FRED Entertainment

September 26, 2008

Masters Of Song Fu #2: Round 3 Challenge Voting Begins!

Filed under: Masters Of Song Fu — UncaScroogeMcD @ 9:13 pm

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Congratulations to our winning Challenger, JASON MORRIS, and our winning Masters, THE RIFFTONES. The FINAL CHALLENGE will be announced on TUESDAY, OCTOBER 14th.

We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a brand new form of creative combat here at the Stop. You’ll find the very first of these competitions here.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

A week back, we sent out the call for challengers. Hundreds of you heard the call and fought for a chance to be in the initial group. 20 were selected. Of those 20, only 13 responded in time (Them’s the breaks).

Like a songwriting version of Iron Chef, these challengers were presented with a very specific songwriting challenge, and given one week to complete their songs – however they saw fit, within the parameters set forth. Here’s the Round 1 Challenge…

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ROUND 1 CHALLENGE

This is going to seem to be a rather straightforward challenge to kick off our second Song Fu competition. In actuality, it’s a pretty darn interesting way to give people a sense of just what your songwriting personality and style is. We’re taking a cue from a fellow named Paul Simon

Your first challenge is to WRITE A SONG ABOUT THE MOON.

That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.

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After one week of intense campaigning and voting, we eliminated the bottom vote-getters – leaving only 6 competitors (5th place was a tie) to move on to… ROUND 2. The remaining Challengers and our Masters were then presented with their Round 2 Challenge…

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ROUND 2 CHALLENGE

Your challenge is to choose a famous inventor and craft a song proposing a “dance craze” based on either the inventor or one of his/her most well known inventions. For an idea of what we’re looking for, here’s a song proposing the ill-fated “Lurch”…

Your song must run no shorter than 1 minute 45 seconds.

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Your votes were tallied, and the top two Challengers from Round 2 moved on to battle head-to-head in ROUND 3…

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ROUND 3 CHALLENGE

For this Challenge, not only are we going to provide you with a theme and style, but we’re also going to give you the title. Your task is to write a song that utilizes all of the provided elements.

For this Round, we’re paying homage to the country balladeer greats ““ people like Jerry Reed, Waylon Jennings, and Roger Miller. Your task is to write a country ballad – using a backstory of your own creation ““ called “The Ballad of Rufus Amos Adams”.

Your song must run no shorter than 1 minute 45 seconds.

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The winner of this mano-a-mano Challenger showdown will be the one who moves forward to the FINAL ROUND, where they’ll face off against the Master who’s accumulated the most votes over the course of the 3 Challenges. You’ll find the Round 3 Masters and Challengers songs below, followed by the voting form for you to choose your favorite Challenger and Master for this round, and determine who does battle in THE FINAL ROUND.

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MASTERS OF SONG FU

For this edition of Song Fu, we’re bringing in two (well, 5, if you’re being technical) very special Masters who you’ll be going up against. Think of them as the iron chefs of Song Fu, and your ultimate challengers, as you’ll square off against one of them mano-a-mano in the Final Round:

PAUL & STORM

songfu-02.jpgPaul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.

Official Website: www.paulandstorm.com

ROUND 3 SONG:The Ballad Of Rufus Amos Adams
ROUND 2 SONG:Me Make Fire
ROUND 1 SONG:Cruel, Cruel Moon

THE RIFFTONES

songfu-rifftones.jpgYou know ’em as the RiffTrax trio, but here at Song Fu they are the mighty RiffTones…

MICHAEL J. NELSON – Michael J. Nelson is the creator of Rifftrax.com, and is the former host and head writer of the Emmy-nominated, Peabody Award-winning Mystery Science Theater 3000. Since that time, he has appeared on numerous radio and TV shows, penned a regular column for TV Guide, and authored best-selling books for both HarperCollins and Abrams.

His first book, Mike Nelson’s Movie Megacheese, thrilled critics, including Richard Schickel of Time Magazine, who said of Mike, “He’s more fun than a barrel of Val Kilmers… Smarter than a roomful of Patrick Swayzes… and almost as hilarious as Keanu Reeves.” Mike’s laugh-out-loud follow-up, Mind Over Matters, prompted Kirkus Reviews to enthuse, “From someplace called Minnesota comes a Nelson funnier than Ozzie, Ricky, Lord or Half,” and even dared to compare him to another legendary writer, saying of his Serious Speech to Business People, “[It] could easily precede [Robert] Benchley’s immortal Treasurer’s Report.” And Kirkus Reviews loved his novel, Death Rat!, saying, “Fast-paced, outrageous and funny, first-novelist Nelson’s mockery of media mendacity is as biting as La Dolce Vita or Network – only funnier!”

Mike speaks all over the country, is a frequent guest on radio and television, and along with Bill Corbett and Kevin Murphy sells out theaters with his RiffTrax Live events.

KEVIN MURPHY – “I’m probably best known for portraying that ol’ squat loveable bubble-headed robot Tom Servo on Mystery Science Theater 3000. In fact I’m the only member of the cast and crew to have worked on every single episode of the series, probably because I tend to like everybody. I also got to sing at the drop of a hat and collaborated with the lovely, leggy Mike Nelson on many of the show’s songs.

Right now I’m back with Mike and Bill for www.rifftrax.com , where once again we sit in close proximity to each other and make fun of movies; unfortunately we don’t write a lot of songs… yet. To exercise my musical jollies I occasionally write and record solo and with family members, under the name The Revolutionary Communist Mountain Boys. Oh, and I’m also writing my first comic book series, symptomatic of my terminal case of Adult-onset Geekdom.

BILL CORBETT – Beloved by literally billions of people, Bill Corbett is a former writer for Mystery Science Theater 3000 on the Sci-Fi Channel, and previously on Comedy Central. He was also a performer on the show, providing the second incarnation of the robot Crow and embarrassing himself in grand fashion as other strange characters – including the all-powerful but clueless alien The Observer, a.k.a. “Brain Guy.” Bill has always been an amateur musician (cough cough HACK cough cough), performing with garage-less garage bands, and writing / performing songs for MST3K – including the beloved-by-literally-trillions CANADA SONG. He now works with former MST3K colleagues Michael J. Nelson and Kevin Murphy at Rifftrax.com.

Corbett is also a screenwriter and playwright. His plays have been produced at numerous theaters across the U.S., Canada, Great Britain, and (seriously) Japan. He wasn’t able to attend the latter, but assumes it was a live-manga concept.

A native of Brooklyn, N.Y., Corbett currently spends a lot of time in Los Angeles partying into the wee hours with stars like Skeet Ulrich, Harry Hamlin, and the late Red Buttons. But he actually lives in Minneapolis, Minnesota with his wife Virginia, their two young children, and a small Jack Russell Terrier who really runs the house.

He hopes someday to raise alpacas.

Official Website: www.rifftrax.com

ROUND 3 SONG:(The Ballad Of) Rufus Amos Adams
ROUND 2 SONG:Do The Ballpoint!
ROUND 1 SONG:Moon Shine

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THE CHALLENGERS

RUN AT THE DOG

songfu-runatthedog.jpgRun At The Dog are high energy, rock/pop, category-sluts with multi-gendered vocals and intricate arrangements. They are like Abba meets Faith No More meets Mos Def meets the Mormon Tabernacle Choir meets Steely Dan. The songs of this Minneapolis 5-piece are always written right away, with no respect for the calculating mind. Audience members are unsure whether to dance, laugh, or panic.

Official Website: myspace.com/runatthedog

ROUND 3 SONG:The Ballad Of Rufus Amos Adams
ROUND 2 SONG:Do The APGAR Score
ROUND 1 SONG:Noon Moon

JASON MORRIS

songfu-jasonmorris.jpgI suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.

Official Website: www.jason-morris.com

ROUND 3 SONG:The Ballad Of Rufus Amos Adams
ROUND 2 SONG:The O’Sullivan Stomp
ROUND 1 SONG:The Universe Outsourced The Moon

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ROUND 3 VOTING

And now, it’s time for that all important voting, where you’ll decide which Challenger get to move on to THE FINAL ROUND and go face to face with the Master who has accumulated the most votes in All 3 Challenges. Please remember, you can only vote FOR ONE song – so choose very carefully. Also, be sure to vote for your favorite song from our reigning Masters of Song Fu – Paul & Storm or The RiffTones. You may only vote once, so make it count. VOTING CLOSES AT 11:59pm EST on WEDNESDAY, OCTOBER 1st.

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ROUND 3 VOTING – THE CHALLENGERS

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ROUND 3 VOTING – THE MASTERS

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If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY, designed and handcrafted by [adult swim] superstar Dana Snyder. Yes. Dana Snyder.

Good luck, and bring on the Fu.

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Win a PREMIUM FORMAT INDIANA JONES from SIDESHOW COLLECTIBLES!

Filed under: Contests — UncaScroogeMcD @ 4:05 am

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We’re giving away, in conjunction with Sideshow Collectibles, one (1) regular edition PREMIUM FORMAT INDIANA JONES.

Contest ends at 11:59pm EST on Sunday, October 19th.

CLICK HERE TO ENTER!!!

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Weekend Shopping Guide 9/26/08: An Offer You Can’t Refuse

Filed under: Shopping Guides — UncaScroogeMcD @ 2:58 am

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

While you can most certainly partake of the new, definitive collection majestically titled The Godfather: The Coppola Restoration (Paramount, Rated R, DVD-$69.99 SRP) in its feature-laden 5-disc edition featuring all 3 restored and remastered films and a bounty of bonus materials (including those contained on the original DVD box-set a few years back), you will be positively floored if you’re able to pick up the Blu-Ray edition of the same ($124.99 SRP), as the picture quality and sound put previous releases to shame, and you get all the same bonus features as the standard edition, but in high-def. Either way you go, you won’t regret double-dipping to add this to your collection.

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If donning a helmet and having your voice changed into that of oh, say, Darth Vader or Optimus Prime is not your cup of tea – or if you just like tea and have a penchant for wearing long scarves – than you’re probably keen on picking up your very own Dalek Voice Changer Helmet ($89.99). Now, granted, the visual of just a helmet isn’t really as aesthetically sensible as a Vader or Prime helmet – after all, those do work as helmets, and the average human body is not shaped like a pepperpot – but who doesn’t want to spend time telling friends, family, and coworkers that they will be annihilated?

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Getting a long-overdue top-to-bottom overhaul of it sound and picture, The Nightmare Before Christmas (Walt Disney, Rated PG, Blu-Ray-$39.99 SRP) has been re-released as a revamped 2-disc special edition, replete with a brand new commentary (with Tim Burton, Henry Selick, and Danny Elfman), a making-of documentary, deleted scenes, a storyboard-to-film comparison, the Frankenweenie and Vincent shorts, Burton’s original poem with Christopher Lee narration, trailers, and more. The Blu-Ray edition is simply gorgeous, and even sports an exclusive intro from Burton. Take that, standard-deffers.

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It’s no Smile – really, what could be? – but Brian Wilson’s new California-centric concept album, That Lucky Old Sun (Capitol, $18.98 SRP) is still a beautiful composition, and even features some contributions from Wilson’s Smile lyricist, Van Dyke Parks. It’s well worth a spin.

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After waking up from a coma, Samantha must try to figure out just who she is in the comedy series Samantha Who? (ABC Studios, Not Rated, DVD-$29.99 SRP). Think of it as a light-hearted Regarding Henry. It helps that Samantha is played by the loveable Christina Applegate, who certainly deserves a hit series. The 2-disc complete first season set features all 15 episodes, plus audio commentary, deleted scenes, and an outtake reel.

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Just for providing an in-depth interview with the gentleman who built a LEGO version of 2010‘s Odyssey and Leonov, I can heartily recommend picking up a copy of the first BrickJournal Compendium (Twomorrows, $39.95 SRP), which collects the first 3 issues of the magazine made not just for the adult LEGO building community, but for people like me that just like to see what they’re building, and how (including the Odyssey and the Leonov).

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It’s election time, and if the whole process – and our government – is still a bit boggling, refresh and relearn how it all works with the School House Rock: Election Collection (Walt Disney, Not Rated, DVD-$19.99 SRP), collecting 15 classic vignettes. You get everything from “I’m Just A Bill” to “The Great American Melting Pot”. Go! Learn!

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It took me a bit to get into it, but it was when I realized that I’ve encountered everyday schlubs like Tae Kwon Do instructor Fred Simmons (Danny McBride) – a man whose life is falling apart, but is infused with a skewed, small-minded sense of honor and ego – that The Foot Fist Way (Paramount, Rated R, DVD-$22.99 SRP) truly became the great comedy that everyone’s been raving about. McBride is a true star, and it’s good that Hollywood has embraced him. The DVD features an audio commentary, deleted/extended scenes, an alternate ending, and bloopers. The DVD is currently a Best Buy exclusive.

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David E. Kelley had always been hit or miss for me, but what I loved about him was that he always maintained a sense of humor in the shows he produced which made other shows seem blasé by comparison. I’m disappointed that the 4th season of Boston Legal (Fox, Not Rated, DVD-$59.98 SRP) is the show’s penultimate, because it’s been one of my favorite shows right from the launch, providing a brilliant vehicle for not only stars William Shatner and James Spader, but also the fantastic supporting cast. The 5-disc box-set features all 20 episodes, plus a featurette spotlighting all the cast changes the season brought.

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I generally loathe sports movies, but Leatherheads (Universal, Rated PG-13, DVD-$29.98 SRP) is exactly that kind of goofy sports flick that manages to crack my armor. Essentially it’s Bull Durham set at the very beginnings of pro-football, pitting George Clooney against young whippersnapper John Krasinski. It’s not a great flick, but it’s certainly enjoyable. Bonus features include an audio commentary, deleted scenes, a trio of featurettes, and a look at the visual effects.

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As a child growing up in Northern Virginia, the go-to place for school field trips were the various Smithsonian museums in Washington, DC. I must have gone a few dozen times. That’s probably why I got a kick out of a pair of releases from the new “Smithsonian Networks” imprint – America’s Greatest Monuments & Stories From The Vaults (Infinity, Not Rated, DVD-$24.98 SRP each). Both are fun and informative, and make me long to head back to the Mall and partake of those treasures first-hand.

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Programmed right next to my nephew’s favorite show – Spongebob Squarepants – and the inheritor of Drake & Josh‘s torch, I’ve seen plenty of the Miranda Cosgrove vehicle iCarly (Paramount, Not Rated, DVD-$26.98 SRP). I mean, a TON. My nephew digs it, and I have to admit – it’s goofily enjoyable, with a nice ensemble and mostly witty storylines. The 2-disc first volume from Season 1 features 13 episodes plus a music video, interviews, and a behind-the-scenes featurette.

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The seventeenth volume of Twomorrows’ stellar artist spotlight series Modern Masters turns its eye towards Lee Weeks (Twomorrows, $14.95 SRP), filled with the usual in-depth interview and copious amounts of rare and unpublished artwork and sketches.

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I love a documentary that takes me someplace and manages to show a silver lining to even the darkest cloud, and such is the case of War Dance (Thinkfilm, Rated PG-13, DVD-$27.98), which looks at the power of song to the teens of war-torn Uganda. It follows a group of kids from their refugee camp through they obstacles they must overcome to attend the Kampala Music Festival. It certainly makes something like American Idol look like an exercise in indulgent idiocy by comparison.

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They’re not terribly good animated films, but they are available in high definition now – both Madagascar and Shrek The Third (Dreamworks, Rated PG, Blu-Ray-$29.99 SRP each). Madagascar features the exact same bonus materials as the standard edition, with the addition of a pop up trivia track, while Shrek adds a trivia track, picture-in-picture storyboards, and a new “World Of Shrek” featurette.

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You know the various holidays are fast approaching when holiday-themed box sets start appearing on the scene, and one of the first down the pike is a 3-disc set from that high-pitched trio, Alvin & The Chipmunks. The Classic Holiday Gift Set (Paramount, Not Rated, DVD-$35.98 SRP) features A Chipmunk Christmas, Alvin’s Thanksgiving Celebration, and Trick Or Treason.

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Maybe this is the point where it all went wrong. Nerd hero Simon Pegg – who we became fiercely loyal to in Spaced, Shaun of the Dead, and Hot Fuzz – seems to have begun making movies just for the money lately. Before even his awkward decision to back hack JJ Abrams’ new Star Trek flick as a young Scotty, Pegg starred in the lackluster Brit-Comedy Run Fatboy Run (New Line, Rated PG-13, DVD-$27.98 SRP) – a not terribly fat schlub who enters the London Marathon to win back his old girlfriend who he left pregnant 5 years prior. It’s all just… eh. Bonus features include an audio commentary, deleted scenes, and outtakes.

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Detective Mac Taylor (Gary Sinise) and the crack Big Apple forensics team of CSI: New York (Paramount, Not Rated, DVD-$79.99 SRP) return for their fourth season with a 6-disc set featuring all 21 episodes, plus an audio commentary on the episode “Down The Rabbit Hole” and a quartet of behind-the-scenes featurettes.

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The new Horatio Hornblower: Collector’s Edition (A&E, Not Rated, DVD-$59.95 SRP) is essentially a repackaging/re-release of the eight A&E C.S. Forester adaptations starring Ioan Gruffudd as Hornblower, with a clutch of bonus materials including an interview with Gruffudd, audio commentaries on Loyalty and Duty, a trio of bonus documentaries, and more.

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I still don’t entirely understand the appeal of Two And A Half Men (Warner Bros., Not Rated, DVD-$44.98 SRP), but I suppose it’s just one of those shows that acts as televised comfort food – there’s no envelope pushing in sight, and great-grandma will love its white noise comedy. The 4-disc fourth season set features all 24 episodes, plus a pair of commentaries, a featurette, and a gag reel.

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It’s a Hallooweenie adventure for the Scooby Gang in the new direct-to-DVD movie Scooby-Doo and the Goblin King (Warner Bros., Not Rated, DVD-$19.98 SRP), featuring the prerequisite amount of failed carnival magicians, Fairy Princesses, headless horsemen, and Scooby snacks. The disc also sports a featurette showing kids how to perform some simple magic tricks.

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The second season of Brothers And Sisters (ABC Studios, Not Rated, DVD-$59.99 SRP) is notable for one very special element – it had an episode guest-starring our very own Dana Snyder. Well, maybe not guest-starring – he was, however, cast in a small role in the background of an episode. Either way, it makes it worth getting. The 5-disc box set features all 12 episodes, plus audio commentaries, deleted scenes, featurettes, outtakes, and more.

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There’s ice truckers and deep sea fisherman, so of course we’d eventually get a series focusing on loggers, cleverly titled Ax Men (History Channel, Not Rated, DVD-$39.95 SRP). I think the title pretty much sums up the whole affair. The 4-disc set features all 14 first season episodes, plus additional footage.

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There was a period when it seemed that every horror big screen horror “franchise” was getting its own TV anthology series – from Freddy’s Nightmares to, yes, Friday The 13th: The Series (Paramount, Not Rated, DVD-$54.99 SRP). The 6-disc box set features all 26 first season episodes filled with occasional terror, some mild horror, and a whole lot of schlocky goofiness. Bonus materials include the original network launch promos and the sales presentation.

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The cult of High School Musical will be lining up, vacant-gazed, to snag the 2-disc “Dance Edition” of High School Musical 2 (Walt Disney, Not Rated, DVD-$34.99 SRP). What exactly is a “Dance Edition”? Does it matter? Of course not! The swarm will envelop and devour it, and its featurettes, deleted scenes, videos, and more.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Ken P. D. Snyde-Cast #62: Kiss My Grits

Filed under: Ken P.D. Snydecast — UncaScroogeMcD @ 2:34 am

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #62: Kiss My Grits – Ken & Dana return with a trip down trivia lane, advise one and all on the art of tipping, and rather heatedly discuss fast food pronunciation.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #62 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-62.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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Trailer Park: New Podcast Show and CHOKE Review

Filed under: Trailer Park — UncaScroogeMcD @ 12:38 am

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

I did it once again.

The boys over at ScreenGeeks Radio duped me into participating in another one of their film based Podcasts to which I now submit to you. Of course this has nothing to do with the jealousy I feel by my fellow columnists who are now cranking out original Podcasts of their own but since I have none of the time nor the inclination to mount a project like that all on my own I am happy to ride the capabable coattails of the dudes from Denver.

I really really dig those guys and what they bring to the world of Podcasting about films and every time I do their show I am reminded why I like being about people who like film. I don’t like those who think that they have to exude a erudite sensibility or that being off the wall schtick-y is an appropriate way to gain listenership. Dave, Barry and Josh at ScreenGeeks talk about films in the most relaxed, honest and straightforward manner that it simply gets me to listen every week. I really hate when I’m on, though, as I genuinely hate to hear myself speak and every week I’m on is another week I don’t get to listen to these dudes just having it out with one another. They’re film nerds but they’re the kind of nerds you can respect for having opinions that aren’t neccessarily the party line and that’s why I dig any invitation to come on their program and just chat about flicks.

Listen/Download to this week’s episode, The Fall/Winter Preview and be amazed by my comments about what I’m looking forward to in the new film HOUND DOG.

Oh, and before I let you animals loose this week, Ray Schillaci sent me a link to a trailer for a movie from way far way across the pond called FATSO. It’s remarkably hilarious and even though I don’t understand a word I have to say that I wish I could see this thing right now. Click the link. I swear you’ll dig it…

There’s a moment in Clark Gregg’s adaptation of Chuck Palahniuk’s “Choke” that defines what kind of man Victor Mancini (played by Sam Rockwell) really is and it comes rather early in the first few moments of the film. He’s a man who loves his mother and, regardless of his other vices, he genuinely wants her to be the woman who is no doubt responsible for his addictions to sex, his inability to be a warm and caring individual to anyone else and for his predilections to take advantage of kind Samaritans.

It’s a difficult and tricky exercise to have a main character that is difficult, nearly impossible come to think of it, to like. Victor is rough around the proverbial edges, those edges poking or jabbing anyone who tries to come close to him, and he is literally a live sexual wire that fixates on anything with breasts. Age is no barrier for this pervert but one of the lessons that come out of watching this film is that even as Victor satisfies his own carnal desires you can’t help but realize that his dalliances with strange women and his need to be loved by strangers who take pity on a man whose own pathos justifies everything he does as acceptable.

Clark Gregg masterfully takes the material given to him and crafts a story that is at once hilariously dark and uproariously unapologetic. Victor takes from the rich in order to take care of his ailing mother who is wasting away in her own mind and, armed with only his ability to swindle, loaf and ensnare women with his beguiling smile and lecherous gaze Sam Rockwell proves yet again why he is a master of his craft; his nuances as an actor here serve him well in creating someone you can’t help but loathe and love at the same time.

Mancini’s friend Denny, played by Brad William Henke, is a strange foil for Victor. While it’s really an easy joke to make, or to take juvenile delight in, about Denny’s compulsive masturbation there is something to be said about the sadness of Denny. He takes Victor’s relentless verbal abuse in stride and anyone else in Denny’s shoes would have taken Victor to task for what is really an unhealthy relationship but yet Denny keeps enduring. His endurance pays off in what is one of the most amusing moments in the movie, Cherry Daquiri’s (Gillian Jacobs) introduction as a stripper with what seems like a woman who has little use for brains but who eventually helps Victor come to understand that while you or I would disapprove of the way he conducts his life the most profound insights can come from anywhere.

Disapproval comes in buckets in CHOKE and what would be a Chuck Palahniuk film if the doctor in charge of taking care of Victor’s mother (Kelly Macdonald) takes Victor on a strange and fantastical journey into the realm of impossibility as the doctor decodes his ailing mother’s diary, written in Italian no less, and lets it be known young Victor could be the result of self-impregnation with what could be the foreskin of Jesus Christ. With Anjelica Huston’s turn as the mother at the center at Victor’s world the two of them feed off each other’s dysfunctional and entropic lives that it isn’t until there’s a break in the link between the two of them that there’s any change. It’s a bizarre relationship that these two knowingly commit themselves to but the point is not that it’s only these two people who have issues but it’s that everyone here has extremely fractured lives. It’s what they do to move beyond their present situations that make the difference in this film.

It’s about this time in the  movie, though, when you can’t believe things could get any stranger. However, like water slithering down the street corner, it always finds its lowest level.

The film takes on various sub-plots, some which work well and some that, well, seem a little awkward in a film that depends heavily on us keeping more than a few storylines going. And, therein, lays the problem. A novel works well because it can have many storylines going at any one time; you’ve got pages and pages to deal with various fragments and ideas but, in the case of Lord High Charlie’s (Clark Gregg) comedic relief it’s at once welcomed but woefully under developed.

Gregg’s work as a director and adaptor of Palahniuk’s work here is worthy of the kind of praise that won him accolades at Sundance. It’s deserving in the regard that he took a book that not any studio in their right mind would make as a multimillion dollar production but Gregg’s ability to carry us through the life of Victor Mancini and keep him as abrasive and unrepentant throughout this production is admirable. The movie’s soundtrack compliments the movement and actions on the screen and the sonic choices made are bold enough in that it works well to move the action along.

Some of the choices made, though, with regard to some of the direction gives me pause about praising this film on the whole. What Gregg has in comedic timing he lacks in giving the sense to the viewer that this is a unique world. To compare this work with what David Fincher brought to us with FIGHT CLUB really would be a disservice to CLUB. The direction he gives his players is static, not inspired by any means, and the cinematography lacks the kind of dark sensibilities of everyone involved. We should be feeling these people exist in a world that is not unlike our own but what we’re given instead is a film where it all feels kind of grey.

Overall, the film does deserve to be seen if for no other reason than to see how everyone involved comes through the other side. Clark Gregg has made a film, while not a pitch perfect example of what Palahniuk put to paper, that gives us a reasonable facsimile to the novel.

Trailer Park: Clark Gregg

Filed under: Interviews,Trailer Park — admin @ 12:31 am

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

Meeting Clark Gregg was an absolutely normal experience.

There was no hovering publicist, no throng of people who are just seemingly “there” when you do an interview like this at a swanky hotel which was where I was at and there wasn’t a thing about Clark that would suggest that in front of me stood a man who made a movie about a sex addict whose best friend is a chronic masturbator.

I was just glad I was the first guy he got to talk to.

Clad in his jeans, a nondescript shirt of no fashionable importance, rocking a tarnished platinum wedding ring and a watch that looked like it could have belonged to the guy who delivered a couple of pitchers of water to the room we sat in. The guy was just smiling, proud of his little movie that could, and we simply had a laid-back, casual conversation about a flick that has some heady themes.

Clark exuded a lot of that comedic vibe that he sports in shows like THE NEW ADVENTURES OF OLD CHRISTINE and as we had the place to ourselves, cut off from the usual claptrap and hubbub of observers and minders, what follows is simply the best example of two guys talking about a common theme, with the exception he’s worth a lot more money, posses wheelbarrows of fame and while he would be able to tarry away to his posh room after we were done I still had to go back to my 9 to 5 job. The experience couldn’t have been more pleasurable.

CHOKE OPENS TODAY AT THEATERS EVERYWHERE

CHRISTOPHER STIPP: First of all, it was a good movie.

CLARK GREGG: Thank you.

CS: I think in order to start things off right I have to find out something first ““ I can see why this film wants to be made if you read the book but how hard was it with the topic that it deals with to actually get made?

GREGG: You know most of it ““ I don’t know how I circumvented all that but I thought this is going to be impossible to get made but I was so focused on successfully make an adaptation and then once I got the adaptation working, which took a couple of years off and on between when I was doing other stuff. In the back of my mind I thought, “Come on, it’s a conservative era these days ““ and here’s yet a sex addicted colonial theme park movie.”

(Laughs)

And then I thought it might be a long shot and I loved it and I already put years in and I thought “What the hell…” I got to take a shot. We went about it in a way that we just sort of side-stepped all that. We got actors that we really liked. Sam Rockwell, Angelica Houston who got us a small amount of money but a substantial amount of money that got it done as long as we forwent all luxuries and then, we had a movie. So I guess we were lucky because we found financier producers ““ in ATO Pictures.

Because we went to them with Sam Rockwell already attached, and a script that they liked, they knew they were signing on for the package. We weren’t inviting people in for development. I did that with a friend and a partner and partner in the project for many years so luckily people signed up who were with the vision. I think that’s probably where the miracle is, that people were willing to put up some money to risk making this. And then I think the second scary part was taking it to Sundance at a time when they sat us down in a condo the day before our movie premiered ““ last of all the competition films – and said, “None of them has been bought. Nothing has been bought. One documentary may be being bought even as we speak but 32 movies had been shown and nothing has been bought so just have a good party.Well of all the movies that will be bought I doubt the sex addicted colonial theme park movie is going to be for sale but then it turned out to be the first narrative sale and I guess we just got lucky that there are some off-kilter people out there, fortunately some of them finance small movies, some of them apparently work at Fox Searchlight.

(Laugh)

CS: How’s it been coming off the festival circuit? What’s the process? You made the movie, obviously working in Hollywood for as long as you have, you have such good experience with the production side of being an actor. Being a filmmaker now…what’s that process like now since the film has been bought and released? Has there been anything ““ now that it’s been bought by someone – or any second thoughts when you had to turn over your baby?

GREGG: That’s a good question.

When a company like Fox Searchlight shows up at the after party and says they want to buy the movie which is just everybody’s dream to have happen at Sundance and some good friends of mine, many who made very good movies, didn’t have so we just feel lucky to have had that meeting.

When they kind of ““ we feel each other out and every one feels OK – they adjourn to another condo and they negotiate stuff until ““ I was so exhausted from the relief of showing the movie to Chuck Palahniuk who liked it, that I was ready to go home. I basically went to semi-sleep and I would get these phone calls that are exactly what you are talking about. They bought the movie as is, which means they weren’t entitled to change anything but I had finished it on the tiny budget that we had to make it and that means you have less time to mix and edit and the sound stuff is really hugely important, which is one of the things I learned.

By the end of that process and watching it with huge audiences at Sundance I really felt like there was some things that I wasn’t 100% happy with from the basic things like the lines ““ the dialogue wasn’t clear enough and it would get a better laugh to ways that I felt like what I intended the ending to mean wasn’t focused enough so I took what I felt was a risk because all artists are a little bit suspicious of studios even the kind of cool artsy ones like Fox Searchlight but their track record is so magnificent that I went to them and I said, “Look, I see things that can make this movie better. I don’t feel like I need to reshoot and I suspect you wouldn’t let me but there some kind of things that we can change with the way the score and the soundtrack are used and kind of re-cutting a couple of things. It’s small stuff but I think it would add up. And, I guess with your track record I would feel lucky if you guys chimed in.” I didn’t want to be like, “No one knows what’s good but me, ” although all directors including me are tempted to feel that way.

I wanted to hear what they had to say.

The seemed smart, everything they said was smart so it felt scary to walk into the office and say that and I may have been imagining it but they may have been a little surprised that I did and it ended up being a real cool thing. I got to go back and work with an editor and kind of do a lot of little things that would have bugged me for the rest of my life seeing them but also do the little things that I think make the movie now superior to the one we did at Sundance. And they had some really cool ideas.

CS: Really? Did they suggest something you never would have thought to do?

GREGG: Well, as is often the case you live with something, certainly it’s a novel and it’s been rattling around in your head. You think things resonate because you read the book and basically know the book by heart but it doesn’t really resonate for someone who is just watching the story for the first time. So a lot of what they had to offer was the ways they were experience in the movie. When I talked about what I felt about the last fifth of the movie might work, they responded to that. If that’s what you’re intending I feel like this moment isn’t as clear to us as it seems to be to you and so if you have really smart people giving you those kinds of ideas and feedback that’s really valuable. And it was never like, here’s some ideas that will help appeal it to a broader audience and they were never things like, “Here’s how we can bump this down to a PG.” I think everyone knew that was never going to happen.

CS: Right. There’s no way. Not a chance. You mentioned that it was a tough sell for some people, expecially when I was watching it. What was your idea going into this film with a character that is so hard to like? He shows glimmers of it in the beginning when he visits his mom and you’re thinking “Here’s a dirt bag but he’s got a great heart” but how did you keep that level, that there’s something icky about him but there is also something wonderfully sensitive about him.

GREGG: Wow. I don’t want to give myself away but I always felt a lot of compassion for that character. I always felt like there’s a lot of stigma attached to sexual compulsion and he’s also working as a con artist, he’s got a lot of other things that don’t really recommend him but I feel like Chuck in his book had a certain kind of compassion and I feel like it’s easy for us to stand in judgment of people especially people that are on the extremes of our compulsion but I feel in a society where we all love to consume ““ whether it’s food or cars or alcohol, you name it, whenever something doesn’t feel right I feel like people are using sex to the detriment of intimacy to satisfy those unhappy feelings in a lot more homes than one might be aware of. At least I trusted that more people would relate to him than one might think. And certainly people who we talked to about financing the movie why is anyone going to relate to this guy. I don’t know, maybe it’s just me but I think a lot of people will. I went to some sex addict meetings. It not like you go in there and see creepy unshaven guys in trench coats, it’s just the most normal people in the world.

CS: So was that the idea when it took you so long, off an on ““ a year, two years, to get it actually written? What did you want to distill most of all from this book to a feature length film?

GREGG: The problem was that I started out not wanting to distill anything. I liked the dialogue. There was so much funny stuff and so much moving stuff and half the things that the narrator says I didn’t want to lose because it was so damn funny but you can’t make a 5 hour movie but even if you could it wouldn’t be focused. At a certain point the movie has a different kind of focus because it’s a different medium than a book so I had to try and find what’s a story in this book that would make a good movie and that took a long time, took some distance ““ write it, leave it alone for a little bit ““ come back to it ““ try and retry. There’s a line that says, he’s just freeing the figures from the rock and I think that’s right. You are freeing the movie from the book. And the only way to do that is to chip away some really beautiful pieces of granite.

CS: Exactly. And I was reminded…and I wasn’t going to bring Harry Potter into sex addiction but…

GREGG: That’s the next one. You haven’t seen it yet.

(Laughs)

Don’t do any spoilers.

CS: When kids had that book read to them, long before the movie was made, the teachers would ask “Do you want to see the pictures in the novel?” and the kids said no because they already had an idea in their head of what it was.

GREGG: Exactly. When you read a book you kind of watch a movie of sorts in your head. Certainly it’s a scary thing to adapt something because everybody watched a movie and the odds that my scenes are just going to be what they saw or my Victor is going to be exactly what they saw are very slim and they are going to have to let go. And on the other hand I something that equals or surpasses the movie they watched in their head, which on our budget was really never going to happen.

(Laughs)

CS: But you have a wonderful guy in Sam who showed range that he can go from ““ he is Victor. At the end of the day”¦

GREGG: The thing is every time you see Sam do anything you say he is that guy and he’s actually none of them. That’s what makes him so amazing. He sort of connected to this and it felt like a really good fit. The first time I went over to his apartment and read a bunch of scenes with him I just breathed a sigh of relief that might have knocked down a wall. I just knew that the very largest part of my job was done. The others might be manageable. I knew he just connected with this guy.

CS: And at the end of the day, when you started piecing things together and you were on the set and you were the guy who had to be there from the moment everyone got there until even after everyone went home, what was that education like about seeing the other side? I know you’ve made some reference to it in another interview where you compare it to being a passenger on a plane and having someone say, “Fly it.” Two different things.

GREGG: Yeah. Two different things.

It was a really interesting combination of going well I spent a good chunk of the last 15 years of my life on movie sets and TV sets and writing and I had so many moments where I thought I learned a lot more than I thought I did or before that I was acting and directing theatre and plays are story telling where you tell the whole story and I found that those ““ I had a lot of days and moments where I went I learned so much more kind of in the school of on the job training doing this stuff for years than I thought I did. A lot of times I thought I couldn’t have been more equipped than I thought but then you have those days where you think, “I don’t know anything about this. How could I have been so close to these cameras all the time and asking questions all the time and not understand this part of it or that part of it?But you know, I was lucky and smart enough to hire really good people on the job where I knew my education was lacking so I hired people who were not just really good at their jobs but who I tested were willing to answer questions.

I wasn’t going to be content with, “Shoot it as you want, man!” I really wanted to be involved as much as I could ““ “This is what I want to do, what do you recommend?” Kind of having that dialogue having only a few hours to get the scene, that’s tricky.

CS: Now, the relationship with Sam and his buddy, Denny, why does Denny ““ it seems like a very abusive relationship ““ Almost like Victor is against Denny in a way – and Denny has his own problems but I was instantly connected to him.

GREGG: Chuck said he was one of his favorite characters.

CS: Why do you think Denny likes to be around Victor ““ I couldn’t understand why he takes Victor’s shit.

GREGG: To me, Victor always felt like one of those anti-heroes from the 70’s. He’s a cross between Bud Cort from Harold and Maude and Nicholson in The Last Detail. I think it’s about the nature of friendship, what is it that kind of pulls someone. I always thought that Victor had this charisma but also, that it could speak to Denny. He’s living at home, he’s a chronic masturbator who has been kicked out of art school, he’s met Victor at the sex addict meetings, he’s a chronic masturbator ““ that’s certainly a spear of some loneliness.

(Laughs)

Trust me.

(Laughs)

And here’s this guy who, as twisted as it is, he’s actually disappearing from the meeting into the closets and bathrooms with various female paroles or what have you. That has a certain allure. When they met especially Victor represented a superb mentor if one wanted to break out of the chronic masturbator thing. And I think what’s beautiful about the story is that the story captures that friendship in the moment where this guy who has been a follower and a lonely loser is actually developing some of his own ideas and what I like about it is he grows right past Victor. And some of the recover stuff that Victor’s been making fun of, Denny is embracing and is actually paying off.

CS: He keeps reminding him, his fourth step.

GREGG: Yeah, you got to do what you have to do, but in a compassionate way. That’s the other reason I think that Denny has a friendship with him despite whatever abuse Victor may heap on him is Denny’s got a little bit of Buddha going on and he understands that that is just a form of Victor acting out his anger or his sadness. He doesn’t take it personally too much. I think we can all take a page from Denny’s book and I don’t think it’s one of the books that he chronically masturbates.

(Laughs)

CS: Your character in the movie – you decided to play the douche of the film. How did that come about?

GREGG: Well, I don’t know how familiar you are of my oeuvre of work.

CS: That you constantly play these guys?

GREGG: Well, it’s mixed up really. I play quasi-benevolent people or quasi-douche bags. But I certainly, within the realm of what I get hired for, are jackasses like Lord High Charlie and I was determined to cast somebody else. I had a list of great actors who I was going to con into doing it but I definitely dragged my feet because if you do play any of those guys to play anybody who’s name is Lord High Charlie seems like a hard opportunity to pass up. So when I put this cast together I didn’t want to miss an opportunity to act with those guys. If I would have known what an idiot I would feel like standing there in a puffy shirt trying to direct the movie and calling action while I was doing it I would probably not have done it.

(Laughs)

I also felt like I was on such an “I can do anything” ego trip that it just felt like the perfect thing to include for the narcissism express.

(Laughs)

CS: Well the thing ranges ““ the humor that we get from that is outrageous, and the humor ranges from dark to very superficial – but when you had this finished piece in the editing bay, you looked at all your footage, what was the first thing you said ““ “I need to start cutting…” ““ where did you start the process of editing this thing down?

GREGG: My first thought was “Thank God for my DP, Tim Orr” because I know that a lot of times we only have an hour and a half to shoot that people usually would take a day or two on. And I was mostly terrified that I would get in there and literally the story piece just wouldn’t be there and they were almost always there as if we had a day and a half and when they weren’t somehow the material was there to find a different way. So I mostly felt guilty, mostly felt grateful about that. And, I don’t know. You usually look at a rough cut, I’ve seen other people’s rough cuts and you just kind of go, “Oh Jesus, what a mess. This is never going to work. It’s the end of my career.

And I guess it’s just a stillborn career.

(Laughs)

But it was really clear that there was some terrific acting. It was really clear that there was some funny moments and I chose it because I wanted it to range from excruciatingly painful stuff to silly. And I liked that about the book, that it had that kind of breadth. So I had the pieces there, more or less and that it was up to me to blow it”¦.or not.

CS: And my last question I have is now that it’s done and you’ve seen where it’s gone how do you look back, obviously it was quite a favorable experience you’ve had, what do you think the educational experience has been for you looking back on it?

GREGG: Honestly, it borders on miraculous. It was so difficult and so felt like my little delusions that I carried around my computer and noodled that for years and people would say, “Oh, you’re still working on that? Oh, that’s sad.” And to have it get made with those actors and have it come together and have some people not want to represent it for press purposes at Sundance and feel like we were taking this disastrous home movie up there and have it get picked up by a great company and really championed it, it’s just amazing and I don’t want to lapse into Tuesday’s with Morrie but you know it’s amazing how if you kind of find something that hits that bell chiming you if you stick with it long enough, I’m sure a lot of times it can end up being a nightmare that costs you years and does nothing, but in this case it has been an awful good experience and I hope people like it.

God I hope people like it.

CS: Well, I did. Thank you so much for your time.

Win iCARLY: SEASON 1 VOLUME 1 on DVD!

Filed under: Contests — UncaScroogeMcD @ 12:17 am

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of iCARLY: SEASON 1 VOLUME 1 on DVD.

Contest ends at 11:59pm EST on Friday, October 3rd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Friday, October 3rd.

The winner must allow 4-6 weeks after notification of win to receive the product.

September 25, 2008

TV Or Not TV: The Morning After for Tuesday – 9/23/08

Filed under: TV Or Not TV — admin @ 4:15 am

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Welcome back to another installment of The Morning After here at TV or Not TV. We’re taking a look at the television shows I was actually able to watch for Tuesday, September 23 and I won’t be holding back any info or any punches, so you have been warned.

SCIFI – Eureka: I’ve been a big fan of this quirky show since its inception two seasons ago and I’m very happy to say that the third season has been a real treat. Unlike the first two seasons they had a far less conspiracy laddened arc, the show was easy to follow, and you didn’t feel lost coming in at any point during the season. There was no mysterious “Artifact” that interfered with anything, no one travelled through time, and the heavy we thought we had in Eva Thorne was actually just a character trying to put the past to rest while trying to protect the present. What I am trying to say is the Eureka did what it does best; keeping a semi-jubelent spirit in the face of its typical dire “save us from disaster” story line.

CW – 90210: Yes, I originally watched the pilot because I was a part of the generation that saw the birth of the original. Yes I kept watching because it had elements that made me curious. Yes I wish I could blame my wife for the fact that we watched this last night, but sadly I’m the one that started it playing.

The great thing about this show is just how unreal it is compared to real life. The musical that is being put on is clearly something that 1) would never be performed in a public school and 2) had production values far above any high school musical you’ve seen in high school.

The drama is typical teen drama that has had an extreme boost of steroids. It’s so roided up I’m surprised the show isn’t falling apart from roid rage. At least that is what I choose to believe because I just want to believe that teens this days aren’t this evil and devious.

CBS – The Mentalist: I did not watch The Mentalist this week because I wanted to, I watched it to be fair as I’ve given it two not-so-glowing unseen commentaries. I’m very happy to say that, at least based on the pilot, we’ve got a very entertaining crime drama that surprisingly has heart.

To catch you up, Patrick Jane (played by Simon Baker) is a former phony psychic who clearly gained fame and fortune from utilizing his very keen sense of perception and insight into human behaviour. When we meet the character he is smug, he has an air of superiority about him, and we aren’t really sure if we want to like him or dislike him for what it is he can do.

This sentiment carries throughout the entire show and doesn’t distill until the final moments. As with any story where you find that someone who had it all and seems to have given it up to help catch the bad guys, we discover an injured and empty man and we are provided with an answer as to why he is how he now is. It turns out that Jane said some very negative things (while he was still a “psychic”) about an un-caught serial killer (Red John) on national television and his wife and daughter paid the price for these comments. The final moments of the show reveal to us that Jane now lives in the same home that his fame gained him, but all luxeries from that former life are gone. All he has is a place to sleep, a roof over his head and a constant reminder of what happened and why he must go on.

I admit that I was wrong about The Mentalist and I predict that I’ll probably enjoy it in the weeks to come. Hopefully you will too.

FOX – Fringe: I’m drinking a lot of coffee today because I just couldn’t go to sleep without watching Fringe. The show is extremely well structured and the characters are just so well played and balanced that I’m compelled to watch in the same way that I want to try to peek at my Christmas presents when they are under the tree. I’m still surprised, most of all, by the performance turned in every week by Joshua Jackson (formerly of Dawson’s Creek). This show helps fill the gap that X-Files left for me even before the show went off the air (oh, those last two seasons… ugh). Fringe is still very high on my recommendation list so if you havn’t watched it yet and you have time to kill get yourself to the FOX web site to get caught up on this show.

NBC – The Biggest Loser: Reviewing The Biggest Loser the day after will get repetitious to say the least, so I only mention it as I did actually watch the show. The only thing that I wish the network would do is stop making it a two hour event on a single night of television. It’s too much for my DVR and my watching schedule to handle! Split it up already, will ya?

DVR’d But Not Yet Watched: Thanks to the two hours of The Biggest Loser I’m going to have to wait to watch Law and Order: SVU. Thank goodness for weekends.

So there it is, the shows I watched and what I thought. Take from them what you will, and I’ll catch back here tomorrow.

Will Wilkins really hopes it isn’t true that TV rots your brain.

Win IRON MAN on DVD!

Filed under: Contests — UncaScroogeMcD @ 4:10 am

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of IRON MAN on DVD.

Contest ends at 11:59pm EST on Thursday, October 2nd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Thursday, October 2nd.

The winner must allow 4-6 weeks after notification of win to receive the product.

September 24, 2008

Cabin Fever #41: Phone Fun

Filed under: Cabin Fever — UncaScroogeMcD @ 4:23 am

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #41: Phone Fun – The boys have an adventure with technology and call rock star Blake Rawlings about future endeavors, turn the show into and audioVISUAL piece (CLICK HERE to find out what we’re talking about), and also manage to fit in ramblings about sky-sex, Jamie-Lynn Spears, and Galaxy Hitchhiking. Music from Joe Doyle.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #41 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_41.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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CLICK HERE FOR THE CABIN FEVER ARCHIVES

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Toy Box: Rondo Hatton Sixth Scale Figure

Filed under: Toy Box — admin @ 4:16 am

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If you’re a fan of the old Universal horror movies, then you’ll know exactly who Rondo Hatton is. In films like the Sherlock Holmes flick The Pearl of Death, House of Horrors and The Brute Man, Rondo played a disfigured killer often called the Creeper. His unusual looks landed him many uncredited and bit parts in films from 1936 until 1946, when a complication of the acromegaly that plagued him took his life.

Acromegaly is the disease that afflicted other famous actors like Ted Cassidy or Richard Keil…even Tony Robbins. It causes excessive growth hormone to be produced, and when it strikes late in life, as it did with Rondo, it causs the extremeties and soft tissue of the face to become disfigured and deformed. The disease was not well understood at the time, and certainly not easily curable, but rather than allow it to destroy his life, Rondo turned it into a short but prolific movie career.

Rondo Hatton sixth scale figure

Amoktime is producing a whole bunch of very, very cool sixth scale figures based on the old monster movies of the Saturday afternoon’s of my youth. Rondo just started shipping, and will run you about $50. They only produced 500 of these in the initial production run, and I don’t expect those to last too long.

If you have any questions or comments, just drop me a line at mwc@mwctoys.com, or visit my site at Michael’s Review of the Week. I’ve got a ton of other reviews of figures like this, including lots of Sideshow’s Universal Monsters, over there.

Packaging – ***1/2
Amoktime is following in the foot steps of other current sixth scale manufacturers, and going with collector friendly, attractive fifth panel boxes for their figures.

There’s nice photos of the character on the box, as well as some good background text and additional graphics on the fifth panel. There’s a couple twisties, but nothing major, and nothing you have to damage to get the figure out.

Sculpting – ***1/2
Rumor has it that Rondo was voted most handsome in high school, but that might just be an attempt at retro-irony. In any event, he was certainly a better looking man when he was young than in his middle years. Amok has done a nice job capturing the details of his face, compared to the few still photos that we have of the actor. The distorted features look quite accurate, and the scale of the hands and facial extremeties looks great.

The forearms and hands look terrific, and are sculpted in a gripping or strangling pose, just perfect for the character. Similar to the old Sideshow monsters, there’s a cut joint up on the forearm where they attach to the standard body, and mine were both detached in the package. No worries though – they just popped right back on.
Paint – ***
There’s certainly no slop here, but the skin tone is a bit darker than the photos on the Amoktime site. I’m fine with it, but it may conflict for some folks who are expecting the whitish skin of the old black and white movies.

The darker skin tone is very consistent, and the detail work, especially on the lips, is well done. I would have liked to have seen some gloss on the eyes, but it’s a minor quibble, and folks that hate the painted catchlight will be happy to see it’s not present.

Articulation – **1/2
These bodies are certainly not what we expect or get from companies like Medicom, Takara or Hot Toys, but they do fairly well with this type of character. He has some issues standing, but they are not caused by the body but rather by the shoes. More on that in the Outfit section.

The joints are tight, and most that you expect are present. The neck isn’t going to tilt and twist quite as much as you probably would like, and the body is really a few years out of date, but I was able to get him to hold his classic poses.

Accessories – **1/2
Rondo comes with the obligatory display stand, which looks and works fine for those interested, and he has two hats. He often wore this style of hat, sometimes more beat up than others, and they’ve given you a fairly clean version, as well as a worn out version. Both fit on his head well, but I prefer the cleaner, less beat up version.

Outfit – ***1/2
I was very pleasantly surprised by his outfit. Although it’s a basic shirt/pants/jacket combo, it looks very much like his classic clothes, and fits extremely well. The pants are very well tailored, and don’t excentuate the skinny legs of the body (unlike many of the older Sideshow figures that used a similar body). There’s an actual belt in there holding up the pants, and the body has been padded (much like customizers have often had to do with other figures) to fill out the chest and arms. It works well, and makes the clothing look extremely good.

Another surprise is the buttons. They’re real! By that I mean there’s a button hole in the shirt (or jacket..and even the shirt cuffs!), and the buttons actually insert into these holes to hold the clothing together! I don’t recall ever seeing this before on a sixth scale figure. There’s two downsides to this though – first, the buttons are slightly oversized. I wish they’d gone with a black button on the shirt rather than the white, so they would have blended in better and seemed a bit liess obvious. Second, it’s tough to get the buttons in the button holes if you have clumsy, fat fingers. You probably need to ask one of your kids to help.

The only negative I have with this outfit is the shoes, and this holds true for the other figures that re-use these basic black shoes. They are a bit rounded across the sole, probably from the manufacturing process. That makes it tough for him to stand, even in basic poses.

Fun Factor – **
For these old ‘monster’ figures to be fun for current kids, they have to have a truly monstrous appearance. Rondo might be a monster to those that saw him as the Creeper, but for you’re average 8 year old, he’s just a weird looking dude in a suit.

Value – ***
Amoktime is filling the void for sixth scale figures in that $40 – $50 range, left when Sideshow and Hot Toys went uber-expensive. They’re doing a nice job for their first few releases, but they do need to look at adding additional accessories when possible, especially as they get larger and start doing larger production runs.

Things to Watch Out For –
Not a thing! You might be able to flatten out those shoes with a hot water/cold water treatment too, but I hvaen’t tried it yet.

Overall – ***
Amoktime gets some brownie points here just for tackling a rather obscure actor like Rondo. With proper monster lighting, he’ll make a great addition to your classic monster display shelf. He’s certainly not for everyone, but for fans of the old black and white movies, he’s a truly unique addition to the collection.

Score Recap:
Packaging – ***1/2
Sculpting – ***1/2
Paint – ***
Articualtion – **1/2
Accessories – **1/2
Outfit – ***1/2
Fun Factor – **
Value – ***
Overall – ***

Where to Buy –
You can pick this up directly from Amoktime for $50, or from one of these online retailers:

Corner Store Comics has him for $47.

Alter Ego Comics has him for $48.

Things From Another World has him for $68.

Related Links:
I’ve already covered the Gort and Klaatu from Amoktime, as well as the Saucer Men (Invasion of the Saucer Men).

TV or Not TV: The Morning After for Monday – 9/22/08

Filed under: TV Or Not TV — admin @ 4:13 am

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Greetings again faithful readers and television enthusiasts (sounds a lot more active if I call us enthusiasts doesn’t it?). Welcome to a new addition to the TV or Not TV experience where I talk about the shows that I was able to watch the night before and give you my take on how well they played out. This will, sadly, give you great embarrassing insight in to how much television I’m actually able to watch. These tidbits could be short or they could be detailed. They will not attempt to hide information so if you haven’t watched a show I did know that you might read something you don’t want to know yet (commonly known as a spoiler) so read at your own risk.

CBS – HOW I MET YOUR MOTHER: I’m a fan of HIMYM and last nights episode delivered in every way that we love the show. Neil Patrick Harris stole every scene that he was in (as I predicted) with him confronting his feelings for Robin, Ted got the answer of yes from Stella (guest star Sarah Chalke) and then was hung up on the fact that he knows so little about his new fiance. My only complaint about episode is the use of Star Wars as Ted’s favorite movie of all time and his dependance on Stella having to love the movie too. As a 22 minute comedy the show delivered.

NBC – HEROES: OK, so Heroes finally returned last night and NBC tried to make it the event of the week with a special red carpet one hour “let’s get everyone caught up on Heroes since we’ve been off the air for so long” special leading in to the premiere (which I didn’t watch a minute of). This is probably the hardst thing for me to write because, for me, the two hours of Heroes that we were presented with just oozed of absurdity to the point that the show went from compelling to unwatchable.

The show started off exactly where it should and we find out who the shooter of Nathan Petrelli was in last seasons finale. Sylar tracks down Claire and finally gets her power (without killing her unlike all of his previous victims whom he stole powers from), after being stopped by a louvered door that my grandmother could have taken apart, and may have turned off Claire’s ability to feel pain in the process. Those two elements were the parts that were compelling for me. Everything else? Not so much.

The absurdity first starts with Mohinder possibly finding the source of abilities and discovering a way to give regular people powers. Naturally he does what any responsible man of science does and uses his new syrum on himself. This in itself isn’t absurd, but what follows does because the repurcussions of this act seem to be a flat-out ripoff of the Jeff Goldblum remake of The Fly. Mohinder finds himself, just like Brundle-Fly, with greater strength, increased agility, the ability to climb walls and he does the nasty with someone right after he discovers all this. I was completely amazed at such a blatant lifting of material and I was even more shocked when it continued as Mohinder woke up and discovered his back is apparently peeling large scales of skin… yeah… body parts… coming off… Brundle-Fly.

The comic-relief duo of Hiro and Ando get a super-sonic adversary who some how knows the very instant that Hiro disregards everything that he is told and takes one half of a piece of paper containing a formula that if into the wrong hands can destroy the world (hey, here’s a thought… burn the paper if it is so dangerous and don’t make anyone have to be the watchman for any great secret… duh). Worst of all we learn that Hiro will be killed by a electric beam throwing Ando in the future over this same piece of paper (Well, at least Ando is now alive in the future and not dead as we previously saw in previous seasons).

Nathan Petrelli, upon cheating death, now is saddled with a vision of Linderman that only he can see, which just wreaks of another lift similar to Baltar’s mental Number Six on Battlestar Galactica. He believes his cheating death is the act of God and he’s now going to spread the good word and help those that need it. He’s also been offered a senate seat by the state of New Yorks Governor (played by Bruce Boxleitner) and the offer is delivered by someone that looks like Niki, sounds like Niki but isn’t Niki. OK. Whatever. You lost me in this episode already when we found out…

Peter Petrelli proves once again to be one of the worst characters of this entire series. The sympathetic ability sponge is the one who came back from the future in order to stop his brother from telling the world about super-powered individuals by doing what anyone of us would do, talking it out with his bro… no, wait, shooting him. When he was chased by his present-day self after the shooting he some how put that present-day self “inside” the body of a prisoner on Level 5 of “the Company” (the place where all the bad people with powers get locked up) to keep him safe (by surrounding him with all the bad people) while he figures out what to do. He also starts playing with strings of yarn like the future version of Hiro that we saw in Season 1. His mom also keeps telling him to go back where he came from because his presence in his past (our present) is mucking time up in a big way. Confused? Don’t be too hard on yourself because any time you get into time you get into paradox and confusion (like how can he be here in the past if he travelled from a future that doesn’t exist because his interference changed things… head hurting yet?).

I could break this down for you further but the long and short of it is first two hours of this season didn’t do a lot for me and the show is going to have to do a lot to keep me as a viewer. The primary problem with these two episodes was that they were doomed to fail because they were written by the show’s creator, Tim Kring. So far he has written every episode in the show that I have had problems with. Tim, you’re an idea man… let other people do the writing for you, ok?

CBS – Worst Week: Well, if you saw the commercials all summer long advertising Worst Week than you pretty much have already seen the first episode. The show suffers from what I originally thought it would: the fact that all of these bad things are perpetuated/continued by the lead character is fundamentally unbelievable. I’m not saying it isn’t entertaining, I’m just saying I don’t like watching people be really uncomfortable and that is the core of what this show is about. I’ll give it another week or two to reserve final judgement.

That’s all I was able to cram in to a single night of viewing. Terminator: Sarah Connor Chronicles and Prison Break are both going to have to wait until I have more viewing time, which as you can see from above isn’t much.

Tune in tomorrow as I give you my take on the shows that I was able to watch tonight.

Will WIlkins watched far too much television last night.

Win SPORTS NIGHT: THE COMPLETE SERIES on DVD!

Filed under: Contests — UncaScroogeMcD @ 4:06 am

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We’re giving away, in conjunction with Shout! Factory, two (2) copies of SPORTS NIGHT: THE COMPLETE SERIES on DVD.

Contest ends at 11:59pm EST on Wednesday, October 1st.

Check out some clips…

Helsinki

Conversationally Anally Retentive

Time To Kill And A Deck Of Cards

Isaac had A Stroke

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, October 1st.

The winner must allow 4-6 weeks after notification of win to receive the product.

September 23, 2008

Party Favors: Hail! Hail! Chuck Berry

Filed under: Joe Corey's Party Favors — UncaScroogeMcD @ 3:54 am

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BAHAMA — Why would any sane person be standing in front of an outdoor stage as Tropical Storm Hanna takes aim on their town? Two words: Chuck Berry. Add a third: Free!

In order to celebrate another overpriced and unnecessary convention center in America, the city of Raleigh barricaded off the downtown area. A stage was set up in the middle of the street so that the tens of thousands could bask in the revival. Who better to bring the people to the location than the man who launched rock and roll? What American doesn’t know “Roll Over Beethoven,” “Sweet Little Sixteen” and “My Ding-a-Ling?” “Johnny B. Goode” ought to be our National Anthem.

Unfortunately this planning didn’t involve weather forecasting. The storm was coming up the coast. The idiots in charge of the outdoor festival didn’t have an emergency indoor plan. It’s a shame they didn’t have a building that could house thousands of people like a convention center. A few of us tempted nature’s fury to get a glimpse of the Rock and Roll Hall of Famer. That night the heavens were looking out for Chuck as his set was positioned between two severe down bursts. His ship’s captain’s hat stayed dry. The nasty weather shrunk the possible crowd down to a few hundred people. This worked out well as I got close to the stage. As a sign of respect, I won’t joke about how I was close enough to Chuck for him to do a certain act.

The man is approaching 82 years old so he’s not a performer that you say, “I’ll catch you next year.” He’s not going to live forever like Dick Clark or Billy Ray Cyrus. Chuck appeared to be in good health. He wasn’t chair bound like other performers from the Happy Days era. The crowd was thrilled when he broke out a mini-duck walk. Chuck also pulled off wearing the shiny shirt like Neil Diamond.

This will not be remembered as the greatest Chuck Berry concert. The set lasted over thirty minutes. He even admitted to blowing the lyrics on a song that he’s been singing for over half a century. But all that can be overlooked since it was a chance to bask in the presence of Chuck Berry. Plus I didn’t have to buy a ticket, pay a convenience fee and get shafted with a parking charge. It was a perfect way to pay respect to a man who brought so much to music. If it wasn’t for Chuck Berry, the Rolling Stones would have been influenced by Mitch Miller. Hail, Hail, Chuck Berry.

A TRIBUTE TO DGG

For fans of Pineapple Express, I bring you the 5th anniversary re-issue of All the Real George Washingtons featuring Matt Booth as David Gordon Green.

Enjoy the tribute to Stubb’s BBQ.

TOTAL REQUEST DOA

I’m so thrilled the MTV is canceling TRL since it means we no longer have to worry about what the kids are going to make popular. No longer will I be tempted to see screaming girls begging for their future-husbands to be chosen #1 by the callers.

There was a time when TRL really mattered back in the 20th Century. It prepared us for the Orlando Pop Tart Invasion when any ex-Disney employee who could sing, dance and not get served a beer could be a star. TRL was truly a machine as all the stars were moving a million albums during their debut week. This place launched more rockets than the Kennedy Space Center.

Ultimately TRL’s legacy will be one of infamy. If it wasn’t for TRL, would we have Carson Daly being a massive tool on NBC? Where would Sean Combs be if he hadn’t graced that studio as Puff Daddy, Pee Diddy, Diddy Boo, Bo Diddley? Carson and Combs should be put on a stamp celebrating “The Decline of Western Civilization.” And what about the crime known as Fred Durst? TRL will never be mistaken for a truly cool and culturally influential show like USA’s Night Flight. TRL‘s legacy will be as dork parade.

The sad part about TRL’s decline is the end of John Norris’ creepy news updates. Here’s a guy pushing 50 with rugs on his head that are so hideous that William Shatner and Burt Reynolds mock him. Yet somehow he’s allowed to be near the screaming teenies. Where is John Norris going to go? Someone needs to put a GPS on his ankle cause I don’t want to see him lurking in my Piggly Wiggly. Maybe Norris will be playing doubles tennis with Pat O’Brien?

THE DVD SHELF

The Godfather Collection: The Coppola Restoration Blu-ray makes me feel good that I didn’t blow $100 on the original DVD boxset back in 2001. The late Raymond J. Regis treated me to screenings of his original Technicolor 35mm prints of Godfather I &II. I know what these films really should look like on a screen. The original DVD transfers didn’t do justice to the darkness painted on the screen by cinematographer Gordon Willis. There was a milky feel to the digital blackness. People nagged me about my “incomplete” collection since there was no Godfather on the shelf. But now there’s a new transfer on 1080p. The picture brings out all the nuances of the film. Now you get the whole story of the Michael Corleone (Al Pacino). He’s a mobster’s son who just wants to live an honest life in a dirty business. The boxset includes Godfather III, but does anyone really care? Remember to pick up some cannoli with this Blu-ray boxset.

Bigger Stronger Faster is an unflinching documentary about the world of steroids from Chris Bell, the host and director. He explores the issue of muscle juicing through his brothers who have been involved in football, pro-wrestling and weightlifting. It plays at first as a cautionary tale, but delves into the hysteria about the dangers of using roids. Are they really as evil as the anti-doping officials claim? Bell exposes the crusading father of a high school baseball player that committed suicide. The father told Congress that his baseball playing son offed himself after going cold turkey on roids. The father refused to believe the numerous depression fighting pills taken by the son could have anything to do with the tragic end. Perhaps what’s upsetting is realizing all the really famous people who took steroids before the ban have gone on to fabulous careers including a certain Terminator that became governor. Why did Carl Lewis fail a drug test in 1988, but was still allowed to compete and win gold in the Olympics. Bigger Stronger Faster dares to question if roids are on par with Tiger Woods getting Lasik surgery so his eyes can see better than 20/20.

This American Life: Season One brings video to Ira Glass’s radio show. The Showtime series however doesn’t have pledge breaks. The first six episodes of This American Life set it apart from the usual news magazine series. They allow their subjects to talk and emotionally explore themselves. This isn’t a slam-bam style. “Reality Check” deals with a guy who cloned his prize winning bull. He quickly discovers that there is a difference in genetically identical cattle.

The Brotherhood: The Second Season ups dynamics of the Rhode Island family that’s torn between a life of crime and a career in politics. Is there really that much of a difference? Crook aren’t allowed to ignore subpoenas. Brotherhood has a gritty feel to the action. It’s not a cute mobster series. These are the characters I have encountered in the Providence Dunkin Donuts at 11 a.m. Brotherhood, Dexter and The Tudors have put Showtime ahead of HBO in the original drama department.

Lewis Black’s Root of All Evil Uncensored dares to weigh the wickedness of two cultural icons. Lewis Black brings his flabbergasted humor to the courtroom. Two comics try to prove that their subject is the worst thing since the XFL. The subjects debated this season include “Weed vs. Beer,” “YouTube vs. Porn,” “Donald Trump vs. Viagra,” “Kim Jong-Il vs. Tila Tequila” and “Paris Hilton vs. Dick Cheney.” Those are battles worthy of UFC pay-per-views. Greg Giraldo and Patton Oswalt always bring top wit in the legal format. This version is uncensored although that doesn’t mean Kathleen Madigan drops her top for a shot at European tort action. You’ll get to hear Lewis go potty mouth on subjects worthy of being flushed.

CSI: NY – The Fourth Season has the 333 Stalker on the loose. If it hadn’t been for the writer’s strike, he could have been the 666 Stalker. They also remixed The Who’s “Baba O’Riley” on the opening credits. “Can You Here Me Now” features a murder at the Statue of Liberty. It doesn’t involve the annoying cellphone guy. “Time’s Up” gives them 24 hours to stop a murder. “Happily Never After” opens with a Wizard of Oz crime clue. I suspect the Tinman. Death is all over Manhattan. Luckily Gary Sinise and Melina Kanakaredes are ready to bust all the killers. There’s 21 episodes on 6 DVDs.

Growing Up Wilderness contains four more episodes about how cute animals grow up into ferocious beasts. This disc shows the maturity spurts of a wolf, black bear, sitka deer and a moose. Not to spoil the last episode, but it doesn’t feature Sarah Palin killing and dressing the star. This is a good to watch with the young kids so they can know that cute animals will eat you if you pester them. The Animal Planet production is entertaining and educational.

Friday the 13th, The Series: The 1st Season takes me back to hanging out in Tom Olsen’s dorm room on the weekends while we waited to be fashionably late for Party Central action. This is not the continuing adventures of Jason Voorhees. He isn’t popping up in his hockey mask and chopping off guest star heads with his machete. Instead we’re given two cousin who inherit an antique store. They quickly realize that the old stuff sold was cursed by Satan. They have to recover the objects before things get more evil. Robey is the gal with red hair that was the precursor to Gillian Anderson on The X-Files. It’s lite ’80s horror fun.

Numb3rs: The Fourth Season gets to the point. For years I wondered what was the point on inflicting high level calculus classes on my feeble brain. What good are those proofs and theorems? Thanks to this series, I know that you can track down serial killers with trigonometry. Numb3rs is well cast with a family of brainiacs: Rob Morrow (Northern Exposure), Judd Hirsch (Taxi) and David Krumholtz (who isn’t Doogie Howser’s buddy). The kick off of the season is intense as they have to figure out if a close pal is really a double agent for the Chinese. The shocker is seeing Val Kilmer playing the bad guy. He hasn’t been this wicked since playing the Iceman in Top Gun. There’s a Taxi reunion when Christopher Lloyd appears in “Graphic.” Numb3rs is the perfect show for the math nerd that wants to feel CSI: Macho.

Samantha Who? The Complete First Season puts Christina Applegate’s star power back in the sit-com galaxy. Instead of playing a forgetful daughter on Married….with Children, she is now an amnesiac daughter on Samantha Who? After coming out of a coma, Samantha has to figure out who she was and who put her into the coma. There’s plenty of flashbacks with wild haircuts. She was not a nice girl in her former life. Finding out why she’s banned from Chicago Blackhawks games is hilarious. Making this fun for me is seeing Jennifer Esposito as the not quite nice friend. The boxset has 15 episodes on 2 DVDs.

My Three Sons: The First Season, Volume One reminds us of the power of St. William Frawley. After he stopped playing Fred Mertz on I Love Lucy, he moved in with Fred MacMurray and three kids. He became the mom to them. Frawley knew how to toss the sass around when he got stuck in the apron. The DVD set contains the first 18 episodes. Frawley’s episodes weren’t given the syndication action in the mid-70s since they were in black and white. We got stuck with the color episodes featuring William Demarest as Uncle Charley. Finally getting to see Frawley in action on My Three Sons is like uncovering fresh footage of Babe Ruth at the plate. He knew how to knock ’em out of the park.

Holiday Treats brings 8 Christmas episodes of Paramount owned shows onto one DVD. This is perfect for those who enjoy just wrapping yourself around the holiday. All the classics and a few recent shows get to shine their seasonal specials linked. I Love Lucy, The Honeymooners, Andy Griffith Show, The Brady Bunch, Taxi, Family Ties, Frasier and Wings get into the Santa action. You don’t have to worry about the suits at TVLand providing your seasonal nostalgia. Plus there’s no commercials to cut into the holiday cheer. Is it time for egg nog?

The Beverly Hillbillies: The Official Second Season is a bit confusing since there is no Official First Season. MPI Home Video put out two boxsets and a Christmas special DVD that covered the first season and half of the second. Don’t get too confused cause you shouldn’t think so much to enjoy one of the greatest sitcoms of all time. The plot is simple. A backwoods family discovers their worthless land is above a massive oil reserve. They make so much cash that the poor family is vaulted into the most illustrious house in Beverly Hills. No matter how much people try to culture them, the Clampetts remain true to their country roots. I can’t get enough Jethro in my daily diet. The DVD set includes the original sponsor promos that came after the credits. This includes the spots for Winston cigarettes. You also get the sponsor “codas” where the Clampetts wrap up the action with a plug including taking a few fresh packs up to their new house guests. There’s 36 episodes on 5 DVDs.

Beauty and the Beast: The Complete Series is often mistaken as a TV show for the ladies. But this series isn’t a Harlequin Romance, but a Judd Apatow Super Schlub spectacular. A hairy man-beast of a guy lives a Dungeons and Dragons lifestyle in his father’s basement. One night while stumbling home, he trips over the hot mom from Terminator. She becomes deeply in love with the man who doesn’t have a real full-time job. Isn’t the dream of every boy with polyhedral dice in their sock drawer? Who is more hairy on screen, Ron Perlman as the subterranean Vincent or Seth Rogen? Ultimately Beauty and the Beast is a man’s fantasy cause I don’t know any women who dream of wearing as much fabric as Linda Hamilton’s wardrobe. This is the perfect gift for the professional woman in your life as proof that you can’t have a full-time job cause then you won’t have time to fight crime in the subway tunnels.

Mission: Impossible, The Fifth Season brings a new female face to the force. Tasty Lesley Ann Warren plays Dana Lambert. She’s the new Cinnamon. Leonard Nimoy returns for his second and final season as Paris the man of disguises. Cack and other ladies will swoon with the arrival of Sam Elliott (Big Lebowski) as an IMF member. “The Killer” has Robert Conrad (The Wild Wild West) as a hitman who conducts his business so randomly that it confuses Peter Graves and his crew. “Flip Side” has a drug smuggling operation run by Sal Mineo (Rebel Without a Cause). Unlike the last few seasons, there are no multi-episode stories.

Madagascar Blu-ray and Shrek the Third Blu-ray demonstrate how stunning this format is for computer animation. The programmed textures on the characters shine as they move across the screen. The penguins in Madagascar dominate in 1080p. Shrek the Third reunites Orge and Donkey for another adventure. This time there’s a coup d’etat that needs to be put down. Little kids will be dazzled by the extra pixels at work. This is what it must look like to watch the film at the animation studio on the super-computer.

Foot Fist Way launched Danny McBride into comic stardom with his recent roles in Pineapple Express, Tropic Thunder and the upcoming Land of the Lost. But there’s no big time star friends in this indie comedy. Danny plays a pissed off Karate instructor who takes out his frustrations on all those around him. The film plays like a North Carolina School of the Arts reunion special with the cast and crew. Danny and Ben Best keep this from being an inside joke for the Fighting Pickles crowd. This is a must grab if you laughed at Danny’s roles with Ben Stiller, Owen Wilson and Seth Rogen.

Iron Man: 2-Disc Special Collector’s Edition Blu-ray would have been the superhero event of the year if it hadn’t been for The Dark Knight. Damn that Batman! Robert Downey Jr. delivers on his ability to bring edgy aspects to a comic book character. His eyes reveal the baggage of being a self-destructive genius. That’s something they can’t teach at RADA. This is one of those films that screams for the wonder of Blu-ray. The action of the Iron Man suit can’t be contained on a crummy normal TV. You’ll want that full home cinema experience.

Click & Clack: As the Wrench Turns animates the public radio car repair series. The 10 episodes are aimed at kids and not gearheads. Although for those who don’t have an extensive auto education, this might be the perfect introduction to what the heck is going on beneath the hood. This is Dora the Explorer with real educational value. This is the perfect gift for an elementary schooler who can identify various makes and models of cars.

I Want Candy dares to show us a alternate universe with Carmen Electra as a blonde. Two English videographers who do strange gigs like taping funerals. They find a source to fund the budget to their thrilling script. But there’s one catch – they have to cast Candy Fiveways (Electra) as the lead. She’s a porn star. So they adapt the script. Electra does a mean Jenna Jameson. There’s a cameo from Jimmy Carr, the host of Comedy Central’s Distraction. It’s a proper naughty British film that would receive a salute from Benny Hill.

Finding Amanda forces a writer-producer (Matthew Broderick) to arrive in Las Vegas to rescue his niece (Hairspray‘s Brittany Snow) from her career as a prostitute. Trouble is that Broderick has a problem with drugs, drinking and gambling. He needs more saving from the Strip. Why can’t Hollywood ever make a film about a guy who drinks, does a little recreational drugs and gambles without having him be a candidate for rehab? I know these people exist in Hollywood. I’ve meetings with them. Keep your eyes open for Patrick Fischler who plays Jimmy Barrett on Mad Men. You might miss him since he’s not carrying a bag of Utz chips. Steve Coogan is a pit boss with a history with Broderick. He wants to make sure that Broderick’s gambling problem is cured. That problem is a matter of credit. It’s a bitter sweet comedy and seems like the proper follow-up to Ferris Bueller’s Day Off. This is Ferris Bueller On the Rocks

MUST CELLBLOCK TV

Hey MSNBC Fans: Are you ready for Locktober? I’ve already stashed my shiv. Guess where? Wrong!

Who do you think would make a better shiv: Joe Scarborough, Chris Matthews or Rachel Maddow?

MILK ME, TY!

What the heck is Ty Pennington doing as the pitchman for Similac? He’s not married and doesn’t have any kids. Who better to sell milk to nursing mothers. Was Billy Mays booked that weekend? This goes up there with Crest signing Shane McGowan.

FAREWELL COPY CENTER

A part of me is sad with the announcement that Kinko’s Copy Centers are gone. After their merger with FedEx, the Memphis based company has decided there’s no need for a FedEx-Kinkos sign in the world. Soon all your stores will be rebranded FedEx Office.

Too much of my college years were spent inside the Kinko’s across the street from the campus. We were thrilled the night we saw Matt Feazell copying his upcoming Cynicalman comic. And we lived for their 2 1/2 cent copy sales. That was production season.

Seems like the overnight delivery crew decided their was something unmanly about having to tack “Kinko” onto their name. Or perhaps like me, they remember this Dr. Demento classic when they hear “Kinko”

Win CLICK & CLACK’S AS THE WRENCH TURNS on DVD!

Filed under: Contests — UncaScroogeMcD @ 3:10 am

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of CLICK & CLACK’S AS THE WRENCH TURNS on DVD.

Contest ends at 11:59pm EST on Tuesday, September 30th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, September 30th.

The winner must allow 4-6 weeks after notification of win to receive the product.

September 22, 2008

TV Or Not TV: 9/22 – 9/28

Filed under: TV Or Not TV — admin @ 2:25 am

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In wishing you all a hearty welcome back to TV or Not TV this week I almost feel as though I’m saying it to TV in general.

For someone who writes about television this week is just an incredible week. No matter what night you turn the TV on (well, except for poor Friday and Saturday nigt… the red-headed step children of TV viewing) there is something to watch. Comedy, drama and pure trash await you at ever turn.

You know what, I’m so excited about this week let’s just get to the good stuff!

MONDAY

CBS – 8:30 PM: There was a very sublte moment in the season finale of last year’s How I Met Your Mother where womanizing Barney had a brief longing look at Robin, whom he had slept with a few episodes before. Wait, wasn’t this Ted’s story about how he met the mother of his kids? Aw heck, who cares, Neil Patrick Harris steals the damn show anyway.

NBC – 9:00 PM: If you attended Comi-con this year and sat in on the Heroes panel than you already saw what everyone else has been waiting anxiously to see. The show’s creator, Tim Kring, promises the pace will be faster, the action bigger, and he’s actually learned from the mistakes of the past. I’m in.

TUESDAY

FOX – 8:00 PM: Tonight on House the quirky Doctor and his team have to figure out why different recipients of organs from the same donor are all dying. I only bring this up because the life they are trying to save is played by Felicia Day from The Guild and Dr. Horrible’s Sing-Along Blog.

NBC – 8:00 PM: If you caught the season premiere last week of The Biggest Loser: Families than you saw that two of the dads in the families are so unfit that they are limited in exercise/participation. Tonight that continues and the contestants face the dreaded week 2 of weigh-ins, which typically have been incredible small compared to the week prior.

SCIFI – 9:00 PM: The ads for tonight’s episode of Eureka describe it as the mid-season finale. Normally this would be the time we were saying bye-bye to the show for another year, so it’s exciting to hear that in January we’ll start to see new episodes. If you’ve followed the show than tonight is clearly a must-see night. If you haven’t followed it I’d recommending tuning in at 8 PM instead and watching the previous week’s episode before this one.

CBS – 9:00 PM: Tonight we get to find out what it is like when you pull the comedy out of USA Network’s Psych with the premiere of The Mentalist.

WEDNESDAY

FOX – 8:00 PM: Tonight on Bones former lab man Zack pulls a Hannibal Lecter and helps the crew from his psychiatric ward on their current case.

NBC – 8:00 PM: We finally get to see how the new Knight Rider holds up in its regular one hour format. Here is hoping it comes off much better than last year’s Ford commercial disguised as a show.

CBS – 8:30 PM: Gary Unmarried premieres and I’ll be watching to see if it is better than the preview lead me to believe.

NBC – 10:00 PM: Season of 2 of Lipstick Jungle is here, and men across the nation will find something else to watch right now.

THURSDAY

NBC – 8:00 PM: The Good: My Name is Earl is back and Earl is actually working from his list again. The Office follows at 9 and has plenty of potential to bring us lots of laughs. The Bad: Both shows are an hour tonight and these one hour episodes always feel about 22 minutes too long instead of 22 minutes more funny.

ABC – 8:00 PM: Ugly Betty is back and I’ve still got my Man Card as I have yet to see a single episode. Lindsey Lohan will be reprising her roll from the end of last season, but it’s still not enough to get me to finally tune in.

CW – 8:00 PM: If you watched the season premiere of Smallville last week than you are probably wondering, like I am, why the show came back for another season and we’re having to wait for Reaper to get it’s mid-season time slot. Me thinks things do not bode well for the CW.

NBC – 10:00 PM: It is the beginning of the final season of ER. I can’t beleive this show has been around for a year longer than I’ve been married.

FRIDAY

PICK A NETWORK – 9:00 PM Eastern / 6:00 PM Pacific: For the first time in a long time I’m actually excited to see a Presidential Debate. Too bad they can’t just settle things the right way: Thunderdome!

Sorry, the networks don’t know how to recover from this so there’s just nothing else to really talk about for this day. I do find it funny that Freddy’s Dead: The Final Nightmare is on the Independant Film Channel tonight. Didn’t see that one coming.

SATURDAY

NBC – 8:00 PM: If you missed the season premiere of Heroes than you get a second chance tonight. Hopefully it was so good you just had to come back for seconds tonight.

TLC – 10:00 PM: I love the way that Trading Spaces sounds more like an episode of Dr. Phil lately. Tonight two sisters will vie for mommy’s affection as they try to renovate two rooms.

SUNDAY

ABC – 9:00 PM: OK, go ahead and revoke that previously mentioned Man Card. I’ll be sitting there at 8:59 PM anxious to see what is going on tonight on Desperate Housewives.

SHO – 9:00 PM: Thank gosh there is such thing as a DVR because I’d have hated having to choose between the ladies of Wysteria Lane and my favorite sociopath Dexter.

ABC – 10:00 PM: My wife will be excited that Brothers & Sisters also returns tonight. By this time I’ll be watching Dexter.

Will Wilkins never actually had a Man Card.

September 21, 2008

Bagged & Boarded 2: The Sheening

Filed under: Bagged & Boarded — UncaScroogeMcD @ 10:36 pm

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #2: The Sheening – In Which Matt and Jesse discuss the delicate subject of sex (very delicately), FINAL CRISIS, Lars Von Trier, and are paid an imaginary visit from Alan Moore, Jimmy Moore… and Dracula. The bus to hilarity town has arrived, folks. All Aboard…

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #02 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-02.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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Win FORGETTING SARAH MARSHALL on DVD!

Filed under: Contests — UncaScroogeMcD @ 9:00 pm

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We’re giving away, in conjunction with Universal Home Video, three (3) copies of FORGETTING SARAH MARSHALL on DVD.

Contest ends at 11:59pm EST on Monday, September 29th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, September 29th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE SMOTHERS BROTHERS COMEDY HOUR on DVD!

Filed under: Contests — UncaScroogeMcD @ 8:51 pm

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We’re giving away, in conjunction with Time Life Home Video, five (5) copies of THE SMOTHERS BROTHERS COMEDY HOUR: THE BEST OF SEASON 3 on DVD.

Contest ends at 11:59pm EST on Monday, September 29th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, September 29th.

The winner must allow 4-6 weeks after notification of win to receive the product.

September 18, 2008

Ken P. D. Snyde-Cast #61: Mega-Giga-Uber-Super-Size-A-Thon

Filed under: Ken P.D. Snydecast — UncaScroogeMcD @ 11:56 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #61: Mega-Giga-Uber-Super-Size-A-Thon – What happens when Ken and Dana return from their travels and unwind in front of microphones? You get this long, probably rambling, extended length episode perfect for multitasking to. Frankly, even we don’t remember what in the hell we talked about, so let this be a journey of discovery for all of us.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #61 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-61.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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Weekend Shopping Guide 9/19/08: Pete & Dud Unleashed

Filed under: Shopping Guides — UncaScroogeMcD @ 11:09 pm

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

I just spent this evening (as I type this, naturally) doing something that I haven’t done in years – lose track of a few hours of my life while immersed in a Star Wars game. With my limited amount of free time and the nagging desire to get some kind of sleep each night, it’s a rare occurrence when I actually get to do any sort of gaming. As far as Star Wars games go, I haven’t really played one since Battlefront II (and that one because it promised – and delivered – some Ewok shooting). Well, the drought is over, because I just spent the evening immersed in Star Wars: The Force Unleashed (LucasArts, PS3-$59.99 SRP) on the PS3. Boasting a stunning look and at least a half-way interesting story, it took me back to the good old days of playing Jedi Knight on my PC long, long ago. And – considering it pretty much takes place in the timeline of the original trilogy – it allowed me to fully ignore those abysmal prequels and just get down to force pushing Stormtroopers off of cliffs. Really, isn’t that what life is all about? For comparison’s sake, I also played a bit of the Wii edition ($49.99 SRP), which wasn’t nearly as gorgeous as the PS3 edition, but did boast the Wii’s signature ease-of-use. If you don’t like a lot of buttons and just want to dive right in and have fun (even your Grandmother), the Wii version is the one for you.

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I’ve got a cold this week, and when I wasn’t immersing myself in Jedis and Sith Lords, I was pitting a pirate against a ninja. That’s right – all that fancy radio-control technology has been integrated into RC Pirate vs Ninja ($49.99). It’s an epic battle, and these two inflatable enemies – situated on their RC bases – are fighting the fight of the ages. Who will win? Who knows? FIGHT!

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In their infinite wisdom, the BBC of the late 60’s and early 70’s would regularly wipe the videotapes of older shows in order to reuse the tapes. What that means is that scores of shows have been lost to the whims of a frugal network – many of them landmark programs. Much of the 60’s TV work of Peter Cook and Dudley Moore – and their show Not Only But Also – suffered that fate. Some of the material survived, however, and that’s what’s collected in Peter Cook and Dudley Moore: The Best Of What’s Left Of Not Only But Also (BBC, Not Rated, DVD-$18.99 SRP). What survives is a clutch of sublime comedy beauty – from the glorious back and forth of “Pete & Dud” to a still genius live action recreation of the supermarionette Thunderbirds. Get this. GET THIS NOW!

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It’s become even rarer in this day and age, but it’s always a real treat when a show with a unique, quirky sensibility manages to break out of the network blanding factory and gain a foothold amongst viewers. The latest in that select pantheon is Pushing Daisies (Warner Bros., Not Rated, DVD-$29.98 SRP), the story of a pie maker named Ned who has the ability to bring the dead back to life with a touch – but a second touch sends them back to the grave (while no second touch instead dooms a bystander). He teams up with a private eye to bring murder victims back to life just long enough to find out who the murder is in order to collect the rewards, but his plans go awry when his childhood sweetheart is struck down, and he decides he wants her back for good. The series is a real gem. The 3-disc set features all 9 first season episodes, plus featurettes.

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Mere months before the release of what would prove to be their swansong album, Paul Simon and Art Garfunkel toured in the fall of 1969 – playing some old favorites and a few tunes from their as-yet-unreleased album, Bridge Over Troubled Water. Those concerts were recorded for a live album follow-up to Bridge that never came to be… until now. Simon & Garfunkel: Live 1969 (Sony Legacy, $11.99 SRP) collects 17 tracks recorded during those concerts, and it finds the duo at the peak of their performance powers.

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The thinking behind the release of The Smothers Brothers Comedy Hour: The Best Of Season 3 (Time Life, Not Rated, $49.98 SRP) – when the sets spotlighting the first two seasons haven’t been released yet – is that more people are probably interested in the infamous 3rd and final season, which saw the legendary cancellation of the controversial series. The 4-disc set contains a selection of 12 uncut episodes, plus a slew of bonus features. I only wish we got the complete season, and that the first two seasons were definitely on the way.

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Fans of Space Ghost Coast To Coast have been left in the lurch for years now as the DVD releases stopped abruptly, leaving many episodes in the lurch. Well, those fans can rejoice in and quickly snap up Space Ghost Coast To Coast: From The Kentucky Nightmare (Adult Swim, Not Rated, DVD-$15), with 2 discs featuring 44 “missing” episodes, plus bonus materials. The set is available as an Adult Swim exclusive directly from www.adultswim.com. Get it.

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Some of it may be music written for the HBO series Big Love, but David Byrne’s Big Love: Hymnal (Redeye, $15.98 SRP) is worth snagging – well, not only for those tracks, but also for the new compositions featured on the disc. It’s a new album, folks – snap it up.

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If you can manage to put the Tom Cruise Crazy out of your head, you can see the charm in the young actor fronting the now 25 year-old(!) Risky Business (Warner Bros., Rated R, DVD-$19.96 SRP). The rakish enthusiasm is there, unsullied by decades of Scientology baggage. Revisit the old Tom Cruise in this new special edition, with an audio commentary, a retrospective documentary, original screen tests, the theatrical trailer, and the director’s cut of the final scene.

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Spend those darkening, blustery days leading up to All Hallow’s curled up with the new commemorative edition of Necronomicon: The Best Weird Tales of H.P. Lovecraft (Gollancz, $37.95 SRP). This hardbound edition contains dozens of stories from the horror master, and belongs on the shelves of discerning readers everywhere. It’s a handsome edition, to be sure.

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The second Busby Berkeley Collection (Warner Bros., Not Rated, DVD-$39.98 SRP) features a quartet of classic dance-filled musicals – Gold Diggers Of 1937, Gold Diggers In Paris, Hollywood Hotel, and Variety Show. All of the films are fully remastered, and bonus features include vintage music & comedy shorts, cartoons, and musical numbers.

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So, you cross Office Space with James Bond, with a touch of Alias? Sure, I’ll give it a shot. The show in question is Chuck (Warner Bros., Not Rated, DVD-$39.98 SRP), about a chain store computer nerd named Chuck Bartowski who finds himself in the deep end when he unwittingly downloads stolen government secrets into his brain – and now he’s a secret agent. Seriously. The 4-disc box set features all 13 first season episodes, plus featurettes, deleted scenes, outtakes, and more.

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Being a fan of the Disney theme parks and the design ingenuity and creativity that forged them, a book like Walt Disney’s Imagineering Legends And The Genesis Of The Disney Theme Parks (Disney Editions, $35.00 SRP) is, for me, a delightful look at the wizards operating behind the curtain. Author Jeff Kurti presents all of the main players – including the likes of Marc Davis and X. Atencio – with plenty of “oooooh” art and photos.

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Yes, you’re seeing spots. Lots of them. Not only is Disney re-releasing the live action, Glenn Close-starring 101 Dalmatians and 102 Dalmatians (Walt Disney, Rated G, DVD-$29.99 SRP each) – with pretty much the same bonus features as the previous editions – but they’re also dropping a special edition of the animated 101 Dalmatians II: Patch’s London Adventure (Walt Disney, Not Rated, DVD-$29.99 SRP), with a behind-the-scenes featurette, music videos, and a look inside Thunderbolt.

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Halloween is fast approaching us, so Fox has dropped another of their catalogue unearthing Fox Horror Classics collections (Fox, Not Rated, DVD-$19.98 SRP). Volume 2 sports Bela Lugosi menacing the titular Chandu The Magician, Vincent Price and Gene Tierney in Dragonwyck, and the ape-to-human thriller Dr. Renault’s Secret. Special features include audio commentaries, featurettes, radio shows, and more.

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It’s easily one of the more depressing romantic flicks in cinematic history, but it is a classic of the genre and still holds up as a solid piece of filmmaking. It’s welcome, then, that An Affair To Remember (Fox, Not Rated, DVD-$19.98 SRP) is getting a deluxe, 2-disc 50th anniversary edition, with an audio commentary, retrospective featurettes, the AMC Backstory spotlight, Fox Movietone News, galleries, and the original theatrical trailer.

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Bitter, angry, and still funny, the complete first and second seasons of that angry mallard Duckman (Paramount, Not Rated, DVD-$49.98 SRP) are now on DVD, complete with audio commentary, behind-the-scenes and retrospective featurettes, and more.

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Some of the best Star Trek stories have been the numerous tales of alternate realities, so it makes sense that the latest Star Trek Fan Collective is – you guessed it – Alternate Realities (Paramount, Not Rated, DVD-$39.98 SRP). The 5-disc set features Mirror Universe episodes from the original series, DS9, and Enterprise, twisted realities from Next Gen and Voyager, and alternate lives from the 3 latter series. And, unlike the regular series box sets, you even get audio commentaries.

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For some reason, they aren’t releasing full box sets of the 80’s Alvin & The Chipmunks, but we’ve got a 2-disc Alvinnn!!! Edition (Paramount, Not Rated, DVD-$26.98 SRP) featuring 14 episodes from the show. Can we please have a box set of the 60’s Alvin Show now?

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If you still have find memories of the John Hughes troika The Breakfast Club, Weird Science, and Sixteen Candles, then you’ll probably want to pick up the new High School Flashback Collection box set (Universal, Rated PG/PG-13/R, DVD-$39.98 SRP). All three films are housed in a “locker” tin, and the films themselves feature brand new documentaries, commentaries, and more.

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I never thought the mostly enjoyable run of classic Charlie Chan flicks would ever move past the first volume, but here we are with the 5th Charlie Chan Collection (Fox, Not Rated, DVD-$49.98 SRP), starring Sidney Toler as the legendary sleuth. The 4-disc set features Charlie Chan’s Murder Cruise, Murder Over New York, Dead Men Tell, Castle In The Desert, Charlie Chan In Panama, Charlie Chan At The Wax Museum, and Charlie Chan In Rio.

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As in the past, the singular releases of the final Avatar: The Last Airbender arc have been compiled into The Complete Book 3 Collection (Paramount, Not Rated, DVD-$79.99 SRP), which sports an exclusive bonus disc with a 4-part audio commentary, a look at the women of Avatar, pencil test animation, and a San Diego Comic-Con featurette. Paul Sabourin will be buying this.

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Still stylish after all these years, the 50th anniversary edition of Gigi (Warner Bros., Not Rated, DVD-$20.98 SRP) features a beautifully restored print of the Gallic love story. The 2-disc edition features an audio commentary, vintage shorts, an in-depth making-of documentary, and the original 1949 nonmusical version of Gigi.

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And if that’s not enough French fare for you, then how about a new special edition of Gene Kelly in An American In Paris (Warner Bros., Not Rated, DVD-$20.98 SRP)? It’s fully restored as well, with an audio commentary, classic shorts, a making-of documentary, a profile of Kelly, an outtake song sequence, and more.

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Did anybody watch the Grey’s Anatomy spin-off Private Practice (ABC Studios, Not Rated, DVD-$39.99 SRP)? I suppose there must be someone out there that cared to see Kate Walsh’s Dr. Addison Montgomery move on, I guess. Either way, here’s the complete first season, featuring all 9 episodes plus featurettes, commentaries, deleted scenes, outtakes, and more.

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You can now snag the 2-disc special edition of Michael Bay’s Transformers (Paramount, Rated PG-13, DVD-$29.98 SRP) in new “transforming package”. Personally, I think the film is a giant, unintelligible piece of crap – and my opinion remains unchanged – but I know there are plenty of fans who will snap this up. It’s got the same audio commentary and featurettes, but the case transformers into that crappily designed big screen Megatron. Blech.

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It seems like it’s taken almost 8 years just to get all 8 seasons of Will & Grace (Lionsgate, Not Rated, DVD-$44.98 SRP) on DVD, but the final season has finally arrived. The 4-disc set features all 23 episodes, plus interviews with the cast, audio commentary, a featurette, and outtakes.

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The second season of the Doctor Who spin-off Torchwood (BBC, Not Rated, DVD-$79.98 SRP) is still an awful mess of poorly written scripts and baffling characters that makes for an almost comically bad series that – with just a small amount of tweaking – might actually be a great show. It’s just that – as it’s handled now – it feels like a very poor man’s X-Files/Angel hybrid. The 5-disc box set features all 13 episodes, plus the Torchwood Declassified behind-the-scenes episodes, deleted scenes, outtakes, and a look at the life and deaths of Captain Jack.

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And, while it’s not the Doctor Who release I was hoping for, the complete first season of Torchwood had made its way to Blu-Ray (BBC, Not Rated, Blu-Ray-$99.98 SRP) sporting the same bonus features as the standard DVD release. Here’s hoping the Doctor arrives in high-def in the near future.

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Garishly colorful, borderline seizure-inducing, and practically incomprehensible, the Wachowski Brothers’ take on Speed Racer (Warner Bros., Rated PG, DVD-$28.98 SRP) is one of those awful films that you just can’t take your eyes off of, as you desperately look for some kind of redeeming value and marvel at the brightly-colored awkwardness on display. But at least John Goodman is watchable. And they found something to do with Christina Ricci’s forehead. So there’s that. Bonus features include a pair of featurettes.

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It’s mostly a soapy mess, but the real reason to at least check out the first season of Dirty Sexy Money (Buena Vista, Not Rated, DVD-$39.99 SRP) is for the performance of Donald Sutherland as the stupid rich patriarch of New York’s troubled (and in trouble) Darling family. The 3-disc set features all 10 episodes, plus audio commentaries, featurettes, deleted scenes, bloopers, and more.

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Oh, Mike Myers… I truly believe that you honestly thought that The Love Guru (Paramount, Rated PG-13, DVD-$34.98 SRP) was funny. Watchable, even. Sadly, it’s neither of those things. It is painful, however, and hopefully marks the low point before Myers makes a comeback. We hope. Bonus features include featurettes, deleted scenes, outtakes, and more. A Blu-Ray edition is also available ($39.99 SRP), with identical bonus features.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Trailer Park: Galifianakis Should Be The Name Of A Grecian Pastry Instead Of The Human

Filed under: Trailer Park — admin @ 9:11 pm

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

I guess I don’t get it. I don’t get Zach.

One of the stories that broke this week is that comedic star of the small screen, Zach Galifianakis, has just been signed to play in Todd Phillips’ latest flick, THE HANGOVER. Now, whether anyone can point a finger at his turn in Ashton Kutcher’s WHAT HAPPENS IN VEGAS and use it as proof that this “comedian” would just as soon sell his soul to a Cameron Diaz/Kutcher production in order to make the rent there does seem to be something to Phillips’ use of Zach. The guy is something different and his brand of humor borders on the Kaufman-esque.

For one, and I know I am not the only one, there definitely seems to be a need for many to have the stench of SCHOOL FOR SCOUNDRELS washed from their mouths as the rank taste has left many wondering what was left for this director who parlayed his goodwill for OLD SCHOOL and ROAD TRIP into paychecks for the betterment of his own wallet. Could this director get himself a movie actually worth getting excited over again? I’m not sure, again, STARSKY AND HUTCH showed he could do broad comedy but that’s exactly what it felt like, broad. He hasn’t impressed anyone with anything he’s done since being involved behind the lens for BORAT, and even that how much would any of you say was the writing versus the performance Sacha Baron Cohen gave? Yeah, exactly.

So, you have a director who has cashed in and cashed out and an actor who has been around for years but who no one else knows besides you or I. I believe this is what Todd needs, a break from his usual fare and an opportunity to show that Judd Apatow isn’t the only one in this town who can make a comedy. Although, judging by Apatow’s output Todd has a few more to make to even catch up.

In other, less acerbic news, I learned about this charity auction that is going on as we speak. It’s a chance to spend a day on the set of IRON MAN II: ELECTRIC BUGABOO with Robert Downey Jr.. Now, I wouldn’t normally find these sorts of things very interesting or newsworthy enough to send out to y’all but somehow this sounds like a rare opportunity to see exactly what Favreau’s going to be doing with the second part of what was, really, one of the best summer movies this year. A lot has been made of Marvel’s obstinate dealings with the man made them more than a few bucks and, even more, them declaring a release date before production was even started. It’s a one-two punch of not the greatest ways to begin a film that has more than a few things going for it. It showed people Robert Downey Jr. still is one of the best actors working today, that Gweneth Paltrow isn’t a shrill shrew who obviously can stop using her faux British accent whenever she pleases, that Favreau knows how practical effects can trump green screen when used properly and, the one thing a lot of suits understand, it made wheelbarrows of cash for the studio.

With everything surrounding the bizzare circumstances surrounding the negotiations to get Favreau back on board with a grin there is a lot I’m interested to know, from a fanboy perspective, of how he’s working under the pressure to meet the time line hurdles he’s no doubt going to have to overcome. I wish I had a few thousand to spend on an experience to not only josh around with the man who wears a goatee better than any dude has a right to but to get the inside line about where things are going to go from here.

If you have the cash, spend it. Then let me know what you find out.

Now, before I get right into it I wanted to make note that Ray Schillaci is back once again for one of his WORTH REVISITING rants. This time he’s back with a movie even I haven’t seen, CATCH-22, and explains why I should man up and put it into my queue. It’s good to have him back and, hopefully, if any of you have thoughts about this film you sound-off below and tell me why I need, or don’t need, to rush and see it.

IN SEARCH OF A MIDNIGHT KISS (2008)

Director: Alex Holdridge
Cast: Scoot McNairy, Sara Simmonds, Brian Matthew McGuire, Katy Luong, Bret Roberts
Release:
Now Playing
Synopsis: From emerging, award-winning filmmaker Alex Holdridge and the producer of BEFORE SUNRISE and DAZED AND CONFUSED, IN SEARCH OF A MIDNIGHT KISS is a funny and bittersweet look at love, sex, and modern romance. With an unsold script, no concrete plans, and a love life reduced to getting caught in compromising positions (alone!), a twenty-nine-year aspiring writer, Wilson (Scoot McNairy) just had the worst year of his life. That is until his best friend, Jacob (Brian Matthew McGuire), browbeats him into posting a personal ad for New Year’s Eve on Craig’s List. When Vivian (Sara Simmonds), a sexy, sarcastic, and seemingly blind-date-from-hell responds, the two strangers embark on an unexpected, chaotic, and hilariously awkward journey through the black-and-white streets of Los Angeles hoping to meet the right one before the stroke of midnight. A truly original love letter to Los Angeles, IN SEARCH OF A MIDNIGHT KISS captures a lost downtown rarely seen on screen along with the hearts of critics and audiences alike.

View Trailer:
* Large (Moviefone)

Prognosis: Positive. Do any of you know how much I love romantic movies?

I’m a fan of romance. Now, that doesn’t mean I enjoy the stylings of Matthew McConaughey and whatever flick he decides to doff his top in but I am more of a SINGLES kind of enjoyer when it comes to stories that try and deal with what it’s like to fall in love or at least of what it’s like to try. You can absolutely go wrong in so many regards to how unbelievable you make the character or what it’s actually like to try and distill the reality of frustration and pain you go through to find the one you end up with. SWINGERS and ONCE did this masterfully and when I see a trailer like this I am reminded that these bubblegum pop songs cum movies are still alive and well.

The trailer starts off thoughtfully enough. It sets up, what seems like, something completely unrelated to the film itself. It talks about the midnight kiss that two people give each other at the stroke of midnight. The music, the composition of the scenes, is well done and, like I mentioned, it seems unrelated to the narrative. Things come back to the moment at hand, however, as we are introduced to the man looking for love and his goofy ass friend.

“You’re gonna have 14 year-olds calling you, you’re going to have grandmas calling you”¦”

What seems to be at issue, then, is the pensive, introspective man who doesn’t want anything more than to just die in a small hole is somehow roped in to placing a personal ad on Craig’s List. Sure, it seems outrageous but so did what Debbie did in SINGLES when she threw herself into a video dating service.

What differentiates this trailer, and this story, from the others is that the guy seems well intentioned enough that he’s willing expose himself to the outside world in that he’s looking for a date for new year’s while completely understanding how bizarre and sad it is to be doing such a thing on-line.

So, the narrative moves forward after he gets a phone call. The shot of nothing but a pair of wet lips and the sounds of a woman who we don’t see interests me. The self-labeled misanthrope prepares for a date with this mystery woman and it’s endearing in a way. His jackass friend, and you have to have an obnoxious foil in there somewhere if you want to keep this kind of film from going too deep with emotion, is actually funny when he opens his fist as he drives his buddy to his date and reveals a mound of condoms. The misanthrope’s shock is worth the price of admission into this trailer.

Also, big ups to the music that’s embedded into this thing. It serves as a sweet frame around which everything takes place. It’s accurately chosen and it doesn’t take away from my riveted interest in seeing what is going to happen next.

What happens next is that we meet the woman who will end up with us for the rest of the movie and, save for a little pretentiousness that eeks out slightly on the screen, she seems like a nice lady. When the girl mentions she’s looking for true love on this night of nights, and you think that this could be straying too far into the artsy fartsy realm, we’re pulled back by misanthrope who questions using Craig’s List for such a thing.

We’re given a pull quote from LA Weekly and it honestly helps ballast my expectations a little higher. Toss in a few more moments of these kids getting to know one another and add in 4 other quotable reviews, mix in a nice jingly jangly acoustic number that is wickedly pleasant to listen to, and you’ve got yourself a winner.

But wait, there’s more!

This crazy lady’s ex-boyfriend threatens to burn all her things which sets in motion this frantic moment where these two budding lovebirds scramble to save some possessions from a relationship pyre. It’s chaotic but funny.

Near the end, the twinkling music that chimes in as the two of them are locked in traffic at the stroke of midnight is too perfect as we have an honest to goodness moment that should trigger something within you that says this is a movie which deserves to be seen.

THE SOLOIST (2008)

Director: John Wright
Cast: Robert Downey, Jr., Jamie Foxx, Catherine Keener, Rachael Harris
Release:
November 21, 2008
Synopsis: In “The Soloist,” an emotionally soaring drama about lost dreams and the redemptive power of music, journalist Steve Lopez (Oscar® nominee Robert Downey Jr.) discovers Nathaniel Anthony Ayers (Oscar® winner Jamie Foxx), a former classical music prodigy, playing his violin on the streets of L.A. As Lopez endeavors to help the homeless man find his way back, a unique friendship is formed, one that transforms both their lives. “The Soloist” is directed by Joe Wright Golden Globe winner for Best Drama and Oscar® nominee for Best Picture “Atonement.

View Trailer:
* Large (QuickTime)

Prognosis: Positive-ish. Let’s just toss this out there before anyone else has a chance to do it: Is Jamie Foxx (The Second X Is For eXcitement) going full retard in this film?

Yeah, it’ll be something that I think will inexorably follow any Robert Downey Jr. movie from here on out but I already have a feeling this expression has been played out. Regardless, though, there is something else that has chaffed me the wrong way in between the time we’ve all watched TROPIC THUNDER and IRON MAN and it has everything to do with this article that Rolling Stone did with Downey just last month. Besides the author collapsing under his own self-love of the prose coming out of his fingers the odd profile piece seems like it’s something better suited for a post-modern academic journal about dissociative disorders than it is an interview; seriously, for fuck’s sake, Downey seems just as pleased to be the master of obfuscation than actually giving a straight answer on anything. It’s Exhibit A why I don’t think I would enjoy the trappings of interviewing A list celebrities. Give me blue-collar actors any day of the week.

However, when it comes to Downey’s work as of late the man is just unstoppable. I think that if I did have any issue with how this new trailer starts is that it seems incapable of having any narrative flow. You have Downey riding his bike and then, next thing you know, he’s wiping out. The whole thing feels like a poor editing job and it’s disjointed on top of that.

I get that he’s a writer looking for some kind of inspiration and a little “ha ha” funny moment where we see him picking his words for a future column I guess is a little humanizing. Seriously, this does nothing more than wonder if this is going to be another down-on-his-luck writer (possibly afflicted with some kind of alcohol or drug problem, no less. Maybe he’s a male prostitute) who needs to find THE story that will lift his spirit and get him off the sauce.

Enter Jamie Foxx. Enter This is about the time when we get the “Higher Ground” Stevie Wonder cover version on a shiatty violin. Somehow of all the street performers in the world this one catches his ear. Regardless of why that’s the case we’re now supposed to buy into the idea that this guy captures Downey’s heart strings, awww, and prompts him to buy this street performer a new violin for reasons we’re not really privy to.

As a journalist he digs deeper, Downey finding out this prodigy of the woodwinds is crazy as a box of fruit loops.

We get some clue as to this guy’s craziness from what we’re given: Foxx asking Downey if he’s the pilot of a plane that’s passing in the sky, him making calls in phone booth with no shoes, him employing some retard strength as he turns on Downey and gets ready to give him a piece of his knuckle sandwich and a couple of other moments that scream, “Please, Academy, witness my greatness!”

Shameless pandering aside we do get a moment that feels genuinely tender. With a delicate violin solo and the announcement that this is coming to us from the director of ATONEMENT there are some rather evocative moments that surprise even me.

In a world slathered in crazy comes a guy who talks to the air, punches anyone who he short circuits around and just happens to be masterful in the one thing that separates him from any other crazy person that doesn’t get a movie made about them.

I think I really respond to Downey playing the part of friend who says the embarrassingly sappy lines of “We look after each other” or “I’m the closest thing to family he has.” It really reeks of the kind of bombast that is usually reserved for pabulum like this. However, how deep the superficiality goes or how maudlin things get is really up to Downey and Foxx (Where The X Stands For eXtreme!) to see how much retard they’ve imbued these characters with.

###

WORTH REVISITING: CATCH-22

Catch the Catch by Ray Schillaci

Of all the movies about war, whether it be Vietnam, Gulf War, WW II, even to go as far as to affiliate Braveheart or 300 in that category, there are ten that I could recommend. Perhaps a handful of them would leave you feeling both exhausted and exhilarated for their cinematic style and story telling. But there may be only one that that takes you beyond the edge and pushes you off while putting you through a whirlwind of emotions. Love it, hate it, one cannot deny the brilliance, not only of story, but casting and direction that is picture perfect. Yet, it is far from recognized getting lost in the shuffle of Apocalypse Now, Deer Hunter and Platoon. It even was lost during its opening having to compete with a far more digestible war piece, “M.A.S.H.” The reason; it makes you think and generally people would rather escape than struggle with their mind. “Catch-22″ not only makes you struggle but also has you contemplating far after several viewings.

Catch-22 is of all things a black comedy about the horrors of war and one man trying to escape them while others wallow in its profiteering, bathe in its depravity and snap (and literally break apart) under the unfathomable duress. Sound like fun? Think about it; what movie executive in his right mind would green light a project like this. Of course, this was done in the 70’s when filmmakers were allowed to have a voice and not be pressured into franchises, monopolies, and toy manufacturing. It’s a time when Coppola had not yet fried his brain and a young Spielberg was interested in story as well as technique.

This anti-war satire of epic proportions was ripped from the pages of a harrowing novel written by Joseph Heller. The book had people talking and the idea of turning it into a movie was as insane as the premise of the story itself. Paramount probably only gave it the go ahead because of the dedicated talent that was willing to tackle this behemoth of a story and to compete with 20th Century Fox’s broader appeal war project in the works, M.A.S.H.

Paramount thought they had something going on when they signed the winning team of Mike Nichols and Buck Henry fresh from “The Graduate” to handle the delicate balance of laughs, drama and horror of the amazing novel. They were able to land a cavalcade of stars that were all in their acting prime; Alan Arkin, Martin Balsam, Richard Benjamin, Jack Gilford, Buck Henry, Bob Newhart, Anthony Perkins (yes, Norman Bates!), Paula Prentiss (and showing full frontal ““ how the heck did they manage that?), Martin Sheen, John Voight”¦I know what you’re thinking ““ does it ever end? No, they actually topped it off with the talents of Orson Welles and the unusual Art Garfunkel (yes, from Simon and Garfunkel ““ “Mrs. Robinson” fame). Normally this would be a film executive’s wet dream watching these talents woo the dollars into the box office. But no one anticipated the brilliant film team of Nichols and Henry to dive into the book and venture beyond the challenge not seeming to care who they may offend, repulse or leave in a quandary.

This was the studio’s goose egg and a film connoisseur’s dream. They had taken the story of a small group of flyers in the Mediterranean in 1944 and placed before us winners, losers, opportunists and survivors. They displayed the frightened, profane, pathetic and very nervous edge that accompanied those participating in such folly. Of course, this was just coming off the heels of the age of love, not war, and these love children wanted to make sure if you walked into that theater you would never forget and probably think twice before enlisting (I know, not very patriotic). They were of a time when so many young people felt there had to be another way to handle disagreeing fractions peacefully rather than have old men beyond their prime sending out young, lower and middle class, men to slaughter for the illusion of freedom.

Some may find the movie hard to follow, especially with so many flashbacks and dream sequences, but it all ties together in the end and is probably one of the most defining films of that period. Nichols gives us images that stick to our mind; Alan Arkin sitting naked in a tree, refusing to put on his uniform for fear of flying again. There are officers running through routines like Abbott and Costello while their landscape is being blown to shit. Guts spilling, people literally cut in half and blow jobs in back alleys have one in shock that mainstream cinema was allowed to go this far back then. It just shows you how backward and infantile we have become. Do not get me wrong; none of this is for exploitation. The images as a whole lash out a statement that puts Kubrick’s “Full Metal Jacket” to shame.

Once again, this is not an easy one to find. But it may be worth adding to your collection since it can be purchased for less than $10. Just the cast alone is worth that. Warning this is not for wives or girlfriends (unless they are very hip and don’t mind putting themselves through the wringer). This is a thinking guy’s movie. So, those who like their war movies dummied up with little dialogue, lotsa gore and far less story ““ rent “Rambo, the Fight Continues” ““ it’s as original as it’s title. But I do admit it’s a guilty pleasure when I’m in a red neck mood.

Comics & Comics: Who Loves Bananas?

Filed under: Comics and Comics — admin @ 9:08 pm

COMics & Comics 31208- lOGO

Howdy Interwebbers. I’m Matt Cohen, and I dig monkeys.

Can’t help it. They’re hysterical. I mean… look at them. Some even wear bowties! So it is in this grand tradition of simian love that I can happily say that not only have our hairy cousins invaded the world of comicdom, but they actually have spawned a fantastic series, and it’s my pick for book of the week.

What can I be referring to, you may ask? Well, let’s get into the week that was, and maybe you’ll just find out. Nosy…

Get ready, steady… go.

————-

DC

D.C Universe Decisions # 1: Or, Funny books get all political. I at first passed over this book on my way across the rack, but upon second viewing decided to investigate further (Ollie was on the cover and Bill Willingham wrote it. How could i pass that up?). So I had no idea what I was getting in for – and what I got, I liked. Nothing groundbreaking in this series, but the general conceit – “What would happen is Superheroes began throwing their might around the political arena?” -  is executed by writer Willingham (He of Fables fame) and Green Arrow helmer (and Real-Worlder) Judd Winick well enough that I will be checking in to the rest of the series. It’s kind of fun to think which heroes would fall on which side, red or blue (left or right). In fact, Issue 3 is billed as just that – “Superman: Red or Blue”. Sure, it’s kind of annoying when comics get topical, but this series packs enough uniqueness and Green Arrowness to warrant a read.

Titans # 5: Raven, I apologize for calling you “All Gothy now”. Far from an emo teenager, Raven has “finally” ( I mean, it sort of has been a long time coming) emerged as the true daughter of Trigon that always lurked inside. In a really good issue where most of the meat takes place between Raven and Garth (Beast-Boy),  just when it seemed the Titans were finally “together” again (Cyborg learns to walk. Hurrah!), Raven pulls a quick one – albeit unintentionally – and joins her family as the heir to the demonic kingdom, and as the one person destined to destroy the Teen Titans. This will not go over well – especially with the Team leaders, the on again off again Dick and Kori. It’s about to go down folks… demon style. Will the newly reformed Titans survive a threat from one of their own? I can’t wait to find out. Also, green grizzly bears are hilarious, and I want one. My birthday is coming up. Get on that, kids.

Spirit # 21: Though Darwyn Cooke’s is definitely missed, fan-favorites Sergio Aragones and Mark Evanier (Groo, anyone?) have done quite nicely in assuming the creative duties on the exploits of Denny Colt. There are few humans in the world who can equal Cooke’s penciling, in my opinion, but both the art and stories in this current run have been fun, light-hearted, and honestly a nice break from all the Super-Event nonsense I read every week. This issue is no different from the prior, Denny/ladies/bad situation/bumbling Dolan/classic Aragones wit. If you have not checked out this series or are curious about the character due to the impending film, this would be a great jumping off point, Spirit-Wise.

All-Star Superman # 12: The final issue has arrived of Grant Morrison’s Eisner award winning series and I, along with many fans, will have a gaping hole in their comic reading lives. The past year of this series has reminded people of what Superman CAN be and how great a character he really is, if handled properly (and with respect) and not tangled up in continuity nonsense. In this final issue, Clark’s impending death catches up with him, but not before giving the world one final gift. This comic transcends into the near sublime, and Frank Quitely’s art couldn’t be more dreamy or fitting. One of the better comic book series I have ever read, and one that I will miss looking forward to reading more of. A MUST-READ book.

MARVEL

Marvel Apes # 2: Who would’ve thunk it, ay? What a year ago sounded like a joke, and what 6 months ago sounded like trying to capitalize off the “Zombie” craze, turned out to be not only a worth-reading series, but a damn fine one. I am enjoying the hell out of Marvel Apes. Flat out. Who would have ever though Marty – aka  “The Gibbon”, a perennial D-lister – would become not only the star of his own “Blockbuster” series, but a damn fine hero and a really likable character at that. If at the end of this thing we don’t see more of the Gibbon in the MU, I will be surprised and disappointed. Read the book, I won’t spoil it. But it is NOT what you are thinking it is, and the twist that comes in issue 2 is so random, insane, brilliant, hilarious, and oh my f-ing word I can’t believe they did that, that it took me about five minutes to recover. Marvel, I know people give you flack for the “What-If” minis that make so much pretty pretty money, but if they are as half as enjoyable and fun as Zombies and Apes have been, I will buy every single one. With bells on. Bells with the Marvel logo on them.

Amazing Spider-Man # 572: So remember when we all gave up on this title right around the horror show that was “One More Day”? Well, some of us lied. Some of us continued to buy the now weekly series, and trudge through what seemed like a very downhill spiral in quality. Then about three or four issues back, something mind-blowing happened. So “One More Day”, the arc that followed, and the craptacular “Daughter of Kraven” arc came and went, and the series seemed to be stuck in a death-grip of mediocrity. Then we met Anti-Venom. What seemed at first by many to be a stunt move has turned out to be one of the most exciting and bad-ass storylines in comics today. I am 90’s mark, so be it. I love me some Eddie Brock. Venom (the og edition) has and will always be one of my favorite comic characters. When the Scorpion took over the symbiote reigns i lost interest a bit, but still enjoyed most if not all Venom appearances. Meanwhile, poor Eddie has been stuck on the sidelines. Not anymore folks. Eddie Brock is back, and as Anti-Venom, more twisted and intriguing then ever. Throw in a now fully crazy Norman Osborne, a subplot with Harry and the Thunderbolts to boor. Pick up the title now, lest it goes in the direction I think it’s heading and you will be sorry later. Also, last panel of the book? Shockingly good. I applauded. I am back on the web-wagon, and hope others will join me.

Ghost Rider # 27: Who knew this book would get good again? If you haven’t been following the series lately, we found out that Ghost Rider is not working for hell, but rather heaven, and that heaven are the bad guys. Yeah. My brain hurt, too. And that demon of the week story line sucked big time as well. So what could make this seemingly dismal book readable again? Two words, one wonderful meeting of Riders – Danny Ketch. Yup, the sophomore rider is back, and he and Johnny seem destined to be locked in an epic battle for the true mantle of “Spirit of Vengeance” (coming next issue). For a non MAX imprint, the gore and carnage level in this book has been really stepped up, satisfying horror buffs like myself. Ghost Rider is not a superhero, and should not be involved in superheroics. The writers finally seem to understand that as well as the fans do. Throw in a new Caretaker, and you have quite the fun issue of what is re-bounding into a pretty decent series.

———-

Unfortunately, the sun is going down and it’s time for me to put on my dancing shoes and hit the proverbial town (even though I’m not the violent type.) Tune in till next time for more mind blowing bloggitude.   And while you are out it, give a listen to the newest podcast to sweep the nation, BAGGED & BOARDED, starring yours truly and the world famous philanthropist Jesse Rivers.

As always kiddos – and now podcast appropriate,

“Keep em’ bagged and boarded”

Matt Cohen is currently all podcasty.

Win PETER COOK & DUDLEY MOORE on DVD!

Filed under: Contests — UncaScroogeMcD @ 8:35 pm

contestheader.jpg

We’re giving away, in conjunction with BBC Home Video, five (5) copies of PETER COOK & DUDLEY MOORE: THE BEST OF WHAT’S LEFT OF NOT ONLY BUT ALSO on DVD.

Contest ends at 11:59pm EST on Friday, September 26th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Friday, September 26th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win TORCHWOOD: SEASON 2 on DVD!

Filed under: Contests — UncaScroogeMcD @ 8:19 pm

contestheader.jpg

We’re giving away, in conjunction with BBC Home Video, five (5) copies of TORCHWOOD: SEASON 2 on DVD.

Contest ends at 11:59pm EST on Friday, September 26th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Friday, September 26th.

The winner must allow 4-6 weeks after notification of win to receive the product.

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