In conjunction with Fox Home Video, we’re giving away five (5) copies of THE HAUNTING OF MOLLY HARTLEY on DVD.
Contest ends at 11:59pm EST on Wednesday, March 18th.
CLOSED! THANKS FOR ENTERING!
Official Rules
No member of Quick Stop Entertainment or their immediate families may enter.
No Purchase necessary to win.
Must be 18 years of age or older to enter.
One entry per day, per person.
All submitted entries must be received by 11:59pm EST on Wednesday, March 18th.
The winner must allow 4-6 weeks after notification of win to receive the product.
It’s a shame that Gordon Ramsay is mostly known for the over-produced Hell’s Kitchen and Kitchen Nightmares when his UK output is so wonderfully engaging. Case in point – and well worth checking out – is his celebration of food, 
I should have spotlighted this last week with the re-released Back To The Future DVDs, but as there’s no time machine currently available, I’ll just have to let you know now about the pretty darn nifty 
One of the few shows I actively miss is Showtime’s late, lamented piece of macabre humor, Dead Like Me, about a group of “Reapers” tasked with delivering the souls of the just-about-to-be-deceased to the afterlife right before their often grisly deaths. If you’re unfamiliar with the show, the best way to go is the brand new 
Some have attacked it as “snarky” or “one-sided”, but I’m not entirely sure what film they were seeing, as I found Bill Maher’s 
Sleuthing angel of death Jessica Fletcher (Angela Lansbury) returns to her suspicious ways in the complete ninth season of 
Another week, another high definition catalogue upgrade – this time it’s the still great 
The fifth season of 
I know it’s been praised and it has quite a pedigree, but I found 
It’s not one of his better films, but there’s enough Friday-night popcorn thriller energy to Ridley Scott’s 
Barbra Streisand’s directorial opus 
Equal parts Losin’ It and American Pie, 
They’re certainly not his finest or most memorable films, but Warners has decided to dip into the vaults for what its branding as the “Paul Newman Film Series”. The five films being released are 
The High School Musical hubbub leaves me cold, but I know there are easily dozens of teens that will eagerly snap up the big screen iteration of the quickly aging teens’ tuneful adventures, 
I really wanted to like the adaptation of Toby Young’s 
The Clampett’s adventures in the land cement ponds continues in the full, official, and sparkling release of the complete third season of 
We’ve finally caught up with the current season with the release of 
I’m awesome. I wrote a book. It’s got little to do with movies. 
Now, before we get into the interview with Julian Morris of DONKEY PUNCH I have some things to give away.
CS: I’m hoping to be able to watch it tonight. I’ve just culled a bunch of information about it and now I’m really amped to see it at least after reading everything about it.
CS: The old adage of you never shoot on water
MORRIS: Because it’s very real and realism works in a number of ways. It works well for the horror. The horror is this fantastic imagined horror. The baddie isn’t some supernatural being with crazy feet. It’s us. We’re the enemy. The other characters are the enemy. We are each other’s own worst enemy. My character is his own worst enemy. Because it’s so real, the audience can associate with them far more. And in that sense, the experience for them is more haunting and exciting. And the last thing is that it’s real. When these kids are on the boat, and they are young people, they are doing what any other young person would be doing or would like to be doing with their best mates, gorgeous girls, drinking a little bit, skinny dipping in the Mediterranean as the sun’s setting. It’s a crazy orgy. And up until the point of the donkey punch it is really the best of youth or the best of any fanaticized youth. After which these real people are confronted with an extraordinary situation and how they deal with it is probably how many young people would deal with it and try to get away with it. And it all goes wrong and leads to this bloodbath. Does that make any sense?
If you’re a bit puzzled but there’s a little twinge of recognition niggling at your subconscious right now, it’s probably because you already know who Neil Innes is without even realizing it.
Paul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.
Riki “Garfunkel” Lindhome and Kate “Oates” Micucci make up this band, which is a mixture of acoustic folk, comedy and pure sugar. Riki has been seen in The Changeling, My Best Friend’s Girl, Pushing Daisies, Gilmore Girls and Million Dollar Baby. You can catch Kate in Scrubs, When in Rome, Four Kings, How I Met Your Mother, or in her one-woman show “Playing with Micucci” at the Steve Allen Theater.
Jeff’s stint of reigning challenger in MoSF#1 (yet ultimately losing to Master Jonathan Coulton) has won him critical acclaim from around the world. Or is it criticism from around his house? Either way, he’s back for more and hoping to balance bringing the Fu with taking out the trash.
Edric has been writing music (off and on) for the past fifteen years. He wrote and directed a musical, The Pushcart War, based on Jean Merrill’s wonderful novel. He has written and/or arranged a number of songs for various friends – some commissioned, some as surprises. He loves acting in community theatre, and is inspired by the music of Stephen Sondheim, Jason Robert Brown, Adam Guettel, Lynn Ahrens and Stephen Flaherty – and yes, Jonathan Coulton, who in addition to writing wonderful songs, also served as a portal to finding out about the Song Fu competition.
I’m “BucketHat” Bobby Matheson. I used to make cartoons for the internet, and sometimes still do, but mostly focus on my music right now. Lately, I’ve been getting more into recording other singer/songwriters in my little, make-shift studio than I have been recording myself. I want Masters Of Song Fu to change that. I don’t really know what genre my music would fall under. Influences range from Klezmer to folk, to punk and back, which ends up sounding more like Zydeco than anything else (who’d have guessed?). I’ve been thinking of dropping the “BucketHat” from my stagename, but fear change.
Insane Ian is a comedian and writer from Baltimore, Maryland who specializes in all things nerdy, both in parody and original compositions. From Sci-fi TV shows and films, to video games, to comic books – no nerdy topic escapes his sardonic (and satiric) wit. Among his peers – such as Sudden Death, the great Luke Ski, Jonathan Coulton and, of course, “Weird Al” Yankovic – he is the only artist to have written this bio, and remains at the top of that list. Currently, his song “Guitar Hero” (from his upcoming album n3rds0ngs) was the 11th most requested song on the Dr. Demento radio show in 2008. Usually for a song, I.I. surrounds himself with talented people to make himself look better… and now is no exception, as friend and producer Benjamin Stahl helps on instrumental duties.
My name is Joe Lamb, I’ve been known online as JoeCovenant, or JoeCov, Or just Cov for the last decade or so. I’m 45 and have been performing for 40 of those years. Up until 2005 I was solely a professional actor/singer, but I am now also a Civil Servant and work for Her Majesty. I’ve been playing guitar since I was 10, but still think Bar Chords are things played in pubs. (I can’t do ’em!) I’m not too bad on the Bhodran and can pick out a tune on a keyboard when pushed”¦ really hard. I’ve always been frustrated that my ideas outdistance my abilities, so my output is always rather simplistic… But I like to think that, occasionally, synergy does its job well! This contest will be my first use of my new recording equipment… hope it doesn’t throw my limitations to the fore!
Mick Bordet steadfastly insists on bouncing between and across genres at every opportunity like a hummingbird with ADD, using an eclectic collection of instruments for his sonic palette, from guitar and ukulele to theremin, yobstick and electric harmonium. Mick is a founder member of “The Lunacy Board”, Scotland’s premier progressive avant-garde skiffle duo, and cites influences as diverse as Edgard Varèse, Ivor Cutler, Conlon Nancarrow, and Roy Harper, to name but four. The duo have recently released three debut albums, including one written, recorded, and mixed within a single day. Mick’s latest project is a year-long weekly podcast set in an alternative universe as it diverges from our reality.
“Rusty’s Rocking Jamboree” is a one-man, music and comedy show for family audiences, starring Russ Rogers. While in college, twenty-some years ago, Russ Rogers was in a band called, “Buc Blaster and His Ukulele Rangers.” There are several noteworthy alumni of “The Ukulele Rangers,” including Song Fu Master Michael J. Nelson. Later, Rogers and Andy LaCasse (also a Ukulele Ranger) partnered to form the almost near famous, children’s music and comedy duo, “Kit and Kaboodle.” After ten years and three albums (still available on iTunes and CDBaby.com), “Kit and Kaboodle” broke up over musical differences. LaCasse was musical … an d Rogers was just different. Now, “Rusty’s Rocking Jamboree” has been entertaining family audiences around Minnesota for the past five years.
The Masked Stranger (a.k.a Neal John Mac Rae), is a self proclaimed noise/folk artist from Nova Scotia, Canada. Although his work has gone completely unnoticed on an official level, he has still managed to garner several fans from Australia and amoungst his close friends. The Masked Stranger project started in 2004 when Neal John recorded “The River Song”, a simple panflute tune he furiously augmented and destroyed on his computer. Since then he has created roughly 30 other distinctly more destroyed and demented tracks under the moniker of The Masked Stranger. His music has been described as “a total disregard for musical theory”, “aaaaaaaah!”, “raw and grating”, “annoying”, “Twisting is a word I want to use to describe it… Very natural and earthly”, and “disturbing and yet… strangely enjoyable”. His most well liked and most consistant piece “Rue The Red” was described by Cape Breton goregrind artist Devin Meaney as “a posessed man jigging out on the strings of his creator. Like a puppet, devouring the flesh of god. And this is exactly what it reminds me of, no joke.”. This awkward and soil laiden musician’s journeys into the abrassive and the tribal only threaten to continue.
Heather Henderson has been entertaining America since she was seven years old. She got her start as a mini dancing superstar and co-host on Dance Party USA. Her career then made the natural progression towards Sesame Street and most recently a principal role in the Disney film Annapolis. Striving constantly to develop as an artist, The Big H sings with the bad-ass 60’s retro soul group SOULAMITE!, performs with the Revival Burlesque troupe in philadelphia, makes short films, writes funny songs, and is always looking for the next good audition. She hopes to have her own totally crappy and misquoted Wikipedia entry one day.
Bryce Jensen has been writing songs off and on for well over twenty years, but he has rarely shared any of them beyond his friends and family. His styles range from a capella to heavy metal with a lot of wimpy finger picking stuff in between. Bryce took part in the recent Holiday Special edition of the Song Fu and found the constraints and deadline to be quite a rush. He also learned that sharing his work with the world can be very rewarding. Back for this competition because he is hooked and needs another fix, Bryce is looking forward to whatever crazy challenges lie ahead.
Jeff began playing guitar in 2003. He wrote his first comedy song in early 2004, and later that year, he wrote a song that was actually funny and in key, unlike his earlier works. He began playing shows after accidentally opening for a local band while passing through a bar. He continues to play because nobody has told him to stop.
On stage I am Timmy Vendetta. I’m 18 and I live with my mom and her wife. I hope to become famous and live vicariously through a hamster.
Crabbydad is a writer/sound designer/musician who, four years ago, was forced to leave all of his bands and musical compatriots behind in Chicago when his Old Lady got herself a proffesorin’ gig at a giant university in a tiny mid-Michigan town that’s devoid of any sort of culture, musical or otherwise. So he started recording songs with his kids and posting them on his blog for his four or five readers to hear. When he’s not recording songs about spiders and/or poop, he creates comedy, sound effects, and music for a company called Jellyvision, Inc.
Hank Green never wrote a song until his eternal passion for Helen Hunt (both as an actress and a woman) started off a multi-year YouTube project in which he writes a song every other Wednesday. The songs are part of a larger project in which he and his brother discuss their lives, their world, and the community of which they are a part. Their videos have now been watched more than 20 million times. Hank’s first album, SO JOKES, was just released and is available at DFTBA.com.
Mike Lombardo is a piano-playing pop-rock singer-songwriter who likes to use hyphens when describing his occupation. He has been known to write songs about just about anything, including rocks and SAW 4. When not banging on a piano, Mike spends most of his time playing way too many video games and fighting with his roomate. Currently finishing up his degree in Songwriting from Berklee College of Music, he will be touring the country this summer with his band, the Mike Lombardo Trio. Feel free to go to his website and send him lots of money. Or cookies.
“Hallelujah Ape” is the working name for the personal musical projects of Paul Abbott. When he’s not playing bass guitar and shouting in such bands as Three Minute Margin, he’s usually fiddling with a ukulele or trying to write Manfred Mann inspired songs for films that don’t exist. Main influences are The Bonzo’s, The Beatles and Fugazi. He owns many comedy things and likes to rub his face up against them when no-one is looking. He also co-writes the British Foghorn Company blog.
In the far off land of Chandler, Arizona, where the rivers flow with sand and cacti, our leader and master, the Lord of Our Lady Gwynyth, guitar and microphone in hand, called for the greatest musicians in the land to assemble a rock and roll group like none other. Unfortunately, they were cut off on the road, and the Jalapeño Habañeros made it there first. With The Rogue Bohemian on saxophone and The Boxcar Bassist on bass and keyboards, the Lord was pleased. Now, they roam the streets of Chandler, playing epic songs and rocking faces, much like Bon Jovi. Unfortunately they are paid in change, and often get thrown into the street, also like Bon Jovi. Their lives have intertwined, and the era of the Jalapeño Habañeros has begun. Be prepared.
Hazen Nester is a multi-platinum-selling*, award-winning**, and incredibly gifted” songwriter. His works have been described as “heavenly”, “complex”, and “thought-provoking” by his critics and fans.” ”  He has, to date, three full albums”¡, two EPs”¡”¡, and is currently working on a new collection of work§. He holds a B.S. degree§§, an MFAâ•‘, and a PhDâ•‘â•‘ and currently lives in Michigan, where he spends his days writing songs and working in the fulfilling and worthwhile sector of public-access television. Apart from songwriting, his hobbies include cinema, golf, and the occasional role in various stage and audio productions. 🙂 [* – Lie, ** – Another lie, ” – Bold-faced lie, ” ” – His mom. They’re one and the same, really., “¡ – More lies, “¡”¡ – Yet another lie, § – Another lie. No, wait, actually that one’s true., §§ – In film. How appropriate., ? – Lie. What a surprise there., ?? – Do I really have to put this here?, 🙂 – That’s probably the most truthful statement in this entire document.]
Forged in the furnace of irony, molded with the hammer of satire, flattened on the anvil of righteousness, and cooled in the water of awesomeness, AudioMohel was thrust upon the world. Named from the lost audio transcripts of ’09, AudioMohel serves as a public-service backlash against the anti-circumcision trend sweeping the so-called “enlightened parents” crowd, AudioMohel urges their more devoted and impressionable fans to undergo the snip two or even three times. AudioMohel enjoys experimenting with new breakthrough genres like speed blues and death classical even though most of AudioMohel’s tunes reside firmly in the ethereal realm of vapor-ware. Some of AudioMohel’s members admitted to being a bit intimidated by the professed experience and actual musical talent apparently possessed by the Song Fu Masters, but finally it was decided that if the need arose, sabotage would not be out of the question. To be used as a last resort, naturally, but not out of the question.
When she’s not bluffing her way through college courses or looking passably attractive from a distance, Molly Lewis enjoys playing ukulele, microwaving marshmallow Peeps, talking to cats, and Twittering. Early last year, she wrote two original songs, “MyHope” and “Road Trip”. “MyHope” is about the inevitable day when our children will learn how to navigate the interweb and how they will LOL at our old internet presences, namely MySpace; of “Road Trip”, Molly says it’s about “that astronaut lady who went crazy and wore the diapers, you remember that?” She has not written any songs since. Hopefully this competition will remedy that. When Molly was in middle school, she took up the guitar. That sank into the swamp. So she took up the mandolin. That sank into the swamp. So she took up the banjo. That burned down, fell over, then sank into the swamp. But the ukulele has stayed. And that’s what you’re going to get, Quick Stop Entertainment: the strongest ukulele in all of Tacoma, Washington.
Although he has no formal training, Jarrett is an accomplished pianist who has been composing music for nearly twenty years. A relative newcomer to the world of online amateur competitive songwriting, he burst onto the scene earlier this year when he filled out an entry form just before the deadline. While earning his living as a graphic artist and website developer, Jarrett secretly dreams of leaving behind the glamor and prestige of internet publishing so he can focus on composing music for songwriting contests full-time. With no fanbase, loyal followers, obedient minions or friends, Jarrett will rely on his music-crafting skills alone to win over converts and earn votes.
Johannes “Jutze” Schult (from Germany) likes to make songs about weird stories and situations. It’s all about creating a musical scenario that is somewhat original, yet believable by some stretch of imagination. Jutze used to play drums in a heavy metal band, and then founded his own pop band where he played guitar. These days he’s mainly doing solo work for the fun of it.
Oh no! Just when you thought it was safe to hang out at FRED…
This all lead to the characters being caricatures of themselves… which was never detrimental, if anything they stayed more honest to their origins this way, but were free to do anything under the sun. Look at Freddy vs. Jason, director Ronny Yu understood what made these guys great, the look, the back-story, the lore, the comedy, the kills. Sure the humans in that movie were garbage, who cares? This is not about “quality” or writing or any standardized pretentious film arguments. This is about understanding what made these characters stick around for so long and become so beloved. It wasn’t even specifically the flicks, it was the characters! Sure they all had their earnest moment at the beginning when it was supposed to be scary and we were supposed to be rooting for the good guys, and for most of them it was done right the first go around. Why do we always have to go back and try to make everything serious again? Re-release movies if you have to, some things should stay as artifacts and beacons of their time. If the franchises never embraced the villain’s status as a champion of hilarious murder they would NEVER have obtained the iconic heights they have now. Ok, how about we settle it with this… as long as the killer’s nature and persona are kept in tact, all is well. Period.
In this episode, I’m having a bit of a chat with actor and musician Matt Berry.
While it’s not the Blu-Ray editions that everyone (me included) was hoping for, the new special editions of the Back To The Future trilogy are worth a look see. The original 
I’ve got hundreds and hundreds of slides and negatives from years of pre-digital photo archives. That being the case, I’m always keen on new and easier ways to try and digitize this wealth of images – including a nifty slide/negative scanner that Thinkgeek offered, and I featured a few months back. Well, now they’ve gone and begun offering a newer, spiffier 
Another catalogue classic making its way to high definition is the director’s cut of 
Also hitting Blu-Ray is David Cronenberg’s surprisingly accessible 
Uber-curmudgeon Victor Meldrew returns in the 
It’s not quite as incisive as it could be, but Oliver Stone’s 
When all hell breaks loose in a small town, are you going to call the police? No. The FBI? No. The military? Of course not! Ninjas? THEY DON’T HAVE PHONES!! No, the person you’re going to call to sort it all out is B-movie legend Bruce Campbell – and that’s just what the small town of Gold Lick does in the fun little goof 
It’s certainly not their finest hour, but I sort of kind of dig the better aspects of 
It’s by no means a disaster, but it certainly would have been nice if Bernie Mac’s final film were better. 
The Blu-Ray catalogue express pulls up to the station with another carload full of titles, this time straight from Fox. Getting the high definition treatment are the much-requested 
It’s no Pixar, but there’s a simple pleasure to 
There’s nothing especially upsetting or horrific or even interesting about 
It’s not the best looking CGI animated flick, but my nephew certainly likes the off-kilter tale of 
Long before the lackluster Masters Of Horror, another anthology series sought out horror masters for a slightly better clutch of stories – 
It’s a saccharine, fluffy mess, but I’m sure there will be plenty of sales for the newly-arrived-in-high-definition 
It can be plodding, but Spike Lee’s 
No longer a full season set, fans will have to make do with only the first 19 episodes in 
If you want a crash course in pretentious cinema, look no further than the world-struck-blind-by-a-plague-and-devolves-into-chaos-but-Julianne-Moore-isn’t-blind 
They may be on the simple side, but that’s exactly what you’d hope when putting on one of the 4 DVDs (comprising 32 episodes) in the 
Shout Factory picks up the ball after Universal walked away following the release of the first season with 
We still don’t have the original 60’s series (I want it more than a hula hoop), but we get another Alvin & The Chipmunks themed episode collection, 
Yeah, I tried. Still don’t like