with Warner Bros. Home Video, five (5) copies of APPALOOSA on DVD.

Contest ends at 11:59pm EST on Tuesday, January 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, January 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win ALVIN & THE CHIPMUNKS: THE CHIPPETTES! on DVD!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 1:01 am

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of ALVIN & THE CHIPMUNKS: THE CHIPPETTES! on DVD.

Contest ends at 11:59pm EST on Tuesday, January 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, January 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

January 5, 2009

SModcast 71

Filed under: SModcast — Tags: , , , , , — UncaScroogeMcD @ 12:13 am

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 71: Way of the Master –

In which our heroes take it easy and forget to be funny.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

DOWNLOAD: (right click to save)
SModcast 71 (MP3 format) – 56.73 MB

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SUBSCRIBE
Subscribe to this Podcast via iTunes
Subscribe to this Podcast via FeedBurner

Wanna add your two cents? Spend it here, in the SModcast mailbag.

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CLICK HERE FOR THE SMODCAST ARCHIVES

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January 4, 2009

TV Or Not TV: 1/5 – 1/11

Filed under: TV Or Not TV — Tags: — admin @ 8:41 pm

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Welcome back to TV or Not TV where I am knee deep into a The Secret Life of the American Teenager marathon.

This week I was originally going to talk about the finer points of the television cliffhanger. The Secret Life of the American Teenager is something that I didn’t catch on its original run, however, and the show is entertaining and very engrossing. In typical fashion I neglected watching the show due to a perception of what the show was about rather than what it was really about.

When the show originally premiered I thought The Secret Life of the American Teenager was a show produced to tap into the Juno Oscar popularity. I thought this because the concept seemed similar: the story of a 15 year old teenager that gets pregnant. I’m sure based on just those words you might think the same thing. What I discovered was an ensemble show that featured not one life but an entire class of american teenagers, each facing the pressures and frustrations of “coming of age” in the new millennium. Even though each character represents a stereotype that is something that has to be forgiven since the stereotypes are needed to provide the conflict needed to keep the stories moving. Besides, high school is all about stereotypes, isn’t it? Everyone picks a niche to fit into in order to define their own character on their journey to find themselves (at least in this writers opinion).

Another tricky thing that the show does is makes each character have redeeming qualities, as well as setting people in a realistic light. The womanizing boy that knocks up the main character, Amy, has a history that makes you sympathetic to why he does what he does. Although the nerdy boy that is pursuing Amy did so originally in his pursuit of sexual growth he turns out to be a very sympathetic character who seems to genuinely care about her. All of the other characters also have their own personal dillemas and character flaws to deal with and each gives me that flashback to life as a teenager (although no where near as dramatic or complicated).

As you will see below The Secret Life of the American Teenager has its season premiere on Monday. I only wish I had recommended last week for you to watch the marathon that I’m currently watching.

Now, to get back to the concept of the cliffhanger. There is a fine art to the use of the cliffhanger. Anyone attempting to write a good cliffhanger has to do so with great caution since a good cliffhanger makes you want to tune in while a bad cliffhanger frustrates you so much that you have to tune in later. I really prefer to watch things out of desire rather than spite.

One great cliffhanger was Buffy the Vampire Slayer’s season 2 finale with Buffy leaving town after plunging a sword into her vampire love Angel‘s stomach and sending him into a hell dimension (wow, that reads a lot nerdier than it was to watch). This cliffhanger gave us solid payoff with a sucker punch and the stunned wonder of what was next. Last year’s mid-season finale of Battlestar Galactica accomplished the same goal with humanity finding Earth, the joy and excitement of this accomplishment and the payoff that Earth seems to be an irradiated wasteland of devestation. Was that really Earth? What happens next? Questions that make us eager and not angry (at least not this particular viewer).

One lousy cliffhanger was the first season of LOST. After all the great episodes that season had we were left stunned by the kidnapping of Walt and not one single glimpse of what was inside the mysterious hatch that had just been blown open.

This brings me to the final aspect of the cliffhanger: the payoff. If you write a cliffhanger you can’t string the audience along when you get back, and you better have had your payoff planned when you wrote the cliffhanger. LOST was guilty of poor payoff both with the season 2 opener (too confusing) and the season 3 opener (too boring… and confusing). The season 4 opening to Charmed had to recover from a cast shakeup with the exit of Shannon Doherty. The writers had the challenge of wrapping up the previous season’s cliffhanger as well as introducing a new character to keep the show going. Somewhere between the two they made it very unclear how we got from the season finale to the current episode. Great cliffhanger, lousy followup.

Now that I have given you the followup to last week’s cliffhanger about the discussion on cliffhangers, let’s look at what is available for viewing this week.

MONDAY

ABC Family – 8:00 PM: The next season premiere of The Secret Life of the American Teenager picks up tonight where it left off. If you missed the Sunday marathon (or if you watched it and discovered there’s two more episodes they didn’t show) you can catch the last two episodes of last season two hours prior to the premiere.

ABC – 8:00 PM: Get ready to say “Awwww” as the single father rejected on The Bachelorette makes a TV spectacle of himself again with 25 hopeful women on The Bachelor.

SCIFI – 8:00 PM: Last season of LOST brought us many new characters, 4 of which we really got to know. You can see them again tonight with the syndicated running of the episode Confrmed Dead.

TBS – 10:00 PM: See how it all began with the pilot of My Name is Earl. To bad you can’t relive all of those magazine inserts with Jason Lee talking over and over again.

TUESDAY

NBC – 8:00 PM: Another season of The Biggest Loser starts with another run at “Couples“. This time they are boasting the eldest player and the heaviest/youngest player ever. As long as they really are improving lives I’ll reserve judgement.

TheCW – 8:00 PM: The hyper-real 90210 returns tonight, but after the simple lives in Secret Life it’s going to be hard to take this show seriously.

ABC – 9:00 PM: I’ve been waiting a long time to see Scrubs come back on it’s new network and tonight with guest star Courtney Cox.

CBS – 9:00 PM: If you’ve been watching The Mentalist from the beginning than you’ve been waiting for the moment where Patrick Jane finally gets down to finding Red John. I’m sensing a false lead with this one.

WEDNESDAY

NBC – 8:00 PM: The three episode arc for retooling Knight Rider starts tonight. Even though I haven’t been watching these next three ep’s will close up more of the “government conspiracy”, show us the evil KITT counterpart KARR, and lead to more stand alone episodes. Is it enough to save the ratings challenged but well sponsored show?

ABC – 8:00 PM: The Alphabet Network is hoping you won’t notice the lack of Pushing Daisies on tonight by re-airing last nights premiere of Scrubs.

CBS – 9:00 PM: The 35th Annual People’s Choice Awards are on and I get a chance to see again just how much my choices aren’t like the choices of others.

MTV – 10:00 PM: Seven strangers are once again picked to live in a house with the premiere of The Real World: Brooklynn.  I’m going to tune in for the nostalgia but will probably just grumble about “kids these days.”

THURSDAY

NBC – 8:00 PM: My Name is Earl is back tonight with tonight’s episode titled Got the Babysitter Pregnant. I was already going to watch but now I’m REALLY going to watch.

HIST – 8:00 PM: Cosmic collision, environmental disasters and Armageddon are all the uplifting topics discussed in Nostradamus: 2012.

NBC – 9:30 AM: 30 Rock also returns tonight and Liz is dating guest star Peter Dinklage. I’m guessing the relationship will be short lived (oh no I didn’t!).

FRIDAY

NBC – 8:00 PM: Howie Mandel leverages his Deal or No Deal fame into a Candid Camera knock-off called Howie Do It.

USA – 8:00 PM: The Magnum P.I. inspired commercial for the new season of Monk has had me waiting eagerly for the shows return. Tonight the wait is over.

SCIFI – 8:00 PM: Tonight the series finale of Stargate Atlantis kicks of with a re-airing of the Vegas episode before the 9 PM airing of Enemy at the Gate.

USA – 9:00 PM: Psych is back with Shawn investigating the death of released sea lion. What, you expected a serious investigation?

SATURDAY

FX – 8:00 PM: See the love begin to bloom between Brad and Angelina in Mr. & Mrs. Smith.

AMC – 8:00 PM: Are you strong enough for six hours of Charles Bronson? If so, then try to sit through Death Wish through Death Wish 3.

CMT – 11:00 PM: Nothing reminds me of childhood more than watching Burt Reynolds and Jerry Reed getting the best of Jackie Gleason in Smokey and the Bandit.

SUNDAY

Tonight is nothing but a flat out face off… everyone else against Jack Bauer.

FOX – 8:00 PM: Nobody likes Jack Bauer’s tactics until they find out who is behind a terrifying terrorist threat with the return of 24. After an entire year without the show I bet everyone at the network is sweating the ratings.

NBC – 8:00 PM: Can The 66th Annual Golden Globes defeat Jack Bauer? Doubtful.

ABC – 8:00 PM: The alphabet network stands by their regular schedule with Extreme Makeover: Home Edition and Desperate Housewives to try to bring down Jack. I think they stand a better chance than NBC.

Will Wilkins is living the Not-So-Secret Life of an American Middle Aged Guy.

Win BREAKFAST AT TIFFANY’S on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 8:15 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of BREAKFAST AT TIFFANY’S: THE CENTENNIAL EDITION on DVD.

Contest ends at 11:59pm EST on Monday, January 26th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, January 26th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win FUNNY FACE on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 8:03 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of FUNNY FACE: THE CENTENNIAL EDITION on DVD.

Contest ends at 11:59pm EST on Monday, January 26th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, January 26th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win WITHOUT A PADDLE: NATURE’S CALLING on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 7:46 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of WITHOUT A PADDLE: NATURE’S CALLING on DVD.

Contest ends at 11:59pm EST on Monday, January 26th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, January 26th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win TRANSFORMERS ANIMATED: SEASON 2 on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 7:32 pm

contestheader.jpg

We’re giving away, in conjunction with Paramount Home Video, five (5) copies of TRANSFORMERS ANIMATED: SEASON 2 on DVD.

Contest ends at 11:59pm EST on Monday, January 26th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, January 26th.

The winner must allow 4-6 weeks after notification of win to receive the product.

January 1, 2009

Ken P. D. Snyde-Cast #76: Scooby-Tru

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #76: Scooby-Tru – Ken returns sans a shipboard Dana as guest co-hosting duties are again taken up by Paul Sabourin, as the two discuss tone deafness, the Saturday morning crimesolving ability of Truman Capote, career paths for child actors, and offer listeners a very special opportunity.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #76 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-76.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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