FRED Entertainment

February 11, 2010

Soapbox: Quo Vadis, See-Saw?

Filed under: Articles — UncaScroogeMcD @ 12:51 am

soapbox-header.png

Quo Vadis, See-Saw?

lucyline.gif

depIt was a pleasantly warm spring night. The barely-setting sun painted the sky in bold oranges and reds, and the air smelled of sweetness. I was at the park, sitting on the swings with my four-year-old boy, when he spied the see-saw and asked me to take him to it.

Things have changed since I was a wee lad. I remember the see-saw as being a potentially dangerous piece of playground machinery; the possibility of having one’s family jewels spontaneously rearranged was always close at hand.

In fact, this was part of the allure of the see-saw. The element of danger. The knowledge that some amount of skill was required in order to avoid the junk-jangling scenario made the see-saw something of a challenge – and what young male doesn’t thrive on the notion of competition?

It was an art form, really. You knew the other guy might jump off his seat at any moment, and you would have to be instantly prepared. You had to act quickly, and if you timed it right, you could stiffen your legs as you plummeted to the earth, landing firmly on your two feet while your see-saw seat safely fell away beneath you. The jewels would be allowed to live another day, and your opponent knew he’d been bested by your cat-like reflexes.

This sort of thing was part of growing up as a Man-child, and learning to navigate the see-saw experience was part of every young lad’s initiation, a vital part of his growing-up formation, and an endless source of experiential wealth. I dare say that the potentially-dangerous see-saw of my childhood is responsible for making me the man I am today.

All of this has changed. As my son and I mounted the new and improved see-saw, I noticed something different. No longer do see-saw makers favor the classic lever-and-fulcrum construction for the playground ride. No. The see-saw that I sat on that evening was something newfangled, featuring a spring-loaded “fulcrum” that essentially tethered the “lever”, controlling how high one end of the lever could go, and – more importantly – how low to the ground the other end of the lever would dip.

Essentially, this new see-saw construction has eliminated the possibility of roughing up your opponent’s genitals.

Yes, perhaps those who ride on this family-friendly see-saw can still have a good time, but clearly, they will be growing soft, weak, and weenie-like in the process. There is no danger. There is no competition. In short, the nutsacks belonging to young lads on the modern see-saw are safe from all harm, and were so from the moment they mounted the G-rated ride.

As my son and I finished our little romp on the sissy-saw, he ran over to me, eyes sparkling and smile beaming.

“That was fun, Daddy! Can we do it again?”, he asked.

And as I looked into the beautiful face of my little boy, I began to become enraged at what our society is doing to our children. Because of alleged “safety concerns”, he will never know the life-changing, character-forming experiences that I was permitted to encounter as a result of playing with my mates on a normal see-saw.

I vowed then and there that my son would not be cheated in this way. He would not be robbed of so critical a part of childhood, something so necessary to building his well-roundedness as a functioning member of society.

He looked up at me, smiling, awaiting my answer – could we ride again?

I looked down at him, determined.

And then I kicked him in the balls.

Jacob Michael
Follow me on Twitter

Contest Round-Up: 2010-02-10

Filed under: Articles — Tags: , , , , , , , — UncaScroogeMcD @ 12:20 am

contestheader.jpg

Welcome to our weekly round-up of featured giveaways here at FRED. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Universal Home Video, we’re giving away three (3) copies of COUPLES RETREAT on DVD, plus each winner will get a COUPLES RETREAT Beach Mat.

In conjunction with Miramax Home Video, we’re giving away two (2) copies of EVERYBODY’S FINE on DVD.

In conjunction with Docurama Home Video, we’re giving away three (3) copies of THE END OF THE LINE on DVD.

In conjunction with Virgin Records, we’re giving away two (2) copies of ENIGMA: THE PLATINUM COLLECTION.

Win ENIGMA: THE PLATINUM COLLECTION on CD!

Filed under: Contests — Tags: , , , — UncaScroogeMcD @ 12:18 am

contestheader.jpg

In conjunction with EMI/Capitol, we’re giving away two (2) copies of ENIGMA: THE PLATINUM COLLECTION.

Contest ends at 11:59pm EST on Wednesday, March 3rd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 3rd.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE END OF THE LINE on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:09 am

contestheader.jpg

In conjunction with Docurama Home Video, we’re giving away three (3) copies of THE END OF THE LINE on DVD.

Contest ends at 11:59pm EST on Wednesday, March 3rd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 3rd.

The winner must allow 4-6 weeks after notification of win to receive the product.

February 10, 2010

Win EVERYBODY’S FINE on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 11:57 pm

contestheader.jpg

In conjunction with Miramax Home Video, we’re giving away two (2) copies of EVERYBODY’S FINE on DVD.

Contest ends at 11:59pm EST on Wednesday, March 3rd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 3rd.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win COUPLES RETREAT on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 11:50 pm

contestheader.jpg

In conjunction with Universal Home Video, we’re giving away three (3) copies of COUPLES RETREAT on DVD, plus each winner will get a COUPLES RETREAT Beach Mat.

Contest ends at 11:59pm EST on Wednesday, March 3rd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 3rd.

The winner must allow 4-6 weeks after notification of win to receive the product.

Cabin Fever 86: Snatch

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 8:47 pm

cabinfeverheader.png

cabin.jpgOh no! Just when you thought it was safe to hang out at the FRED…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

linesm.gif

CABIN FEVER #86: Snatch – In this week’s cast the boys talk about miraculous births, AVATAR – along with other money earners – politics, and more such nonsense. Music this week is provided by Los Fahina.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #86 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_86.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

line.gif

CLICK HERE FOR THE CABIN FEVER ARCHIVES

line.gif

##

A Bit Of A Chat with Ken Plume & Storm DiCostanzo

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , , , , — UncaScroogeMcD @ 4:34 pm

bitofachat-header.png

lucyline.gif

I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I chat with one half of the musical comedy duo Paul & Storm – the Teller-esque half known as Storm…

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Storm DiCostanzo“:

[audio:http://traffic.libsyn.com/bitofachat/bit_of_a_chat-storm_dicostanzo.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

##

patreon-fred.png

Drop Ken a line HERE.

##

You can also find more of my interviews by clicking HERE.

lucyline.gif

Bagged & Boarded 47: My Head Hurts Already

Filed under: Bagged & Boarded — Tags: , , , , — UncaScroogeMcD @ 4:06 pm

baggedboardedheader.jpg

What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

linesm.gif

BAGGED & BOARDED #47: My Head Hurts Already – In which Matt and Jesse delve deep into the current and final season of LOST, and get quite lost themselves along the way. Welcome to the wittiest podcast in America.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #47 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-47.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

line.gif

CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

line.gif

##

FREDagator: 2010-02-10

Filed under: FREDagator — UncaScroogeMcD @ 11:21 am

lucyline.gif

THE MUPPETS’ VIRAL CAMPAIGN CONTINUES – BEAKER’S BALLAD

HOTEL HELL VACATION MINI-MOVIE (Imagine if it were actually well-written. You know… Funny)

[ad#contestbox]

The No Show: An Interview with James Cameron

Filed under: Interviews,No Show — Tags: , , — UncaScroogeMcD @ 1:11 am

noshowheader.png

An exclusive interview with James Cameron, Emperor of Everything on his latest James Cameron Epic Motion Pictureâ„¢: AVATAR

lucyline.gif

Now that the James Cameron Epic Motion Pictureâ„¢ Avatar has taken over as the Greatest James Cameron Epic Motion Pictureâ„¢ Ever Made and James Cameron himself has been crowned Emperor of Everything, it’s only fitting that The No Show track him down and ask him the hard hitting questions that everyone is too scared to ask for fear that he will crush them with his withering stares and his personal army of Terminators (they’re totally real by the way).

noshow-cameron.png

Now that the James Cameron Epic Motion Pictureâ„¢ Avatar has taken over as the Greatest James Cameron Epic Motion Pictureâ„¢ Ever Made and James Cameron himself has been crowned Emperor of Everything, it’s only fitting that The No Show track him down and ask him the hard hitting questions that everyone is too scared to ask for fear that he will crush them with his withering stares and his personal army of Terminators (they’re totally real by the way).

lucyline.gif

THE NO SHOW: So James – may I call you James?

The Disembodied Voice of James Cameron, Emperor of Everything: You may refer to me as James Cameron, Emperor of Everything.

THE NO SHOW: I’m sorry…?

TDVoJC (EoE): Please refer to me by my given name, James Cameron, Emperor of Everything.

THE NO SHOW: That’s going to eat into a lot of our interview time.

TDVoJC (EoE): Don’t worry your pretty little head about it. After all, I’m a Master of Time and Space.

THE NO SHOW: Master of Time?

TDVoJC (EoE): And Space, yes. All Canadians are, but they’re too polite to really use the skill. Those that do become incredibly successful for almost no reason whatsoever, of course. Think about it: Jim Carrey, Mike Myers, Alanis Morissette – what have they done to deserve their success?

THE NO SHOW: That does explain a lot.

TDVoJC (EoE): Absolutely. Just look at my previous Epic Motion Pictureâ„¢ Titanic – that flew by for millions of viewers around the world, right? And yet it clocked in at an epic 19 hours long. No-one even noticed because I squeezed it into a paltry three hours and 17 minutes.

THE NO SHOW: It still felt pretty long.

TDVoJC (EoE): So if we’re running short on time, I’ll bend time and space to make sure you get in all your questions. So long as I approve of the questions. Otherwise, I’ll rewind time and refuse this interview. And then make sure you achieve none of your lifelong ambitions. I will also un-invent the internet if you bug me. Just to make sure.

In fact, if you do, say or suggest anything of which I do not approve, in addition to killing every pet you have ever owned, I will travel back to your early twenties and sleep with your first serious girlfriend, little… [loud electrical disturbance] Mary McGoogle. My she was a hottie wasn’t she?

THE NO SHOW: …

TDVoJC (EoE): [loud electrical disturbance] Oh yes she was. I just went back and did her anyway. Twice. Just to show you I mean business. You should call her up and ask her. She probably wouldn’t take your call though. Once you go Disembodied Master of Space and Time, you never go back, as they say. On the bright side, you’ll find you have now never had crabs. You’re welcome.

THE NO SHOW: So, your film, Avatar, has been breaking records all over the place –

TDVoJC (EoE): Do you mean my Epic Motion Pictureâ„¢ Avatar?

THE NO SHOW: Yes, the film –

TDVoJC (EoE): – my Epic Motion Pictureâ„¢ –

THE NO SHOW: – Avatar has done major box office –

TDVoJC (EoE): My Epic Motion Pictureâ„¢ Avatar is has been are doing precisely the box office I am are making it do. Done. Sorry, tenses get a bit squiffy with time travel.

THE NO SHOW: Did your plans include being knocked off the top spot in the US by Dear John, by all accounts a soppy romance with virtually no story and no big Hollywood names?

TDVoJC (EoE): Yes. This was exactly as I made it happen. My Epic Motion Pictureâ„¢ Avatar beat the record box office run established by my previous Epic Motion Pictureâ„¢ Titanic, and my next Epic Motion Pictureâ„¢ will beat my current Epic Motion Pictureâ„¢ and so on and so forth. It’s a long-term strategy.

THE NO SHOW: And you made this happen…?

TDVoJC (EoE): Absolutely. I manipulated time and space, went back and forth, checked out the films that were due to be released around this time and chose Dear John, which was the least threatening.

Then, late at night while everybody was sleeping, I crept into their rooms and whispered, “You will go see Dear John this weekend. You will go see Dear John this weekend. This will not affect your unquestioning devotion to James Cameron’s Epic Motion Pictureâ„¢ Avatar.” Lo and behold, my Epic Motion Pictureâ„¢ Avatar drops to second place. And this way, no-one even noticed that my Epic Motion Pictureâ„¢ Avatar had virtually no story.

As for the Epic box office performance of my Epic Motion Pictureâ„¢ Avatar, well, what can I say? I’ve always done well with sequels.

THE NO SHOW: Sequel?

TDVoJC (EoE): Well, technically my Epic Motion Pictureâ„¢ Avatar is the fourteenth in a series.

THE NO SHOW: But Avatar –

TDVoJC (EoE): – my Epic Motion Pictureâ„¢ Avatar –

THE NO SHOW: Whatever, it wasn’t a sequel.

TDVoJC (EoE): Of course it was, the first one bombed, don’t you remember? Then I did all those test screenings, made the Na’vi skinny and half-naked, gave the female ones pert little Shakira-like breasts and – oh no, of course you don’t. Silly me, always forgetting these things. Interesting story: in fact, this is the fourteenth release of the film, you just don’t remember them. I kept going back in time, simplifying the story, making it more familiar and comfortable for audiences and adding more partial nudity and explosions and special effects until BAM, I had a multi-million dollar hit on my hands. Simples.

THE NO SHOW: Is that why the film –

TDVoJC (EoE): – Epic Motion Pictureâ„¢ –

THE NO SHOW: – has been described as a mix between Pocahontas, The Dark Crystal and the Smurfs, but for adults?

TDVoJC (EoE): [loud electrical disturbance] … I’m sorry, what were you saying?

THE NO SHOW: … Hm, that’s funny, I don’t remember.

TDVoJC (EoE): That’s fine. You were asking how it feels to have created what many are calling the most Epic cinematic experience since my last Epic Motion Pictureâ„¢ Titanic.

THE NO SHOW: Was I? I don’t recall…

TDVoJC (EoE): No problem. It feels great.

THE NO SHOW: Um OK, thanks for taking the time to speak with us.

TDVoJC (EoE): My pleasure. And remember: my next Epic Motion Pictureâ„¢, The Little Mermaid, comes out next year. And it will be in 4D, a technology I haven’t even invented yet, but I’m confident I’ll be able to borrow from somewhere in time and claim as my own with a few very minor tweaks.

THE NO SHOW: The Little Mermaid? You mean like the Disney ““

TDVoJC (EoE): [loud electrical disturbance] … I’m sorry, what were you saying?

THE NO SHOW: Um, sorry, I’ve lost my train of thought. In any case, we’ve run out of time, so I’ll just say thanks to the Disembodied Voice of James Cameron, Emperor of Everything, and we look forward to what I’m sure will have been your next biggest Epic Motion Pictureâ„¢ ever.

TDVoJC (EoE): Now you’re getting it.

THE NO SHOW: By the way, I loved Citizen Kane.

TDVoJC (EoE): Thanks. I was particularly proud of that one.

Brought to you by The No Show

Opinion In A Haystack: Adam Rifkin

haystackheader.jpg

QUESTIONING GREATNESS with ADAM RIFKIN:

EARTH’S PREMIERE STORYTELLER

cid_cdf8ef2f-4855-43eb-a471-a09ffa185c1b

We (Bob Rose, me, I?) at the OPINION IN A HAYSTACK DEPARTMENT are proud to announce that I (we?) were (was?) given the chance to pick the brain bucket of Hollywood’s supreme philosopher and film-creationist, Sir Adam Rifkin (facebook, twitter, myspace.) He’s the filmmaker responsible for Detroit Rock City, The Chase, The Dark Backward, and, more recently, the award winning Look. I was able to sit down with Mr. Rifkin, in front of our respective computers, and interview him, via email, about a plethora of assorted, varied, diverse, sundry, indiscriminate, and heavily kaleidoscopic ideas.

I originally sent Mr. Rifkin over 3,000 questions, most of which involved very uncomfortable queries about his family lineage, sexual fears, and Laserdisc-replica collection. He answered all of them in full detail, thus passing the interview-qualification-process, which allowed me to send him the 16 questions you will find below.

This interview brought to you by BLUMP’S WEASELRONI: “Bring Variety Back into Your Mealtimes!”

BOB ROSE: First, thank you for taking the time to answer my questions. From what I can tell you’ve been interviewed by Movie Poop Shoot/Quick Stop/FRED at least three times by now, covering almost every subject of your career imaginable, so I hope it’s ok if I ask some rather unconventional questions and get some unconventional answers? If not, let me know, I will write conventional questions I promise! I swear!!!

ADAM RIFKIN: Great. No problem, ask whatever you like. I’d also love to schedule a live interview at your convenience. That said, evenings are better for me. Either Wednesday or Thursday. Because of my crazy schedule I’m only free from precisely 11:32pm and 15 seconds to 11:32pm and 22 seconds. Hopefully we can get everything we need to discuss covered in those 7 seconds. If we can possibly cover everything in 4 seconds it’d actually be a little better for me because I could really use those 3 extra seconds to do my laundry, feed my cat, jerk off, pay my bookie, paint my house, eat some cheese, bake a cake, shave my balls, pop my zits, tweeze my eyebrows, kneed some bread, pluck my chickens, write a novel, sue my landlord, lipo my love handles, fuck my girlfriend, do an Iron Man, rehearse an opera, condemn an innocent man, ponder the sound of one hand clapping, blink The Bible in Morse Code, club some baby white harp seals, use my powers of hypnosis to pick up chicks, pretend I’m a robot, scratch my ass, swallow my tongue, make Star Trek door noises, stare at an image for a really long time and then close my eyes and study the after image that lingers behind my eyelids, make myself throw up, make prank phone calls to 911, burn ants with a magnifying glass, have a water gargling contest with a midget, fart in an elevator, provoke an unstable hobo, secure my pant legs with rubber bands and fill my jeans with chili, yawn on an immigrant, return my Christmas presents, carve a life size statue of Marv Albert out of chopped liver, calk my crack with creamed herring, commit acts of heresy, bang a gong, loiter outside a 7-11, obsess on obscure JFK conspiracy theories, fondle the penal code of the habeas corpus, ipso facto, e, pluribus unim, e tu, Brute, odds bodkins, ad absurdum, infinitum, and so forth and so on until we’ll all die a horrible, wretched and miserable death. Other than that, I’m pretty open. Cool?

BOB: I’m a studio executive, drunk on power, with cash flowing out of every orifice. I walk up to you, dressed in velvet, and say “Mr. Rifkin, I’ll give you $500 MILLION for your next film, all I ask is that at some point a character must say the phrase: “Gee, this sauce is rather tart, here’s your money.” What film would you make?

ADAM: Easy choice! I’d make a film entitled SUGAR TITS. It’s a long time passion project of mine about a drunken, anti-Semitic movie star who, after being pulled over by the cops for DUI, goes on a vicious cross country killing spree in the name of religion. The film will star Mel Gibson as himself and will open with the all too familiar dashboard video of Mel Gibson being pulled over by Malibu police for driving erratically. The two cops yank him out of the car and soon surmise that the famous actor/director is plastered beyond cognition and attempt to arrest him. After going on a biblically charged, nonsensical tirade to Officer Shlomo Finkelstien, about the fact that the Jews of the world are responsible for all the wars throughout history, he looks amorously to the beautiful and buxom Officer Tootsie Weems and exclaims the now infamous line, “What are you looking at Sugar Tits?”, (which has since become a staple pick-up line on college campuses across the country). While being handcuffed, Mel recites the Good Sheppard Psalm in a mocking Yiddish accent, then breaks free of the cuffs, (thanks to having prepped for a Dick Donner version of a Houdini movie that never materialized).

He then steals Officer Finkelstien’s gun and kills him, execution style, with a single bullet to the taint. He quickly subdues Officer Weems with his mad Jew-Jitsu skills, hog ties her and throws her into the back seat of the police cruiser. Thirsty for as much camera time as humanly possible, Gibson decapitates Officer Finkelstien with the Bowie knife that’s strapped to his ankle, and uses the officer’s disembodied head as a theatrical prop for what he drunkenly believes will be his greatest performance. He then sloppily slurs his way through the “Alas, poor Yorick” speech from his film version of Franco Zeffirelli’s Hamlet, taking awkward breaks between the Iambic Pentameter to suck on whip cream gas from a can of Tippy-Top Topping. Satisfied with his performance, he grabs his balls and screams “Suck on that A. O. Scott!” into the dash cam before stealing the cop car with Officer Weems still hogtied in the back, as his prisoner and sex slave.

Strangely, A. O. Scott, not only, never reviewed the Zeffirelli version of Hamlet, but Hamlet was released in 1990 and Scott didn’t start reviewing for the New York Times until 2000. But go argue with a drunk. Gibson then proceeds to head across the country drinking to excess, preaching the gospel and massacring anyone who dare question his fire, brimstone and beer nuts approach to the Good Book. Along the way he’ll have many adventures and encounter a plethora of obstacles while assassinating as many innocent people as possible. The deaths will be highly stylized and extremely creative. For example, he’ll meet up with Purvis Nimblestroid, a nose hair clipper salesman from Des Moines Iowa who lives with his 78 year old mother, a sufferer of an odd form of dementia resulting in her being convinced she’s Britney Spears. Gibson and Weems, (now lobotomized and completely under Gibson’s control,) rent a room in the Nimblestroid’s home posing as a married couple from South Bend. One night while Mrs. Nimblestroid is performing “Oops, I Did It Again” in the living room after a home made supper of turtle chops and egg soup, Mel takes it upon himself to roll play and pretends to be a member of the paparazzi. He uses an empty box of Kraft Mac N’ Cheese as a camera and starts snapping away, but when Old Lady Nimblestroid horrifically recreates the “no underwear” incident that set the internet on its ear,
Mel is driven into a fit of blind rage. Furious at her ungodly behavior, Gibson ties up both mother and son and kills them slowly with a melon baller. Scoop by scoop he reduces them to a pile of bloody orbs, then Gibson forces Weems to eat the super ball sized remains while sitting in a kiddie pool filled with bible pages and sour cream . As Mel and Tootsie continue East, and as the bodies continue to pile up, FBI agent Zack Craggs is always just one step behind the illusive mass murdering movie star. Conflicted about spearheading the case to catch Gibson, Craggs grew up a massive Mel fan and has a hard time coming to terms with the fact that his child hood hero is a ferocious and fanatical monster. He continually questions his loyalty to the bureau versus the star of his all time favorite film, Bird On A Wire.

Ultimately the story lines all converge at SedaKon, the world’s largest Neil Sedaka convention, when Craggs, in a heart pounding action sequence, chases Gibson through the rafters of the Albuquerque Convention center during Neil’s show stopping performance of Breaking Up Is Hard To Do hundreds of feet below. There’s also a subplot involving Mel smuggling illegal artificial sweeteners into Mexico in Officer Weems fake breasts and them exploding at the border. There is also an elaborate fantasy sequence where Mel rides a giant flying mongoose into the past. The time traveling marsupial takes him into ancient Judea where Mel and Jesus star in a buddy movie together, Jesus playing a loose cannon cop who’s ability to rise from the dead causes him to continually take unnecessary risks, and Mel as his beleaguered sweater-less partner who always says, “I’m gettin’ too cold for this shit.” (kind of a twist on the familiar), but I won’t bore you with all those details. Anyway, the film ends with Mel appearing on Larry King, miraculously having convinced authorities and the public at large that it was actually Agent Craggs who was the killer and that Mel was actually the hero who stopped him from his murderous rampage.

The whole film is to be an indictment of the fact that we let celebrities get away with anything, including murder, because they’re charming, funny and oh so engaging in a quick sound bite. What Larry King doesn’t know however, is that Mel’s new “Gibson’s Own” brand of tomato sauce is actually made (in part) from the brains of all his victims, and when Larry agrees to plug Mel’s new product, buys some and taste it on live TV, he says; “Gee, this sauce is rather tart, here’s your money”. But I don’t want to give away too much (in case this really happens.)

BOB: Your film, The Chase, has quite possibly the most dangerously-elegant sex scene ever conceived. Was the scene inspired by true events?

ADAM: Well, the inspiration behind Charlie Sheen and Kristy Swanson having sex in a speeding car in THE CHASE was the fact that, that is precisely how I was conceived. I never really wanted to know the details beyond the basic facts, I mean, who wants to think about their parents doing the horizontal mambo? Burying the weasel? Doing the tube steak fandango? Filling the cream Doughnut? Getting some stank on the hang low? Having a bit of pork pot pie? Puttin’ sour cream in the Burrito? Running the naked Wheel Barrow Race? Etc… But that was the kernel of truth that inspired the whole movie. Unlike in the film however, my parents actually crashed during the act. My father blindly barreled into an old age retirement community and regrettable killed 27 senior citizens and two staff workers before plowing head long into the swimming pool. He did make it out of prison just in time to be able to come to the premiere. The way I was conceived just may account for my fierce daredevil nature though. I love sky diving, bungee jumping, base jumping and extreme sports of any kind, including extreme digesting. I’ve also invented a new extreme sport, I’ve taken the rush associated with hang gliding and the confidence associated with having an enormous penis. I call it Hung Gliding.

And speaking of penises, what many people don’t know is that THE CHASE was not originally funded by 20th Century Fox, but by a porn company called Jack In The Crack Productions. They agreed to finance 100% of the movie as long as a hardcore version was simultaneously shot for the European release. Surprisingly, Sheen and Swanson both agreed and so we actually shot two completely different versions of THE CHASE, one where Sheen kidnaps Swanson and they’re chased by cops from Newport Beach down to Tijuana, and one version where Charlie shows up to Kristy’s dorm room dressed like a pizza delivery man. Unfortunately Fox bought the PG-13 version and buried the XXX version before the release. It’s a shame too; the alternate version had quite a climactic conclusion.

rifkin_pic_3thin

BOB: I’ve been a huge fan of The Chase since it was released, often thinking of it as kind of the comedic answer to Oliver Stone’s Natural Born Killers in relation to how the media’s absolute power corrupts absolutely. Is there any truth to my observation, or am I just a kook?

ADAM: Duh.

BOB: You played the lead in your film The Stoned Age in tribute to legends like Woody Allen and Mel Brooks. Is this something you could see yourself doing again in a future project?

ADAM: Yes, I wrote, directed and starred in HOMO ERECTUS (AKA National Lampoon’s STONED AGE), a comedy about a philosophical caveman who can’t get the girl (Ali Larter). I love acting and not only would I be interested in performing in more films of my own, but I’m actually starring in a slew of upcoming big studio releases. Now that the deals are signed and the release dates set, I can finally tell you about what I have in the hopper. I just signed on to play the lead in James Cameron’s new Avatar spin off. It’s a heart warming story about a mentally-challenged alien who helps inspire his tribe to be more tolerant to those with special needs, it’s called AVATARD. I’m also starring in Peter Jackson’s new film where I play a little boy who’s murdered and while my father tries desperately to solve my killing I’m accosted in the “in between place” by a group of NAMBLA members who also all died when their tour bus drove off a cliff coming home from a Jonas Brothers concert, it’s called THE LOVELY BONERS. I’ll also be appearing in Quentin Tarantino’s MALODOROUS ASS-TURDS and acclaimed porno director Fartin Squirtspraysee’s SHITTER ISLAND.

BOB: Detroit Rock City is one of my personal favorite comedies ever, as well as a rather touching coming-of-age tale. Did you listen to Kiss growing up?

ADAM: Yes I did listen to KISS when I was a kid, but I was a much bigger fan of Gene Simmons’ first band called OWL TURD HOOTENANNY. Similar to KISS but much more country sounding and a lot more songs about mouse eating. I also listened to my uncle Yortis who told me that urine was liquid sunshine.

BOB: In what warehouse does that enormous Gene Simmons POV-tongue lay dormant waiting for me to steal?

ADAM: It’s in the Smithsonian. You can find it in the same isle as Clarence Thomas’ pubic hair, Wilbur Wright’s nipple clamps and Benjamin Franklin’s peenee pants. (In addition to being one of the Founding Fathers, having invented the lightning rod and bifocals, he also invented a popular style of pants of the day called Peenee Pants, which enabled the wearer to expose his entire genital region with the unfastening of one strategically designed button-flap.)

BOB: Do you truly believe that “Disco Sucks!”?

ADAM: Disco does suck. But never on the first date. You might be lucky enough to get a peck on the lips. Date two might involve some genuine tongue kissing and possibly some boob squeezing outside the shirt, but only if the dinner and conversation before hand was comfortable and intellectually stimulating. The third date might involve some moderate petting but don’t push it because date four is definitely when Disco gets oral. And Disco has the biggest, fattest, softest, wettest, lips around, so it’s worth the wait!

BOB: You work with many of the same talented people over and over again such as Miles Dougal, Natasha Lyonne, Ron Jeremy and Giuseppe Andrews. Do you write with them in mind, or do you just cast all your friends who also happen to be very talented?

ADAM: First of all let’s clear something up right here and now. The words “Ron Jeremy” and “talented” are never to be uttered in the same sentence together again. Ron’s so fat, he doesn’t have an hour glass figure, he’s got a 24 hour glass figure. Ron’s so fat, when the judge said “order”, Ron jumped up and screamed “two chili cheeseburgers and a Cherry Coke!” Ron’s so fat, when he wears a yellow rain coat people yell, “Taxi!” Ron’s so fat, when he lays on the beach Greenpeace shows up and drags him back in the water. Ron’s so fat, it beeps when he backs up…

As far as the others, I use the people I feel are talented and that I know I can rely on. And yes, when I know someone is good, I’ll often write roles with them in mind. Miles Dougal, for example, not only is a classically trained Shakespearean actor with degrees from both Juilliard and Yale School Of Drama, but he’s also the only actor to ever win an Oscar, a Golden Globe, a Grammy, a Tony, and the Triple Crown all in the same year. We went to high school together so I know his strengths and weaknesses and I can tailor roles to the aspects of his talent that others may be unaware of. Like his ability to be able to fart the song Wipe Out. But you’ll learn all these tid-bits about Miles and so many more when the Ken Burns documentary series about him airs on PBS this fall.

…Ron’s so fat, his high school photo was a helicopter shot. Ron’s so fat, the animals at the zoo feed HIM. Ron’s so fat, they found Jimmy Hoffa stuck in his crack. Ron’s so fat, when he farts on Tuesday the sound doesn’t come out until Friday. Ron’s so fat, when the weatherman said it was chilly out he ran outside with a spoon…

BOB: >Can we ever hope to see a flick based on the Shmobots?

ADAM: Yes. Since the graphic novel has done so well and gotten so many fantastic reviews, we are currently prepping a host of ways to capitalize on those lovable pot smoking slacker robots called SHMOBOTS. There’s a Broadway musical in the works as well as a $200 million epic movie that will star Will Smith as the cantankerous Rusty and Ben Kingsley as the nerdily efficient Eyeballs The Robot. Though controversial, we’re also developing an extensive SHMOBOTS weapons program with the United States Military that will be funneled through the Boeing munitions contract. I’m not at liberty to discuss that one in any more detail than I’ve already divulged.

BOB: Night At The Golden Eagle seemed to be a big change of pace for you, and a very artistically successful one at that. Did you get a lot of pleasantly confused reactions from those that normally view you as a comedy filmmaker?

ADAM: The reactions were varied, but interesting. Here is a selection of some of the reviews we got at the time of the film’s release:

“NIGHT AT THE GOLDEN EAGLE, by the usually very funny filmmaker Adam Rifkin, delved so deeply and so effectively into the pits of human despair and emotional darkness, that my penis literally wrapped itself around my own testicles and squeezed them like an anaconda, so hard, cutting off all circulation for the duration of the brilliant film, I was left not only emotionally drained from the movie, but sterile.”
– A. O. Scott, NEW YORK TIMES

“NIGHT AT THE GOLDEN EAGLE is such a powerful and captivating exploration into the sinister side of the human condition that after seeing it I sold all of my worldly possessions and moved to Addis Ababa where I now live as an Ethiopian street mime.”
– Peter Travers, ROLLING STONE

“Adam Rifkin’s inspired NIGHT AT THE GOLDEN EAGLE may very well be the greatest movie ever made. I foolishly walked into the screening thinking Rifkin was only capable of comedy, I now realize he is not only capable of drama as well, but he’s a master of it. I also feel it imperative to mention that my farts smell suspiciously like Chinese food, which is odd because I haven’t eaten Chinese food for at least 3 months.”
– Roger Ebert, CHICAGO SUN TIMES

“NIGHT AT THE GOLDEN EAGLE is that rare once in a lifetime movie that makes you want to fill your underpants with ants!”
– Gene Shalit, TODAY

BOB: Your film LOOK deals with a subject made possible by this new era of digital photography. As a filmmaker do you have a stance on the Digital vs. Film debate, or has it just come down to another factor where budget is concerned?

ADAM: Dandruff. Browdruff. Lashdruff. Burndruff. Bearddruff. Stachdruff. Pitdruff. Pubedruff. Backdruff. Now there’s a Head N Shoulders for each!

BOB: With your cult classic The Dark Backward in mind: What if Adam Rifkin wakes up tomorrow morning and finds an arm growing out the center of his back? What is his next move? Will this discovery ruin his breakfast?

ADAM: I try not to deal in hypotheticals, only facts. And here are 9 facts that you may find interesting:

1. All Norwegians smear pudding on their genitals before taking a driving test.
2. Every time an angel farts a hobo gets his wings. It’s rare, but it does happen. Have you ever heard an angel fart? It’s the most indescribably beautiful sound I’ve ever heard. To fart without sin is the purest form of love.
3. If you take cranberries and stew them like applesauce, they taste much more like prunes than rhubarb does.
4. Moses had a gay brother named Homoses.
5. The American West had a famous gay Indian chief named Geronihomo.

6. One of the most famous gay books on whaling was Homoby Dick.

7. Che Guevara’s gay exploits were explored in The Homotorcycle Diaries.

8. The Gay Three stooges are Homoe, Fairy and Shirley.

9. 1960’s Black music underwent a gay Renaissance when Fairy Gordy founded Homotown Records.

10. Supposedly Jesus’ farts smelled like rainbows ““ a fact suppressed by Vatican procto-theologians for centuries because it could be misconstrued as “too gay” (*see: the lost book of Homoses).

BOB: You’ve worked with personal heroes of mine, legendary directors John Landis and Joe Dante. Was their early work influential on you in your youth or when first becoming a director yourself?

ADAM: Yes, but interestingly enough, their films are only part of the reason I find them inspiring. What many people may not know is that John Landis, in addition to being a renowned filmmaker, is also the world champion in Extreme Origami. He’s the only Westerner to ever win the Gamibowl twelve years in a row. The thousand’s year old competition is held annually in Osaka Japan and is the most popular sporting event in the Eastern Hemisphere. This year he again took home the coveted Saikaku award for his incredibly intricate and staggeringly accurate Origami interpretation of the Peloponnesian Wars.

Additionally, Joe Dante is much more than just a popular filmmaker; he’s the guy who invented tweezers.

BOB: As a lover of quality family comedies I am a fan of both Mouse Hunt and Small Soldiers. Who would win in a cage-match between Chip Hazard and The Mouse?

ADAM: When Ben Kingsley asked me that very same question on the set of GHANDI 2: ELECTRIC HUNDU POO, I told him to kindly tickle my balls with a cat whisker and recite the “Trench Coat Crappletree” speech from William Shakespeare’s THE UNDERPANTALOON GANG DOTH GO BANANAS. He then promptly slit his throat with one of his own pubic hairs and bled out all over my brand new Chuck Taylor Negrons.

cid_2ee79361-b792-45b7-ae03-5afb6f9ffb92

BOB: I’ve read about your upcoming LOOK television series, Perhaps you could tell our readers a little bit about the show and also let us know if there are any other future projects you have in the pipeline that you would like to unleash on the world at this moment?

ADAM: LOOK The Series is based on the critically acclaimed and multi award winning motion picture I made of the same name that came out in 2008. It explores the conceit that the average American is captured on surveillance camera over 200 times a day. The film (and now the series) follows multiple story lines, but what hopefully makes LOOK unique is that it’s shot entirely with surveillance cameras. It’s a show about voyeurism, privacy and the things that people do when they don’t think they’re being watched. “Look” for LOOK The Series later this year on Showtime.

I also wrote a comedy that comes out later this year called KNUCKLEHEAD and I’m currently writing a big kid’s movie for Disney.

Oh, and I’ve been sewing body parts together in my basement for the last several months in an attempt to create a special friend who will never yell at me, never judge me and always wanna play when I wanna play and what I wanna play. I’ve named him Erwin and whenever he does something funny I always say, “Oh Erwin!”.

BOB: Thank you for taking the time to answer my questions, it’s very much appreciated. One last question: How many MYSTERY shirts do you own and where can I get one?

ADAM: No problem. Anytime. And yeah, I do own a lot of MYSTERY shirts. They’re made by a skate wear company in San Diego called Black Box. They really loved DETROIT ROCK CITY so they took the logo from the garage band that the kids had in the movie. As you know I wear MYSTERY shirts all the time. So does my girlfriend. I don’t know if you guys noticed but she has enormous natural breasts. Huge pendulous 19 year old udders that defy gravity. Giant fun bags that bounce when she walks, jiggle when she laughs and sway with a jello-like spring when she’s getting plowed from behind. Her cup size is double-D but grow to E during certain glorious times of the month. They’re extremely sensitive to the touch and she can practically be brought to orgasm just by licking her number 2 pencil eraser-like nipples. Sometimes I just curl up in her lap and suckle those commodious honkers of hers like a starving Ethiopian baby, “Mama”, I’ll squeak, my dewy eyes just staring up at her with innocent awe. I mean, I’m not kidding when I say this girl has capacious hooters, voluminous melons, walloping whoppers, humongous bazookas, Herculean bikini babies, immense amounts of sweater meat, colossal, thundering mammarial mountains, massively mammoth tatas, a Goliathly, monolithic dairy section…seriously dude, she got some big ol’ titties! And she’s really sweet too. Gotta run now but next time I’ll tell you a little about her ass.

—————————————————————–

That’s the end folks. Thank you to Adam Rifkin for his “spirited” interview. If you would like to read, hear, see (or feel?) more from Mr. Rifkin check out the links throughout the interview and the ones that follow this sentence…this one…yes, the one you’re reading…here comes the period.

Adam Rifkin at TRAILERS FROM HELL

Sneek Peek at TALES FROM THE SCRIPT

Buy TALES FROM THE SCRIPT

Thanks for reading!

February 9, 2010

FREDagator: 2010-02-09

Filed under: FREDagator — UncaScroogeMcD @ 2:34 pm

lucyline.gif

TAKE A TOUR OF THE INTERNATIONAL SPACE STATION IN HD

[ad#contestbox]

February 8, 2010

Masters Of Song Fu #6: Round 1 Voting Begins

Filed under: Masters Of Song Fu — Tags: , , , — UncaScroogeMcD @ 10:48 pm

songfu.png

We here at FRED are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a unique form of creative combat.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

Like a songwriting version of Iron Chef, the competitors will be presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to FRED to be voted on by you, the audience.

At the end of the 3rd Challenge, the two Challengers with the most votes will face off, mano a mano for the title of…

MASTER OF SONG FU

lucyline.gif

However, there may yet be one final challenge for this newly crowned Master – for they very well might (if the stars align and schedules permit) face off against one of the LEGENDARY MASTERS – artists like Jonathan Coulton, Paul & Storm, Neil Innes, Doc Hammer, & The RiffTones. Think of them as the iron chefs of Song Fu – one of which may or may not be revealed as your ultimate challenge. Only the wheel of uncertainty can predict (and even then, not).

lucyline.gif

So what was the first Challenge?

lucyline.gif

ROUND 1 CHALLENGE

Write a song that is about (or at least has key to the central narrative) RAIN (the meteorological phenomena). At some point (or throughout) the song, you must utilize an instrument (or vocals) that represent the rain. You are free to write your song in any style that you choose.

That’s it. The only other directive is that your song must run no shorter than 1 minute 30 seconds.

lucyline.gif

You’ll find each Challenger’s songs below, with the voting form at the bottom. Shadow entries can be found beneath the voting form.

THE CHALLENGERS

MIKE LOMBARDO

Mike Lombardo is a piano-playing geek-pop-rock singer-songwriter who likes to use hyphens when describing his occupation. He has been known to write songs about just about anything, including rocks and SAW 4. When not banging on a piano, Mike spends most of his time playing way too many video games or teaching small children how to bang on pianos. A graduate of Berklee College of Music, Mike is currently finishing up his second album with his piano rock band, the Mike Lombardo Trio.
Official Website: www.mikelombardomusic.com
Twitter: twitter.com/mikelombardo
ROUND 1 SONG:Sit And Watch The Rain
[audio:http://asitecalledfred.com/songfu/06song1/mike_lombardo-sit_and_watch_the_rain.mp3]

blankguide.gif

EDRIC HALEEN

songfu-edrichaleen.jpgEdric is a returning veteran of the Masters of Song Fu competition. He has been writing music (off and on) since the early nineties. He wrote and directed a musical, The Pushcart War, based on Jean Merrill’s wonderful novel. He has written and/or arranged a number of songs for various friends – some commissioned, some as surprises. He loves acting in community theatre, and is inspired by the music of Stephen Sondheim, Jason Robert Brown, Adam Guettel, Lynn Ahrens and Stephen Flaherty. Also – feel free to check out (and add to!) the “Happiness Board” on his web pages!

Official Website: happinessboard.com/Edric_Haleen.html

ROUND 1 SONG:In The Rain
[audio:http://asitecalledfred.com/songfu/06song1/edric_haleen-in_the_rain.mp3]

blankguide.gif

GODZ POODLZ

Legends foretell of a mighty duo, born in the frozen North. Two neighbors and friends will unite to form “Godz Poodlz” and battle the Mazters or Song Fu for glory and bragging rights! Godz Poodlz are Rüss Rogers and Rod Durre. Russ Rogers was once a member of “Kit and Kaboodle” (still available on iTunes) and currently performs in “Rusty’s Rocking Jamboree!” Rhod Durre was in the Goth Rock Band, “Sear!” Beware the Godz Poodlz Ear Worm! Godz Poodlz songs are bright, funny and tenaciously catchy. Come join Godz Poodlz Legionz of Fanz!

Official Website: godzpoodlz.bandcamp.com

ROUND 1 SONG:Rain Is Pouring Down
[audio:http://asitecalledfred.com/songfu/06song1/godz_poodlz-rain_is_pouring_down.mp3]

blankguide.gif

SPENCER SOKOL

Spencer is trying to do things. Music is one of those things. It is painfully obvious to him, if not others, that he has absolutely no idea what he’s doing. In the past he has been musically inclined with a guitar and occasionally with a piano. He is trying to be musically active once again, but this time he is attempting to do so while on the Internets. Creating music is a large part of his 40×40 list and he thinks this competition seems like “a Super Mega Happy Fun way” to rekindle his musical desires.
Official Website: www.spencersokol.com
Twitter: twitter.com/spencersokol
ROUND 1 SONG:Reservations
[audio:http://asitecalledfred.com/songfu/06song1/spencer_sokol-reservations.mp3]

blankguide.gif

KYLIE PETTO

My name is Kylie, and I’m your everyday 17-year-old girl with a passion for music. I’ve been writing my own songs since I was ten years old, and nothing is more fun for me than to sit down with my guitar and unwind. Now I thankfully have a violin to add to my arsenal, and I’m armed and ready for my second go at song fu!

Official Website: NONE
Twitter: twitter.com/KyliePetto

ROUND 1 SONG:Robby
[audio:http://asitecalledfred.com/songfu/06song1/kylie_petto-robby.mp3]

blankguide.gif

CALEB HINES

Caleb is a software engineer who pretends to be a musician on the internet. Self-taught in music theory, he is more comfortable writing a four-part instrumental fugue than he is writing a verse-chorus-bridge song. His favorite style of music went out of style at the end of the 18th century, but after discovering the likes of Weird Al, Dr. Horrible, and especially Jonathan Coulton, he realized that “omodern music” can be fun too. Now he is on a quest to update, expand, and diversify his musical knowledge and experience. In addition to singing, he plays a whole family of recorders, baroque flute, ukulele, melodica, pretends to play keyboard and guitar, and most recently, bass. He also uses virtual instruments because a real orchestra costs too much.

Official Website: refactoringmybrain.blogspot.com
Twitter: twitter.com/calebhines

ROUND 1 SONG:Water Cycle
[audio:http://asitecalledfred.com/songfu/06song1/caleb_hines-water_cycle.mp3]

blankguide.gif

BOFFO YUX DUDES

The Boffo Yux Dudes began in the 80’s and 90’s doing radio comedy, and promptly fell asleep for the next 15 years. Tom Giarrosso and Allan Morgan (Pop Machine) continue the tradition of trying to recreate their lost youth with exceedingly torturous music, instead of spending the money on therapy like normal people having a midlife crisis. Tom blames Mike Lombardo for showing him the Fu way of doing things, and now he has to listen to the voices and write songs instead of doing his actual day job.
Official Website: www.boffoyux.com
Twitter: twitter.com/boffoyuxdudes
ROUND 1 SONG:Reign of the King
[audio:http://asitecalledfred.com/songfu/06song1/boffo_yux_dudes-reign_of_the_king.mp3]

blankguide.gif

DENISE HUDSON

Denise Hudson is a musician of non-determined hair-color from Austin, Texas who is married to an musicaphile Australian. She hopes that she typed up her bio correctly (alas, she cannot spell!); and additionally hopes she amuses you, but she is done apologizing now. 🙂 If she happens to make you slightly uncomfortable, she supposes there’s nothing to be done for it…
Official Website: denisehudson.bandcamp.com

Twitter: twitter.com/RangerDenni
ROUND 1 SONG:Rain
[audio:http://asitecalledfred.com/songfu/06song1/denise_hudson-rain.mp3]

blankguide.gif

“BUCKETHAT” BOBBY MATHESON

songfu-buckethatbobby.jpgI’m “BucketHat” Bobby Matheson. I used to make cartoons for the internet, and sometimes still do, but mostly focus on my music right now. I write and record my songs solo, in my little make-shift studio, and when I play live, I often get some help from friends. Some of my music is funny, and some isn’t. More often than not, the humour is unintentional. My Influences range from Klezmer to folk, to punk and back again, which ends up sounding more like Zydeco than anything else (who’d have guessed?). I’ve been described as a “Cajun Buddy Holly” and an “Optimistic Elvis Costello”. It’s been said that I sound like “That guy from the Barenaked Ladies” and a “Nasaly Bob Dylan”. One of these days, I hope to have a description that is accurate.
Official Website: www.buckethatbobby.randomsociety.com
Twitter: twitter.com/BucketHatBobby
ROUND 1 SONG:Forget About The Rain
[audio:http://asitecalledfred.com/songfu/06song1/buckethat_bobby_matheson-forget_about_the_rain.mp3]

blankguide.gif

IAN “TWO SHADES” JOHNSON

Ian is a guitarist/singer/pianist/other-stuff-ist. He was a participant of Song-Fu #5, and is a member of Too Much Awesome. His songs have been described (by himself) as “probably not as funny as I think they are.”
Official Website: ianjohnson.bandcamp.com
ROUND 1 SONG:Downpour
[audio:http://asitecalledfred.com/songfu/06song1/ian_two_shades_johnson-downpour.mp3]

blankguide.gif

GORBZILLA

songfu-gorbzilla.pngGorbzilla is a musician/band teacher in Mid-Michigan. He has been in a few bands over the years, most notably as the bass player/vocalist for the band “Satin Jones” and the guitarist/vocalist for the band “Jimmy Likes Pie”. The proud father of two future rock maniacs, Gorbzilla has been writing music for the past twenty years, and is currently working on his first musical Beer ““ Finally a Musical for Men based on the Haiku by Patrick “Horkmeister” Sweet entitled, “I Think I Threw Up”. He has been happily married for eight years, and is looking forward to this competition.
Official Website: gorbzilla.blogspot.com
ROUND 1 SONG:Freezing Rain
[audio:http://asitecalledfred.com/songfu/06song1/gorbzilla-freezing_rain.mp3]

blankguide.gif

GOVERNING DYNAMICS

Governing Dynamics is the name of Travis Norris’s eternal sideproject, where all the stuff written by him goes when his current band (whatever it may be) refuses to play it. The music has been favorably compared to such bands as Eels, Radiohead, The White Stripes, and other bands that cool people like. It has been unfavorably compared to the tactics used by the FBI against the Branch Dividians at Waco. If he has to describe his music by genre (and refer to himself in third person) Travis calls it “alternative/shoegazer with a liberal dose of Midwestern rock”.
Official Website: governingdynamics.bandcamp.com
Twitter: twitter.com/travisnorris
ROUND 1 SONG:Rain in Chicago
[audio:http://asitecalledfred.com/songfu/06song1/governing_dynamics-rain_in_chicago.mp3]

blankguide.gif

ZER0GUY

Two brothers from the midwest return to Song Fu with their brand of eclectic musical ideas. They don’t like to stick to a genre, and sometimes they suffer from swarms of bees.
Official Website: www.myspace.com/zer0guyband
ROUND 1 SONG:Thundercade
[audio:http://asitecalledfred.com/songfu/06song1/zer0guy-thundercade.mp3]

blankguide.gif

JUTZE SCHULT

Johannes “Jutze” Schult (from Germany) likes to live in a dream world where there has been no Grunge and where he is a talented singer. Sometimes his little folky pop songs find their way into the real world. Here they suffer from his hoarse voice and the do-it-yourself home recording production, struggling to appeal off and on beaten musical paths.
Official Website: www.jutze.com
Twitter: twitter.com/schult
ROUND 1 SONG:Kingdom Of Rain
[audio:http://asitecalledfred.com/songfu/06song1/jutze_schult-kingdom_of_rain.mp3]

blankguide.gif

LEIGH & HOOVER

Dave & William have been writing songs together for decades, yet have still managed to avoid finding a clever name for themselves. William writes the words; Dave the music… which is good because it doesn’t really work the other way ’round.
Official Website: www.cratchit.org/music
ROUND 1 SONG:Summer Rain
[audio:http://asitecalledfred.com/songfu/06song1/leigh_and_hoover-summer_rain.mp3]

blankguide.gif

COMMON LISP

Common Lisp is the name for the music projects of yours truly, Paul R. Potts, and any collaborators I may be able to drag into participating. I am a middle-aged software engineer with four children, some home recording gear, and too many guitars. I have never written an original song. It’s about time, don’t you think?
Official Website: commonlisp.bandcamp.com
Twitter: twitter.com/paulrpotts
ROUND 1 SONG:Polly Loves the Rain
[audio:http://asitecalledfred.com/songfu/06song1/common_lisp-polly_loves_the_rain.mp3]

blankguide.gif

GLEN RAPHAEL

Glen Raphael is a Manhattan-based software geek, circus performer, and guitarist/singer/songwriter who counts Jonathan Coulton and Paul & Storm as influences. He has recently written songs that featured killer robots, exploding pants, and the Statue of Liberty having a mid-life crisis. Though not all at once. Yet.
Official Website: youtube.com/glenra
ROUND 1 SONG:Can’t See The Sky
[audio:http://asitecalledfred.com/songfu/06song1/glen_raphael-cant_see_the_sky.mp3]

blankguide.gif

INVERSE T. CLOWN

Inverse T. Clown is a jack of many entertainment trades, songwriting being one of his favorites. He has an album half-ready to be recorded, and is looking forward to garnering the patience to sit down and do it. Even more so, he’s looking forward to Song Fu 6. There is an ongoing series of internet covers of Inverse’s song “Today’s The Day” – and he loves them all – but it would nice to get some steam behind the endless REST of his genius, and Song Fu seems just the place to start it up. He’s funny, he’s clever, his music is synthetic, and he’s champing at the bit to throw everything he’s got to his clamoring fans. Stick around, and see why Salemites everywhere call this musical genius “The Future of Greatness”.
Official Website: toomuchawesome.ning.com/profile/InverseTClown
ROUND 1 SONG:Sexy In The Rain
[audio:http://asitecalledfred.com/songfu/06song1/inverse_t_clown-sexy_in_the_rain.mp3]

blankguide.gif

JEFF MacDOUGALL

Coming in at twice Mike Lombardo’s age, Jeff MacDougall is back and ready to throw some Fu! When asked about the competition, he had this to say: “Yeah. That’s right. I’m back. *coughs* *mumbles*” This will be a Song Fu for the ages!
Official Website: www.jeffmacdougall.com
Twitter: twitter.com/jeffmacdougall
ROUND 1 SONG:Beautiful Day
[audio:http://asitecalledfred.com/songfu/06song1/jeff_macdougall-beautiful_day.mp3]

blankguide.gif

TARYN MILLER

Taryn Miller is an 18-year-old, gluten-intolerant, crazy-hat-wearing guitarist (and other stuff too, but she’s played guitar longest). She hails from Winfield, Kansas – Home of Bluegrass.
Official Website: myspace.com/chellenesuperstar
ROUND 1 SONG:Crowded And Clouded
[audio:http://asitecalledfred.com/songfu/06song1/taryn_miller-crowded_and_clouded.mp3]

blankguide.gif

lucyline.gif

To download a ZIP FILE containing all of the ROUND 1 songs, CLICK HERE.

lucyline.gif

ROUND 1 VOTING

And now, it’s time for the voting. For this round, you can choose your TOP 5 FAVORITE Challenger songs. Be sure to choose carefully. VOTING CLOSES AT 11:59pm EST on SATURDAY, FEBRUARY 13th, and THE NEXT CHALLENGE WILL BE REVEALED ON MONDAY, FEBRUARY 15th. If you are having trouble voting, CLEAR YOUR BROWSER’S CACHE and try again. PLEASE NOTE: This voting system bases voting eligibility on your IP Address. If there are other computers on a home or business network that share the same IP address through a router, it may say you’ve already voted. Unfortunately, there is no way around this, and still be able to prevent ballot stuffing. It’s just the nature of the online voting beast.

lucyline.gif

ROUND 1 VOTING – THE CHALLENGERS

[poll id=”24″]

View Results

lucyline.gif

SHADOW ENTRIES

JOE “COVENANT” LAMB

I’m Joe Covenant. I’m Scottish. And never have enough time to do everything I wanna! Been singing and perfoming for over 40 years… (yes, I am 46.)… and I’ve nearly learned a 6th chord! Everything I do. I do for Song Fu. (If not for this ‘contest’ I would have never met and collaborated with so many talented people.)

Official Website: joecovenant.bandcamp.com
Twitter: twitter.com/JoeCovenant

ROUND 1 SHADOW SONG:Rain
[audio:http://asitecalledfred.com/songfu/06song1/shadow_song-joe_covenant_lamb-rain.mp3]

If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.

Good luck, and bring on the Fu.

lucyline.gif

[ad#contestbox]

TV Or Not TV: 2/8 – 2/14

Filed under: TV Or Not TV — Tags: , — admin @ 6:59 pm

tvornottv-header.png

For those of you that are frequent readers of this column I’m sure you will notice a certain trend that occurs around these parts: I don’t really tend to review things when they are happening. When it comes to television, because I have a regular job and life, I tend to play catch-up most of the time with the shows that are out there. This can either be because they are new shows that I haven’t opened up my schedule for or old shows that I used to watch all the time and couldn’t fit into my DVR schedule.

One show this season has fallen victim to the latter condition and that show is SMALLVILLE. I’ve watched this show since the beginning, I’ve stuck with it through the good, the bad, and the awkward. I’ve tolerated silly and at times confusing story lines and I’ve held out to see how the show re-invented itself when key characters left. Whether it has been to my benefit or detriment I’ve been a fan of the show.

Last season was one of the most challenging that SMALLVILLE had to endure. The show creators, Alfred Gough and Miles Millar, had left the show and Michael Rosenbaum (LEX LUTHOR) and Kristin Kreuk (LANA LANG) also were not to return as series regulars. If memory serves THE CW also renewed the show but on the basis of a lower budget. All of this seemed like a foreboding formula for disaster. What happened, instead, was one of the best seasons the show has ever had.

This season I was able to catch the sesaon premiere of SMALLVILLE but after that the show fell off my radar due to DVR conflicts. This past weekend, however, I was able to have a marathon to get me back on track. Once again I have to say that what I’m seeing is a thoroughly entertaining season that does a good job balancing story arc’s with stand-alone stories as well. The blend of this modern vision of Superman continues to be extended in an entertaining way with the continued incorporation of DC comic heroes and villains.

The writers were also able to do something this season that I wasn’t expecting in finding a creative way to bring back GENERAL ZOD, along with an army of his past troops. Yes we’ve seen ZOD before, sort of, but this time he’s here with an army but, unlike other times those of Krypton have shown up in the past, he and his army of bad-asses aren’t loaded up with the same super powers under Earth’s yellow sun. This little twist is part of what sets up the overall story arc for the season.

If there were any complaint that I can convey about this season it has to be with the casting of Callum Blue as the new incarnation of GENERAL ZOD. Having enjoyed his performance on the Showtime series DEAD LIKE ME I think my interpretation of his delivery is tainted. Every time ZOD tries to be intimidating I just see him as MASON and can’t take him seriously. A few season’s ago when LEX was possessed by ZOD the delivery by Michael Rosenbaum was much more believable than this season’s depiction. Call me petty but I just can’t buy Blue in the role.

Even if you can’t catch up on the entire season as I have this weekend I’d encourage you to go the The CW’s website (http://www.cwtv.com) and at least catch this past Friday’s two hour episode event titled “ABSOLUTE JUSTICE“. This episode features members of the Justice Society in a way that plays out very well both as a standalone episode as well as the way it relates to furthering Clark’s journey towards his eventual destiny.

Now let’s go from SMALLVILLE to TV-VILLE and see what the tube has to offer this week.

MONDAY

CBS – 8:00 PM: If you didn’t see the spot with BARNEY during the Super Bowl than you may want to try to find it before tonight’s episode of HOW I MET YOUR MOTHER.

NBC – 9:00 PM: I don’t know if tonight’s season finale will eventually be the series finale of HEROES. Let’s hope so since this sick dog really needs to be put down.

VH1 – 9:00 PM: CELEBRITY FIT CLUB: BOOT CAMP is back and this time two little words are going to make me tune in: BOBBY BROWN. This has disaster written all over it.

ABC – 10:00 PM: JOE TORRE guests on tonight’s episode of CASTLE with a baseball centric mystery. Baseball in winter, who’d a thunk it?

TUESDAY

FOX – 8:00 PM: AMERICAN IDOL finally gets to Hollywood tonight which means we finally see how ELLEN DEGENERES does in the guest chair. Will it be good or will we be pining for PAULA?

ABC – 9:00 PM: In this final season of LOST some of the titles play off of titles from seasons passed. Tonight’s episode, WHAT KATE DOES, is clever but I’m still waiting for April’s *spoiler* EVERYBODY LOVES HUGO episode.

NBC – 10:00 PM: Once again we say goodbye to Jay before we once again say hello to Jay with the series finale of THE JAY LENO SHOW. Unlike Conan’s last episode I won’t be tuning in for this at all.

WEDNESDAY

ABC – 8:00 PM: I have no recollection at all of A CHARLIE BROWN VALENTINE so I’m pretty sure I’ll know what I’ll be watching at 8:00 PM tonight.

A&E – 8:00 PM: This re-air of DOG THE BOUNTY HUNTER is the classic story of a good girl gone bad as the crew hunts down a stripper on the run.

ABC – 9:00 PM: Tonight’s MODERN FAMILY has all the potential for full on laughter as we see everyone’s Valentine’s Day. Did I mention CAMERON and MITCHELL try to play cupid for little MANNY?

HIST – 9:00 PM: The MONSTERQUEST team goes after MOTHMAN tonight. No, I didn’t confuse this with a plot from SMALLVILLE.

THURSDAY

CBS – 8:00 PM: How do you do an all-stars episode without calling it all-stars? SURVIVOR: HEROES vs. VILLAINS, that’s how! At least they got RUSSELL from last season. Let’s see how he does with a group that might know some of his shenanigans.

FOX – 8:00 PM: PAST LIFE is a mystery / drama with a twist in the form of a psychologist that believes in “past-life trauma.” Yeah, um…. ok. How long until they get SHIRLEY MACLAINE to guest star?

NBC – 9:00 PM: KATHY BATES shows up at THE OFFICE to tell MICHAEL and JIM that one of them has to return to the sales force. Too bad she won’t bring that block of wood and sledge hammer to drive her point home.

FRIDAY

NBC – 7:30 PM: The 2010 OLYMPIC OPENING CEREMONY rings in the Peacock’s $200 million loss as well as the Summer Olympic Games.

THE CW – 8:00 PM: Remember a few weeks back when I said that SMALLVILLE would be set in a Comic-Con style convention? Yeah, that actually airs tonight. This also kicks off tonight’s CW counter-programming strategy with a ZANTANA double feature as this ep is followed by last season’s episode feature the mysterious wish-granting lady.

ABC – 8:00 PM: The Alphabet Network clearly throws in the towel counter-programming wise with a showing of the 2004 film SPIDER-MAN 2. Isn’t this usually FOX‘s move?

SATURDAY

BBC AMERICA – 8:00 PM: SURVIVORS is a remake of a 70’s series where 90% of the world’s population is taken out by a flu pandemic. Now I have to see if this show was out before THE STAND. M-O-O-N, that spells plagiarism.

CBS – 8:00 PM: CBS offers up WEDDING CRASHERS for sacrifice to the Olympic counter-programming gods.

HALLMARK – 9:00 PM: ELEVATOR GIRL gives all men false hope that they may fall in love with LACEY CHABERT when stuck in an elevator. Me? I’ve only been stuck in an elevator with an over-flatulent plumber named Carl.

SUNDAY

CBS – 8:00 PM: Two reasons to actually watch the new season of THE AMAZING RACE: JORDAN and JEFF from BIG BROTHER 11 decide the best way to continue dating is on another reality show and former Miss Teen USA CAITLIN UPTON, who gave the most confusing answer to why a fifth of Americans can’t find the country on a map, is now going to be globe-trotting.

STYLE – 8:00 PM: RUBY is back for another season as we see the former 716 lb. gal continue to live the losing weight life and tugs on our heart-strings.

BBC AMERICA – 8:00 PM: Miss the two-part story that served as the swan song for DAVID TENNANT’S great run as DOCTOR WHO? Tonight is your chance to catch it all.

Will Wilkins was really entertained by the Letterman / Oprah / Leno Super Bowl spot.

February 7, 2010

The No Show: Great Moments in Cinema Recreated with My Daughter’s Toys

Filed under: No Show — Tags: , , — UncaScroogeMcD @ 8:05 pm

noshowheader.png

noshow-greatmoments.png

lucyline.gif

Fatal Attraction

no-show-toys-01.png

lucyline.gif

The Godfather

no-show-toys-02.png

lucyline.gif

The Adventures of Priscilla, Queen of the Desert

no-show-toys-03.png

lucyline.gif

Midnight Cowboy

no-show-toys-04.png

lucyline.gif

Donnie Darko

no-show-toys-05.png

lucyline.gif

Psycho

no-show-toys-06.png

lucyline.gif

E.T.

no-show-toys-07.png

lucyline.gif

Fatal Attraction (alternate)

no-show-toys-08.png

Brought to you by The No Show

Weekend Shopping Guide 2/6/10: Peter Serafinowicz, Time Lord

weekendshopping.png

The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

Cut down in its prime by a network that didn’t understand the greatness it was letting slip away (Hello, BBC!), The Peter Serafinowicz Show (Channel 4, Not Rated, Region 2 DVD-£19.99 SRP) was fully appreciated by its dedicated fans (I’m one of them) and has since become an internet viral phenomenon as its sketches have been globally disseminated. In fact, it was via Twitter that the ‘net put pressure on Channel 4 to accelerate a DVD release, which is what any comedy fan in their right mind can now pick up, which also sports commentaries, deleted scenes, a documentary, and the Christmas special. Get this DVD set. Get it now. GET IT.

thinkgeek-01.jpg

I love musical instruments. I have absolutely no talent for learning or playing them, but I do love to own and tinker with them. The Bliptronic 5000 LED Synthesizer ($49.99) is one of those rare instruments that I can tinker with and feel that I’m accomplishing actual acts of creation – it really is as simple as digital pressing one and off of tones on the LED button keypad and adjusting the sequence and frequency. It’s just fun.

thinkgeek-02.jpg

Time to wrap up the tenure of the 10th Doctor (played by David Tennant) with the release of the final two specials – Doctor Who: The Waters of Mars (BBC, Not Rated, DVD-$14.98 SRP) & Doctor Who: The End Of Time (BBC, Not Rated, DVD-$24.98 SRP). Mars features the behind-the-scenes Doctor Who Confidential, while End Of Time is loaded with Confidentials, commentaries, deleted scenes, a video diary, Christmas Idents, and Who at Comic-Con. If you want to get the whole kit in one swoop, there’s Doctor Who: The Complete Specials (BBC, Not Rated, DVD-$49.98 SRP), which contains all four specials plus the bonus features of the individual releases. A Blu-Ray edition ($59.98 SRP) is also available, with identical bonus materials.

blankguide.gif

The releases have been heavily delayed and the wait has been difficult, but the 6th season of The Mary Tyler Moore Show (Fox, Not Rated, DVD-$29.98 SRP) is finally on tap – which means we can all own a pristine copy of one of the finest sitcom episodes ever made. If you have no idea what I’m talking about, you must rectify that glaring oversight post-haste by picking up this set and watching “Chuckles Bites The Dust”.

blankguide.gif

If you were unable or unwilling to pony up the cash for the deluxe edition of The Godfather Trilogy on Blu-Ray, now’s your chance to pick and choose either The Godfather or The Godfather Part II (Paramount, Rated R, Blu-Ray-$39.99 SRP each) – no Godfather Part III yet. Granted, you won’t be getting all of the bonus materials from the multi-disc set, but both films do have the Coppola commentary tracks. The restoration on these two films – particularly the first – is truly stunning, so if you’ve been waiting to pick them up, stop waiting and snag ’em.

blankguide.gif

Much like DC’s direct-to-video adaptations of their comic book story arcs, Marvel has leapt into that pool with an animated adaptation of Planet Hulk (Lionsgate, Not Rated, DVD-$24.98 SRP), which finds Big Green exiled to outer space, crash landing on an alien planet, sold into slavery, forced to become a gladiator, and finally becoming a freedom fighter. Get all that? Bonus materials include audio commentaries, making-of featurettes, and previews of upcoming animated flicks. A Blu-Ray edition ($29.99 SRP) is also available, with identical bonus materials.

blankguide.gif

Returning with her second HBO special and her A game direct from the nation’s capital, Wanda Sykes: I’ma Be Me (HBO, Not Rated, DVD-$19.98 SRP) is full of everything we’ve come to expect from Sykes – smart, sharp commentary on everything from coming out and mother hood to pirates and having a black president.

blankguide.gif

A staple of my late-80’s Nick At Nite viewing, I’m delighted that the goofily fun Mister Ed (Shout Factory, Not Rated, DVD-$39.97 SRP) has made it to a complete 2nd season release – as I feared it might stall with only the first season under its belt (as many classic sitcom DVD releases have). The 4-disc set contains all 26 episodes, including Studebaker car commercials and an audio interview with Alan Young & the late Connie Hines.

blankguide.gif

I think we’ve just about completed Terry Gilliam’s catalogue transition to high definition with the release of Fear And Loathing In Las Vegas (Universal, Rated R, Blu-Ray-$26.98 SRP), leaving on Fisher King and Jabberwocky to go. Sadly, this is not the jam-packed Criterion edition – just the standard Universal take, with deleted scenes and a vintage featurette. So hold onto that special edition.

blankguide.gif

Granted, the contestants are long gone, but if I’m roaming the cable channels and happen across the Game Show Network, I’m often sucked into watching games shows that were recorded up to a half-century ago. If you’re like me, then you’ll probably want to pick up The Best Of The Price Is Right (Mill Creek, Not Rated, DVD-$14.98 SRP), The Best Of Password (Mill Creek, Not Rated, DVD-$14.98 SRP), The Best Of All-Star Family Feud (Mill Creek, Not Rated, DVD-$14.98 SRP), The Best Of Match Game (Mill Creek, Not Rated, DVD-$ SRP), and Game Show Moments Gone Bananas (Mill Creek, Not Rated, DVD-$9.98 SRP). Who will win? The same people that already won decades ago!

blankguide.gif

The transition to the big screen isn’t wholly successful, but there’s still much to love in the high-definition debut of Meredith Wilson’s The Music Man (Warner Bros., Rated G, Blu-Ray-$28.99 SRP), starring Robert Preston in the title role as the con man who finds that love may upset his careful plans to swindle the small town of River City. Bonus materials include an introduction by Shirley Jones, a making-of featurette, and the theatrical trailer.

blankguide.gif

It’s a big, messy, ensemble love letter to the city that never sleeps, and like any patchwork film made up of numerous director’s vignettes, there’s some good and some bad to be found in New York, I Love You (Vivendi, Rated R, Blu-Ray-$27.99 SRP). It’s a star-studded affair, and as a novelty piece, it’s certainly worth a spin. Just know that it’s going to be a bumpy ride. Bonus materials include director interviews, additional segments, and the theatrical trailer.

blankguide.gif

Warners continues its budget-conscious TCM Greatest Classic Films Collections with a trio of new additions to the roster – The Marx Brothers, Sci-Fi Adventures, & Romance (Warner Bros., Not Rated, DVD-$27.92 SRP each). The Marx collection brings together A Day At The Races, A Night In Casablanca, Room Service, & At The Circus. The Sci-Fi set contains Them!, The Beast From 20,000 Fathoms, World Without End, & Satellite In The Sky. Finally, the Romance set’s got Splendor In The Grass, Love In The Afternoon, Mogambo, & Now, Voyager.

blankguide.gif

Of his recent flicks, Clint Eastwood’s Mystic River (Warner Bros., Rated R, Blu-Ray-$28.99 SRP) leaves me cold, despite its emotionally charged subject matter. Still, it’s worth nothing its arrival in high-def, with an audio commentary, behind-the-scenes featurettes, Charlie Rose interviews with Eastwood and the cast, and theatrical trailers.

blankguide.gif

I don’t really get the appeal of the Air Bud series, but there’s certainly enough of a demand that Disney is releasing a special edition of Air Bud: Golden Receiver (Walt Disney, Rated G, DVD-$29.99 SRP). The new edition adds an play-by-play track from the puppy Buddies. You know, for the kids.

blankguide.gif

Yeah, the writing is on the wall in the penultimate 9th season of Beverly Hills 90210 (Paramount, Not Rated, DVD-$59.98 SRP) that perhaps the teens of Beverly High were getting a bit long in the tooth. It’s always awkward when the hairlines start receding. The 6-disc set contains all 26 episodes.

blankguide.gif

So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

##

The Wonderful World of Talkies: Pee Wee Herman & Broken Lizard

Filed under: Reviews,Wonderful World Of Talkies — Tags: , — admin @ 6:03 pm

talkies-header.png

Howdy Interweb. I’m Matt Cohen, and I am a theater snob.

Okay, to be honest, I’m far from it. In my twenty-five years on this planet, most of my time has been spent deep in the world of comics, comedy and movies – with an emphasis on movies. Since before I can remember, my life revolved around all things cinematic, and this has not changed with time. I was never a musical theatre fan, and the only times I’ve gone have been mandatory, either by family or school. As far as “straight” plays, I think I’ve seen less than five performed in my life. And sure, I love comedy (specifically long form Improv, if ya please), but other then the occasional jaunt to the Upright Citizens Brigade, I don’t get out to the “Theater” much. It comes down to a general lack of interest in what’s being performed. I’d like to get out there more, but can’t seem to muster the energy for just any old show. So I wait… and wait. And wait some more. Then it happens. Once in a very long while, the right mix of my passions combine into a two-headed passion monster (pretty, I know) and I am left with no choice but to tackle the beast head-on. With scimitar in hand, I ventured into the depths of Los Angeles this past week a pair of gargantuans.

If horribly drawn metaphors aren’t your thing, I went to two stage shows this past week. I’d like to take a quick gander at my take on each, if you’d be so kind.

———————————————————————————————

The Pee-Wee Herman Show – Nokia Live, Los Angeles

I grew up a fan of Pee-Wee Herman. A lot of people my age can say the same thing. Though I missed out on the HBO show, I was the perfect viewing age for both PEE-WEE’S BIG ADVENTURE and PEE-WEE’S PLAYHOUSE. The VHS of the Burton film was in heavy rotation in my house, and the television show was an important part of one of my most important childhood rituals – Saturday Morning TV. I owned the Playhouse playset and spent countless hours with Conkee, Chairy, Magic Screen and the rest of the gang. Cut to a few years later and “Pee-Wee-Gate” happened, forcing Mr. Reubens and his man-child alter ego out of the spotlight for too many years. The man who was Pee-Wee got sporadic supporting work in comedies and the odd TV show but the world was definitely suffering from a Pee-Wee drought. This all changed a few months ago when it was announced that Paul Reubens and many of the original stage show cast would embark on a month long run of THE PEE-WEE HERMAN SHOW – a stage revival of the original show that brought Pee-Wee and the gang to fame. I was lucky enough to check out a performance at the Nokia Club in downtown Los Angeles. I am happy to report that Pee-Wee is back – and yes, my friends, he holds up well with time.


As Pee-Wee greets the audience, one can’t help make physical comparisons to the “old” Pee-Wee. Yes, Reubens is older and a bit “wider”, and yes, the voice isn’t exactly the same one you grew up with, but man, it’s Pee-Wee. Live and in the flesh. It’s hard to describe what it feels like to see one of your “fictional” childhood heroes come to life, but I can only say this – tears were being held back (Keep in mind I’m a ridiculous person). Pee Wee then lead us through a quick introduction and a rollicking pledge of allegiance, and with that the curtains part and we’re off. Off to the Playhouse. And what a Playhouse it is. On stage in front of you lies a scaled down but incredibly faithful version of the TV show set, complete with all of your (and my) favorite characters moving and brought to life. Mostly all of the old Playhouse gang is there – Conkee, Chairy, Mr. Globe, Magic Screen, Randy, The Talking Fish, Pterry, etc. Cue those tears.

The show kicks off much in the same way the television program did, with Pee-Wee finding out “Today’s” secret word. And therein lies my biggest issue with the show – The Secret Word. It’s fun to scream at the top of your lungs when you’re home alone and when you’re seven, but stuck in a sold out theater with drunk thirty-somethings? By minute ten you want that “Secret” word to be stricken from the human language and for your fellow audience members to suddenly be stricken with laryngitis. Other then that mild complaint, I can honestly say that the show works and it works well. Pee-Wee is still just as absurd and entertaining a character as he was in the early 90’s, and to see firsthand the energy and zeal that Ruebens (who is no longer a spring chicken) brings to the role in person is really an experience I won’t soon forget.

A revamped version of the original show that ran at the Groundling and Roxy Theaters in LA, the real draw of THE PEE WEE HERMAN SHOW is a whimsical blend of bizarre and refreshingly lighthearted comedy coupled with the nostalgic value of seeing Pee-Wee and friends again (and in person for the first time). Some of the jokes fall flat and other just fail entirely, but the majority of the ninety minute show is spent in grinning rapture (at least it was in my case). It’s just so unique to see a show so rare, and one can’t help but be amused by the absurdity of it all. It’s the same old Pee-Wee brand humor – lots of puns, sight gags, prop jokes, etc, so if you weren’t a fan of Pee-Wee during his original run, his particular type of madcap might not be for you. Some low points involve some very topical gags and a few abstinence “zingers” but every comedy has its misses. I happened to laugh pretty solidly during the show, which is more then I can say for most comedic endeavors I check out nowadays. Besides the jokes, the stage cast shines as well. Not only does Ruebens return in the titular role, but the original Ms. Yvonne and Jambi (Lynne Marie Stewart & John Paragon, respectively) are back and perform their roles as if no time had passed at all (MADTV alum Phil Lamar steps in for Laurence Fishburne as Cowboy Carl). The chemistry of a cast that has been working together for a quarter of a century certainly benefits the show and makes the entire thing feel like a visit with an old friend -which sums up the entire experience quite nicely.

Other then the usual Pee-Wee brand of surreal performance art masked as kids fare, the show features some fantastic production details, front and center the aforementioned Playhouse set. The technology and design that goes into bringing all of the inanimate characters to life is really something that rivals any big time Broadway production. From the moment the curtains part you are entirely transported into the world of the Playhouse, and if that world ever meant anything to you, it will be one of the thrills of a lifetime. Colorful, vibrant, kinetic… it’s like an acid trip gone right. I would live on that set, and live on it proudly (I don’t even care about the lack of a bathroom… Pee-Wee’s got a pool, yo! Remember?). The effect is a complete disconnect from reality which is so essential in such a “non-real” show. Absolutely perfect and spot on and entirely important in creating that feeling of “familiarity” the show relies heavily on.

That may be what it comes down to. Yes, it’s funny and different and certainly more entertaining than most things on the American stage today, but it’s also a piece of my childhood brought back to life. I may be viewing this one through nostalgia-colored glasses – and if so, I apologize – but I think it’s impossible to remove one’s memories in reviewing such a show that is basically my memories come to life. This could have easily gone the route of INDY 4 and I could be dropping the too-often Geek dropped “Raped my childhood” bomb right now, but gladly and definitely I say this show is worth your time. Also, if this starts a trend of adapting late 80’s, early 90’s kids shows into stage productions, sign me up (SECRETS OF THE OOZE Reunion Tour!!!!!) Pee-Wee is back and I hope he hangs around for a long time to come.

———————————————————————————————

Broken Lizard Live – El Rey Theatre, Los Angeles

Where were you in 2002? Chances are, if you are like me, you were holed up somewhere with your favorite illicit substance and a DVD copy of comedy group Broken Lizard’s SUPER TROOPERS on permanent loop. I still consider TROOPERS one of the best comedies ever made and, to tell truths, I’ve been a pretty big fan of the troupe’s other films, CLUB DREAD and BEERFEST. At one point, I even used to tote around a… smoking implement, which I engraved (with sharpie marker) as “Broken Lizard”. So, suffice it to say, I consider myself a fan. It was to my delight that Broken Lizard announced that they would be touring the country in a live stage show and, when the group finally came my way (last show of the tour, being taped for a Comedy Central broadcast), I jumped at the chance and dragged “Bagged and Boarded” contributor Brendoman to the El Rey to take in the show. Did I live to regret that decision? Yes. Am I bad at building up tension in a story? Perhaps, my friend. Perhaps.

I arrived at a packed house for what I assumed would be a night of sketch comedy, the very thing that started the group and first brought them to infamy so many years back. What I got was a frat boy, beer-fueled heckle fest set to mediocre stand up comedy. The boys arrived on stage, did a minute or two in character from SUPER TROOPERS, and then promptly stopped, headed backstage, and re-appeared one by one for traditional stand up spots. Since the show followed that format, I thought the review should as well. Because I am extremely original. An innovator, some might say. Say it… it feels good.

Steve Lemme: Word of advice to the man who we know as Mac – A stand-up routine consisting entirely of masturbation jokes does not the funny make. This is made all the more true when you preface the act with how “dirty and edgy” you’re about to get. Keeping in theme with the lowest common denominator, Mr. Lemme serenaded us with a barrage of “masturbational observations” (think I may have just coined a phrase) that covered the gamut of everything from “early whack-off stores” to an unfortunately too live reenactment of a man having sex with a teddy bear. Lemme played the teddy bear. If that sounds like the heights of comedy then you’re in luck. If you’re like me, you will find it embarrassing and cringeworthy. Stick to the movies, homie.

Paul Soter: Meh. Another misguided attempt at capitalizing on some sort of “edginess” by creating a filthy and un-funny stand-up number. This might sound awful (in terms of my reviewing credibility), but Soter’s set was so unfunny and unremarkable that I can’t remember a single specific joke from it. I remember that he was slightly better then Lemme, but still in train wreck territory. Makes sense that the least memorable member of the group has the least memorable stand up routine.

Erik Stolhanske: Not horrible but, again, far from great. At least this Lizard wasn’t offputtingly vulgar for absolutely no reason. Allow me to clarify: I live in a world of “blue-jokes” and consider myself a big fan of off-color comedy. One rule, though – Make it funny. Otherwise, your “zingers” are a smack in the face of any intelligent comedy-minded audience who isn’t looking for the next Larry the Cable Guy. Stolhanske goes for the “family joke” genre of stand-up comedy and takes us through his experience getting his sperm count checked. Chuckle worthy without going too dark for dark, like Soter and Lemme. At least Erik comes out looking like a nice guy as opposed to some cheesy college tour comedian. A future on the stage? No. Funny guy? Sure.

Jay Chandrasekhar: If it weren’t for this man, it would have been a complete bust of a night – but if anything good came out of my Broken Lizard Live experience, it’s that I learned that Jay Chandrasekhar is a pretty damn good stand-up. The material didn’t particularly break any new ground (Jay went on a hypothetical journey about his manhood falling off), but Jay’s demeanor and polished presence on stage made for a laugh-packed, fast-paced stand-up sprint. Jokes flew quick and hit almost as often as they came. There’s no wonder Chandrasekhar has directed all the troupe’s films and seems to be the “brains” of the operation, comedy-wise. Jay seems to be the real “genius” of Broken Lizard. And unfortunately, after this show, I use that phrase very lightly.

Kevin Heffernan: Not a stand-up act as much as just a nice guy being funny on a stage (and the only other really enjoyable Lizard besides Jay). Heffernan takes us through a five minute or so look at what it’s like for the world to have seen you naked (complete with visual aide). Again, far from stand-up comedy, but Heffernan seems far from a stand-up comic. Still, he got some laughs out of me, which is more then I can say for most of his compatriots. On a side note, my favorite portion of the night was actually a story told by Heffernan and Lemme about the first time they met Patrick Swazye (not a stand-up portion… hint hint… OK, forget hints – BROKEN LIZARD: DON’T DO STAND-UP AGAIN!)

All in all, needlessly juvenile and not really funny, and it made me kind of embarrassed to consider myself a Broken Lizard fan. I still love the films and anxiously await their newest (which doesn’t seem to be getting a theatrical release), but I will definitely reserve judgment from now on before declaring them one of the “Top” troupes in comedy today.

———————————————————————————————

Sadly, that’s all for this installment. I must put on my heavy coat and once again wander out into the mysterious world of life. What perils will I meet along the way? Rockslides, paternity suits, late night disco jams – the possibilities are endless! Check back soon for a look at the very special, one time only “Tenacious D – Stand for Haiti” benefit featuring the illustrious likes of Aimee Mann, Frank Black, Russell Brand, Patton Oswalt, Bob Odenkirk, etc. And, of course, more movie reviews and special surprises are on the way.

As always, I thank you for taking my hand as I lead us on a tour of the wonderful world of talkies.

Matt Cohen is currently a talking chair

For more Matt Cohen, check out CameltoadProductions.Com and, of course, “Bagged and Boarded“, right here at FRED entertainment.

Stalk Matt Cohen on Twitter = @CamelToad

Ken P. D. Snyde-Cast #133: The Things We Do

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 10:43 am

snydecast-header.png

snydecast-logo2.png

Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

linesm.gif

KEN P.D. SNYDECAST #133: The Things We Do – Ken & Dana return with a somewhat truncated cast due to scheduling conflicts which leave Dana stuck on his cell phone, on the way to a hot tub date. True!

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #133 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-133.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

line.gif

CLICK HERE FOR THE SNYDECAST ARCHIVES

line.gif

##

February 6, 2010

A Bit Of A Chat with Ken Plume & Caissie St. Onge

bitofachat-header.png

lucyline.gif

I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I chat with a very funny writer/producer who traces her career from THE LATE SHOW WITH DAVID LETTERMAN through THE ROSIE O’DONNELL SHOW to THE BEST WEEK EVER (and its Paul F. Tompkins-helmed successor). There are plenty of other stops along the way, and plenty of irons in the fire, so sit back & listen to me chat w/ the very funny Caissie St. Onge.

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Caissie St. Onge“:

[audio:http://traffic.libsyn.com/bitofachat/bit_of_a_chat-caissie_st_onge.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

##

patreon-fred.png

Drop Ken a line HERE.

##

You can also find more of my interviews by clicking HERE.

lucyline.gif

February 5, 2010

Trailer Park: The Rock-afire Explosion (Review)

Filed under: Trailer Park — Tags: , — admin @ 2:17 pm

By Christopher Stipp

The Archives, Right Here

I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

Check out my new column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp

The Rock-afire Explosion – DVD Review
rae_poster_01I firmly believe that nostalgia is wasted on the old.

Too often times we are quick to dismiss the things that made us feel good as kids. From foods to television shows to movies to all the minutia that delighted us in our youth the common refrain for a lot of those who come back in contact with these memories is that it just doesn’t hold up any more. Holding up is a sticking point for people who reexamine the joys of our childhood.

Growing up in Kansas, I can tell you that there are memories I cherish more than any others: buying wax packs of Garbage Pail Kids when I had enough to get four or eight of those stale gum collectible cards, wasting dollars on Slush Puppies, coveting the freshest G.I. Joe figures, watching Aliens on the big screen, and, one of the most precious experiences, anticipating when I could next go to Showbiz Pizza.

For those who are unfamiliar with this eatery, I can’t express enough the idea that this was a kiddie enclave of bacchanalian proportions. From pizza that was an afterthought to tokens that might as well have been regarded as solid gold it was a place unlike any other. Though it would one day morph into Chuck E. Cheese, Showbiz Pizza had a little more swagger. It wasn’t flooded with klieg lighting, there wasn’t such a stale and sterile atmosphere, and there was most certainly a band at Showbiz that could rock the face off that grotesque mouse of a mascot. That animatronic band was the Rock-afire Explosion.

Featuring a handful of nutty animals, a gorilla, a bear, a dog, a bird, a mouse, and a wolf, these robots played music that didn’t play down to the kids who adored them, they played with the passion to entertain kids at their level. This is what has stuck with me, I think, so many years after seeing my last “performance” of the band that many others enjoyed as well.

The Rock-afire Explosion is a documentary, directed by Brett Whitcomb, that explores what happens when nostalgia isn’t enough to keep a fan sated. What we have is a one fan in particular, Chris Thrash, who goes out and actually puts the band back together. Literally. What is so emotionally stirring about this documentary is the level of quiet passion Thrash displays for these inanimate robots. He would eventually travel to the company that manufactured the original band and found a way to pay for an entire Rock-afire Explosion with devotion being his only driving force as he picked up odd jobs in order to finance it. You listen to the soft soften and doughy framed Thrash and you can’t help but empathize with his plight; he is the original geek who can’t let his childhood go and was willing to sacrifice everything in order to keep a hold on it. The film works because it plays on those subtle cues we all were pelted with when we were younger: the lure of a place strictly for kids, the promise of food that was all but assured to meet every child’s dietary standard, and the advertising that roped all of us into its grand vision. We were all but powerless to resist the siren song of this place and the movie communicates that quite well.

As well, we’re introduced to Aaron Fechter, the mastermind who created Rock-afire so many decades ago. The man seems resigned and delighted in how much people, like Thrash, revere his work as an engineer to the point where you wonder how things all went wrong for a chain that seemed to have all the things going for it. While I will fault the film for not being more critical in dissecting the nature of what went wrong and why I cannot help but feel Fechter’s passion bleed through the screen as he shows off the work that at one time made him so successful and an inspiration to so many.

show

So inspiring, in fact, that not only did Thrash find a way to set up a full Rock-afire band of his own but he began using the mechanical beasts of the 80’s to lip-synch hits of the aughts and started to post them on YouTube. People went nutty for them. From Britney Spears, Usher, Evanescence, and more Chris rigged the band so that each one of the instrument toting animals played along in sync as well. It is by no means perfect but the film demonstrates how far people like him are willing to go in the pursuit of childhood memories and how you can take those memories and do something with them.

That’s really where this film excels. When you get past the hoarding of old memorabilia, the tattooing some have done to preserve the visage of this once popular eatery, and the slavish devotion these people have to keeping the old days alive you realize that not only are these people harmless but they’re spiritually fulfilled in a way to a greater cause. We may see how Thrash lives with sheets as drapes in his home, how he relentlessly pounds Mountain Dew (he’s a self-admitted addict to the green drink), how his dirty Showbiz Pizza mugs are literally spilling out of his sink, but there’s an innocence to him. He delights in the pleasures that this quest has brought him and even though there is an incongruous life path that he and Rock-afire creator Fetcher are on they both reflect fondly on the one thing that brought them together in the first place.

Thrash really is the star of this film and the movie itself serves as a love letter to those among us who have not let the things that delighted us as small children wither away in adulthood. Some of us still collect comic books, some of us delight in seeing what superhero movie is slated to come out next year in theaters, while even more of us are anxious to expose our children to the positive influences of our own development as kids so they hopefully can have the same experience as we did. The latter is a fallacy, of course. No one ever seems to understand how deep our reverence goes when it comes to things like this. The best thing, as this movie wonderfully shows, is trying to search out others who know what you’re talking about, will share in the positivity, and will help keep the still smoldering embers of our youth stoked. This is the Rock-afire Explosion, after all.

To buy a copy of the film, just visit The Rock-afire Explosion website.

Comics in Context #231: Killing Katnip

Filed under: Comics in Context — Tags: , , , , — admin @ 12:33 am

comicsincontext4.jpg

#231 (Vol. 2 #3): KILLING KATNIP

cic-stangDuring my lengthy leave of absence from writing “Comics in Context,” the Museum of Comic and Cartoon Art in New York City and the Cartoon Art Museum of San Francisco jointly held a traveling exhibition on the art of Harvey Comics, many of whose most celebrated characters, such as Casper the Friendly Ghost, originated in animated cartoons produced by Paramount’s Famous Studios. I’m not that interested in Casper or Richie Rich, but the exhibit did reawaken my interest in some of the less famous animated stars of the Famous cartoons.

Towards the end of 2009, character actor Arnold Stang passed away, and I decided to write columns about two of the most memorable characters he voiced in animated cartoons. The first, starting in 1944, was Famous Studios’ Herman the mouse, who was eventually teamed with perennial antagonist Katnip the cat, voiced by the late Sid Raymond, for a series of theatrical cartoons that ran till 1959. (Owned by the Paramount studio, Famous was later reorganized and renamed Paramount Cartoon Studios.)

Only two years later, in 1961, Stang starred as Top Cat in the Hanna-Barbera animated television series of the same name. Following the success of Hanna-Barbera’s The Flintstones in prime time, Top Cat was also made for evening viewing and aimed at an adult audience that included adults. It lasted only one season, for a total of thirty episodes (TV seasons were longer back then), but has been rerun ever since, first on Saturday mornings and nowadays on the cable network Boomerang. Similarly, Paramount sold Herman and Katnip and the other characters Famous originated, and their animated shorts, to Harvey Comics, which put its logo on the cartoons when they turned up on television.

So Top Cat and Herman were part of the Baby Boomers’ childhoods, and today their cartoons can be found on DVD collections and online. They are further proof of my Eternal Present theory of cartoon art in the 21st century: so much classic material is now easily accessible that the significant work of the past has once more part of the present, for those who care to look.

cic-stang2In one of his blog entries following Stang’s passing, cartoon/comics historian Mark Evanier notes that Stang was producer/director Bill Hanna and Joe Barbera’s third choice to play Top Cat, and comments that “Arnold Stang was an odd choice, as he was usually associated with milquetoast, whiny characters and Top Cat was a cool, confident fellow”. Short, scrawny, and bespectacled, Arnold Stang onscreen indeed usually played what would now be called nerds. Maybe today his best known role onscreen is as one of the two hapless gas station attendants who are literally thrown about by Jonathan Winters as he demolishes their station in It’s a Mad Mad Mad Mad World (1963). (Marvin Kaplan, the voice of Choo Choo on Top Cat, played the other attendant.)

Surely in casting Top Cat Hanna and Barbera were aware that Stang had long been voicing a similar character, Herman. In various onscreen “milquetoast” roles, Stang used a high-pitched voice. But as Herman and Top Cat, Stang spoke at a lower pitch. Ironically, as a cartoon mouse or cat, he could project the personality of a tough guy: self-confidence, keen intelligence, a formidable will, and sheer cool. Herman and Top Cat sound basically alike, although Top Cat’s voice tends to be smoother and warmer.

I observe that sources disagree as to whether the first Herman and Katnip cartoon was Naughty but Mice (1947), which establishes the series formula by pitting Herman against a cat:

Or Mice Meeting You (1950):

The earlier cartoon establishes the series formula by pitting Herman against a cat, but this black cat doesn’t quite look like the familiar Katnip of the 1950s, with his red fur. (All of the cartoons with Herman that I mention in this week’s column are credited to Seymour Kneitel as director.)

The Herman and Katnip series appears to be Famous’s response to Hanna and Barbera’s highly successful Tom and Jerry cartoons for MGM. The major difference between these two cat-and-mouse series is that Tom and Jerry (usually) don’t talk, whereas Herman and Katnip do. Stang gives Herman an old-style New York City accent. I noticed among the comments on a Herman and Katnip cartoon posted on YouTube that one person pointed out that Herman pronounces “furnace” as “foinace,” and asked, “Who talks like this any more?” But that was a stereotypical Brooklynese accent in the mid-20th century, familiar in so many movies and television shows of the period.

cic-stang3Maybe Famous was attempting to have Herman mimic Bugs Bunny: Mel Blanc, who originated Bugs’s voice, claimed it was a combination of Brooklyn and Bronx accents. So Bugs Bunny is a wisecracking, feisty, sharp-witted New Yorker, transplanted by director Tex Avery in the first true Bugs Bunny cartoon, A Wild Hare (1940), into the woods. Only occasionally do the Warners cartoons make it explicit that Bugs is a New Yorker, as in Friz Freleng’s A Hare Grows in Manhattan (1947), which recounts his growing upon the Lower East Side. Herman has an even stronger New York accent. Famous Studios originated as the legendary Max Fleischer animation studios, which Paramount took over. Apart from a relatively brief sojourn in Florida, the Fleischer and Famous Studios were based in New York City, so it makes sense that Famous would develop a character who was clearly a New Yorker.

In Naughty but Mice Herman is explicitly referred to as a “cousin” from the “city” who is visiting mice living on a farm in the country. Maybe this is an allusion to Aesop’s fable about the town mouse and the country mouse who visit each other’s homes, which had served as the basis for Walt Disney’s Oscar-winning “Silly Symphony” cartoon The Country Cousin (1936) in which the title character visits his relation in the city. Herman proceeds to save his country cousins from the proto-Katnip cat who persecutes them by outwitting him. In another cartoon I saw on YouTube, Mice Capades (1952), which pits Herman against a fully evolved Katnip, Herman is again presented as a visitor who liberates mice from their oppressor, Katnip. In the series Herman is even drawn as something of a leading man mouse, handsomer than the goofier-looking mice in the supporting cast.

So it seems to me that Herman is Famous Studios’ salute to New Yorkers. Whereas other filmmakers, like, say, Frank Capra, might extol the virtues of the country man against the cynicism and corruption of the city, Herman embodies the smartness and persistence of the native New Yorker.

I had long assumed that “Itchy and Scratchy,” the cartoon-series-within-a-cartoon-series in The Simpsons, with its over the top violence, was intended as a parody of Tom and Jerry. After all, the Tom and Jerry cartoons are also known for their violence. I recall reading Warner Bros. cartoon director Chuck Jones saying that when Wile E. Coyote’s Roadrunner-catching schemes backfired on him, and he fell off a cliff or was caught in an explosion, he suffered more humiliation than pain. That is a principle that generally seems to apply to the Warners cartoons. When Elmer Fudd shoots Daffy Duck in the face, his beak might spin around, but Daffy seems more disgruntled than hurt. There’s something abstract about the violence in the Warners cartoons. In contrast, Hanna and Barbera often stage the violence in their Tom and Jerry cartoons to emphasize the pain Tom feels, and to thereby give the audience some sense of what that pain must be like.

But I recently read that the true inspiration for “Itchy and Scratchy” is the Herman and Katnip series, and that, as Katnip would say, seems logical. Longtime Simpsons producer David Silverman says, “People say it’s like an insane Tom and Jerry, but it’s really more of an insane Herman and Katnip. Herman and Katnip is hilarious because it’s just bad. It’s painfully bad.” Oh, I disagree that they’re bad cartoons, but painful, yes. These cartoons push the envelope on violence still further, with results that can be downright macabre. (And as usual, I issue a spoiler warning for those who do not want to know the details of these cartoons.)

When Herman arrives in Naughty but Mice, he learns that several of the country mice–presumably his relatives–are dead, and “the new cat” is a “killer.” Now, obviously, in many funny animal animated cartoons, one animal is attempting to catch, kill and devour the other, but normally the predator never succeeds, and so death remains an abstraction in these cartoons. It is therefore startling to see these clearly distraught country mice in Naughty but Mice talk about actual killings, and how the surviving mice are “starving” because the cat keeps them from finding food Of course, in the context of animated cartoons in which animals have human intelligence and can talk, the death of a mouse can be as shocking as the death of a human being.

So Herman takes action against the cat, including giving him whiffs from a bottle of “quick-acting catnip” marked “100 proof.” Is this how Katnip got his name? The cat immediately gets high, moving around in a daze, following Herman, who holds a rose doused with catnip. “Love in Bloom” is played on the sound track, and the pupils in the cat’s eyes turn to hearts. I suppose that many viewers might have interpreted the cat’s behavior as a kind of drunkenness. But I wonder if, by using catnip as a substitute, Famous Studios thus managed to get drug humor past the censors. Is there even an implication that Herman has turned the cat gay, as he wanders after the mouse and his rose, seemingly in love?

The seduction is followed by destruction. The cat falls down a well, Herman grows in a huge stick of dynamite, and startlingly, actually kills the cat: Chopin’s Funeral March even turns up briefly on the sound track. Since the cat was established as a killer, this does balance the dramatic scales, but it still seems shocking in the context of a cartoon directed at children. It would be worse if the cat had ceased to be, but, following another convention in cartoons of that period, nine ghosts rise from his body, one for each of the cat’s traditional nine lives. This trope is most amusingly presented in director Friz Freleng and writer Michael Maltese’s Back Alley Oproar (1948) in which when singing cat Sylvester dies, his nine ghosts rise towards heaven singing the sextet from the opera Lucia di Lammermorr. But Naughty but Mice closes with the nine angry ghosts of the murdered cat pursuing Herman, who waves the catnip-doused rose at them without effect. He seemingly has no way to fight them off. That is a downright weird and very dark ending.

In Mice Meeting You Katnip has acquired his familiar red-furred visual design, but not yet his name: in the cartoon proper (as opposed to the logo later added by Harvey) he is called Kitty. This is an example of what I call counter-Christmas viewing: though the mice sing happily over Christmas dinner at the end, the overall tone of this holiday cartoon, with its war between Herman and Katnip, hardly seems Christmas-like. Once again Herman is introduced as a visitor, though this time the other mice live in a big, impressive expensive-looking house rather than a barn. Usually in cat and mouse cartoons, the cat is guardian of the house, keeping the mice from stealing food. This cartoon, though, reverses the situation: the mice are presented as if they are the rightful residents of the house, and the cat is an invading outsider who gains entrance by pretending to be Santa Claus. (Herman later impersonates Santa as well in this short.) As usual Herman heroically does battle with the cat on behalf of the other mice.

At one point during their war, Herman points to mistletoe, and Katnip puckers up for a kiss. Is the not-too-bright Katnip simply responding to the mistletoe tradition without stopping to realize that (A) he hates Herman and (B) Herman is male? Bugs Bunny famously and repeatedly masqueraded in drag to allure and trick Elmer Fudd, but the premise of those gags seemed to be that Elmer was attracted to women. But Herman doesn’t pretend to be female and still gets a sexual response from Katnip. So, again, is Katnip gay? In any case, Katnip gets “kissed” by the suction cup of a plumber’s helper that Herman thrusts at his face.

At the finale the defeated Katnip has been reduced to immobility. Ornaments have been hung on his body, and Herman plugs Katnip’s tail into an electric socket, causing them to light up. Katnip, though presumably he’s been electrocuted, still does not move. Is Katnip dead? I suppose at least symbolically he is: he’s been turned from a cat into a Christmas tree.

In Mice Capades Herman tricks Katnip into thinking that a bottle of vinegar he drank is actually poison. Katnip is persuaded that he has died, lies in a coffin-like box, and Herman, dressed as an angel, and the other mice, stage an elaborate charade to convince Katnip that he has awakened in heaven. But then Herman, as the angel, decrees that Katnip has been condemned to go to the “other place,” represented by that aforementioned “foinace.” Terrified, Katnip promises to reform and no longer chase mice. But then Katnip discovers that the bottle labeled poison was actually vinegar, sees through the trickery, and goes after Herman with a shotgun. Herman manages to bend the gun barrels so that Katnip shoots himself–dead! Katnip’s ghost (only one this time) rises from his body, bent on revenge. But Herman warns him about hell again, Katnip panics, and the cartoon closes, rather eerily if one thinks about it, with Katnip’s ghost acting as a servant waiting on Herman and the other mice. Of course Katnip will be back alive in his next cartoon, but this ending still seems a little disturbing.

Katnip is neither killed nor immobilized in Mouseum (1956), but its ending is both macabre and in dubious taste:

In a museum, Herman hides in a mounted elephant’s head. Katnip sticks his gun barrels up the elephant’s trunk; Herman (who seems unusually strong) bends the barrels, and when Katnip fires, the elephant’s glass eyes shoot out from its head. Seeing the glass eyes on the floor, Katnip leaps to the illogical conclusion that these are his own eyes, picks them up, and screws them into his own eye sockets, with the result that Katnip really can’t see, and he runs out of the museum, continually smashing into things, thinking he’s gone blind.

So the Herman and Katnip cartoons are much edgier than I recalled from my childhood. It is often said that theatrical cartoons from the 1930s through the 1950s were shown with feature films, and hence were intended for audiences of all ages. I suspect that adults at that time often considered the cartoons on the bill as something specifically for the children in the audience. But, as with much of the material in the Classic Children’s Comics collection I’ve been writing about, it looks as if Hollywood animated cartoons at the time traveled under the adults’ radar. The Herman and Katnip cartoons get away with having the protagonist murder the antagonist and go unpunished, drug humor and hints of homosexuality. None of that would be allowed in live action movies aimed at adults at the time. But because Herman and Katnip are funny animals in kiddie cartoons, they get away with it. The Max Fleischer studio may have been turned into Paramount’s Famous Studio, with its outwardly blander output, but perhaps the characteristic Fleischer subversiveness survived and kept cropping up in Famous cartoons like these.

In one of my upcoming columns, I will turn to Mr. Stang’s other celebrated character, Top Cat, and return to a longtime theme in “Comics in Context,” the tradition of the trickster.

Copyright 2010 Peter Sanderson

February 3, 2010

Cabin Fever 85: The Top 10 That Never Ends

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 9:41 pm

cabinfeverheader.png

cabin.jpgOh no! Just when you thought it was safe to hang out at the FRED…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

linesm.gif

CABIN FEVER #85: The Top 10 That Never Ends – Aaron and Brian go through their Top 10 albums of the last 10 years. Stories are shared and conspiracies dissected as they try to figure out why some bands went bad and why others just keep getting better. Super bonus extra long episode!

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #85 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_85.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

line.gif

CLICK HERE FOR THE CABIN FEVER ARCHIVES

line.gif

##

TV Or Not TV: Completely and Totally Lost

Filed under: TV Or Not TV — Tags: , — admin @ 10:54 am

tvornottv-header.png

Welcome to the special LOST edition of TV or Not TV where, well, yeah, the title says it all.

LOST fans around the world have probably already spoken at length about the season premiere of the final season of LOST. I’m sure they’ve been all a-Twitter about it and I’m sure there is much debate about what they saw. As usual I am going to say this: IF YOU HAVEN’T SEEN THE EPISODES DON’T READ THIS!

The two episodes that made up the season premiere did something I didn’t know the show LOST could do: it gave the fans both of the possible outcomes from the bomb being set off at the time of The Incident. Somehow we are shown a version of Flight 815 that was never brought down by the Swan hatch button not being pressed and the plane lands safely in LAX. How is this possible? It would appear it is because the Island is now resting at the floor of the ocean after the bomb went off. After this amazing revelation what do we see? All of our favorite LOSTies recovering from apparently being thrown back into the present and coming to the realization that the plan DIDN’T work and they are still on the Island. I know, real easy to make sense out of.

So what is it that we are seeing in these “flash” scenes? Clearly we’re not seeing the reality that the main events of the show are set in or else everyone would have to be wearing scuba gear. The sound that accompanies the flashes is different than seasons past as well, another clue that what we are see isn’t what we’re used to. There are people on Flight 815 that shouldn’t have been, there are some that aren’t on the flight that originally were. What we are seeing is an alternate reality. The real question I have about this is why? This is the last season of the show. Do we still really need a new method to tell what seems, on the surface, like a non-related story? With only 18 total episodes for the rest of the show to play out I’m sure they’ve already got enought story line to go around. Why do this to the audience?

When it is all said and done the only rational use that I can see of this new method of storytelling is being done to eventually show us that life wasn’t going to be better off of the Island and that undoing everything wouldn’t have improved their lives at all. We are probably going to see these characters play out this alternate timeline in 2004 and each and every one of them is going to live a miserable existence that is unfufilling because these folks were meant to be where they are and doing what they are doing. Why are they doing it? I have no frickin’ clue.

All of that being said I’m glad to see the show played out in a way that had me completely engrossed. Tonight was the first time in a long time I actually watched TV in real time instead of on a DVR delay so advertisers should be thrilled.

Some of the bits that made me chuckle:

– Alternate reality Charlie saying he was meant to die.
– Alternate reality Hurley saying nothing bad ever happens to him and he’s the luckiest guy in the world.
– Alternate reality Boone telling Locke that if the plane goes down he’s sticking with him to survive.
– Having Hurley see Jacob an hour after his death. This kind of gives Hurley’s “gift” of seeing dead people a whole new purpose.
– Finding out that the fake John Locke we saw back on the Island last season is Jacob’s Nemesis AND the Smoke Monster. With that knowledge in your head go back and watch DEAD IS DEAD from last season. Puts everything into a whole new context.
– In reference to the item above: Ben saying to “Locke” You’re the monster and his response is “Let’s not resort to name calling.”
– Finding out that there are still Others at the Temple. This tells me that these Others are possibly a different faction of the group, one not so willing maybe to follow Richard or the new regime. Maybe they are the more devout followers of Jacob? Not sure, but I like the possibilities.

I’ll bite my tongue about this alternate reality story telling that is occurring and I will give it a chance to see how it plays out. By the second season of LOST the flashbacks were my least favorite part of the show and with everything going on even in these first two episodes the alternate reality stories had almost the same level of disinterest from me. They just feel like mind-confusing filler right now, so I really hope they go somewhere with this.

Come back again next week where I’ll once again try to get a little less LOST with the rest of you.

February 2, 2010

Toy News: Venture Bros. Toys Arrive

Filed under: Articles — Tags: , , , , , — UncaScroogeMcD @ 8:43 pm

ventureheader.jpg

FOR IMMEDIATE RELEASE

Bif Bang Pow! to Produce ’70s Style Action Figures Based on Some of the World’s Most Popular Properties

LOS ANGELES, CA (February 2, 2010) ““ Announcing one of the widest ranges of highly articulated 8-inch retro-style action figures in years. In cooperation with EMCE Toys, Bif Bang Pow!â„¢ is proud to bring the original “’70s style” of play to a brand-new line of articulated action figures based on some of the world’s most popular properties.

Reproductions reminiscent of the best-selling action figures of the 1970s and early 1980s, these highly articulated figures will feature body designs by EMCE Toys. Each 8-inch scale figure will include real cloth clothing and plastic accessories where appropriate. Over 40 licensed action figures are planned for 2010. The first are targeted for an early summer arrival and Comic-Con International: San Diego 2010, with others to follow later in the year. Included are much-demanded characters from:

The Venture Bros.â„¢ (Cartoon Network)
Dexterâ„¢ (Showtime Networks)
Lostâ„¢ (ABC Disney)
The Big Lebowskiâ„¢ (NBC Universal)
The Twilight Zoneâ„¢ (CBS)
Flash Gordonâ„¢ (King Features)
Scott Ian (Anthrax)

The Venture Bros.â„¢ creator Jackson Publick, who has been working closely with Bif Bang Pow! to bring these to market, noted that the upcoming figures are “very impressive and extremely faithful to the characters, while also finding a very comfortable middle ground between 2-D and 3-D design. Bif Bang Pow! has deftly solved a number of design problems I thought anyone attempting a 3-D interpretation would get thrown off by. Brock, especially, is going to make the fanboys crap themselves. Let’s show these to the world already!” “We’re very excited about launching this new range of action figures. For the first time in Bif Bang Pow! history, all of our licenses will be living in the same universe. So if you’ve always wanted Dr. Girlfriend to seduce Dexter Morgan, or for Mingâ„¢ the Merciless to fight The Dude, now’s your chance!”, said Jason Lenzi, CEO of Bif Bang Pow! “And the exceptional articulation makes the posing possibilities virtually limitless, which comes in handy for animated characters!”

“The 8-inch format hasn’t seen this breadth of licenses since its peak during the Mego days,” said Joe Sena, President of SphereWerx, corporate parent of the EMCE Toys brand. EMCE partner Paul “Dr. Mego” Clarke added, “It is exactly this intention to mix a variety of characters into imaginative play that started my journey to bring this format back ten years ago. We’re honored that Jason and his team sought us out to ‘Mego-ize’ the licenses he holds.”

Visit bifbangpow.com often for updates, specific character announcements and images. Preorders
begin today for select items at entertainmentearth.com and other fine retailers.

Retailers and press can see the first prototypes at New York Toy Fair, February 14-17, 2010, at the EMCE Toys booth #4944.

About Bif Bang Pow!
Bif Bang Pow!â„¢ (bifbangpow.com) produces first-rate collectibles for such popular properties as Dexterâ„¢, Lostâ„¢, Californicationâ„¢, The Venture Bros.â„¢, The Twilight Zoneâ„¢, The Big Lebowskiâ„¢, and Flash Gordonâ„¢. Founder Jason Lenzi is a seasoned television producer and the ultimate fan of cultish pop culture. So when he created his company in 2005, he took the fan’s perspective. His idea was to bring items to the marketplace that he himself would want to own. Cultivated from TV, movies, books, comics, music, and more, Bif Bang Pow!’s mission is to provide high-quality action figures, toys, and collectibles to the massive cult audience (and kids of all ages) that wishes these toys were already in their collection. Bif Bang Pow! is a unit of JLA Direct, LLC.

About EMCE Toys
The EMCE Toys brand (pronounced “em-see”) was founded to bring playability back to toys. Inspired by the original action figure company, Mego Corp., we strive to craft quality, durable action figures, playsets, and collectibles that recreate the sense of fun that toys were originally made for. Our launch lines are either licensed reproductions of original Mego toys and packaging, or original creations modeled after the classic lines of the 1970s and early 1980s. EMCE is proud to have the active input and cooperation of Marty Abrams, founder of Mego and father of the modern action figure. We hope to continue to honor his legacy with our work. We have also been honored to incorporate the talents of veteran artist Harold Shull, original illustrator of Mego’s classic and distinctive packaging from the 1970s. As we continue to extend this kind of inclusion of the original Mego teams, we get closer to our goal of bringing Mego back as a viable toy company in all but name. EMCE was created by veteran pop culture entrepreneur Joe Sena, President of SphereWerx, LLC, and craftsman Paul “Dr. Mego” Clarke.
###

« Newer PostsOlder Posts »

Powered by WordPress