We’re giving away, in conjunction with Warner Bros. Home Video, three (3) copies of DALLAS: SEASON 9 on DVD.
Contest ends at 11:59pm EST on Friday, July 18th.
CLOSED! THANKS FOR ENTERING!
Official Rules
No member of Quick Stop Entertainment or their immediate families may enter.
No Purchase necessary to win.
Must be 18 years of age or older to enter.
One entry per day, per person.
All submitted entries must be received by 11:59pm EST on Friday, July 18th.
The winner must allow 4-6 weeks after notification of win to receive the product.
Director: Alex Gibney
Director: Peter Cattaneo
While contemplating on my second choice as a revival piece to either introduce or see again, a multitude of weird, wild and the most obvious midnight fare danced through my head. As eclectic as some of that midnight fare can be I could not bring myself to go the obvious route when there are so many lost film gems from the past that do not get the recognition today that they deserve. In fact, if they do, it’s because someone cherished it enough and decided to do a remake. Case in point; “3:10 to Yuma”, one of the few remakes that not only paid homage to the original but improved upon it as well. Purists would probably call me blasphemous for that last statement.
Jonathan Coulton on Jonathan Coulton: “In 2005 I left my day job writing software to pursue music full time. To keep myself busy I released a new song on this website every week for a year in a project called Thing a Week. A few of those songs became big internet hits (my folky cover of Sir Mix-a-Lot’s “Baby Got Back”, a funny video called “Flickr”, a song called “Code Monkey”), and I am now fortunate enough to make my living as a musician.
The Deal: After 20+ years making music as a hobby, I recently wrote and recorded a song for my daughter. I got a little taste of mild success (hey, my mom liked it). So now I’m taking my music out of the closet, dusting it off, and seeing how it does in the sunshine. Who knew there was so much work in just attempting to do music for a living. I feel like I am opening a Subway franchise (Only opening a Subway franchise seems more fulfilling in a creative way).
Oh no! Just when you thought it was safe to hang out at the Quick Stop…
CABIN FEVER #30: Oration Sensation – In a shock to everyone’s system, the boys return for the second week in a row. This week they tackle such serious and pressing issues as teen pregnancy, racism, and 5 foot tall bronze enemas. You wouldn’t have it any other way. To keep your toes tapping, Marner Brown and The MattLees Band play some dulcet tones.
Continuing the tradition begun with Monsters, Inc., we’re gifted with another beautiful collection of production artwork and designs for Pixar’s latest flick with 
Anyone with even the slightest knowledge of sci-fi (or Dick Tracy, or The Venture Bros.) surely must have dreamed of the day that mankind would finally develop the technology needed to realize the video watch. That’s right – the ability to watch incredibly sharp video on your wrist. And view pictures. And listen to MP3s. Well, the dream has been realized with the 
Though my favorite Billy Joel album remains the severely underrated Turnstiles (I spent an entire summer with a friend tooling around in his VW bug listening to “Summer, Highland Falls”), a close runner-up would be the album that saved Joel from being dumped by his label, and cemented him as an artist to be reckoned with – 1977’s The Stranger. In (belated) celebration of the album’s anniversary, we get the fully remastered 2-disc 
And while we’re on the topic of expanded revistings, I must mention the new deluxe editions of both the eponymous 
Just when the summer doldrums were beginning to set in, I found out just why everyone has been fawning over 
While we still can’t the series itself on DVD, at least we can watch the camp glory that is the Adam West 
Even 20 years later, 
Any flick that’s smart enough to cast both Patton Oswalt and Mindy Cohn is – at the very least – worth a viewing. Written and directed by Daniel Waters (the writer of Heathers), 
From the director of the upcoming Pineapple Express comes a smart, gritty little indie flick about an escalating blood feud amongst a group of half brothers in the Arkansas back roads. In 
To be honest with you, the only reason I ever watched 
If you’re in a pinch and need an entirely watchable, inoffensive romantic comedy to fill out a date with, look no further than 
It’s certainly not a comedy classic, but there’s a goofy, almost 80’s quality about 
I’m sure you’re just as shocked as I am that 
If you’ve been missing the true-crime stories with a sly presentation that was City Confidential, then you want to check out the marriages gone sour stories recounted in 
Kyra Sedgwick is back as homicide investigator Brenda Johnson in the 3rd season of 
Karl Malden and Michael Douglas are back on 
ATLANTIC BEACH – Welcome to the summer of Danny McBride!
Paul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.
Born in the fall of 2006 in the center of the two-man acoustic comedy rock scene, Columbus, Ohio, the self proclaimed Turner and Hooch of Rock and Roll, The Paul Frumpton Experience Featuring Larry – known more colloquially as Jeff Stormer and Jeremy Hoover – are best described as what happens when comedy, music, caffeine, and improv collide in a chocolaty, peanut buttery explosion of good times. Stormer and Hoover met as students of Ohio State University and have been performing for scraps of food and hobo nickels ever since. Jeremy and Jeff’s major influences include Bacon, Booster Gold & Blue Beetle’s irreverent banter, David Bowie’s crotch in Labyrinth, and a deep-seated love of go karts. Finally, we feel obliged to mention all the things that are off limits to the comedy duo… This list includes NOTHING.
Lex Friedman’s musical influences include artists like They Might Be Giants, Moxy Fruvous, “Weird Al” Yankovic, CAKE, Barenaked Ladies, Tom Lehrer, Ben Folds, and Michael Jackson. Lex has left a smattering of bizarre music videos on YouTube, which have been slowly overtaken by videos of his 18-month-old daughter Anya. He occasionally shares new songs on his blog. He currently appears both weekly and weakly as the host of the “Week in Douchebaggery” on Cracked.com. Lex, his aforementioned daughter Anya, his lovely wife Lauren, and his diabetic maltese Charlie all live together in New Jersey, and sincerely hope that you don’t hold that against them. He gives one of them two injections if insulin each day – guess which! Lex also wrote this sentence. To avoid appearing like a suck-up, Lex has neglected to mention other musical influences of his who may or may not be the Iron Chefs of this Song Fu competition. Let’s just say he happens to also love the musical stylings of a guy whose name rhymes with Shmonathan Shmoulton.
My Fu is stronger than you! I am Coleman Bear Saunders, or Cloakie to most. At the age of 25 I work with music everyday at my studio that I recently built. I produce, engineer and compose various genres of music with ninja like precision. I have been picking away at the guitar since the age of 7 after watching my Dad play Johnny Cash tunes in the wrong key while singing the wrong lyrics, although I do the same thing because that’s the way I was learnt, ya hear me boy? I live in Kentucky and the music scene isn’t the greatest, so I turn to the internet to pipeline my Fu to the masses for free. I’m getting tired of music these days, I want some more songs about Dragons and fucking! Songs that take you on a journey and let you experience a different world, like movies do. My dream is to compose and score music for video games, TV, and my ultimate goal, the big screen. This is why the Song Fu competition was made for me. All the challenges that the competition presents to me will be similar to the expectations of future employers. Good luck to all, and may the best Fu win.
Elaine Chao Finnell is a singer/songwriter from the San Francisco Bay Area. In her checkered musical past, she has been a choral singer, a pit musician, an a cappella vocalist, a vocal percussionist, a hip hop beatboxer, contemporary Christian worship musician, and a musical librettist. After leaving the a cappella world in 2001, Elaine shifted into the world of hip hop theater, touring with spoken word artist Aya de León, then going solo and performing in such venues as the Yerba Buena Gardens in San Francisco and at the Apollo Theater in New York City. She began writing music at the tender age of 17, co-authoring her first musical with Brian Allan Hobbs. Since then, she has written two full length musicals and two plays. She currently plays regularly at her church as a lead vocalist and rhythm guitarist. While not in her musical pursuits, Elaine can be found in a cubicle at a major software company, at home with her engineer husband and their network of Macs, or studying martial arts at a local university.
Run At The Dog are high energy, rock/pop, category-sluts with multi-gendered vocals and intricate arrangements. They are like Abba meets Faith No More meets Mos Def meets the Mormon Tabernacle Choir meets Steely Dan. The songs of this Minneapolis 5-piece are always written right away, with no respect for the calculating mind. Audience members are unsure whether to dance, laugh, or panic.
Surely, you know who John Waters is.
WATERS: Yeah. I always wanted to be a commentator on Court TV, since my real life was Court TV before, because I used to go to trials all the time. So I was Court TV, only just in my personal life.
The crew of the Planet Express return in the 2nd of the 4 direct-to-DVD adventures that manage the rare feat of resurrecting a show with not only the same level of quality of the original run, but above and beyond it. 
If you were to transplant Grosse Point Blank to Belgium, you’d wind up with 
If I have one disappointment with the soundtrack album to Pixar’s 
I’ve spoken many times of my Anglophilia, and my fascination with the oftimes bizarre and eccentric history of England. With that in mind, it’s understandable that I dug right in to 
The History Channel’s dramatic recreations of classic wartime aerial combat makes their high-flying return with the complete second season of 
I don’t know why exactly it is that it seems the bulk of today’s kiddie flicks compare unfavorably to the classics of yesteryear. Maybe it’s that manufactured sheen that it all seems to have – CGI is a sterile tool, and it adds a cold, uninvolved feeling to modern children’s films. Case in point is 
If I had a time machine, somewhere on “to do” list would be to travel back just a few short years to when people like Michael Eisner and Jeffrey Katzenberg proclaimed 2-D animation a dead artform and slap them over the head with a copy of the film 
I’m all for goofy, well-written fun in kids shows, and 
Genre-bending shows are always a gamble on network television, as viewers are usually slow on the uptake and executives are quick to lower the axe. Occasionally, one slips through the cracks and is given some legs – such as 
Despite the hokey kitsch value the success of the Broadway musical version has brought it, 
If you were to take that early 90’s HBO staple Dream On and transport it to Showtime and reinvent it as an edgy dramedy about a sex and drug addicted author (David Duchovny), you’d have 
If you were to ask Roland Emmerich to remake Caveman, the result would be 
Ignore that abysmal Roland Emmerich flick, and delve into the real pre-history with