FRED Entertainment

March 25, 2009

Win RICKY GERVAIS: OUT OF ENGLAND on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:58 am

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In conjunction with HBO Home Video, we’re giving away five (5) copies of RICKY GERVAIS: OUT OF ENGLAND on DVD.

Contest ends at 11:59pm EST on Wednesday, April 15th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 15th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE VENTURE BROS. SEASON 3 on DVD & Blu-Ray!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 12:51 am

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In conjunction with Adult Swim, we’re giving away one (1) copy of VENTURE BROS: SEASON 3 on standard DVD, and two (2) copies of VENTURE BROS: SEASON 3 on Blu-Ray.

Contest ends at 11:59pm EST on Wednesday, April 15th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 15th.

The winner must allow 4-6 weeks after notification of win to receive the product.

March 24, 2009

Toy Box: Batman Black and White: Joker

Filed under: Toy Box — Tags: , , , — admin @ 4:15 am

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DC Direct has been extremely successful with their line of 6 – 7″ scaled statues based on Batman, done up in moody black and white paint schemes. The Batman Black and White series has given us Bats based on the artwork of artists old and new, classic and contemporary, and DCD knows they’ve got a good thing here. But how do you try to make it better? Why not move into Bat villains!

His Rogue’s Gallery is large and famous, but I doubt they had much trouble deciding who would get the monochromatic treatment first. It’s his arch nemesis of course, The Joker. More will come, including the Penguin, but the clown prince makes perfect sense as the first non-Batman statue in the series.

For the artist, they selected Jim Lee’s rendition from the Hush story line. Sculpted by James Shoop, the statue will run you around $60 or so at most online dealers. Your LCS experience could differ greatly, since the SRP is $75.

If you have any questions or comments, drop me a line at mwc@mwctoys.com, or head over to my site at Michael’s Review of the Week for lots more collectibles reviews.

Batman: Black and White – The Joker

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Packaging – **1/2
Hey, it’s a box. Unfortunately, the box has no window, so you won’t be able to see your specific statue till you get it home. That means any issues with paint are a crap shoot. That’s not new for this series, as all the statues have been boxed this way, but it’s still disappointing for me.

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There’s no Certificate of Authenticity, but they did print the edition number and size on the bottom. The Joker is limited to 5500, which is not much of a limit.

Sculpting – ***1/2
This statue is based on the classic look from the Hush series, with the wild eyed and clearly insane Joker posed with his ‘bang’ gun. This is one of the more detailed sculpts we’ve gotten in the series, because the face and hair of the Joker allow for much sharper and extreme work than the rather staid Batman.

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Comparing this to the previous DCD action figure based on the same art, I’d say they’ve done a better job here capturing the comic representation. It’s a little extreme, but I think that’s something the overall Batman Black and White series needs.

He stands just shy of 6 inches tall with the base, and fits in nicely with the rest of the series. There has already been a Jim Lee Batman, and this statue goes fairly well with him.

Paint – ***
While the sculpting is strong, the paint is a bit on the sloppy side. Fortunately, the eyes are done quite well, and I like the choices of blacks, whites and grays that they used to translate this character into this color (or lack thereof) format. They’ve also mixed the finishes again, with some high gloss black on the lapels, but a matte finish most everywhere else.

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But they did get a bit wild with the paints here, and you can see pretty obvious slop on the teeth (the big discolored round spot dead center on his lower teeth is really annoying), and the white of the face is dirtier and grayer than I’d like. I’d prefer a brighter, more consistent white on the face and hands, more like the package photo.

Design/Quality – ***
The first thing worth noting about the design is that the figure is permanently attached to the base, something that is usually not the case with this series. I suspect that this was done to avoid damaging the feet or the thin ‘bang’ flag.

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My only complaint about the design is one that could have also been put in the sculpting section, but since I’ve lumped ‘quality’ in here, I’m including it in this category.

The positioning of the gun and flag makes it appear as though the barrel is bent, warped toward the front. In fact, it is slightly bent, but it’s really the design that exaggerates this bend.

Value – **
The price on these went up a year or so ago to an SRP of $75, which translates to $60 – $65 at most retailers. I’m not sure they’ve done any that really rate that kind of price, especially considering that Gentle Giant is still able to produce their mini-busts at around $45.

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Shop around, and you might be able to get this closer to $50 (or perhaps on ebay), and at that price you can add another half star.

Things to Watch Out For –
Nothing you wouldn’t expect. Obviously, he’s breakable – he’s a resin statue, duh – but there’s nothing particularly weak or fragile here.

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Overall – ***
This is a decent first villain entry in the series, but it could have been even better with a bit more care on the paint. Had the paint ops been as solid as the sculpt, I would have been more inclined to ignore the high price and awarded this crazed clown another half star overall.

If you have the Jim Lee Batman in this series, I highly recommend picking this one up, paint issues aside. They make a great set together, and pay a nice tribute to Lee’s ability.

Where to Buy –
Online retailers include:

Alter Ego Comics has him for $63.75.

Urban Collector has a great price at just $56.

Things From Another World has him priced at $60.

Entertainment Earth has him at $63.

– for the UK collectors, Forbidden Planet has it in stock for 50 GBP.

CornerStoreComics has him at $60 as well.

– or you can always search ebay.

Related Links –
I’ve reviewed quite a few of the Batman Black and White statue:

– most recent was the Ethan Van Sciver version.

– before that was the Aparo, which I wasn’t all that keen on.

– prior to that, there was the Neal Adams and George Perez versions, the Gotham Knight, Bob Kane, Frank Miller, Jim Lee, Matt Wagner, Mike Mignola, and Kelley Jones.

– and it’s worth nothing that DCD also did an action figure several years ago based on this appearance.

March 23, 2009

Masters Of Song Fu #3: Round 3 Challenge Revealed!

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We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a brand new form of creative combat here at the Stop – Masters of Song Fu.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

We invited 28 challengers to pick up the thrown-down gauntlet (You know, some spares as well). 26 Responded in time.

Like a songwriting version of Iron Chef, these 26 competitors are presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop to be voted on by you, the readers.

In past editions of Song Fu, we’ve used these votes to eliminate Challengers as we’ve progressed from Challenge to Challenge. For this cycle, however, we’ve decided that all of the Challengers will be able to compete in every Challenge, and the Challenger with the most cumulative votes after the 3 Challenges will be the one that takes on the Master in the Final Round. So what was the first Challenge?

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ROUND 1 CHALLENGE

In light of all the doom and gloom of recent months, as financial markets crashed and winter closed in, we’re going to kick things off with a rather straightforward challenge. You can interpret this challenge however you’d like – how you do so will give people a sense of just what your songwriting personality and style is…

Your first challenge is to WRITE A HAPPY SONG.

That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.

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After voting on Round 1, our masters and Challengers were then given their second Challenge…

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ROUND 2 CHALLENGE

Write a song containing *exactly* 10 unique words (this includes words such as a, and, the, etc.). You can repeat the words you choose as few or as many times as you want, but the sum total of the unique words can not be less than or more than 10.. You can write on any topic and in any style. Your song must run no shorter than 1 minute 15 seconds.

Here’s a word cloud look at what everyone chose:

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You’ll find the Round 1 & Round 2 songs from each of our Masters & Challengers below, as well as the results of the Round 1 & 2 voting. More importantly, though, you’ll also discover what the Round 3 Challenge is! remember folks – this is the last challenge before the Final, and will decide who goes mano-a-mano with a Master!

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MASTERS OF SONG FU

For this edition of Song Fu, we’re bringing in 2 (well, 3, if you’re being technical) very special Masters who you’ll be going up against. Think of them as the iron chefs of Song Fu, and your ultimate challengers, as you’ll square off against one of them mano-a-mano in the Final Round:

NEIL INNES

songfu-innes.jpgIf you’re a bit puzzled but there’s a little twinge of recognition niggling at your subconscious right now, it’s probably because you already know who Neil Innes is without even realizing it.

It was during the Jurassic period (the late 60s) that Neil was a member of the legendary Bonzo Dog Doo Dah Band. Madcap purveyors of esoteric music (Who else would revive music hall standards in the age of rock? They did it, and it worked!), their biggest hit was the deceptively poignant “I’m the Urban Spaceman.”

While firmly ensconced within the Bonzos, Neil first became acquainted (and vice-versa) with Eric Idle, Michael Palin, Terry Gilliam, and Terry Jones while working on DO NOT ADJUST YOUR SET, a children’s show whose viewers tended to skew a bit older than the intended audience. Eric, Mike, and the two Terrys went on to form MONTY PYTHON with Graham Chapman and John Cleese. The Pythons called on Neil’s musical skills numerous times over the years, particularly when producing their best-selling albums. When John Cleese decided to move on to greener pastures prior to PYTHON’s fourth series, Neil stepped into the void as a contributing writer and performer.

Not able to escape the Pythons so easily, Neil was also tapped for MONTY PYTHON & THE HOLY GRAIL, contributing music and a memorable performance as the annoyingly truthful minstrel of Eric Idle’s cowardly Sir Robin. Still not willing to let him get away just yet, Neil was brought in again for their follow-up film, THE LIFE OF BRIAN (wherein he outruns certain death during the colosseum debate scene).

Even while working with the Pythons, Neil continued his solo career, releasing numerous albums on his own as well as with the groups The Grimms and The World. His BBC program, INNES BOOK OF RECORDS, ran for 3 series and featured 90 original tunes. From torch song and ballad to rock and parody, the show featured an exceedingly wide range of styles.

It was during the latter-half of the 70s, however, that Neil produced his most enduring work. While collaborating with Eric Idle on the post-Python TV series RUTLAND WEEKEND TELEVISION, the two devised a brief HARD DAY’S NIGHT parody with Idle portraying a boring filmmaker (so boring the camera ran from him) and Innes providing the Beatles-esque “I Must Be in Love.” During his next hosting gig on SATURDAY NIGHT LIVE, Idle unleashed the short film on the American public. That led to SNL’s Lorne Michaels producing a mockumentary of the mock-band, named The Rutles, for NBC. ALL YOU NEED IS CASH aired on March 22, 1978, starring Eric and Neil as one half of the “Pre-Fab Four” and featuring songs by Innes. In 1996, Innes reunited with Rutles bandmates John Halsey and Ricki Fataar to release THE RUTLES: ARCHEOLOGY, which sported 16 brand new tracks “discovered in the vaults,” a la THE BEATLES ANTHOLOGY.

He recently released a new solo album, WORKS IN PROGRESS, and a brand new reunion album with the Bonzos, POUR L’AMOUR DES CHIENS. Neil continues to write and perform, and is in the process of recording his next solo album.

Official Website: www.innesbookofrecords.com
Twitter: twitter.com/NeilInnes
ROUND 1 SONG:Imitation Song (Ron Nasty’s Last Song)
ROUND 2 SONG: Unfortunately, Neil Innes had to pull out of this round due to professional commitments.

PAUL & STORM

songfu-02.jpgPaul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.

Official Website: www.paulandstorm.com
Twitter: twitter.com/paulandstorm
ROUND 1 SONG:Hippie with a Djembe
ROUND 2 SONG:Boolean Love Song” (WORDS USED: Amy, Bobby, Mary, if, then, equals, and, not, loves, happy)

GARFUNKEL & OATES

songfu-garfuneloates.jpgRiki “Garfunkel” Lindhome and Kate “Oates” Micucci make up this band, which is a mixture of acoustic folk, comedy and pure sugar. Riki has been seen in The Changeling, My Best Friend’s Girl, Pushing Daisies, Gilmore Girls and Million Dollar Baby. You can catch Kate in Scrubs, When in Rome, Four Kings, How I Met Your Mother, or in her one-woman show “Playing with Micucci” at the Steve Allen Theater.

Official Website: www.garfunkelandoates.com
Twitter: twitter.com/KateMicucci
ROUND 1 SONG:The Happy Song
ROUND 2 SONG: Unfortunately, Garfunkel & Oates had to drop out of this round for health reasons.

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In a moment, you’ll discover the details of the first challenge. First, though, here is the list of challengers:

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THE CHALLENGERS

JEFF MacDOUGALL

songfu-jeffmcdougall.jpgJeff’s stint of reigning challenger in MoSF#1 (yet ultimately losing to Master Jonathan Coulton) has won him critical acclaim from around the world. Or is it criticism from around his house? Either way, he’s back for more and hoping to balance bringing the Fu with taking out the trash.

Official Website: www.jeffmacdougall.com
Twitter: twitter.com/jeffmacdougall
ROUND 1 SONG:The Bop Bop Song
ROUND 2 SONG:Free Love” (WORDS USED: see, I, like, could, love, so, me, and, free, you)

EDRIC HALEEN

songfu-edrichaleen.jpgEdric has been writing music (off and on) for the past fifteen years. He wrote and directed a musical, The Pushcart War, based on Jean Merrill’s wonderful novel. He has written and/or arranged a number of songs for various friends – some commissioned, some as surprises. He loves acting in community theatre, and is inspired by the music of Stephen Sondheim, Jason Robert Brown, Adam Guettel, Lynn Ahrens and Stephen Flaherty – and yes, Jonathan Coulton, who in addition to writing wonderful songs, also served as a portal to finding out about the Song Fu competition.

Official Website: www.youtube.com/watch?v=2arBC7f-6FY
ROUND 1 SONG:(Happiness)
ROUND 2 SONG:Extreme Mad-Libs (Song Fu Edition)” (WORDS USED: adjective, pronoun, name, verb, noun, article, adverb, preposition, conjunction, interjection)

“BUCKETHAT” BOBBY MATHESON

songfu-buckethatbobby.jpgI’m “BucketHat” Bobby Matheson. I used to make cartoons for the internet, and sometimes still do, but mostly focus on my music right now. Lately, I’ve been getting more into recording other singer/songwriters in my little, make-shift studio than I have been recording myself. I want Masters Of Song Fu to change that. I don’t really know what genre my music would fall under. Influences range from Klezmer to folk, to punk and back, which ends up sounding more like Zydeco than anything else (who’d have guessed?). I’ve been thinking of dropping the “BucketHat” from my stagename, but fear change.

Official Website: www.buckethatbobby.randomsociety.com
Twitter: twitter.com/BucketHatBobby
ROUND 1 SONG:You Gotta Smile
ROUND 2 SONG:My Romantic Interest In You Is Dwarfed By The Amount Of Money I Will Undoubtedly Be Making Off Of This Song (“Love Why You Love Me”)” (WORDS USED: who, me, you, I, are, am, why, love, do, too)

INSANE IAN

songfu-ianbonds.jpgInsane Ian is a comedian and writer from Baltimore, Maryland who specializes in all things nerdy, both in parody and original compositions. From Sci-fi TV shows and films, to video games, to comic books – no nerdy topic escapes his sardonic (and satiric) wit. Among his peers – such as Sudden Death, the great Luke Ski, Jonathan Coulton and, of course, “Weird Al” Yankovic – he is the only artist to have written this bio, and remains at the top of that list. Currently, his song “Guitar Hero” (from his upcoming album n3rds0ngs) was the 11th most requested song on the Dr. Demento radio show in 2008. Usually for a song, I.I. surrounds himself with talented people to make himself look better… and now is no exception, as friend and producer Benjamin Stahl helps on instrumental duties.

Official Website: www.insaneian.com
ROUND 1 SONG:Happy
ROUND 2 SONG:Consortium Of Comprehension” (WORDS USED: I, did, not, quite, fully, understand, the, challenge, this, week)

JOE “COVENANT” LAMB

My name is Joe Lamb, I’ve been known online as JoeCovenant, or JoeCov, Or just Cov for the last decade or so. I’m 45 and have been performing for 40 of those years. Up until 2005 I was solely a professional actor/singer, but I am now also a Civil Servant and work for Her Majesty. I’ve been playing guitar since I was 10, but still think Bar Chords are things played in pubs. (I can’t do ’em!) I’m not too bad on the Bhodran and can pick out a tune on a keyboard when pushed”¦ really hard. I’ve always been frustrated that my ideas outdistance my abilities, so my output is always rather simplistic… But I like to think that, occasionally, synergy does its job well! This contest will be my first use of my new recording equipment… hope it doesn’t throw my limitations to the fore!

Official Website: www.mikeoldfield.net/shadowland.html
ROUND 1 SONG:What Makes You Feel Happy
ROUND 2 SONG:I Wish I Could Tell You I Love You” (WORDS USED: could, I, wish, love, can’t, know, but, you, do, tell)

MICK BORDET

songfu-mickbordet.jpgMick Bordet steadfastly insists on bouncing between and across genres at every opportunity like a hummingbird with ADD, using an eclectic collection of instruments for his sonic palette, from guitar and ukulele to theremin, yobstick and electric harmonium. Mick is a founder member of “The Lunacy Board”, Scotland’s premier progressive avant-garde skiffle duo, and cites influences as diverse as Edgard Varèse, Ivor Cutler, Conlon Nancarrow, and Roy Harper, to name but four. The duo have recently released three debut albums, including one written, recorded, and mixed within a single day. Mick’s latest project is a year-long weekly podcast set in an alternative universe as it diverges from our reality.

Official Website: mickbordet.blogspot.com
ROUND 1 SONG:Happy People
ROUND 2 SONG:What Is Wrong” (WORDS USED: doctor, what, is, wrong, with, me, you, need, some, methionylglutaminylarginyltyrosylglutamylseryl-
leucylphenylalanylalanylglutaminylleucyllysylglutamylarginyl- lysylglutamylglycylalanylphenylalanylvalylprolylphenylalanyl- valylthreonylleucylglycylaspartylprolylglycylisoleucylglutamyl- glutaminylserylleucyllysylisoleucylaspartylthreonylleucyl- isoleucylglutamylalanylglycylalanylaspartylalanylleucylglutamyl- leucylglycylisoleucylprolylphenylalanylserylaspartylprolyl- leucylalanylaspartylglycylprolylthreonylisoleucylglutaminyl- asparaginylalanylthreonylleucylarginylalanylphenylalanyl- alanylalanylglycylvalylthreonylprolylalanylglutaminylcysteinyl- phenylalanylglutamylmethionylleucylalanylleucylisoleucylarginyl- glutaminyllysylhistidylprolylthreonylisoleucylprolylisoleucyl- glycylleucylleucylmethionyltyrosylalanylasparaginylleucylvalyl- phenylalanylasparaginyllysylglycylisoleucylaspartylglutamyl- phenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylvalyl- glycylvalylaspartylserylvalylleucylvalylalanylaspartylvalyl- prolylvalylglutaminylglutamylserylalanylprolylphenylalanyl- arginylglutaminylalanylalanylleucylarginylhistidylasparaginyl- valylalanylprolylisoleucylphenylalanylisoleucylcysteinylprolyl- prolylaspartylalanylaspartylaspartylaspartylleucylleucylarginyl- glutaminylisoleucylalanylseryltyrosylglycylarginylglycyltyrosyl- threonyltyrosylleucylleucylserylarginylalanylglycylvalylthreonyl- glycylalanylglutamylasparaginylarginylalanylalanylleucylprolyl- leucylasparaginylhistidylleucylvalylalanyllysylleucyllysyl- glutamyltyrosylasparaginylalanylalanylprolylprolylleucyl- glutaminylglycylphenylalanylglycylisoleucylserylalanylprolyl- aspartylglutaminylvalyllysylalanylalanylisoleucylaspartylalanyl- glycylalanylalanylglycylalanylisoleucylserylglycylserylalanyl- isoleucylvalyllysylisoleucylisoleucylglutamylglutaminylhistidyl- asparaginylisoleucylglutamylprolylglutamyllysylmethionylleucyl- alanylalanylleucyllysylvalylphenylalanylvalylglutaminylprolyl- methionyllysylalanylalanylthreonylarginylserine)

THE MASKED STRANGER

The Masked Stranger (a.k.a Neal John Mac Rae), is a self proclaimed noise/folk artist from Nova Scotia, Canada. Although his work has gone completely unnoticed on an official level, he has still managed to garner several fans from Australia and amoungst his close friends. The Masked Stranger project started in 2004 when Neal John recorded “The River Song”, a simple panflute tune he furiously augmented and destroyed on his computer. Since then he has created roughly 30 other distinctly more destroyed and demented tracks under the moniker of The Masked Stranger. His music has been described as “a total disregard for musical theory”, “aaaaaaaah!”, “raw and grating”, “annoying”, “Twisting is a word I want to use to describe it… Very natural and earthly”, and “disturbing and yet… strangely enjoyable”. His most well liked and most consistant piece “Rue The Red” was described by Cape Breton goregrind artist Devin Meaney as “a posessed man jigging out on the strings of his creator. Like a puppet, devouring the flesh of god. And this is exactly what it reminds me of, no joke.”. This awkward and soil laiden musician’s journeys into the abrassive and the tribal only threaten to continue.

Official Website: www.myspace.com/themaskedstranger777
ROUND 1 SONG:My Personal Eccentric Happiness
ROUND 2 SONG:The Mushroom Folk Devour The Tresspasser” (WORDS USED: mushroom, folk, oh, the, devour, tresspasser, dance, prance, punishment)

BRYCE JENSEN

Bryce Jensen has been writing songs off and on for well over twenty years, but he has rarely shared any of them beyond his friends and family.  His styles range from a capella to heavy metal with a lot of wimpy finger picking stuff in between.  Bryce took part in the recent Holiday Special edition of the Song Fu and found the constraints and deadline to be quite a rush.  He also learned that sharing his work with the world can be very rewarding.  Back for this competition because he is hooked and needs another fix, Bryce is looking forward to whatever crazy challenges lie ahead.

Official Website: www.brycejensen.com
Twitter: twitter.com/psychobman
ROUND 1 SONG:As Happy As Me
ROUND 2 SONG:You And I” (WORDS USED: like, away, need, I, run, you, me, see, love, follow)

JEFF FARDINK

Jeff began playing guitar in 2003. He wrote his first comedy song in early 2004, and later that year, he wrote a song that was actually funny and in key, unlike his earlier works.  He began playing shows after accidentally opening for a local band while passing through a bar. He continues to play because nobody has told him to stop.

Official Website: www.JeffFardink.com
ROUND 1 SONG:Let The Happiness In
ROUND 2 SONG:I Forgot The Words Blues” (WORDS USED: I, forgot, the, words, to, this, song, got, blues, yeah)

TIMOTHY RUSH

On stage I am Timmy Vendetta. I’m 18 and I live with my mom and her wife. I hope to become famous and live vicariously through a hamster.

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Official Website: www.myspace.com/tweed234
ROUND 1 SONG:The Happy Song
ROUND 2 SONG:Chanhgrila” (WORDS USED: life, love, time, is, pure, strong, dead, gone, strange, wrong)

CRABBYDAD

Crabbydad is a writer/sound designer/musician who, four years ago, was forced to leave all of his bands and musical compatriots behind in Chicago when his Old Lady got herself a proffesorin’ gig at a giant university in a tiny mid-Michigan town that’s devoid of any sort of culture, musical or otherwise. So he started recording songs with his kids and posting them on his blog for his four or five readers to hear. When he’s not recording songs about spiders and/or poop, he creates comedy, sound effects, and music for a company called Jellyvision, Inc.

Official Website: crabbydad.blogspot.com
ROUND 1 SONG:Happy (H.A.P.P.Y.)
ROUND 2 SONG:Machine” (WORDS USED: machine, serious, circuit, trouble, blood, courage, three, two, one, danger)

HANK GREEN

Hank Green never wrote a song until his eternal passion for Helen Hunt (both as an actress and a woman) started off a multi-year YouTube project in which he writes a song every other Wednesday. The songs are part of a larger project in which he and his brother discuss their lives, their world, and the community of which they are a part. Their videos have now been watched more than 20 million times. Hank’s first album, SO JOKES, was just released and is available at DFTBA.com.

Official Website: www.nerdfighters.com
Twitter: twitter.com/ecogeek
ROUND 1 SONG:The Deep Sea Anglerfish
ROUND 2 SONG:I Know” (WORDS USED: I, don’t, think, know, you, what, that, but, baby, maybe)

MIKE LOMBARDO

Mike Lombardo is a piano-playing pop-rock singer-songwriter who likes to use hyphens when describing his occupation. He has been known to write songs about just about anything, including rocks and SAW 4. When not banging on a piano, Mike spends most of his time  playing way too many video games and fighting with his roomate. Currently finishing up his degree in Songwriting from Berklee College of Music, he will be touring the country this summer with his band, the Mike Lombardo Trio. Feel free to go to his website and send him lots of money. Or cookies.

Official Website: www.mikelombardomusic.com
Twitter: twitter.com/mikelombardo
ROUND 1 SONG:Caroline
ROUND 2 SONG:Sandwich Girl (Lunchtime Lovestory)” (WORDS USED: lunch, cafe, sandwich, line, girl, be, mine, make, me, and)

HALLELUJAH APE

“Hallelujah Ape” is the working name for the personal musical projects of Paul Abbott. When he’s not playing bass guitar and shouting in such bands as Three Minute Margin, he’s usually fiddling with a ukulele or trying to write Manfred Mann inspired songs for films that don’t exist. Main influences are The Bonzo’s, The Beatles and Fugazi. He owns many comedy things and likes to rub his face up against them when no-one is looking. He also co-writes the British Foghorn Company blog.

Official Website: www.myspace.com/hallelujahape
Twitter: twitter.com/Pablovich
ROUND 1 SONG:Do What You Want
ROUND 2 SONG:Why” (WORDS USED: the, grim, inevitability, of, last, spoon, in, a, sink, why)

JALEPENO HABANEROS

In the far off land of Chandler, Arizona, where the rivers flow with sand and cacti, our leader and master, the Lord of Our Lady Gwynyth, guitar and microphone in hand, called for the greatest musicians in the land to assemble a rock and roll group like none other. Unfortunately, they were cut off on the road, and the Jalapeño Habañeros made it there first. With The Rogue Bohemian on saxophone and The Boxcar Bassist on bass and keyboards, the Lord was pleased. Now, they roam the streets of Chandler, playing epic songs and rocking faces, much like Bon Jovi. Unfortunately they are paid in change, and often get thrown into the street, also like Bon Jovi. Their lives have intertwined, and the era of the Jalapeño Habañeros has begun. Be prepared.

Official Website: None
ROUND 1 SONG:The Pompadour Song
ROUND 2 SONG:Let’s Not Tip It Over” (WORDS USED: we’re, gonna, rock, the, boat, let’s, not, tip, it, over)

HAZEN NESTER

Hazen Nester is a multi-platinum-selling*, award-winning**, and incredibly gifted”  songwriter.  His works have been described as “heavenly”, “complex”, and “thought-provoking” by his critics and fans.” ” Â  He has, to date, three full albums”¡, two EPs”¡”¡, and is currently working on a new collection of work§. He holds a B.S. degree§§, an MFAâ•‘, and a PhDâ•‘â•‘ and currently lives in Michigan, where he spends his days writing songs and working in the fulfilling and worthwhile sector of public-access television.  Apart from songwriting, his hobbies include cinema, golf, and the occasional role in various stage and audio productions. 🙂 [* – Lie, ** – Another lie, ”  – Bold-faced lie, ” ”  – His mom. They’re one and the same, really., “¡ – More lies, “¡”¡ – Yet another lie, § – Another lie. No, wait, actually that one’s true., §§ – In film. How appropriate., ? – Lie. What a surprise there., ?? – Do I really have to put this here?, 🙂 – That’s probably the most truthful statement in this entire document.]

Official Website: www.hazennester.com
ROUND 1 SONG:Wide-Eyed Happy
ROUND 2 SONG:A Cliche Love Song” (WORDS USED: I, love, you, don’t, leave, me, won’t, forgive, baby, but)

AUDIOMOHEL

Forged in the furnace of irony, molded with the hammer of satire, flattened on the anvil of righteousness, and cooled in the water of awesomeness, AudioMohel was thrust upon the world. Named from the lost audio transcripts of ’09, AudioMohel serves as a public-service backlash against the anti-circumcision trend sweeping the so-called “enlightened parents” crowd, AudioMohel urges their more devoted and impressionable fans to undergo the snip two or even three times. AudioMohel enjoys experimenting with new breakthrough genres like speed blues and death classical even though most of AudioMohel’s tunes reside firmly in the ethereal realm of vapor-ware. Some of AudioMohel’s members admitted to being a bit intimidated by the professed experience and actual musical talent apparently possessed by the Song Fu Masters, but finally it was decided that if the need arose, sabotage would not be out of the question. To be used as a last resort, naturally, but not out of the question.

Official Website: www.AudioMohel.com
Twitter: twitter.com/AudioMohel
ROUND 1 SONG:Parole Day
ROUND 2 SONG:Greasy Bacon” (WORDS USED: bacon, crispy, greasy, need, get, some, Canadian, making, tasty, kevin)

MOLLY LEWIS

When she’s not bluffing her way through college courses or looking passably attractive from a distance, Molly Lewis enjoys playing ukulele, microwaving marshmallow Peeps, talking to cats, and Twittering. Early last year, she wrote two original songs, “MyHope” and “Road Trip”. “MyHope” is about the inevitable day when our children will learn how to navigate the interweb and how they will LOL at our old internet presences, namely MySpace; of “Road Trip”, Molly says it’s about “that astronaut lady who went crazy and wore the diapers, you remember that?”  She has not written any songs since.  Hopefully this competition will remedy that. When Molly was in middle school, she took up the guitar. That sank into the swamp. So she took up the mandolin. That sank into the swamp. So she took up the banjo. That burned down, fell over, then sank into the swamp. But the ukulele has stayed. And that’s what you’re going to get, Quick Stop Entertainment: the strongest ukulele in all of Tacoma, Washington.

Official Website: www.sweetafton23.com/primer/
Twitter: twitter.com/Molly23
ROUND 1 SONG:I Pity The (Song) Fu
ROUND 2 SONG:Peep Fight” (WORDS USED: marshmallow, Peeps, toothpicks, microwave, sword, fight, stomach, put, in, the)

JUTZE SCHULT

songfu-jutzeschult.jpgJohannes “Jutze” Schult (from Germany) likes to make songs about weird stories and situations. It’s all about creating a musical scenario that is somewhat original, yet believable by some stretch of imagination. Jutze used to play drums in a heavy metal band, and then founded his own pop band where he played guitar. These days he’s mainly doing solo work for the fun of it.

Official Website: www.jutze.com
Twitter: twitter.com/schult
ROUND 1 SONG:A Mallful Of Brains
ROUND 2 SONG:God Of Bingo” (WORDS USED: bingo, Jimmi, Simpson, is, awesome, rocks, the, god, of, he)

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ROUND 3 CHALLENGE

For your third challenge, you have to write a song with the title “It All Makes Sense At The End”. You can interpret what song would be given that title in any way you see fit. Your song must run no shorter than 1 minute 45 seconds.

Your song must be submitted in mp3 form (128-192kbps) either via e-mail (to songfu @ asitecalledfred.com – remember to remove the spaces) or a file upload service (like RapidShare or YouSendIt). Deadline for submission is 11:59pm EST on Tuesday, March 31st, 2009.

Voting on Round 3 submissions will commence on Wednesday, April 1st, 2009.

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ROUND 1 VOTING RESULTS – THE CHALLENGERS

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ROUND 1 VOTING RESULTS – THE MASTERS

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ROUND 2 VOTING RESULTS – THE CHALLENGERS

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ROUND 2 VOTING RESULTS – THE MASTERS

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If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.

Good luck, and bring on the Fu.

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TV Or Not TV: 3/23 – 3/29

Filed under: TV Or Not TV — Tags: — admin @ 1:29 am

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Welcome back to TV or Not TV where I’m in the middle of packing for a move.

Ordinarily I wouldn’t be bothering you, Internet reader, with such a silly detail from my life however it is having an adverse affect on my ability to write. When I try to summon up the inspiration for a story all I encounter in my head is the thought of the closets that still need to be emptied.  When trying to summarize my reaction to the Battlestar Galactica finale all I think about are the boxes that have not yet been filled. All I see when I close my eyes is bubble wrap, wrapping paper, and box tape.

This panic is, sadly, going to be lasting at least through next week’s column as well. This week is the boxing panic. Next weekend is the moving panic. I know, don’t panic. I try not to, but I can’t stop.

That said I really liked the way LOST last week got me to watch a show that didn’t really reveal a whole heck of a lot, but clearly helps gets us from point A to point B. I’m always a sucker for the episodes when Christian Shepard shows up. He’s this equal mix of informative and creepy and I’m sure before the series plays out he’ll have had a conversation with just about everyone with the exception of Jack.

The current season has also been an interesting blend of informative and confusing as they’ve been giving us some answers to what is going on while creating mini-mysteries to be revealed as well. An example of this is very apparent in the last three episodes. We’re given a tidbit of something that has already happened (Sun takes off with the pilot for the main Island, as told to us by Ceaser) with subsequent episodes revealing what transpired (Sun takes off with the pilot for the main Island thanks to Ben showing her where the boats were and then subsequently clocking him with an ore).

It’s really the first season of LOST where I haven’t been sitting here trying to figure out what is going on and instead just enjoying where the show is taking me. Pretty good stuff.

I’d try to come up with something more profound but I’m once again thinking I should be breaking down all of the equipment in my office and jamming it into a box. Instead let’s just see what is going to be on this week that I clearly have no time to actually watch.

MONDAY

ABC FAMILY – 8:00 PM: There’s finally a baby on The Secret Life of the American Teenager. After this, is there really a secret any more?

NBC – 9:00 PM: Heroes has been trying to get us sucked in to who this new Rebel character may be, some super tech savvy computer guru. I’m guessing they think we’ve forgotten about the kid from season 1 and 2 that could talk to machines.

TUESDAY

CW – 8:00 PM: Sam is forced by the Devil to work with one of his sons on Reaper. Since Sam seems to be the son of the Devil (something that has yet to really be confirmed) he may be aggravated by the fact that this son is much richer and more charming than him.

TCM – 8:00 PM: Generations were entertained by his work and in Chuck Jones: Memories of Childhood we have the man himself tell of his youth and influences.

WEDNESDAY

ABC – 9:00 PM: One of the LOSTies goes rogue tonight and we get a glimpse of what life was like for Sayid when he was off the Island and not capping people for Ben.

THURSDAY

FOX – 8:00 PM: Tonight on Bones they investigate a half-eaten body just outside of a tiger cage. I bet the butler did it.

NBC – 9:30 PM: 30 Rock sees the return of Liz‘s ex The Beeper King.

NBC – 10:00 PM: With all of the old faces returning on ER I’m sure everyone can’t wait to see none other than Tom Arnold tonight. Wait, what?

FRIDAY

FOX – 9:00 PM: Disease is running rampant on a campus on Dollhouse, but this is worse than cold sores.

SATURDAY

NICK – 9:30 PM: The Penguins of Madagascar premier tonight after the Kids Choice Awards. Since they were always scene stealers in the Madagascar movies they should be pretty good here.

SUNDAY

FOX – 8:00 PM: Homer and Marge find out their marriage isn’t actually valid tonight on The Simpsons. Didn’t I already see this on 10 sitcoms througout the 80’s?

Will Wilkins hardly wrote this.

Masters Of Song Fu: Red Nose Special

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rednosenet.jpgOn Friday, March 13th, myself (Ken Plume, natch) and Needcoffee.com‘s Widgett Walls embarked on a 24-hour live webcast on www.RedNoseNet.com, in support of Comic Relief.

A call was put out to former and current Masters Of Song Fu challengers to participate in a special “Red Nose Day Challenge”. A quartet of Challengers came forward, and we played the songs during the webcast. Below, you’ll find the tunes. Also, you’ll find a link to the right that you can click and donate to Comic Relief. Your support for this amazing charity is appreciated, and many thanks to the Challengers who gave their time.

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RED NOSE DAY CHALLENGE

In the spirit of Red Nose Day, your challenge is to write a song that gets everybody involved – and by that, I mean a rousing song that includes passages that invite the listener to sing along. Think songs like “Hey Jude” or “All You Need Is Love”. And that’s it. The rest is up to you.
Your song must run no shorter than 1 minute 45 seconds.

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THE CHALLENGERS

JEFF MacDOUGALL

songfu-jeffmcdougall.jpgJeff’s stint of reigning challenger in MoSF#1 (yet ultimately losing to Master Jonathan Coulton) has won him critical acclaim from around the world. Or is it criticism from around his house? Either way, he’s back for more and hoping to balance bringing the Fu with taking out the trash.

Official Website: www.jeffmacdougall.com
Twitter: twitter.com/jeffmacdougall
RED NOSE SONG:Nerdy Cougar

JASON MORRIS

songfu-jasonmorris.jpgI suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.

Official Website: www.jason-morris.com
RED NOSE SONG:Stand By For Lovin’

JOE “COVENANT” LAMB

My name is Joe Lamb, I’ve been known online as JoeCovenant, or JoeCov, Or just Cov for the last decade or so. I’m 45 and have been performing for 40 of those years. Up until 2005 I was solely a professional actor/singer, but I am now also a Civil Servant and work for Her Majesty. I’ve been playing guitar since I was 10, but still think Bar Chords are things played in pubs. (I can’t do ’em!) I’m not too bad on the Bhodran and can pick out a tune on a keyboard when pushed”¦ really hard. I’ve always been frustrated that my ideas outdistance my abilities, so my output is always rather simplistic… But I like to think that, occasionally, synergy does its job well! This contest will be my first use of my new recording equipment… hope it doesn’t throw my limitations to the fore!

Official Website: www.mikeoldfield.net/shadowland.html
RED NOSE SONG:Put Your Red Nose On

MICK BORDET

songfu-mickbordet.jpgMick Bordet steadfastly insists on bouncing between and across genres at every opportunity like a hummingbird with ADD, using an eclectic collection of instruments for his sonic palette, from guitar and ukulele to theremin, yobstick and electric harmonium. Mick is a founder member of “The Lunacy Board”, Scotland’s premier progressive avant-garde skiffle duo, and cites influences as diverse as Edgard Varèse, Ivor Cutler, Conlon Nancarrow, and Roy Harper, to name but four. The duo have recently released three debut albums, including one written, recorded, and mixed within a single day. Mick’s latest project is a year-long weekly podcast set in an alternative universe as it diverges from our reality.

Official Website: mickbordet.blogspot.com
RED NOSE SONG:Big Red Nose

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March 20, 2009

Weekend Shopping Guide 3/20/09: All The World’s A Stooge

Filed under: Shopping Guides — Tags: , , , , , , — UncaScroogeMcD @ 1:14 am

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

It’s a bit depressing, but The Three Stooges Collection – Volume Five: 1946-1948 (Sony, Not Rated, DVD-$24.96 SRP) marks the final batch of shorts featuring Curly Howard, as it was during production of Half-Wits Holiday that he suffered a debilitating stroke that made production impossible. He was replaced by another Howard brother, who actually preceded Curly as a Stooge – Shemp. The second half of this set features the long-haired Stooge. So long, Curly.

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Thinkgeek is a wonderful source for things that, at first glance, just seem like a cool knick knack with no practical purpose, but actually hide a nicely practical application. If you caught the recent Comic Relief fundraising event I co-hosted at www.rednosenet.com, you’ll know that I closed the 24-hour marathon by switching on and depressing the button on a nifty USB Doomsday Device Hub ($49.99). Not only does this have a 3-step process (two toggles and a key turn) that allows the red button activation of your doomsday device (in reality, a nice explosion sound), but the practical side is fulfilled by it also being a 4-port USB hub. How cool is that?

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Growing up in Quantico, Virginia, many a school trip was taken to the Smithsonian’s massive and uber-cool Air & Space Museum, which is given the spotlight in the documentary America’s Hangar (Smithsonian Networks, Not Rated, DVD-$14.98 SRP). Not only do you get to see all of the nifty stuff on public display, but all of the stuff that goes on behind-the-scenes (including the seemingly endless amount of material there’s no room to display).

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I’ve said it before and I’ll say it again – it’s a shame that Gordon Ramsay is mostly known for the over-produced Hell’s Kitchen and US Kitchen Nightmares when his UK output is so wonderfully engaging. Case in point – and well worth checking out – is the second series of his celebration of food, The F Word (BFS, Not Rated, DVD-$29.98 SRP), which finds Ramsay tackling a different menu item each week in his F Word restaurant, which also includes a celebrity component and trips into the field. Also, as a way of showing the viewers and his kids where the food on the dinner table comes from and give them more of an appreciation, a different animal each season is raised by the Gordon clan, and then served at the end of the run. This season found them raising pigs. The 3-disc set features 8 episodes, but sadly no bonus features, but ridiculously omits the entirety of episode 2 for clearance issues. What the hell?

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There are no fava beans, but the Blu-Ray edition of The Silence Of The Lambs (MGM, Rated R, Blu-Ray-$34.98 SRP) is just as creepy in high definition, and wipes away the memory of the unfortunate sequels. Bonus features ported over from the DVD special edition include retrospective featurettes, deleted scenes, TV spots, outtakes, trailers, and more.

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After a bit of a release gap (a few years), the officers of the 12th Precinct return in Barney Miller: The Complete Third Season (Sony, Not Rated, DVD-$29.95 SRP). Any season that features guest stars like Billy Barty, James Cromwell, and Doric Roberts deserves a spin. The 3-disc set contains all 22 episodes.

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The next two volumes – two and three, to be specific – of the new animated adventures of ol’ webhead himself, The Spectacular Spider-Man (Sony, Not Rated, DVD-$19.94 SRP), arrive on DVD. While featureless, each disc contains a trio of episodes featuring – you know – villains.

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The story is clunky and the acting is broad, but there’s no denying that Quo Vadis (Warner Bros., Not Rated, Blu-Ray-$28.99 SRP) was made during the golden age of the spectacle picture, which is the main reason for taking in every nook and cranny in fully restored high definition. Bonus features include an audio commentary, a new featurette, and the theatrical trailers.

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Slowly but surely, we’re winding our way towards the end, and the release of the tenth and penultimate season of Married With Children (Sony, Not Rated, DVD-$39.95 SRP) brings us right up to the brink of the Bundy clan’s exploits. The 3-disc set features all 26 episodes, but nary a bonus feature.

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I can’t really speak personally on how fun puppet bunnies are, but my nephews really enjoyed Bunnytown: Hello Bunnies! (Walt Disney, Not Rated, DVD-$19.99 SRP), the show’s first DVD release. The disc contains 4 episodes, plus a bunny dance featurette.

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Wake your dogs up with a dose of Fran Drescher in the complete third season of The Nanny (Sony, Not Rated, DVD-$39.95 SRP). The 3-disc set contains all 26 episodes, plus the animated holiday special “Oy To The World”.

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Let’s wrap things up this week with a really cool collectible that has no practical purpose other than to be cool. What is it, exactly? Well, it’s a replica of the winged helmet worn by The Mighty Thor – Thunder God, Asgardian, and Marvel Comics hero. The Thor Helmet Replica ($369.99) is constructed of steel and plated in chrome, with hand-painted fiberglass wings and an adjustable leather liner. The edition is limited to 1,000 pieces worldwide, so be sure to pick yours up as soon as possible – or you’ll regret it.

So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Trailer Park: The /Filmcast and KILLER AT LARGE

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on Twitter. Find me here, This week saw a burst of activity with regard to Comic-Con lodging and how dismal the Comic-Con hotel ordering system really is. Hopefully you’re one of those ones who got through. Myself, I’m staying at a hostel/hotel hybrid. Should be interesting if nothing else…

For those who may not of found out about it one way or another, the esteemed human checkbook known around these parts as Kevin Smith was on the /Filmcast last week. Even if you are all burnt out on WATCHMEN you really do have to listen to this marathon podcast. David Chen, Peter Sciretta, Devindra Hardawar and Adam Quigley all do a great job with this show and it’s one of those things I like seeing drop into my iPod queue in any given week. This week was no exception but it really is fascinating to get a filmmaker’s perspective on things and it helped me to couch my own interpretation of the minutiae contained in this as well as delving into some of the particulars of the movie. Think of this as the perfect thing to listen to as you reconcile what you thought this could be versus what it actually was.

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Secondly, I always like to promote those who were more than complimentary when I had the chance to interview them. Christian Oliver talked with me last for the hotly debated topic of “Is it good?”/”Is it crap?” for his turn in SPEED RACER so when I heard he had a new film coming out I just felt it polite to return the nicety.

The film is called READY OR NOT and the film is described as follows:

Four college buddies find themselves on the adventure of their lives, when on the morning after a Las Vegas bachelor party, they end up stranded deep in Mexico penniless, being chased, falling in love, and fighting to make it back across the border in time for the wedding.

I can’t vouch for how mind-blowing it is but the man was genuinely nice and so it’s always a pleasure to simply be a human being and give a shout-out.

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Ribwich.

I loved eating ribwiches in high school. Along with a side order of sizzling fries, splayed out on a foam tray, chugging it all back with with a Barq’s root beer it was my version of a good lunch. I can’t tell you how vividly I remember the class I had after lunch, it was health, and consisently thinking about how sluggish and foul I felt after consuming these types of lunches day in and day out.

It wasn’t until Freshman year in college when I knew I was headed for Portly Town, getting winded just by doing warm-up calisthenics, and did something about it. I picked up a book by Covert Bailey, called “Fit or Fat”, and made life altering choices that have been with me now for over 15 years. I don’t consider myself freakish about it but I do try and always make sensible choices (although get me around a pepperoni and bacon pizza and watch the glutton in me leap out) and have kept an eye on the news reports regarding obesity in America and whether we really are becoming the fattest country in the world.

When I head about Steven Greenstreet’s documentary about the health and social issues facing our nation today with regard to our waistlines I couldn’t pass up the chance to talk to someone who might give me the inside line about how the battle of the bulge is going. From what he tell me, there isn’t really much to be proud of and a whole lot to be alarmed by.

KILLER AT LARGE hits DVD on March 31st..

CHRISTOPHER STIPP: How did this project come about?

STEVEN GREENSTREET: It started about ten years ago. We met up with a doctor who specializes in obesity and he contacted us. He had seen our last film and said he had some new research on obesity and asked if we could make a short film for him. So we said sure and then got into some of the research and said holy crap this is an epic film. We just touched the tip of the iceberg. There was tons of stuff that needed to be covered. So we went back to him and said why don’t we re-establish the budget and make this a feature film and he got on board. That’s how it got started.

CS: What kind of stories were you unearthing?

GREENSTREET: One of the stories we read was how the It’s a Small World ride at Disneyland was shut down and had to be renovated because it was designed back in the 60’s when people were thinner and now people are so heavy that they were actually drowning the ride. They had to renovate it because of people’s weight. Locally, there was a huge theater that had to renovate its seats because the theater was built in the 70’s and people are just getting too big.

And then, we got a hold of a video clip, and it took us forever to get a hold of this by the way, but the Surgeon General of the United States was giving a speech at the University of South Carolina where he literally says that obesity will dwarf 9/11 or any terrorist event you can play out to me. And we’re like, “Holy crap…” You can’t do a film about obesity without taking time. We realized it was a big problem. The problem with obesity is that it’s a complex problem and you just can’t point your finger at any one thing. You can’t say McDonald’s is the bad guy or junk food is the bad guy or the lobbyist in Washington is the bad guy. We used the statistics for global warming ““ obesity is leading to global warming in that we used 39 million extra gallons of fuel each year simply because we weigh more and that’s since the 1970’s.

CS: Really?

GREENSTREET: Yeah, 39 million extra gallons of fuel and it works in reverse. If every American just lost one pound we would save 39 million gallons of fuel.

CS: What seemed to be the turning point in people’s knowledge that this is an issue? If we look back at the 20th century it wasn’t really an issue. What has happened that we are so attuned now to healthy eating ?

GREENSTREET: Well, we actually went back further. We went back 4 million years to the dawn of man and interviewed some anthropologists about evolution ““ back in Cro-Magnon days ““ how our brains were wired – we used to be hunters and gatherers running around the plain hunting our food. And for the most part we didn’t eat meat or high calorie foods because it was so hard to get so we were eating fruits, eating brush, eating things like that.

Every once in a while we would get a deer or an antelope or something like that and then we really had to run for dinner, essentially What has really happened in evolution is that we don’t have to run for our dinner any more. Nowadays, with technology and the luxuries that we have, we sit a lot and there is no movement being done. In fact with children in the No Child Left Behind Act which is one of the Bush administration’s significance to education it has upped the requirements for reading and arithmetic ““ schools are actually cutting out physical education. So kids are sitting on their rumps all day in school and then all night at home. So we actually interviewed teachers and superintendents about the effects of No Child Left Behind and literally we have a shot of this huge elementary school gymnasium that’s been converted into four classrooms. They don’t even use the gym anymore.

CS: Lazy kids…

GREENSTREET: So they could meet the requirements of the government. We interviewed experts about our toxic environment. Everywhere you go there are cues to make you eat. Car washes, the DMV, there is vending machines. I just edited into the film there’s a locally tire store called Swab Tires and they give away free beef. Come fix your tires and they give you slabs of beef. Back in the 60’s you go to a gas station and you just got gas. Now you get cookies, chips, soda. And vending machines at schools are totally off the charts. We interviewed kids that that’s all they eat for lunch. They put $5 in a vending machine. There is a school that is so under funded by the government that Pepsico moved in and said, “We will give you $50,000 ““ just sign this contract with us.”

School lunches are nothing but surplus.

If there is a surplus of butter, they put a lot of butter in the lunch, if there is a surplus of ground beef, they are going to eat a lot of hamburger. Here’s an interesting statistic ““ we spent more money feeding prisoners in the state of California than we do on school lunch on a national level. Per child.

CS: I haven’t seen the movie but I go back to the trailer with the Surgeon General ““ how does the government factor into this problem? Are they aware of it or are they complicit in it or, like you said, you had a hard time trying to track down some information. How do they factor into this issue?

GREENSTREET: You have to understand that by and large, money talks, money walks and in Washington, DC is bought and sold everyday and they are absolutely complicit. Let’s start with the Surgeon General ““ Dr. Vinichiy is supposed to inform the public about health crisis, health problems and stuff like that. While he was in office for the Bush administration, he wrote a document about the dangers of obesity. That document was not allowed to reach the public eye by the Bush administration. In turn it was given to a Bush insider, Wm. Steiger, George Bush Sr.’s godson, who edited it and any mention to eat less sugar, eat less, he edited that all out before it became public. And we got a hold of the before and after document (before it was edited).

CS: That’s fascinating…

GREENSTREET: Yeah, it was actually a very big news story. And then Carmona, before he left office he did a tell all and went on all the news stations and said that during his tenure with the Bush administration he was muzzled and was told to shut up on so many issues and obesity was one of them. Because big sugar lobbies, meat lobbies, etc., they buy and fund congressional and presidential elections and they didn’t want to tick their people off so they didn’t want anything in the document that says eat less sugar, eat less of this, any mention of eating less, because once you tell people to less of something you can tell them what to eat less of.

One of the most infuriating and yet fascinatingly funny aspects of our film is about a year and a half ago, when Shrek III was coming out the government got together with DreamWorks Animation who was releasing the film and they released a PSA with this huge glutinous ogre on TV saying get up and play an hour a day get out and exercise at the same time his face was on the front of over 70 junk food products. Like from cereals to candies to Fruit Roll-Ups to soda and the government knew it. Even on Twinkies, with green filling it was absolutely disgusting and Shrek gets out there and it was free publicity for DreamWorks and the government, Secretary of Health claimed it was a huge victory for government. We’re going to get our kids to get up and play. Another thing is the food pyramid. The government threw away the old one at this big press conference and replaced it with no food just colored bars and completely confusing and no one knows what it means in fact if you go to the my pyramid website and put in your weight your age and sex they will tell you what to eat ““ what your diet should be. And no matter what age, sex or weight you are it will tell you to drink 3 cups of milk per day. That’s the dairy lobby. Buy our milk whether you are two years old or 86 and 300 lbs. Drink 3 glasses of milk a day. Here’s another thing: The USDA over 75% of the officials at the USDA are former food lobbyists ““ meat lobbyists, dairy lobbyists. So basically if you go to the upper echelon at the USDA for agriculture, people are actually on leave from their corporate jobs. And now USDA is regulating the rule about food. Basically a revolving door with corporate America.

CS: How does this stack up against other countries? Are Americans genuinely the fattest people on earth?

GREENSTREET: Yes. Statistically we are. Granted per capita countries such as Tonga and some Polynesian countries are more overweight but as a leading country the United States is the fattest in the world. But obesity is not just an American thing. Strangely it is popping up in Ethiopia. Obesity is being seen in places we haven’t seen before…

CS: Didn’t we send money over there in 1984 for We Are The World to help feed them?

GREENSTREET: Yes, exactly. The experts across the board says one of the reasons contributing to world-wide obesity is the importing of American food. American fast food culture ““ Japan, Europe, parts of South America. Here is something else that is infuriating is for some reason and it didn’t used to be this way, the poorest people in America, the people with the littlest money are the fattest. How did that come to be? You would think that if you were poor you wouldn’t have that much money for that much food to be glutinous. We set up our system that the foods with the most calories are the cheapest and the ones with the littlest calories are the most expensive. You take a $1 in the grocery store and can get 1200 calories for your dollar in the snack food, candy or soda aisle but you can get 200 calories of carrots for your dollar.

CS: Why is that? It infuriates me because I try to eat healthy ““ I’m thin by comparison to a lot of people and it costs so much for me to make right choices and have salads but for half the price I could go to McDonald’s and have a huge bad-for-me meal. Anything you found out about why the inverse is the case?

GREENSTREET: Yes, in the film we do a history lesson. Back in the 70’s the Nixon Department of Agriculture Secretary Earl Butts decided that farming will not be a mom and pop type of business but should be more of a corporate conglomerate and he told the farmers plant as much as you can of corn of soy and we’re going to put you in a world market. What’s happened is that we have created a surplus of corn and soy, an over abundance of it and hence it’s become extremely cheap. Corn is put in more than 75% of things you buy at the grocery store. That McDonald’s meal that you buy, it’s in the bun, it’s in the burger because it’s a corn-fed cow, it’s in the ketchup, it’s in the mustard, it’s in the French fries, in corn starch in the chicken nuggets and in the high-fructose corn syrup in the soda.

So, one reason that fast food is so cheap is because they are using cheap surplussed corn. That’s one of the reasons that junk foods, all that stuff is so cheap. All that stuff has corn in it. Candy has corn in it. That’s one of the reasons we are growing so fast because as a species we are supposed to be eating 50 – 70 ingredients for nutrients for our bodies and now we are mainly eating 3 ““ 5. Corn and soy are the main products of that. The agriculture policy in this country is one of the reasons that cheap high calorie food is the way that it is. Because of the surplus. Corn production has sky rocketed and even now the corn production has increased every year ““ even though we don’t need it.

CS: Where does it go? Does it go into everything and anything they can stick it in?

GREENSTREET: Exactly. The film shows how so many ways the corn plant can break down the corn plants you can make starches and sugars out of it and you can process so many foods. Another very interesting statistic is that 40 or 50 years ago if you trace back the food’s energy source you’d go to the sun. it brings us to the cow that eats the grass and you eat the grass and the cow got it’s energy from the sun. Now”¦.you have to go back to the Persian Gulf. Because what’s happening because cows and livestock are not eating grass they are being fed fossil fuel derived corn. The follicle fuel comes from the gulf. Essentially we are sipping oil. That McDonald’s meal’s energy source you’d have to go back to the Middle East.

CS: Hmm…

GREENSTREET: Another thing, if you took a strand of hair and put it under a microscope, you would find corn in your DNA.

CS: Really?

GREENSTREET: Americans. For the most part if you are an American and eating an American diet, there is corn in your DNA.

CS: Is it because we are eating so much of it, it is becoming a part of who we are?

GREENSTREET: Literally the children of the corn!

CS: What do you do now that you’ve spent time on it, what is your perception on how obesity has evolved?

GREENSTREET: First and foremost, I had no idea how complex and deep rooted this problem was but at the same time when the film was over it makes sense to me that things are the way they are. One of the anthropologists we interviewed who has been studying the evolution of man for decades he says that I think that humanity is heading for an evolutionary disaster because we set up this system that goes against our biological makeup. We are eating foods that we are not supposed to be eating and too much of it. We are creating a world of luxury and convenience and we are not “hunters and gatherers” anymore. And it is really sucking up our biology. And we are not keeping up with it. When you look at it from outside the box it makes sense that things are the way they are.

CS: Why don’t enough people care? Some people who are overweight are just sort of resigned to it. Some people care, some people take action, but we are not getting any thinner.

GREENSTREET: it’s complicated for sure and personal responsibility plays a big part for sure. A lot of people when they see a fat person would say if you wanted to lose weight you probably could. But there a lot of different factors, it’s one thing to tell a parent, tell kids, like Shrek says, gets up and play an hour a day but to say we’re going to take phys-ed out of school and convert the gym to a classroom. Adults – we’re going to put you in a cubical and you crunch some numbers and you can do your work but then you go home and see your kids. When are you going to exercise? We have a solution section in our film – $72 billion dollars a year is spent on health insurance obesity related illnesses. It’s really a threat to our health system to our insurance system and employers are beginning to wake up.

For instance, Sprint at their headquarters, they totally renovated their headquarters. They slowed down their elevators and updated their stair cases with beautiful vistas, sky lights and put signs on the staircases saying that if you walk this many stairs you will burn this many calories and in turn paying employees for every pound they lose. IBM, Astra Zeneca ““ there are companies around the nation that are realizing they are losing money. We gotta care about the health of our employees or we are going to lose money. And so they are actually taking steps during the day ““ we are giving you a half hour during the day to go exercise in the company gym and if you do that we will take $400 off your health insurance. So companies are starting to do that. And there is a lot of different things to do but I think the right people to help out are doing the wrong things, i.e., the government, the school system, companies themselves marketing to kids is astronomically off the charts.

CS: Talk to me about that. I have a 4 year old and a 2 year old at home and we hardly keep the TV on and thank goodness for TiVo because we can blast through the commercials but when I do have to sit down and see these commercials I can’t imagine that the amount of money that is used to spend on kids has gone down in years, the opposite must be true. They must be doing hardcore marketing to get that younger demographic.

GREENSTREET: Yes. $100 million is spent just on candy – marketing candy.

And if you want a comparison, $10 million is spent to market breath mints and $1 million used to market fruits and vegetables in this nation. The statistics show that companies want cradle to grave loyalty from kids. They want to get them out of the cradle essentially. They have 7 Up and Pepsi bottle bottles ““ they look like a 7 Up bottle or Pepsi bottle. McDonald’s had a billboard that’s in our film a billboard that had a baby breastfeeding on a McDonald’s burger. And kids under the age of 8 cannot differentiate the difference between the commercial and the program so when Sponge Bob cuts to commercial, they don’t know it’s a commercial. They don’t know they are trying to be sold something. And they have a thing called the Nag Factor. Ralph Nader’s film actually says it in there that Madison Avenue when a new ad campaign comes out they actually rate it. This has a 50% Nag Factor, this has an 80% Nag Factor ““ getting kids to nag their parents.

We have a Chuck E. Cheese commercial where the kids are having fun and then mom shows up and they say “Oh mom, why did you have to come?” And then she actually pulls her face off and it’s really Chuck E. Cheese and they say now we can have fun again. And there’s a McDonald’s commercial where they kids are doing homework and it’s raining and grey outside and classical music is playing and they are all bored but then Ronald McDonald shows up and the lights get all bright and he wisks them off to McDonalds and they start eating cheeseburgers and are happy. So they are getting the message that classical music is bad, being at home is bad, so they are getting these kids to nag their parents for what they are told is fun. So it’s really unfair and undermines parental authority. As a parent you have to choose your battles. Which battle are you going to pick if your 8 year old is dressing like a hooker? It’ll be the sexuality battle. So there is some movement, Senator Tom Harkin wants to eliminate marketing to kids under 8 but nothing of any significance.

CS: Demographically speaking, is it easier to get the individuals in the lower economic strata that a middle class child or adult?

GREENSTREET: Statistics show that kids or adults in poor communities are the fattest and most obese. They have a variety of problems but also if you go to poor communities some of these people don’t have cars. And where’s the closest place I can get fresh produce. It’s probably not a block away but there is a McDonald’s a block away, there’s a McDonald’s on every block or there’s a Wendy’s on every block. Or there’s a 7 Eleven where you can get a Grandma’s cookie. So the incentives in this country to feed our kids right are totally out of whack. There are no ““ the government is doing nothing to create incentives. You have to look at this evolutionarily ““ we’re screwing ourselves up and doing nothing to put the brakes on. Except in little sections of the nation people are starting to wake up.

CS: What are people saying after you show them this finished film?

GREENSTREET: 100% of the people are completely pissed off and say, “We had no idea.” People will email us and say “we have stopped drinking cola because of the corn” and it’s really getting people to wake up and be aware and how it’s all hurting our biology. The fat tax in Mississippi is not a solution.

Poor people are relying on that 99 cent cheeseburger.

We are just screwing the poor even more making it more expensive. I don’t think the idea is to ban McDonald’s or ban junk food but to show them something better and create incentives to get that. There is actually something going on today called upchuck rebellion. The next generation is refusing to eat crappy foods and is more focused on eating healthy and becoming more educated about their bodies and learning more about cooking. I certainly don’t agree with Morgan Spurlock or people like that that say McDonald’s is the bad guy ““ we just have to get rid of that and we’ll be fine.

CS: Right. And, regarding the process of making a documentary, what are your thoughts about the medium itself? Did you ever think…”Maybe I’m getting too preachy here?” How did you keep that in check in the editing room?

GREENSTREET: My first film, my first documentary I didn’t want it to be too preachy and I didn’t want it to be too biased. I didn’t want it to be like a war film. This is how it is. This is how it should be. This film is not narrated. It’s observational, it’s educational. And I’ve seen this film so many times and there is one part in the film right now that I’m struggling with because I think it comes across too vegan like propaganda. I’m a vegan but I eat meat.

(I laugh)

GREENSTREET: What’s that?

CS: Nothing. I’m just laughing that you say you’re a vegan but that you are a meat eater.

GREENSTREET: Yep, I can say that filmmakers probably have the worst diets ever. We put all our money into the film so we grab the fast food break between editing. But I don’t want the film to be one sided. We covered all aspects as best we could. It still could have been a 10 hour epic. But we tried to cover as many aspects as we could and stay in the middle if we could.

CS: When you did your first cut, what did you have to do to pare it back or did you have any babies you had to leave on the cutting room floor?

GREENSTREET: Our first cut was 3 hours long. Way too long. So anything that doesn’t 100% address obesity we had to cut. Like the 6 degrees of Kevin Bacon ““ things on the sidelines we had to cut out of the film. We had stuff about fertilizer ““ why does the orange look so orange? Why does the tomato look so red? So that it looks good on a shelf so you buy it but we trimmed all that and now it’s down to an hour and a half ““ literally cut it in half.

CS: Now that you finished it, and have shown the final version to people that could be in the position to buy it, what has it taught you about the final stages of movie making and how to market and to see you film and get people interested in seeing your film?

GREENSTREET: We have a good PR person and Oprah showed a clip last January 4th so we are out there. We’ve been in some newspapers and we’ve been interviewed but once our film gets sold it’s going to be full throttle. Calling on people to find out what their plan is to address the issues in the film. The activists are in the thousands that are involved in this issue. We’ll be calling on all of them to get the word out to call on their local leaders to see the film, and address the issues about what can be done. We have solutions in the film to see what others have done to solve the problem so it’s really grass roots stuff.

CS: Did any candidate that is out there now that is in a position to vote on something is there anyone out there that has a so-called food policy?

GREENSTREET: Bill Clinton is in the film. He had to undergo heart surgery and talked about how fast food and our kids are walking time bombs. He says that this may be the first generation that has a shorter life span than their parents because of obesity. So Clinton, for the last 7 or 8 years, along with Hillary, have been advocates very publicly. I know Mike Huckabee battled obesity and lost over 100 pounds so he’s an advocate for obesity problems. I haven’t heard anything besides general health care statements from Obama or any other candidates about the issue. But I would say if there was one politician nationwide tackled it like a lion is Senator Tom Harkin in Iowa. He’s all over it. He’s been changing eating vending in the schools, he’s updating nutrition policy at the USDA. He’s been a bull fighting this.

CS: What does he say about the lobbyists and the opposition?

GREENSTREET: He’s in the corn state so he’s fighting the junk food but fighting it the right way. He brings the story of children and he puts them up there on the Senate floor and how can you argue that. He did lose the 2007 farm bill for the USDA to update their school nutrition policy and it got completely shut down. Because the Republicans said it was too hard on the food industry. So there are wins and losses across the field.

CS: Well, Steve I have just one more question for you. When this film finally makes it to the public what would you classify a win in your mind?

GREENSTREET: A win?

CS: What would you hopes happens?

GREENSTREET: I think the best case scenario for me would be that people come away from the film knowing that this is a battle that we fight three times a day. It is the most democratic of wars. And the life blood of a democracy is our ability to be informed to make a change. I don’t want to shove anything down anyone’s throat or force a change but I want people to take a second look at the battle they are fighting with their food, their government, school, employers and take a second look. And think, if I just do one thing, if I put a gym in my work, put physical education back in our schools. I’m going to my kids school tomorrow and I’m going to see what my kids are eating. Getting people upset and getting them educated. I have no expectations for a final solution but a win would be for people to stand up and ask some questions.

March 19, 2009

Ken P. D. Snyde-Cast #87: Club A Dub

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 7:09 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #87: Club A Dub – Ken & Dana return to discuss the land Downunder, dangerous pastimes, exclusive clubs, and end with a very special plea to all of their listeners.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #87 (MP3 format)

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Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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March 18, 2009

Cabin Fever #61: It Was The Sun All Along

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 11:37 pm

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #61: It Was The Sun All Along – So the results of the first Cabin Fever Movie Club movie is in. And we can all agree that it was mostly horrible. We hear from the listeners for the first time due to the glory of skype (and emailing sound files), while also getting a personal story in email form. It’s all wrapped up with a mention of St Patrick’s day, the aftermath of Red Nose Net, and a song from the band Floater.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #61 (MP3 format)

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SUBSCRIBE
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Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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Party Favors: Wallace Shawn Interview

Filed under: Interviews,Joe Corey's Party Favors — Tags: , , , — UncaScroogeMcD @ 2:38 am

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RICHMOND – Pass up a chance to talk with Wallace Shawn? Inconceivable!!!

Shawn has appeared in more than 125 movies and TV shows over the last 30 years. He was the face of Indie cinema in the early ’80s with My Dinner with Andre. Teenage girls knows him from The Princess Bride. Children recognize him from various Pixar films. Even geeks have experienced him from Star Trek: Deep Space Nine. He’s everywhere. Ultimately Shawn is a playwright who acts. Our phone call was in celebration of the release of Marie and Bruce on DVD from Genius Products/The Weinstein Company. He wrote the original play.

Marie and Bruce are a married couple that are hitting a nasty rough spot. Julianne Moore and Matthew Broderick are well cast as the pair that are having major communication issues. Most of this crisis comes from their ability to avoid talk to each other yet they say so much. She’s ready for a divorce. He hasn’t a clue. I ponder if these Manhattanites were guinea pigs for MDMA (ecstasy) tests. The scene of Julianne Moore on the sofa at a party looks like she’s rolling hard.

“Of course they’re drinking a lot. Some people have interpreted it as being about drinkers,” Shawn said. “You may be the first to interpret it about people taking a lot of drugs. I don’t really like to tell people how to interpret what I write. In my head if you want to know, that doesn’t matter. I don’t think writers are the biggest experts of what they write.

“If I were even going to venture a comment…people live a great deal inside their own head where fantasy and reality crash into each other. These two are very involved in fantasy. The party is seen through Marie’s eyes. She’s not seeing it the way you would see it. She’s seeing it through her emotional state. In her mind this is a very important day. The party is the very last moment before she’s making this important announcement to Bruce that she’s going to be leaving him. I think she lives in her imagination anyway. Somebody could speculate that neither of these two have found an appropriate outlet for their talents and their intelligence. It’s filtering into their fantasy life too active.”

Had Moore and Broderick performed the play before the filming?

“No,” Shawn said. “But Julianne had read it when she was 18.”

She seems so natural as Marie. Has she become a reverse muse for the role?

“I feel we haven an unspoken shared taste in many ways,” Shawn said. “An unspoken shared feeling about many things. There is some kind of natural compatibility.”

It is hard to imagine any other actress being able to own these lines. Her attitude accents the frustrated and spacey observations.

“It takes unbelievable technique and inspiration to make this unnatural dialogue seem natural. Particularly in the film it must. Film is in general a very realistic medium. Here you have a film in which the chairs and tables are realistic so the dialogue, even though it is not at all realistic, has to somehow seem realistic and believable. That is the wonderful skill that both Julianne and Matthew bring to it. (Some people) can’t cope with the dialogue and they say, ‘This is not like life.’ Actually, the dialogue in most movies is not anything like life. There are certain movie cliches about life that most movies imitate. This one is some other category.”

Shawn is only listed for writing the play and co-writing the screenplay with director Tom Cairns. But he didn’t merely type the words and let everyone else make the movie.

“I was extremely involved in the production. I missed some days of filming, but I was a there for a lot of them. I was totally involved in getting it together before filming. I picked Tom (Cairns). Tom and I have collaborated on many things and have had a wonderful working relationship..”

He could have easily had his name pop up in various parts of the credits. He didn’t even want to give himself a minor role. “I did make a deliberate decision,” Shawn said. “I wanted to be treated as the writer on this project. It would be an in-joke if I’d appeared in the party playing one of the characters. For those who know that I was the writer, it becomes a distraction. For that moment your focus will be in the wrong place.”

Two famous faces that do pop up in the film are Bob Balaban (Seinfeld) and Griffin Dunne (After Hours). Both actors have a history with the work. “They were both in the original production of the play,” Shawn said. “Griffin was the character at the party and Bob Balaban played Bruce.” Now the table has turned for Bob since he plays Roger, Bruce’s friend who knows way too much about public sewage projects. Turns nobody played Roger in the original production.

“That scene didn’t exist in the play. In the play, he says he’s going to meet Roger. She says, “The world’s most fascinating person.” But we never see Roger.”

Was it interesting to revisit the play to create these inbetween scenes? “It was fun. In the play these are long monologues about their respective day between breakfast and dinner. They are alone and both involved in their imagination. It was fun to film those days.”

What makes Marie and Bruce entertaining is that they aren’t a completely dysfunctional couple that arrives on Jerry Springer’s stage. There’s hope.

“There’s potential there that hasn’t been unlocked between them,” Shawn analyzed. “Not sure that if I was a marriage counselor that I’d say, ‘You should get divorced as quickly as possible.’ Freud said people need love and work. These are two people who have not found meaningful work that is important to them. I think that could be very important in them discussing their problems.”

At this point, our conversation turns to his work. Shawn is an extremely busy man. This TV season he’s appeared on Life on Mars, ER, L Word and Gossip Girl. I have to ask about his time on L Word as the wealthy backer of Jenny Schecter’s movie. What is it like to be the focus of Mia Kirshner’s goddess-like eyes?

“She’s an extraordinary person,” Shawn praised. “The French refer to someone’s gaze as ‘regard.’ Hers is very unblinking. Strangely unblinking.”

He sounded kinda disappointed that he was not suspected of killing Jenny. Or that his on-screen relationship with the character was chaste. “There was a clear indication in the scripts that he was in love with her. He hoped for a deeper attachment.”

I bring up the topic of what it’s like to be an in demand character actor in Hollywood. Shawn puts me straight.

“In life we’re all leading men and women,” Shawn declared. “We don’t see ourselves as character actors in life. I don’t think too many actors see themselves as character actors. That’s more something that other people would put on you because they have certain cliched ideas about life. Certainly it’s a phrase that I don’t know anybody has applied to himself. God knows I’ve never said I’m a character actor.

“A character actor is not the main actor. The phrase implies a certain view of life in which there are tall, thin people who are the real people. They are surrounded by a rogues gallery of bizarre people: fat, short, bald. Those people make life interesting for the real people. I don’t see life that way. I don’t see myself that way. In the real world, I don’t occupy a position of being just an amusing sidekick to a guy that lives on the floor below me who happens to be tall. When we meet in the hall, we meet as equals.”

At that moment, I’m stuck with the strange feeling that we’re having this phone conversation as part of a rehearsal for Synecdoche, New York. The image of Shawn meeting the tall man immediately brings up his role of Vizzini in The Princess Bride. What was it like to work with Andre The Giant, the late wrestling legend?

“He was fascinating,” Shawn praised. “I found it quite wonderful to meet him and know him. He was a very talented man who had figured out a way to live the life that he wanted to live despite having an absolutely incredible disability.

“It’s totally remarkable that somebody could walk onto a set and be able to act. That’s very, very rare. I think he’d only been in one movie before that and he had no lines. He was remarkable. He did have incredible ability of hitting his mark. You’re supposed to not just talk but go to right place at the right time. You have little marks on the floor to show where you’re supposed to go. Because the marks are on the floor, you’re not supposed be looking at them. They’re quite hard to follow. I find it quite hard to say dialogue and move and go to the right place at the same time. Particularly to remember that you’re supposed to go over here and then somewhere else and somewhere else. It’s very difficult. He did that effortlessly. He’d do it right on the first take. The rest of us would take several tries to hit it right.”

Currently Shawn’s in rehearsals for a play with Miranda Richardson and Jennifer Tilly that’s taking place in London this May. Directing him will be his longtime pal Andre Gregory. The duo took the cinema by storm with My Dinner with Andre. The movie was about them having dinner. There was no explosions or gunplay. Just conversation between two people. It became an art house sensation.

Shawn has never been approached to host a series of interviews over dinner like IFC’s Dinner for Five. He’s had people begging him to recreate the role, but for the wrong reasons. “I’ve steered clear of a few parodies,” he said.

The good news about the movie is that it is finally coming back to DVD (and hopefully Blu-ray) with a high quality image transfer. “Criterion is bringing it out in the next few months. The results are great.” Shawn and Gregory have been interviewed for the bonus features.

What is the secret of Shawn and Gregory remaining pals and creative partners?

“We’ve been working together since 1970,” Shawn said. “We really do have a congruence of tastes. It’s rare to meet someone who is in your field who understands you and you understand them. You’re motivated to stick with that person and make that relationship work. You’re not going to run into anyone like that for the rest of your life. We don’t do exactly the same thing. I write and act. He directors. He can bring things out of me as an actor that are pretty surprising.”

We talk about a few of the major directors he’s worked with over the years. Perhaps the second most important director in his career is Woody Allen. He’s appeared in half a dozen of Woody’s film. Does he view himself as the nemesis of Woody’s screen proxies? “I was a little bit that it in Manhattan, the first one I did,” Shawn declared. “Otherwise I think I’ve been one of the troupe.” He was hyped as a sexual monster by Diane Keaton’s character in Manhattan. Did this role have the ladies rushing up to him to experience his carnal secrets? He laughed. “Most people took it as a movie.”

His work as the voice of Rex the Green Dinosaur in the Toy Story movies does get the kids running towards him.

“I do meet a lot of kids at airports. There are kids who recognize my voice. They hear my voice and go, ‘That guy is dinosaur.'”

He has recorded his dinosaur lines for the upcoming Toy Story 3. He was relived that during the time when Pixar was going to split with Disney that the mouse didn’t follow through with its threat to make Toy Story 3 without John Lasseter and his crew’s involvement. “That would have been absolutely horrible,” Shawn said.

One of Shawn’s earliest role is a brief part in Bob Fosse’s dazzling All That Jazz. What memories does Shawn have of working with the legendary director?

“That was way back there,” Shawn said. “I was only there for like a day. I’m almost incapable of answering that one. It all went by in a couple of hours. It was strange because he was painting a very disturbing portrait of himself. I found it disturbing.”

As a playwright, would he ever create an autobiographical work that intense?

“I’m guided by a muse. I don’t choose a subject,” Shawn said. “I don’t have outlines or notecards. It’s more like a sentence comes to me and maybe a few months later I figure out who said it and why. I don’t pick the subjects. I don’t even know who’s talking. Eventually it’s something. After if it becomes something, I can sort of help it become the essence of what it is.”

My next question was blunt: You were in Southland Tales. What was that about?

“It was probably a lot of things at the same time,” Shawn said. “One of them that you can’t possibly question is that it’s not supposed to be America today. But it provides some amazing portraits of America today. If somebody asks what was it like in those boom years, the crazy years under George W. Bush, you can probably say look at that party on the blimp in Southland Tales. That was what it was like. The scene on the boardwalk is kinda like what was it like back in the day when people were wandering around on the boardwalk.

“If you get into questioning it, you might never find the answers. If you take it for what it is, your minutes were well spent watching it. You have to give yourself to the film. To answer the questions either will never happen or it would take 20 viewings to answer. You don’t have to. If you don’t like it, you can leave after half an hour. But it’s worth a third time to watch it.”

Shawn enjoyed playing a rather glamorous man on the silver screen. “I loved my own character. I’ve never been in a film where I enjoyed my own look more than that. It was amazing,” he said.

E! and Entertainment Tonight always focus on the work out of the stars. How does Wallace Shawn keep in shape? What is his exercise routine?

“I live in a fifth floor walk up so that’s my beauty secret,” Shawn disclosed. “In order to go home, I have to perform an athletic feat.”

DAMN TWITTER

I hate Twitter. I won’t use Twitter.. Nothing makes Twitter more uncool is seeing senators ignoring a presidential speech with their bodies hunched over so they can Twitter on their iPhones. Good thing most of the senators are now orphans. If my mom caught me Twittering instead of paying attention to the president, she’d beat me with a plank from my campaign platform. There should be a fourth grade teacher going around the Capitol building and taking those iPhones away. How are we supposed to tell children they need to pay attention at major events when the millionaire politicians look like a pack of teenage girls. Sen. John McCain might as well pound the podium demanding the Jonas Brothers perform at his kids’ birthday parties.

Dear Meghan McCain. I read your blog about how hard it is to find a great guy to date. Sorry to break the news, but I’m married. That means you’ll be settling for second best no matter what. So just go on Craigslist and email Mr. He’ll Do. Of course you can always wait for my upcoming Reality Show: “Mr. Big Love” where numerous women compete to be my really rich mistress.

BLU-RAY HEAVEN

Pinocchio: 70th Anniversary Edition Blu-ray is a major upgrade from the Golden Collection DVD. Walt Disney’s version of the fairytale about an old man who makes a wooden boy puppet that comes to life. The big problem is that the boy is still made out wood so he’s a bit of a freak. His only hope is to be good enough that the fairy will turn him into a flesh and blood boy. The Blu-ray picture is gorgeous. There’s an impulse to step through the screen to shoot pool at Pleasure Island. This is the standard of how to do an HD transfer of classic animation. The bonus features include “No Strings Attached.” The hour long documentary gets into the details of how Walt put together the film and its legacy. The deleted scenes are storyboards. They even dig up the live action reference footage used by the animators. We finally get to hear the “Honest John” song that was clipped early in production. They include a DVD of the new transfer for people who aren’t sure when they’re going to buy a Blu-ray, but want Pinocchio in the collection so they won’t have to wait for it to be re-released in a decade. Your nose will grow from the excitement of watching this in 1080p.

South Park: The Complete Twelfth Season Blu-ray keeps the caustic comedy coming from America’s favorite elementary schoolers. This is the season that brought back memories of Heavy Metal with “Major Boobage.” Kenny can slip into the fantasy world if he lets a cat fart in his face. Just when I thought smoking banana peels was the hot rage with little kids. “Britney’s New Look” really gets to the heart of TMZ’s round the clock coverage of the meltdown queen. We can laugh at this now that the press has declared that Britney is back. “About Last Night……” joins Obama and McCain in an Ocean’s 11 heist. It’s cute, but not cutting. The big bonus feature is “Six Days to South Park.” We get to follow the production details of an episode. They also show how they worked to give “Boobage” the Heavy Metal look. What’s really amazing is how this semi-primitive animation looks so stunning in Hi-Def. This must be how it looks on Matt & Trey’s megacomputer after its been rendered. The discs include a digital copy that’s only compatible with Windows media. Why no love for us Mac users?

Let The Right One In – Blu-ray is Twilight for grown ups. This Swedish import gives us a real teen romance involving a blood sucker that hasn’t been sanitized for clean living undead creatures. Oskar is a kid who gets extremely bullied at school. He’s a human punching bag. But things get better when he meets Eli. She’s a creepy yet cool girl. Oskar doesn’t quite understand the nature of his new friend. We’re given the horrible fear that she’s going to turn on him. Let’s face the simple fact, a girl has to get a drink from somebody. The blood effects are not for the weak of heart. For anyone who is sick of the Twilight hype, Let the Right One In is the real deal when it comes to fanged entertainment. It’ll spook you. The Blu-ray really sucks you into the chilly environment. You’ll want to break out your Snuggie.

Primal Fear: Hard Evidence Edition – Blu-ray brings back the moment when Ed Norton declared he was an actor you better damn well notice. He elevates what could have been another terminal Richard Gere film. Some people might want to give credit to the director, but what’s Gregory Hoblit done since this movie that you’ll admit to have paid to see? Norton is an altar boy accused of killing a Catholic Archbishop. His only hope is Richard Gere being his lawyer. The courtroom drama allows Norton to just take his character to the hilt. Is he guilty or being set up? He’s not going to let that define his performance. The Blu-ray really lets you get into Norton’s facial detail during telling scenes. The three bonus features discuss the complexity of spinning a courtroom tale with an intricate web of lies.

The Kite Runner – Blu-ray reminds us that are a lot of messed up people in Afghanistan. The first half of the film deals with the friendship between a poor child and a child of privilege. The rich kid’s family escapes the country when the Taliban take control. But his guilt drags him back to save his friend. The images are beautiful yet terrorizing. Watching this is 1080p makes you almost want to visit except when you discover the horrifying truth, you’ll never book passage. This is not a tourism board approved visit to greater Kabul. The big bonus feature is a commentary track with director Marc Forster (Quantum of Solace) and novelist Khaled Hosseini.

A Mighty Heart Blu-ray tells the true story of when Wall Street Journalist Daniel Pear was kidnapped while working on a story in Pakistan. His pregnant wife (played by Angelina Jolie) is in a frantic race against time to free him before the worst can happen. Will he be rescued in time to see his baby’s birth? I won’t give away the ending in case you’ve somehow avoided read a newspaper over the last decade. Director Michael Winterbottom and his crew keep the action gritty. This comes out in the 1080p transfer. You feel the dust kicking up as feet race around. The big bonus feature is a 30 minute behind the scenes documentary. Everyone sticks to the serious nature of the film. There’s even a public service announcement about protecting journalists. Seeking the truth in a warzone is a very dangerous proposal.

Things We Lost in the Fire – Blu-ray is a small film that deserves bigger attention. Halle Berry’s life has been destroyed by an act of violence. Benicio Del Toro (Che) arrives to help her out. However he’s not the most stable of guys. He’s got demons to battle every day. It’s an emotionally raw film with these two Oscar winners pushing each other to the edge. This was Berry’s proof that Monsters Ball wasn’t a fluke. She’s got skills. “A Discussion” gets down to the characters in this behind the scenes view. Seeing it in Blu-ray lets you appreciate the human qualities of these characters.

DVD SHELF

Andy Richter Controls the Universe: The Complete Series brings together all 19 episodes that were stretched over two seasons including 5 that never aired on Fox. Richter is a writer at a major corporation with an over active imagination. He dreams of wearing a suit of puppies into the office. “Little Andy in Charge” has him finally hook up with a hot woman. The trouble happens when he discovers she’s an anti-Semite. In order to feel good about the sex, he volunteers at a local Jewish center. Can this compromise between his big brain and his package work? Or will it explode in a bad way? The show deserved a longer run, but such is the curse of being non-animated comedy on Fox.

The Fugitive: Season Two, Volume Two keeps the manhunt of Dr. Richard Kimble (David Janssen) going for another 15 episodes.. For those wondering, they’ve kept a majority of the original score. Only a few musical moments have been replaced. “Brass Ring” has Robert Duvall as wheelchair bound guy who runs a merry-go-round with his sister (Angie Dickinson). Kimble helps them out and gets a heaping of Angie. However he’s being set up as a patsy for a nasty crime. “Nicest Fella You’d Ever Want to Meet” proves that Tom Skerritt (Alien) and Dabney Coleman were young. “Fun and Games and Party Favors” gets a thumbs up for the title. “Everybody Gets Hit in the Mouth Sometimes” makes Kimble drive a truck for Jack Klugman (The Odd Couple). This paranoid show is still great viewing.

J.A.G.: The Eighth Season opens with an extreme change in a cast member when Bud gets his legs blown off in “Critical Condition.” This is a series that doesn’t mess around. I’ve seen shows swap actors or kill them or have them go off to London for acting school. But to go Lt. Dan on a character? That’s intense military action. The other major highlight of the season is “Ice Queen.” It introduces NCSI to the world. Mark Harmon (Summer School) and David McCullam (Man From U.N.C.L.E.) would become major TV stars once more in this military spin-off. They made 10 seasons of J.A.G. so only two more to go before Catherine Bell gets discharged.

To Catch A Thief: Centennial Collection is Hitchcock bringing the cool to the French Riviera. Cary Grant is a retired jewel thief who finds his old tactics being used by a copycat. Or is he lying to us? He gets tangled up with Grace Kelly in a suave adventure. The second disc has dozens of extra features. “Unacceptable Under the Code” details how the film had to battle the MPAA censors to get away with fireworks. “A Night with the Hitchcocks” has Alfred’s daughter and granddaughter talk about their time with him. There’s a really shocking tale of what happened to the love birds from The Birds. We get a great sense of what went into this production that was mostly shot on location.

The Odd Couple: Centennial Collection brings a fresh transfer to the movie that truly made Walter Matthau and Jack Lemmon an iconic couple (Fortune Cookie didn’t break them that much). Matthau is Oscar, a messy sports reporter. Lemmon is his anal pal Felix. He’s been dumped by his wife and about to jump when he’s saved by Oscar. The two become roommates and the clutter clash goes into overdrive. The best part of the film is how it reminds us of the importance of Poker night. The bonus features deal with how the Broadway play was transformed into the hit film. Did you know the set from the film was used in the first season of The Odd Couple TV series? Matthau and Lemmon’s sons contribute the commentary track.

Living With the Wolfman follows Shaun Ellis and Helen Jeffs hanging out with wolves. They do look like sweet doggies, but they can turn fierce fast. The show is graphic when showing how wolves tear apart a deer. You might not want kids who love Bambi to get a gander. The eight part series gives a great sense of what wolves are really like in the wild and semi-contained environments. He feeds them roadkill. Shaun is a rather intense looking guy who could easily end up at a UFC match. Do you think this guy ever saw Lucan as a kid?

Raw Nature is a five part series that brings dangerous lives of animals. There’s no petting zoo footage here. This is about man decided to move into areas once dominated by predator creatures like sharks, rhinos, anacondas and lions. A pack of adventure filmmakers take us into these animal hotzones. It’s like Marlon Perkins to the extreme. No wimpy and cute critters will be exposed on this DVD.

A Woman Called Golda was one of the last projects from Ingrid Bergman (Casablanca). She plays Golda Mier, a young girl from Milwaukee who rose up to help found Israel. Judy Davis (Barton Fink) plays the younger Golda. Robert Loggia (The Sopranos) plays Anwar Sadat. It’s a strange piece of casting only topped by Nigel Hawthrone (The Madness of King George) as King Abdullah.. Leonard Nimoy (Mr. Spock) is properly cast as Morris Meyerson. He really is Jewish. It’s got all the flourishes expected in a TV movie that maintains enough historical accuracy to keep everyone happy.

Sidney Sheldon’s Master of the Game was from the golden mini-series age of the early ’80s. Dyan Cannon is a ruthless woman who won’t hold back. She’s mean as she runs her empire. She steals husbands. Destroys her own son (Harry Hamlin). She wants her granddaughter take over not only her company, but attitude. It’s like reading a trashy beach novel except without the fear of getting a suntan. Cannon would go on to be the most annoying fan at LA Lakers games.

Elmo and Friends: Tales of Adventure gives us three slices of Sesame Street that will thrill small children. Elmo’s Amazing Alphabet Race has the little red wonder going against the clock to get from A to Z. Hopefully he won’t be looking for those lost letters. Golden Triangle of Destiny gives Texas Telly a leading role. He’s wearing his semi-Indiana Jones gear while keeping the education action coming.. He’s looking for certain shapes. The Adventures of Little Big Bird has the big yellow pal get shrunk down to a few inches high. Can he survive life on the street when he’s small enough to fall through society’s crack? This DVD is only available at Target.

Jim Gaffigan: King Baby gives us the uncut special that recently ran on Comedy Central. He’s more than just a pitchman for Sierra Mist. My favorite part of the routine is when he talks to us about bacon. “Yeah bacon.” He knows the secret of bacon and how anything can be improved if wrapped in bacon. “Bacon bits are the fairy dust of food.” Mmmmm bacon. How can you not like a comic who loves bacon? More bacon comedy. The DVD also includes episodes of Pale Force and Our Massive Planet. Get to know Gaffigan, your new bacon buddy.

Secrets of the Furious Five is a thirty minute special featuring the cast of Kung Fu Panda. We learn the secret origins of the other five fighters that backed the Panda in his feature film debut. The Panda has to teach a bunch of little kids and uses his pals’ origins as inspiration that all buttkickers start small. Jack Black and Dustin Hoffman return to their character voices.

GIVEAWAY ON THE RUN

CBS DVD is allowing 5 lucky readers to win a copy of The Fugitive: Season Two, Volume Two. All you have to do is answer this simple question: What faceless star of the Fugitive went on to his own Quinn-Martin series? Send your answer along with your name and address to mokaha@aol.com. The staff of Party Favors, Richard Diamond and Harrison Ford are not eligible to win.

Genius Entertainment and Sesame Street want 5 other lucky readers to win a copy of Elmo and Friends: Tales of Adventure. All you have to do is tell me what Muppet was featured in my Creepy PA segment of the Party Favors. Send you answer along with your name and address to mokaha@aol.com. The staff of the Party Favors, Buddy & Jim and Mr. Hopper are not eligible to win. Both contests end March 24. Good luck.

Contest Round-Up: 2009-03-18

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Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Walt Disney Home Video, we’re giving away three (3) copies of BOLT on DVD.

In conjunction with Walt Disney Home Video, we’re giving away three (3) copies of LILO & STITCH on DVD.

In conjunction with Paramount Home Video, we’re giving away five (5) copies of ANDY RICHTER CONTROLS THE UNIVERSE on DVD.

In conjunction with MGM Home Video, we’re giving away three (3) copies of QUANTUM OF SOLACE on DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of THE RICHES: SEASON 2 on DVD.

In conjunction with Paramount Home Video, we’re giving away five (5) copies of THE ODD COUPLE on DVD.

In conjunction with Paramount Home Video, we’re giving away five (5) copies of TO CATCH A THIEF on DVD.

In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of A PUP NAMED SCOOBY-DOO: COMPLETE 2nd, 3rd & 4th SEASONS on DVD.

In conjunction with Genius Home Video, we’re giving away five (5) sets of both LIVING WITH THE WOLFMAN and RAW NATURE on DVD.

Win LIVING WITH THE WOLFMAN & RAW NATURE on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:57 am

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In conjunction with Genius Home Video, we’re giving away five (5) sets of both LIVING WITH THE WOLFMAN and RAW NATURE on DVD.

Contest ends at 11:59pm EST on Wednesday, April 8th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 8th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win A PUP NAMED SCOOBY-DOO on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:43 am

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In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of A PUP NAMED SCOOBY-DOO: COMPLETE 2nd, 3rd & 4th SEASONS on DVD.

Contest ends at 11:59pm EST on Wednesday, April 8th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 8th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win TO CATCH A THIEF on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 12:30 am

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In conjunction with Paramount Home Video, we’re giving away five (5) copies of TO CATCH A THIEF on DVD.

Contest ends at 11:59pm EST on Wednesday, April 8th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 8th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE ODD COUPLE on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 12:23 am

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In conjunction with Paramount Home Video, we’re giving away five (5) copies of THE ODD COUPLE on DVD.

Contest ends at 11:59pm EST on Wednesday, April 8th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 8th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE RICHES: SEASON 2 on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 12:07 am

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In conjunction with Fox Home Video, we’re giving away three (3) copies of THE RICHES: SEASON 2 on DVD.

Contest ends at 11:59pm EST on Wednesday, April 8th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 8th.

The winner must allow 4-6 weeks after notification of win to receive the product.

March 17, 2009

Win QUANTUM OF SOLACE on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 11:58 pm

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In conjunction with MGM Home Video, we’re giving away three (3) copies of QUANTUM OF SOLACE on DVD.

Contest ends at 11:59pm EST on Wednesday, April 8th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 8th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win ANDY RICHTER CONTROLS THE UNIVERSE on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 11:47 pm

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In conjunction with Paramount Home Video, we’re giving away five (5) copies of ANDY RICHTER CONTROLS THE UNIVERSE on DVD.

Contest ends at 11:59pm EST on Wednesday, April 8th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, April 8th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win LILO & STITCH on DVD!

Filed under: Contests — UncaScroogeMcD @ 11:24 pm

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In conjunction with Walt Disney Home Video, we’re giving away three (3) copies of LILO & STITCH on DVD.

LILO & STITCH streets on Tuesday, March 24th.

Contest ends at 11:59pm EST on Wednesday, March 25th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 25th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win BOLT on Blu-Ray/DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 11:04 pm

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In conjunction with Walt Disney Home Video, we’re giving away three (3) copies of BOLT on Blu-Ray/DVD.

The Blu-Ray edition of BOLT streets on Sunday, March 22nd, while the standard DVD streets on Tuesday, March 24th.

Contest ends at 11:59pm EST on Wednesday, March 25th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 25th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Bagged & Boarded 17: Quis Custodiet Ipsos Cutsodes?

Filed under: Bagged & Boarded — Tags: , , , , — UncaScroogeMcD @ 2:08 am

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #17: Quis Custodiet Ipsos Cutsodes?  – In which Matt and Jesse watch the Watchmen, discuss the Watchmen, rewatch the Watchmen, and then rediscuss the Watchmen. (We hope you like WATCHMEN)

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #17 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-17.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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March 16, 2009

SModcast 80

Filed under: SModcast — Tags: , , , , , , — UncaScroogeMcD @ 12:23 am

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 80: R.I.P. –

In which the future dies.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

DOWNLOAD: (right click to save)
SModcast 80 (MP3 format) – 66.17 MB

[display_podcast]

SUBSCRIBE
Subscribe to this Podcast via iTunes
Subscribe to this Podcast via FeedBurner

Wanna add your two cents? Spend it here, in the SModcast mailbag.

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CLICK HERE FOR THE SMODCAST ARCHIVES

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March 15, 2009

TV Or Not TV: 3/16 – 3/22

Filed under: TV Or Not TV — Tags: — admin @ 10:52 pm

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Welcome back to TV or Not TV where I’ve spent far too much going crazy and looking for Easter Eggs.

I’m sure the above statement might be confusing, especially if you are any where near a calendar. The Easter Eggs I’ve been looking for are actually of the DVD persuasion. Still confused? OK, let me explain further.

As far back as time began, or the first time a programmer spent far too many hours being sleep deprived, people have been slipping secret items within their software to keep themselves amused and to give the end user a special treat. One of the earliest examples I ever encountered in my life was in the Atari 2600 video game Adventure. There was a wall in the game where your square character (literally it was a square people, not a blocky shaped man… the character was just a block with four equal sides) could grab a 1 pixel by 1 pixel dot that would allow you access to another secret room. I was 8 at the time and this secret made me feel like I was part of a secret club of people, even though I was just one of millions who could read a video game magazine. Ever since then the concept of the Easter Egg has held me enthralled.

If you’ve been reading this column than you know that the Internet Only three act show Dr. Horrible’s Sing-Along Blog was one of my favorite things to come out of the summer. After receiving my copy of the DVD I realized that something was afoot when it came to Easter Eggs. On the back of the package is a logo that says “Count the Letters UL +RD”. At first I had absolutely no idea what that meant, but I knew that it meant something. It had to be the first clue.

One of the obvious ways to look for Easter Eggs on a DVD is to start using the arrow keys on your remote around all of the menus. I tried this to now avail. After giving up in frustration I looked at my remote, I looked at the box, I looked at my remote and realize that in my constantly moving Up, Left, Right and Down so many times that I had the answers to the logo in my hand the whole time! Each one indicated a direction, laid out in the logo just like the navigation buttons on the remote. I was excited! I was exhilarated! I still had no idea what it meant!

In my menu explorations I had made a discovery that made me chuckle in that there was a Wiccan subtitle option. I decided to activate the option and start watching, hoping for a secret incantation or two. Instead what I saw was “Enter @ 0793529867”. My initial reaction to this was ?!?!??!. After regaining my compsure (and using a lot of patience in freezing the DVD just right to get the number) I copied the number down and Googled it. The most obvious thing the number turned up was the ISBN number for Mariah Carey‘s album Music Box. Again, elation and confusion raced through my vains. Two clues down and I knew absolutely nothing.

Fresh with my knowledge of an extra telling me something (that meant hopefully more than the extra having very bad taste in music) I began to look at other items as well. It turns out that the “The Music” featurette was the true gold mine in that two things occur. Felicia Day at one point mentions that she sometimes sounds like Mariah Carey. My ears perked up, and I rant he featurette back. Just as she once again said Mariah Carey I pressed the enter key and to my excitement I saw a countdown with a case of Wonderflonium on it. Hazzah! What does it mean though?!?!

Continuing on to the end of the featurette also had several letters in the credits that were yellow. These letters spell out “Enter at Act 2”. Wait, the movie has a tile specifically titled Act II! I quickly switched back and to my excitement and frustration if I hit my Enter button at just that moment hat Act II appears I was treated to another countdown with a picture of the Evil League of Evil member Professor Normal (who I had to look up in the credits to figure out who he was). There it was, something else right in front of my face and I didn’t know what to do with it.

Further exploration and paying close attention made me realize that there was a false chapter in the chapter selection menu titled “Moist Dries Up”. When I selected the chapter I used the previous clue to hit Enter and I received another countdown with a picture of Dr. Horrible. Awesome, another countdown. But what now?!?

After a few days of frustration I finally did what I swore I wouldn’t due, I turned to the Internet. What I found didn’t help much as others had discoverd what I had along with some tricks that seemed to work but didn’t quite seem right as there was no direct connection to how to get to them. Dejected I turned to pen and paper and began writing what I knew. I don’t know if it was seeing the clues written out or the fact that I had the case right in front of me when I realized that the countdown required action (as seen from my searches) and every one of the names pictured in the countdowns had the letters in them that we were supposed to be counting (the R, L, D, U’s). Excited with this realization I went to Act II, pressed enter and used my arrows to press Right, Right, Right, and Left. To my excitement I was given a behind the scenes clip! YES!

With nervous and giddy excitement I went to The Music featurette and and went to the mention of Mariah Carey and hit enter. As the Wonderflonium lay before me I pressed Down, Right, Left and Up.  The interviews that flowed before me were amazing!

Lastly I triumphed as I went to Moist Dries Up and looked at the picture of Dr. Horrible and pressed Right, Right, Right, and Left. VICTORY!

In trying to hunt for more Easter Eggs I paid closer attention to the beginning sequence where in the FBI and ELE warnings there is the flash of a picture of Bad Horse with three colored orbs that match the colors of the countdowns. I’m going to take this as a clue that there are actually only three Easter Eggs on the DVD. At press time I’ve sent an email to Jed Whedon to get confirmation. I’ll let you know what he comes back with.

So there, my friends, is my journey into the depths of a DVD and the payoff. I really hope that’s all that is present in the DVD since this journey was an exhausting one. If you want to see them yourself than you can pick up the DVD at Amazon if you haven’t already.

Now that I’ve given you the most non-TV related column possible let’s take a look at what is happening this week on television.

MONDAY

ABC FAMILY – 8:00 PM: Tonight they set the Wayback Machine on The Secret Life of the American Teenager as we see how Amy met Ricky. Not sure if this gimmick will play out or will just come across awkward and creepy. I’m voting the latter.

ABC – 8:30 PM: Ted finds out that Lily has been meddling in his past relationships to allow some to live or die on How I Met Your Mother.

ABC FAMILY – 9:00 PM: Kyle XY‘s series finale airs tonight and I’ll finally watch the entire series on DVD in a few months.

SCIFI – 10:00 PM: I’m sure you’ll be up to your ears from the computer guys at your work about the finale this week of Battlestar Galactica, so if they’ve finally sucked you in to watching this Friday you may want to get caught up with Battlestar Galactica: The Last Frakkin’ Special. Gotta love the name.

TUESDAY

CW – 8:00 PM: Ben wants to introduce the guys to his demon girlfriend on Reaper. If that isn’t awkward enough, same girlfriend was hired to kill Sam originally. Should be a fun evening.

CBS – 9:00 PM: We’ll see how keen Patrick Janes powers of observation are when he’s temporariliy blinded on The Mentalist.

WEDNESDAY

HBO – 8:00 PM: Get ready for the season finale of Big Love with the previous three episodes airing back-to-back tonight. Oh so good.

ABC – 8:30 PM: The good news: you’re a new show that is the lead in to LOST. The bad news? Better off Ted would be better off dead. Oh well.

HIST – 9:00 PM: MonsterQuest gets together a bigger boat as they hunt for a 60 foot shark in Mexico. See what happens when you have no FDA restrictions?

THURSDAY

BRAVO – 5:00 PM: Here’s seven of the saddest words I’ve ever typed in a row: Five straight hours of The Million Matchmaker.

CW – 8:00 PM: Tess must have been taking a queue from Superman 2 (either the original or director’s cut) as she orchestrates an accident to try and get Clark to expose his super powers. I’m sure it will work out for her as well as it did for Margot Kidder.

NBC – 9:00 PM: Michael holds a party for his 15th anniversary with Dunder Mifflin on The Office and wouldn’t you know the new strict VP shows up? I’m sure it won’t be awkward at all.

FRIDAY

FOX – 9:00 PM: So we’re now at episode six of Dollhouse. This is purportedly the point where the show takes on more of that trademark Joss Whedon feel. You’ve been advised.

SCIFI – 8:00 PM: Battlestar Galactica ends it’s amazing run tonight and I have NO idea what the heck is going to happen (bet you thought I’d use the word frak didn’t you?).

SATURDAY

SCIFI – 9:00 PM: I can’t think of a better recipe for entertainment: last man alive in a city of zombies in I Am Omega. Too bad it’s on SciFi and it will probably suck.

FOX – 11:00 PM: The end is near for MADtv so tonight they roll out a best-of clips show.

SUNDAY

HBO – 9:00 PM: Tonight brings a close to a very powerful season of Big Love. It’s been so good this season I really don’t want it to end.

ABC – 9:00 PM: The good news: Edie finally confirms she’s been married to a psychopath on Desperate Housewives. The bad news: psychopaths don’t like to be discovered. Sorry Edie.

HBO – 10:30 PM: East Bound & Down also comes to a close tonight. This gritty and dark comedy has been both entertaining and discomforting at the same time.

Will Wilkins wuz here.

March 13, 2009

Trailer Park: Trevor Moore, Zach Cregger and 2007’s Playboy Playmate of the Year, Sara Jean Underwood for MISS MARCH

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on Twitter. Find me here, my oh so original name on the thing is Stipp so come on and follow my stray ramblings. From standing in a pool of toilet water to talking about nothing of great importance you can ensure that I send out quality.

Before we get started with the interview I thought I would begin with giving away some free stuff.

In support of this week’s release of Universal’s ROLE MODELS on DVD I have five copies to send to anyone living and who can write me an e-mail to Christopher_Stipp@yahoo.com. One entry per e-mail address (some of you really get into this and while I appreciate your enthusiasm I cannot let you think this is Publisher’s Clearing House so keep it to one) and, just to make things interesting, I have a first runner-up prize for a handful of hopefuls: an official ROLE MODELS bottle opener w/ custom blue LED flashlight built into it. What better way to show you can open a beer bottle and then navigate your way through a darkened beer garden than with this nifty piece of electronica.

Good luck…

Official Synposis:
Paul Rudd and Seann William Scott star in Role Models as Danny and Wheeler, two salesmen who trash a company truck on an energy drink-fueled bender. Upon their arrest, the court gives them a choice: do hard time or spend 150 service hours with a mentorship program. After one day with the kids, however, jail doesn’t look half bad. Surrounded by annoying do-gooders, Danny struggles with his every neurotic impulse to guide Augie (Christopher Mintz-Plasse) through the trials of becoming a man. Unfortunately, the guy just dumped by his girlfriend (Elizabeth Banks) has only sarcasm to offer a bashful 16-year-old obsessed with medieval role play. Meanwhile, charming Wheeler tries to trade in an addiction to partying and women to assist a fifth-grader named Ronnie (Bobb’e J. Thompson) redirect his foul-mouthed ways. It would probably help if Ronnie’s new mentor wasn’t an overgrown adolescent whose idea of quality time includes keggers in Venice Beach. Once the center’s ex-con director (Jane Lynch) gives them an ultimatum, Danny and Wheeler are forced to tailor their brand of immature wisdom to their charges. And if they can just make it through probation without getting thrown in jail, the world’s worst role models will prove that, sometimes, it takes a village idiot to raise a child.
———————

MISS MARCH INTERVIEW

These three were a delight.

One of the problems with seeing a movie before interviewing those who were in it is that sometimes, once in a great while, the film doesn’t live up to what either you or I would consider, in this case, a breakthrough of comedic proportions. That’s not to say the film doesn’t have its moments. However, I thought it best to stick to questions about Zach Cregger and Trevor Moore’s (WHITEST KIDS U’KNOW) triple threat of writing, directing and acting in their first feature film.

They proved to be affable and quite open about the process of making the movie and when the interview starts with Zach giving Playboy Playmate Sara Jean Underwood shit for texting during a previous interview it was a good enough entry point for me.

MISS MARCH opens everywhere today, March 13th.

SARA JEAN UNDERWOOD: He called me out and said I was rude at one point, so…

CHRISTOPHER STIPP: Really? Why did he say you were rude?

ZACH CREGGER: Would you be offended if someone was texting while you were interviewing?

CS: Well, it would make me feel bad on the inside.

(Laughs)

CS: I would never say it but…

UNDERWOOD: So unprofessional! Thank you for calling me out. I will never do it again.

CS: Texting when someone is interviewing you. That’s hardcore.

(Laughs)

UNDERWOOD: I was trying to be sure they had a booth tonight at the club. I was working.

[I intentionally turn away from Sara]

CS: So what I’m going to do is focus on this part of the table to avoid…

CREGGER: Aaaand….I’m going to text.

(Laughs)

CS: So, where did this come from? Did the two of you go into a room and say, “Let’s make a movie”?

CREGGER: Well, originally, somebody wrote the script for Trevor and I and gave it to Fox and Fox brought it to us and said, “Would you like to re-write this movie and direct it?So we read the script and were not wild about doing a road trip/sex comedy. Just not our sort of thing. So we were really hesitant, but then we thought about it a lot and decided that we could turn it into a challenge ““ a writing challenge ““ and say, “OK, can we take this model that has been done and try and put our stamp on it, push it as far as we can and make it something that we would enjoy and hopefully that others who enjoy our show would enjoy as well.”

That was our motivation for accepting.

And so we threw out the script they gave us, the only similarities, every character is different except for Hefner.

TREVOR MOORE: Hefner wasn’t even in the original script

CS: Really? A movie abut a girl who becomes a Playboy Playmate doesn’t have Hef in it?

CREGGER: He wasn’t, you’re right. Originally, they get stuck in a ravine outside the mansion and they have to get rescued by…

MOORE: I honestly never made it past more than 25 pages of the original script.

(Laughs)

CREGGER: I did but out of pure morbid curiosity.

UNDERWOOD: I feel bad for the guy who wrote it.

CREGGER: He’s a great guy.

MOORE: We know him and actually it should be said that we don’t think that it was his intention ““ we think it was his intention just to get us to re-write it. He was basically saying, “I think this is a good idea. Here’s a script. You guys take it and do whatever you want with it.”
I think the big thing that was kind of the idea that made us think that maybe we could make this something that would be worthwhile for us to do, was the idea of instead of having both characters being obsessed with getting laid ““ which is in every road trip sex comedy, we thought we’d have it just be about putting sex on a pedestal and having an unhealthy viewpoint on sex. So it happens on both ends of the spectrum. The Eugene character is terrified of sex and he is put up as this thing that it starts to hurt his relationship with his girlfriend. Then he begins to hold past partners against her. Then on the other side of that coin, we have the Tucker character who has a good girl, a girl that is probably right for him but he can’t accept that because he doesn’t think he’s lived enough yet, or doesn’t have enough notches in his belt. So, it’s really about these two, completely opposite, but also, completely wrong viewpoints on sex and finding a middle ground in the middle of probably where they both should be.

CS: When you went to do it, and [looking over to Sara] I’ll pull you into this one because I can see you are not texting right now…

(Laughs)

UNDERWOOD: You have my undivided attention.

CS: There are moments in the film where there is a lot of, for lack of a better word, gags. You shit the floor, Craig Robinson’s nuts…

MOORE: Lack of nuts.

CS: Yes, lack of nuts and all that. How did you block with Sara and say, “This is kind of the idea of what we want to do, comedically, but we want to make it funny and not go over the top.Coming from a comedy background in sketch comedy, where do you know where that line is between what’s really funny or what someone would look at and say, “They are just being obnoxious at this point”?

MOORE: You just have to go with your gut. It’s kind of like a fingerprint. Everybody’s personal style ““ it’s just something that is your sensibility. Where you think the line is or how you would tell that joke and hopefully enough people are on that same page that you are. There are some people who would go like that joke could go even more low brow or some people ““ like the way we did it was too low brow.

CREGGER: Our rule is that if it makes us laugh out loud while we’re writing then it probably will go in.

CS: And during the process of writing, getting Craig Robinson, getting Hugh Hefner in the picture, how hard was that coming from a couple guys that have a sketch show and will you be in our movie? How hard was that to get everyone on board?

CREGGER: Craig just auditioned.

MOORE: It was his first audition after Knocked Up. He came in and auditioned. It was one of those things where we had a couple options of people, different comedians who had come in and done well and would have been fun but then Craig just came in and right off the bat basically was the character you see in the movie. Just got the character, was him from the very beginning. The art direction for Craig would be like, “Remember what you said back there, use that, do that again.” It was very little direction for him because he really got the character. As soon as he left and shut the door, it was like, “Call his agent, call his agent.” We knew right off that bat that he was the guy.

CS: How did you know she was right?

MOORE: We did the movie without Playboy’s involvement originally. We had Robert Wagner playing Hefner. We shot it because when you are dealing with a company as iconic as Playboy you don’t know how seriously they are going to take their image and don’t know who much they are going to micro-manage the script. That was our paranoia. So we were like, “Let’s just do it without Playboy being involved.Then, when we screened it, the movie tested well all the way through except when Hefner would come out and then there was just a disconnect. Even though Robert Wagner did an awesome job they were just thinking, “Why didn’t they get Hugh Hefner? That’s weird.”

CREGGER: Especially with the TV show now and Hef’s more in the limelight now than in the last 10 years.

MOORE: Yeah, so you can just see in the eyes that, that’s not happening. So we knew it was a problem and knew we had to see if Hefner would actually do it. We showed him the movie and we were really lucky that he liked it, wanted to be in it, and didn’t want to change anything. Our fears were for naught. He was totally down to do it the way we had written it. Then he sent us some reels of some Playboy Playmates and we saw some footage that Sara had done and there was something that was just very likable and sweet about Sara.

CS: There was. Sara is very sweet on camera. Very demure. Not that I’ve met any other playmates but the kind of vibe that they put out is that they are beautiful and have a certain air but with Sara it was very natural…and kind of like the girl next door for lack of a better word.

MOORE: It was an instant likability ““ I don’t want to say anything bad about other playmates, but there is more of an instant likability than other playmates. That’s really good for doing this movie and the point of the movie in some way in that the Cindy character is not a bad person because she’s in Playboy so meeting another playmate like that just reinforces.

CS: And that part, the moment in the movie when Hugh talks about the ugly girl next door, how many takes did that take because it looked, for a comedy, it looked very natural for him. I can see that if he delivered that it could seem kind of stilted, or awkward but it seemed very natural, very easy.

CREGGER: Not that many. I think maybe three or four. He was just really eager to cooperate. If he did a take and you wanted him to do it different, he was fine. You never know what you’re going to get when dealing with someone like that. He used to be so powerful. No incentive for him to be in this movie other than really wanting to help us out. He just came out of I’m going to help these guys and make it as good as possible. He was enthusiastic which is why he came across that way.

MOORE: What we didn’t know until yesterday, Sara said the day before he was studying his lines and taking it very seriously and trying to get it down. It was really kind of impressive.

UNDERWOOD: He said it was the most lines he’s had in a movie. He said he’s done cameos. But he had a lot of lines in that and he was really nervous about it.

MOORE: I think that was amazing that this guy has other stuff to do. This is not a make or break to his career.

CS: I’m shocked. The last time I saw him was probably in Beverly Hills Cops II. That’s the last time I saw him on screen.

CREGGER: He was in House Bunny.

CS: Didn’t see it. I’m sorry. Last movie that was aimed at the ladies I did see was HE’S JUST NOT THAT INTO YOU.

UNDERWOOD: Was that good?

CS: It was pretty awful.

CREGGER: But they had so many stars in it.

(Laughs)

CS: You would think! Obnoxious. You two both have co-directing credits on this. How was the relationship? Anything along the lines of “I don’t know about this”, “I don’t agree with that?” Or was that not an issue?

MOORE: We wrote it together so by the time that you are shooting, we already voiced the characters while we were writing it. Kind of like acting it out as we were writing it. So, there’s not a whole lot left up to discussion by the time we are on the set, except for angles and camera equipment and stuff like that. So the beginning of each day we just walk though and set that up and it was pretty good.

CS: Seeing the film ““ the finished product ““ you are used to doing half hours at a time, how was it now looking at the finished product and seeing what you have on screen? Did you get everything you wanted to get or did you say, oh, I wish I would have gotten something different here?

CREGGER: I can’t help but think that. That’s just how it happens when you do this. When I watch it I see every little thing I wish I could change. Not that I don’t like the movie, it’s just when you slave over something…I wish I could have another tweeking. Just the nature of the beast. Got to let the baby go. But there are also things that work very well. In a couple of years I’ll be able to watch it without any of that stuff.

CS: How do you feel about the filmmaking process itself when you compare it to your television work?

MOORE: There’s pros and cons to it. I think by nature I enjoy television a little more because of the immediacy of it. I love writing and I love writing something, shooting it and throwing it out there. Immediate audience feedback on it. But this you have to do something for two years. I do like doing movies but to direct something again it would have to be something I really, really cared about and thought that I need to direct this or else it won’t have the right tone. I think the next thing I would want to direct is a wise kids movie because I don’t think that is something you could turn over to just another director. We would have to direct that. But, I’m interested in just writing stuff and not directing it unless it’s a pet project.

CS: Sara, as a bonus for you not texting the whole time, I’ll give you the final question real fast. Your experience on the film, what did you take away from working with these two?

UNDERWOOD: They make fun of me every time I say it like I’m brown nosing, but it was exciting to be in it. They wrote it, directed it and stared in it and they are really talented and I think they are upcoming stars and I think that it’s cool to be a part of their first movie. They have some much more cool stuff ahead of them.

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