FRED Entertainment

November 25, 2008

Win WANTED on DVD!

Filed under: Contests — UncaScroogeMcD @ 12:50 am

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We’re giving away, in conjunction with Universal Home Video, five (5) copies of WANTED on DVD.

Contest ends at 11:59pm EST on Tuesday, December 2nd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, December 2nd.

The winner must allow 4-6 weeks after notification of win to receive the product.

November 24, 2008

Trailer Park: TWILIGHT Interview

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By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

Does anyone have any idea how much people are willing to do anything to get close to those involved in TWILIGHT?

Stores have been shut down, cops have been called in, teenage girls are crying at the mere mention of Robert Pattinson’s name, crowds have not packed and swelled malls to the kind of degree not seen since the last Menudo tour circa 1985 and some of those involved could not be more laid back and chill about it all.

Edi Gathegi who plays Laurent, Rachelle Lefevre who plays Victoria and Taylor Lautner who plays Jacob Black could not have been more removed or reflective on the entire experience. They look at it with a bit of comedy, genuine amazement and are sanguine about how they feel towards any subsequent sequels.

When I met them at the Valley Ho in Scottsdale, Arizona the film was about 2 weeks away from dropping, they were slated for an appearance at the local Scottsdale Fashion Square Mall where 750 teenagers paid $30 a pop for a t-shirt and a ticket that would allow them to get close enough for a photo and autograph. And I understand that. I won’t make fun of these people, although it’s awfully tempting when you see some of the nutters in line, but the real sports are the actors who put on a smiley face and braved the insanity.

Note bene: This interview was conducted before me even seeing a frame of film or even reading a page of Arizona native Meyer’s book. So, keep your snarky comments to yourself. We join this interview with Rachelle and I talking, oddly enough, about how I once came from Chicago…

RACHELLE LEFEVRE: You are? I’m a Bears fan.

CHRISTOPHER STIPP: Nice. Cubs fan?

LEFEVRE: No. Not a baseball person.

CS: Then I’m done with you for the rest of the interview.

LEFEVRE: Hey, I’m from Montreal, OK and I was an Expo’s fan until the 1994 strike ruined us on our way to win a World Series and we’ve never recovered and then we lost our team because Jeffrey Loria, who’s an American, bought up the team and sold it off for parts like it was art. So I do not watch baseball anymore. I am scared for life.

EDI GATHEGI: That was the Expo’s?

LEFEVRE: Yea. Hard to respect the team that played the second half of their last season in San Juan, Puerto Rico.

CS: Regarding the film I know Pattinson is making an appearance in Chicago tonight, actually, and there are cops are being brought in to get ready

LEFEVRE: They canceled the event in San Francisco.

CS: I heard that. Did you guys know going in what you were getting yourselves into?

TAYLOR LAUTNER: No, not really. The first time we realized the potential of this thing I think was ComiCon and our first night in Seattle was a pretty big taste of ComiCon again. I definitely was not expecting anything near what it was and they were just great. The fans are very supportive and we are very lucky to have them.

GATHEGI: They are about as enthusiastic as you can get right up to the brink before they start breaking each others noses.

LAUTNER: Exactly.

(Laughs)

GATHEGI: I think I lost a little bit of hearing though all that stuff.

CS: I was actually there at ComiCon during all that. I only had a baseline understanding of the book series because Stephenie Miller is from here. I knew she was a local author but I had no idea that young girls, young people, really have attached themselves to this book series. As you guys were doing the film, what did you come to understand why young people are so connected to the story?

GATHEGI: I think there are a lot of questions that come up when you are in high school and are a young adult. There’s a lot of teen angst, forbidden love, like the whole Romeo and Juliet story, she can’t really be with him because they are different species but they’ve fallen in love with each other and what do…does she want to turn, live the rest of her life as a vampire… and I think Stephenie does a wonderful job painting these characters in such a truthful and honest way.

She does.

She sets up our world as we know it. It’s our world and then she starts to justify or asks all the questions of how vampires could possibly exist in our world the way we would naturally. And then she has an answer for each question and you think, oh my god, this is a world that could possibly exist.

LEFEVRE: Totally plausible.

GATHEGI: Totally plausible. And I think people are rooting for their relationship as they read and it’s just so interesting and intense, it’s engaging and a pretty easy read so people fly though the book and attach themselves pretty quickly.

CS: A lot has been made of vampires lately. True Blood on HBO has gone gangbusters. People love a good vampire story. Why? I think was fascinated just as a boy growing up with vampires in general, but it seems to be when you do the property right as in True Blood right now, TWILIGHT, from what everyone is saying…If you look at it from the right way it could just be huge. Why do people gravitate to vampires the way they do?

LEFEVRE: We’ve been talking amongst ourselves about this too and there is certainly something that there are certain genre’s that just appeal to us for certain reasons at certain times and so vampires have always been around, they just keep coming in an out of fashion.

But we are fascinated by one monster group at a time it seems in the zeitgeist. The thing that strikes me now about the vampire methodology, like True Blood and in Stephenie’s books, the genre, the methodology is being turned on it’s head. From what I’ve seen of True Blood it seems that Alan Ball is using it. It’s almost politically subversive. He’s using it to make arguments about the nature of humanity in a really interesting way about the nature of prejudice and it’s like he’s posited them as this minority group facing human challenges, which I find really interesting and the thing I find that I love about what Stephenie does is that it’s such an incredible metaphor for particularly at a young age but also like the Romeo and Juliet thing, for something that stands between two people being together.

Whether that’s species in this case, or a class system, or whether it’s different religions, there a million reasons still today why we can’t all just be one group and so it highlights our differences in an extraordinary way. So, I think that’s one of the fascinations in society right now, why vampires are big. It allows us to ask those questions in a way that’s harmless because we are not asking about ourselves, we are asking about a hypothetical world. Sorry, I just rambled.

(Laughs)

CS: You’re right. I think we’re done here.

GATHEGI: [Pointing at Taylor] He’s got nothing to contribute on the subject because he will be a werewolf.

LEFEVRE: Why do we love werewolves so much?

LAUTNER: Because they’re hot.

(Laughs)

GATHEGI: Literally. 180 degrees.

CS: Well, to that point, Taylor and Edi, what did you bring to your own parts? You are asked to play a werewolf and vampire, respectively, and you are asked to step into these roles acting in disguise. You are essentially playing a werewolf and vampire for a vast majority of your screen time without ever brandishing scary teeth, hair all over your body…

GATHEGI: Stephenie does a lot of the work for us with the rules of her methodology ““ there are no fangs, there are no garlic, no crosses. We go out in the daytime, but just can’t be seen in the direct sun or our skin will glitter. It doesn’t hurt us. It’s not like we have to be in a coffin during the day so a lot of the work is done for us and for me I just thought what would it be like to not ever sleep? What would it be like if I didn’t have to breathe? Like those simple things we do without thinking.

A vampire has to consciously think to blink. Because humans blink naturally. Vampires don’t have to. So to appear human, vampires have to think about those things. So for me it was the stiller I could be, the more undead I would be. So it was an exercise in the economy in movement. I almost needed to do less. But it was serious concentration. Then on top of that not to play vampire, I play this character, this being that was once human and what were his interests when he was human and what are they now that he turned? I thought it would be interesting if he was a contemporary of some great figure in the 1700’s when he was turned and I picked St. George, this Renaissance man. He was a fencer, a very regal character and I thought what if they were friends so that gave him his gate so then I just added vampire on top of that.

LAUTNER: It’s hard because I haven’t been transformed into a werewolf yet. I transform in the middle of the second book in the series. So, basically all I had to do is pretend which isn’t hard to have a huge crush on Kristin Stewart.

(Laughs)

That’s pretty much all I had to do because Jacob and Bella used to be very good friends when they were young and it’s the first time they’ve seen in other in quite a while when she moves back to Forks. He instantly has huge crush on her and cannot leave her alone, so that’s basically all I had to bring to life for Twilight.

CS: The production itself, they say it wasn’t intentionally done to have a woman director, a woman writer, but in the notes I’ve been reading, it kind of was. Was it irrelevant by the time you guys were producing it or, for lack of a better term, did it feel like it had a woman’s touch?

LAUTNER: I think for Katherine it doesn’t have to do anything whatsoever. Katherine has just shown in her past, with 13 and Lords of Dogtown and now this she is a professional at relating to the young. She has so much energy she is infectious. She brings the best out of us. She has such a creative imagination and that’s what Twilight needs is to take this book that is in words and bring it to life visually for the fans so they can see on the big screen what been on their minds the whole time they’ve been reading the story. I just think Katherine was the best choice we could have chosen do direct it.

LEFEVRE: And her history is a production designer and so she does have exactly that. She does have an appreciation for the visual. And this was a world that was so specific on the page and needed to be brought to life exactly as it was written and needed somebody who could read the book and the script and have that intense visual. I don’t know. Maybe a female made a difference there ““ maybe having a female imagination helped in the visualizing.

GATHEGI: We have good imaginations too.

LEFEVRE: You do??? Someone told me you think also. Is that true?

(Laughs)

CS: Everyone says you can get though this in a week but one page in her book and one page in a script, you have X number of pages have to cut. As well, some people got on this film without seeing a script, they just latched on to it. Can you tell me a little bit about A) Did you see the script before you came on and then B) What was important to Stephenie in your characters that she wanted to be sure she got in within the running time of the movie?

GATHEGI: I’ll try to go fast. I did not see a script when I auditioned. I just saw the sides ““ which is a scene that my character was in and I was not into it because I could tell it was an other worldly project and that was not my thing.

I’m really not a vampire fan.

When I met Katherine and had a great audition with Katherine I wanted to work with her and when I found out they wanted me to play the part then I picked up the books and I went, now this is not your traditional vampire story. She’s turned it upside down. This is an amazing story. It’s a romance set in the world of vampires. I absolutely want to be a part of this. I’m in love with this. What was the second part of the question?

CS: What she wanted to retain?

GATHEGI: And like you said, it was a 500 page book condensed into a two hour movie so I think for our characters, the nomads, we are the antagonists. There is no movie without conflict and I think that we’re not introduced in the book until page 300’s so in the movie for dramatic purposes I think it was important that they showed we exist before we exist in the books so the impending doom is there kind of a parallel story with the love story so you know there are some things about to go down.

LEFEVRE: I think it’s exactly the story of the book just condensed. Whatever is different is only different for the purposes of time. For the purposes of condensing the story. There is nothing that I can think of that is really far away from what Stephenie wrote. It’s all Stephenie’s stuff. And if it is contorted in any way in order to make it fit into a two hour movie, it’s still Stephenie’s world and still things she wrote, they are just condensed or rearranged slightly.

GATHEGI: And I’ll add to that condensed or rearranged slightly ““ if anything is different it’s movie making. It’s not a perfect science. There are certain things like locations and budgetary things and the sun is shining so you literally have to move the location, so maybe differences in that way but other than that, the attempt and the success of the attempt is very good.

CS: {To Taylor] Did you read the script?

LAUTNER: No, I didn’t. Just the sides. What I actually did, Jacob’s character basically just gets introduced in Twilight and develops later in the series but what they did for my audition process is take just in quotes from the second and third books and made it into sides and it was very interesting for me and I knew immediately, I love intimate relationships between boy and girl, I’ve always been a romance fan so I loved the sides, loved the writing, hadn’t read the books yet and as soon as I got cast in the film, that is when I read the books and the script.

CS: And now looking at this not just as a book, or a movie, you are looking at two or three, are you comfortable to signing your self on this trilogy? Any reservations about going on to do more?

LEFEVRE: I had no reservations before I signed on. I read the first book right before my audition and read the other two before I was cast and I read the script before I agreed to do it but having read all three books and knowing that someone had chosen Katherine, it could have gone one of two ways. They could have gotten a director who was an action person for all the action sequences and the chase stuff, and they could have gone with somebody who was really great with that and had experience doing that and then just allowed them to do the romance story. But they didn’t. They went the other way. They knew that Katherine would be able to pull off the action stuff and gave her an amazing – Andy who was our stunt coordinator and second unit director was an incredible ““ so they made a great team in the two of them so they let Katherine really do what she does best is really have organic behavior and an intense story from young actors. So knowing they had made that choice, I trusted Summit implicitly with the series so for that reason there were no hesitations for me. The story was great and they picked Katherine.

GATHEGI: And I can speak for them we would all love to do the subsequent films if there are any but there aren’t any right now. We’re going to see what happens in a week and a half.

LEFEVRE: And we’re always the last to know anyway. The actors. Last on the phone chain.

CS: The Internet seems to always know first.

(Laughs)

Opinion In A Haystack: Buck Shots

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A recurring series of columns celebrating forgotten, underappreciated, or down right hilarious moments of interest from a confusing variety of films.

The definition of the “Money Shot” according to Wikipedia is a provocative, sensational, or memorable sequence in a film, on which the film’s commercial performance is perceived to depend. You are probably familiar with it yourself, most notably for its pornographic definition. I will not be focusing exactly on “Money Shots,” because the moments that will be provided are, more often then not, extremely cheap and unintentionally gut busting. Since my focus here will be on a low-budget oeuvre, I have decided to call them “Buck Shots” instead. These are moments on which a film’s cheese-factor is based, often underlining the tone of the entire production and providing the viewer with the opposite effect intended.

My personnal path crossed with the existence of most of these wonderfully derelict moments because I managed a “mom and pop” video store for the better part of half a decade and “clerked” there as well. It was the glorius type of video outlet which had 25 years worth of VHS rentals accumulated within its long and many isles”¦plus the biggest porn room in town!

My co-workers, my friends, and I were often obsessed with cheesey cinema, especially the culture of completely forgotten 80’s sci-fi, action, and horror titles released during VHS-mania. There were literally thousands of films that even cinephiles like us had never heard of, with the longest, cliché’ taglines ever concieved stamped right on the cover. We would each often indulge in the cornecopia of forgotten shlock, and play the most reprehensible, hilarious, or disgusting moments during our shifts. However, due to the fact that 90% of these films were downright unwatchable, we would usually only share the “Buck Shots” and never the film, sparing everyone else from the painful, elongated running times. Hence I wish to do that same for you.

This entry into Buck Shots: ASIAN COPS AND HEAD/AUTOMOTIVE TRAUMA

Collision Course (1989) ““ PAT MORITA’S JUMP KICK

Tag Lines:

  • “The only thing stopping these two cops from solving the crime of the century… is each other.”
  • “Not So Much A Lethal Weapon, More Of A Liability!”
  • “With two cops like this someone’s going to die laughing!”

The first and only thing I would ever say to Jay Leno upon meeting him is “I loved you in Collision Course!” Not sure if that will anger or annoy him, but I’m betting on the former. Directed by Lewis Teague, also the director of the “blah” Romancing the Stone sequel Jewel of the Nile, this much forgotten piece of late 80’s comedy action is not completely worthless. The cast includes the two notable leads, Chris Sarandon (of Fright Night and Princess Bride fame) and the creepy Tom Noonan (Monster Squad, Robocop 2, Last Action Hero, Manhunter.) And no, this has nothing to do with the Crocodile Hunter.

I am probably alone, but I would easily prefer watching this Asian Guy/American Guy buddy movie over any of the Rush Hours or Shanghai Noons“¦in fact this film did the Asian-American Buddy drinking scene before and better then Shanghai Noon. I have actually sat through this film more then once since obtaining a VHS copy off eBay circa 1996 and can honestly say that few film moments have struck me as hard or as funny then the one below. Like most of the clips I will post here, describing this one with mere words is only doing you, and it, a disservice”¦enjoy:

Low Blow (1986) ““ LEO FONG SLOWLY ATTACKS A CAR FILLED WITH BAD GUYS

Taglines:

  • “The deadliest weapon is still your fist.”
  • “When the odds are against you…hit hard, hit first, and hit with a low blow.”

In Low Blow we have the famous 70’s and 80’s martial arts actor Leo Fong playing detective Joe Wong, whose character is on a mission to save a kidnapped girl from a religious cult. It also has Tae-Bo legend Billy Blanks in it as well, and don’t worry I plan to cover some of his “amazing” movies eventually, as I own several (yes, Billy Blanks has movies.) A warning should be given that if your interest is at all peaked from these clips, please note that if you look up Low Blow on Google you will get more then your fair share of gay porn results, I found this out the hard way. Now I don’t exactly know who that guy with the abnormally large fist on the box cover is, but I’m guessing it’s just a random graphic, since it’s not Detective Wong or the evil cult leader.

This clip needs to be described, only because in text form it almost sounds more ridiculous then the real thing. If you want to watch it fresh, skip this and go to the video below. In this two minute snippet we see Detective Wong chase three “bad guys” to their getaway car. Watch as he runs up to the vehicle, lifts the hood without a single problem, pulls out an apparently crucial part of the engine, flaunts and wiggles it to the bad guys inside the car, whilst they writhe and scream like babies. He then proceeds, WITH A SMILE, to take a plank of wood and joyfully smash in all the windows and dent the body. Meanwhile the evil dudes inside the car scream and moan as if being attacked, while fully NOT taking the several and very lengthy chances to EXIT THE OPPOSITE SIDE OF THE CAR. Leo Fong then runs AWAY from the car, puts on safety goggles and picks up the conveniently placed round saw and begins to slowly cut off the roof. When finished, he simply lifts the roof off the car and LETS THE BAD GUYS RUN AWAY!!! All of this is of course taking place while a loop of 80’s synth-music repeats constantly (as it does through the rest of the movie.) It’s pure genius on so many levels. If you doubt for one second that what I just described is 100% true”¦just watch:

Low Blow (1986) ““ THE FACE CAKE!

This clip takes place a tad later in the film, I believe as Detective Wong infiltrates the cult fortress (or the cult’s suburban house.) Wong slowly walks down a corridor (OF EVIL!) and is attacked by a henchman, one that was apparently involved in the elaborate and sluggish car attack earlier as he states “Got you now Chinaman! I think you owe me a car!” Now, the unnecessary racial slur aside, what I’ve always wondered was, was this henchman in the car or did he just own it and get really pissed when he found out what happened?

Because all we are dealing with here is master shots and poorly lit shots, it is hard to make out who exactly this henchman is. Leo Fong flips him on his back and then, well, he kills him by smashing his skull in”¦yet in the universe of Low Blow all henchmen’s biological material is made of birthday cake. They don’t allude to it much in the narrative, but it obviously true. See:

Ok, that is all for this first entry of BUCK SHOTS”¦I have a whole gaggle of clips that will keep coming your way. Thanks for reading!

Trailer Park: EXCLUSIVE MILK Screening In Phoenix

Filed under: Contests,Trailer Park — Tags: , — admin @ 1:19 am

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

How many people are coming back for the Thanksgiving holiday early next week and want to see a possible Oscar contender slug it out on the screen as he fights ignorance, intolerance and homophobia? Well then I have a deal for you…

Gus Van Sant’s film that chronicles the election of California’s first openly gay official opens December 5th but you can see it early if you drop me a line at Christopher_Stipp@Yahoo.com. The screening is this Tuesday night, the 25th, at the Scottsdale Camelview at 7 p.m. and if you shoot me your name and address you are in the race to get in. It’s as easy as that.

The official synopsis follows…

His life changed history. His courage changed lives. In 1977, Harvey Milk was elected to the San Francisco Board of Supervisors, becoming the first openly gay man to be voted into public office in America.

His victory was not just a victory for gay rights; he forged coalitions across the political spectrum. From senior citizens to union workers, Harvey Milk changed the very nature of what it means to be a fighter for human rights and became, before his untimely death in 1978, a hero for all Americans. Sean Penn stars as Harvey Milk under the direction of Gus Van Sant in Milk, filmed on location in San Francisco from an original screenplay by Dustin Lance Black, and produced by Dan Jinks and Bruce Cohen. Milk charts the last eight years of Harvey Milk’s life. While living in New York City, he turns 40.

Looking for more purpose, Milk and his lover Scott Smith (James Franco) relocate to San Francisco, where they found a small business, Castro Camera, in the heart of a working-class neighborhood. With his beloved Castro neighborhood and beautiful city empowering him, Milk surprises Scott and himself by becoming an outspoken agent for change. With vitalizing support from Scott and from new friends like young activist Cleve Jones (Emile Hirsch), Milk plunges headfirst into the choppy waters of politics. Bolstering his public profile with humor, Milk’s actions speak even louder than his gift-of-gab words. When Milk is elected supervisor for the newly zoned District 5, he tries to coordinate his efforts with those of another newly elected supervisor, Dan White (Josh Brolin). But as White and Milk’s political agendas increasingly diverge, their personal destinies tragically converge. Milk’s platform was and is one of hope ““ a hero’s legacy that resonates in the here and now.

Win DOCTOR WHO: SEASON 4 on DVD!

Filed under: Contests — UncaScroogeMcD @ 1:11 am

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We’re giving away, in conjunction with BBC Home Video, five (5) copies of DOCTOR WHO: SEASON 4 on DVD.

Contest ends at 11:59pm EST on Monday, December 1st.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 1st.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE DAY THE EARTH STOOD STILL on DVD!

Filed under: Contests — UncaScroogeMcD @ 1:04 am

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We’re giving away, in conjunction with Fox Home Video, three (3) copies of THE DAY THE EARTH STOOD STILL on DVD.

Contest ends at 11:59pm EST on Monday, December 1st.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 1st.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win 24: REDEMPTION on DVD!

Filed under: Contests — UncaScroogeMcD @ 12:58 am

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We’re giving away, in conjunction with Fox Home Video, three (3) copies of 24: REDEMPTION on DVD.

Contest ends at 11:59pm EST on Monday, December 1st.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 1st.

The winner must allow 4-6 weeks after notification of win to receive the product.

November 21, 2008

Ken P. D. Snyde-Cast #70: The Lullaby Of Broadway

Filed under: Ken P.D. Snydecast — Tags: , , , , , — UncaScroogeMcD @ 3:41 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #70: The Lullaby Of Broadway – Ken returns sans an out-of-town Dana, so co-hosting duties are once again performed by very special guest Paul Sabourin, as the near-dynamic duo discuss musical theater, band nerds, betrayal, bosoms, and more.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #70 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-70.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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Trailer Park: TWILIGHT Review

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

I thought of all the different ways to review this movie and none of them seemed to be the right way to do it.

You see, the overriding emphasis on what I want to get across about TWILIGHT is that this film was for sure, absolutely, positively not made for me. I am a 33 year old male who hasn’t read any of the books written by Arizona native Stephenie Meyer and have no inclination to read the series based on a vampire and his human ward/lady friend. But that’s alright, I would come to feel by the end of this movie, because of one fact alone: this is show business and this film is in the business of appealing to young ladies. It does it so well, in fact, that I dare say this should be the one movie on prepubescents’ lips come Monday morning as the one film that has defined their year.

For the rest of us, however, this movie isn’t completely awful. Lord knows that the dialog is pretty bad, the characterization of our human love interest is beyond hackneyed and has been done before in countless other angst-y teenagers who hate life and whose parents just “don’t understand them” to say nothing of Bella Swan’s (Kristen Stewart) weirdly distant father who only adds to the movie’s forced narrative that this is, at its heart, a movie about teenage alienation. Like I said, it’s been done before in countless ways before in a lot better films. However, what I can say, like Edward tells Bella at the film’s prom scene that this all a rite of passage she deserves and needs to be a part of, is that this film is for the ladies.

This movie is going to be the gateway drug (and, really, everyone out there who will find themselves sitting in the theater as Edward (Robert Pattinson) tells Bella that she’s his brand of heroin try not to completely fall out of your seat as your belly ripples with the giggles that are sure to ensue) for many disenfranchised teenage girls who don’t have a voice in the current cinema climate.

The story of a young Bella who leaves the sunny and sandy shores of Scottsdale for the wet confines of Washington state, adjusting to life in a new high school and finding the boy of her dreams, only to find out he’s a member of the undead, is a relatively innocuous one. What we have here is a fairly basic flicks that has a shroud of vampirism tossed over it. And you know what? It’s a hoot. It’s a genuinely interesting film as we progress deeper into Meyer’s mythos, finding out what this brand of vampire is capable of doing, how they live, what makes them special, what threatens their existence, etc… It’s the exploration of these smaller bits that elevates this film from just being a shoddily produced cash-in.

However, there are elements in the movie that would tell you otherwise.

The wire work, effects and anything else that required even the slightest bit of modern 21st century technology to enhance was abhorrent. There are moments, for example in the penultimate fight sequence (and a sequence that answers the question of What would James Dean look like if he were in a roughshod martial arts film?)  between Edward and bad-boy James (Cam Gigandet) was nothing if but a comedic romp into bad action blocking. As well, Taylor Lautner’s performance as Jacob Black gets my Anthony Hopkins Award for racial blurring as that poor kid must have been given the C. Thomas Howell SOUL MAN treatment with enough self-tanner to make his olive skin turn a deep rusty hue in order to be the Native American representative of the werewolves. The aforementioned dialogue gets really, really bad at times and there’s even the sense that the players in this movie weren’t really given the ability to take Meyers’ work any higher than teenage melodrama. It’s more like a pilot for the CW at certain points in this film. And I cannot stress enough the grating attitude that Bella seems to carry with her throughout the film. My main issue with this is if you create a protagonist who is so easily pained with her own life that she projects it whenever possible how could anyone else, besides teenagers whose sole sphere of experience spans life in only two insular stages: inside of school and outside of school, identify with this woman? The answer, if you’re following close enough, is that you’re not. This book, this film, this series, speaks to some elusive trigger mechanism in young teenage ladies and it’s clear to anyone looking at the screen that unless you shop at Hollister or Hot Topic there’s not much you’re going to get out of this.

There are  other members of the film, though, who actually do contribute to this film and elevate it just a little bit more than just a campy excuse to be doused in white flower. Peter Facinelli is one such actor and, to be quite honest, surprised me. His delivery isn’t stiff. He doesn’t lower his head and look forward to talk like some members of his vampy family. He speaks normally and acts, literally, as if he’s a vampire but just happens to live in a human’s world. Dare I say it I would have rather followed his story more than I wanted to follow everyone else’s. Rachelle Lefevre, one of the other “bad” vampires of this film, is a delight. She’s actually quite alluring and plays her role in a way that makes you feel a) like she could treat your neck like a piece of skirt steak and you would let her willingly and b) she is able to project a hint of evil without being obnoxious.

In all, TWILIGHT is going to make millions off the backs of young girls who have been in need of a DARK KNIGHT for themselves. Honestly, I couldn’t be happier for them. This film does not try to be all things to all people, it does not want me to like it nor does it try too hard to, it hits the right emotional notes of those in its targeted sights and there is no way you could walk out of that film thinking that there is no way an audience could love that film because when you consider that in the land of show business this is one property that knows its market.

Weekend Shopping Guide 11/21/08: Wall-E Who

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

I admit – I was wary of Wall-E. Cars had left me a little cold (and the creepy, post-apocalyptic, human-less but made by humans world it was set in was just disturbing), but Ratatouille was more enjoyable than I thought it was going to be, and my faith in Pixar was ready to be fully restored. And it was. It helps that I experienced the film sitting beside my 4-year-old nephew, who was in the process of taking in his very first movie on a movie theater’s BIG SCREEN. It was a magical time from start to finish, and the DVD brings it on home. If standard definition is still your cup of tea, then I recommend the Wall-E: 3-Disc Special Edition (Walt Disney, Rated G, DVD-$39.99 SRP), featuring an audio commentary with director Andrew Stanton, deleted scenes, a sneak peek at “Wall-E’s Tour Of The Universe”, a look at Ben Burtt’s sound design work, the “Presto” short, a brand-new short following the frustrated robot Burn-E, a look into the workings of Buy n Large, behind-the-scenes featurettes, Leslie Iwerks’s feature documentary The Pixar Story, and more. For you high-def enthusiasts, the Blu-Ray Wall-E (Walt Disney, Rated G, Blu-Ray-$40.99 SRP) features all of the bonus features of the standard edition, plus the addition of picture-in-picture storyboards and commentary on “Burn-E”, pop-up commentary, video games, 3-D set fly-throughs, and Cine-Explore with Andrew Stanton. Take your pick, but be sure to pick up at least one.

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Kudos to Stephen Colbert for reviving the tradition of a pundit holiday special – just like the George Plimpton celebrations of yore – with A Colbert Christmas (Paramount, Not Rated, DVD-$19.99 SRP). Would you believe it’s full of festive musical performances and opinionated tidings? And a video fire? BELIEVE IT!

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While I don’t think it’s quite the revelatory masterpiece that the hype made it out to be, I did enjoy Tropic Thunder (Dreamworks, Not Rated, DVD-$34.98 SRP). In a nutshell, the plot finds a group of spoiled, pampered actors – led by Ben Stiller, Robert Downey, Jr., and Jack Black – who are filming a Vietnam epic that derails after only a week’s worth of shooting under a first-time director (Steve Coogan). Pressed by the hard-ass, batshit crazy studio boss (Tom Cruise channeling Harvey Weinstein) to get the film made or else, the director decides to drop his actors into the real jungle for a bit of cinema verite. To reveal anything else would be spoiling some genuine surprises, so I can only suggest you check out the 2-disc unrated edition, featuring audio commentaries, behind-the-scenes featurettes, deleted/extended scenes, an alternate ending, video rehearsals, the MTV Movie Awards, and more. A Blu-Ray edition is also available ($39.99 SRP) with identical features, but presented in full HD.

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After a pair of unsatisfying “best-of” compilations spanning the show’s entire run, we finally go back to the beginning for a proper complete first season set of Spin City (Shout! Factory, Not Rated, DVD-$39.99 SRP). Reuniting Michael J. Fox and the creator of Family Ties, Gary David Goldberg, Fox starred as the deputy mayor to the barely competent mayor of New York (played wonderfully by Barry Bostwick). The show played like a wonderful cross between Benson and Night Court, and I’m glad it’s finally getting some DVD respect. The 4-disc set features all 24 episodes, plus audio commentaries, a retrospective featurette with the cast and crew, and a 1996 Paley Center seminar with Fox & Goldeberg.

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After her turn in the Christmas special “The Runaway Bride”, some were worried about Catherine Tate reprising her role of Donna Noble as the 10th Doctor’s new companion in the fourth series of Doctor Who (BBC, Not Rated, DVD-$99.98 SRP). I’m happy to report that those fears quickly dissipated right from the get-go, as Donna – and Tate – proved to be one of the Doctor’s finest companions in a season that saw the return of the Sontarans and Davros, plus a few more surprises to boot. The 6-disc set features all 14 episodes plus audio commentaries, deleted scenes, video diaries, the Children In Need special “Time Crash”, a retrospective featurette, Doctor Who Confidential, teasers, and trailers.

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There’ve been a boxful of previous soundtrack releases for the Indiana Jones films, but now we’ve got Indiana Jones: The Soundtrack Collection (Concord Records, $59.98 SRP). The set features expanded scores for all 4 films containing previously unreleased cues, as well as a bonus 5th disc with interviews (Williams, Spielberg, & Lucas) and additional cues from the films.

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If you’ve been patiently avoiding the single-disc releases for the next seasonal batch of that happy chap that lives in a pineapple under the sea, then you’ll rejoice in your purchase of SpongeBob Squarepants: Season 5 Volume 2 (Paramount, Not Rated, DVD-$26.98 SRP), whose 2 discs feature 21 episodes.

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Criterion sprinkles their cinematic fairy dust and delivers to film geeks another stellar special edition, this time for the acclaimed 1965 adaptation of John le Carre’s The Spy Who Came In From The Cold (Criterion, Not Rated, DVD-$39.95 SRP). In addition to the stunning new restoration to the film itself, the 2-disc set features a select-scene commentary from DP Oswald Morris, an interview with le Carre, a BBC documentary on the author, a 1967 interview with star Richard Burton, an audio conversation with director Martin Ritt, a gallery of set designs, and the usual Criterion essay booklet.

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I view the remastered editions of the original Star Trek to be a unique aberration that sometimes succeeds in providing a richer experience than the original effects work, but often just plays as just an awkward exercise. Still, you can now wrap things up with the release of the final season, Star Trek: Season Three – Remastered (Paramount, Not Rated, DVD-$84.98 SRP), featuring all 24 episodes plus the original and extended versions of “The Cage”, plus the third installment of Billy Blackburn’s home movies.

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It’s been edited to remove Kermit, but Jim Henson’s The Christmas Toy (HIT, Not Rated, DVD-$14.98 SRP) makes its DVD debut. If you haven’t seen it, it’s about last year’s toys becoming fearful that Santa’s new deliveries on Christmas Eve will replace them. There’s nothing like toy angst.

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By now, when one goes into a Werner Herzog film, one expects an experience wholly unique. That’s certainly what you get with Encounters At The End Of The World (Image, Rated G, DVD-$27.98 SRP), in which the filmmaker follows an extraordinary group of individuals carving out an existence at the literal end of the world – Antarctica. The 2-disc set features an audio commentary, behind-the-scenes featurettes, Jonathan Demme interviewing Herzog, and the theatrical trailer.

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Fans of The Who have been waiting years for a pristine release of the band’s 1977 concert in Kilburn, North London, and The Who at Kilburn 1977 (Image, Not Rated, DVD-$24.98 SRP) certainly delivers that. It’s also one of the last concerts to feature drummer Keith Moon. The 2-disc set also contains the band’s 1969 concert from the London Coliseum, which is the first ever live recorded performance of Tommy.

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You know, I didn’t think I’d get anything out of Fred Claus (Warner Bros., Rated PG, DVD-$28.98 SRP) – starring Vince Vaughn as the bah humbug black sheep brother of goodnick Santa Claus (Paul Giamatti). Wouldn’t you know it, events conspire so that only Fred can save Christmas, and the bigger holiday miracle? I actually enjoyed the flick. Bonus features include additional scenes, an audio commentary, interviews, and behind-the-scenes featurettes. The Blu-Ray edition ($35.99 SRP) sports a bonus disc with the game Fred Claus: Race To Save Christmas.

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When it first premiered, I had Bones pegged as one of those quirky shows that couldn’t possibly survive the network ignoramusi for long. But here we are with Bones: Season Three (Fox, Not Rated, DVD-$59.98 SRP) hitting DVD, and all of the quirkiness is still intact – and stars Emily Deschanel and David Boreanaz are still having a ball as the lighter Mulder & Scully. The 5-disc set features extended editions of all 14 episodes, plus 4 bonus episodes from season 4, the unaired version of the episode “Player Under Pressure”, a gag reel, and more.

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The idea of Will Smith playing an antisocial ex-superhero who gets hooked up with an image consultant played by Jason Bateman seems like it should delight me to no end, but Hancock (Sony, Not Rated, DVD-$34.95 SRP) just left me cold. Maybe that’s because it never seems to find the right tone for the material, careening from slapstick to serious often enough to give you whiplash. The 2-disc set features an unrated version of the film in addition to the theatrical version, behind-the-scenes featurettes, trailers, and more.

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The third season of How I Met Your Mother (Fox, Not Rated, DVD-$39.98 SRP) is when the show finally started to turn a corner for me. I found the writing on the first two seasons to be forced and annoyingly “clever” – even though the actors were bringing their A game – but this season everyone started to loosen up and find a groove that could finally move the show towards ultimately becoming a classic. Here’s hoping they can maintain the momentum. The 3-disc box-set features all 20 episodes plus audio commentaries, additional scenes, featurettes, music videos, Lily & Marshall’s honeymoon videos, a gag reel, and more.

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A&E Home Video has leapt into the world of high definition with a pair of pre-existing catalogue releases that certainly set the stage for some nice drops in the future. First up is the inaugural season of their interstellar documentary series The Universe (History Channel, Not Rated, Blu-Ray-$79.95 SRP). The second is about as far from that as you can get – Macca’s most recent concert film, Paul McCartney: The Space Within Us (A&E, Not Rated, Blu-Ray-$34.95 SRP). Maybe we can get some of their licensed series soon, too. Blu-Ray Monty Python, anyone?

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Full disclosure time. I consider my very first crush to be on Punky Brewster. Just to show how aware I was at the time, as a wee lad, I even knew that the precocious Punky was played by a girl named Soleil Moon Frye – who I vowed I would one day marry. At least that’s what I told my friends while we played in our junk wood playhouse at the top of the hill behind Quantico base housing all those years ago. I never did marry Soleil (her loss, really), but I did watch her show. Now, thanks to those pop culture machiavellis at Shout! Factory, I can relive that long-ago crush with all four seasons of Punky Brewster (Shout! Factory, Not Rated, DVD-$99.99 SRP). Not only does this 4-disc set feature the first season, but you get interviews with the cast and crew, as well as episodes from the animated It’s Punky Brewster. Some crushes die hard… “Punky Power,” indeed…

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It’s hard for them to dig themselves out of the hole the show has been going deeper and deeper into the past few years after its stellar first few seasons, but they at least attempted some course correction during the 7th season of Scrubs (Buena Vista, Not Rated, DVD-$29.99 SRP), attempting to bring the show back to more grounded humor and away from the live action Family Guy it had become. The 2-disc set contains all 11 episodes, plus audio commentaries, the making of “My Princess”. Alternate lines, deleted scenes, bloopers, and an interview with Ken Jenkins.

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It’s a legendary concert and now it’s gotten a suitably reverent release with Cheap Trick: Budokan! (Sony Legacy, $49.98 SRP), loaded with the original remastered release, the complete concert in its entirety, and a bonus DVD. I want you to want it. You know you want it.

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Minoru Kawasaki is a bizarre filmmaker whose bizareness is matched only by that of his films themselves. Don’t believe me? Check out the psychological thriller starring a 6-foot office-working Executive Koala, or the toupee-flinging crack detective The Rug Cop, or the wonderfully odd post-apocalyptic satire The World Sinks Except Japan (Synapse, Not Rated, DVD-$21.99 SRP each). Bonus features include featurettes, trailers, and an audio commentary on The World Sinks. Bi-zarre.

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Tick another one off the list, as the fifth and final season of The Odd Couple (Paramount, Not Rated, DVD-$39.98 SRP) makes its way to DVD. We’re running out of classic television series that are still absent from home video (I’m looking at you, full season Sgt. Bilko sets). The 3-disc set features all 22 episodes, plus Murray the Cop in drag.

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One of my nephew’s favorite Nick shows is The Fairly Oddparents, so I’m sure he’ll eagerly devour The Fairly Oddparents: Season 6 Volume 1 (Paramount, Not Rated, DVD-$26.98 SRP). The 2-disc set contains 16 episodes, including The Fairly Odd Baby movie.

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I am not the target audience. At all. But I know the target audience is probably screaming in giddy anticipation for the release of Hannah Montana: Season 1 (Walt Disney, Not Rated, DVD-$ SRP). The 4-disc set features all 26 episodes, plus a behind-the-scenes featurette, highlights, and Miley Cyrus’s opening song from the 2008 Disney Channel Games.

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A staple of my 80’s Nick At Nite viewing returns with its sophomore outing in the form of Father Knows Best: Season Two (Shout! Factory, Not Rated, DVD-$39.99 SRP). The 5-disc set features all 36 episodes starring Robert Young as the very epitome of the 50’s TV family man. Bonus features include new cast interviews, the Robert Young film Stage To Yuma, an episode of Young’s next series (Window On Main Street), and more.

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There were times during the 3rd season of The Unit (Fox, Not Rated, DVD-$39.98 SRP) that I felt where I was watching a post-modern, serious version of the A-Team‘s final season. And no, I’m not kidding. See for yourself. The 3-disc set features all 11 episodes, plus audio commentaries, deleted scenes, and a featurette.

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The pants-loving foursome is back in The Sisterhood Of The Traveling Pants 2 (Warner Bros., Rated PG-13, DVD-$28.98 SRP), which finds the four best friends finishing up their first year of college and journeying out into the world during their summer break. Bonus features include additional scenes, a look at the genesis of the final sequence, and a gag reel. A Blu-Ray edition is also available ($35.99 SRP), containing the same bonus features.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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November 20, 2008

Cabin Fever #47: Poole PI

Filed under: Cabin Fever — UncaScroogeMcD @ 7:39 pm

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #47: Poole PI – Our dynamic duo are reunited and celebrate in typical fashion. They discuss Aaron’s charity moustache cultivation, overzealous trick-or-treat security, the Dawn Of The Dead remake’s possible superiority over the original, plus a plethora of other banal subjects too lame to print here. Music is provided once again by The Chinaski Effect.

MOVEMBER IRELAND – CLICK HERE TO DONATE

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #47 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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CLICK HERE FOR THE CABIN FEVER ARCHIVES

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Bagged & Boarded 9: Up At The Crack

Filed under: Bagged & Boarded — UncaScroogeMcD @ 6:42 pm

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #9: Up At The Crack – In which Matt and Jesse discuss their top 5 films of the year thus far, get into a heated squabble, and generally moan and groan about all things early morning. Wake and Bake, folks.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #09 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-09.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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Win SON OF THE BEACH: VOLUME TWO on DVD!

Filed under: Contests — UncaScroogeMcD @ 2:35 am

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We’re giving away, in conjunction with Shout Factory, two (2) copies of SON OF THE BEACH: VOLUME TWO on DVD.

Contest ends at 11:59pm EST on Thursday, November 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Thursday, November 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

November 18, 2008

Toy Box: Indiana Jones Chief Temple Guard Action Figure

Filed under: Toy Box — admin @ 12:48 am

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In future times, when today’s action figure collectors are living together at the only rest home that will take them, sharing their stories of days gone by, much discussion will center around the Hasbro Indiana Jones action figure line of 2008, and the mistakes that doomed it to failure.

In case you hadn’t heard, the Temple of Doom wave will most likely be the last to see retail daylight, and even that wave has been harder to find than an honest man in politics. Many others were shown, and the diehard fan’s obsession was fueled, but these things will not come to pass. The whys are many. Collectors will cite the over production of the first couple waves, with their lame Mutts, poor paint jobs, and weak quality control. Average parents will point out a lackluster fourth movie that failed to drive kid’s interest to the overall franchise. And I’m sure Hasbro will point out that Indy had to battle against a crowded summer of high performing blockbusters like Iron Man and Wall-E, and the weakening economy that’s drying up the action figure market. And of course, Bakugan is kicking everyone’s ass.

Despite the reasons, the effects are here. Finding the Temple of Doom wave – which includes a new Indy, Willie, Short Round, Molan Ram, a Temple Guard, and the Chief Temple Guard – has been the quest of collectors for several weeks now. If you’re lucky, you may find them at a Meijers or a Kroger. If not, you’ll pay through the nose on Ebay or from your local scalper.

I’ve managed to snag a few, although both Indy and Willie remain on my hunt list. I’ll check out the Chief Temple Guard tonight, and much of what I say about him translates to the rest of this wave as well. If you have any questions, drop me an email at mwc@mwctoys.com, or visit my site at Michael’s Review of the Week – Captain Toy.

Indiana Jones Temple of Doom wave – Chief Temple Guard

Temple of Doom used to be my least favorite Indiana Jones movie. That was of course until this summer and the release of Kingdom of the Crystal Skull. TOD has it’s issues, but they are nothing compared to the stinker that is KOTCS. But no matter how badly George and Stephen treat their poor Indy, I still buy all the figures. And while TOD might not be the best of the movies, it certainly has some of the coolest looking villains.

You’ll remember the Temple Guard Chief. He’s the big ugly dude that likes beating the kids in the mine, and who pays for it in a rather brutal and nasty death. Your trivia of the day – this character was played by the English actor Pat Roach, who also played the German Mechanic in Raiders of the Lost Ark and a Gestapo solider in Last Crusade, making him the only other actor (other than Ford of course) to play in all three original films.

Packaging – ***1/2
I’ve liked the small packages all along, with their retro feel and general Indy branding. The shape of the bubbles do make them a bit difficult to store for the MOCers, but they hold up surprisingly well to basic shelf wear.

Sculpting – ***1/2
I suspect that had earlier waves been sculpted this well, they would have sold much better. If it weren’t for one issue, I would have gone full four stars here.

The head sculpt might only be 3/4″ from tip of beard to top of turban, but you can clearly see Pat Roach’s character in there. The fine detail work on the beard is excellent for this scale, and the folds and layers of the turban look very realistic.

The body work is general top notch as well. The torso was probably intended for the German Mechanic as well, since the belts and accoutrements you see are all glued on separately. He stands about 4 1/4″, slightly above the other figures in the line, fitting in pretty well scale wise.

My only problem with this category is in the figure’s ability to stand. I always include that concept with the sculpt, rather than the articulation – you might think otherwise. I had a mighty tough time getting this guy to stand on his own, although it is possible with the right combination of the ankles, knees, hips and feet. This is due in large part to his very small feet, which make it tough to get the high center of gravity just right.

Paint – ***
The worst aspect of the early waves of Indy figures was the sloppy paint. It looks like Hasbro got those issues resolved just in time to cancel the line.

Many of the pieces are cast in the appropriate color, like the arms, torso, legs, etc. You can tell by the slightly glossy plastic look to these parts that they were not painted separately. This works fine for me, particularly since the colors from one plastic piece to another remain consistent.

There are small details that are added, however, including things like the eyes, teeth, and small spots on the outfit. There’s a bit more slop here than would be perfect (especially under the glaring eye of the camera – in person it’s not as noticable), particularly around the red and black on the sash/belt. But it’s a huge improvement over the early waves, and indicates that Hasbro could get it right given time. Unfortunately, they didn’t have as much time as they needed.

Articulation – ***1/2
Considering the scale, this boss baddie has an impressive number of useful joints.

There’s a ball jointed neck, but the ball is so far up his head that it operates pretty much like a cut joint. The shoulders are ball jointed too, but they have an excellent range of movement, and take full advantage of their ballish nature. The arms also have a cut joint above the elbow, a pin joint at the elbow, and a cut wrist joint. That’s a lot of arm articulation for this size figure!

The waist is also cut, and he has the standard T hips. The knees are ball joints though (or peg/post as I like to call them), allowing the lower leg to move forward and back as well as giving it the ability to turn. There’s this same sort of peg/post joint at the ankle too, and it’s a good thing since without the mobility in the ankle, you’d have a tough time keeping him standing.

Accessories – ***1/2
Often, the accessories get dumped to keep the price down. That’s not the case here.

All the Indy 3 3/4″ figures have come with a special accessory – a treasure of sorts. This relic comes in a cardbard crate, along with a small sticker. If you collected six of the stickers and sent them in, you could get the mail away Crystal Skull skeleton. The artifact that comes with the Chief Temple Guard is a Spartan helmet, made from soft rubber. The helmet is quite large for this scale, and actually fits in better with a figure in the 6 – 7″ scale. In fact, you could put it with your Disney Indiana Jones, and it would fit in great.

The Chief also comes with three of his own goodies. There’s the cat-o-nine-tails style whip that he used on the kids/slaves, as well as a long, curved saber. This sword can fit inside a loop that is sculpted on his belt. Finally, there’s his unique dagger, which he can hold in his hand, or it can be sheathed in a loop on his chest.

Three film appropriate accessories along with the relic make for a much better Accessories score than we usually see in this scale, at least in the current market.

Fun Factor – ****
Great looking figure with solid articulation, a nice group of accessories, and the ability to stand off against a key hero – how much more fun can any one action figure be? Collectors may find themselves drawn more to Willie (another great sculpt and paint), but the kids are going to be attracted to the bad guys to give Indy someone to smack around. I suppose Willie or Short Round could serve that purpose too, but then there’d be that whole series of parent/teacher conferences you’d have to attend.

Value – ***
Some retailers have dropped the price of their Indy figures as low as $5, although most places are still in that $7 range. That’s a pretty average price for a 3 3/4″ figure, but most don’t have this number of accessories, or this level of articulation, making this a better than average value.

Of course, finding this guy (or any of the TOD wave) at retail is the far bigger issue than paying seven bills for him.

Things to Watch Out For –
It’s unlikely you’ll get a ton of choices when picking up this figure, so looking for the best paint is probably a moot point. Thankfully, the paint has been great on all the ones I’ve seen.

Overall – ***1/2
The sad, unfortunate truth is that this entire wave, from the new Indy to Short Round, is a big improvement over past waves. It looks like Hasbro was just getting it right when they had to stop. And collectors (including me) will be whining about never getting a Toht for years to come.

If you do see this wave, and you or someone you know is interested in them, I’d grab them. While I have my fingers crossed that there are crates of these sitting in some warehouse, it is likely that it’s the same warehouse from Raiders, and those crates will never be seen or heard from again. Hey, there’s an idea for George – Indy 5: Indiana Jones and the Quest for the TOD wave. It couldn’t be any worse than KOTCS.

Where to Buy –
As I said earlier, these are mighty tough to come by. Krogers (yes, the grocery store) had some when the DVD was released, and Meijers has stocked them off and on. They’ve trickled in to some other mass retailers, but not in any real numbers yet. You can find them online, but you’ll pay quite a premium. I suspect we’ll see these dumped at some retailer like Big Lots eventually.

Related Links –
I’ve covered a TON of Indy merchandise at mwctoys.com, but let’s just stick with the 3 3/4″ line for now.

– I had a guest review of this entire TOD wave, as well as another guest review on various figures from the earlier waves.

– I covered the Swordsman, Indy and Marion in one review, as well as several of the deluxe two packs.

November 17, 2008

Party Favors: The Bunny Hop

Filed under: Joe Corey's Party Favors — UncaScroogeMcD @ 10:52 pm

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CARSON CITY – Sunday morning is quiet time at the Bunny Ranch. The crisp mountain air rejuvenates the lungs after a night of breathing in a whirlwind of carnality. The parlor is tidy so there’s no remnants of Saturday night’s parties. The space is so calm that you can imagine cloistered monks nearby. The silence is broken by the occasional buzz at the front gate.

Who goes to a brothel on Sunday morning? Perhaps it’s someone who went to church on Saturday night and needs to occupy his time until the NFL pre-game shows hit the air? Why should wide receivers have exclusive rights to groin pulls on the Sabbath?

The other sound we hear while roaming the peaceful hallways is the distinctive laugh of Bunny Love as she watches The Colbert Report in her room. Sean Hannity filmed at the Ranch last year. When will Colbert visit to make his What Makes America the Greatest Country in the United States special?

The big event this morning is waffles. Even in a den of iniquity, there’s the sweet smell of batter hitting the griddle. Bunny Ranch owner Dennis Hof has made this a traditional brunch staple since he and many of the girls have fond memories of Sunday waffles. This isn’t merely a Cathouse, it’s a Cathome.

The Party Favors conversation with Hof continues with a discussion of who came up with the HBO Cathouse series. Turns out Showtime screwed up. The show has really been a phenomenal recruiting tool for both clients and future Bunnies. The stock market was going to hell during our visit. Hof discusses what he has done to make sure that Wall Street’s woes won’t translate to a drop in business. Like the government, he wants to keep stimulating America.

Having spent too many nights in strip clubs, my line of questioning turned to how the atmosphere at the Bunny Ranch is much more relaxed. The women aren’t teasing to drag you into the champagne room. There’s no massive ex-football lineman eager to break your fingers for touching the talent. You get to relax and know the women. There is a pole in the parlor in case you need to see a twirl or two. And unlike a strip club, there is sex in the champagne room. Dennis also elaborates on how the internet is more important than ever for the women to secure dates.

Hof explains what happens to a Bunny that falls in love with a guy who isn’t earning with his hands what she was collecting on her back? Women are able to admit to their parents that they work at the Bunny Ranch thanks to the success of HBO’s Cathouse. It’s not like they have to admit that Brent Owens wrote a poem in their honor. Finally I ask the big question: When did Dennis become a stud?

The third and final part of this monumental interview will be part of our Thanksgiving spectacular. Learn about all the big changes at America’s Cathouse. We’ll also spend time with Brooke Taylor. She’s juggling a music career with her day job. There shall be kind words about our personal guide, Danielle Luciano. Plus a very special visit from Charo!

THE PRICE OF FAME

My phone won’t stop ringing with urgent calls from producers for Dr. Phil, Tyra and Jerry Springer. Once word of the Party Favors visit to the Bunny Ranch hit the web, they want to book me as a guest. Who wouldn’t want a very special episode entitled: “Husband took pregnant wife to brothel for their wedding anniversary!”

I can’t deny that it happened.

The traditionalist in me demands a visit to Chi-town so I can defend myself to a crowd chanting “Jerr-E! Jerr-E!” Dr. Phil would be hard since the entire time I’d be fighting from impersonating the old side o’meat. “I didn’t do anything to my wife that she wouldn’t have done without the assistance of the ether.” Tyra is just too damn tempting. Her producer has hinted that Tyra will spend most of the interview rubbing my bald head. If my wife is also palming my dome with Tyra, I will count that as a menage de trois. I’m easy.

BELAUGH BECRY BEGONE

Now that it’s out of previews, reports confirm that Criss Angel’s Believe at the Luxor is the biggest bomb to hit Nevada that wasn’t government funded. He might be the only performer that’s openly hated in Sin City. When we got on the shuttle bus at the airport, our driver talked trash about the goth magician. He was happy to quote the bad buzz. The guy at “Half-Priced tickets” slammed the show based what a pal told him. When I asked waitresses about the show, they warned me not to waste my time or money on a “TV magician.”

In all my time in Vegas, I’ve never heard anyone in the tourism industry completely trash a new show. They’ll cushion the negatives by discussing how hard it is to open a show and getting the kinks out during the previews. There’s always optimism in their voice. They know that a good show brings people to the city. Vegas needs tourist dollars. But they couldn’t resist mocking Angel and his besmirching the reputation of Cirque du Soleil. Rumor was that this might be the first Cirque du Soleil show to completely fail on the Vegas strip. The stories were so bad that I had to see it. How could I resist a trainwreck that supposedly ended with Angel screeching out the theme to Mindfreak? I wasn’t going to pay full price. Normally I’d beg for a press pass, but I didn’t want to feel obligated to review the show if the badness chased me out of the theater.

Turns out the Half Price ticket place had no discount offer for Believe. I roamed down to the Luxor to see if the box office had a bargain deal. They wanted $65 for the nose-bleeds. I wandered about the hotel looking at Angel’s designer motorcycle and car collection. What’s the point of owning a motorcycle if you’re putting it beneath glass? On the way out, they had “contest” to win Angel’s old car. The top of the ticket promised 2 for 1 tickets. While enjoying a drink, a Luxor waitress said you could get tickets for $20 a pop. I thought I was set with the coupon. For $20, I’d bring the old lady to see the Magical Cheese. However the woman at the box office told me that the coupon didn’t work for them. I had to take it “there.” She pointed at the counter for a time-share joint. The time-share folks informed me that I could get Criss Angel tickets for $20 each if I brought my wife on a tour of their new place. There was no way I was going to pay $40 plus 3 hours of my life to sit through 95 minutes of dancing rabbits. The box office remained staunch that the best deal they could give me was $130 for 2 tickets. For half that price I took my wife to Bouchon for brunch.

I can neither personally confirm nor deny the Criss Angel trainwreck. Why pay fat dollars for a skinny premise? Nobody said there was an number that had to be seen to be believed in the act. Supposedly the biggest magic trick of the production was making the Luxor decide he’s worth $85 for a 10 year contract. If Believe vanishes from the Luxor Pyramid, it might be Angel’s only illusion that gets a standing ovation.

ZILCH

How could they have stopped making Zima? What about the children? I can’t believe something so bad lasted so long. Zima always tasted like a dead gin and tonic. Back to Fresca and Canadian Club for me.

CHECK ONE AIR

Does anyone really want to book passage on an airlines run by rock band roadies? The Sprint ad makes it look good. But what’s the reality? You want to know the penalty for checking a 51 pound bag? How about all the overhead bins filled with empty bottles of Jack Daniels? Where do they touch when you set off the metal detector? Bring kneepads if you want an aisle seat on Air Roadie.

BLU-RAY LOVE

Planet of the Apes Blu-Ray restores the glory to the original film that unleashed monkey-world domination-mania. They have cleaned and restored the print to make it look mint. This is an evolution from the original DVD release. If you ever want to understand the advantage of a 1080p transfer, look at the clouds and desert landscape at the start of the film when Charlton Heston and his crew search for civilization on this new planet. The detail in the vistas shine like you are part of the team. The best part about the first Apes film is that the simian masks are still fresh so the seams don’t shine. If you have a Blu-ray player, you’ll notice the difference. They’re offering each film separately or in the Planet of the Apes: 40th Anniversary Collection. Monkey maniacs will be thrilled with the extra violent scenes snipped form Conquest of the Planet of the Apes have been restored. This was the film where the apes revolted from their human masters. It reflected the violence that was erupted in the urban areas of America at that time. This scary film now packs a visual punch that matches the ape emotions.

Kung Fu Panda Blu-ray makes this CGI martial arts flick shimmer with the action. Like other CGI flicks, the 1080p is the only way to purchase it for your collection. You get all the detail from the programmer on the HD screen. There’s a gorgeous level of color to this Asian based comedy about a Panda who wants to prove he can kickass like slimmer animals. The idea of a chubby guy throwing around karate skills isn’t that unusual. Sammo Hung. This is also the first Jack Black film in a long while that didn’t annoy me. This is the best film ever about Panda’s beating down slimy creatures.

Secrets of the Furious Five is a bonus DVD that comes bundled with the DVD of Kung Fu Panda. The Kung Fu Critters return in this 25 minute animated short that seems to be the pilot for a TV series. The Panda must teach a class to a bunch of newbies. He spends most of the time recounting the adventures of his buttkicking team. Jack Black and Dustin Hoffman provide their voices to the project.

Tropic Thunder Unrated Director’s Cut Blu-ray is a film that shines for the talent of two stars: Tom Cruise and Danny McBride. If it wasn’t for their unexpected comic performances, this film would have been a complete mess. Cruise is the studio head who realizes that Ben Stiller’s latest film would be more profitable if he’s killed by an Asian drug lord. He’s done up to be Tony Kornheiser’s sexy brother. His dancing scenes rank up there with his moves in Risky Business. McBride is the explosive’s expert who blows away Stiller and Jack Black. Only Robert Downey Jr’s extreme actor can keep up with McBride. He gets even more moments to shine with this unrated cut. Stiller is the extremely weak link in his own film. He doesn’t even play a character during the notorious “Full Retard” scene. It’s like he thinks Downey is merely running lines. The best reason to grab this in 1080p Blu-ray is a chance to experience McBride’s cast interview in HighDef. You’ll swear he’s sitting in your living room. You might offer him a beer.

DVD SHELF

Futurama: Bender’s Game is the third of the movies revived the series. This is a Dungeons and Dragons geek out complete with an extremely magical polyhedral dice set. The fate of the universe rattles in Bender’s metal hand. Plenty of laughs for fans of Lord of the Rings. Things get really topical with a plot about out of control fuel prices. Can Bender save the universe via his love of mythical creatures? There’s a fantastic spoof of demolition derbies with iconic spaceships getting battered around the arena.

Mind of Mencia Season 4 Uncensored unleashes the 10 latest episodes minus those pesky “booooop” noises. Carlos Mencia goes to town on Owen Wilson’s suicide attempt. He’s points out that we’ll know things are bad in America when Mexicans decide its not worth the effort to sneak over the border. His spoof of Indiana Jones as a guy stealing 40 ounces of Holy Grail malt liquor glistens. Only Carlos dares to create a kiddie show aimed at the Darfur market. Creation of the Asian version of Jesus will upset your great aunt. Carlos keeps up the troublemaking. The 2 DVD set contains deleted sketches and clips of him talking to the audience during the commercial breaks. He gets really blue with his brother when the cameras aren’t supposed to be rolling.

Scrubs The Complete Seventh Season is a true necessity for fans of the show. Between the writer’s strike and NBC being ticked off at losing the series to ABC, these 11 episodes of Scrubs were run without any sense of time or order. NBC ran the second to last episode as the finale since it looked like the series had wrapped up. It’s practically a lost season. The big change for J.D. (Zach Braff) is the birth of his baby. Is he ready to be a daddy? Will Elizabeth Banks marry him? Is he going to hook up with Sarah Chalke? Will the Janitor kill him and sell the baby on ebay? How hell does the Todd always look excited while unleashing the crotch jokes? Is Robert Maschio worshipped in frat house shower rooms? To get a sense of the bonus features, here’s some bloopers.

The Boys in the Band was the first studio film to deal with openly gay characters. The action takes place at a birthday party where the claws get sharper as the bar gets drained. Imagine a roomful of Paul Lyndes that aren’t trying to act butch to impress Peter Marshall. That’s the acid wit that gets flung around. Part of the issues facing these men is the fear of being forced out of the closet into the straight world at the end of the ’60s. There’s a commentary track from director William Friedkin. A 45 minute long documentary about The Boys in the Band‘s making helps set the historical context and cultural impact.

Gonzo: The Life and Work of Hunter S. Thompson proves there was a time when a writer from Rolling Stone magazine mattered. Alex Gibney’s documentary follows his rise in the new journalism movement of the ’60s culminating in three great non-fiction books: Hells Angels, Fear and Loathing on the Campaign Trail and Fear and Loathing in Las Vegas. Johnny Depp reads Hunter’s words as we follow his wild ride of a life. The drugs, the women, the guns and the politicians get their due. The film focuses on what made the good doctor a legend to college journalists. He dared to make himself an equal partner with the subjects in his dispatches from the road.

Star Trek: The Original Series Remastered Edition Season Three wraps up the High Definition rebuff. Purists will complain about the old models behind replaced by CGI spaceships. Those who want to enjoy the show will no longer have to squint their eyes to avoid seeing the stray piece of fishing line. Spock and Kirk have never looked richer in color. The third season opened with “Spock’s Brain.” An alien steals Spock’s brain and Kirk has to retrieve it. You know what steals my brain? A fifth of Jack Daniels and a bag of pork rinds. “And a Child Shall Lead Them” has an early performance from Pamelyn Ferdin. She worships an evil angel played by uber-lawyer Melvin Belli. After this performance, Belli would help the Rolling Stones set up the deal to play Altamont. This adds a dimension to Gimme Shelter. The final episode, “Turnabout Intruder” has Kirk’s body hijacked by an ex-lover. The real prize of this set is an extended version of “The Cage.” This was the original pilot with Captain Pike running the Enterprise. The late Gene Roddenberry intros the episode.

Comedy Central Salutes George W. Bush reminds us all that this president was an inspiration to humor no matter how grim he made reality. The channel used him as the main character for That’s My Bush and Lil’ Bush. Did Clinton have that much series action? Ford? Nixon? Carter? Bush’s daddy? They have episodes from each series. There’s also the South Park where the boys have to deal with W. while investigating rumors of 9/11. There’s also an animated segment from Last Laugh ’07. Lewis Black, D.L. Hughley and Dave Attell shrink themselves down to go inside W’s ass. Can they survive this Fantastic Journey? They find W’s brain in the wrong place. Last Laugh ’06 has Lewis Black giving W. the business for his facial expressions never match the tone of the words he’s saying. Not to leave Dick Cheney out of this “farewell” DVD is The Root of All Evil that has the Vice President battle Paris Hilton in Lewis Black’s courtroom. I predict that next year you’ll see W. as the guest of honor for Comedy Central’s Roast. There’s even a nice poster to hang up on your wall as you mark down W.’s final days in the White House.

The Odd Couple The Final Season wraps up one of the most underrated brilliant sit-coms. What a relief it is that all five seasons made it onto DVD so swiftly. The premise is simple enough, two divorced guys share an apartment. Oscar (Jack Klugman) is a sportswriting slob. Felix (Tony Randall) is an anal photographer. They are constantly giving each other the business. The final season has the most jawdropping of shows – Felix’s teenage daughter runs away to be a groupie for Paul Williams. She wants to nail “The Rainbow Connection.” Howard Cosell mouths off in “Your Mother Wears Combat Boots.” Felix attempts to sooth Howard into letting Oscar become a guest announcer on Monday Night Football with an opera angle. Is this how Tony Kornheiser got in the booth? Neil Simon makes a cameo, but I won’t say in what episode to keep you surprised. Leif Garret makes a couple appearances as Felix’s son this season. I hope Leif isn’t still pissed at mentioning our meeting at Hooters. The final episode wraps up the series in a way that we expected from Cheers, Seinfeld and MASH. Rediscover the joy of Felix and Oscar with this final fling.

Gomer Pyle U.S.M.C.: The Final Season gives everyone’s favorite marine an honorable discharge right as Vietnam got interesting. Did you know that Jim Nabors was close to 40 when he called an end to the series? These new sharp transfers reveal how they dyed his hair black so he didn’t look twice as old as the other marines. The season starts off with a bang when Sgt. Carter (Frank Sutton) sells his car to Gomer. But it’s not a simple deal since Sgt. Hacker (Allan Melvin) was originally supposed to buy it. He pranks Carter into thinking his car gets more mpg than a hybrid. Duke (Ronnie Schell) returns with a promotion to be corporal to Carter’s unit. He doesn’t quite bring calm to the barracks like Cpl. Boyle (Roy Stuart). “Flower Power” has Rob Reiner as a hippie. He turns an expensive military vehicle into a VW microbus. It’s sad to see the end of Gomer’s tenure at Camp Henderson, but they must have retirement age for privates.

Hawaii Five-0: The Fifth Season contains the best episodes of the entire series with three part “‘V’ for Vashon.” McGarrett (Jack Lord) and his crew have to tangle with three generations of a crime family that have ruled the islands’ underworld. This is prime cop work as the force tangles with Harold Gould’s dad and son. “The Jinn Who Clears the Way” has Wo Fat destroy a noble family using a son’s betrayal to secure defense equipment. McGarrett swears this is his moment to finally cut away the fat. The big change this season is the loss of Kono (Zulu). He is mysteriously dropped from the force. Det. Ben Kokua (Al Harrington) fills in without a missing a beat. He seems like a younger version of Det. Chin Ho Kelly. He does McGarrett’s bidding without hesitation. The strange thing about the series is Jack Lord looks tough in his blue suit, but his “native clothes” makes him look like Bea Arthur’s older sister.

Streets of San Francisco: Season 2, Volume 2 is cop action for people who don’t want to cross the Pacific. Karl Malden (Mr. American Express) and Michael Douglas (Basic Instinct) are the buddy cops keeping the Tenderloin safe. The series was shot on location so it’s not merely Los Angeles backlots and Frisco b-roll. If you have fond memories of the land of Rice-A-Roni, you’ll enjoy the views around the crime scenes. “The Runaways” has Larry Wilcox raising his orphaned siblings in a squat. Wonder if his time with Malden made him aspire to be a TV cop on CHiPs? “Blockade” terrorizes women with Charles Martin Smith as suspect in a rape/murder. Who knew that Toad could have murdered Candy Clark in American Graffiti? Cheryl Ladd appears in this episode along with Film Noir icon Ida Lupino. Another great 12 cases that remind us while Michael Douglas’ hair rivaled Jack Lord’s coif.

The Ultimate Ride Shaun White bring the gusto of the Flying Tomato to the small screen. This is an exotic adventure as White heads into the Japanese wilderness to find untamed mountains to snowboard. Not since Godzilla has a monster devoured the countryside of this ancient country. After watching this, you’ll be ready to claim your own neighborhood slopes once it snows.

Inside Access: Mike Tyson returns us to a time when he brought glory back to the heavyweight title. The discs include many of his early fights since most didn’t even last the first round. Iron Mike was a fierce force. Then he met Don King and the rest is in the court records. But this DVD set doesn’t focus on the trainwreck with the face tattoo. This set is for those who want to study the most destructive puncher in the sweet science.

Hannah Montana: The Complete First Season is perfect to keep 7 year old girls occupied. The 26 episodes will keep the kids trapped in the family room. Being a loyal watcher of The Soup, I had to see the Miley Cyrus showcase. By day she’s a normal school girl. At night she’s international superstar singer. And like Batman, only a few people know of her dual identity. How can none of her classmates not suspect she’s Hanna Montana? None of them notice that their friend has the same smile and nose. Is she really going to school with kids who have had botched Lasik surgery?

High School Musical DVD Game and Hannah Montana DVD Game are two great ways keep kids busy this holiday season. All they need to do is work the DVD remote control and barely carry a tune. High School Musical allows them to singalong with Zac Efron (the new Frankie Avalon) and Vanessa Hudgens (the new Gina Gershon). Do they think they have that Wildcat spirit? The game does not explain Ashley Tisdale. Hannah Montana has a major trivia game. Plus there’s a choreography class so they can perform eight different routines. For parents, this means hours of “look at me dance” hilarity. There’s plenty of songs for singing along. A bonus game has you audition for the drummer position. Shame you can’t audition for atmosphere coordinator. This is a really sweet way to get the kiddies to stay in the family room and away from the grown ups table on Thanksgiving.

Most Extreme Elimination Challenge (MXC) Volume Four & Volume Five is essential viewing for two original episodes from Japan. The nearly hour long episodes of Takeshi’s Castle from the mid-’80s are even more freaky than the Spike TV 30 minute adaptations. Kenny Blankenship is even more clueless in his native tongue. Guy LeDouche has always been a douchebag. The things he tries to do to female contestants would have him up on charges in America. Also you’ll discover that there are no teams in the original version. It’s survival of the fittest. The second bonus episode has them head up to the mountains for a wintery challenge. There’s also 26 episodes of MXC from Spike. How can you resist watching Japanese people getting slammed in the dome on Sinkers and Floaters? Earthquake Grandpa has become my new favorite game thanks to this DVD.

Wu: The Story of the Wu-Tang Clan briskly sums up the history of the major rap conglomerate. They were 9 rappers from Staten Island aching for a break in the early ’90s. They were brought together and accepted the Kung Fu theater influences of the GZA. This group identity made them a force in both size and merchandizing. Ol’ Dirty Bastard became a trainwreck with his demons overtaking his skills. Director Gerald K Barclay hung with them and shot their first video. His footage gets us inside the action of the time instead of forcing us to just listen to talking heads reminisce. This is the perfect documentary if you’ve wondered about the Wu Tang references on The Dave Chappelle Show.

Paramount has launched the Centennial Collection in which the pride of their vault will be issued in two DVD sets. They’ve created new transfers for this series that appear richer and sharper than the early editions. Sunset Boulevard: Centennial Collection is the complete must have for people who buy 1001 Films to Watch Before Your Arteries Burst From Popcorn Butter. William Holden is a down on his luck screenwriter who hides from his creditors in the mansion of a silent movie star (Gloria Swanson). Buster Keaton has a cameo. Things go completely weird when she turns him into her housepet. The second disc of bonus features cover Holden, Swanson, the film and director Billy Wilder. Sabrina: Centennial Collection reunites Holden with Wilder, but this time the love interest is the much more youthful Audrey Hepburn. His rival for her affection is Humphrey Bogart. How can a woman pick between Bogart and Holden? My favorite special feature on this is a documentary about Paramount’s output in the ’50s. Roman Holiday: Centennial Collection now allows Hepburn to tease Gregory Peck. She was a tantalizing treat during this time. The best bonus feature on here deals with blacklisted writer Dalton Trumbo. These are great gifts for young cinephiles.

7th Heaven: The Seventh Season brings more clean cut family drama to the small screen. The big crisis revolves around the Reverend dad (Stephen Collins) having a double bypass. His recovery makes him want to retire from the ministry. Will this end the series? Don’t panic too hard since there’s still four more seasons to go. Seventh Heaven only went off the air last year.

Noelle is a unique Christmas film. During the holiday season, a Catholic priest arrives at Cape Cod church in an attempt to see if the parish needs to be shut down. He finds his old seminary classmate in charge of the place. The numbers of people in the pews has been dwindling. But those that remain are devoted. Director/star David Wall’s tale takes a twist on the normal religious holiday film. Can his priest quit being a beancounter and see the true work being done in the name of the baby Jesus?

Win A COLBERT CHRISTMAS on DVD!

Filed under: Contests — UncaScroogeMcD @ 10:20 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of A COLBERT CHRISTMAS on DVD.

Contest ends at 11:59pm EST on Tuesday, November 25th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, November 25th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win GOMER PYLE USMC: THE FINAL SEASON on DVD!

Filed under: Contests — UncaScroogeMcD @ 10:00 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of GOMER PYLE USMC: THE FINAL SEASON on DVD.

Contest ends at 11:59pm EST on Tuesday, November 25th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, November 25th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win SPACE CHIMPS on DVD!

Filed under: Contests — UncaScroogeMcD @ 9:53 pm

contestheader.jpg

We’re giving away, in conjunction with Fox Home Video, three (3) copies of SPACE CHIMPS on DVD.

Contest ends at 11:59pm EST on Tuesday, November 25th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, November 25th.

The winner must allow 4-6 weeks after notification of win to receive the product.

TV Or Not TV: 11/17 – 11/23

Filed under: TV Or Not TV — admin @ 12:05 am

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Welcome to TV or Not TV: The week before Thanksgiving edition.

Before turkey day comes, however, we’ll be seeing two of the Sunday night shows on HBO signing off for the season.

The first show that will be having its season finale this week will be Entourage. I’ve always enjoyed Entourage, even though the last two seasons have proven extremely unbalanced. Last season we saw actor Vincent Chase hot off of Aquaman success seemingly implode over his dream project of Medellín. This season we see the consequences of Medellín on his career and his attempts to recover it.

This season started off good and seemed to really have the potential to be a step in the right direction. These last three episodes of the season, however, have almost undone for me any good feelings I had about the season. In many ways it feels like the writers really don’t know what direction to take the show any more and they are just throwing anything they can at us to try to give us a compelling reason to watch. I don’t know how it could but I really hope this week’s season finale reverses that. It has to give us some hope since the show will be back for its sixth season in the summer of 2009.

The second show that will be ending its stellar first season will be True Blood. I tuned in for the premiere of this show and it moved so slow for me that I wrote it off for the next four weeks. During that time the buzz started and I came back (thanks to the OnDemand feature of cable) and was able to correct my mistaken abandon.

If you don’t know about True Blood it would be a little tough to summarize. Imagine a world (based on the Sookie Stackhouse books written by Charlaine Harris) where vampires due exist and they have “come out of the coffin” and made their existence known (thanks to the invention of a synthetic blood product that the show takes its name from). The show itself takes place in the small (and fictional) Louisiana town of Bon Temps and centers around telepathic waitress Sookie Stackhouse. Sookie falls for vampire Bill Compton, which brings the normal and paranormal worlds together and gives us the vehicle for this series.

With an amazing cast of characters, a season wide serial murderer mystery sub-plot, and an interesting take on drug addiction (and the drug source) the show is powerful, compelling and entertaining. Each hour of the show (except the season premiere) comes off perfectly paced and balanced and gives us just enough information to want more. If you have OnDemand and a subscription to HBO I strongly encourage you to work your way through this amazing show. If not than I am sure the inevitable DVD release of Season 1 will be here before Season 2, which HBO has already given a green light.

Now that we’ve talked about two shows that are going away let’s talk about all of the shows that will be here this week.

MONDAY

CBS ““ 8:30 PM: Didn’t get enough of Jamie-Lynn Sigler on last night’s episode of Entourage? Tune in to How I Met Your Mother for more as she plays a party monster that keeps Robin busy.

FOX ““ 9:00 PM: Sorry, but I just have to call BS on Prison Break. Last week we see an emotional T-Bag getting all soft over the death of former CO Brad Bellick. This week his soft streak continues. This is almost as bad as Heroes trying to redeem Sylar.

CBS ““ 9:30 PM: The day before the wedding Fred Willard plays Sam‘s dad on Worst Week. Finally a reason to watch this show again!

TUESDAY

NBC ““ 8:00 PM: Jerry Rice and Steve Young show up on The Biggest Loser: Families to put the players through NFL style workouts. I swear I’ve had nightmares about this EXACT same thing.

CBS ““ 9:00 PM: Patrick stages a séance to prove a supposed psychic is a fake while looking incredibly smug on The Mentalist.

FOX ““ 9:00 PM: A man on Fringe is so convinced he is being attacked by butterflies (you read that right) that he leaps from a window to escape them (seriously, butterflies?).

WEDNESDAY

NBC ““ 8:00 PM: Not since Sonny & Cher or Donnie & Marie have we seen a really good variety show. Rosie O’Donell hopes to change that tonight with Rosie Live! Good luck Ro, I’m rooting for you.

ABC ““ 8:00 PM: If you didn’t get enough of Fred Willard on Worst Week than you can get a second helping of him on tonight’s Pushing Daisies. Personally I’m just hoping for more Stephen Root who showed up on the last episode and has three more episodes to go.

THURSDAY

CW ““ 8:00 PM: Tonight’s episode of Smallville is the last you will see until January and we get a look at Doomsday. I’m sure there will be cliffhangers galore. Too bad the CW will just retread this seasons previous episodes until 2009 instead of giving us Reaper sooner.

NBC ““ 9:00 PM: Toby returns tonight on The Office and may be getting framed for a mess left in the microwave.

FOOD ““ 9:00 PM: Find out new things to do after next week’s big feast on Dear Food Network: Thanksgiving Left Overs.

NBC ““ 9:30 PM: Two words are all I will give you to entice you to watch 30 Rock this week: Steve Martin.

FRIDAY

TOON ““ 9:00 PM: Way to know your fans Lucas! Tonight on Star Wars: The Clone Wars that whacky Jar Jar Binks is mistaken for a Jedi. Um”¦ yeah, I’ll tune right in. Just wait for 11:00 PM to tune into the Clerks cartoon episode instead.

TOON ““ 9:00 PM: When it comes to holiday specials Larry the Cable Guy’s Star-Studded Christmas Extravaganza will git ‘er done (sorry, I had to).

SATURDAY

FOOD ““ 7:00 PM: With Turkey Day around the corner you can start to get ready with tonight’s offerings on Food Network. Come off like you worked all day in the kitchen with help from Sandra Lee’s Semi-Homemade Thanksgiving. Next steal some great ideas from All Star Thanksgiving Recipes and watch other people do all the work with the big Thanksgiving meal face off on Iron Chef America.

CMT ““ 8:00 PM: Sometimes the programming really does live up to the theme of the network. Enjoy Hulk Hogan’s Celebrity Championship Wrestling followed by the season finale of My Big Redneck Wedding and topped off by Dallas Cowboy Cheerleaders: Making the Team. Makes me want to get into my boxers and grab a beer just typing it!

TOON ““ 9:00 PM: Even though it was extremely sanitized for its original DVD release I still really enjoyed Batman Beyond: Return of the Joker.

SUNDAY

AMC ““ 3:00 PM: I’m not sure anyone can handle this much Balboa in one sitting. Take in Rocky I through V and if you make it from III on you are stronger than the Italian Stallion himself.

FOX ““ 8:00 PM: In a way to try to spark interest after a year and a half absence (as well as see what the ratings are like after) the folks behind 24 bring us the 2 hour movie 24: Redemption. You won’t need to see this to know what is going on when the show comes back in January, but it can’t hurt.

ABC ““ 8:00 PM: Although host Jimmy Kimmel might be reason enough to get me to tune in to the 2008 American Music Awards I give you six words people: New Kids on the Block performs! Let’s see if they still, in fact, have the right stuff (while late 80’s teens hang their head in embarrassment over their former obsessions).

BBCA ““ 8:00 PM: I can’t find a funnier title for a show this week than Sugar Mummies, where the hour is spent examining the effects on family and lives of younger men falling in love with drastically older women. Yes, I know, the title is just a translation kind of thing but man it makes me laugh.

– Will Wilkins has turkey and stuffing on the brain.

November 16, 2008

Win FRAGGLE ROCK: THE COMPLETE SERIES COLLECTION on DVD!

Filed under: Contests — UncaScroogeMcD @ 11:55 pm

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We’re giving away, in conjunction with HIT Entertainment, one (1) copy of FRAGGLE ROCK: THE COMPLETE SERIES COLLECTION on DVD.

Contest ends at 11:59pm EST on Monday, November 24th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, November 24th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE ODD COUPLE: THE FINAL SEASON on DVD!

Filed under: Contests — UncaScroogeMcD @ 11:48 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of THE ODD COUPLE: THE FINAL SEASON on DVD.

Contest ends at 11:59pm EST on Monday, November 24th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, November 24th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win MEET DAVE on DVD!

Filed under: Contests — UncaScroogeMcD @ 11:16 pm

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We’re giving away, in conjunction with Fox Home Video, two (2) copies of MEET DAVE on DVD.

Contest ends at 11:59pm EST on Monday, November 24th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, November 24th.

The winner must allow 4-6 weeks after notification of win to receive the product.

November 14, 2008

Weekend Shopping Guide 11/14/08: Dance Your Cares Away

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

With Popeye The Sailor Volume 3: 1941-1943 (Warner Bros., Not Rated, DVD-$34.98 SRP), the Flesicher era of the sailor’s animated adventures came to a close, with production shifting to Paramount and Famous Studios, and the tone quickly shifting to a sedate, domestic form, leaving behind much of the quirky humor that made the Flesicher years such a joy. The 2-disc set features 32 cartoons, plus audio commentaries, a documentary on the roots of animation, and bonus shorts from the vaults.

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Rejoice, animation and comedy nerds! A new Futurama direct-to-DVD movie has arrived in the form of Bender’s Game (Fox, Not Rated, DVD-$29.99 SRP), a tale of the Planet Express crew’s journey into a bizarre subterranean world populated by knights in Bender armor and a distinctly medieval motif in search of fuel (due to skyrocketing prices, natch). Bonus features include an audio commentary, featurettes, animatics, a deleted scene, bloopers, Bender’s anti-piracy warning, and a sneak peek at the next movie (Into The Wild Green Yonder). If that weren’t enough, a Blu-Ray edition is also available ($39.99 SRP), and it even features a video picture-in-picture commentary.

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Though there’s quite a few clunkers in there, I still enjoy watching the films of Abbott & Costello. The first comedy routine I ever recognized as such – and love to this day – is “Who’s On First?”. Universal has brought together the entirety of the duo’s film output in Abbott & Costello: The Complete Universal Pictures Collection (Universal, Not Rated, DVD-$119.98 SRP). That’s 28 films – including the must see titles Buck Privates, The Naughty Nineties, Abbott & Costello Meet Frankenstein, and Abbott & Costello Meet The Killer, Boris Karloff. Bonus features include a compilation of classic routines from the films, Abbott & Costello Meet Jerry Seinfeld, a behind-the-scenes look at their monster movie mash-ups, commentaries, and more.

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Dreamworks has always had a hard time making an animated film that actually looks visually pleasing. The Shrek movies are a mess, Madagascar was slightly better, and Over The Hedge was a step in the right direction. The first film to actually look wonderful and provide a story to match has got to be Kung Fu Panda (Dreamworks, Rated PG, DVD-$34.98 SRP), which stars Jack Black as the titular character who must confront his destiny in order to save his village. It’s truly a fun, fun flick, and gives Pixar a run for their money. Be sure to pick up the set that features the bonus Secrets Of The Furious Five disc, featuring a brand new adventure. Bonus materials on the standard release include behind-the-scenes featurettes and even a special segment with Food Network’s Alton Brown. The Blu-Ray edition ($39.99 SRP) features additional storyboards and interviews, as well as a trivia track. And it looks really, really good in high def.

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Although I’m still a bit disappointed that they leapfrogged over the release of just the fourth and final season, at least we can have the complete run of Jim Henson’s classic series in Fraggle Rock: The Complete Series Collection (Hit, Not Rated, DVD-$139.98 SRP), just in time for the 25th anniversary. The 20-disc set features all 96 episodes, plus copious amounts of featurettes, interviews, and behind-the-scenes materials. It’s the ultimate Fraggle celebration, and a must fan of anyone wanting to dance their cares away in these dark times.

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I don’t necessarily want to live in the future presented in Ridley Scott’s Blade Runner, but I have to admit that they did have some pretty nifty gear to shelter themselves with on those endlessly rainy nights. Surely you remember the glowing umbrellas that everyone had, clutched in their downtrodden fists as they made their way through the grubby streets. Well, now you can own your very own LED Umbrella ($24.99), thanks to the fine folks at ThinkGeek. Yes, you know you want one.

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The first film was lackluster, but things are definitely improved – if not great – in Hellboy II: The Golden Army (Universal, Rated PG-13, DVD-$34.98 SRP). Some of the awkwardness has been shaken off, and the execution of the plot – about the awakening of an ancient army whose prince is bent on the destruction of the human world – is a far sight closer to capturing Mike Mignola’s work. The 3-disc special edition contains a feature-length behind-the-scenes documentary, galleries, deleted scenes, an audio commentary, a tour of the Troll Market, and more. A deluxe Collector’s Set is also available ($64.98 SRP), which adds an exclusive Gentle Giant bust and director Guillermo Del Toro’s sketchbook.

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Paramount has dipped into their pool of classic films and pulled out a trio for remastered special editions they’re terming their “Centennial Collection”. Getting the blue ribbon treatment are Sunset Boulevard, Sabrina, and Roman Holiday (Paramount, Not Rated, DVD-$24.99 SRP each). Those bonus features include audio commentaries, retrospective featurettes, interviews, behind-the-scenes featurettes, trailers, and more.

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I’m not entirely happy that studios continue to shaft fans who support their season-by-season releases of TV shows only to be confronted at the end with a comprehensive set that includes exclusive bonus material. The latest is the classic The Wild Wild West (Paramount, Not Rated, DVD-$129.98 SRP), which gets a 27-disc collection sporting all 104 episodes. The exclusive bonus features in question are a pair of previously unavailable TV movies that any completist fan would want – shame they have to pay for all the rest of the stuff they already have to do so. However, if you don’t own the series, this is the way to go – it’s a fun ride, and you won’t regret it.

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One of the things I love about just how much catalogue digging the studios have been doing for DVD is that they’re able and willing to put out niche releases that spotlight the work of directors who are not exactly household names, but whose work deserves a spotlight. Such is the case with the late 50’s Columbia westerns of director Budd Boetticher collected in the appropriately titled The Films Of Budd Boetticher (Sony, Not Rated, DVD-$59.95 SRP). Those films are The Tall T, Decision At Sundown, Buchanan Rides Alone, Ride Lonesome, and Comanche Station. The set features introductions (from Clint Eastwood, Taylor Hackford, & Martin Scorsese), audio commentaries, a documentary, and trailers.

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Get all three Jason Bourne films in one easy-to-grab package with the new Bourne Trilogy box set (Universal, Rated R, DVD-$34.98 SRP), containing The Bourne Identity, The Bourne Supremacy, and The Bourne Ultimatum. The bonus features are the same as those found in the individually released editions, and include audio commentaries, featurettes, deleted scenes, and more.

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It was slow going at first, but I stuck with Reaper (Lionsgate, Not Rated, DVD-$39.98 SRP) because I could sense that it had the potential to develop into a fun, goofy, exciting little genre show like classic Buffy. Thankfully, as the season progressed, the tribulations of Sam – a young slacker who discovers his parents sold his soul to the Devil (Ray Wise), who forces him to become a bounty hunter of hell’s escaped demons – have come into their own. If you haven’t checked it out yet, do check out the complete first season set, featuring all 18 episodes plus audio commentaries, deleted scenes, and a gag reel.

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The first volume was a nice little slice of catalogue holiday cheer, and Warners opens the vaults again for their Classic Holiday DVD Collection: Volume 2 (Warner Bros., Not Rated, DVD-$29.98 SRP), featuring All Mine To Give, Holiday Affair, It Happened On 5th Avenue, and Blossoms In The Dust.

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For anyone that’s been holding off on snagging the classic UK sitcom ‘Allo ‘Allo! – the follow-up from the creators of Are You Being Served set in occupied France during WWII and playing like a Franco version of Hogan’s Heroes – then now’s the time to get the whole lot in ‘Allo ‘Allo!: The Complete Collection (BBC, Not Rated, DVD-$249.98 SRP). The 19-disc set features all 9 seasons, plus retrospective documentaries, archive interviews, the cast on the game show Blankety Blank, and more.

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There are a ton of them in the various studios’ vaults, but Warners dips into theirs for a trio of World War II rah-rah flicks with their new Homefront Collection (Warner Bros., Not Rated, DVD-$39.98 SRP), featuring Irving Berlin’s This Is The Army, Thank Your Lucky Stars, and Hollywood Canteen. Bonus materials include a new Warner At War documentary, audio commentaries, music/patriotic shorts, cartoons, newsreels, trailers, and more.

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One of the mainstays of my many sleepless nights glued to Nick At Nite in the late 80’s and early 90’s was I Dream Of Jeannie. It remains one of the great escapist sitcoms of the late 60’s, with humor that was timeless and certainly not terribly thought-provoking. It’s marshmallow fluff. If you’ve been passing up the season-by-season sets that have been released the past few years, now is the time to take the plunge and pick up I Dream Of Jeannie: The Complete Series (Sony, Not Rated, DVD-$174.95 SRP). The 20-dosc set features all 139 episodes, plus audio commentaries and a set of collector’s cards, all housed within a cardboard Genie bottle.

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I’m going to give you one reason – and one reason only – to pick up Cartoon Network’s Chowder: Volume 1 (Warner Bros., Not Rated, DVD-$14.98 SRP). However, it is a compelling reason, and one that can not be ignored. It refuses to be ignored! In fact, the reason will grab you by the collar and drag you to your nearest DVD emporium. That reason? One of the main characters on the show is voiced by none other than Dana Snyder. That’s right. Now do you see?

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I went into it expecting a complete and utter disaster. Imagine my surprise when I found the big screen Get Smart (Warner Bros., Rated PG-13, DVD-$34.99 SRP) to be an amiable, often funny take on the misadventures in espionage of one Maxwell Smart (Steve Carell). Bonus features include an alternate joke track, a behind-the-scenes featurette, a gag reel, and more. A Blu-Ray edition is also available ($35.99 SRP) with identical bonus features.

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Oh, George. You truly have gone insane. You should talk to someone about your pathological need to tear down what you’ve built – it’s really quite sad. Case in point – the CG animated feature pilot for Star Wars: The Clone Wars (Warner Bros., Not Rated, DVD-$34.98 SRP). It’s not only wretched, it’s embarrassing. The story is a mess, the animation is sub-par, and it manages to make the Prequels seem classy by comparison. The 2-disc special edition features an audio commentary, behind-the-scenes featurettes, webisodes, deleted scenes, galleries, trailers, and more. A Blu-Ray edition is also available ($35.99 SRP) containing the same bonus materials.

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It’s been 30 years since Animal House (Universal, Rated R, DVD-$19.98 SRP)??? Sweet Jebus. The new 2-disc special edition features a retrospective documentary on the making of the film, a mockumentary catching up with the Delta alumni, and an on-disc version of the Scene It game. FOOD FIGHT!

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Another in the long (and appreciated) line of box sets collecting a selection of an actor’s filmography in one handy package, The Gregory Peck Film Collection (Universal, Not Rated, DVD, $59.98 SRP) sports 6 of his flicks. Those 6 flicks in question are To Kill A Mocking Bird, Cape Fear, Arabesque, Mirage, Captain Newman, MD, & The World In His Arms. The set also contains a feature-length conversation with Peck, making-ofs for Mockingbird & Cape Fear, award speeches, and more.

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It may be low-grade genre fare, but there’s a certain exuberance about the Brit series Primeval (BBC, Not Rated, DVD-$49.98 SRP), about a team led by evolutionary biologist who begin encountering creatures both prehistoric and futuristic as the fabric of time begins to tear apart. The 4-disc set features all 13 1st season episodes, plus audio commentaries, a making-of featurette, and “Through The Anomaly” by Andrew Lee Potts.

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Since MTV abandoned Unplugged and VH1 walked away from Storytellers, there’s a gap in the world for a show featuring great live performances from diverse and interesting artists. In the UK, that show is Live From Abbey Road. Want proof? Pick up a copy of Live From Abbey Road: Best Of Season One (BCI, Not Rated, DVD-$19.98 SRP) and check out the performances from the likes of John Mayer, Dr. John, David Gilmour, The Zutons, Gnarls Barkley, Wynton Marsalis, and more.

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The Studio One Anthology (Koch, Not Rated, DVD-$99.98 SRP) is a remarkable time capsule and a wonderful collection of plays not otherwise captured on film. Over its 9-year run on CBS, Studio One featured plays ranging from 1984 to Twelve Angry Men, starring the likes of Art Carney, Norman Fell, Jack Lemmon, Elizabeth Montgomery, Sal Mineo, Lorne Greene, Lee Remick, and more. The 6-disc set features 17 productions, complete with their original commercials. Bonus features include a seminar on the show from The Paley Center, related footage, an historical overview, and more.

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Though I think it’s been overly-maligned (and no, I am in no way saying it’s a good film), I can’t imagine anyone who would want a 2-disc extended edition of Kevin Costner’s bloated aquatic epic Waterworld (Universal, Not Rated, DVD-$19.98 SRP). Regardless, here it is – with 40 extra minutes. That’s right… 40. Most of it involves water. And Kevin.

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Though most of the episodes pale in comparison to the original run, who’d have thought that we’d cross the 100 episode mark of the continuing misadventures of the family Griffin? That landmark episode is contained in Family Guy: Volume 6 (Fox, Not Rated, DVD-$39.98 SRP), plus 11 more – as well as audio commentaries, deleted scenes, the 100th episode special, a making-of featurette, Family Guy Live!, and more.

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Big Green makes his holiday DVD debut with the release of last year’s network special Shrek The Halls (Dreamworks, Not Rated, DVD-$19.99 SRP). It’s an amiable bit of fluff that’s certainly a far sight better than the lackluster Shrek The Third. Bonus features include some sing alongs and games.

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It’s murder on the Transsiberian express as a group of passengers get swept up drug trafficking and deception on a train making the journey from Beijing to Moscow in Transsiberian (First Look, Rated R, DVD-$28.98 SRP). Real standout? Ben Kinsgley as an ex-KGB detective. A Blu-Ray edition ($34.98 SRP) is also available.

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The sophomore outing of Rod Serling’s post-Twilight Zone journey into the bizarre and unexpected arrives with Night Gallery: Season Two (Universal, Not Rated, DVD-$59.98 SRP). The 5-disc set features 61 stories, plus audio commentaries (some featuring director Guillermo Del Toro), promos, a gallery, and a retrospective featurette.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Ken P. D. Snyde-Cast #69: One Fish Two Fish

Filed under: Ken P.D. Snydecast — Tags: , , , , , — UncaScroogeMcD @ 12:08 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #69: One Fish Two Fish – Ken & Dana return from the sonic wilderness with tales of mass fish ingestion, the power of dramamine, Kenny vs. Spenny, and the disappointment of a Whatnot.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #69 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-69.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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November 13, 2008

Trailer Park: Kaori Momoi

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By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

Apart from the fact that it’s simply an awesomely constructed film that blends the traditional with the very modern SUKIYAKI WESTERN DJANGO will leave you wanting. For some, the movie was a jarring blend of styles but, for me, there wasn’t a better film that dared to be bold in its execution and was different not for the sake of it but for what it could be if it was.

Of all the highlights in the movie, however, wasn’t Takashi Miike’s curious choices for locales or the way he decided to twist language but it was in the performance of Japanese film star Kaori Momoi that caught me unaware. It’s not to say that the rest of the cast doesn’t do well enough on their own but seeing Kaori in this film shows you the kind of respect this woman commands.

Those who need a quick primer of why Kaori is so compelling all you need to know is that in her career she worked with Akira Kurosawa, is a two time Japanese Academy Award winner, and pursues a life in, “producing, directing, screenwriting, and design in addition to her acting.” And, she’s released some 15 albums. She’s a real renaissance woman. Needless to say, when the opportunity presented itself to interview her there was no way I could pass it up.

Needless to say one of the peculiar things about this interview is that this is the first one I’ve ever done through a translator. Kaori’s English is quite good but there was still the language barrier to contend with. However, her jubilant spirit would not daunt her ability to answer the questions I tossed her way.

SUKIYAKI WESTERN DJANGO is now out on DVD.

CHRISTOPHER STIPP: First I would like to thank you for taking time for me. I just want to ask you a few questions but want to start off by saying it’s a pleasure and an honor to be able to talk to you.

TRANSLATOR: Please ask any questions.

CS: Thank you. I know that Takashi Miike has made a film that has blended some various genres together ““ the American Western and Japanese Samurai. How did you respond initially to being asked to be in this picture?

KAORI MOMOI: Now, I can speak a little bit English.

I have to say that I love Miike. I love to work with Miiki very much because he is a genius and a genius director, and a crazy artist, and fun person. He looks like a youngster but he is a very nice person and a shy boy. He always experiments everywhere. I love to work with him. This movie is Japanese history. This is not just a Western movie. This is Heike Western. I love the sound of Heike Western. I love that. Maybe it’s my accent. What do you think?

CS: As an actress, can you expound, or talk about how you approached the material in a way that could feel authentic, yet in the vein that Miike was going for?

MOMOI: Well, I have never been in an action movie before. I am old enough. I was a ballerina. I wanted to play an action role and felt this was the last chance for me to do so.

CS: You say you’ve never been in an action movie, how was it to actually see what eventually made it up onto the screen?

MOMOI: I just say too heavy for my body.

(Laughs)

It was too cold. It was so scary like a bungie jump ““ I hate that.

Laugh.

CS: You mean it wasn’t fun?

MOMOI: Yes! I enjoy it very much. It was fun, but it was scary.

CS: I would definitely like to know your thoughts on the idea that many inside Hollywood like to take ideas and the riches of others like Japanese cinema, overtly, STAR WARS being influenced by THE HIDDEN FORTRESS being one example. In your years being in the film industry do you see a difference between how American’s like to see their films presented to them as opposed to, let’s say, the Japanese audience likes to have theirs presented to them?

MOMOI: I do like to make films. Filmmakers make Japanese old movies ““ I don’t like it. We have to experiment. We have to have new directors to make new movies as an artist. Originality is very important, I think.

CS: You’ve mentioned in other interviews about wanting to get work in some Hollywood productions. As an older woman in a market that loves it’s young talent, does going after jobs still thrill you as an older woman as it did when you were a younger one?

MOMOI: I don’t feel so much different because I look young.

(Laughs)

Nobody knows about me in LA or USA or other countries other than Japan. As an actress, as a woman, no one knows how old I am. That’s good for me as an actress. I think actress has to be new. That’s good for me.

CS: Speaking about your career, in other interviews I’ve read with you, it’s your energy to be relevant and to experiment with different ventures really exceeds anyone I’ve ever read about. Where does that motivation and that hopefulness and look-forwardness come from?


MOMOI:
I’m so hyper and vocal. If you have power you have to smoke and drink lots of wine. That helps you.

CS: You’ve challenged directors that you’ve worked with. How have directors responded to the idea that your job is not only to interpret the script but to add your own thoughts about the movie making process?

MOMOI: Dialog is in English. I can’t speak English, somebody said. English is good for me. I can speak English dialogue. I was like a young girl in a conversation with Miike. I didn’t do anything. I was just loving him. The movie was so special for me. Some directors are not so great, and sometimes I have to kick them, and I will push them away and I will get the job as the director.

(Laughs)

CS: You got the chance to work with Akira Kurosawa. He’s revered here in America by those who really love film. How do you look back on the time that you got to spend with him?

MOMOI: He is a great person. We Japanese are very proud of him. He is a great director now too. I want to work with him more and more. He was a big person for me. I worked with him on Kagemushma. He was a big person in the studio and every person was scared of him. I called him and said, “How are you today and what do you want?” I want to make him more relaxed. I asked him, “What do you want, my body or something?” Every morning I took him and made him feel not so lonely. One day he called me. It was his birthday. He said, “If you have the time, let’s have lunch.” Then I went to the restaurant and we had lunch ““ that was a memory. That’s all.

CS: I know my time is short so I’ll ask one more question. You have done this movie with Takashi Miike, where do you see yourself going from here?

MOMOI: I think I have to speak English more. Because I want the world to know more about Japanese movies and Japanese actress. Any Asian can speak English well. We have to speak English now. I want to speak English dialogue and I will get another country’s movie and I will live in Los Angeles some time and for my English. I will then give me the job!

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