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  • A Bit Of A Chat with Ken Plume & Janet Varney

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    I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

    In this episode, I have a chat with actor Janet Varney, about soup, brick sick, placebo effects, sleep, jokes, bodily rejections, jar jar binks, Last Eels, sandwich moats, meat ravines, puppy power, hipster games, Domino Hustler, salons, ApprovOwls, SketchFest, Albert Brooks, and heroes.

    Hope you enjoy…

    Download “A Bit of a Chat with Ken Plume & Janet Varney“:

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    Subscribe to this Podcast via iTunes

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    Drop Ken a line HERE.

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    You can also find more of my interviews by clicking HERE.

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  • Weekend Shopping Guide 4/1/16: Kylo Fool’s

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    Sure, the prequels showed that petulance runs deep in the Skywalker bloodline, but even Anakin never reached the levels of pure emo we saw in href=”http://affiliates.sideshowtoy.com/Tracker.aspx?aid=1303&href=http%3a%2f%2fwww.sideshowtoy.com%2fcollectibles%2fstar-wars-kylo-ren-hot-toys-902538%2f” target=”_blank”>Kylo Ren ($224.99), who has now been immortalized in 1/6th scale form by the fine folks at Hot Toys. Sadly, we don’t get an Adam Driver portrait, so the detail level comes from the way they’ve scaled down the textured fabric in the numerous layers of his deceptively simple looking outfit, as well as his weathered facemask. As with their recent release of Obi-Wan and Luke, he sports a swappable right forearm that contains an LED light feature for his unique cross-hilted lightsaber.

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    If you’re lucky, life is full of pleasant surprises. The arrival of the incredible modern television classic Freaks And Geeks (Shout Factory, Not Rated, Blu-Ray-$119.00 SRP) in high definition? That, my friends, is the very epitome of a pleasant surprise. Not only do we get a fully remastered version of the original presentation, but we also get a 16×9 version, which I surprised to find out was the format (save for the pilot) that the show was actually shot in. And it looks great. All of the bonus materials from the stellar “Yearbook” DVD release have been carried over, with the addition of a brand new conversation with creator Paul Feig & producer Judd Apatow.

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    It’s a bit pointless to try and offer up a review of Star Wars: The Force Awakens (Walt Disney, Rated PG-13, Blu-Ray-$39.99 SRP). Everyone’s seen it. Everyone has an opinion on it. So how does what is sure to be the first of many home video releases meet up with expectations? We’re going to have to wait until later in the year for a 3D release, but the bonus features this go round are marked by a singular great one, which is the extended making-of documentary which charts the creation of the film from the sale of Lucasfilm through the production. Admittedly, it feels like the first of what could be many documentaries, as there are plenty of aspects of production that are only touched upon, even in the clutch of additional featurettes the disc contains. And the deleted scenes only total less than 5 minutes, leaving tons of filmed material still unseen, including scenes with the mysterious Constable Zuvio, who got an action figure even though all trace of him was cut. So, yes, this is not the Peter Jackson-level special edition we were hoping for, but you know you’re impatient and are going to buy this first release regardless. So here it is. Now start saving your pennies for the special edition at the end of the year.

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    Oh, how I love nifty multi-task devices, and the UCO Trinity LED Lantern (Thinkgeek, $49.99) certainly falls into that sweet spot. Not only is it a perfect little handheld LED flashlight, but you can extend the housing and transform it from a unidirectional light into an omnidirectional lantern. Ah, but that’s not the end of its powers, because the last bit of wow actually has to do with power, as it manages to triple as a USB power charger. How’s that for a great emergency device?

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    I continue to marvel at the notion that, after this set, there are 25 episodes left until the entire run is available on home video. Thanks to the miracle workers at Shout Factory, Mystery Science Theater 3000: Volume XXXV (Shout Factory, Not Rated, DVD-$59.97 SRP) brings us four episodes closer to that seemingly impossible goal. Whizzes at clearing up rights red tape, this set continues the Joel/Mike episode split, with 12 To The Moon, Teenage Cave Man, Being From Another Planet (aka Time Walker), and Deathstalker And The Warriors From Hell, plus a quartet of featurettes.

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    I had very little expectations one way or the other from it, but wound up enjoying Disney’s latest animated feature immensely, which made digging into The Art Of Zootopia (Chronicle Books, $40 SRP) even more of a delight. As we’ve come to expect with these lovely hardcover tomes, it’s packed with design and development artwork and insight into the creation of the film.

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    The end of a cinematic series means fans can finally snap up a comprehensive collection containing all of the flicks and usually a load of extra bonus materials, and The Hunger Games: Complete 4-Film Co0llection (Lionsgate, Rated PG-13, Blu-Ray-$64.97 SRP) brings together the entire quadrilogy, including all previously-available bonus features plus an exclusive bonus disc packed with additional documentaries, deleted scenes, and more.

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    There’s much to love and much to hate about Quentin Tarantino’s 8th film, The Hateful Eight (Anchor Bay, Rated, R, Blu-Ray-$39.99 SRP). For every beautifully evocative piece of dialogue, performance, or visual flourish, there’s a feeling that it’s the Olive Garden of spaghetti westerns. And much like every other Tarantino film before it, I like it for what it is, wish it lived up to its own potential, and will probably not get around to watching it again. Bonus materials include a pair of featurettes.

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    Written as a gift to his young son Tenzin on the boy’s 5th birthday, Avatar: The Last Airbender – Legacy (Insight Editions, $24.95 SRP) is a combination memoir and scrapbook of Aang’s tale, written in the first person and collecting numerous pieces of ephemera from his many adventures. Where else are you going to get mementos like a Fire Nation Royal Palace postcard and a guide to waterbending?

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    It’s not a film you’ll probably ever find yourself watching again, but Daddy’s Home (Paramount, Rated PG-13, Blu-Ray-$39.99 SRP) is a comedy that coasts on the amiable likability of Will Ferrell and Mark Wahlberg as a dad and step-dad facing off against each other for the affection of their kids. Bonus materials include deleted/extended scenes and featurettes.

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    No one would consider any of these titles classics, but the latest clutch of high-def catalogue debuts to make their way out into the world via Olive Films certainly contains flicks that many would consider guilty pleasures, including the A Christmas Story sequel My Summer Story (Olive Films, Rated PG, Blu-Ray-$29.95 SRP), Peter Fonda in Jack Nicholson & Roger Corman’s The Trip (Olive Films, Not Rated, Blu-Ray-$29.95 SRP), Judd Nelson in Making The Grade (Olive Films, Rated R, Blu-Ray-$29.95 SRP), Bette Midler in Jinxed (Olive Films, Rated R, Blu-Ray-$29.95 SRP), Chuck Norris in Breaker! Breaker! (Olive Films, Rated PG, Blu-Ray-$29.95 SRP), Bruce Willis & Cate Blanchett in Bandits (Olive Films, Rated PG-13, Blu-Ray-$29.95 SRP), Val Kilmer & Michael Madsen in Kill Me Again (Olive Films, Rated R, Blu-Ray-$29.95 SRP), and James Woods & Sean Young in The Boost (Olive Films, Rated R, Blu-Ray-$29.95 SRP).

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    The best I can say about the wholly unnecessary Point Break (Warner Bros., Rated PG-13, Blu-Ray-$44.95 SRP) remake is that the surfing footage looks awfully pretty. Other than that, it pretty much just exists. Is it offensive? Nah. It’s a fine watch if you run across it. With pretty waves. Bonus materials include featurettes and deleted scenes.

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    They make money, so there will continue to be quickie franchise sequels like Alvin And The Chipmunks: The Road Chip (Fox, Rated PG, DVD-$29.98 SRP), which finds the titular threesome taking the title pun’s road trip to Miami. Bonus materials include a featurette and a song playlist.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Weekend Shopping Guide 10/16/15: Light Your Darkest Hour

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    He’s a genius and a swell guy, so of course I’m going to recommend Terry Gilliam’s “Pre-Posthumous Memoir” Gilliamesque (HarperDesign, $40 SRP), which reasonably accurate journey through his mostly-remembered life and career, packed with photographs and art culled from his archives. So, get it. It’s wonderful.

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    There have been plenty of Generation 1 (y’know, proper) Transformers toys released over the years, but it takes the miracle workers at Hot Toys to strip the been there, done that of it all by crafting their own take on the Autobot leader. Their Optimus Prime (Starscream Version) ($344.99) stands a foot tall, and looks exactly like you hope he would, with the added bonus of being incredibly articulated. The unique spin I mentioned earlier comes from the fact that this Optimus has just taken down Starscream with extreme prejudice, commandeering his wings and blasters and also claiming the head of his fallen foe. Because it’s Hot Toys, the figure also has a nifty light-up feature on not only his eyes, but also the Matrix of Leadership in his chest. Is this thing cool? Yes. Yes, it is.

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    And speaking of Sideshow Collectibles, photographer Daniel Picard has taken several of the figures they’ve released over the years and used them to create some absolutely magical photographs by dropping them into exquisitely crafted tableaus that run the gamut from funny to poignant. Those photographs have been collected together into a hardcover coffee table book, Figure Fantasy (Insight Editions, $125), which features a foreword from Simon Pegg and an afterword by Kevin Smith. The deluxe hardcover limited collectors edition, available exclusively from Sideshow.com, sports an attractive slipcase, and includes a card of authenticity signed by Picard, as well as three digitally signed and embossed fine art photo prints.

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    Disney’s slow trickle home video release of their high-profile animated films has always been painful for those of us who want to own everything right now, compounded by the fact that I’ve gone through this dance with VHS, DVD, and now Blu-Ray. After what seems forever and a day, another long-awaited diamond has made it out of the rough with the high-def arrival of Aladdin (Walt Disney, Rated G, Blu-Ray-$40.99 SRP). In addition to the bonus materials found on the original DVD release, this Diamond edition adds a tribute to Robin Williams, Genie outtakes, featurettes, and more.

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    I had been hearing for months just how must-see wonderful the Brian Wilson biopic Love & Mercy (Lionsgate, Rated PG-13, Blu-Ray-$24.99 SRP) was, and I began to fear that such glowing praise was setting me up for quite a bit of disappointment. Well, my fears were unfounded, because the flick really is wonderful, with both Paul Dano and John Cusack portraying, respectively, the 60s and Landry-influenced Wilson of the 80s with aplomb. Bonus materials include an audio commentary, featurettes, and deleted scenes.

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    Its spin-off has faded into the sunset, so it’s the perfect time to circle back and re-experience where it all began with Avatar: The Last Airbender – The Complete Series (Nickelodeon, Not Rated, DVD-$39.98 SRP). The 16-disc set contains all 3 seasons (Books), plus a trio of bonus materials including audio commentaries, featurettes, animatics, and more.

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    Yeah, so, you’ve got a bunch of old NES and SNES cartridges lying around from your childhood, and you’d love to be able to play them, right? Of course you would! And how about making the ability to play portable, as well? That’s exactly what you get with the Retro Duo Portable NES/SNES Game System (Thinkgeek, $99.99), which not only allows you to play on the built-in screen, but also allows you to output the video to your TV screen. How cool is that? Now, dust off your copy of Bionic Commando and get gaming!

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    Not only has Shout Factory brought the long out-of-print and ridiculously priced on the secondary market Mystery Science Theater 3000: Volume 1 (Shout Factory, Not Rated, DVD-$44.99 SRP) back into print, but they’ve also remastered the episodes (fixing a lot of quality issues found in the original Rhino release) and also loaded it with new bonus material, including featurettes, a Q&A with Trace and Frank, and theatrical trailers.

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    When most comic fans think of Donald Duck, they think of the comic book work of Carl Barks. The folks at IDW are looking to expand the appreciation of Donald’s comic adventures with the very first collection of Donald Duck: The Complete Newspaper Comics – 1938-1940 (IDW, $39.99 SRP). Featuring 750 consecutive strips by the great duck artist Al Taliaferro. It’s a beautiful addition to any library, and hopefully we’ll get the whole run.

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    And because Halloween is right around the corner, Fantagraphics has used that perfect timing to release volume 13 of their marvelous Carl Barks Library, Donald Duck: Trick Or Treat (Fantagraphics, $29.99 SRP), with its lead feature being the restored version of Barks’s adaptation of the witchy 1950s Duck cartoon. As usual, the volume is packed with additional stories and supporting essays, and continues to be a must-have for fans of Barks and the Disney ducks.

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    If you’re looking for a pretty darn perfect way to introduce a young kid to the wonderful wonders of Carl Barks’s Disney duck tales, Fantagraphics has hit upon a handy little reformatting style for some of his classic stories, presenting them in a 5×11 style that’s perfect for carting about. Joining the already available Donald Duck: Ghost Of The Grotto (Fantagraphics, $12.99 SRP) are The Golden Helmet (Fantagraphics, $12.99 SRP) and Sheriff Of Bullet Valley (Fantagraphics, $12.99 SRP). Get them all, and hopefully they’ll keep on putting them out!

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    While their cinematic universe is a drab, depressing antiheroic wasteland, the DC Comics television universe as been evolving into a lovely, interconnected, heroic bastion of enjoyable tales. While the third season of Arrow (Warner Bros., Not Rated, Blu-Ray-$60.10 SRP) doubled down and expanded into a comfortable rhythm, the real gem of the new season was the wonderfully nimble first season of The Flash (Warner Bros., Not Rated, Blu-Ray-$60.10 SRP), which is everything its dour cinematic cousin is not. Which is a very, very good thing. Bonus materials on the sets include featurettes, deleted scenes, commentary, and gag reels.

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    I desperately wanted to love Brad Bird’s Tomorrowland (Walt Disney, Rated PG, Blu-Ray-$39.99 SRP). I love Brad Bird. I love the futurism of the past. I love Disney. But nothing quite seemed to gel into the perfect vision I had for this film, which is deeply ironic, given it’s flawed optimism and ultimately problematic message – which is, essentially, that most of us are not special, and never will be, but we have to believe in the exceptionalism of others in order to save us. So, yeah. Honestly, if this film had taken place entirely in the world Tomorrowland with the adventures of young boy genius Frank – you know, essentially the futuristic adventures of Hogarth Hughes – than I would have been giddy. Can I have that film? Bonus materials include deleted scenes, featurettes, and animated prequel short, and more.

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    The impending arrival of the new animated film on the big screen means we’re getting a deluge of books featuring and celebrating his creations, and one of the most beautiful is Chip Kidd’s Only What’s Necessary: Charles M. Schulz And The Art Of Peanuts (Abrams ComicArts, $40 SRP). Leave it to Kidd to craft another of his signature tomes packed with rare and beautifully shot and presented ephemera from across the strip” 50 year history, from bizarre merchandise to discarded strips.

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    A hearty thank you to the home video gurus at Warner Bros., who have used their mojo to shake loose and release a quartet of oft-requested catalogue titles from Paramount and get them in the hands of fans in glorious high-def. Those titles include the Harrison Ford building a barn vehicle Witness (Paramount/Warner Bros., Rated R, Blu-Ray-$14.98 SRP), Clint Eastwood’s Escape From Alcatraz (Paramount/Warner Bros., Rated PG, Blu-Ray-$14.98 SRP), Nicolas Cage & Sam Rockwell in Matchstick Men (Paramount/Warner Bros., Rated PG-13, Blu-Ray-$14.98 SRP), Matt Stone & Trey Parker’s marionation masterpiece Team America: World Police (Paramount/Warner Bros., Rated R, Blu-Ray-$14.98 SRP), Morgan Freeman in both Kiss The Girls (Paramount/Warner Bros., Rated R, Blu-Ray-$14.98 SRP) & Along Came A Spider (Paramount/Warner Bros., Not Rated, Blu-Ray-$14.98 SRP), Robert DeNiro & Ed Burns in 15 Minutes (Paramount/Warner Bros., Rated R, Blu-Ray-$14.98 SRP), and James Stewart & John Wayne in the classic The Man Who Shot Liberty Valance (Paramount/Warner Bros., Not Rated, Blu-Ray-$14.98 SRP).

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    Try and avoid the increasingly creaky Modern Family and instead focus your attention on the genuinely fresh and funny Fresh Off The Boat (Fox, Not Rated, DVD-$29.98 SRP), which manages to avoid culture clash tropes and instead focuses on what’s important – smart comedy well-performed. Bonus materials include a trivia track and a gag reel.

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    Yeah, I was certainly one of those fans who was deeply worried that the show wouldn’t be able to stick the landing at the end of its run, but the seven episodes of Mad Men: The Final Season Part 2 (Lionsgate, Not Rated, Blu-Ray-$39.97 SRP) managed to pull it off, delivering not only a fitting bit of positive closure for the deeply flawed Don Draper, but also for most of the supporting characters as well. Bonus materials include audio commentaries and a handful of featurettes.

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    Biding time patiently for the next full season high-def release? Partake of Adventure Time: The Enchiridion (Cartoon Network, Not Rated, DVD-$19.82 SRP), collecting 16 episodes from the current season, every one of which is full of adventure to pass the time.

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    Knowing that his artists, who had been toiling away on Mickey Mouse shorts and Silly Symphonies, were not quite ready to tackle something as artistically ambitious as their first feature, Snow White, Walt Disney arranged for what essentially was an in-house art school, organized by Chouinard instructor Don Graham. Featuring lecturers like Frank Lloyd Wright and Alexander Woollcott, the long-filed and rarely seen notes from those presentations have been collected together with context and copious illustrations in Before Ever After: The Lost Lectures Of Walt Disney’s Animation Studio (Disney Editions, $40 SRP), and every one is a gem.

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    It’s the fall and a new season has begun, which means we also get the release of the previous season with the arrival of South Park: The Complete Eighteenth Season (Comedy Central, Not Rated, Blu-Ray-$39.99 SRP). The 2-disc set contains all 10 episodes plus the regular batch of Matt & Trey mini-commentaries, deleted scenes, and #socialcommentary.

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    A zombie medical resident who works at the morgue, eats brains, and solves murders with the psychic information she gleans while eating those brains? From the guy who gave us Veronica Mars? Sure, I’ll watch that show. And you should watch the complete first season of iZombie (Warner Bros., Not Rated, DVD-$39.98 SRP), because it’s all of those things. Bonus materials include deleted scenes and a Comic-Con panel.

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    The Peanuts gang ventures into international territory in Bon Voyage, Charlie Brown (Paramount, Not Rated, DVD-$14.98 SRP), which is newly remastered for its 35th anniversary, and finds Charlie Brown and gang spending two weeks in France as exchange students. The disc also contains a newly-produced making-of featurette.

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    From the work of Bill Theiss on the original series through the work of Robert Blackman and Michael Kaplan on the modern shows and films, Star Trek: Costumes (Insight Editions, $60 SRP) is a comprehensive and lovingly-crafted celebration of the art and artistry that went into clothing the not-too-distant future. Packed with photos and design artwork, it’s a lovely tome for any fan.

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    Tell me 20 years ago, and I never would have believed you if you’d told me that Bobcat Goldthwait would turn out to be a filmmaker crafting some deeply fascinating films, the most recent of which, Call Me Lucky (MPI, Not Rated, Blu-Ray-$29.98 SRP) is a documentary about his mentor, comedian Barry Crimmins. In it, Goldthwait presents a painfully inspiring portrait of a man who transformed his childhood abuse into a rage-filled stage persona and a nurturing relationship with the next generation of comedians, one of which was Bobcat himself. Bonus materials include an audio commentary and a trailer.

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    As finales of NuWho go, the two-parter Doctor Who: Dark Water/Death In Heaven (BBC, Not Rated, 3D Blu-Ray-$19.98 SRP) certainly wasn’t a high water mark, but it did give us a fully realized take on a female version of The Master, and watching Peter Capaldi continues to be a joy, even if the material he’s being given still isn’t quite clicking. But the real reason to pick up this release is that they’ve gone back and made it 3D, which we’ve only seen done with Who for the 50th anniversary special. So, for novelty alone, this disc is worth a spin.

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    As a film San Andreas (Warner Bros., Rated PG-13, 3D Blu-Ray-$44.95 SRP) is just as much a disaster as the seismic catastrophe its plot hinges upon. But we don’t watch films like this for any other reason than it’s full-on disaster porn, with oodles of special effects of things breaking and exploding. Oh, and this one adds The Rock to that mix. And who doesn’t like The Rock? Even if his actions in this film are incredibly selfish and mightily unheroic. But still. THE ROCK. And all of that crumble boomy looks snazzy in 3D. Bonus materials include audio commentary, featurettes, deleted scenes, and a gag reel.

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    There are enough dour and depressing aspects barnacled on to the Batman universe that sometimes it takes a bit of real world joy to brighten up the impact of the Dark Knight, and that’s what we get from the documentary Batkid Begins (Warner Bros., Not Rated, DVD-$28.98 SRP), about the town of San Francisco fulfilling the wish of a 5-yerar-old boy who had fought through Leukemia, and who just wanted to be the real Batman.

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    As much guff as Keanu Reeves has gotten for his acting and film choices over the years, his performance in Gus Van Sant’s My Own Private Idaho (Criterion, Rated R, Blu-Ray-$39.95 SRP), as one half a hustling duo alongside River Phoenix, is unassailable. And now Criterion has done a beautiful high-def restoration, packed with a documentary, interviews, featurettes, and more.

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    I know my nephews, huge fans, probably would have begged to see Regular Show: The Movie (Cartoon Network, Not Rated DVD-$14.98 SRP) in the theater if it had actually gotten a theatrical release, but it didn’t, so they’ll instead enjoy this feature-length adventure at home. Which is just as good, really. Certainly cheaper and more comfortable.

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    While they’ve been available as separate collections of episodes, all of those separate discs have now been brought together in Teenage Mutant Ninja Turtles: The Complete First & Second Seasons (Nickelodeon, Not Rated, DVD-$39.98 SRP). Nickelodeon’s modern take on the well-loved franchise is a truly beautiful series, which makes it that much more baffling that it can’t manage to get an equally nice high-definition release. Here’s hoping this is the first step towards that.

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    If you’re a fan of arthouse cinema – also known as, ya know, really good films that contain almost no CG, aliens, or superheroes – then the curated collection of 10 films put together by the award-winning team at Indiepix, running the gamut from comedy to drama to documentary, is right up your alley. The specially assembled lot includes Artois The Goat, Candyman: The David Klein Story, Evergreen, The DeVilles, All My Friends Are Funeral Singers, Frontrunner, The Axe In The Attic, Jack Taylor Of Beverly Hills, Shooting Stars, and Echotone (Indiepix, Not Rated, DVD-$24.95 SRP each).

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    Remember in the 1990s, when every year seemed to bring a new batch of Jackie Chan movies? Well, Warners aims tom remind you, with the high definition debut of a pair of those 90s Chan flicks – Jackie Chan’s First Strike (Warner Bros., Rated PG-13, Blu-Ray-$9.98 SRP) and Rumble In The Bronx (Warner Bros., Rated R, Blu-Ray-$9.98 SRP).

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    What do you do when your main character left the male stripping world at the end of your first surprisingly successful film but you really, really want to make a sequel? You use the old “Getting the band back together for one last hurrah” trope, and that’s exactly what we get in Magic Mike XXL (Warner Bros., Rated R, Blu-Ray-$44.95 SRP), which brings Mike back to what he does best when his former cohorts convince him to join them in a big finish at a competition in Myrtle Beach. Because, of course they did. Bonus materials include a pair of featurettes and an extended dance scene.

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    Just like the documentaries on World Wars I & II before it, there’s something undeniably fascinating in seeing history come to life merely by introducing color to what has always been black & white, and when it comes to photography, Blood & Glory: The Civil War In Color (History Channel, Not Rated, Blu-Ray-$29.99 SRP) is about as far back as we can go. Bonus materials include additional interviews with historians and descendents.

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    We haven’t gotten a proper Christmas episode out of the current iteration of the characters, so we’ll have to go to the last series for a festive Teenage Mutant Ninja Turtles: Cowabunga Christmas (Nickelodeon, Not Rated, DVD-$9.99 SRP). The disc sports a trio of episodes sure to put you in the holiday spirit.

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    A film like Skin Traffik (Alchemy, Rated R, DVD-$19.99 SRP) is exactly the kind of pulpy throwaway you’d find yourself watching at 3am on Cinemax. Starring Gary Daniels as a hitman out to liberate a woman under the control of a vicious pimp played by Mickey Rourke, it’s everything you’d expect from one of those late night action flicks.

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    When you’ve exhausted sequels, go back and make a prequel, which is just what Insidious: Chapter 3 (Sony, Rated R, Blu-Ray-$34.99 SRP) does, as we go back to the time before the Lambert haunting to the tale of a young teen attempting to contact her dead mother and encountering more than she bargained for. Bonus materials include featurettes and deleted scenes.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Win TEENAGE MUTANT NINJA TURTLES: ENTER SHREDDER on DVD!

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    In conjunction with Nickelodeon, we’re giving away three (3) copies of TEENAGE MUTANT NINJA TURTLES: ENTER SHREDDER on DVD.

    Contest ends at 11:59pm EST on August 14th.

    Enter the contest!
    Email:
    First name:
    Last name:
    Street Address:
    Address Line 2 (if needed):
    City:
    State/Province/Whatever:
    Zip Code/Postal Code:
    Country:
    Birth Month:
    Birth Day:
    Birth Year:

    Official Rules

    No member of FRED Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Wednesday, August 14th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Contest Round-Up: 2010-11-24

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    Welcome to our weekly round-up of featured giveaways here at FRED. Every week, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with Classic Media, we’re giving away three (3) copies each of THE CHRISTMAS CLASSICS COLLECTION on Blu-Ray.

    In conjunction with HBO Home Video, we’re giving away three (3) copies each of DEADWOOD: THE COMPLETE SERIES on Blu-Ray.

    In conjunction with Summit Entertainment, we’re giving away five (5) copies each of TWILIGHT: ECLIPSE on DVD.

    In conjunction with Nickelodeon Home Video, we’re giving away three (3) copies each of SPONGEBOB SQUAREPANTS: LEGENDS OF BIKINI BOTTOM on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away a copy of FRINGE: SEASON 2 on Blu-Ray.

    In conjunction with Warner Bros. Home Video, we’re giving away a copy of HUMAN TARGET: SEASON 1 on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away a copy of PEANUTS HOLIDAY COLLECTION on Blu-Ray.

    In conjunction with Warner Bros. Home Video, we’re giving away a copy of TWAS THE NIGHT BEFORE CHRISTMAS on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away a copy of CHARLIE BROWN CHRISTMAS TALES on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away a copy of YOGI’S ALL STAR COMEDY CHRISTMAS CAPER on DVD.

    In conjunction with BBC Home Video, we’re giving away two (2) copies of LUTHER on DVD.

    In conjunction with BBC Home Video, we’re giving away two (2) copies of LENNON NAKED on DVD.

    In conjunction with Paramount Home Video, we’re giving away three (3) sets of both THE LAST AIRBENDER on Blu-Ray/DVD and AVATAR: SEASON 1 on DVD.

    In conjunction with Hasbro, we’re giving away sixteen (16) Deluxe SUPER HERO SQUAD ROCKET BOOST IRON MAN figures.

  • Win THE LAST AIRBENDER on Blu-Ray/DVD & AVATAR: SEASON 1 on DVD!

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    In conjunction with Paramount Home Video, we’re giving away three (3) sets of both THE LAST AIRBENDER on Blu-Ray/DVD and AVATAR: SEASON 1 on DVD.

    Contest ends at 11:59pm EST on Wednesday, December 15th.

    Enter the contest!
    Email:
    First name:
    Last name:
    Street Address:
    Address Line 2 (if needed):
    City:
    State/Province/Whatever:
    Zip Code/Postal Code:
    Country:
    Birth Month:
    Birth Day:
    Birth Year:

    Official Rules

    No member of FRED Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Wednesday, December 15th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Weekend Shopping Guide 9/17/10: Travel To Another Dimension

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    Remember those deluxe, ultra-desirable, completely definitive Twilight Zone DVD releases from a few years back? Well, turns out they weren’t nearly as definitive as we thought, because Rod Serling’s classic series arrives in high definition with a ridiculously heightened amount of bonus features. In addition to all 36 episodes plus all of the original bonus content of the old sets, Twilight Zone: Season 1 (Image, Not Rated, Blu-Ray-$99.98 SRP) packs on the unofficial pilot episode, 19 new audio commentaries, actor interviews, 18 radio dramas, isolated music scores on 34 episodes, syndication promos, and more. And that doesn’t even touch on just how good the episodes look and sound. Surely THIS is the definitive set. Bring on season two!

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    There are some things that are instant triggers for geeks to rip out their wallets and plunk down the cash necessary to own. It’s safe to say that the newly released Stay Puft Caffeinated Gourmet Marshmallows ($19.99). Yes, Ghostbusters fans – You can now eat Stay Puft marshmallows, and they even come packaged in a box meat to be saved and displayed long after its content have been devoured.

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    Another landmark cinema classic makes its way into high definition with the arrival of Milos Forman’s iconic One Flew Over The Cuckoo’s Nest (Warner Bros., Rated R, Blu-Ray-$49.99 SRP), which looks and sounds better than, well, it probably ever has. The special edition also features an audio commentary, additional scenes, the feature-length documentary Completely Cuckoo, a commemorative book, a reproduction of the original press book, mini poster reproductions, photo cards, and a deck of cards.

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    After running under the radar for its first two years, it was during the 3rd season of The Big Bang Theory (Warner Bros., Not Rated, DVD-$44.98 SRP) that the little geek-com that could finally broke through into mainstream success, becoming so much of a burgeoning institution that CBS plans to take on the NBC Thursday night behemoth with it this Fall. The 3rd season set contains all 23 episodes plus featurettes and a gag reel. A Blu-Ray edition ($54.97 SRP) is also available, with identical bonus materials.

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    It’s not quite the old Criterion Blu-Ray release, but Lionsgate has done a fine job assembling their own high definition special edition of Carol Reed’s classic The Third Man (Lionsgate, Not Rated, Blu-Ray-$39.99 SRP), which sports an audio commentary, interviews, trailers, radio materials, and more.

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    It’s a hoary metaphor to compare the analysis of comedy to the dissection of a frog, but I’d like you to ignore that metaphor (which I won’t even bother to complete) and recommend you read Stewart Lee’s brilliant How I Escaped My Certain Fate: The Life and Deaths of a Stand-Up Comedian (Faber & Faber, £12.99 SRP), in which he takes the transcripts from three of his stand-up shows from the past ten years – after his return to comedy following a few fallow years – and provides a running commentary on the processes, background, truths, and lies behind the material. Get this.

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    It’s certainly not the Blu-Ray restoration I would have hoped for, but seeing as how it still retains its red-headed step child status within the Disney catalogue, I suppose I should be happy that the 25th anniversary re-release of The Black Cauldron (Walt Disney, Rated PG, DVD-$19.99 SRP) does look better than the last, and at least presents its Cinemascope print anamorphically. They’ve also added a deleted scene, while retaining the classic Donald Duck short “Trick Or Treat”.

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    Did you know that a feature film version of Prince of Persia (Walt Disney, Rated PG-13, Blu-Ray-$44.98 SRP) was released? In theaters, even! Yup, it actually was there for a bit, starring Jake Gyllenhaal as the titular gymnastic prince, as he teams up with a rival princess (Gemma Arterton) to save the kingdom with a magic dagger that can turn back time. Yeah, that’s it. The 3-disc set contains behind-the-scenes featurettes and a deleted scene, as well as the standard DVD of the film.

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    It’s decidedly diminishing returns as you go along until the most recent flick pulls things out of the cess pit they’d gotten into, but at least the high definition presentation of all 6 films in Rocky: The Undisputed Collection (MGM/UA, Rated PG, Blu-Ray-$69.99 SRP). Bonus features include a Stallone video commentary, featurettes, a 3-part making-of documentary, tributes, and more.

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    If you’re looking for a sprawling, one-stop primer on the history of the United States, look no further than The History Channel’s America: The Story Of Us (History Channel, Not Rated, DVD-$39.95 SRP), a 12-part series that does exactly that. It’s truly an impressive piece of work, which almost moves me to forgive The History Channel for all of the supernatural and spiritual claptrap they try and pass off as history on their channel nowadays. Almost. Bonus features include additional footage on the various subjects. A Blu-Ray edition ($49.95 SRP) is also available, with identical bonus features.

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    I always thought it was a beautifully designed and executed show, so to be able to peruse those designs via the handsome Avatar: The Last Airbender – The Art Of The Animated Series (Dark Horse, $34.99 SRP) is a delight, which you should certainly partake in yourself. The creators of the show guide you through the conceptualization and history of the show as well, so it’s a must-have for fans.

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    Explore the majestic Wonders Of The Solar System (BBC, Not Rated, DVD-$34.98 SRP) via this wonderful documentary, hosted by Professor Brian Cox and featuring incredible CGI to illuminate the awesome nature of the universe that surrounds us. Bonus features include a pair of Horizon programs hosted by Cox, plus a pair of featurettes. A Blu-Ray edition ($34.99 SRP) is also available, featuring identical bonus materials but looking that much more incredible.

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    School is back in session, so hunker down with the release of a trio of classic film adaptations of literary masterpieces – John Steinbeck’s The Grapes Of Wrath, Herman Melville’s Moby Dick, & Shakespeare’s Richard III (Fox, Rated NR/NR/R, DVD-$14.98 SRP each).

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    Long derided as one of the most z-grade laughable of the many Star Wars rip-offs that littered cinemas in the late 70’s, Roger Corman’s Italian-produced mess Starcrash (Shout Factory, Rated PG, DVD-$19.93 SRP) gets a deluxe 2-disc special edition, loaded with featurettes, commentaries, interviews, and more. What other film boasts both David Hasselhoff and Christopher Plummer? A Blu-Ray edition ($26.97 SRP) is also available, with identical bonus materials.

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    I still, to this day – despite friends who have fallen fully under its sway – remain unmoved by Glee (Fox, Not Rated, Blu-Ray-$69.99 SRP). I simply can’t get into it, though I respect the ridiculous love others feel for it. I don’t understand it, but I respect it. The 1st season set contains a visual commentary on the pilot, featurettes, cast auditions, karaoke, and more.

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    Everyone’s favorite sponge drops a greatest hits disc featuring… Well, the title pretty much sums it up – Spongebob Squarepants: 10 Happiest Moments (Nickelodeon, Not Rated, DVD-$14.98 SRP). Clocking in at 2 hours of child occupying mirth, the disc also contains the original pilot, “Help Wanted”.

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    I love Patrick Warburton and I generally like sitcom-based David Spade, and I really have tried to like Rules of Engagement (Sony, Not Rated, DVD-$29.95 SRP), but it’s just such a toothless sitcom that I can’t help but feel sorry for all involved, and wish they had much more to work with. The 3rd season set contains all 13 episodes, but no bonus features.

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    It’s not the recent lackluster live action fare, so fans of the Mystery Inc. gang will probably like the new feature-length animated movie Scooby-Doo: Camp Scare (Warner Bros., Not Rated, DVD-$19.98 SRP), which finds them deep in the backwoods tackling not only a creepy fish man, but also a ghostly banshee.

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    It’s not the Kevin McCarthy original, but the remake of Invasion Of The Body Snatchers (MGM/UA, Rated PG, Blu-Ray-$24.99 SRP) does star Donald Sutherland & Leonard Nimoy, and is now available in high definition alongside another pair of creepy seasonal catalogue titles – (MGM/UA, Rated R, Blu-Ray-$24.99 SRP) and the horrid remake of The Return Of The Living DeadThe Amityville Horror (MGM/UA, Rated R, Blu-Ray-$24.99 SRP). Each release also includes the standard definition DVD as well.

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    I think Grey’s Anatomy (ABC Studios, Not Rated, DVD-$59.99 SRP) has gotten to the point where the actual quality of the show has nothing to do with whether the fans slavishly tune in every week. Check out the wildly uneven 6th season and see if you don’t agree with my assessment. The 6-disc set contains all 24 episodes, plus webisodes, featurettes, deleted scenes, outtakes, and an extended version of the season finale.

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    The original cast is gone, but the 3rd season of Skins (BBC, Not Rated, DVD-$39.98 SRP) finds a whole new clutch of party-hardy teens drinking, drugging, humping, and partying their way through life. If you liked the first two seasons, you’ll like this one, too. Bonus features include additional stories, behind-the-scenes featurettes, auditions, and more.

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    They’ve come out in about a half-dozen different iterations over the years, but the latest batch of Saturday Night Live best-of releases adds over 20 minutes of additional sketches and outtakes, with the latest to get the treatment being The Best Of Eddie Murphy & The Best Of Adam Sandler (Lionsgate, Not Rated, DVD-$9.98 SRP each).

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    I’m as surprised as anyone that Fringe (Warner Bros., Not Rated, Blu-Ray-$59.98 SRP) seems to be a going concern, so I’m going to lay the credit entirely at the feet of guest star Leonard Nimoy, because that’s clearly the only reason why. Kudos, Leonard. The 2nd season set contains a quartet of audio commentaries, featurettes, deleted scenes, and a gag reel.

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    Speaking of stillborn, that’s the best way to describe the still pointless Private Practice (ABC Studios, Not Rated, DVD-$45.99 SRP) which, in its 3rd season, still hasn’t mustered enough reason to justify its existence beyond a desperate attempt to establish a franchise. Bonus features include a featurette, deleted scenes, and bloopers.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Party Favors: James Cameron in 3-D!

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    During Earth Day, James Cameron launched both the home video release of Avatar and the Home Tree Initiative. The director planted the first of a million trees at the Fox Studio lot. The Party Favors sent its action Hollywood news squad to the event to record it in the proper format of 3-D HD. For the first time ever, James Cameron is captured by a 3-D camera he doesn’t control! We also have a short chat with producer Jon Landau about doing low budget projects in 3-D. If you want proof that an indie filmmaker can work in 3-D without a massive budget – this is it. If you want the full effect, make sure you wear red and blue 3-D glasses and click on the 740p viewing selection. Be careful when Cameron look straight at the camera.

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  • The No Show: An Interview with James Cameron

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    An exclusive interview with James Cameron, Emperor of Everything on his latest James Cameron Epic Motion Pictureâ„¢: AVATAR

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    Now that the James Cameron Epic Motion Pictureâ„¢ Avatar has taken over as the Greatest James Cameron Epic Motion Pictureâ„¢ Ever Made and James Cameron himself has been crowned Emperor of Everything, it’s only fitting that The No Show track him down and ask him the hard hitting questions that everyone is too scared to ask for fear that he will crush them with his withering stares and his personal army of Terminators (they’re totally real by the way).

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    Now that the James Cameron Epic Motion Pictureâ„¢ Avatar has taken over as the Greatest James Cameron Epic Motion Pictureâ„¢ Ever Made and James Cameron himself has been crowned Emperor of Everything, it’s only fitting that The No Show track him down and ask him the hard hitting questions that everyone is too scared to ask for fear that he will crush them with his withering stares and his personal army of Terminators (they’re totally real by the way).

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    THE NO SHOW: So James – may I call you James?

    The Disembodied Voice of James Cameron, Emperor of Everything: You may refer to me as James Cameron, Emperor of Everything.

    THE NO SHOW: I’m sorry…?

    TDVoJC (EoE): Please refer to me by my given name, James Cameron, Emperor of Everything.

    THE NO SHOW: That’s going to eat into a lot of our interview time.

    TDVoJC (EoE): Don’t worry your pretty little head about it. After all, I’m a Master of Time and Space.

    THE NO SHOW: Master of Time?

    TDVoJC (EoE): And Space, yes. All Canadians are, but they’re too polite to really use the skill. Those that do become incredibly successful for almost no reason whatsoever, of course. Think about it: Jim Carrey, Mike Myers, Alanis Morissette – what have they done to deserve their success?

    THE NO SHOW: That does explain a lot.

    TDVoJC (EoE): Absolutely. Just look at my previous Epic Motion Pictureâ„¢ Titanic – that flew by for millions of viewers around the world, right? And yet it clocked in at an epic 19 hours long. No-one even noticed because I squeezed it into a paltry three hours and 17 minutes.

    THE NO SHOW: It still felt pretty long.

    TDVoJC (EoE): So if we’re running short on time, I’ll bend time and space to make sure you get in all your questions. So long as I approve of the questions. Otherwise, I’ll rewind time and refuse this interview. And then make sure you achieve none of your lifelong ambitions. I will also un-invent the internet if you bug me. Just to make sure.

    In fact, if you do, say or suggest anything of which I do not approve, in addition to killing every pet you have ever owned, I will travel back to your early twenties and sleep with your first serious girlfriend, little… [loud electrical disturbance] Mary McGoogle. My she was a hottie wasn’t she?

    THE NO SHOW: …

    TDVoJC (EoE): [loud electrical disturbance] Oh yes she was. I just went back and did her anyway. Twice. Just to show you I mean business. You should call her up and ask her. She probably wouldn’t take your call though. Once you go Disembodied Master of Space and Time, you never go back, as they say. On the bright side, you’ll find you have now never had crabs. You’re welcome.

    THE NO SHOW: So, your film, Avatar, has been breaking records all over the place –

    TDVoJC (EoE): Do you mean my Epic Motion Pictureâ„¢ Avatar?

    THE NO SHOW: Yes, the film –

    TDVoJC (EoE): – my Epic Motion Pictureâ„¢ –

    THE NO SHOW: – Avatar has done major box office –

    TDVoJC (EoE): My Epic Motion Pictureâ„¢ Avatar is has been are doing precisely the box office I am are making it do. Done. Sorry, tenses get a bit squiffy with time travel.

    THE NO SHOW: Did your plans include being knocked off the top spot in the US by Dear John, by all accounts a soppy romance with virtually no story and no big Hollywood names?

    TDVoJC (EoE): Yes. This was exactly as I made it happen. My Epic Motion Pictureâ„¢ Avatar beat the record box office run established by my previous Epic Motion Pictureâ„¢ Titanic, and my next Epic Motion Pictureâ„¢ will beat my current Epic Motion Pictureâ„¢ and so on and so forth. It’s a long-term strategy.

    THE NO SHOW: And you made this happen…?

    TDVoJC (EoE): Absolutely. I manipulated time and space, went back and forth, checked out the films that were due to be released around this time and chose Dear John, which was the least threatening.

    Then, late at night while everybody was sleeping, I crept into their rooms and whispered, “You will go see Dear John this weekend. You will go see Dear John this weekend. This will not affect your unquestioning devotion to James Cameron’s Epic Motion Pictureâ„¢ Avatar.” Lo and behold, my Epic Motion Pictureâ„¢ Avatar drops to second place. And this way, no-one even noticed that my Epic Motion Pictureâ„¢ Avatar had virtually no story.

    As for the Epic box office performance of my Epic Motion Pictureâ„¢ Avatar, well, what can I say? I’ve always done well with sequels.

    THE NO SHOW: Sequel?

    TDVoJC (EoE): Well, technically my Epic Motion Pictureâ„¢ Avatar is the fourteenth in a series.

    THE NO SHOW: But Avatar –

    TDVoJC (EoE): – my Epic Motion Pictureâ„¢ Avatar –

    THE NO SHOW: Whatever, it wasn’t a sequel.

    TDVoJC (EoE): Of course it was, the first one bombed, don’t you remember? Then I did all those test screenings, made the Na’vi skinny and half-naked, gave the female ones pert little Shakira-like breasts and – oh no, of course you don’t. Silly me, always forgetting these things. Interesting story: in fact, this is the fourteenth release of the film, you just don’t remember them. I kept going back in time, simplifying the story, making it more familiar and comfortable for audiences and adding more partial nudity and explosions and special effects until BAM, I had a multi-million dollar hit on my hands. Simples.

    THE NO SHOW: Is that why the film –

    TDVoJC (EoE): – Epic Motion Pictureâ„¢ –

    THE NO SHOW: – has been described as a mix between Pocahontas, The Dark Crystal and the Smurfs, but for adults?

    TDVoJC (EoE): [loud electrical disturbance] … I’m sorry, what were you saying?

    THE NO SHOW: … Hm, that’s funny, I don’t remember.

    TDVoJC (EoE): That’s fine. You were asking how it feels to have created what many are calling the most Epic cinematic experience since my last Epic Motion Pictureâ„¢ Titanic.

    THE NO SHOW: Was I? I don’t recall…

    TDVoJC (EoE): No problem. It feels great.

    THE NO SHOW: Um OK, thanks for taking the time to speak with us.

    TDVoJC (EoE): My pleasure. And remember: my next Epic Motion Pictureâ„¢, The Little Mermaid, comes out next year. And it will be in 4D, a technology I haven’t even invented yet, but I’m confident I’ll be able to borrow from somewhere in time and claim as my own with a few very minor tweaks.

    THE NO SHOW: The Little Mermaid? You mean like the Disney ““

    TDVoJC (EoE): [loud electrical disturbance] … I’m sorry, what were you saying?

    THE NO SHOW: Um, sorry, I’ve lost my train of thought. In any case, we’ve run out of time, so I’ll just say thanks to the Disembodied Voice of James Cameron, Emperor of Everything, and we look forward to what I’m sure will have been your next biggest Epic Motion Pictureâ„¢ ever.

    TDVoJC (EoE): Now you’re getting it.

    THE NO SHOW: By the way, I loved Citizen Kane.

    TDVoJC (EoE): Thanks. I was particularly proud of that one.

    Brought to you by The No Show

  • Soapbox: So, AVATAR…

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    So, AVATAR

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    depJames Cameron wanted me to let you know that, in addition to being “the king of the world”, he is now also the king of Pandora. That, of course, is the name given to the moon associated with the planet Polyphemus in Mr. King of the Galaxy’s new movie, Avatar. An Avatar is, as I’m sure you know, the binary and digital equivalent of an “AKA”, which itself is just an acronymic way of saying “I can’t stand on my own two feet, so I’ll adopt a more exciting alter-ego”.

    In this rather bizarre and “meta” way, Avatar is indeed a real avatar. Pretending to be its own movie, it is, in fact, a fascinating cross-cut blend of several other films, including Ferngully, Dances with Wolves, Pocahontas, Apocalypto, and maybe a bit of Braveheart. However, since Avatar dresses up its brazen plagiarism with some absolutely stunning and spectacular digital imagery and special effects, we’ll give it a pass and hand it some awards.

    A quick synopsis, then: we Americans are a greedy, unfeeling, insensitive bunch of chunk-heads who have no appreciation whatsoever for other cultures, let alone other planets. We frequently go around with actual dollar signs flashing out of our eye sockets, and we will stop at nothing to make a lot of money very quickly. Thus, the RDA Corporation has set out on a mining expedition to Pandora, where it will blow stuff up, kill innocent life-forms, and generally make a drunken fool of itself in the quest to obtain a valuable mineral called … wait for it … unobtainium. Please, stop laughing, Mr. Cameron can hear you.

    One of the ways the RDA Corporation intends to get this unobtanium (genus: nowaytoprocuremal) is to infiltrate the native Na’vi people using “avatars” – a human-Na’vi hybrid, specially built for the purpose, and operated by human beings using slightly upgraded The Matrix technology. Seriously, you jerks, quit laughing, this is serious art.

    Jake Scully operates the lone avatar that is successful in being accepted by the Na’vi people, and this forms the basis for the movie’s morality tale: once Jake gets to know and love the Na’vi (because you just know he will), will he remain loyal to the humans and help them rape the land, or will he become a traitor to his race by helping the Na’vi preserve their civilization? I’ll bet you really can’t guess, can you?

    I liked the film, in a sort of “3 stars out of 5” way. As promised, the CGI and digital effects show was very good, and the epic battle at the end of the film was as epic-y and battle-ish as anyone could want. My point of contention is that James Cameron carved up an over-used story, threw in some seriously shameless and pedantic political propaganda, and used that as an excuse to put on a digital dog-and-pony show.

    The Na’vi prance around in their skimpy outfits, with their long and braided hair, worshiping the Mother Nature Goddess Life Energy Force and living off the resources of the land – and they have a pretty catchy war-cry, to boot. You can go ahead and mentally supply the eagle-feather warbonnets and tomahawk dancing.

    As the unapologetically mercenary humans prepare to go to war against the Na’vi, their actions are justified as “pre-emptive”, and described as a “shock and awe” campaign. Jake complains that we humans have already killed our Mother (Earth, I think, although he may have been talking about Mother Teresa), and declares that human beings must be taught that we cannot simply take land away from other civilizations in order to get what we want.

    In short, as the climactic battle begins, and the war cry is sounded, the average viewer will be so fired up and emotionally provoked that he may very well leap up out of his theater seat, raise his fists into the air, and scream “DEATH TO THE HUMANS!” Presumably, he will then return to his seat and continue consuming his 885 oz. Pepsi and 50-gallon drum of popcorn, little realizing that he has just sided against his own race in favor of a fictional, digital, alien community.

    I fail to understand why James Cameron chose the American people as the antagonists in this film. After all, he was writing a story line that simply needed to pit humans against aliens, but out of all the cultures and races on Planet Earth from which to choose, he selected Americans. Obviously, Mr. Cameron has not watched enough Bugs Bunny or Connery-era 007 films, or he would have known that the nationalities preferred for representing Evil Incarnate in cinema are Russians or Germans.

    I can only conclude that James Cameron is himself an alien, currently operating a genetically engineered human avatar, sent here to infiltrate our planet and prepare us for the coming alien invasion by filling us with self-loathing.

    Still, he’s doing it with some fantastic special effects, so … who cares? Pass the popcorn.

    Jacob Michael

  • Soapbox: Golden Globes, Ricky Gervais, AVATAR, & A Few Other Buzzwords

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    Golden Globes, Ricky Gervais, AVATAR, & A Few Other Buzzwords

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    depGolden Globes night. I had just cracked open a cold bottle of Paulaner Hefe-Weizen, while recalling my grandfather’s now-legendary words of wisdom: “Just remember, you can’t drink it all – they’ll always make more.”

    Even now, years later, I see no reason to attempt to prove him wrong.

    I was primed for this awards ceremony, having seen Ricky Gervais several days prior on The Tonight Show with Conan O’Brien, where the subject of his hosting the Globes was discussed briefly. More importantly, Gervais made it quite clear in his comments to Conan whose side he was on, and he doesn’t strike me as one to pull any punches. Gervais + Pro-Conan Stance + Hosting an awards show on NBC = a recipe for some potentially (unintentionally?) hilarious disaster.

    I was in no way disappointed. Gervais made some comments that made me squirm in my seat and laugh nervously, repeatedly finding a welcome distraction in my wheaty beer (I would drink three bottles before the show finally ended). A small sampling of what I mean:

    – In his opening bit, Gervais expressed his concern that NBC might suddenly replace him as the host of the awards, and put Leno in his place (adding at one point, “I’m not used to these sort of viewing figures … neither is NBC, for that matter”). This didn’t get unanimous laughter from the star-studded audience. Ricky, Ricky, Ricky… this is a Hollywood audience. Leno’s been around since before Jim Carrey was doing In Living Color, for cripe’s sake – he’s gotta have more than a few friends in this audience. Nervous laughter.

    – The original creative power behind The Office, Gervais complained to the audience that everyone thinks Steve Carrell is the brilliant one, as evidenced by the fact that he gets all the movie deals. He referred to the American version of the show as having “jumped the shark” (literally, “Arthur Fonzarellied”), and promoted the British version of the show on DVD. More nervous laughter.

    – Gervais spoke of having flown over on the same flight as Sir Paul McCartney (who was nominated for Best Original Song from a Motion Picture), noting that McCartney flew coach because he was “saving money… he spent an awful lot last year.” Jokes about divorce are rarely funny to the person who just experienced one. Still more nervous laughter.

    – Before introducing Mel Gibson, Gervais walked on-stage with a beer, admitted to having “had a few”, then delivered the blow: “I like a drink as much as the next man… unless the next man is Mel Gibson.” Then he left the beer on the podium, thus setting up one of the night’s funnier moments, which came, not from the show itself, but from the Twitter stream: Ken Plume (@KenPlume) quipped, “Ricky even left the drink out for Mel. Now THAT’S a good host.”

    Which brings me to my next point: I watched this entire event with my Twitter stream flowing, washing gently over me and keeping me informed, in 140-character quips, about what other people wanted to say about the show. It was like watching the whole thing with a room full of friends, who for some reason would only speak in short sentences, and only all at the same time. Oh well. At least I didn’t have to share my beer with them.

    The whole live-tweet experience probably colored my perception of the awards show. There were a few genuinely funny moments in the show itself (see McCartney’s quip, “Animation is not just for children, it is also for a-dults who take drugs”), but most of the laughs that came from me, specifically (as opposed to “you”), were prompted by comments from the tweeple I follow. When Mickey Rourke walked on-stage in a too-large-to-be-taken-seriously cowboy hat, Ricky Gervais refused to poke fun at him (“mainly because he has arms as big as my legs”, he explained). Thankfully, Caissie St. Onge (@Caissie) was there to jab, “I love that Mickey Rourke declined to do banter of any kind. You’re not going to get wittier than that hat”, while Tim Siedell (@badbanana) noted, “Not sure Mickey Rourke knows someone put a hat on him as a joke.”

    These were the golden moments of the Golden Globes. It gave me a great idea for future ceremonies: live-streaming Twitter feeds, running constantly on a jumbo-tron in the background. Wouldn’t that be awesome? We could sit in the comfort (read: safety) of our own homes and launch our stream-of-consciousness thoughts directly into the audience. I’m betting that would change a few things about the environment and atmosphere of those shows. Granted, Ashton Kutcher (@aplusk) might have to stop tweeting during those events, but I consider that a net win, really.

    It also made me wonder: in what other scenarios might this live-tweeting medium prove to be a major enhancement to the event currently being experienced? Sporting events? Movie premiers? Book readings at the local Tea Society? Papal Vespers?

    I don’t know. But I think I’m close to discovering something big here. I’ll let you know when I figure out what it is.

    (A quick BTW/PS: I know, this post was about the Golden Globes, and I didn’t say anything about which movies won which awards. It doesn’t really matter. Same amount of shockers, upsets, disappointments, complaints, victories, no-kiddings, and they-deserved-its as last year.)

    Jacob Michael

  • Opinion In A Haystack: Looking At AVATAR

    haystackheader.jpg

    avatarposter

    LOOKING AT AVATAR

    He did it. James Cameron pulled it off. All of the praise and positive quips you’ve read, heard, and watched are spot on. Avatar is a behemoth spectacle to behold, a mighty game-changing cinematic dinosaur made of fire and fueled by Jolt Cola. The all-encompassing 3D CG environment coupled with the “BEST EVER” motion-captured actors is all numbingly realistic to the point of confusion. Take one of the greatest mainstream directors of all time, let him gestate on a film’s production for over a decade, then stir in a well-used $300 million and you will get Avatar. This is hardly the misfire, dream-project that so many feared. This isn’t James Cameron’s Legend (even though I like Legend.) It has all the markings of a wet-dream-big-director-project gone wrong, yet in the equation Cameron remembered one thing, to make the movie for himself AND the audience.

    sigourney

    The film is a triumph not because it’s perfect, which it isn’t, but because it’s succeeds as grand entertainment. When is the last time the public received a movie of this caliber, based on original material, with this level of passion behind it? The fact that this is an original script with a production of this magnitude, sadly, gives it a nostalgia factor of 15-20 years ago, regardless of the technology. It is a very welcomed feeling that makes us glad that Mr. Cameron is back, and worried that he will go away, possibly back to the obscurity of making ocean documentaries.

    The film’s plot, blue aliens, and overarching themes have obviously been heavily criticized for the past few months. The horrid advertising for the film should be to blame for this. What marketing department in their right mind thought that advertising a movie as “game-changing” was a good idea? Is “backlash” or “cynicism” not in their vocabulary? What is curious about all the criticism is that they are all more or less true, but not really in a detrimental form. Cameron’s script is simply playing on conventions as old as storytelling itself, which does lend the movie to being rife with cliché, but it’s cliché done well. Let’s take a closer look at the criticisms, from the point of view of someone who’s seen the flick:

    ***************EXTREMELY MILD SPOILERS**************

    Criticism 1: “It’s James Cameron’s Smurfs.”

    smurfs_l

    The Na’vi are blue.

    They Live in the woods.

    They are peaceful.

    The villain (Humans) send a “Smurfette” (Sam Worthington) to infiltrate them.

    The “Smurfette” is won over by the love and way of life of the Na’vi (thank you Donnie Darko, and Wikipedia .)
    The “Smurfette” yearns to become one of the Na’vi.

    The male leader of the Na’vi tribe has prominent RED body adornments much like Papa Smurf. (yes, seriously.)

    Conclusion: Yes, it is sort of like James Cameron’s mega-budget-ultra-serious Smurf movie. It should be pointed out that Saturday Night Live called it first, even down to the Celine Dion/Titanic joke. SNL guessed Cameron’s next movie over a decade in advance!

    Criticism 2: “It’s the exact same movie as FernGully, even down to the message.”

    ferngully

    The humans have come to sap resources (Unobtainium) from the land.

    The male lead gets physically transformed into a being much like the natives.

    A female of the forest dwellers befriends a member of the humans.

    The man and the native fall in love.

    The humans continue to collect the resources, without care or regard for the natives.

    There is a winged creature that helps the protagonists along the way.

    There is a clear message about humans destroying nature for the sake of progress.

    Conclusion: Ok, so it’s “sort of” like James Cameron’s live action FernGully remake. It probably even has more thematic/character similarities that I forgot to include, however that doesn’t mean its plagiarism. Do you honestly think James Cameron cares about, or even remembers FernGully? If so, do you think he’s seen this?

    Criticism 3: “It’s Dances With Wolves on an alien planet”¦with Smurfs”

    southparkavatar

    I’m going to cop out and just say watch the South Park episode entitled “Dances With Smurfs.” I doubt anyone could explain it as well as Eric Cartman.

    Conclusion: As usual, South Park is pretty much on the mark.

    Criticism 4: “The Delgo Comparisons.”

    delgo

    Look at them.

    Conclusion: Yes, it is pretty similar… but what movie was in production first?

    So what does all of that mean? Is James Cameron a plagiarist? No, certainly not. FernGully and Dances With Wolves are both stories built on conventions as old as time, and none of us are going back even further to see what they were “copied” from. If you are going to insult the film for something trivial, how about for using a title font, and subtitle font that is way to close (if not exactly the same) to the corny, over-used font known as Papyrus. As for the Smurfs comparison, yes, that is humorously close. James Cameron even said he found it funny in an interview, right before he went on to insult Jar Jar Binks, which should help us to give him the benefit of the doubt. When all is said and done, even if you think he stole from these other things (which he didn’t) he took the elements and made something great with them. Do you really think for the past 15 years he has been in his basement watching FernGully, Dances With Wolves, and Smurfs DVDs, while sipping cognac and laughing maniacally about his deceptive future plans? Is the theft of FernGully really worth creating revolutionary new technology for? No offense to FernGully, but no, it isn’t.

    cameron

    This column, Opinion In A Haystack, is often overflowing with disdain for special F/X of the computer generated persuasion. Bob Rose (me) is not a fan of CG. However, the level at which Avatar’s environments work, and the nigh-photo-realistic skin texture and muscle movements achieved by Cameron’s team make it so real, that it’s just that, real. By the second half of the film, the effects aren’t even a question anymore. Avatar doesn’t feel like Sin City, Sky Captain, or 300. There’s not this constant search to see the seams because there is no seams, it is one giant cohesive visual. The 3D is not gimmicky either. It is only used as a tool of depth and space, much like how Pixar’s Up utilized it earlier this year. 3D most certainly adds to the whole experience, but even now I think 3D should still be considered a gimmick. Avatar would work in 2D just as well as it does in 3D, if it didn’t then the whole film would be a gimmick itself. I don’t really care how much Cameron, Spielberg, and Jackson back the tech of 3D, until it can be accomplished without the viewer having to wear glasses then it’s not “normal” cinema. To me there is a fear that some movies will start being produced ONLY in 3D with no 2D counterpart.

    gunfire

    All the performances in the movie are top notch, perhaps except for Sam Worthington being a touch bland. The shining star of the movie is easily Stephen Lang as Colonel Miles Quaritch. Once again we have cliché in his facial-scars coupled with his hard bitten disposition, but Lang pulls out all the stops and goes for broke with the cliché. He is easily the most enjoyable character to watch through out the run time, and his physical appearance is baffling. It looks as though James Cameron told Lang to spend the last decade in physical training to play this role, it’s hard to believe that is Ike Clanton from Tombstone, or George Pickett from Gettysburg.

    lang2

    The question of whether or not this movie will prove successful is not really a concern of mine. It’s classic Cameron through and through, right down to the “revolutionary” effects, and it’s a damn entertaining flick. The downfall of this will be the aura of “pretension” surrounding it, most people will walk in thinking that Cameron himself is saying that he reinvented the reinvention of the wheel and he’s damn serious about it. However, after reading most interviews with him, he is much more concerned with the quality-entertainment aspect then the need to change cinema. He didn’t spend 15 years on a useless light show, he spent it on a story he felt people would want to experience, and how to tell that story. Avatar works because Cameron worked hard.

    Thanks for reading.

  • Trailer Park: AVATAR Trailer – Reviewed

    By Christopher Stipp

    The Archives, Right Here

    I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on TWITTER under the name: Stipp

    Item #1 – ICE CREAM!!!

    I’m acutely sensitive to those who ask for what little help I can provide.

    I’ve never purported to actually have any ability to sway people to do things, Lord knows that losing 50k in that McDonald’s contest that was based on votes didn’t work out real well for me, but I am always eager to do what I can for those who have taken a chance on me.

    Dennis Widmyer is such a guy and he deserves your vote.

    The short of it is that you need to go here to watch his short film “ICE CREAM!!!” and vote for it. The long of it is below, straight from Dennis, a guy who has created a really solid short that is at the same time twisted, gory and all sorts of funny. I’ll allow him to explain what is so important about you pushing a few buttons. And, remember, for the love of God, vote on the FilmmakingFrenzy site. It’s the only way this will work. More from Dennis:

    I have a short film I directed for Fantastic Fest 09. I’m sure you’ve heard of Fantastic Fest. It was co-created by Harry at Aint It Cool News, and in only its third year, it’s already become the largest genre film fest in the country. Anyway, something cool that FF does is they have this contest called Filmmaking Frenzy whereby they accept entries from filmmakers for ‘bumpers’. Bumpers are like short, 30-45 sec commercials that play before a film at a fest. The rules of the contest state that you need:

    – A kid (below age of 18)
    – A monster
    – 30-45 secs
    – End off in the word “Fantastic”

    Anyway, my bumper is called “ICE CREAM!!!” and you can watch it here:

    http://www.filmmakingfrenzy.com/ViewFilm.aspx?FilmId=554

    It’s actually doing very well right now and we’ve gained a lot of momentum. I think we might actually have a shot of winning this thing. So please offer me whatever vote you think the film deserves. You have to register for the site to vote. The whole process takes about 2 mins. Some people have complained that the process of voting is a little confusing, so I typed up some quick instructions on it that you can view HERE.

    The link people need is: http://www.filmmakingfrenzy.com/ViewFilm.aspx?FilmId=554

    Now, go out there and vote.

    Item #2 – “Ari Gold’s Office…”

    aop_webAri Gold, the man who created the very funny ADVENTURES OF POWER, passed along an e-mail message to let me know that the site for POWER is finally in full swing and, I have to say, it’s really robust and has a lot of information about his film which will finally be hitting theaters this fall.

    Check out the film I thought was one of the best crafted comedies I’ve seen this year:
    HERE

    For those needing an explanation of the film, here it is:


    When hard times hit his small mining town, Power doesn’t wish for riches; he only wishes he’d learned to play drums. But his father could never afford to buy him a drum set, so Power has embraced the next best thing: air drumming. Tired of the constant ridicule, with nothing but a few dollars, some breakfast cereal, and the support of his Aunt Joanie, Power sets off across the country to the “paradise” of Newark, where an underground air drumming crew has invited him to join their team. But as the big air drumming competition looms, so does a rival-multi-millionaire drummer Dallas H., who thinks air drumming is an abomination and seeks to destroy Power and his crew.

    More than just a rock’n’roll comedy, ADVENTURES OF POWER is an epic fable about the American Dream-about making something out of nothing, and trusting in your own heartbeat as a way of changing the world. With a phenomenal soundtrack featuring original songs alongside hits by Rush, Phil Collins, the Dazz Band, and more, ADVENTURES OF POWER will have you drumming in your seat and cheering on your feet.

    Starring Ari Gold, Michael McKean, Jane Lynch, Adrian Grenier, Shoshannah Stern, and Steven Williams and also featuring Jimmy Jean-Louis, Chiu Chi Ling, Annie Golden and Nick Kroll, the film premiered to widespread acclaim at the 2008 Sundance Film Festival. With classic songs by Rush, Judas Priest, Phil Collins, Dazz Band, Loverboy, Bow Wow Wow, Woodie Guthrie and original songs by Ethan Gold, Adventures of Power will be released theatrically in fall 2009 by Variance Films.

    “Adventures of Power” was produced 100% independently, and shot from sea to shining sea-from the forgotten industrial towns of the West to the ghetto cities of the East. It is being released 100% independently as well, with the help of volunteers and fans from all over the country who believe in the power of the human heartbeat to change the world.

    Item #3

    untitled2I’ve got some DVDs to give away. Want some?

    LAST HOUSE ON THE LEFT came out earlier this year and it did well. As a low budget movie it made it a little scratch and, in the critics’ eyes, it was acceptable cinematic fare.

    If you’d like to add this DVD to your collection, send me a note at Christopher_Stipp@yahoo.com and I’ll enter you in a contest to win a copy of this puppy.

    For those who want to know what it’s all about here is a synopsis:

    Renowned horror director Wes Craven returns to the scene of the most notorious thrillers of all time in this darkly disturbing reimagining of The Last House on the Left. After kidnapping and ruthlessly assaulting two teen girls, a sadistic killer and his gang unknowingly find shelter from a storm at the home of one of the victim’s parents– two ordinary people who will go to increasingly gruesome extremes to get revenge. Loaded with shocking twists guaranteed to leave you on edge, it’s the ominous film critics call, “One of the best horror remakes ever made” (Scott Weinberg, Fearnet.com).

    AVATAR (2009)

    avatar_posterDirector: James Cameron
    Cast: Sam Worthington, Sigourney Weaver, Michelle Rodriguez
    Release:
    December 18th, 2009
    Synopsis: In the future, Jake, a paraplegic war veteran, is brought to another planet, Pandora, which is inhabited by the Na’vi, a humanoid race with their own language and culture. Those from Earth find themselves at odds with each other and the local culture.

    View Trailer:
    * Large (Apple)

    Prognosis: Positive. Is there any lack of snarky, nitpicky comments on a movie no one has seen? Welcome to the Interwebs because, no, there are more than a few haymakers to go around.

    Before seeing this teaser I’ll be honest in that nothing has really ignited that geek desire to see anything more than the various publicity shots of James Cameron in various states of guidance as he talks to the film’s stars.

    Cameron’s legendary control of what people know and when they’ll know it about his films almost make him the Steve Jobs of the motion picture world; he’ll give you what you want when the fever pitch is at its greatest. I would agree with that assessment if his latest eking of information, photos, et al., about the movie actually tantalized. Instead, all we know is that this movie deals with a cripple and a bunch of blue leopards that look like taller, slender Keebler Elves that were rejected from the stage production of Cats. The footage shown at Comic-Con did not incite a wholesale riot of fan boys looking to jizz all over the promise this film was making. That honor went to IRON MAN 2.

    So, what to do when the tepid response, proportionately speaking, leaves people wanting more about the tin man than they do your Sesame Street blue man group? You get yourself a 2 minute teaser trailer out there, that’s what.

    The opening sequence, to be honest, really does get me into a mind space where I would’ve liked to have been months ago. The way Cameron captures the silence and majesty of space on a grand scale simply cannot be matched, the way we are ensconced in this planet’s ecosystem is genuinely thrilling as the music is perfectly matched to the sense of awe and wonder at an alien terrain where you can walk out freely but need an scuba like system in order to breathe. It feels open and beautiful.

    And then I see the worker mechs from ALIENS. And from the crappy MATRIX sequel. I’m left trying to figure out if this a hybrid from ALIENS or if we’re to believe this is its own universe but, if that’s the case, what’s with the cribbed worker mech? Having this argument with myself is taking me out of this grand universe and that’s not what you want for a film that needs to build its own sense of self.

    Weird guy with an obnoxious scar across his face (seriously, can we just do away with the overt make-up that will obviously play an important part to someone’s twisted backstory? “Well, yar, I’ll tell ye how I got this scar…”), Worthington rolls by some tanning beds and then, well, we get Delgo. Seriously, I dare anyone with half an idea of what I’m talking about to refute the notion these aliens look like that wretched kids film. If this was an issue of copyright I am pretty sure I could make a mint for Freddie Prinze Jr. in open court. It’s a little nutty and, at almost the half way point, I’m just screaming inside my own head. We’ve got lots of things going on and none of those things have to do with this movie’s awesomeness.

    We get the clue that the cripple’s consciousness (and let’s be clear that this movie is obviously making an issue of Worthington’s handicap and I would never call a cripple a cripple. Worthington is, on purpose, a cripple to forward the plot. It’s a device. Like John Locke. He’s a cripple. He can walk in Lost. Same theory applies. I wouldn’t put it past Cameron to have thought that was an awesome idea to have a cripple walk and then meditate on the idea of mobility, the fragility of life and, thus, Sam Worthington the cripple who soon won’t be) is fed into this cartoon character (and let’s be honest, we all can tell it’s a cartoon character. It’s certainly no DISTRICT 9 effect work.) and we’re off into a fake jungle with fake plants and fake animals with chicks who like to get grungy just like in the second crappy MATRIX film.

    But I will give praise to the amalgam of cartoon fantasy and live action that seems really action-y. You’ve got machine guns and planes that mean some terrible business and dudes hanging out of planes that are firing all sorts of armament. You’ve got alien people yelling out, with their tiger teeth laid bare, and all hell’s breaking loose. It’s like the Savage Land come to life!

    There is so much happening and not much context that the issue I have with this trailer is that it is devoid of some logical sense. I think you could put together the entire film (I’m pretty damn sure Worthington is going to have some alien sex with some alien chick with deadlocks) just by looking at what’s happening and I am pretty sure we’re going to see Worthington have some kind of crisis of conscience as his alien self becomes at odds with the big bad military force. It all sounds hokey to me but the scenery looks pretty nifty and the action sequences look to be rather engaging once we see how this all plays in 3D.

    I’m in for sure but, come on, there are some things I really hope aren’t as hokey as what we see in this teaser.