I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have another chat with vlogger, musician, filmmaker, and author Charlie McDonnell, about haircuts, soppy thoughts, private karaoke, Canada, driving, tea phases, Twitch, hypeless, raids, geoguessing, open doors, compufears, jobs, census data, grounding, milk bags, satisfying loose-leaf, and blending.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have another chat with vlogger, musician, filmmaker, and author Charlie McDonnell, about fun science, travel, cereal, and Naughtea sex clubs.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have another chat with vlogger, musician, and presenter Charlie McDonnell about eye patches, screenwriting, travel, driving lessons, Japan, unicycles, and Muppets.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have another chat with vlogger, musician, and presenter Charlie McDonnell about sleuthing, licensed driving, deja vu, chocolate, cupboards, solicitors, Connery’s folly, Arthur’s tears, and Halloween.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have another chat with vlogger, musician, and presenter Charlie McDonnell about legs, pants, soda, double doubles, America, Torchwood, and Matt Smith trapped in a tiny room.
Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.
Not us.
Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).
Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you (and you can check out last year’s fun here).
Ain’t that cool?
Today, we’ve got an exclusive track from musical comedy duo Paul & Storm, who provide a bonus edition of their festive “25 Days Of Newman“…
This track asks the important question – “If Randy Newman had written a theme song for Kevin Smith’s Clerks, what would it have sounded like?” Well, like this…
We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.
To that end, we launched a brand new form of creative combat here at the Stop.
In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.
Ah, but I did mention that there was a competition involved…
A week back, we sent out the call for challengers. Many of you heard the call and fought for a slot. You’ll find information about them below.
Like a songwriting version of Iron Chef, these challengers will be presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop.
Some of our challengers had to drop out due to various and sundry technology issues, but you’ll find the submissions of those left standing below. So what exactly was their challenge?
HOLIDAY CHALLENGE
Tis the season and all that, right? Well, your challenge is to create a brand new character for this holiday season, and write a holiday song for him/her/it. Think Rudolph The Red-Nosed Reindeer, Frosty The Snowman, etc. Now you can add your own musical contribution to the festivities.
That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.
MASTERS OF SONG FU
For this edition of Song Fu, we brought in a single (well, 2, technically) Master who our Challengers went up against. Think of them as the iron chefs of Song Fu…
PAUL & STORM
Paul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.
NOTES: This arrangement was supposed to be all tricked out, with strings, lush vocals, glockenspiel, horns and crap. We discovered, as suspected, though, that nothing sounds crappier than fakey synth strings and horns; and without strings and horns, the glockenspiel and lush vocals were out of place. So in the end, we reverted to the original, stripped-down, raggedy demo we had made to start off with. That, and we’re lazy.
And now, the list of challengers and their songs:
THE CHALLENGERS
JEFF MacDOUGALL
Jeff MacDougall 2: Electric Boogaloo – You may know Jeff from his short-lived stint as reigning challenger in MoSF#1 – ultimately losing to master Jonathan Coulton. He’s back and ready to make the holidays his bitch. Because really, nothing says Christmas music like the sweet sounds of Jeff MacDougall.
I suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.
My name is Joe Lamb, I’ve been known online as JoeCovenant, or JoeCov, Or just Cov for the last decade or so. I’m 45 and have been performing for 40 of those years. Up until 2005 I was solely a professional actor/singer, but I am now also a Civil Servant and work for Her Majesty. I’ve been playing guitar since I was 10, but still think Bar Chords are things played in pubs. (I can’t do ’em!) I’m not too bad on the Bhodran and can pick out a tune on a keyboard when pushed… really hard. I’ve always been frustrated that my ideas outdistance my abilities, so my output is always rather simplistic… But I like to think that, occasionally, synergy does it’s job well! My last album, a passel of LARP songs written ‘in character’, was recorded in the same way the songs for this contest will be recorded… Analogue, in my living room, through a quickshot stick-mic (Yes, really!) Hearing some of the songs that have been created through this contest I feel privileged to be involved! I’ll do the best I can!
“BucketHat” Bobby Matheson is an awkward teenage accordionist and multi-instrumentalist who specializes in superhero-themed and “Comedy” music, and who works for minimum wage in the fast food industry. With his style varying from polka to folk, punk to pop, and then again from rock to bluegrass, we’re left unsure what to expect. One thing for certain is that Bobby doesn’t like talking about himself in the third person, and therefore will stop this silliness right now.
Charlie Wolf has always been much better at writing songs than at writing third-person biographies about himself. While still a teenager, Charlie Wolf is already an accomplished ‘multi-instrumentalist’, playing guitar, bass, accordion, and keyboards. In the past year or so, Charlie has began playing private parties and coffee-house gigs in the Los Angeles area, which sounds way more interesting than it actually is. His music ranges from hilarious comedy songs to tender ballads, and more often than not, somewhere in between. He would like to thank the academy, but cannot, because he does not know where the academy is or how they would like to be thanked.
“Rusty’s Rocking Jamboree” is a one-man, music and comedy show for family audiences, starring Russ Rogers. While in college, twenty-some years ago, Russ Rogers was in a band called, “Buc Blaster and His Ukulele Rangers.” There are several noteworthy alumni of “The Ukulele Rangers,” including Song Fu Master Michael J. Nelson. Later, Rogers and Andy LaCasse (also a Ukulele Ranger) partnered to form the almost near famous, children’s music and comedy duo, “Kit and Kaboodle.” After ten years and three albums (still available on iTunes and CDBaby.com), “Kit and Kaboodle” broke up over musical differences. LaCasse was musical … an d Rogers was just different. Now, “Rusty’s Rocking Jamboree” has been entertaining family audiences around Minnesota for the past five years.
The Masked Stranger (a.k.a Neal John Mac Rae), is a self proclaimed noise/folk artist from Nova Scotia, Canada. Although his work has gone completely unnoticed on an official level, he has still managed to garner several fans from Australia and amoungst his close friends. The Masked Stranger project started in 2004 when Neal John recorded “The River Song”, a simple panflute tune he furiously augmented and destroyed on his computer. Since then he has created roughly 30 other distinctly more destroyed and demented tracks under the moniker of The Masked Stranger. His music has been described as “a total disregard for musical theory”, “aaaaaaaah!”, “raw and grating”, “annoying”, “Twisting is a word I want to use to describe it… Very natural and earthly”, and “disturbing and yet… strangely enjoyable”. His most well liked and most consistant piece “Rue The Red” was described by Cape Breton goregrind artist Devin Meaney as “a posessed man jigging out on the strings of his creator. Like a puppet, devouring the flesh of god. And this is exactly what it reminds me of, no joke.”. This awkward and soil laiden musician’s journeys into the abrassive and the tribal only threaten to continue.
Heather Henderson has been entertaining America since she was seven years old. She got her start as a mini dancing superstar and co-host on Dance Party USA. Her career then made the natural progression towards Sesame Street and most recently a principal role in the Disney film Annapolis. Striving constantly to develop as an artist, The Big H sings with the bad-ass 60’s retro soul group SOULAMITE!, performs with the Revival Burlesque troupe in philadelphia, makes short films, writes funny songs, and is always looking for the next good audition. She hopes to have her own totally crappy and misquoted Wikipedia entry one day.
Scott Wolfson has been performing and recording since he was 13 years old. For more than half of his life he’s been a part of the New York City music scene – most notably, as the guitarist and songwriter for the “freak pop” band The Right Bastards, and most recently as the front man for The Buzzkill All-Stars. A graduate of NYU, he majored in musical performance and minored in music theory and composition. His songwriting strives to combine the wit and wisdom of Elvis Costello, Paul Simon, and Tom Waits with the pop sensibilites of Squeeze, XTC, and Crowded House. His unique voice and stylings add another dimension to the already strong songwriting.
Bryce Jensen has been writing songs off and on for over twenty years, but he has rarely shared any of them beyond his friends and family. His styles range from a capella to heavy metal with a lot of wimpy finger picking stuff in between. As most of his songs are horrible, Bryce has agreed to enter this contest as a service to the other contestants, making them appear even more talented by comparison.
So where’s the voting? Well, there is no voting in this Holiday Special. I figure everyone who participated is a winner, so we’ll be contacting them to send each and every one a little something special. Most of all, though, it’s important that artists like these get some attention and support in the new year from you, the audience, so feel free to discuss the tunes in the comments below, and visit their sites. Support them, won’t you? Oh, and HAPPY HOLIDAYS!
We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.
To that end, we’ve launched a brand new form of creative combat here at the Stop.
In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.
Ah, but I did mention that there was a competition involved…
A few weeks back, we sent out the call for challengers. Hundreds of you heard the call and fought for a chance to be in the initial group. 20 were selected. Only 19 responded in time.
Like a songwriting version of Iron Chef, the challengers were presented with a very specific songwriting challenge. They were given one week to complete their songs – however they saw fit, within the parameters set forth below…
ROUND 1 CHALLENGE
You must do a song in the style of a classic television show. Not only that, but this song is the theme for a fictional television show about yourself (or your band). By “classic television show” theme song, we mean the type of themes found in shows from the 1960’s – 1980’s (ie Gilligan’s Island, Cheers, The Fall Guy, Diff’rent Strokes, Welcome Back Kotter, Greatest American Hero, Happy Days, Laverne & Shirley, The Facts Of Life, Green Acres, Gimme A Break, The Monkees, etc.). Your theme song must include both lyrics and music. It must run no shorter than 30 seconds, and no longer than one (1) minute.
When all was said and done, only 16 of the 19 Challengers were able to send in the songs in time. You voted HERE. The original intention was that the top 5 vote getters would move on to Round 2. There was some concern that 2 of the top Challengers used prior existing music not of their own creation within their tracks, which was not exactly in the spirit of a songwriting competition. However, that was not *explicitly* forbidden within the wording of the first challenge (it will be, from this point forward, on future challenges). So, after consulting with the Masters, we’ve decided that the TOP 7 vote getters will be moving on to Round 2. Below, you’ll find those 7 Semi-Finalists.
The Round 2 Challenge will be announced on Monday, June 16th.
The winner of the Round 2 Challenge will then move on to a head-to-head battle with one of our Masters Of Song Fu.
You also voted on the contributions of our three Masters, eliminating one. Two Masters now remain, and they’ll be presented a special challenge of their own on June 16th, which will then be voted on by you, the readers. The winner of the Masters Challenge will be the one who duels with the winning Challenger.
But right now, let’s find out who our remaining Masters and Challengers are…
MASTERS OF SONG FU
JONATHAN COULTON
Jonathan Coulton on Jonathan Coulton: “In 2005 I left my day job writing software to pursue music full time. To keep myself busy I released a new song on this website every week for a year in a project called Thing a Week. A few of those songs became big internet hits (my folky cover of Sir Mix-a-Lot’s “Baby Got Back”, a funny video called “Flickr”, a song called “Code Monkey”), and I am now fortunate enough to make my living as a musician.
I write about a lot of geeky stuff because I am a geek. Some of it’s funny, but a lot of it’s not so funny, and even more of it is somewhere in between. I’ve been compared to They Might Be Giants, Barenaked Ladies, Loudon Wainwright III, and other musicians you REALLY LOVE.
I give lots of music away because I believe it helps my cause, and I love it when people use my music to create other stuff – music videos, pictures, remixes, etc. At the moment I’m unsigned, and I’m proud to say I’ve created this whole thing mostly on my own (with plenty of help from an amazingly supportive bunch of fans). But it certainly is getting busy… I will probably sell out and go Hollywood any day now…”
Paul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.
Born in the fall of 2006 in the center of the two-man acoustic comedy rock scene, Columbus, Ohio, the self proclaimed Turner and Hooch of Rock and Roll, The Paul Frumpton Experience Featuring Larry – known more colloquially as Jeff Stormer and Jeremy Hoover – are best described as what happens when comedy, music, caffeine, and improv collide in a chocolaty, peanut buttery explosion of good times. Stormer and Hoover met as students of Ohio State University and have been performing for scraps of food and hobo nickels ever since. Jeremy and Jeff’s major influences include Bacon, Booster Gold & Blue Beetle’s irreverent banter, David Bowie’s crotch in Labyrinth, and a deep-seated love of go karts. Finally, we feel obliged to mention all the things that are off limits to the comedy duo… This list includes NOTHING.
Lex Friedman’s musical influences include artists like They Might Be Giants, Moxy Fruvous, “Weird Al” Yankovic, CAKE, Barenaked Ladies, Tom Lehrer, Ben Folds, and Michael Jackson. Lex has left a smattering of bizarre music videos on YouTube, which have been slowly overtaken by videos of his 18-month-old daughter Anya. He occasionally shares new songs on his blog. He currently appears both weekly and weakly as the host of the “Week in Douchebaggery” on Cracked.com. Lex, his aforementioned daughter Anya, his lovely wife Lauren, and his diabetic maltese Charlie all live together in New Jersey, and sincerely hope that you don’t hold that against them. He gives one of them two injections if insulin each day – guess which! Lex also wrote this sentence. To avoid appearing like a suck-up, Lex has neglected to mention other musical influences of his who may or may not be the Iron Chefs of this Song Fu competition. Let’s just say he happens to also love the musical stylings of a guy whose name rhymes with Shmonathan Shmoulton.
My Fu is stronger than you! I am Coleman Bear Saunders, or Cloakie to most. At the age of 25 I work with music everyday at my studio that I recently built. I produce, engineer and compose various genres of music with ninja like precision. I have been picking away at the guitar since the age of 7 after watching my Dad play Johnny Cash tunes in the wrong key while singing the wrong lyrics, although I do the same thing because that’s the way I was learnt, ya hear me boy? I live in Kentucky and the music scene isn’t the greatest, so I turn to the internet to pipeline my Fu to the masses for free. I’m getting tired of music these days, I want some more songs about Dragons and fucking! Songs that take you on a journey and let you experience a different world, like movies do. My dream is to compose and score music for video games, TV, and my ultimate goal, the big screen. This is why the Song Fu competition was made for me. All the challenges that the competition presents to me will be similar to the expectations of future employers. Good luck to all, and may the best Fu win.
Elaine Chao Finnell is a singer/songwriter from the San Francisco Bay Area. In her checkered musical past, she has been a choral singer, a pit musician, an a cappella vocalist, a vocal percussionist, a hip hop beatboxer, contemporary Christian worship musician, and a musical librettist. After leaving the a cappella world in 2001, Elaine shifted into the world of hip hop theater, touring with spoken word artist Aya de León, then going solo and performing in such venues as the Yerba Buena Gardens in San Francisco and at the Apollo Theater in New York City. She began writing music at the tender age of 17, co-authoring her first musical with Brian Allan Hobbs. Since then, she has written two full length musicals and two plays. She currently plays regularly at her church as a lead vocalist and rhythm guitarist. While not in her musical pursuits, Elaine can be found in a cubicle at a major software company, at home with her engineer husband and their network of Macs, or studying martial arts at a local university.
To Serve Mankind seeks to do just that, via music that makes you think about the world and your place in it differently. Friends since high school, the duo, likened to They Might Be Giants or Barenaked Ladies, have played back yards to front yards and everywhere in between. It seemed like just yesterday To Serve Mankind had absolutely no future, and look at them now, competing in Song Fu against artists such as Paul and Storm and, uh, the Jonathan Coulton. Jeff Little and Bryan Ewing both grew up in Apple Valley, CA, an environment which demands creativity just to stay sane among Joshua trees, dirt, and the Wal*Mart. With a combined vocal range of at least a perfect 5th, To Serve Mankind is ready to take the world… aeriously. Bryan is into Rock, Jeff digs on Funk. Both serve as worship leaders at their respective churches and are married… not to each other… but to one woman each – Bryan to Michelle, Jeff to Jen. Bryan has a son named Malachi, and Jeff is expecting his wife to follow through on this pregnancy thing and produce a daughter, Jane. Jeff, Bryan (and Malachi) love Avatar: The Last Airbender.
The Deal: After 20+ years making music as a hobby, I recently wrote and recorded a song for my daughter. I got a little taste of mild success (hey, my mom liked it). So now I’m taking my music out of the closet, dusting it off, and seeing how it does in the sunshine. Who knew there was so much work in just attempting to do music for a living. I feel like I am opening a Subway franchise (Only opening a Subway franchise seems more fulfilling in a creative way).
Run At The Dog are high energy, rock/pop, category-sluts with multi-gendered vocals and intricate arrangements. They are like Abba meets Faith No More meets Mos Def meets the Mormon Tabernacle Choir meets Steely Dan. The songs of this Minneapolis 5-piece are always written right away, with no respect for the calculating mind. Audience members are unsure whether to dance, laugh, or panic.
The Round 2 Challenge will be announced on Monday, June 16th.
If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY, designed and handcrafted by [adult swim] superstar Dana Snyder. Yes. Dana Snyder.
We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.
To that end, we’re launching a brand new form of creative combat here at the Stop.
In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.
Ah, but I did mention that there was a competition involved…
We have 20 slots open to any and all musicians across this here internet. All you have to do is be one of the first 20 to apply via the form below, and you’re in.
Once those 20 participants have been announced, the showdown will commence.
Like a songwriting version of Iron Chef, the 20 competitors will be presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop to be voted on by you, the readers.
After one week of intense campaigning and voting, we’ll eliminate the bottom 15 vote-getters – leaving 5 competitors to move on to… ROUND 2.
That’s when things get crazy… But we’ll save the surprise til then.
Oh, and what do we call this competition?
MASTERS OF SONG FU
To mix things up a bit, we can also announce three (well, 4, if you’re being technical) very special Masters who you’ll be going up against in this inaugural edition of MASTERS OF SONG FU. Think of them as the iron chefs of Song Fu, and your ultimate challengers:
JONATHAN COULTON
Jonathan Coulton on Jonathan Coulton: “In 2005 I left my day job writing software to pursue music full time. To keep myself busy I released a new song on this website every week for a year in a project called Thing a Week. A few of those songs became big internet hits (my folky cover of Sir Mix-a-Lot’s “Baby Got Back”, a funny video called “Flickr”, a song called “Code Monkey”), and I am now fortunate enough to make my living as a musician.
I write about a lot of geeky stuff because I am a geek. Some of it’s funny, but a lot of it’s not so funny, and even more of it is somewhere in between. I’ve been compared to They Might Be Giants, Barenaked Ladies, Loudon Wainwright III, and other musicians you REALLY LOVE.
I give lots of music away because I believe it helps my cause, and I love it when people use my music to create other stuff – music videos, pictures, remixes, etc. At the moment I’m unsigned, and I’m proud to say I’ve created this whole thing mostly on my own (with plenty of help from an amazingly supportive bunch of fans). But it certainly is getting busy… I will probably sell out and go Hollywood any day now…”
Paul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.
Doc Hammer was born in 1626 in Hamar, Norway, under the name Erik VonHamer. Being the son of a humble cobbler, not much was expected of the young man, other than to cobble and to not complain about all the cobbling. But Doc was destined for greater things. At 17, with nothing more than really well made shoes and a dream, he made his way to Antwerp to study oil painting under the great Rubens. Within a year, the two were at odds. Rubens spoke (infrequently) of Doc as “that creepy skinny kid,” and Doc spoke of Rubens’s work as “kinda unattractive if you really look at it.” By 1648, Doc had relocated to Leiden, where he found his master in Rembrandt. It was there, in his 23rd year, that Doc met “She Who Was To Deliver The Kiss Of Eternal Youth.” After a spicy courtship, “She Who Was To Deliver The Kiss Of Eternal Youth” and Doc were married. By 1650 Doc had grown weary of immortality and committed an unsuccessful suicide by burying his never-corpse in the basement of a Dutch cottage. In 1870, Doc again resurfaced. Using the name Vilhelm Hammershoi, Doc resumed his painting career with mild success. After thanking his bride for “the immortality thing” and nicely reminding her that he had “heard every one of her stories like a billion times,” “She Who Was To Deliver The Kiss Of Eternal Youth” and Doc split up in 1916. Again, Doc literally went underground until, now using the name Armond Hammer, he resurfaced and made a whole mess of money selling overpriced meds to the Russians. Sick of all the baking soda jokes, Doc faked his death. Biding his time till the MC Hammer thing had blown over, Doc again resurfaced as “Doc Hammer.” Today, Doc still paints in oils and writes, voices, and does other crap for The Venture Bros. (a show you can watch on cable TV).
If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY, designed and handcrafted by [adult swim] superstar Dana Snyder. Yes. Dana Snyder.
Remember, you must be able to realize a song both lyrically and musically. This competition is open to both singer/songwriters and bands – but since space is limited, only enter if you truly accept the challenge. As stated above, we’ll be accepting the first 20 valid applications we receive.
Are you ready to bring your Fu? If so, fill out the form below:
THE ENTRY PROCESS FOR ROUND 1 IS NOW CLOSED. ALL CHOSEN COMPETITORS WILL BE NOTIFIED VIA E-MAIL, AND THE ROUND 1 CHALLENGE WILL BE ANNOUNCED ON MONDAY, MAY 19th.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
Jeff MacDougall 2: Electric Boogaloo – You may know Jeff from his short-lived stint as reigning challenger in MoSF#1 – ultimately losing to master Jonathan Coulton. He’s back and ready to make the holidays his bitch. Because really, nothing says Christmas music like the sweet sounds of Jeff MacDougall.
I suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.
My name is Joe Lamb, I’ve been known online as JoeCovenant, or JoeCov, Or just Cov for the last decade or so. I’m 45 and have been performing for 40 of those years. Up until 2005 I was solely a professional actor/singer, but I am now also a Civil Servant and work for Her Majesty. I’ve been playing guitar since I was 10, but still think Bar Chords are things played in pubs. (I can’t do ’em!) I’m not too bad on the Bhodran and can pick out a tune on a keyboard when pushed… really hard. I’ve always been frustrated that my ideas outdistance my abilities, so my output is always rather simplistic… But I like to think that, occasionally, synergy does it’s job well! My last album, a passel of LARP songs written ‘in character’, was recorded in the same way the songs for this contest will be recorded… Analogue, in my living room, through a quickshot stick-mic (Yes, really!) Hearing some of the songs that have been created through this contest I feel privileged to be involved! I’ll do the best I can!
“BucketHat” Bobby Matheson is an awkward teenage accordionist and multi-instrumentalist who specializes in superhero-themed and “Comedy” music, and who works for minimum wage in the fast food industry. With his style varying from polka to folk, punk to pop, and then again from rock to bluegrass, we’re left unsure what to expect. One thing for certain is that Bobby doesn’t like talking about himself in the third person, and therefore will stop this silliness right now.
Charlie Wolf has always been much better at writing songs than at writing third-person biographies about himself. While still a teenager, Charlie Wolf is already an accomplished ‘multi-instrumentalist’, playing guitar, bass, accordion, and keyboards. In the past year or so, Charlie has began playing private parties and coffee-house gigs in the Los Angeles area, which sounds way more interesting than it actually is. His music ranges from hilarious comedy songs to tender ballads, and more often than not, somewhere in between. He would like to thank the academy, but cannot, because he does not know where the academy is or how they would like to be thanked.
“Rusty’s Rocking Jamboree” is a one-man, music and comedy show for family audiences, starring Russ Rogers. While in college, twenty-some years ago, Russ Rogers was in a band called, “Buc Blaster and His Ukulele Rangers.” There are several noteworthy alumni of “The Ukulele Rangers,” including Song Fu Master Michael J. Nelson. Later, Rogers and Andy LaCasse (also a Ukulele Ranger) partnered to form the almost near famous, children’s music and comedy duo, “Kit and Kaboodle.” After ten years and three albums (still available on iTunes and CDBaby.com), “Kit and Kaboodle” broke up over musical differences. LaCasse was musical … an d Rogers was just different. Now, “Rusty’s Rocking Jamboree” has been entertaining family audiences around Minnesota for the past five years.
The Masked Stranger (a.k.a Neal John Mac Rae), is a self proclaimed noise/folk artist from Nova Scotia, Canada. Although his work has gone completely unnoticed on an official level, he has still managed to garner several fans from Australia and amoungst his close friends. The Masked Stranger project started in 2004 when Neal John recorded “The River Song”, a simple panflute tune he furiously augmented and destroyed on his computer. Since then he has created roughly 30 other distinctly more destroyed and demented tracks under the moniker of The Masked Stranger. His music has been described as “a total disregard for musical theory”, “aaaaaaaah!”, “raw and grating”, “annoying”, “Twisting is a word I want to use to describe it… Very natural and earthly”, and “disturbing and yet… strangely enjoyable”. His most well liked and most consistant piece “Rue The Red” was described by Cape Breton goregrind artist Devin Meaney as “a posessed man jigging out on the strings of his creator. Like a puppet, devouring the flesh of god. And this is exactly what it reminds me of, no joke.”. This awkward and soil laiden musician’s journeys into the abrassive and the tribal only threaten to continue.
Heather Henderson has been entertaining America since she was seven years old. She got her start as a mini dancing superstar and co-host on Dance Party USA. Her career then made the natural progression towards Sesame Street and most recently a principal role in the Disney film Annapolis. Striving constantly to develop as an artist, The Big H sings with the bad-ass 60’s retro soul group SOULAMITE!, performs with the Revival Burlesque troupe in philadelphia, makes short films, writes funny songs, and is always looking for the next good audition. She hopes to have her own totally crappy and misquoted Wikipedia entry one day.
Scott Wolfson has been performing and recording since he was 13 years old. For more than half of his life he’s been a part of the New York City music scene – most notably, as the guitarist and songwriter for the “freak pop” band The Right Bastards, and most recently as the front man for The Buzzkill All-Stars. A graduate of NYU, he majored in musical performance and minored in music theory and composition. His songwriting strives to combine the wit and wisdom of Elvis Costello, Paul Simon, and Tom Waits with the pop sensibilites of Squeeze, XTC, and Crowded House. His unique voice and stylings add another dimension to the already strong songwriting.
Bryce Jensen has been writing songs off and on for over twenty years, but he has rarely shared any of them beyond his friends and family. His styles range from a capella to heavy metal with a lot of wimpy finger picking stuff in between. As most of his songs are horrible, Bryce has agreed to enter this contest as a service to the other contestants, making them appear even more talented by comparison.
Jonathan Coulton on Jonathan Coulton: “In 2005 I left my day job writing software to pursue music full time. To keep myself busy I released a new song on this website every week for a year in a project called Thing a Week. A few of those songs became big internet hits (my folky cover of Sir Mix-a-Lot’s “Baby Got Back”, a funny video called “Flickr”, a song called “Code Monkey”), and I am now fortunate enough to make my living as a musician.
Born in the fall of 2006 in the center of the two-man acoustic comedy rock scene, Columbus, Ohio, the self proclaimed Turner and Hooch of Rock and Roll, The Paul Frumpton Experience Featuring Larry – known more colloquially as Jeff Stormer and Jeremy Hoover – are best described as what happens when comedy, music, caffeine, and improv collide in a chocolaty, peanut buttery explosion of good times. Stormer and Hoover met as students of Ohio State University and have been performing for scraps of food and hobo nickels ever since. Jeremy and Jeff’s major influences include Bacon, Booster Gold & Blue Beetle’s irreverent banter, David Bowie’s crotch in Labyrinth, and a deep-seated love of go karts. Finally, we feel obliged to mention all the things that are off limits to the comedy duo… This list includes NOTHING.
Lex Friedman’s musical influences include artists like They Might Be Giants, Moxy Fruvous, “Weird Al” Yankovic, CAKE, Barenaked Ladies, Tom Lehrer, Ben Folds, and Michael Jackson. Lex has left a smattering of bizarre music videos on YouTube, which have been slowly overtaken by videos of his 18-month-old daughter Anya. He occasionally shares new songs on his blog. He currently appears both weekly and weakly as the host of the “Week in Douchebaggery” on Cracked.com. Lex, his aforementioned daughter Anya, his lovely wife Lauren, and his diabetic maltese Charlie all live together in New Jersey, and sincerely hope that you don’t hold that against them. He gives one of them two injections if insulin each day – guess which! Lex also wrote this sentence. To avoid appearing like a suck-up, Lex has neglected to mention other musical influences of his who may or may not be the Iron Chefs of this Song Fu competition. Let’s just say he happens to also love the musical stylings of a guy whose name rhymes with Shmonathan Shmoulton.
My Fu is stronger than you! I am Coleman Bear Saunders, or Cloakie to most. At the age of 25 I work with music everyday at my studio that I recently built. I produce, engineer and compose various genres of music with ninja like precision. I have been picking away at the guitar since the age of 7 after watching my Dad play Johnny Cash tunes in the wrong key while singing the wrong lyrics, although I do the same thing because that’s the way I was learnt, ya hear me boy? I live in Kentucky and the music scene isn’t the greatest, so I turn to the internet to pipeline my Fu to the masses for free. I’m getting tired of music these days, I want some more songs about Dragons and fucking! Songs that take you on a journey and let you experience a different world, like movies do. My dream is to compose and score music for video games, TV, and my ultimate goal, the big screen. This is why the Song Fu competition was made for me. All the challenges that the competition presents to me will be similar to the expectations of future employers. Good luck to all, and may the best Fu win.
Elaine Chao Finnell is a singer/songwriter from the San Francisco Bay Area. In her checkered musical past, she has been a choral singer, a pit musician, an a cappella vocalist, a vocal percussionist, a hip hop beatboxer, contemporary Christian worship musician, and a musical librettist. After leaving the a cappella world in 2001, Elaine shifted into the world of hip hop theater, touring with spoken word artist Aya de León, then going solo and performing in such venues as the Yerba Buena Gardens in San Francisco and at the Apollo Theater in New York City. She began writing music at the tender age of 17, co-authoring her first musical with Brian Allan Hobbs. Since then, she has written two full length musicals and two plays. She currently plays regularly at her church as a lead vocalist and rhythm guitarist. While not in her musical pursuits, Elaine can be found in a cubicle at a major software company, at home with her engineer husband and their network of Macs, or studying martial arts at a local university.
To Serve Mankind seeks to do just that, via music that makes you think about the world and your place in it differently. Friends since high school, the duo, likened to They Might Be Giants or Barenaked Ladies, have played back yards to front yards and everywhere in between. It seemed like just yesterday To Serve Mankind had absolutely no future, and look at them now, competing in Song Fu against artists such as Paul and Storm and, uh, the Jonathan Coulton. Jeff Little and Bryan Ewing both grew up in Apple Valley, CA, an environment which demands creativity just to stay sane among Joshua trees, dirt, and the Wal*Mart. With a combined vocal range of at least a perfect 5th, To Serve Mankind is ready to take the world… aeriously. Bryan is into Rock, Jeff digs on Funk. Both serve as worship leaders at their respective churches and are married… not to each other… but to one woman each – Bryan to Michelle, Jeff to Jen. Bryan has a son named Malachi, and Jeff is expecting his wife to follow through on this pregnancy thing and produce a daughter, Jane. Jeff, Bryan (and Malachi) love Avatar: The Last Airbender.
The Deal: After 20+ years making music as a hobby, I recently wrote and recorded a song for my daughter. I got a little taste of mild success (hey, my mom liked it). So now I’m taking my music out of the closet, dusting it off, and seeing how it does in the sunshine. Who knew there was so much work in just attempting to do music for a living. I feel like I am opening a Subway franchise (Only opening a Subway franchise seems more fulfilling in a creative way).
Run At The Dog are high energy, rock/pop, category-sluts with multi-gendered vocals and intricate arrangements. They are like Abba meets Faith No More meets Mos Def meets the Mormon Tabernacle Choir meets Steely Dan. The songs of this Minneapolis 5-piece are always written right away, with no respect for the calculating mind. Audience members are unsure whether to dance, laugh, or panic.
Doc Hammer was born in 1626 in Hamar, Norway, under the name Erik VonHamer. Being the son of a humble cobbler, not much was expected of the young man, other than to cobble and to not complain about all the cobbling. But Doc was destined for greater things. At 17, with nothing more than really well made shoes and a dream, he made his way to Antwerp to study oil painting under the great Rubens. Within a year, the two were at odds. Rubens spoke (infrequently) of Doc as “that creepy skinny kid,” and Doc spoke of Rubens’s work as “kinda unattractive if you really look at it.” By 1648, Doc had relocated to Leiden, where he found his master in Rembrandt. It was there, in his 23rd year, that Doc met “She Who Was To Deliver The Kiss Of Eternal Youth.” After a spicy courtship, “She Who Was To Deliver The Kiss Of Eternal Youth” and Doc were married. By 1650 Doc had grown weary of immortality and committed an unsuccessful suicide by burying his never-corpse in the basement of a Dutch cottage. In 1870, Doc again resurfaced. Using the name Vilhelm Hammershoi, Doc resumed his painting career with mild success. After thanking his bride for “the immortality thing” and nicely reminding her that he had “heard every one of her stories like a billion times,” “She Who Was To Deliver The Kiss Of Eternal Youth” and Doc split up in 1916. Again, Doc literally went underground until, now using the name Armond Hammer, he resurfaced and made a whole mess of money selling overpriced meds to the Russians. Sick of all the baking soda jokes, Doc faked his death. Biding his time till the MC Hammer thing had blown over, Doc again resurfaced as “Doc Hammer.” Today, Doc still paints in oils and writes, voices, and does other crap for The Venture Bros. (a show you can watch on cable TV).