Tag: Alice In Wonderland

  • Contest Round-Up: 2010-12-09

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    Welcome to our weekly round-up of featured giveaways here at FRED. Every week, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with A&E Home Video, we’re giving away three (3) copies of SPACE: 1999: THE COMPLETE SEASON ONE on Blu-Ray.

    In conjunction with A&E Home Video, we’re giving away three (3) copies of HOARDERS: SEASON 2, PART 1 on DVD.

    In conjunction with A&E Home Video, we’re giving away three (3) copies of PRAYERS FOR BOBBY on DVD.

    In conjunction with HBO Home Video, we’re giving away five (5) copies of ROBERT KLEIN: UNFAIR & UNBALANCED on DVD.

    In conjunction with A&E Home Video, we’re giving away three (3) copies of HUMAN WEAPON: SEASON 1 on DVD.

    In conjunction with Shout Factory, we’re giving away three (3) copies of IRON MAN: EXTREMIS on DVD.

    In conjunction with Walt Disney Home Video, we’re giving away two (2) copies of DISNEY’S A CHRISTMAS CAROL on Blu-Ray/DVD.

    In conjunction with Walt Disney Home Video, we’re giving away two (2) copies of ALICE IN WONDERLAND on DVD.

    In conjunction with Walt Disney Home Video, we’re giving away two (2) copies each of DISNEYNATURE: OCEANS and DISNEYNATURE: CRIMSON WING on Blu-Ray/DVD.

    In conjunction with Sideshow Collectibles, we’re giving away three (3) INDIANA JONES: 12″ YOUNG INDY figures.

  • Win ALICE IN WONDERLAND on DVD!

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    In conjunction with Walt Disney Home Video, we’re giving away two (2) copies of ALICE IN WONDERLAND on DVD.

    Contest ends at 11:59pm EST on Wednesday, December 29th.

    Enter the contest!
    Email:
    First name:
    Last name:
    Street Address:
    Address Line 2 (if needed):
    City:
    State/Province/Whatever:
    Zip Code/Postal Code:
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    Birth Month:
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    Official Rules

    No member of FRED Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Wednesday, December 29th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Opinion In A Haystack: ALICE IN WONDERLAND

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    Alice In Wonderland is the greatest film of the year, based on the trailer. A flick that we THINK we will love, and have already CONVINCED ourselves that we love, before having to, or needing to, see it. It seems like an easy sell, right? You got Tim Burton, Mr. Hot Topic, a parody of his former self, taking on the wild, weird, world of Lewis Carroll. We even get Johnny “surprise, surprise” Depp in the (sort of) lead role as the (supposedly) crazy, cooky, zany, wacky, insane-in-the-membrane, effeminate comedy tornado known as the Mad Hatter. Can’t go wrong. Right?

    Admitting that one has never read classic literature is always tough, but this reviewer will do it. I’ve never read any of Lewis Carroll’s works, with the exception of “Jabberwocky.” Like many of my fellow Generation-Pepsi brethren, my biggest forays into “Alice” were via Disney, The Disney channel, that TV movie, and any and all “eat me, drink me” pop culture references. Oddly, I think I am the perfect demographic for Burton’s film: people who have a hazy knowledge of the material to the point where confusion overtakes enjoyment and we just assume that what we watched was good, accurate, and well done due to special effects and filmmaker credentials.

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    Well, first off, after much research and common-knowledge-recall, I think we can agree that Lewis Carroll’s works were meant to be gibberish, odd, and “cooky” (in an intentionally literate way) to begin with. The brilliant (I’ve heard at least) source material is obviously the least of Alice’s problems, especially since this film, much like Disney’s original, is a huge mash-up retelling of all things “Carroll” in a story that is a sequel to the stories that he wrote. Yeah, let me try to organize that thought: Tim Burton’s Alice In Wonderland is a sequel to the source material that uses story/plot elements from the source material coupled with newly-written material and material that is written from assumptions based on source material. Whew. Now, at least Disney’s original film was just a merging of two books, it doesn’t completely obliterate all possibility of children one day reading the books and understanding how the already confusing brilliance of Carroll fits together with their lifetime of understanding of what Burton told them it was. In the year 2030 there will be a lot of adults surprised to find out that ALICE IN WONDERLAND was possibly the most confusing title choice for a beloved nostalgic film of their youth. I guess Alice Returns To Wonderland was too complex for audiences to grasp. Hook wasn’t titled Peter Pan for a reason.

    I love(d) Burton, please know that, but the guy lost his “genius” switch almost a decade ago with Planet Of The Apes. Since then he truly has been doing Tim Burton “Auto-Pilot” theater, and Alice is no exception. If anything, it is more proof. There’s nothing wrong with a director teaming up for several upon several projects with a lead, especially one as talented as Depp. The problems begin when the collaboration starts to get obvious to the point of banality, to the point where it almost seems like they are dragging each other down because everything is taken for granted that nothing is artistically progressing.

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    This time around Depp and Burton’s past has painfully caught up to them, helped in no way by the marketing blitz displaying the Mad Hatter’s admittedly insane appearance. So how off the deep end does Depp’s performance get? How maniacal does he take his character? How much does Burton’s Mad Hatter resemble a sentient volcano, filed with molten-crazy, ERUPTING COMEDY AT EVERY TURN??? Zip. Nothing. Notta. The MAD Hatter of Tim Burton’s nightmarish dream world is less crazy than most action-film comedy-relief characters during their subdued moments. His entrance and subsequent screen time is scathingly boring, to the point where his bland presence almost becomes embarrassing. In fact, he is actually one of the most serious characters in the movie, yet the movie itself doesn’t seem to realize it. I would assume this was intentional, they were trying to give the Hatter depth, yet it takes away the essential nature of the character. If I create a character called Homeless Jim, and he stops being Homeless, who is he? The craziest thing Mad Hatter does is dancing, via the excessively boring magic of CGI, for like 30 seconds. “Cringe-worthy” is a very clichéd term to use in any review. It was cringe-worthy as all hell.

    **********VERY MILD SPOILERS START HERE**********

    The last time Burton re-adapted the source material of an already beloved movie (a.k.a. it wasn’t a remake) I absolutely, positively hated it with every ounce of my body. Why should this be any different? Perhaps I’m not the audience for this (I guess.) Although, I try to stay positive, I’m always hoping that my fears about a flick are unjustified. Now I realize that I’ve talked very little about the actual movie itself, and honestly, it’s because I forgot most of whatever it was about. Something having to do with killing the Red Queen’s dragon, the Jabberwock, with the Vorple sword, which is from the poem “Jabberwocky” (yeah, it’s confusing.) What I do remember is that the plot was like Alice In Wonderland adapted, both in script and style, as the most derivative fantasy movie of last decade. I’m not joking either; there are shots of Alice and the Mad Hatter standing on a balcony together in front of Rivendale. Yes, that Rivendale. Waterfalls, majestic landscapes, soft focus, white glow and all. There is even a Narnia-like prophecy about an English child (Alice) returning to the fantasy world to kill the evil Queen (which from what I can research, is not from the books, so they willingly wrote such a derivative concept”¦I could be wrong.) This is all inflamed by an epic battle at the end, where we finally get to see Johnny Depp, as the Serious Hatter fight Crispin Glover with a CGI body. Finally, my dreams made corporeal!

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    The movie is made up of giant assumptions and it derails from the second Alice steps into Wonderland. The tone is predicated upon audience’s perfect recollection and knowledge of the source material to the point that character’s speak Carroll’s gibberish, which if fine, BUT, they speak it fast and without the slightest bit of enunciation. The movie doesn’t seem to care that if the audience can’t hear the “nonsense” words, we can’t comprehend that they are, in fact, nonsense. I’ve read “Jabberwocky,” I know the word “bandersnatch,” yet I couldn’t tell they were saying it during the entire movie until the very end, struggling to Frankenstein-stitch all the syllables up in my brain. I’m all for nonsense and lunacy, but if I need subtitles to understand what the characters are speed-whispering the whole movie, what’s the point? This gives the entire production a feeling of disjointed, slovenly pacing, not to mention the fact that it doesn’t bother with any character setup. Burton expects that you know the individual and overall plights of these characters, and their struggle against the evil Red Queen, from the word go. Sure, we know what Alice’s deal is, but give us a bit more meat as to why these characters chose the sides they did, and what they have been doing since she left. You are writing a whole new story anyway, if you going to crap on it, at least explain some character motivation. Why doesn’t the Cheshire Cat use his powers to do anything of worth? Burton’s film leaves behind the helping Alice/hurting Alice, deviant nature of the books and Disney’s original film”¦in this he’s a force of apparent, straightforward “good.” This is a “new” story, one in which you’ve changed the tone to action-fantasy and the nature of the character”¦so I’m not asking Lewis Carroll, I’m asking Tim Burton (but I would be interested in Carroll’s response.) Why doesn’t the Cheshire Cat transport himself behind the Red Queen’s throne and slit her jugular with his nails? Ok, it’s a kid’s movie, but come one, this Cat is almost omniscient, practically immortal, and devilishly smart (he also has the power to physically morph into other forms?!?!) Yet, like a badly written Superman comic, he doesn’t work at his full potential.

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    The cast does a fine job. It’s nice to see Crispin Glover on screen, even with a CGI body. Mia Wasikowska does a damn fine job as Alice. Alan Rickman, Helena Carter, Anne Hathaway, Stephen Fry”¦they are all top notch, movie aside. Right around here, two years ago, you would be treated to me complaining about CGI and green-screen based filmmaking, but I don’t have the energy anymore and I doubt there are any new arguments to bring to the pro-analog table. I would also have to explain why Avatar would get a pass from me, yet Alice seems to be killing my spirit, which in and of itself is probably the best review I could give you.

    Highly recommended to The Last Unicorn fans, Hot Topic employees and customers, and elderly folks who have nothing to do at 2pm on Tuesdays.

    I’m Bob Rose, thanks for reading, this sentence is going to end now.

  • Contest Round-Up: 2010-03-04

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    Welcome to our weekly round-up of featured giveaways here at FRED. Every week, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with Shout Factory Home Video, we’re giving away five (5) copies of GI JOE: SEASON 1.3 on DVD.

    In conjunction with Shout Factory Home Video, we’re giving away five (5) copies of SMALL WONDER on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of SCARECROW & MRS. KING on DVD.

    In conjunction with BBC Home Video, we’re giving away two (2) copies of ALICE IN WONDERLAND on DVD.

    In conjunction with First Look Pictures, we’re giving away three (3) copies of NINJA on DVD.

    In conjunction with Hasbro, we’re giving away a STAR WARS: CLONE WARS SUPER BATTLE DROID Figure.

  • Win ALICE IN WONDERLAND on DVD!

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    In conjunction with BBC Home Video, we’re giving away two (2) copies of ALICE IN WONDERLAND on DVD.

    Contest ends at 11:59pm EST on Wednesday, March 24th.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of FRED Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Wednesday, March 24th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Weekend Shopping Guide 1/8/10: Kung Fu Fightin’

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    It’s been a long, long, LONG wait, but the fine folks at Cinematic Titanic make a strong return with their road-tested riff of the awkward merging of both Kung-Fu AND Blaxsploitation, all wrapped in a model of poor filmmaking and worse acting… I give you East Meets Watts (Cinema Titan, Not Rated, DVD-$14.99). Not only is the riffing tight, but this is also the first Cinematic Titanic Live release, which was recorded in front of a live audience. And it works a charm. Now let’s speed up those releases, guys!

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    I’ve never owned a good cooking knife in my life. Usually, I’ll hack meat and vegetables with a steak knife, ’cause that’s all I’ve got. Every time I’ve tried to buy a better knife, I’ve always chosen poorly, and wound up with a quick-dulling instrument that just sends me right back to my trusty serrated hacksaws. Well, now I’ve seen the light – and it’s not metal. No, it’s Ultrasharp Ceramic Knives ($74.99). The blade is sharp – really sharp – and it never dulls. How sweet is that? And not only do you get the blade – you also get a ceramic bladed peeler… You know, for peeling stuff. Stuff! Peeled!

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    It’s not a kiddie movie, but I certainly saw it as a kid, and I still love the anarchic blackness that permeates one of the most offbeat holiday flicks to ever hit screens, Gremlins (Warner Bros., Rated PG, Blu-Ray-$28.99 SRP). In fact, it was this – along with Indiana Jones and The Temple Of Doom (interestingly enough, both Amblin pics) that helped usher in the PG-13 rating. Now in full high-definition, bonus features include a pair of audio commentaries, a making-of featurette, additional scenes, a gallery, and trailers.

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    No one rants with quite the same vigor – and accessibility – as Charlie Brooker. Like a cross between Mark Twain and a riled wasps nest, Brooker’s regular column in the Guardian is an ongoing social commentary that inspires equal parts knowing laughter and sympathetic bile. Don’t believe me? Pick up the latest collection – The Hell Of It All (Guardian Books/Faber & Faber, £12.99 SRP) and read for yourself.

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    How sweet is it that we’re actually a dozen volumes in to the The Complete Peanuts? What seemed like it would take forever to accomplish – the presentation of the entire run of Charles Schulz’s classic strip – now seems to be flying by, as we can all dive into The Complete Peanuts: 1973 to 1974 (Fantagraphics, $28.99 SRP), and cast our vote for Sack. He’s the greatest. Now bring on the next volume!

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    If their continued collections of Peanuts weren’t enough to earn Fantagraphics the love and adoration of comics fans the world over, then their beautiful collections of the EC Segar strips starring his cantankerous, shambling sailor should secure that place within their hearts. The 4th collection – Popeye: Plunder Island (Fantagraphics, $29.99 SRP) – has as its centerpiece the titular adventure, presented for the first time in full color, completely uncut.

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    It’s refreshing to upend the traditional romantic comedy formula and look at how unpredictable love can actually be with 500 Days Of Summer (Fox, Rated PG-13, DVD-$29.98 SRP), which brings together Joseph Gordon-Levitt and Zooey Deschanel as the awkward pair. Bonus materials include an audio commentary and deleted/extended scenes. A Blu-Ray edition ($39.99 SRP) is also available with additional featurettes, interview, audition tapes, and more.

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    While Office Space has become an instant classic and even the marginalized Idiocracy has become a cult flick, Mike Judges latest, Extract (Miramax, Rated R, Blu-Ray-$39.99 SRP), is a bit scattershot. While the ensemble is top notch – Jason Bateman, Mila Kunis, Kristin Wiig, and Ben Affleck – the story, about the sale of a small-town flavor extract company that begins to fall apart around the owner (Bateman), doesn’t ever really gel. Which is a shame, because all of the ingredients are there. Bonus materials include a featurette and deleted/extended scenes.

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    What do you do when you’re a network with a surprise hit on your hands? You don’t wait around for your debut season to wrap before you rush out a DVD collection featuring the first half of said season – and that’s what we’ve got with Glee: Season 1 Volume 1 (Fox, Not Rated, DVD-$39.98 SRP). The 4-disc box set contains 13 episodes, plus audition pieces, featurettes, a casting session, and more. Yes, you know you want this set. You know you’re a fan. ADMIT IT.

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    Catch up on your TV viewing over the holiday break with both the 3rd and final season of the sci-fi show Kyle XY (ABC Studios, Not Rated, DVD-$39.99 SRP) and the 3rd season of The Secret Life Of The American Teenager (ABC Studios, Not Rated, DVD-$39.99 SRP). Kyle XY features audio commentaries, a featurette, and deleted scenes, while Teenager gets the pilot episode and a Q&A.

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    It came and went from theaters with only the slightest of notice – a disappointment, considering it was the theatrical follow-up to Juno from screenwriter Diablo Cody. Which is a shame, as Jennifer’s Body (Fox, Not Rated, Blu-Ray-$39.99 SRP) is a goofy little bit of teenage horror that brought fond memories of the equally B The Faculty. Give it a spin at home. Bonus features include audio commentaries, deleted scenes, video diaries, featurettes, and more.

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    Check another series off your running list, as we’ve come to the release of the 7th and final season of Mission: Impossible (Paramount, Not Rated, DVD-$49.99 SRP). Will Jim Phelps (Peter Graves) finally encounter an impossible mission? Or we he wind up doing links on A&E in just a few short years? Watch the 22 episodes in this set regardless of the answer.

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    Oh, what I wouldn’t do to put a bullet through the sadly long-lived American Pie franchise, which has now moved into American Pie Presents The Book Of Love (Universal, Not Rated, Blu-Ray-$36.98 SRP), if only to free Eugene Levy from whatever cursed existence binds him to these flicks. Bonus features include featurettes, trivia, deleted scenes, and a gag reel.

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    What was just about the last season of the show turned out to be just another one after it was picked up, so now you can rest easy as you partake of Chuck: The Complete Second Season (Warner Bros., Not Rated, DVD-$59.98 SRP), knowing that it’s not the last. Also? 3-D episode! Bonus features include a bevy of featurettes, webisodes, deleted scenes, and a gag reel.

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    It’s the second volume of The Fugitive‘s third season (Paramount, Not Rated, DVD-$39.98 SRP), and we’ve reached the point where Dr. Richard Kimble discovers the identity of the elusive one-armed man, just as pursuer Lt. Phillip Gerard decides to employ… A COMPUTER!… to track the good doctor down. The 4-disc set contains 15 episodes.

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    The regular episodes are often painful scattershot, but the focus of their Star Wars episodes seems to bring out the best in Seth MacFarlane & company, as you can see for yourself with Family Guy: Something, Something, Something Dark Side (Fox, Not Rated, DVD-$22.98 SRP). Bonus features include an audio commentary, fact-ups, a featurette, and a sneak peek at a table read. A Blu-Ray edition ($29.99 SRP) is also available, with identical bonus features.

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    Go all the way back to the days of Wendy, Marvin, & Wonder Dog with the first volume from the premiere season of the original Super Friends! (Warner Bros., Not Rated, DVD-$26.98 SRP). Journey back via this 2-disc set featuring 8 episodes plus a newly produced super fan workout, the “Super Friends Trivia Challenge”.

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    I remember when The Green Mile (Warner Bros., Rated R, Blu-Ray-$34.99 SRP) was originally released on VHS, in a bulky 2-tape set during the last gasp of that format before DVDs came on the scene. Even the original DVD release suffered from the film’s length, with a featureless release. Well, now that it’s come to Blu-Ray, it’s all on one disc, which also contains an audio commentary, a documentary, additional scenes, make-up tests, a look at the teaser trailer, Michael Clarke Duncan’s screen test, and more. How’s the for progress?

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    I’d like to say that Mel Brooks’ Spaceballs: The Totally Warped Animated Adventures (MGM/UA, Not Rated, DVD-$19.99 SRP) is a glorious disaster, but it’s not. It’s just a sad, poorly written series that sullies the memory of Brooks’ 80’s guilty pleasure. Unfortunate.

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    Christmas is dead and buried, so that means we start getting releases like a special edition of Winnie The Pooh: A Valentine For You (Walt Disney, Not Rated, DVD-$29.99 SRP) which, as you can imagine, is the 2/14 themed outing for that willy nilly silly old bear. As far as bonus features go, it’s pretty much just an episode from The New Adventures Of Winnie The Pooh.

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    It’s all hit the fan in the third season of Big Love (HBO, Not Rated, DVD-$59.99 SRP), as Bill Henrickson’s carefully constructed family and business ventures begin to erode from pressures outside and in. The 4-disc set contains all 10 episodes, plus a trio of mini-dramas and four direct-to-camera videos from Bill and his three wives.

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    Wrap up the season that brought in Rob Estes, Alyssa Milano, and Lisa Rinna (and showed the door to Grant Show, Marcia Cross, & Laura Leighton) with Melrose Place: The Fifth Season Volume 2 (Paramount, Not Rated, DVD-$36.99 SRP). The 3-disc set contains 13 episodes, but zero bonus features.

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    It’s not good cinema, but the flicks contained in Roger Corman’s Best Of The B’s Collection 1 (Infinity, Not Rated, DVD-$29.98 SRP) certainly are memorably bad. This 4-disc pack contains seven remastered Corman films starring the likes of Gary Busey, Jack Nicholson, Scott Glenn – Naked Angels, Bury Me An Angel, The Fast And The Furious, The T-Bird Gang, The Wild Ride, The Winner, and Angels Hard As They Come.

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    It never fails to bring a warm feeling when one of those Sunday afternoon flicks that used to permeate my youth gets all cleaned and gussied up and finds its way into high-definition. Certainly those warm feelings come from The Green Berets (Warner Bros., Rated G, Blu-Ray-$28.99 SRP), starring John Wayne in the first feature to focus on the Vietnam War. Bonus materials include a vintage featurette and the original theatrical trailer.

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    It doesn’t happen often enough, but Taxi (Paramount, Not Rated, DVD-$39.98 SRP) managed, with its fifth & final season, to go out on a strong note without anyone feeling that the show overstayed its welcome. The cracks were showing, granted – and Any Kaufman’s off-camera behavior was causing some issues on set – but it remains one of those timeless, character-based sitcoms that are just as funny today as it was over 25 years ago. The 3-disc set also contains episode and series promos.

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    David Tennant’s era as The Doctor has just come to a close, but there’s still plenty of classic Doctor adventures still in the pipeline. The newest releases to keep you warm (if the scarf isn’t enough) is the William Hartnell era Doctor Who: The Keys Of Marinus and the Colin Baker era The Twin Dilemma (BBC, Not Rated, DVD-$24.98 SRP each). Both discs are packed with bonus materials, including featurettes, audio commentaries, galleries, and more.

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    It’s not for your younger kiddies, but there’s enough inventiveness and beauty of execution to make 9 (Universal, Rated PG-13, Blu-Ray-$39.98 SRP) a film worth showing to kids. It’s post-apocalyptic world and ragtag band of decidedly non-traditional survivors are that special kind of inspiration that will spark a child’s imagination. Bonus materials include the original 11-minute short, an audio commentary, featurettes, deleted scenes, and more.

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    With the resurgence of 3-D, particularly in horror films, it was only a matter of time before the Final Destination franchise decided to go all cine-poky with The Final Destination In 3-D (New Line, Rated R, DVD-$28.98 SRP). You pretty much know the deal by now – it’s a pissy Death getting all postal on some young schlubs. Bonus features are limited to some additional scenes. A Blu-Ray edition ($35.99 SRP) is also available, which adds a pair of alternate endings, a pair of featurettes, and a look at the atrocious-looking new Nightmare On Elm Street.

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    You can feel the end coming on as the 9th season of 7th Heaven (Paramount, Not Rated, DVD-$49.99 SRP) rolls along, as members of the Camden clan come and go, many no more than glorified recurring characters or cameos. The 5-disc set contains all 22 episodes.

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    Since getting the Disney license, the fine folks at Electric Tiki (distributed by the fine folks at Sideshow Collectibles) have been making some unique choices for their statue line. First there was Darkwing Duck, then Jessica Rabbit in an unused costume from one of the Roger Rabbit shorts, then the Rescue Rangers. Most unique, though, and welcome is Alice In Wonderland & The White Rabbit ($124.99), done in the style of Disney designer Mary Blair (perhaps most famous for designing the It’s A Small World attraction).

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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