Tag: michael mckean

  • Weekend Shopping Guide 9/11/09: A Mighty Wind

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

    What made the comedy of Spinal Tap and A Mighty Wind work so well was the actual musicianship of its principal trio, who’ve decided to take center stage as themselves for Unwigged & Unplugged: An Evening With Christopher Guest, Michael McKean & Harry Shearer (Courgette Records, Not Rated, DVD-$15.97 SRP), a must-have concert DVD that is exactly what it says on the tin.

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    Having seen it’s uber-cool, nerd-pleasing beauty firsthand as it illuminated my hotel room for both myself and Doc Hammer, I have nothing but praise for the Laser Stars Projector ($169.99). The tiny little projector easily fills a room with not only shifting green laser stars, but also blue clouds. Words simply can’t do it justice.

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    Though often viewed as a lesser light when compared with the juggernaut that is Mary Poppins, I’m quite fond of Disney’s 70’s, post-Walt stab at recapturing some of that magic – Bedknobs & Broomsticks (Walt Disney, Rated G, DVD-$29.99 SRP). Fully restored and remastered, the new special edition features a look at the special effects, a reconstruction of the cut song “A Step In The Right Direction”, a spotlight on the Sherman Brothers, and David Tomlinson’s “Portobello Road” recording session.

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    One of the films that I’ve been anticipating a high-def release for is Robert Altman’s M*A*S*H (Fox, Rated R, Blu-Ray-$34.98 SRP) – even though it’s a got a soft look and doesn’t exactly cry out for the super audio/video experience. They’ve done a remarkable job on this disc, and it was well worth a spin. Bonus features are ported over from the standard edition’s special edition, but they’re a nice clutch, so I’m perfectly fine with that.

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    Long before he had to scream over the bombastic production of the US Hell’s Kitchen and Kitchen Nightmares, Gordon Ramsay was more straightforward, less caricatured, and more helpful with struggling restaurants in the original UK Ramsay’s Kitchen Nightmares (Acorn, Not Rated, DVD-$29.99 SRP). The complete second season is now available, featuring 10 episodes.

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    After a disastrous, catastrophically bungled second season fumble, Heroes (Universal, Not Rated, DVD-$59.98 SRP) tried valiantly to right the ship in its 3rd season – mainly by streamlining the narrative, brining the characters back to the forefront, and not shoveling in more confusingly tangential storylines. Did it work? For the most part, though it still hasn’t recaptured the promise of its first season. Perhaps season 4 will get us back there. Bonus features include audio commentaries, behind-the-scenes featurettes, deleted scenes, galleries, and a Pinehearst ad. A Blu-Ray edition ($79.98 SRP) is also available, which adds an exclusive season 4 preview and a behind-the-scenes look at the construction of Coyote Sands to the bonus materials.

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    Not as beloved as the original iteration, there are still fans that are waiting for the fourth volume of Ben 10: Alien Force (Cartoon Network, Not Rated, DVD-$14.98 SRP). The disc features 5 episodes and a sneak peek at characters from Ben 10: Alien Swarm.

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    Ever wondered How The Earth Was Made (History Channel, Not Rated, DVD-$39.95 SRP)? You know – the scientific, non-fairytale way? Well, take a gander at The History Channel’s in-depth documentary series that collects a clutch of programs looking into that very subject. A Blu-Ray edition ($29.95 SRP) of the original special is also now available.

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    It’s a slow recovery, but the 5th season of The Office (Universal, Not Rated, DVD-$59.98 SRP) has begun course correcting from the detrimentally cartoonish bent of the last season that threatened to take the show in the same disastrous direction that destroyed Scrubs. The 4-disc set contains audio commentaries, deleted scenes, featurettes, webisodes, promos, and a gag reel. A Blu-Ray edition ($69.98 SRP) is also available, with identical bonus materials.

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    Though Sherlock Holmes is the only one that has remained a household name, there were plenty of other detectives found in Victorian literature – 13 of which are featured in The Rivals of Sherlock Holmes (Acorn, Not Rated, DVD-$59.99 SRP). Produced in the 70’s, this series also featured Jeremy Irons’ screen debut.

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    The fourth season of Supernatural (Warner Bros., Not Rated, DVD-$59.98 SRP) finds Dean rescued from Hell by an angel, who recruits Dean & Sam to fight Heaven’s battle against a soon-to-escape Lucifer . This season even has Dracula. The 6-disc set features all 22 episodes, plus a trio of commentaries, deleted scenes, a featurette, and a gag reel. A Blu-Ray edition ($79.98 SRP) is also available, with identical bonus features.

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    More classic Doctor Who hitting DVD with the release of a Sylvester McCoy adventure, Doctor Who: Delta And The Bannermen, and a pair of Tom Baker adventures – Image Of The Fendahl & The Deadly Assassin (BBC, Not Rated, DVD-$24.98 SRP each). All three discs are jam-packed with commentaries, interviews, featurettes, deleted scenes, galleries, and more.

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    Bringing a little slice of their True Life Adventures into the digital age, Disney Nature has crafted a new documentary that pulls together a globe-spanning menagerie with high definition-ready exotic locales for Earth (Walt Disney, Rated G, Blu-Ray-$39.99 SRP), narrated by James Earl Jones. Yes, it’s worth it just for the visuals. Bonus features include a making-of featurette, filmmaker annotations, and a standard DVD copy of the film.

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    WWII buff? You’ll want the Ultimate Collections box set of World War II: The War In Europe And The Pacific (History Channel, Not Rated, DVD-$24.95 SRP), which contains 15 documentaries across 4 discs, and every one is a keeper.

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    The drama and intrigue on not-so-sleepy Wisteria Lane continues in the 5th season of Desperate Housewives (ABC Studios, Not Rated, DVD-$59.99 SRP), beginning with Edie’s new husband. The 7-disc set features all 24 episodes, plus audio commentaries, featurettes, deleted scenes, and bloopers.

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    How do you know Halloween is fast approaching – at least by studio standards? The Halloween DVDs are already coming out. Disney has repackaged their previously available Pooh’s Heffalump Movie (Walt Disney, Rated G, DVD-$29.99 SRP) with a limited edition plush Winnie the Pooh in his Tigger costume.

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    I’ve dipped back in occasionally (like when Dana Snyder guested), but have never really gotten swept up in Brothers And Sisters (ABC Studios, Not Rated, DVD-$59.99 SRP). I do concede it has a pretty top-notch cast – led by Sally Field, Calista Flockhart, Rachel Griffiths & Rob Lowe – but it’s just not my cup of tea. The complete third season set contains all 24 episodes, plus audio commentaries, featurettes, deleted scenes, and bloopers.

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    This past season, JJ Abrams returned to TV with Fringe (Warner Bros., Not Rated, DVD-$59.98 SRP), a sci-fi show that’s a little bit X-Files and a little bit CSI, but mainly seems to exist to give Joshua Jackson work. The 7-disc set features all 20 episodes, plus behind-the-scenes featurettes, a production gallery, and a gag reel. A Blu-Ray edition ($79.98 SRP) is available with identical bonus materials.

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    You know, it’s a shame that the network couldn’t see fit to give Worst Week (Universal, Not Rated, DVD-$29.98 SRP) the support – and renewal – it deserved, because it was one of the few consistently funny, stand-out comedies to debut last year. See what I mean by picking up the complete season set, which features audio commentaries from executive producer Matt Tarses and star Kyle Bornheimer.

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    I’m always delighted when a show that I have zero expectations about blindsides me by being a nice little piece of television. Such is the case with The No. 1 Ladies’ Detective Agency (HBO, Not Rated, DVD-$59.99 SRP), which stars Jill Scott as Precious Ramotswe, the proprietor of Botswanna’s first & only female-owned detective agency. It’s a like a sunny Raymond Chandler novel. The first season set contains all 7 episodes plus a clutch of featurettes.

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    It’s unfortunate that Important Things With Demetri Martin (Paramount, Not Rated, DVD-$19.99 SRP) is as uneven as it is, because Martin is one of the few new comedians that evoke the same kind of offbeat genius that could be found in Steven Wright and Mitch Hedburg. Give the disc a spin, and join me in hoping the second season better reflects Martin’s potential. Bonus materials include audio commentaries, deleted sketches, and more.

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    The previous iterations with a hoot, and I’m glad that Sony is continuing to release some offbeat catalogue titles from the vaults under their “Martini Movies” banner. The latest batch includes a young Michael Douglas in Summertree, Alan J. Pakula’s Love And Pain And The Whole Damn Thing, Jaque Demy’s Model Shop, Jane Asher in The Buttercup Chain, and The Pursuit Of Happiness (Sony, Rated PG/R, DVD-$19.94 SRP each). All 5 flicks also contain the original theatrical trailers.

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    With Amy Poehler in the lead and surrounded by a seasoned comedy cast, it makes it all the more unfortunate that Parks & Recreation (Universal, Not Rated, DVD-$29.98 SRP) is just not a funny show. Not only does its aping of The Office‘s camera style make for a feeling of unimaginative conceptual repetition, but the scripts have been lackluster, to say the least. The first season set features audio commentaries, deleted scenes, and an extended cut of the finale.

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    It’s a shame that Nickelodeon’s other big live action kid-friendly sitcom, True Jackson VP (Nickelodeon, Not Rated, DVD-$26.98 SRP), isn’t as well written or engaging as the vastly superior iCarly. I suppose it’s amiable enough – and lightyears better than the Disney Channel dreck – but not up to par with its network-mate. The 2-disc first volume contains 13 episodes, screen tests, featurettes, and bloopers.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Trailer Park: X-MEN ORIGINS: WOLVERINE World Premiere and ADVENTURES OF POWER – Reviewed

    By Christopher Stipp

    The Archives, Right Here

    So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies.Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about.

    ADVENTURES OF POWER – REVIEW

    aop_webThe moment that solidifies THE ADVENTURES OF POWER as a film that is far more than just a movie about a guy, Power, who has dreams of being a great air drummer is when Michael McKean, who plays his father, stands up to a pack of riot police. His father heads a pro-union force looking to hold the line for union workers who toil at a local copper mine; they walk off the job, force its obnoxious, caricature of a boss hoss to shut the normal mining operations down as McKean tries to elevate the working lives of those who live in a tough and shattered city that almost could be classified under Ghost Town categorization by New Mexico standards.

    It’s hard to believe that this movie actually is an amusing farce of a film but it is.

    Led by the air drumming talents of actor, writer and director Ari Gold as Power himself the movie has two things on its mind: 1) Tell a story about a man who dreams of being so much more than the incompetent miner that everyone else pegs him to be. 2) Take a shot at films where events cumulate in any kind of great event where our hero needs to become the winner of it all.

    Knowing these two things, the film is free to spread its thoughts across a wide palette of events that take Power from the destitute city where many dreams have no doubt died. But not Powers’. The film’s opening with Mr. Mister’s “Kyrie” sets the tone for the rest of the film in that we’re exposed to a lot of classic music where the focus is on songs with rich drum sound. What’s funny, or duly noted, about this is that not only does this movie bring together sounds from the past which let drummers express their presence in a band but the story is shaped by the music that I remember meant something more than some of what’s being made today. Power is that man, trapped in the years far in the past, trying to bring together his passion for being his own individual and trying to make those around him respect his abilities as a superior air drummer.

    The premise is absolutely ludicrous, it should be said, but Powers’ walkabout that finds him first in an underground air drum contest far away from his home and then under the tutelage of a former master of funk, Carlos, played by Steven Williams. What transpires in the hollows of Newark, New Jersey is a fantastical tale of a man who is taught how to become an even greater air drummer within a cast of absolutely bizarre band mates who air drum themselves. The mere transcribing of their efforts baffles even me why it’s funny to watch and take in but a lot of that credit should go to writer/director Ari Gold. His talent for writing a story that’s funny is one thing but you could virtually watch this film without the sound on and soak in the deliciousness of his direction. The cinematography only adds another layer to what makes this film special; it’s far too beautiful for how simple the story is but it couches the events of this film in a place that feels absolutely real. It’s not like an over lit comedic showpiece that is made specifically to accent the performances of the talent on the screen, this movie makes the places inform its action.

    Dallas Houston, played by Entourage’s Adrian Grenier, is also a wild card into this mix of craziness. Playing a overly hackneyed version of a superstar that is, himself, a walking caricature of arrogance we see that Houston also has dreams of being a great air drummer, a sinister behavior that he must keep hidden from his copper mine owning father (how coincidental!) but that’s the idea. The movie sends up films where these tropes exist but ADVENTURES OF POWER gets it right. It knows where to put the musical interlude during our hero’s training and it even knows every hero needs a lady to fight for. Segue to Power falling in love and wooing a deaf girl (played by the adorable Shoshannah Stern) and you have yourself the other piece to this cinematic puzzle.

    Even though the events that lead up to ending and resolution of the film is as predictable as the movies it lampoons the real treat is experiencing the potential in Ari Gold’s filmmaking. His previous effort in the short, short CULTURE have proven him to be sharp, thoughtful and quick to understand the patterns that exist in modern cinema and this film is no different. The satire here is sure to be lost on those who don’t see through the superficiality of what makes this movie such a small gem in the land of independent film which seems cluttered with films looking to spread heady and heavy messages. Ari Gold’s vision is fully realized in a movie that blends place and theme, and a wicked ass soundtrack, wonderfully.

    X-MEN ORIGINS: WOLVERINE – PREMIERE IN TEMPE, AZ

    premiere1There isn’t a whole helluva lot that follows which is mine.

    An Internet contest that was vying for the World Premiere of X-MEN ORIGINS: WOLVERINE got underway weeks ago. Hugh Jackman had a pre-recorded video message that asked fans from all over America to try and get the star studded event, he mentioned bringing a whole cadre of his actor buddies with him to help celebrate, in their town.

    I, being of sound mind and not giving in to such ploys to generate market interest in the movies, didn’t vote. Of all the places, who would want to bring a movie premiere to my backyard, to Arizona?

    signAll of mo-fo’s did, apparently.

    The masses spoke and thanks to this being a lead story in broadcast and online news (yeah, not much was happening that day) on the last day of voting Tempe, Arizona pulled out a win. Hugh again delievered a taped message a week ago last Monday to regale people with the good news. Again it was reported on as if Jesus Christ himself was about to appear at the local Dairy Queen.

    Days leading up to the event only meant more hoopla, more mentions of the fact that the last premiere to come to Arizona was BEN HUR, decades ago, and even the day of, this Monday, lines stretched around the theater the night before to try and get tickets or to at least jockey for a good position to see Hugh Jackman and company up close and personal. Hugh did the crowd a solid and sent muffins and coffee for the die hards in the wee hours on Monday morning, spending $4,300 on breakfast items for the crowd.

    premiere2Me? I was giving alms to my press pass and just making sure I had my batteries charged.

    What was to follow later that day, that night was pretty neat even from all the years I’ve spent covering events at places like the Comic-Con. The level of intensity from the crowd who were simply happy to be there, to see Jackman working the event like the emcee he’s so good at being, was inspiring simply because these were people who don’t work in the movie field and are just happy to indulge in a little superficality for an evening. It was good to reinvigorate myself to see how much people dig these sorts of things. Even though there’s no way in hell there will ever be another premiere in Arizona for quite some time it was still nice to talk to Wil i Am, Taylor Kitsch, Lynn Collins, Liev Schreiber and Hugh Jackman. I even got to have a very pleasant talk with Wolf from American Gladiators which was a surprisingly interesting and warm exchange.

    Not all the questions below I was able to ask personally. I take minimal responsibility for some of the more innane inquiries, especially the ones asked to Hugh, so I hope you enjoy the rapid fire pace of what follows.

    WOLVERINE Interview Questions and Answers

    LIEV SCHREIBER

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    LIEV: That’s me.The bad guy from Scream. And I am Naomi Watt’s baby daddy.

    QUESTION:How are the kiddies?

    LIEV: They’re good. They’re good. They’re at home.

    QUESTION [Christ, I don’t know what I did to get saddled with these people]:What do you look for in a woman?If Namoi would say have at it.

    LIEV:I don’t believe I could answer that question in good conscience.

    QUESTION:Here’s an easy question.When you watch a movie are you a popcorn or candy kind of guy?

    LIEV:It depends on what they got. But, generally, I’m a popcorn kind of guy. If the movie is good, you never make it past one handful.

    [Want to know why some actors hate junkets? Wait for what comes next.] QUESTION: Is Hugh Jackman everything we think he is?

    LIEV: He’s awesome. Hugh’s pretty good. Ryan Reynolds said it best. He said Hugh is so nice he makes ice cream look like Hitler.

    (Laughs)

    STIPP: You have a strong theater background.What kind of movie does this represent to you when you look at the jobs you’re going to take? Do you make a difference between theatre and big budget action pictures?

    LIEV: The plain simple fact is that I don’t think men mature past the age of 22. Physically we can become 90, 100, 120 but mentally most men don’t go past 22 so when they say to you do you want to come to the movie and be the giant mutant cat that flys around the buildings and whips Hugh’s ass, I said yes.

    STIPP: There’s no hesitation?

    LIEV: No, there’s no hesitation. I don’t think there’s any hesitate for any man in that situation. Wouldn’t you do it?

    STIPP:Of course.

    LYNN COLLINS

    lynncollinsQUESTION: What’s something interesting that our fans would want to know about? [Journalists, asking the hard hitting questions!]

    COLLINS: What’s interesting to me is that one day Hugh came to me and said that the producers had gotten together and said that I needed to be wearing an outfit that may be more skimpy. So I walk into my trailer and there is the tiniest little silver dress I had ever seen in my life. So I put it on and went outside and they all said April Fool’s. It was a big joke. So I was standing there in front of the producers and Hugh Jackman in the tiniest dress that didn’t fit me.

    QUESTION:Sounds like fun. [Sounds like mental retardation…]

    COLLINS: That was fun. Humility. Humility baby.

    STIPP: As a theatre actress, and I’ve read about how you and Liev already have worked before in that capacity, this is obviously something bigger than you have ever experienced before.

    COLLINS: Right.

    STIPP:How was it going from theatre to big budget action movie?How does that translate for your performance?

    COLLINS: You know, I found it very interesting when I was working on this process that I was really able to utilize all my experience and training at Juliard because we are dealing with such sweeping emotions because we are working on stages with a green screen.

    QUESTION: How was it working with Hugh?

    COLLINS:He was the charismatic leader on this film. Everyone worked so hard and he was really the catalyst and shared that energy with all of us.

    TAYLOR KITSCH

    taylorTAYLOR KITSCH: Hey, how are ya?

    QUESTION:Welcome to Tempe.

    KITSCH:Thanks for having me. It’s a pleasure to be a part of it all.

    QUESTION:Is this your first visit to Tempe?

    KITSCH: It is. I have driven through but actually my first time to take it in.

    QUESTION:Where’s home for you?

    KITSCH:Austin, Texas.

    STIPP:What’s it like to take a comic book character to screen.You have those internet geeks who love to rip apart everyone saying, “He’s not right, he’s not good, he’s not…whatever.” How did you approach this character?

    KITSCH: The only way is you have to dive into it man. It’s all or nothing. You have to just commit to it 150%. So from learning the tools he has to the cars, to his accent, to his posture, to his cadence, to everything else, that’s how you do it.

    STIPP:Did you get to the point where you just say, “What the hell?This is a comic book.What am I doing?”

    KITSCH: No. Because the more I dived into him the more passionate I became, the more I understood the fans. I want to go another round with him at least. To go darker.

    STIPP:Really?

    KITSCH: Absolutely.

    STIPP:You said you wanted to introduce him.Where is the Gambit we get in this movie?

    KITSCH: You get a few pieces of him. He loves to fight and play around. You have to remember who he is against. Who Wolverine is to him at the time is a lot different than if you had Gambit earlier on which is something I would love to explore. How did he get to the point where he’s at his own poker table and he has that smirk. What made him have that, you know? I think a lot of that would be fun to explore.

    WILL I AM

    willQUESTION: How are you doing?

    i AM:I’m 21 and older.

    QUESTION:Hey, for all the brothers and sisters out there, what should they know about this film?

    i AM: It’s a brother super hero, you know… You know what I’m saying? Obama’s in the White House, first Black super hero…

    (Laughs)

    Nah. It’s a great film.

    QUESTION: What’s the biggest challenge you had doing this film?

    i AM: It’s my first movie ever so that’s a challenge. Dealing with professionals. Look at that poster. Check that shit out!

    STIPP: Are you thinking of hanging one in your house?

    i AM: No. That looks weird to me. I can deal with Black Eyed Peas”¦that’s normal but this is not normal.

    STIPP:Does this represent something to you now, like this is where you always wanted to be, a multi-talented artist?

    i AM: It makes me say, WOW. What I can do and what anybody is capable of doing. It’s not what you want because a lot of times you don’t dream it. You’re afraid of getting your world crushed. So that represents dreaming because you can be it. To any youth out there, to any kid, it’s like look at me. You can do it. Three years ago I never thought that was possible. To me, it’s a little kid in the projects or a girl that’s going through a lot, you can make it happen. Just dream big. Anything is possible. White, brothers, Chinese, Korean”¦anybody. You can do it man. I am freaking out looking at that poster.

    QUESTION:What’s going to be next for you? Any more movies?

    i AM: No. Next I’m going to release the Alicia Keys album and get back to what I am a pro at “¦. And I’m not a pro even at that because Herbie Hancock is a pro.

    STIPP: If you’re not a pro then what are you?

    i AM: I’m a fan that has equipment. At the end of the day, really that’s what it is. I’m a fan, I’m bored and I entertain myself. And people like it.

    HUGH JACKMAN

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    Hugh started off things by talking about his most generous gift of caffeine and pastries that morning to those waiting to get in to see the premiere.

    HUGH JACKMAN: Were you here this morning?

    QUESTION:No, but the fans were.

    JACKMAN: Oh yeah. My pleasure.

    Boy, when I rang Arianna at the bakery. I didn’t even know what the bakery’s called, but I think there was a 10 second pause when I said, “This is Hugh Jackman and I need 800 muffins and 800 cups of coffee.”

    It went quiet.

    “Is this a joke?”

    (Laughs)

    QUESTION:How are you liking Tempe?

    JACKMAN: I’m loving it. What a way to come here too. The time of year and the fans are insane. I love that. That’s how these fans are. I’m telling you, I’ve been living with this character and these fans for maybe 9 years and that’s why I wanted to show it to them first.

    QUESTION: And Hugh, everyone wants to know how did you get your arms in this kind of shape?

    JACKMAN: As a producer I should have gotten a little more money from the visual effects budget but I didn’t. I just went to the gym and did it the old fashioned way.