Tag: wolverine

  • Contest Round-Up: 2009-09-09

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    Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with Fox Home Video, we’re giving away two (2) copies of X-MEN: ORIGINS – WOLVERINE on DVD.

    In conjunction with Walt Disney Home Video, we’re giving away three (3) copies of BEDKNOBS & BROOMSTICKS on DVD.

    In conjunction with Comedy Central Home Video, we’re giving away three (3) copies of IMPORTANT THINGS WITH DEMETRI MARTIN on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of FRINGE: SEASON 1 on DVD.

    In conjunction with Buena Vista Home Video, we’re giving away three (3) sets of X-MEN: VOLUMES 3 & 4 on DVD.

  • Win X-MEN: ORIGINS – WOLVERINE on DVD!

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    In conjunction with Fox Home Video, we’re giving away two (2) copies of X-MEN: ORIGINS – WOLVERINE on DVD.

    Contest ends at 11:59pm EST on Wednesday, September, 23rd.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of Quick Stop Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on September, 23rd.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Weekend Shopping Guide 6/05/09: You Can See My Back In That Shot

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

    When I was a young college freshman near the end of my first (and only) disastrous year at NYU, I was able to arrange for a press ticket to a taping of The Dana Carvey Show (Shout! Factory, Not Rated, DVD-$24.99 SRP). And then they say me up front. Way up front. In fact, you can see me during Carvey’s monologue in the 7th episode, which was also the last aired. You’ll find that episode, plus an unaired 8th, in the long-awaited DVD release. The show was hit and miss, but it had an almost literal ton of up-and-coming talent, including Stephen Colbert, Steve Carrell, Robert Smigel, Louis CK, Charlie Kaufman, and Dino Stamatopoulos. The set also contains an interview with Carvey & Smigel, plus deleted scenes.

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    For years and years and years, ever since I first saw one when I was a kid, I’ve wanted a book that opens up to reveal a cut-out hole. You know what I mean? The kind you could hide things in. Like a jewel. Or booze. Well, Thinkgeek now gives you that Book Vault ($34.99). You absolutely, positively know that you want one. How can you not? It’s a friggin’ book vault!

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    Another Pixar film in theaters means another eye-candy filled “Art Of” book, which is exactly what you get with The Art Of Up (Chronicle Books, $40.00 SRP). As usual, the hardcover tome is packed to the rafters with production artwork, designs, interviews, and more.

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    Forged in the fire of the Writers Strike of 2008, released on the internet to rabid fan acclaim, and long available on that selfsame net, everyday people can now get a copy of Joss Whedon’s online musical, Dr. Horrible’s Sing-Along Blog (New Video, Not Rated, DVD-$14.99 SRP) wherever they’d like. Bonus features include a musical studio commentary, a standard commentary, making-of featurettes, and Evil League Of Evil application videos.

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    Much of the comedy in Eddie Murphy’s game-changing stand-up concert Delirious (Entertainment Studios, Not Rated, DVD-$29.97 SRP) has not aged well, and some of it is just uncomfortable. Still, if you can get past those bumps in the road, there’s still a fair amount to laugh at. The 2-disc 25th anniversary edition contains additional footage, a making-of featurette, and an interview with Murphy.

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    It’s pure popcorn, but I think Air Force One (Sony, Rated R, Blu-Ray-$28.95 SRP) is the last great Harrison Ford movie. From that point forward, a once winning movie star couldn’t pick a solid project to save his life, steadily devolving into a caricature of himself. Ignore all those future failures and instead relive this last great one in full high definition, which ports over the audio commentary from the standard DVD release.

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    Another great flick making its transition to high definition is the Civil War epic Glory (Sony, Rated R, Blu-Ray-$28.95 SRP), which benefits from the audio/visual upgrade. It was a fine film to begin with, but the battle scenes have certainly been plussed. Bonus features carried over from the standard edition include an audio commentary, deleted scenes, and featurettes, with the addition of a Blu-Ray exclusive virtual Civil War battlefield map.

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    I must admit, Revolutionary Road (Paramount, Rated R, DVD-$29.99 SRP) is a good film, but a very difficult one to make it through… Perhaps because the young 50’s couple we’re following (a reunited Leonardo DiCaprio & Kate Winslet) are coming apart at the suburban seams. Bonus features include an audio commentary, deleted scenes, and a pair of featurettes. A Blu-Ray edition ($39.99 SRP) is also available, with identical features.

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    June has become decidedly jazzy with a trio of deluxe Legacy Edition catalogue releases from Sony Music. First up is a 3-disc edition of Dave Brubeck’s Time Out (Sony Legacy, $24.98 SRP), containing the original album, se second disc with 3 years worth of live performances, and a DVD with performance footage, and interview with Brubeck, and a photo gallery. Next up is Charles Mingus’s Mingus Ah Um (Sony Legacy, $24.98 SRP), with 2-discs containing the original album, alternate takes, and bonus tracks. Finally, it’s Miles Davis’s Sketches Of Spain (Sony Legacy, $24.98 SRP), with the album, alternate takes, and bonus tracks. Sweet, daddy. Sweet.

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    Paramount isn’t the only one unleashing a tidal wave of Blu-Ray catalogue titles, as Universal dips into their extensive roster for a batch of their own, many of them must haves. So what does the batch consist of? Field Of Dreams, Fletch, Inside Man, Spy Game, Children Of Men, Seabiscuit, Bruce Almighty, and Cinderella Man (Universal, Rated PG/PG-13/R, Blu-Ray-$29.98 SRP each). Bonus features are identical to the standard editions, so the A/V upgrade is the big bonus here.

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    I still can’t fathom what people saw in the three flicks currently comprising the X-Men Trilogy (Fox, Rated PG-13, Blu-Ray-$79.98 SRP). They’re poorly written, badly acted, and in no way capture the source material. But people still saw them. In droves. And must have enjoyed them. No accounting for taste. For those that dug them, the trio – X-Men, X-Men 2, & X-Men: The Last Stand – are now available in a 9-disc Blu-Ray box set, porting over all of the bonus materials available in the standard editions.

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    Sergio Leone’s The Good The Bad And The Ugly (MGM/UA, Rated R, Blu-Ray-$29.99 SRP) made an icon out of Clint Eastwood, and it gets a spiffy high definition treatment that translates all the grit quite nicely. The bonus features are a direct port of the excellent special edition DVD from a few years back, including audio commentary, featurettes, deleted scenes, and the theatrical trailer.

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    Over 20 years after its single season run, The Jetsons returned to television with brand new episodes, the first 21 of which are being released as The Jetsons: Season 2 Volume 1 (Warner Bros., Not Rated, DVD-$34.98 SRP). The 2-disc set also contains a featurette looking at the evolution of the series.

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    The BBC’s nature documentarians can always be counted on to deliver stunning visuals, and that’s certainly the case with Nature’s Most Amazing Events (BBC, Not Rated, DVD-$29.98 SRP), which is 2-discs packed with exactly what it says on the tin. A Blu-Ray edition ($34.98 SRP) is also available, which cranks everything up with even more impressive high definition.

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    I can’t see William Conrad in the episodes features in Cannon: Season 2 Volume 1 (Paramount, Not Rated, DVD-$36.98 SRP) without thinking of all of the voice work he did on the Jay Ward cartoons of the 60’s, particularly Fractured Fairy Tales. The 3-disc set contains the first 12 episodes of season 2, plus episodic promos.

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    The movie’s a dud, but it’s still fun to flip through both Terminator Salvation: The Official Companion (Titan Books, $29.95 SRP) and its companion The Art Of Terminator Salvation (Titan Books, $35.00 SRP). Both are packed with plenty of photos, art, and info. Shame the movie couldn’t have been… you know… good.

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    Though often a director, I always get a kick out of Kenneth Branagh, the actor, who is in fine form in the UK series Wallander (BBC, Not Rated, DVD-$34.98 SRP), in which he stars as the titular Swedish detective. The 2-disc set features a trio of episodes, plus featurettes and a Branagh interview.

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    Surprisingly, Fargo (MGM/UA, Rated R, Blu-Ray-$29.99 SRP) is still, I believe, the most successful, accessible Coen Brothers film. It’s not my personal favorite (hello, Hudsucker Proxy), but it is a quirky delight. And guess what? Now it’s available in high def, with an audio commentary, a featurette, and a trivia track.

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    The folks at Sesame certainly are pushing Abby Cadabra, aren’t they? The latest team up with their little red cash cow is Elmo And Abby’s Birthday Fun! (Genius, Not Rated, DVD-$14.93 SRP), where the duo travel to Fairy Tale Land to celebrate Little Red Riding Hood’s birthday.

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    Nancy Botwin moves her mini pot empire south of the border in the fourth season of Weeds (Lionsgate, Not Rated, DVD-$39.98 SRP), and the trip to Mexico doesn’t exactly make things easier – or safer. The 3-disc set features all 13 episodes, plus commentaries, featurettes, and a gag reel.

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    It’s not my cup of tea, but Army Wives (ABC Studios, Not Rated, DVD-$45.99 SRP) seems to have gotten traction with audiences in its second season, which arrives on a 5-disc set with featurettes, deleted scenes, and bloopers.

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    Daniel Craig, Liev Schreiber, and Jamie Bell star as a trio of simple farmhand brothers who goes up against the Nazis in Defiance (Paramount, Rated R, DVD-$29.99 SRP), a flick that was largely overlooked at the box office but makes for quite a good at-home watch. Bonus materials include an audio commentary, a quartet of featurettes, and more. A Blu-Ray edition ($39.99 SRP) is also available, with identical bonus features.

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    In Direct Contact (First Look Studios, Rated R, DVD-$28.98 SRP), Dolph Lundgren stars as an ex US Special Forces soldier whose imprisonment in Russia is lifted if he agrees to undertake a daring rescue – only to find out it was all a ruse, and means he’s now a pursued man. A Blu-Ray edition ($29.98 SRP) is also available.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Trailer Park: X-MEN ORIGINS: WOLVERINE World Premiere and ADVENTURES OF POWER – Reviewed

    By Christopher Stipp

    The Archives, Right Here

    So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies.Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about.

    ADVENTURES OF POWER – REVIEW

    aop_webThe moment that solidifies THE ADVENTURES OF POWER as a film that is far more than just a movie about a guy, Power, who has dreams of being a great air drummer is when Michael McKean, who plays his father, stands up to a pack of riot police. His father heads a pro-union force looking to hold the line for union workers who toil at a local copper mine; they walk off the job, force its obnoxious, caricature of a boss hoss to shut the normal mining operations down as McKean tries to elevate the working lives of those who live in a tough and shattered city that almost could be classified under Ghost Town categorization by New Mexico standards.

    It’s hard to believe that this movie actually is an amusing farce of a film but it is.

    Led by the air drumming talents of actor, writer and director Ari Gold as Power himself the movie has two things on its mind: 1) Tell a story about a man who dreams of being so much more than the incompetent miner that everyone else pegs him to be. 2) Take a shot at films where events cumulate in any kind of great event where our hero needs to become the winner of it all.

    Knowing these two things, the film is free to spread its thoughts across a wide palette of events that take Power from the destitute city where many dreams have no doubt died. But not Powers’. The film’s opening with Mr. Mister’s “Kyrie” sets the tone for the rest of the film in that we’re exposed to a lot of classic music where the focus is on songs with rich drum sound. What’s funny, or duly noted, about this is that not only does this movie bring together sounds from the past which let drummers express their presence in a band but the story is shaped by the music that I remember meant something more than some of what’s being made today. Power is that man, trapped in the years far in the past, trying to bring together his passion for being his own individual and trying to make those around him respect his abilities as a superior air drummer.

    The premise is absolutely ludicrous, it should be said, but Powers’ walkabout that finds him first in an underground air drum contest far away from his home and then under the tutelage of a former master of funk, Carlos, played by Steven Williams. What transpires in the hollows of Newark, New Jersey is a fantastical tale of a man who is taught how to become an even greater air drummer within a cast of absolutely bizarre band mates who air drum themselves. The mere transcribing of their efforts baffles even me why it’s funny to watch and take in but a lot of that credit should go to writer/director Ari Gold. His talent for writing a story that’s funny is one thing but you could virtually watch this film without the sound on and soak in the deliciousness of his direction. The cinematography only adds another layer to what makes this film special; it’s far too beautiful for how simple the story is but it couches the events of this film in a place that feels absolutely real. It’s not like an over lit comedic showpiece that is made specifically to accent the performances of the talent on the screen, this movie makes the places inform its action.

    Dallas Houston, played by Entourage’s Adrian Grenier, is also a wild card into this mix of craziness. Playing a overly hackneyed version of a superstar that is, himself, a walking caricature of arrogance we see that Houston also has dreams of being a great air drummer, a sinister behavior that he must keep hidden from his copper mine owning father (how coincidental!) but that’s the idea. The movie sends up films where these tropes exist but ADVENTURES OF POWER gets it right. It knows where to put the musical interlude during our hero’s training and it even knows every hero needs a lady to fight for. Segue to Power falling in love and wooing a deaf girl (played by the adorable Shoshannah Stern) and you have yourself the other piece to this cinematic puzzle.

    Even though the events that lead up to ending and resolution of the film is as predictable as the movies it lampoons the real treat is experiencing the potential in Ari Gold’s filmmaking. His previous effort in the short, short CULTURE have proven him to be sharp, thoughtful and quick to understand the patterns that exist in modern cinema and this film is no different. The satire here is sure to be lost on those who don’t see through the superficiality of what makes this movie such a small gem in the land of independent film which seems cluttered with films looking to spread heady and heavy messages. Ari Gold’s vision is fully realized in a movie that blends place and theme, and a wicked ass soundtrack, wonderfully.

    X-MEN ORIGINS: WOLVERINE – PREMIERE IN TEMPE, AZ

    premiere1There isn’t a whole helluva lot that follows which is mine.

    An Internet contest that was vying for the World Premiere of X-MEN ORIGINS: WOLVERINE got underway weeks ago. Hugh Jackman had a pre-recorded video message that asked fans from all over America to try and get the star studded event, he mentioned bringing a whole cadre of his actor buddies with him to help celebrate, in their town.

    I, being of sound mind and not giving in to such ploys to generate market interest in the movies, didn’t vote. Of all the places, who would want to bring a movie premiere to my backyard, to Arizona?

    signAll of mo-fo’s did, apparently.

    The masses spoke and thanks to this being a lead story in broadcast and online news (yeah, not much was happening that day) on the last day of voting Tempe, Arizona pulled out a win. Hugh again delievered a taped message a week ago last Monday to regale people with the good news. Again it was reported on as if Jesus Christ himself was about to appear at the local Dairy Queen.

    Days leading up to the event only meant more hoopla, more mentions of the fact that the last premiere to come to Arizona was BEN HUR, decades ago, and even the day of, this Monday, lines stretched around the theater the night before to try and get tickets or to at least jockey for a good position to see Hugh Jackman and company up close and personal. Hugh did the crowd a solid and sent muffins and coffee for the die hards in the wee hours on Monday morning, spending $4,300 on breakfast items for the crowd.

    premiere2Me? I was giving alms to my press pass and just making sure I had my batteries charged.

    What was to follow later that day, that night was pretty neat even from all the years I’ve spent covering events at places like the Comic-Con. The level of intensity from the crowd who were simply happy to be there, to see Jackman working the event like the emcee he’s so good at being, was inspiring simply because these were people who don’t work in the movie field and are just happy to indulge in a little superficality for an evening. It was good to reinvigorate myself to see how much people dig these sorts of things. Even though there’s no way in hell there will ever be another premiere in Arizona for quite some time it was still nice to talk to Wil i Am, Taylor Kitsch, Lynn Collins, Liev Schreiber and Hugh Jackman. I even got to have a very pleasant talk with Wolf from American Gladiators which was a surprisingly interesting and warm exchange.

    Not all the questions below I was able to ask personally. I take minimal responsibility for some of the more innane inquiries, especially the ones asked to Hugh, so I hope you enjoy the rapid fire pace of what follows.

    WOLVERINE Interview Questions and Answers

    LIEV SCHREIBER

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    LIEV: That’s me.The bad guy from Scream. And I am Naomi Watt’s baby daddy.

    QUESTION:How are the kiddies?

    LIEV: They’re good. They’re good. They’re at home.

    QUESTION [Christ, I don’t know what I did to get saddled with these people]:What do you look for in a woman?If Namoi would say have at it.

    LIEV:I don’t believe I could answer that question in good conscience.

    QUESTION:Here’s an easy question.When you watch a movie are you a popcorn or candy kind of guy?

    LIEV:It depends on what they got. But, generally, I’m a popcorn kind of guy. If the movie is good, you never make it past one handful.

    [Want to know why some actors hate junkets? Wait for what comes next.] QUESTION: Is Hugh Jackman everything we think he is?

    LIEV: He’s awesome. Hugh’s pretty good. Ryan Reynolds said it best. He said Hugh is so nice he makes ice cream look like Hitler.

    (Laughs)

    STIPP: You have a strong theater background.What kind of movie does this represent to you when you look at the jobs you’re going to take? Do you make a difference between theatre and big budget action pictures?

    LIEV: The plain simple fact is that I don’t think men mature past the age of 22. Physically we can become 90, 100, 120 but mentally most men don’t go past 22 so when they say to you do you want to come to the movie and be the giant mutant cat that flys around the buildings and whips Hugh’s ass, I said yes.

    STIPP: There’s no hesitation?

    LIEV: No, there’s no hesitation. I don’t think there’s any hesitate for any man in that situation. Wouldn’t you do it?

    STIPP:Of course.

    LYNN COLLINS

    lynncollinsQUESTION: What’s something interesting that our fans would want to know about? [Journalists, asking the hard hitting questions!]

    COLLINS: What’s interesting to me is that one day Hugh came to me and said that the producers had gotten together and said that I needed to be wearing an outfit that may be more skimpy. So I walk into my trailer and there is the tiniest little silver dress I had ever seen in my life. So I put it on and went outside and they all said April Fool’s. It was a big joke. So I was standing there in front of the producers and Hugh Jackman in the tiniest dress that didn’t fit me.

    QUESTION:Sounds like fun. [Sounds like mental retardation…]

    COLLINS: That was fun. Humility. Humility baby.

    STIPP: As a theatre actress, and I’ve read about how you and Liev already have worked before in that capacity, this is obviously something bigger than you have ever experienced before.

    COLLINS: Right.

    STIPP:How was it going from theatre to big budget action movie?How does that translate for your performance?

    COLLINS: You know, I found it very interesting when I was working on this process that I was really able to utilize all my experience and training at Juliard because we are dealing with such sweeping emotions because we are working on stages with a green screen.

    QUESTION: How was it working with Hugh?

    COLLINS:He was the charismatic leader on this film. Everyone worked so hard and he was really the catalyst and shared that energy with all of us.

    TAYLOR KITSCH

    taylorTAYLOR KITSCH: Hey, how are ya?

    QUESTION:Welcome to Tempe.

    KITSCH:Thanks for having me. It’s a pleasure to be a part of it all.

    QUESTION:Is this your first visit to Tempe?

    KITSCH: It is. I have driven through but actually my first time to take it in.

    QUESTION:Where’s home for you?

    KITSCH:Austin, Texas.

    STIPP:What’s it like to take a comic book character to screen.You have those internet geeks who love to rip apart everyone saying, “He’s not right, he’s not good, he’s not…whatever.” How did you approach this character?

    KITSCH: The only way is you have to dive into it man. It’s all or nothing. You have to just commit to it 150%. So from learning the tools he has to the cars, to his accent, to his posture, to his cadence, to everything else, that’s how you do it.

    STIPP:Did you get to the point where you just say, “What the hell?This is a comic book.What am I doing?”

    KITSCH: No. Because the more I dived into him the more passionate I became, the more I understood the fans. I want to go another round with him at least. To go darker.

    STIPP:Really?

    KITSCH: Absolutely.

    STIPP:You said you wanted to introduce him.Where is the Gambit we get in this movie?

    KITSCH: You get a few pieces of him. He loves to fight and play around. You have to remember who he is against. Who Wolverine is to him at the time is a lot different than if you had Gambit earlier on which is something I would love to explore. How did he get to the point where he’s at his own poker table and he has that smirk. What made him have that, you know? I think a lot of that would be fun to explore.

    WILL I AM

    willQUESTION: How are you doing?

    i AM:I’m 21 and older.

    QUESTION:Hey, for all the brothers and sisters out there, what should they know about this film?

    i AM: It’s a brother super hero, you know… You know what I’m saying? Obama’s in the White House, first Black super hero…

    (Laughs)

    Nah. It’s a great film.

    QUESTION: What’s the biggest challenge you had doing this film?

    i AM: It’s my first movie ever so that’s a challenge. Dealing with professionals. Look at that poster. Check that shit out!

    STIPP: Are you thinking of hanging one in your house?

    i AM: No. That looks weird to me. I can deal with Black Eyed Peas”¦that’s normal but this is not normal.

    STIPP:Does this represent something to you now, like this is where you always wanted to be, a multi-talented artist?

    i AM: It makes me say, WOW. What I can do and what anybody is capable of doing. It’s not what you want because a lot of times you don’t dream it. You’re afraid of getting your world crushed. So that represents dreaming because you can be it. To any youth out there, to any kid, it’s like look at me. You can do it. Three years ago I never thought that was possible. To me, it’s a little kid in the projects or a girl that’s going through a lot, you can make it happen. Just dream big. Anything is possible. White, brothers, Chinese, Korean”¦anybody. You can do it man. I am freaking out looking at that poster.

    QUESTION:What’s going to be next for you? Any more movies?

    i AM: No. Next I’m going to release the Alicia Keys album and get back to what I am a pro at “¦. And I’m not a pro even at that because Herbie Hancock is a pro.

    STIPP: If you’re not a pro then what are you?

    i AM: I’m a fan that has equipment. At the end of the day, really that’s what it is. I’m a fan, I’m bored and I entertain myself. And people like it.

    HUGH JACKMAN

    hugh

    Hugh started off things by talking about his most generous gift of caffeine and pastries that morning to those waiting to get in to see the premiere.

    HUGH JACKMAN: Were you here this morning?

    QUESTION:No, but the fans were.

    JACKMAN: Oh yeah. My pleasure.

    Boy, when I rang Arianna at the bakery. I didn’t even know what the bakery’s called, but I think there was a 10 second pause when I said, “This is Hugh Jackman and I need 800 muffins and 800 cups of coffee.”

    It went quiet.

    “Is this a joke?”

    (Laughs)

    QUESTION:How are you liking Tempe?

    JACKMAN: I’m loving it. What a way to come here too. The time of year and the fans are insane. I love that. That’s how these fans are. I’m telling you, I’ve been living with this character and these fans for maybe 9 years and that’s why I wanted to show it to them first.

    QUESTION: And Hugh, everyone wants to know how did you get your arms in this kind of shape?

    JACKMAN: As a producer I should have gotten a little more money from the visual effects budget but I didn’t. I just went to the gym and did it the old fashioned way.

  • Trailer Park: X-MEN ORIGINS: WOLVERINE – Reviewed

    By Christopher Stipp

    The Archives, Right Here

    So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies.Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about.

    X-MEN ORIGINS: WOLVERINE – REVIEWED

    x_men_origins_wolverineI don’t need to see this film again, nor do I have the need to ever own it.

    When I was 13 I had a friend by the name of Brandon Murphy. He was the only one who I knew was into comics and is responsible for sending sparks into the tinder that would flame into a full-on passion for The X-Men, Spider-Man and other titles that would create the base for my love of this medium.

    One month, while casually flipping through a copy of the most recent Comics Journal at my local comic book store they had a section in the back that was dedicated to talking about the cinematic developments of comic properties. Seemingly, a lot of what has finally made it to the big screen (SPIDER-MAN, X-MEN, FANTASTIC FOUR) had its genesis in a paper publication back in 1989. It would be ridiculous to think that these films were trapped in development for damn near two decades but the facts are both SPIDER-MAN and X-MEN went on to become box office juggernauts which laid waste to anyone thinking these films would only appeal to children. The early iteration of these films were a little rough as the filmmakers felt in the dark about how to translate comics to screen in a way that would be faithful to the source but be marketable enough to wide audiences so there were creative liberties taken; Rogue skewed younger, the Green Goblin was physically different and The Hulk had to contend with Hulk Dogs.

    Profits swelled, studios took notice and now we’re having to contend with a litany of comic book to film adaptations, reboots and spin-offs. Thanks to the success of the movies that had to believe that taking the material seriously would actually work we now have X-MEN ORIGINS: WOLVERINE. Based on the character who was the most obvious choice to get his own film WOLVERINE takes place long before he finds himself with the X-MEN and introduces a rogues gallery of fan favorites: Deadpool, Blob, Sabertooth and Gambit. The film wants to establish Wolverine as a character, wants to delve into how he received his adamantium and tries desperately to entertain while doing it. If this was Gambit’s game he would say 2 out 3 ain’t bad but here, for this film, it’s a losing hand.

    The issues that hobble this production are apparent from the beginning when we’re introduced to young Logan and his bone claws. In what has to be one of the most rushed “twist” story details, and there are enough of them here to think that M. Night Shyamalan, not David Benioff and Skip Woods, should get story credit, we have the worst use of “I’m your dad” in an awkward moment that sets the shoddy tone for what is to come. From the shoehorning of Logan’s classic comic book refrain of “I’m the best there is at what I do, and what I do isn’t very nice” into a conversation that feels awkward when uttered out loud the movie stumbles as the script feels like disparate moments strung together by a thin thread of relevance which, ultimately, prove not to be the case. The events that transpire could have all happened without the aid of the excuses that heretofore are called co-stars. If you could keep a tally on the ways in which any number of the co-stars, excluding Sabertooth, help the movie you would only need to use one hand. This is frustrating as any writer actually pushing pen to paper should recognize that you have to have a reason to include someone in a story but what seems to be the case in WOLVERINE is that these characters act as excuses to divulge wildly far-fetched bits of information.

    Further, an examination of what comes next illustrates the other contentious point that could go either way for someone watching the film: the flimsiness of the movie’s production.

    We go from boyhood to modern time with Logan all grown up and sharing a plane with the host of characters that will come and go like stage props for the rest of the movie. Ryan Reynolds absolutely shines as the merc with a mouth, Deadpool, and if there’s anyone who you wish they had more of in this movie it’s him. Liev Schreiber starts his run as the wickedly casted Sabertooth, and who deserves a lot of credit for elevating the tension, suspense and mood of this film, and doesn’t disappoint for the duration of the movie. The team’s leader William Stryker, played by Danny Huston, also is delightfully cast as the one man who no one should trust in a foxhole. The rest of the characters are forgettable, disposable and are completely irrelevant to the movie’s forward movement and act as convenient placeholders, like an opportune coaster to place a wet drink upon, to simply use and discard when not needed. The opening battle sequence has everyone showing off their talent, one by one, in an overly orchestrated battle that looks like it was taking place on a poorly disguised, and photographed, set; it’s plasticine flimsiness here just sets the tone for the other sets that look like sets. From the fight that takes place after our heroes board an elevator, to the jungle scene prior to Logan jettisoning from this merry band of mutants, to the fight that takes place between Gambit, Logan and Sabertooth, to a host of other special effect moments that simply look false there is a surprising lack of quality control. Never minding the accoutrements to the action on the screen the lack of character development for those on the periphery adds to the disappointment.

    The script for the film seemed to be at odds with wanting to tell an origin story, hence the title, but also having a fun movie to watch. I don’t think these things are mutually exclusive but the movie covers so much ground you don’t ever have a chance to breathe and that’s not a good thing. We barely get to know Logan’s lady Silver Fox, we have an even less chance to understand Dominic Monaghan’s Bolt, John Wraith barely has an opportunity to flex his muscle, don’t get me started on the stopwatch lifespan of the husband and wife who hurriedly nurse Logan back to health after he gets his metal, we get The Blob for one token scene and Gambit is all but ignored. There are literally a cast of characters interfering with a movie that should have been about Wolverine but instead we have X-MEN 4, a new team with a different leader. Even though this film is a vast improvement over X-MEN 3 it only does so because of the strength of Hugh Jackman and Schreiber.

    Jackman is the bright light in all of this as he pours himself into this role. He believes he is Logan, that he is Wolverine. And he’s damn right for thinking so. The mannerisms of what this human animal is supposed to be like are all evident in his rage when he escapes his captors as Weapon X, when he’s fighting for his life in the denouement of this film. Jackman has the charisma to pull this whole character off without a hitch but, the problem is, there isn’t anything else for him to do with what he’s given.

    With a gimpy script, wretched effects, questionable photography and a host of other distracting elements it’s not hard to make a case as to why this should be the only entry in this series, that any more films will turn a once hardcore outlaw of comics into a parody of himself, better suited inside the Sunday funnies. One time will be more than enough to take in what’s presented but I do hope the resulting avalanche of money that will no doubt be in this movie’s future will help begin discussions about how to focus on what was right about this film and excise everything else that did not.

  • Backlash: WOLVERINE’s Snikt-er-doodle

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    X-Men Origins: Wolverine: The Off-Screen Comedy Hit of the Summer

    The day is fast approaching, X-Men fans. The day when you can legally plunk down your money and see X-Men Origins: Wolverine on a big screen and not have to worry if the neighbors down the street could see you watching the bootleg copy you downloaded from Pirate Bay through the window.

    Now by all indications, Wolverine is pretty good. The advance screenings have gone well, the advance buzz from the press has been good so it’s a fair bet that, if you liked the X-Men films, you’ll like Wolverine. Yes, I’ve seen it. Both versions, just to give full disclosure – the version screened for press and the version that’s been floating around the net that got Roger Friedman fired over at FOX. I like this film more and more every day and not because of what’s on the screen.

    The leaking of the mostly complete work print of the film has been one of the most unintentionally hilarious chain of events in recent entertainment history. As soon as the film hit the peer to peer networks, the studio raised the alarm. Which meant that the story was all over the press, not just Access Hollywood & Entertainment Tonight. That one act probably added more users to Bit Torrent than anything since, oh, maybe the last film that got leaked to the web early.

    It isn’t that I don’t want to see the studios make a profit on films that genuinely deserve it and to be honest, Wolverine deserves it. And yes, the studio has to try and aggressively protect their copyrights, especially in situations like this. The person responsible, who probably will be found, is going to be spending a lot of time in the new Jack Valenti Re-Education wing of the State Penitentiary. But recent actions prove that the people calling the shots in Hollywood still just haven’t got a clue where this internet thing is concerned.

    FOX’s big plan to make sure they get all those potential popcorn munchers into the seats opening weekend? Circulate two sets of endings on different prints. What the fuck?

    Okay, for the 5 of you out there who didn’t download Wolverine or watch a copy at a friend’s house who did, the film features, like all recent Marvel Comics-based movies, a couple of “Easter eggs” (I really hate that term being used for extra scenes in credits but that’s a rant for later *-see below) during the closing titles. One is early and the other is a tag after the final credits have rolled. The prints shown to most (but apparently not all) press screenings contain two scenes that are different from those seen in the leaked copy. Not that those two bits have been scrapped, mind you – they still appear on half the prints. The other half of the prints have the tags from the press screening.

    Confused yet? It gets better. There’s no way to tell which print you’re going to see. It’s like buying 100 boxes of that damn cereal to finally get Enterprise com badge from that new movie to with the 99 Klingon badges you’re giving away to people in the street. So this is how FOX is being a stern parent with us bad little kiddies who only live to give them cash – you were bad so now you have to keep paying us to make sure you completist fanboys (and girls) get to see everything.

    Can I lead the congregation in a resounding “fuck you“?

    Every indication is that Wolverine will follow in the steps of some of the most widely distributed peer to peer theatrical releases which have also made massive amounts of money at the box office. The Lord of the Rings films and the Star Wars prequels are perfect examples of films that don’t seem to have had their box office dented in any significant way by being traded over the internet. FOX apparently has a good film but instead of letting the film perform, they’ve decided to try this bait and switch tactic with viewers.

    Listen, FOX, I get that you’re pissed off about the leak. Really, I do. It would piss me off too. But it happened and unlike some other films this has happened to, it has resulted in almost universally positive reactions. Making people just kind trust blind luck and drop more money to make sure they see what amounts to maybe two minutes of different footage at the end of 90 minutes of film? Not making yourselves any friends with your public, gang. There’s a reason theaters started posting which ending of the film Clue they were running – theatergoers were getting pissed off if they saw the same ending twice. The gimmick worked well enough for that film (God knows, that clusterfuck needed a gimmick) but it’s not going to work for you here.

    Why, you ask?

    Because within 24 hours the additional “Easter eggs” will be posted online for all to see. Frankly, if I’d slapped down somewhere in the neighborhood of $10 bucks to see a film and didn’t get to see all of it, I’d feel justified in downloading it.

    You’ve got a little time left, FOX, to do the right thing. Come up with some kind of code or ticket or some goddamn thing for people who buy a ticket to the film so they can see all four of the tags online. It’s not perfect – if you intended to run 4 tags during the credits then you should run all four of them as far as I’m concerned. It’s at least something that doesn’t make it look like you’re trying to steal money from the very people who are actually spending the money to go to the theater. You aren’t penalizing the people who downloaded your film, you’re punishing the very people who stand to help you make some good money. That’s like sending the clerk at the convenience store to prison after he got robbed because you couldn’t catch the thief. Just relax, FOX, Wolverine is still going to make money.

    Provided, of course, that Star Trek doesn’t kick your ass next week.

    ##

    * Okay, “Easter eggs”.
    By definition, “Easter eggs” are something you have to hunt for, not something you sit on your ass and wait to be handed to you. If that were the case, they’d be called welfare checks. The whole point of an “Easter egg” is having to find it either hidden in the menus of a DVD or on a web site somewhere. An extra tag in the credits is not an “Easter egg”. Jackie Chan’s outtakes at the end of his films are not “Easter eggs”.

    No, if FOX wants to take the four Wolverine tags and hide them on the film’s web site, that would be an “Easter egg”. Sorry, gang, I’ve just been seeing the studio and as a result the press throwing the term around all week and it has just bugged the shit out of me,

  • Weekend Shopping Guide 4/24/09: Top Gear

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Also, please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

    You only have to view the unedited, unadulterated, original episodes of the UK’s Top Gear to understand why the idea of making an “American edition” and jettisoning hosts Jeremy Clarkson, James May, and Richard Hammond is such a pig-ignorant idea. For one, it’s their interplay that makes the show – not the car talk. Secondly, it’s foolish to think it doesn’t translate to the US in its original form – because it does. Which is all to say that I highly recommend you pick up Top Gear 10: The Complete 10th Season (BBC, Not Rated, DVD-$39.98 SRP) and see my case being made before your eyes.

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    Sometimes, life is about the simple pleasures. Sometimes, those simple pleasures have been shrunk down and conveniently made USB-powered. Such is the case with the USB Plasma Ball ($12.99), which is 6″ of Tesla-crafted joy. Stare into it, and you’ll swear you actually see… A plasma ball. A really, really cool plasma ball.

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    DC continues to deliver top-notch collections of the post-Marvel work Jack Kirby did for the company in the 70’s with the release of his ragtag group of war heroes fighting at the height of World War II, The Losers (DC Comics, $39.99 SRP). When it comes to archive editions, DC is the company setting the bar.

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    Unlike most of Ron Howard’s filmic output, which often suffers from being uninspired and drab, I thought his adaptation of (Universal, Rated R, DVD-$29.98 SRP) succeeded in translating the energy and performances that made the stage version such a success to the big screen. Maybe that’s because it takes a lot of effort to stamp out the skill that Michael Sheen and Frank Langella bring to their performances as David Frost and the disgraced but defiant Richard Nixon. Bonus features include an audio commentary, deleted scenes, a making-of featurette, a look at the Nixon Library, and footage from the actual Frost/Nixon interviews. A Frost/NixonBlu-Ray edition ($39.98 SRP) is also available, with additional footage of the original interviews and background information.

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    If you were to take the wonderfully candid wrestling documentary Beyond The Mat and fictionalize it, you’d have the story of broken down wrestler Randy “The Ram” Robinson, a former superstar up against the ropes in The Wrestler (Fox, Rated R, DVD-$29.98 SRP). Physical and emotional pain etched across his haggard face, Mickey Rourke turns in a stunning performance as a guy who feels he’s gotten one more good match left in him, both inside and outside the ring. Bonus materials include a documentary spotlighting actual wrestlers, a roundtable discussion with same, and a Bruce Springsteen music video. A Blu-Ray edition ($39.99 SRP) is also available, with identical bonus materials.

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    Although the bulk of it doesn’t really hold up (the 90’s references shoveled throughout certainly make it less than timeless), I still have some affection for the episodes featured in Tiny Toon Adventures: Season 1 Volume 2 (Warner Bros., Not Rated, DVD-$44.98 SRP). Of special note, however, is that this set does contain the still-wonderful music videos episode, which featured many kids’ first introduction to the work of They Might Be Giants.

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    The second season of the ADD Freakazoid (Warner Bros., Not Rated, DVD-$26.98 SRP) hits DVD, with all 11 episodes spread across two discs. Bonus features include commentaries, a featurette, and an archival tape of composer Richard Stone at work.

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    Ian McKellen is truly incredible in the recent RSC production of King Lear (PBS, Not Rated, DVD-$24.99 SRP) – so much so that I’d say it’s a must see. So get it and do so. The disc also contains a bonus interview with McKellen.

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    Yes, I admit it – I watch iCarly (Nickelodeon, Not Rated, DVD-$26.98 SRP). Don’t get me wrong – I don’t watch it of my own volition. I watch it alongside my nephew, as its often sandwiched between episodes of Spongebob. And as kiddie fare go, it’s a decent show – funny and well-acted. So there. The second volume of the show’s first season contains 12 episodes and behind-the-scenes featurettes.

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    Peter Bogdanovich fans can get not only the director’s cut of his Last Picture Show, but also the new-to-DVD release of Nickelodeon in a two-disc Director’s Choice: Nickelodeon/The Last Picture Show double feature (Sony, Rated PG/R, DVD-$24.96 SRP). Bonus features include commentaries on both films, plus interviews & featurettes on Picture Show.

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    I’m no fan of rap and only marginally aware of the various rifts within its community, but I found Notorious (Fox, Rated R, DVD-$34.98 SRP) – about the life of The Notorious B.I.G. – to be a fascinating watch simply for the wonderful young actor filling the title role, Jamal Woolard. Bonus features include audio commentaries, making-of featurettes, concert footage, and deleted scenes. A Blu-Ray edition ($39.99 SRP) is also available with identical bonus materials.

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    I thought Robert Rodriguez & Frank Miller’s adaptation of Miller’s Sin City (Miramax, Not Rated, Blu-Ray-$35.99 SRP) was fine for what it was, but its slavish visual adherence to the original art grew tiresome after a bit, and the gimmick became more important than the characters or the story itself. Shame, really, because what could have been an interesting piece of neo-noir has instead become this generation’s Dick Tracy. The new Blu-Ray edition treats those gimmicky visuals nicely, and ports over the bonus materials from the standard DVD, plus an additional exclusive Cine-Explore feature.

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    Having moved on from saving the planet, Elmo is back to promote literacy with Sesame Street: Elmo And The Bookaneers (Genius, Not Rated, DVD-$14.93 SRP), about pirates who love to read. What’s more important, though, is its special guest – Tina Fey. Yes… Tina Fey.

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    If you’ve been anxiously awaiting the return of hillbilly squids, then you’re prayers are answered with the arrival of Squidbillies: Volume 2 (Adult Swim, Not Rated, DVD-$29.98 SRP). The 2-disc set features 20 episodes, plus oodles of bonus materials including featurettes, art, music, and more.

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    Ewing Oil was left a shambles at the end of season 10, but the eleventh season of Dallas (Warner Bros., Not Rated, DVD-$39.98 SRP) finds J.R. down but certainly not out, as he claws his way back from disaster, even if it means stepping on a few people along the way. The 3-disc set contains all 30 episodes.

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    If the leaked Wolverine workprint hasn’t extinguished your enthusiasm for all things hairy mutant, also being released is the animated Wolverine & The X-Men: Heroes Return Trilogy (Lionsgate, Not Rated, DVD-$14.98 SRP), I’m not entirely sure I understand the story they’re trying to tell, but the animation and character design is decent (even though the supposed-to-be-short Wolverine is now about 6’4). Bonus features include commentaries and behind-the-scenes featurettes.

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    We’ve made it to the halfway mark with the release of Hawaii Five-O‘s sixth season (Paramount, Not Rated, DVD-$49.99 SRP). Steve Garrett and his crack team are back on the sunny streets of the Pacific jewel in this 6-disc set, featuring all 24 episodes plus the original promos.

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    The Stuart Little animated series is an innocuous, affable affair that managed to hold my nephews’ attention (no small feat). Two volumes are now available – A Little Family Fun! & Going For The Gold! (Sony, Not Rated, DVD-$12.99 SRP each). Each disc contains a quartet of adventures.

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    The rich socialites of Knots Landing return for the complete second season (Warner Bros., Not Rated, DVD-$39.98 SRP), which features a very special visit from not only Bobby Ewing, but J.R. himself. The 4-disc set features all 18 episodes.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Trailer Park: X-MEN ORIGINS: WOLVERINE – Reviewed

    By Christopher Stipp

    The Archives, Right Here

    I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about. This week, though, was all about ShoWest and the plethora of crumbs that fell from Hollywood’s summer movie season table.

    X-MEN ORIGINS: WOLVERINE – Now Available in the iTunes store!

    watch-x-men-origins-wolverine-movie-poster-1So, stop me if you’ve heard this: on April Fool’s Day eve the word went out that a leaked version of Fox’s X-MEN ORIGINS: WOLVERINE had made its way to the Internet. Those who have been around these parts for a while have come to expect a bit of juvenelia from those in the online community be it in the form of fake stories, fake rumors, fake DVD releases (I still remember the one that mentioned the existence of a PEARL HARBOR preview on copies of THE ROCK) and basically stupid shit that still surprises me that webmasters everywhere think is amusing to perpetuate. However, that said, and like Sally Forth’s daughter wondering whether her mom would bite the ears off of her chocolate Easter bunny in the Sunday funnies, it always amused me to see what would come up next however lame or uninspired.

    This rumor, though, had a different tenor. Spread across Twitter, there was some urgency in the message that WOLVERINE had popped up on the Internet. First the screen shots appeared, the quality was incredible I have to admit, and then like a pack of people wondering if something was real or not “Has anyone heard whether this is legit?”, “This is a bad day for Fox”, “Someone is going to prison” the chatter was enough to make you wonder. Then, not succumbing to the peer pressure just yet, Ethan from Screen Geeks Radio took the plunge for all of us and gave a play by play of what he was seeing.

    It was real and it was DVD quality.

    For once the Internet got it right. It was a bad day for Fox and then the commentaries started from all the usual suspects across the film spectrum. Was it right to publicize this? Is this news? Is it a news story that, if someone ran, would just inspire people to download it more? How awful were the people who downloaded the film and did these people represent any considerable dent to the possible box office if it proliferated?

    It was the latter question that got me thinking about who ARE the kind of people that download these kinds of things and whether they did represent any threat to the overhaul haul this film would eventually bring in? The easiest answer is no. It’s not. No matter how many people download it, the bell curve of the people who are, right now, rabidly consuming the bits and bytes off torrent sites everywhere to see this unfinished film represent a subset of users who not only don’t mind watching an unfinished film but users who roll up to these sites looking for cam copies of I LOVE YOU, MAN or blurry versions of KNOWING.

    The difference between me and a lot of other movie site contributors is that I don’t have any animosity towards these people. Derision, hatred, abject disgust are just a few things those who are leaders of the bully pulpit of commentators are using to describe those downloading the film. Why? I can understand where they’re coming from, I understand their position but I don’t think I can empathize with their negativity. Now, keep in mind this is obviously my opinion, but when you are in a position of having it all, and many of those lucky enough to be writing about film for more than just yourself are enjoying this moment in their life when their comments and opinions matter, it’s easy to cast aspersions on those who would hazard to download this movie. I could list a few popular podcasts out there right now who are sometimes aided in their reviews of films that never quite made it to their part of the woods but using “special antennae” were able to get copies of LET THE RIGHT ONE IN, GOMORRAH, THE HURT LOCKER and countless others simply through a few mouse clicks. It doesn’t make the downloading better or right when someone is doing it for professional purposes but I can certainly understand where the temptation comes in to play.

    It’s the tastemakers who have access, who can pick up a phone and verify a rumor, can shoot off an e-mail and get things done, can go to places like the Comic-Con and get treated like the royalty they are not by the publicists looking for some favorable buzz, a favor or two when and if they need it. (Anyone want to take a stab at how many sites were “asked” to take down images from X movie or risk any modicum of power being dimmed like a dying bulb) There are no true outlaws on the Internet; only those willing to play quid pro quo.

    The issue here really has to come with why we seem to be a culture that is warp speeding towards free. Some people, not all, have an expectation of access to everything, at all times, without having to pay for it. Just ask how your local newspaper is doing with regard on how they’re doing on creating a fiscal model where the print paid product can be replaced with their online, free version. It’s not working well, I can you that. And it’s just this microcosm of anomie among media companies that illustrates why WOLVERINE being on the Internet not only represents the pain it’s causing the money men at Fox but it is also indicative of the issues surrounding of what happens when you have a current climate of those who can consume their media at no cost to themselves. This movie, if I were to go back to when I was 13 and screwing around with my man Brandon Murphy and we were dream casting the X-MEN if and when it would ever get made, would represent a temptation even greater than porn. Now think of what it represents to those who use the ‘net to get their music, their television shows (show of hands: who has used BitTorrent to download a show that has long since gone away or who wanted to use it to see an old episode of The Office?) and other uses that some would consider “awful”, “shameful” or any other word ending in “ful.”

    So, seriously, save your sanctimonious bullshit, your disdain for those who are downloading this film at a rather healthy clip and your upturned nose at those who you were many years ago when you had no one to listen to your empty praise of how awesome SCOTT PILGRIM is going to be or how awful 12 ROUNDS is because, I get it. I understand where the viewers are coming from and it’s the reason why your business model will never allow you to charge one fucking cent for your own content. The money won’t come rolling in, it’ll slowly trickle like a torrent file.

    Oh, yeah, almost forgot, the review. I have to admit it is hilarious to see Ryan Reynolds, in the middle of a great action sequence, polished , well choreographed and slick looking, doing a forward flip assisted by wires attached to his harness.

    If you want to know the rest you know where to find it.

    THE MIGHTY BOOSH

    mighty-boosh-coverWith that out of the way I wanted to give a shout out to a most strange but entrancing series that hit television this week: The Mighty Boosh.

    Now, the title may throw some people off but this show, honestly, is one of those unique visions of both creativity and complete insanity. I was falling ill with the flu earlier this week and I found it was just what my mind needed. I’ll allow the press release to put the program in context but do yourself a favor and schedule it in your TiVo and give it a chance. I’ve attached some sample clips to whet the proverbial appetite and to show you why it’s so hard to explain what this program is about without sounding like I’m on something.

    Eels:

    Trailer:

    THE MIGHTY BOOSH ARRIVES TO ITUNES

    Starting today, Season Three of the UK hit comedy series from award-winning creator-stars Noel Fielding and Julian Barratt, The Mighty Boosh, is now available on the iTunes Store in the U.S. (www.itunes.com), with the first episode offered at a discounted price of 99 cents.

    The Mighty Boosh joined the Adult Swim Sunday line-up this week, with episodes airing weekly at 1 a.m. (ET/PT). New episodes will be available on the iTunes Store each week following broadcast at www.itunes.com/tv/themightyboosh.

    The third season sees Vince Noir (Noel Fielding, IT Crowd) and Howard Moon (Julian Barratt, Nathan Barley) working in Naboo’s second hand shop in Dalston. Needless to say they don’t get much work done. This doesn’t bother Naboo too much, firstly as the shop is really only a cover for his shady interplanetary Shaman business and secondly, he’s usually quite chilled out from sampling his own magical herbs and remedies.

    With a massive cult following in the UK, Barratt and Fielding launched their first nationwide tour The Mighty Boosh Live across the U.K in 2006. Their second tour Boosh Live sold out venues at 90 stops across the U.K. and Ireland and wrapped up earlier this year.