FRED Entertainment

December 15, 2008

SModcast 68

Filed under: SModcast — UncaScroogeMcD @ 3:28 am

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 68: The Talking Cure, Pt. 1 –

In which our heroes ramble about what went wrong.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

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SModcast 68 (MP3 format) – 96.30 MB

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Win THE MUMMY: TOMB OF THE DRAGON EMPEROR on DVD!

Filed under: Contests — Tags: , , , — UncaScroogeMcD @ 2:17 am

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We’re giving away, in conjunction with Universal Home Video, three (3) copies of THE MUMMY: TOMB OF THE DRAGON EMPEROR on DVD. Winners will also receive a nifty MUMMY flashlight!

Contest ends at 11:59pm EST on Monday, December 22nd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 22nd.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win a STEPHEN FRY IN AMERICA Book & DVD set!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 1:30 am

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We’re giving away, in conjunction with HarperCollins UK and West Park Pictures, five (5) sets featuring both the companion book and DVD of the documentary STEPHEN FRY IN AMERICA.

Please note that the DVD set is Region 2/PAL, and requires either a Region 2 or a Region free DVD player.

Contest ends at 11:59pm EST on Monday, December 22nd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 22nd.

The winner must allow 4-6 weeks after notification of win to receive the product.

December 14, 2008

TV Or Not TV: 12/15 – 12/21

Filed under: TV Or Not TV — admin @ 10:28 pm

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Welcome back to TV or Not TV where we realize that all good things must come to an end.

If you were thinking I’m meaning this column, that’s not what I’m talking about (or if you were hoping I was talking about this column I’m sorry to disappoint). What I’m meaning is the regular TV programming that is coming to a close during the December/January lull. This week there are plenty examples of that. In the realm of cable Dexter has come to a close, and fans are eagerly awaiting the return of . Chuck, Heroes and the getting re-tooled again Knight Rider also won’t be back until next year. Fringe and Terminator: The Sarah Connor Chronicles have left the FOX airwaves until January as well.  Even CBS leaves a hole with the conclusion of the fall season’s Survivor.

I don’t know about you but this lull is a welcome one for me because it means that there just isn’t that much TV to obsess about missing (sadly, yes, this is something I do). There is so much going on with the holidays and the new year that this break fits perfects. We’re shopping (sort of), travelling (maybe) and celebrating (mostly) so we aren’t sitting down to watch TV. This also gives the television industry time to let their shows catch up on their production schedules to give us a new year filled with new shows. So what is there to look forward to?

I can’t speak for everyone but I’m most excited about the final half of the final season of Battlestar Galactica. With the post-apocalyptic planet that the rag tag fugitive fleet seemed to find I’m overly-anxious to see where the show is going for the remaining 12 episodes. I’m also pleased to find out that the final episode of the series will be airing on my birthday, so thanks for a nice birthday gift Ron Moore.

I don’t know how FOX is going to be able to contain themselves in January with the returns of both 24 (which didn’t even have a 2007 season) and American Idol. This mix will be further expanded by the February’s premiere of the much anticipated and rumor filled Joss Whedon show Dollhouse, which is getting paired up on Friday nights with Terminator: The Sarah Connor Chronicles. They’re even brining in their new crime drama Lie to Me. Clearly FOX has a lot going for them.

I’m sure that our good friends at ABC are coming out with another edition of their own ratings powerhouse Dancing with the Stars, but since I’ve never seen it I’m not even motivated to do research (since I’m sure by now they’ve already announced who will be on it). As far as I’m concerned there is only one show that I’m waiting for to come on ABC and that is our old friend LOST. This season will be the next to last season so I’m sure we are going to get even more answers than questions and last season proved that with a known ending in sight the LOST team has really come in to their own.

NBC already has pretty much all that I think that they are going to have to offer to me. When Knight Rider returns the show will once again be completely reworked to try to get a ratings boost. I already wasn’t watching so now great loss there. What I hope they will be having is the seventh season of The Biggest Loser. There is something amazing about watching people lose weight (at least the way that this show does it) and the Tuesday night finale this week promises a preview of next season. I only hope that they got more likeable contestants on the show next season as this season was dominated by a lot of individuals that I just didn’t care for. I also have to warn you, if you haven’t watched The Biggest Loser and you start with season seven in the new year try not to watch when you have snacks in the house. Something about the show makes me want to start munching.

CBS will be bringing back last summers Flashpoint as well as the new show Harper’s Island. Harper’s Island is a murder-mystery / drama which has a 13 episode run where each week a person from a group of family and friends gets murdered.

That’s enough about what is to come in our not-so-distant future. Let’s focus now on what is to come in our immediate future with this week’s items.

MONDAY

ABC – 8:00 PM: I’d never heard of I Want a Dog for Christmas, Charlie Brown! prior to writing this, but this 2003 special was actually scripted using the weekly Peanuts comics strip for source material. OK, I’m in.

FOX – 8:00 PM: The winter finale of Terminator: The Sarah Connor Chronicles happens tonight with a revisit of the three dots that are plaguing Sarah‘s mind. Who might have the answer? A BLOGGER! I thought blogs were only good for movie reviews and random uselessness. Who knew?

NBC – 9:00 PM: If you’ve been watching this season of Heroes and you’ve been wondering where that great show from season 1 was… well you’re still going to feel that way tonight. You are, however, going to get the finale to the Villians chapter of this season.

CBS – 9:00 PM: I’m a sucker for guest stars and tonight Emilio Estevez guest stars on tonight’s Two and a Half Men with real-life brother Charlie Sheen.

TUESDAY

NBC – 8:00 PM: The weight is over (and off) as three remaining contestants vie for $250,00 and the title of The Biggest Loser. I’m rooting for Michelle since the other players are just deplorable human beings in my opinion. Yeah, I said it.

ABC – 8:00 PM: Did you forget to set your DVR to record A Charlie Brown Christmas last week? Good news, here’s your second chance.

HBO – 8:00 PM: I’m not sure which is easier to believe in I Am Legend, that Will Smith is a scientist or that he’s seemingly the last man on Earth and able to fight of hordes of human/monster things every night. Either way, the book was better.

WEDNESDAY

NBC – 8:00 PM: How can you beat the great combination of a Christmas special and Muppets? The answer is you can’t! Watch A Muppet Christmas: Letters to Santa for some felt covered and foam formed fun.

TNT – 8:00 PM: Dr. Phil and wife Robin return to host the Christmas in Washington concert. The bigger treat is Patrick Stewart playing Scrooge in A Christmas Carol following at 9:00 PM.

ABC – 8:00 PM: I know I keep forcing Pushing Daisies down your throats but this week Orlando Jones plays the leader of a trio of Norwegian investigators. He had me at “Make 7… up yours!

THURSDAY

CBS – 8:00 PM: Million Dollar Password fills the slot this week that Survivor has vacated until next year. Two words on why to watch? William Shatner.

AMC – 8:00 PM:If you want to see paradise, simply look around and view it (at 8 with the airing of Willy Wonka and the Chocolate Factory).

FOOD – 8:00 PM: Not sure what to do for your casual entertaining this holiday season? The Food Network stars share some tips in their Holiday Extravaganza. Whatever Paula Dean makes I assure you it will have way too much cream and butter.

FRIDAY

NBC – 8:00 PM: If you missed the Tuesday premiere of reality date show retread Momma’s Boys than you can catch a re-airing tonight. It sounds like such a train wreck of a concept it just might be entertaining.

COMEDY – 8:00 PM: My love of Muppets doesn’t necessarily spread to puppets, however you may find ventriloquist Jeff Dunham’s Very Special Christmas Special entertaining.

SATURDAY

FX – 8:00 PM: Nothing says Holiday Spirit like defending your home from robbers when you’ve been left behind by your family, like in Home Alone. Go ahead and watch… and keep the change, you filthy animal.

TLC – 8:00 PM: If you enjoyed (or missed) last week’s Crazy Christmas Lights you can watch it again tonight, followed by the appropriately titled More Crazy Christmas Lights.

CBS – 8:00 PM: I’ve already mentioned Elf in two other columns, and I’m going to mention it here to. The film, to me, is just brilliant. Where else can you hear, “You stink. You smell like beef and cheese. You don’t smell like Santa.”

SUNDAY

FOX – 8:00 PM: Had too much holiday spirit? Tune in to The Simpsons for tonight’s repeate of the Treehouse of Terror XIX.

FOOD – 8:00 PM: I don’t know why I’m such a sucker for these Food Network Challenges but I am. Tonight four cake makers face off to to create cakes depicting some of Pixar‘s most lovable characters.

E! – 8:00 PM: In an obvious attempt to get the tween audience tonight the E! True Hollywood Story takes a look at the new Young Hollywood including Miley Cyrus, The Jonas Brothers, and Zac Efron. Naturally I’ll be no where near this one.

Will Wilkins wants to work in a shiney mail room.

Trailer Park: Chin Han from THE DARK KNIGHT

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

What was so important that Batman had to be dragged away from Gotham?

I love to do interviews like this. Forget about the talks with the leads, the men and women who have more invested in keeping you entertained with their zany stories from the set than they do the actual nuts and bolts of making the film. I don’t fault those who are able to talk to these individuals and are granted their five minutes but when you have to serve an audience that is interested in these celebrities the last thing that will come out of their mouths will be talking about the kinds of things that make people like Chin Han completely fascinating to me.

Operating on the fringes of what was a cinematic, fiscal juggernaut this summer THE DARK KNIGHT didn’t just break box office records it redefined the notion of what it means to be successful. Just name the moment when this film jumped from jazzy summer actioneer to tent pole classic. What I can tell you, from my standpoint, looking back on it now, was when Batman was lured away from Gotham. Where and when else has any of our heroes left the safe confines of their own turf, to take the fight somewhere else. This moment defined Bruce Wayne’s own insanity. Forget about the parallel line between Heath Ledger’s Joker and Christan Bale’s Batman you have everything you need to know about how far Bruce Wayne is steeped into his own self-righteousness in those moments.

Chin Han knows about Batman. When he and I spoke months ago it was just after the world premiere and still when everyone was in the dark about what was behind all the hype. People were still wondering whether it was worth it. It was. Every moment. It’s amusing now, looking back on the level of secrecy surrounding every plot point and the highlight of this interview has to be Han’s reaction to seeing Bale in all his rubberized goodness…

THE DARK KNIGHT is now available on DVD and Blu-Ray.


CHRISTOPHER STIPP: I looked over your resume and, after talking to a few people, am I to believe that this is only your third feature length film?

CHIN HAN: Yes, this is my one, two three ““ yes, this is my third feature length film.

CS: How did you land this part?

HAN: I landed it. Let me qualify that first question. It was my third feature film but I’ve worked in television before that and I was doing a lot of classical theatre as well ““ theatre basically. How did I land it? I think I did it old school basically. I auditioned for John Papsidera and I didn’t hear from them for a few weeks and then I heard from them and they wanted to see more of my work and I didn’t hear from them for another couple weeks and then other people wanted to see more of my work and then they called me back in again. So, all together it took about 6 weeks. It was kind of grueling.

CS: I’m curious, just from the standpoint that you walked into this knowing that it was going to be a big movie. How is it being at the center of this swirl that this whole movie has taken on a life of it’s own and the media and marketing campaigns and what have you ““ what’s it like to be that fly on the wall?

HAN: I’m still taking it in actually. We were at the premier two nights ago ““ I had to pinch myself to just make sure I was there on the red carpet with Michael Caine, Gary Oldman, Christian, Maggie and Morgan. But I’m still taking it in. Obviously, it’s very surreal and very humbling at the same time but I think I’ll get a better sense to what this means to me in a couple weeks.

(Laughs)

CS: And I’ve heard that Christopher Nolan’s IMAX material…I heard it’s amazing that the way he shot it is absolutely spectacular on IMAX.

HAN: Yes. You’ll get vertigo watching it. It’s very stunning. And on top of that I think there are new vistas in this movie. I think some of the scenes were shot in Hong Kong as well so you get to see some very different sights and sounds basically in this film, which are stunning. He’s done a magnificent job on this film.

CS: Did you shoot your scenes in Hong Kong or were you part of the Chicago shooting as well?

HAN: I was part of the Chicago shooting as well. I shot in Chicago. I shot in London, for the most part of the movie.

CS: The character you play, without giving anything away, how does Lau fit into the film?

HAN: He’s an Asian business mogul who has now joined the ranks of these shadowy figures that have appeared in Gotham because of the demise of Carmine Falcone. I think that’s as much as I can tell you. I think you will have fun with this character because I did and he’s one of those characters that are quite hard to read.

CS: Before any of this happened, did you go into this with an “I don’t care what my role is, I want into this”?

HAN: Absolutely. I would do anything with Chris Nolan. I love his previous films. I love Memento, The Prestige, and I loved Insomnia as well and so I was very thrilled when they were interested in seeing me or reading me but when I got the type and they don’t give you the full script obviously on a movie this top secret, I was looking it over the sides and said there is something special here because there is just so much to his writing. It’s interesting to play those types of characters so that was the icing on the cake. But I would have done it, sight unseen.

CS: How was that just getting part of the script? This whole idea of secrecy – I know there are a few directors out there, J.J. Abrams is notorious for secrecy, were you just given a few pages, were you like, “Come on, is this really necessary?”

HAN: Even when I was looking at the sides for Lau you really had no idea how big the part is, because you have these few pages and obviously these few pages would let them know if you could carry the role but how do I feel about it? I think it makes the job of preparing for the audition challenging as well because you don’t know what to expect next. And when I got the full script I read it through and just delighted to have this kind of a role in a movie.

CS: Now moving forward to where you’ve been as an actor, how was it working over in Singapore and thinking, “I want to make the jump to American films and American media”? What lead up to that moment where you said, “I’m going to give it a go”?

HAN: I was doing television and I wanted to direct more so I wanted to take a break from acting and direct more and then this film came along, which is Blindness quite some time ago and I had fun on that but it wasn’t enough to warrant my taking a break from directing or producing. So I did a couple other projects and then I did 3 Needles with Thom Fitzgerald and that film was shot in 3 different countries that really whetted my passion for acting and that was a few years ago. So it just came at the perfect time. I was thinking of making the move to Los Angeles at that time so it came at the most perfect time really. It was not an overnight process. It took 8 years I think.

CS: And if you have success in this it will be overnight success. Where I’ve looked at your 20 year career and you’ve been doing this for lots of years.

HAN: Yes.

CS: I’m also looking at the way some films overseas play. A lot of times when American films get released here they will do OK but in the international market it does very well. You’ve come from a market in Singapore where there is a different sensibility when it comes to movies and theater and what have you ““ is it a different sort of theatrical language if I can use that coming to working within American boundaries? Are there basic differences between Asian films and American films?

HAN: I think that there are there are some differences ““ some differences in story telling techniques ““ the way Asians and Americans express themselves so that effects the way our scripts are written as well and how our actors communicate their emotions to the audience too. There are some differences ““ yes.

CS: Where did you go for 7 years since your 1998 debut? There is a big hole for 7 years. What happened?

(Laughs)

HAN: That’s when I was producing and directing. I had produced the Asian premiere of The Blue Room which was the play that got a lot of attention on the West End of Broadway because Nicole Kidman did that play. But we did it with a Singapore cast and I was producing a lot of plays which subsequently moved me to musical theatre and I was one of the producers of the musical adaptation of Ang Lee’s The Wedding Banquet. And had wonderful success in Singapore and Taiwan as well. So, those years were spent being on the other side of production.

CS: Why did you go back? It seems like you have a lot of success doing that.

HAN: Why did I go back to acting?

CS: Yes.

HAN: I don’t know. After working with Thom Fitsgerald and shooting in Taiwn for the most part with Lucy Liu, Sandra Oh, I just realized that my passion really was in acting because of the scope of films. Not just the skill of production, which is very exciting but it’s the reach of film. And as an actor, as a person who creates, you want whatever you create to reach an audience.

CS: Now going back to your Dark Knight experience and being directed by Christopher Nolan. I won’t ask what it’s like to work with him because I think I know the answer to that, but I’m curious to know behind your eyes when he was directing things on the set, what did you take away from the way he manages the film set?

HAN: I think Chris Nolan is the picture of grace under pressure. Watching him direct on set you would never know he was directing a $180 million movie. I never heard him raise his voice. He’s always very collected and he’s always really precise in his direction and instruction. So that’s one thing I learned that you can ““ you don’t have to be a jerk that you sometimes find in the theater ““ the directors who have very unique visions but at the same time behave in a way that might not be constructive for actors and production and the thing I took away from it is that you can be talented and have that vision and at the same time be the perfect gentleman. I think Chris Nolan was that.

CS: That’s insightful. I think a lot of directors get a little taste of their own hype and you hear stories of some that like to yell and make actors go through 40-50 takes in order to do that.

HAN: You probably know who those directors are as well.

(Laughs)

HAN: Yes, Chris definitely isn’t one of them.

CS: Growing up, were you familiar with Batman? Is that the international appeal for a movie like this that it will do well in other markets because everyone knows who Batman is?

HAN: Batman has a 70 year history if I’m not mistaken. I remember reading the comics when I was younger and I remember when the first Batman movie came out so I do remember the time ““ there are a lot of good comic book movies and some bad ones ““ that was also the time of Superman, Superman II, Batman and yes, I was very familiar with the movies and a big fan of the series. When I heard that the sequel to Batman Begins was going to be called The Dark Knight that secretly gave me goose bumps because that movie didn’t even have the name Batman in it and you will see why when you see the movie tonight and you will see why it’s called The Dark Knight, it resonates on so many levels that way.

CS: And even on that level, the giddy schoolboy, did you have a chance to see Bale dressed up as Batman and was it neat on some level?

HAN: Yes, it was. The first day on the set they flew me in from Los Angeles to Heathrow. I got off the plane, been traveling for 15 hours now and then I think one of the production assistants tells me Chris is ready to see me. I go to the set which is huge and the first thing in front of me, the first thing I see day one is Christian Bale in the Batman outfit. That was pretty amazing.

CS: I know a lot of actors I know would say “It’s work”, “It’s a job” but that just has to be a thrill on some level.

HAN: No. On every level.

(Laughs)

HAN: I’m not going to pretend to be too cool for school here”¦

(Laughs)

HAN: I really did get a big kick out of seeing that and working with Bale as well.

CS: How was he? The guy is not out there a whole lot in public ““ kind of introspective ““ how was it being as an actor being on the set with him?

HAN: Two aspects of the business ““ one is the job at hand and the job of the actor and the other aspect in this business is you are doing press conferences or doing interviews, like this, and I think with Bale, as reserved as he may be, I found working with him to be quite wonderful because I think he’s very generous as an actor ““ he gives us a lot to work with and I really enjoy working with him.

CS: And now I see you have gone from one small film to another small film, with 2012..

HAN: Yeah, a very small film…

(Laughs)

CS: Not a lot of people are going to be able to see it so good luck to you on that one ““ you are shooting in August for 2012? Does this mean a bigger part for you?

HAN: It’s a very interesting movie and I think that I would describe it as an ensemble cast and I am more than happy with my part in it. It’s hard to ask an actor that question because it’s all objectivity with respect to the importance ““ my part, yes, it’s very, very important”¦.

(Laughs)

But I will reserve judgment on that and say I am happy to work with this group of actors. Moving from one excellent group of actors to another. Another pretty impressive budget. I mean, John Cusak, Woody Harrelson has been added to the cast ““ a lot of people whose work I love. So, I’m very excited about it.

CS: I’m trying to get a handle on it ““ is it a bunch of eco-warriors to prevent disaster?

HAN: It’s about the end of the world basically.

CS: Oh, one of those…

HAN: It’s about the end of the world as we know it. 2012 in the Mayan calendar represents the end of the world and basically this movie is about the apocalypse. So obviously I go from one quiet movie to another one.

(Laughs)

CS: Well sir, I don’t want to take up any more of your time but I have one more question for you. You’ve done a lot of theater, a lot of classical training which I respect, these movies aren’t going to win any independent spirit awards ““ when you look at what jobs come on the horizon are you all for throwing yourself at whatever comes your way or do you have a plan, a trajectory of where you want to be in five years?

HAN: No, I don’t have a plan. Different kinds of movies satisfy different appetites in me. I think The Dark Knight is a very unique movie ““ much more than a comic book movie so in terms of that I think I approached The Dark Knight as I would a drama really ““ like I did 3 Needles. Now Blindness which I did was a small movie, is more film noir and I always enjoyed that type of film. In 2012, obviously, we know the movie is going to be balls-out excitement and action so that fulfills another perhaps boyhood fantasy of wanting to be in a movie like that. So they all satisfy me in different ways and I don’t have a plan so to speak, as an actor.

December 12, 2008

Ken P. D. Snyde-Cast #73: Listeners Like You

Filed under: Ken P.D. Snydecast — UncaScroogeMcD @ 3:42 am

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #73: Listeners Like You – Ken & Dana return with an episode filled with talk of turkey preparation, french onion soup, stress at the holidays, simple clarifications, multitasking, Kevin Costner’s apocalyptic visions, bread and circuses, and an appeal to their fans.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #73 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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Weekend Shopping Guide 12/12/08: Popeye Hears A Who

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

Over the past few years, beginning with their landmark Complete Peanuts, Fantagraphics has set the standard for how collections of classic comic strips should be done. In addition to Peanuts and Dennis The Menace, they’ve been giving the A-level treatment to E.C. Segar’s sailor man supreme, Popeye. The third collection of Segar’s Thimble Theater has just hit – Popeye Volume 3: “Let’s You And Him Fight!” (Fantagraphics, $29.99 SRP). Pick it up, and join me in counting the days until we finally the start of their Complete Pogo.

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After the pain of the live action Grinch and Cat In The Hat, it’s with so, so much delight that the CG Horton Hears A Who! (Fox, Rated G, DVD-$34.98 SRP) manages to capture the visual feast of Dr. Seuss and the wonderful charm of the story itself, while still bringing modern audience to the table. It’s funny what happens when filmmakers understand why a story has had enduring appeal, and decide to trust in it. Bonus features include an audio commentary, deleted footage, copious behind-the-scenes featurettes, screen tests, and an all-new Ice Age short. A Blu-Ray edition is also available ($39.99 SRP) with the same bonus features, as well as the Blu-Ray exclusive ability to watch the film with a Who.

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What kind of world do we live in when the new installment in the Mummy franchise is a better flick that the new Indiana Jones. It’s sad, but true that The Mummy: Tomb Of The Dragon Emperor (Universal, Rated PG-13, DVD-$29.99 SRP) is fun and thrilling without being idiotic or just plain embarrassing – unlike the recent outing of that guy with the Fedora – as the O’Connell family journey to China to face the rejuvenated dragon emperor (Jet Li) who decides to enslave the world after a 2,000-year-old curse is broken. The 2-disc special edition features an audio commentary, deleted/extended scenes, making-of featurettes, and more.

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Like an ersatz Brady Bunch, two forty-something layabouts are forced to live together after their parents get married, leading to the kind of immature territorial tit-for-tats one would expect from ten-year-old Step Brothers (Sony, Not Rated, DVD-$34.95 SRP). However, when their bickering tears the marriage apart, they join forces to bring to try and bring their parents back together. As Brannan and Dale, Will Ferrell and John C. Reilly manage to pull of what could have been easily dismissable broadly comic roles by bringing a welcome component of actual emotion. The 2-disc set features an unrated cut of the film, plus an audio commentary, line-o-rama, deleted scenes, job interviews, therapy sessions, featurettes, a gag reel and more.

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After watching the disappointing first theatrical adaptation from The Chronicles of Narnia, The Lion, The Witch, and The Wardrobe, I wasn’t exactly eager for Prince Caspian (Walt Disney, Rated PG, DVD-$39.99 SRP). Yes, the canvas is much larger and the action is much bigger, but it still suffers from the ho-hum malaise that crippled the first film. The 3-disc set features an audio commentary, deleted scenes, featurettes, bloopers, and more. A 3-disc Blu-Ray edition ($40.99 SRP) adds an exclusive Circle Vision Interactive look behind-the-scenes of the castle raid.

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It may be singing its swan song this year, but go back to the good ol’ days of Law & Order: The Sixth Year (Universal, Not Rated, DVD-$59.98 SRP) – and boy, is it good to see Jerry Orbach again. This is the season that added Benjamin Bratt as Detective Rey Curtis, and featured the crossover with Homicide: Life On The Street. Thankfully, the sole bonus feature of the 5-disc set is that episode of Homicide.

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Many saw the fourth season of Lost (ABC Studios, Not Rated, DVD-$59.99 SRP) as a return to form after the narrative freefall of the 3rd season. Personally, the show lost me years ago, but at least this was an embarrassment. Bonus features include numerous behind-the-scenes featurettes, a live performance of the score, audio commentaries, deleted scenes, bloopers, and more. This is also the first season to get a Blu-Ray edition ($96.99 SRP), which contains all of the standard edition bonus materials, plus more cuts from the live symphonic performance, a more in-depth version of the standard edition’s “Definitive Flash-Forwards”, and a SeasonPlay feature.

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I know there are some diehards out there, but I never enjoyed Joss Whedon’s ill-fated (and short-lived) TV space opera Firefly. It attempted to present an anachronistic future that relied heavily on the often awkward imitations of the camera techniques of the old spaghetti westerns, with characters that were difficult to like and a mission that was nebulous at best. Sadly, the show was neither fish nor fowl, and suffered from the creative burnout that eventually led the final season of Buffy to a disappointing end. Still, I know there are fans out there, and you’ll be happy with the entire 14 episode run, uncut and presented in anamorphic widescreen, is now available on Blu-Ray with the 3-disc Firefly: The Complete Series (Fox, Not Rated, Blu-Ray-$89.96 SRP) set. There’s commentary on select episodes (“Serenity,” “The Train Job,” “Shindig,” “Out of Gas,” “War Stories,” “The Message,” and “Objects in Space”), 3 behind-the-scenes featurettes, 4 deleted scenes, a gag reel, audition tapes, and even Joss singing the show’s theme song, as well as a brand new cast roundtable discussion.

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Sgt. Carter’s frustration with a certain Marine comes to an end with the release of the fifth and final season of Gomer Pyle, USMC (Paramount, Not Rated, DVD-$39.98 SRP). The 4-disc box set features all 30 unedited episodes, but my desire for a Jim Nabors commentary has been completely disregarded. Shazam, indeed!

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It’s largely a mindless actioner adapted from a videogame, but there’s a shameless exuberance to Wanted (Universal, Rated R, DVD-$34.98 SRP), starring James McAvoy as a workaday schlub who finds out from Angelina Jolie that he comes from a long line of assassins belonging to the mysterious Fraternity, and he must avenge the death of his father. But hey, there’s lots of fighting, and Morgan Freeman. Th 2-disc set features an extended scene, behind-the-scenes featurettes, and more.

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Brenda is long gone and Val is firmly entrenched in the 6th season of Beverly Hills 90210 (Paramount, Not Rated, DVD-$59.98 SRP), as Kelly descends into the rabbit hole of drugs, Dylan proposes marriage, and there’s even a porno! Oh, the humanity! The 7-disc set features all 31 sudsy episodes.

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It’s a button pusher, but watching Home Alone (Fox, Rated PG, Blu-Ray-$34.98 SRP) during the holiday season is still one of those annual traditions that I adhere to – only this year I got to watch it in high definition. The bonus features of the new Blu-Ray edition are the same as the recent standard special edition, with an audio commentary, behind-the-scenes featurettes, deleted scenes/alternate takes, a blooper reel, and more.

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The fourth season of Happy Days (Paramount, Not Rated, DVD-$40.99 SRP) exists in those still happy days prior to the show being taken over by Joanie and Chachi, as the stories still revolved around Fonzie schooling the awkward trio of Richie, Potsie, and Ralph. This season, though, is the one that found Al Delvechhio taking over as the new owner of Arnold’s. Whydya leave us, Pat Morita? The 3-disc set features all 23 episodes, plus the 3rd Anniversary Show.

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I’m not entirely sure who was clamoring for a new X-Files film outside of the die-hards and creator Chris Carter. It’s a shame that The X-Files: I Want To Believe (Fox, Not Rated, DVD-$34.98 SRP) still doesn’t deliver what the first mythology-heavy film didn’t – a nice, old school, standalone X-Files yarn full of creeps, gallows humor, characters, and atmosphere. Not even Billy Connolly can raise the bar on this flat production. Shame. The 2-disc special edition features both the theatrical and an extended cut of the film, an audio commentary, behind-the-scenes featurettes, a making-of documentary, deleted scenes, a gag reel, and more. The Blu-Ray edition ($39.99 SRP) also sports a picture-in-picture video commentary.

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Oh, and X-Files fans will probably also want to pick up a copy of X-Files: Fight The Future in high definition (Fox, Rated PG-13, Blu-Ray-$34.98 SRP) at the same time. Bonus features are nearly identical to the recent standard special edition, including an extended cut, audio commentaries, featurettes, and the Blu-Ray exclusive picture-in-picture video commentary.

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Wrap up the second season of The Streets Of San Francisco by picking up Volume 2 (Paramount, Not Rated, DVD-$39.98 SRP), featuring 12 episodes packed with Karl Malden’s nose (and some young guy named Michael Douglas).

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The pop songs are lamentable, but John Powell’s wonderful score is more than enough reason to pick up the soundtrack to Disney’s new in-house, non-Pixar CG film Bolt (Walt Disney Records, $18.98 SRP). It’s got humor, it’s got drama, and it’s got some nice moments of bombast – just like the film.

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Like some kind of weird time travel experiment, you can watch two different ages of William Conrad in the second volumes of both Cannon and Jake and The Fatman‘s first seasons (Paramount, Not Rated, DVD-$37.99 SRP each). The 4-disc Cannon set features 13 episodes plus episode promos, while the 3-disc Fatman set features 11 episodes and episode promos. And both feature William Conrad. ‘Nuff said.

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I’m almost happy that Louis C.K.’s HBO comedy Lucky Louie got cancelled, if only because he’s since rededicated himself to his caustically brilliant stand-up. He’s in fine form on his new album, Chewed Up (Image, $13.98 SRP). Give it a spin.

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The 5th season of Hawaii Five-O (Paramount, Not Rated, DVD-$49.99 SRP) sometimes feels like an episode of The Love Boat, considering how many guest stars there are running around the islands of the 50th state. See how many you can count in the 6-disc set, featuring all 24 episodes full of kidnapping, blackmailing, con men, and killers… And surf. Lots and lots of surf.

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If you’re looking for some last minute gifts for the comic fan in your life (or, you know, just yourself), an easy recommendation is the fine books put out by those preeminent comics fans/scholars at Twomorrows. First up is the latest volume in their artist profile series, Modern Marvels: Mike Ploog (Twomorrows, $14.95) As always, it’s got an in-depth interview as well as loads and loads of rare artwork. The other is the latest in their series examining the complete history of various characters and comics, The Hawkman Companion (Twomorrows, $24.95 SRP). Could you guess that this one focuses on Hawkman?

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Fast-forward Mad Men ahead a decade and move it out of the office and into the suburbs, and you’d probably get Swingtown (Paramount, Not Rated, DVD-$40.99 SRP), a look at a trio of couples who share more than a fence line in the Chicago suburbs of 1976. The 4-disc set features all 13 first season episodes, audio commentaries, a pair of featurettes, deleted scenes, and a gag reel.

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The lion of the law returns in the 2nd volume of the third season (whew!) of Perry Mason (Paramount, Not Rated, DVD-$49.99 SRP). Come for Raymond Burr – stay for those always wonderful courtroom confessions. The 4-disc set features the 14 remaining season three episodes.

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James Arness is back in the saddle as Marshal Matt Dillon in Gunsmoke: The Third Season – Volume 1 (Paramount, Not Rated, DVD-$37.99 SRP) – although I find myself watching it almost as much just for Dennis weaver as Chester B. Goode. The 3-disc set features the first 19 episodes of the third season, plus the original sponsor spots.

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Ride ’em in, count ’em out – it’s Rawhide: The Third Season Volume 2 (Paramount, Not Rated, DVD-$40.99 SRP), and boy do I think this is a clever opening line. Okay, maybe not – but you can still get all 15 episodes starring Clint Eastwood as Rowdy Yates.

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Reformed juvies Pete, Julie, and Linc are back on the undercover beat in The Mod Squad: Season Two Volume 1 (Paramount, Not Rated, DVD-$39.98 SRP). The “issues” handled in the episodes come off as a bit heavy-handed by today’s standards, but that’s half the fun of watching them now. The 4-disc set features the first 13 episodes of season 2.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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December 11, 2008

Holiday Havoc: Elephant Larry

Filed under: Holiday Havoc — UncaScroogeMcD @ 10:39 pm

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Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

Not us.

Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you (and you can check out last year’s fun here).

Ain’t that cool?

Today, we’ve got a seasonal sketch from the New York-based comedy troupe Elephant Larry, titled “Game Show Hosts Of Xmas”.

Their current show, Elephant Larry Presents The Dump, is currently running in the Big Apple, and you can get information – and explore a bit more of their comic stylings – at www.elephantlarry.com. You can also catch this sketch – and a lot more holiday fun – in the Sound Of Young America Holiday Special.

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Download “Elephant Larry – Game Show Hosts Of Xmas“:

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Check out the rest of this year’s Holiday Havoc – and past Havoc – HERE

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Win a NERF: ELIMINATION game!

Filed under: Contests — Tags: , , — UncaScroogeMcD @ 10:25 pm

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We’re giving away, in conjunction with Nerf, two (2) NERF: ELIMINATION games.

Contest ends at 11:59pm EST on Friday, December 19th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Friday, December 19th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Holiday Havoc: Russell Howard

Filed under: Holiday Havoc,Interviews — Tags: , , , , — UncaScroogeMcD @ 12:09 am

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Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

Not us.

Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you (and you can check out last year’s fun here).

Ain’t that cool?

Today, we’ve got an in-depth audio interview with UK Comedian, Mock The Week regular, and all around funny guy, Russell Howard.

If you’ve never heard of Russell Howard, do yourself a big favor and get your ass over to YouTube and look him up – there are plenty if stand-up and Mock The Week clips to be had. Then, be sure to pick up his new stand-up DVD, Russell Howard Live (It’s Region 2, but it’s about time you picked up an all-region DVD player or learned how easy it is to play them on your computer, anyway). You can visit Russell on the web at www.russell-howard.co.uk.

This conversation with Russell is presented as an audio podcast between Russell and myself (Ken Plume), and is dedicated to all of you readers who have been clambering for me to present more of these interviews in audio form.

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Download “A Conversation With Russell Howard & Ken Plume“:

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Check out the rest of this year’s Holiday Havoc – and past Havoc – HERE

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December 10, 2008

Win SWINGTOWN: THE FIRST SEASON on DVD!

Filed under: Contests — Tags: , , , — UncaScroogeMcD @ 11:29 pm

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We’re giving away, in conjunction with Paramount Home Video, five (5) copy of SWINGTOWN: THE FIRST SEASON on DVD.

Contest ends at 11:59pm EST on Thursday, December 18th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Thursday, December 18th.

The winner must allow 4-6 weeks after notification of win to receive the product.

December 9, 2008

Holiday Havoc: Jonathan Coulton

Filed under: Holiday Havoc — Tags: , , , , , — UncaScroogeMcD @ 11:55 pm

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Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

Not us.

Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you (and you can check out last year’s fun here).

Ain’t that cool?

Today, we’ve got an exclusive holiday greeting from cyber-troubadour Jonathan Coulton – an evil, evil man who must be destroyed.

Why this call to action? Because he’s immensely talented, an amazingly gifted songwriter, and his incredible creativity both intimidates a normal, ungifted person like myself and drives me to distraction with catchy tunes and wordplay.

Damn him to hell, I can’t stop listening to his music.

That includes his first album Smoke Monkey, his first EP, Where Tradition Meets Tomorrow, the complete 4-disc collection of his online songwriting experiment, Thing-a-Week, and his greatest hits compilation JoCo Looks Back.

You can purchase all of his discs, plus other merch – as well as partake of more sonic goodness – at www.JonathanCoulton.com. While you’re over there, be sure to check out all 52 Things – and pick up his CDs. And pledge your life to him. That talented bastard. Until then, here’s his holiday message to you, the masses…

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Check out the rest of this year’s Holiday Havoc – and past Havoc – HERE

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Toy Box: Holiday Gifts For The Collector!

Filed under: Toy Box — Tags: , , — admin @ 9:46 pm

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Are you trying to find just the right goodie for your favorite pop culture fanatic, but can’t quite seem to find the perfect item? Then let’s see if I can help with a brief rundown of some of the best items currently available, in lots of price ranges.

Let’s start with Indiana Jones. Here’s a license that languished for years, with nary a figure or bust to buy. That all changed this last year, and now you have more choices than most fans know what to do with. Let’s start with the best – and most expensive. Sideshow Collectibles recently started shipping their Indiana Jones Premium Format Figure, and fans are going nuts over it. Mine won’t be here til Thursday, but from the photos I’ve seen, it’s THE Indy to own. Unfortunately, at $280, it’s not cheap.

Sideshow also produced perhaps the nicest sixth scale figure. Much more reasonable at about $90, and a bit cheaper at some online retailers, this is the gift for collectors that like to pose their figures.

If posing isn’t their thing, then check out the Kotobukiya Indy and his dad, both in hard plastic. The Professor Jones Sr. is terrific, but the Indy isn’t quite as good of a head sculpt as the Sideshow products. These run about $85 each, at retailers like Alter Ego Comics.

For those a bit more budget conscious, there’s a great option at many Blockbusters right now. The Indiana Jones DVD case, exclusive to their store, is still available at many of them but now on clearance as cheap as $20! This is a great item, and was overlooked by many collectors.

Finally, if the person you’re buying for likes the unusual, check out the Mighty Muggs from Hasbro. This line has been discontinued, and the last two just started shipping from Entertainment Earth, where they are an exclusive. These exclusives are $34 for the pair, but the singles of the regular releases can be had for $10 each or less. And since this is the end of the line and the’ve produced less than 10, it should be easy for your collecting friend to finish off the series.

Now let’s talk Star Wars, a license every geek loves. On the top end, Sideshow also produces some great sixth scale and premium format figures. Their Clone Wars General Obi-Wan Kenobiis one of the nicest they’ve ever produced, but you’ll need to look to retailers like Dark Shadow Collectibles, where they have the regular versionk for $81 and the SS exclusive for $125.

Both Medicom and Kotobukiya also make some excellent sixth scale figures and statues, respectfully. Medicom’s troopers have been terrific, and Kotobukiya makes excellent statues of masked characters like Commander Bly. You can get the Kotobukiya statues at Things From Another World, where they are having a 50% off sale, making them fairly reasonable at around $40 – $50. The Medicom’s will cost you more, often $125 – $150, depending on the retailer. You can also try searching ebay for them.

If your collector is more into the 3 3/4″ figures, check out the newly released and updated Millennium Falcon. This guy can be had for $15 – $150 at mass market retailers.

At the low end, I’ll mention them again – Mighty Muggs. Hasbro is making them for the Star Wars license as well, and they have been very popular. You can pick up singles at stores like Target or Toys R Us for $10, and you can check Entertainment Earth to see what characters have been released.

Ah, but what about the Dark Knight? The movie will be on lots of Christmas lists, but what if you want to do something different? Starting out at the high end are the Hot Toys sixth scale action figures. With Batman, Joker, Bank Robber Joker, Two-face, the Tumbler and Batpod all out or planned, it’s an impressive line up. But these figures will set you back $150 each at least, and the vehicles are higher than that. Check out retailers like Urban Collector or Showpiece Collectibles.

On the lower end, if your collector has been getting the Movie Maniacs figures from Mattel, they might like the Batpod. At just $20, you can pick this guy up at most Targets, where the vehicle is an exclusive.

Speaking of Batpods, one of the dvd releases today is the Batpod ‘dvd case’. This is a small display set with the Batpod in front (about the right scale for a 4″ figure) and the dvd behind it in a Bat symbol case. I picked mine up at Target for $47, and you should be able to find one at most major retailers.

For the Marvel fan, Iron Man was this year’s big release. I have to go back to Hot Toys on this one, as they are producing three amazing sixth scale figures based on the movie versions of the MARK I, MARK II, and MARK III outfits. Again, these guys will run you $150 a pop, but they are sweet. The other downside is that it doesn’t look like they’ll ship before Christmas. Hit retailers like Alter Ego Comics, Urban Collector or Corner Store Comics.

If the price doesn’t scare you, but you really need something for the Iron Man junkie for the holidays, check out the Kotobukiya fine art statue. You can pick it up at Showpiece Collectibles for about $150.

In the lower end, the current Iron Man action figure line from Hasbro is one of the better movie related lines of the year. You can find the figures at any mass market store, and they run around $10 – $12 each.

If none of that trips your trigger, I suggest hitting one of these excellent online stores, and do a little window shopping:

Alter Ego Comics – all kinds of general goodies
Andrew’s Toyz – lots of Star Wars collectibles
CornerStoreComics – tons of geek items, for every price range
Dark Shadow Collectibles – specialize in high end items
Past Generation Toys – an online resource for lots of action figures from films like Indiana Jones and Batman
Things From Another World – tons of comic shop items, from trade paper backs to collectibles
Time and Space Toys – plenty of cartoon and Christmas collectibles, with a bend towards sci-fi and horror as well
Urban-Collector – a great resource for busts, statues and high end figures
Showpiece Collectibles – another great shop for high end items, particularly comic book related licenses
Clark Toys – lots of sports and McFarlane figures and collectibles
Circle Red – much like FYE, with collectibles alongside manga, anime and music

There will certainly be plenty of great gifts available at all these shops, and the geek on your list will be thrilled on Christmas morning! Happy Holidays!

December 8, 2008

Holiday Havoc: David Mitchell Interview

Filed under: Holiday Havoc,Interviews — UncaScroogeMcD @ 10:36 pm

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-by Ken Plume

Chances are, to most Americans, the name David Mitchell means very little… unless, of course, they have a friend, relation, or acquaintance by that name. I speak, however, of a brilliant comedian by that sobriquet who currently plies his trade in the sceptred isle of England.

A cursory glance at the offerings on YouTube will bring you up to speed on Mr. Mitchell, as well as his comedy partner Robert Webb – both of which, since their Cambridge Footlights days, have written and starred in Edinburgh Fringe productions, radio (That Mitchell & Webb Sound), a live tour, and a trio of sketch shows (Bruiser, The Mitchell & Webb Situation, and That Mitchell & Webb Look, which is about to begin its third season). They’re also the stars of the Britcom Peep Show, the feature film Magicians, and were cast as PC (Mitchell) & Mac (Webb) in the British versions of the popular Macintosh ads.

As a solo, Mitchell is quick-witted, erudite guest on such UK panel shows as QI, Have I Got News For You, and 8 Out Of 10 Cats, serves as team captain on Would I Lie To You, and is the host of BBC Radio 4’s The Unbelievable Truth.

I urge anyone smart enough to own a region free DVD player to hunt down everything listed above from your online UK DVD emporium of choice, or at the very least scrounge the internet and YouTube for a splendid sampler.

And, if this intro is evoking a sense of déjà vu, it’s because I’ve used it in the past – for my first in-depth interview with David (I believe strongly in recycling). I recently sat down in my very comfy desk chair and rang him for a follow-up chat, catching up on the new series of That Mitchell & Webb Look, his reaction to recent comedy scandals in the UK press, and more…

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KEN PLUME: Is this still a good time?

DAVID MITCHELL: Yes, absolutely.

KP: Ah, excellent.

MITCHELL: I’ve got about an hour. Is that enough?

KP: That should be more than enough.

MITCHELL: Brilliant.

KP: Unless this completely derails and we’re off into territory that we probably shouldn’t have gone into.

MITCHELL: Well, I don’t have any more horrific, sick jokes to admit to. And it would be unwise of me to do in the current comic climate over here, anyway.

KP: I’m wondering if you should apologize for something, just to get it out of the way…

MITCHELL: Yes, just for everything I’ve ever thought or done.

KP: Yes. Now you’re going to have to apologize for concepts you may not have even had yet.

MITCHELL: Yes, (laughing) just an open letter of abject apologies to The Daily Mail.

KP: I’m actually surprised that the BBC hasn’t forwarded you a form letter…

MITCHELL: (laughing) Yes.

KP: Just in case you’re thinking of actually doing something that might be a bit beyond the pale.

MITCHELL: Mmm.

KP: That way, they have something on file that they can issue immediately, so they can’t be accused of having a slow response…

MITCHELL: Yes. (laughing)

KP: I read your Observer piece about the whole brouhaha. Was it a bit of a surprise to see exactly how that blew up?

MITCHELL: Yeah, it was, totally… I think the reason is, it was fundamentally a fun story at a miserable time. And I think all the press latched onto it because it was what people were wanting to read about. But the effect of that just would allow The Daily Mail in particular to turn it into sort of a witch hunt. Because I don’t think anyone really thought that what was broadcast should have been broadcast – but at the same time, it wasn’t the end of the world. It was a bit rude, they apologized, end of story. But I think there has been so much credit crunch stuff and all that, that the people really like the story where you can point the finger at two people for having been rude.

KP: Two people who I’m assuming that, particularly Daily Mail readers, would have seen as smug and deserving of some kind of slap.

MITCHELL: Well yes, I mean, I’m sure… yes. Because of the publicized salary of Jonathan Ross, and Russell Brand’s general style, I think they’re likely targets for The Daily Mail.

KP: Is there anything that’s in the third series of That Mitchell & Webb Look that you might have done differently?

MITCHELL: Well we did, obviously, because we were shooting the studio bit when the story broke. You do immediately look at something a bit different. I think there are probably a couple of things that we were glad we weren’t trying to broadcast in the same week, but I don’t think there’s anything that – you know, by the time the show goes out in February, I’m assuming things will be more or less back to normal, and there’s nothing too bad. Although The Daily Mail did pick up on something in the repeat of our second series that’s been on BBC4 over here. They picked up on something in that – the “Dame Rape” sketch – as an example of the filth that the BBC are broadcasting.

KP: Oh really? I noticed that they’re starting to troll through repeats. Didn’t they pick up something out of a Mock The Week repeat as well?

MITCHELL: They did, yeah. They clearly set several journalists to watching TV for a week and if they heard the word fuck or similar, putting it down on a list. That’s how you get a list of things, many of which had been broadcast a long time before and had no complaints, and none of which involved ringing up anyone and saying they fucked their granddaughter, and sort of taken them in a list as examples of why the BBC is just a load of liberal pornographers.

KP: All I can see right now is just an entire room of Daily Mail employees, a la Clockwork Orange, watching Dave.

MITCHELL: Yeah! Daily Mail employees who, I’m willing to bet, 99% of are not remotely offended and don’t object to any of the things they’re seeing, that are just subscribing to that paper’s grim, depressing sort of envious editorial style.

KP: From this side of the pond, it certainly seemed a little beyond the pale how quickly that became absurd.

MITCHELL: Yeah, reading the… because I’ve been doing this column in The Observer, I’ve been reading the papers more than previously, and reading The Daily Mail infinitely more than previously, and it’s just eye watering some of the stuff they had… Like, the week before – Rememberance Sunday – they were talking about the Ross-Brand thing, and they had the text of the whole thing, under the headline “Lest We Forget”. And you sort of think, it’s offensive, allying one bit of slightly objectionable broadcasting on Radio 2 to the phrase of remembrance that’s used to recall to mind all the millions of people who were slaughtered during the first World War.

KP: Well, I’m surprised they didn’t just issue little poppies with Andrew Sach’s picture on them.

MITCHELL: You’re talking about something, about how people are offended by things who shouldn’t be offended. You can’t get much more offensive than that, I would have thought.

KP: Well, no… Besides backing Hitler.

MITCHELL: Yes, of course.

KP: On a slightly different tangent, going into the third series after having two series under your belt, did you take a different tack going in?

MITCHELL: I think not much of a different tack. I think the key with a sketch show is to write in volume and with an open mind, and then sort of pick it from strength. I think we thought we should try and have a couple more things that recurred, because in the way the first series was we had probably two or three things that were in every week or returned three or four times. In the second series we had virtually none. And I think the make-up of the first series was better – because we want to have loads of standalone sketches, but I think it’s nice to have one or two things that come back each week. So that was the only thing we thought, “Well, we definitely want to write a couple of strands like that. But otherwise just stick to our guns. Lots of standalone sketches and just write more stuff than we need, so we know we’re gonna not be able to shoot some things we love. And then we know that everything in the show is something you’re proud of, if that makes sense.

KP: Is there a worry going in, when you have recurring pieces, that there’s a threshold you might reach where you’ve reoccurred them too many times?

MITCHELL: Oh always, yes. At the momen,t I’m still happy with the two things that run for six pieces, and I think they both hold good for all six – but you never know. Obviously, with every sketch there are some people who aren’t gonna like it, and the advantage of a sketch show is that’s over in a minute or two and then there’s something else that hopefully they will like. But obviously, the people who don’t like the recurring things, we risk disappointing six times. But yes, I do think then that’s why the show isn’t all recurring things or even mainly recurring things, but I think having a couple, it gives each episode a bit of shape. It’s helpful.

KP: Now, are you someone who, post-record, suffers from comedian’s remorse?

MITCHELL: In terms of worrying about whether things are funny?

KP: Yes.

MITCHELL: Yes, always. Always. And I think the process of making a television show is that the moment it’s commissioned is the best moment, because at that point it can be the new Fawlty Towers. It can be the funniest thing anyone has ever done ever. And with every decision you subsequently make, you limit it. I suppose the skill is to fuck up as little as possible, so at the end you’re still left with something reasonable. So yeah, the point before broadcast, I will be more worried and most down about the material. And then hopefully if we get some good response and nice reviews, then I’ll come up about it and feel proud. But yeah, the process of making the program from commission to transmission is, I think, a process of leaking confidence. Having said that, the two studio recordings we did in front of the audience went very well and they laughed at everything, and that always gives you a bit of a boost.

KP: Does that compare or contrast with Robert’s mindset during the records?

MITCHELL: I think he finds the actual moments of shooting more stressful than me, and I think he’s less stressed overall. I have more of an even stress graph, and he has peaks.

KP: So, afterwards, would you say that he’s more reflective or less reflective than you are?

MITCHELL: I think afterwards he’s, “That’s fine. Great. Done that.” Before he’s more panicky. Beforehand I’m kind of, “Well, I’m concerned, but I think this will be alright.” And afterwards it’s, “Mmmm, I’m a bit concerned.” (laughing)

KP: And how does it feel when you have something that is going to be sitting in the can for three months before it even airs?

MITCHELL: Well that’s always a worry, because you never know what things will happen in the news that will suddenly randomly make a difference… It might be as simple as a name you’ve chosen in a sketch – someone of that name becomes a serial killer, and then there’s nothing you can do. You have to reshoot the sketch. So there’s always, yeah, concern when comedy’s left in the can, and obviously it also leaves time for other shows to do similar jokes.

KP: Have you had issues with that in the past?

MITCHELL: We haven’t yet. We’ve been lucky. But, you know, lots of people thinking of jokes, they’re going to overlap sometimes. But I’m thinking we’re sort of alright now. We’ve only just finished shooting. We’ll be out in February. I don’t think there’ll be many new things airing between now and then. So hopefully it’s not too bad a gap. The first year with Peep Show, it was almost a year between shooting and transmission, and that was a very nail biting time. I kept telling people, “I’m in this TV show,” and they still hadn’t been on.

KP: Yes, “Prove it.” So you went around with a little portable DVD player…

MITCHELL: (laughing)

KP: “Just come over here and watch this…”

MITCHELL: Yes.

KP: Your own private screenings of your career.

MITCHELL: Especially, being Peep Show, it just looked a bit homemade.

KP: Are there plans, then, to try and go into another series as quickly as possible, or are you in a down period right now?

MITCHELL: I think they will decide on the recommission when we transmit, so we won’t know about that until February. In the meantime, we’ve got a pilot commissioned from the BBC that we’re shooting in early December, and we’re doing Peep Show again next summer, and we’ve got to write a Christmas book for next Christmas.

KP: I heard about the book deal…

MITCHELL: Yeah, it’s the thing I’m most sort of concerned about at the moment, in that I’ve never written a book before, so I don’t know what it feels like to have finished it. I know what it’s like to finish a script, I know what it’s like to finish shooting something – I know the size of those jobs – but the job “Write a Book” is an absolute mystery to me currently. Although, obviously, this is going to be a comedy book with lots of little items, so it’s more akin to the book version of a sketch show. But still, I’m intimidated by the scale of that task. But we have to get that done by early March, because that seems to be the speed at which publishing works. I’ll need the time in-between to design it and make it look glossy and also add the jokes.

KP: And run it by the Daily Mail audience. That’s really where you should serialize it.

MITCHELL: Yes. Oh definitely. I’m sure they’ll be very interested. More filth from the pornographers. (laughing)

KP: Yes. You know, you’ve been involved in so many filthy programs. I’m surprised they haven’t started picking apart Would I Lie to You.

MITCHELL: (laughing) “All that duplicity? What are you telling our kids to do!?!”

KP: “It’s rather unfortunate that that’s what Britain today has come to. Lying to entertain.”

MITCHELL: Yeah. “Or so-called entertained. These so-called comedians.”

KP: Has that been recommissioned yet?

MITCHELL: No, we’re waiting to hear about that. I think there’s a lot of… they’re being very slow with those decisions at the moment.

KP: I wonder why.

MITCHELL: Yeah… (laughing)

KP: I don’t know what they could possibly rethink on some of these things.

MITCHELL: But I really enjoy doing Would I Lie to You, and I really hope it comes back.

KP: You certainly look like you had more of an enjoyable time in the second series than the first.

MITCHELL: Mmm. Yeah, I got sort of settled in. We knew where we were and they simplified it slightly. During the first series, I had a terribly bad back.

KP: Oh really?

MITCHELL: Yeah. Throughout most of last year I had a bad back, which is now, fortunately, much, much better. But my memory of those studio recordings is sort of by the end my back is in agony and I’m forcing a grin onto my face and thinking, “I really want to stand up and walk around, although I know if I do stand up and walk around I’ll look like I’m 90.” Or when you’re just trying to be light and make jokes and this sort of thing, and you don’t feel that anything is funny because your back hurts, it’s very, very annoying.

KP: Do you think that might have added to your reaction to some of the presentations? You certainly were quick to argue.

MITCHELL: Was I? Probably the grouchiness of the back. It wasn’t Ann Robinson that annoyed me at all – it was just my back. Or as I call it – Ann Robinson.

KP: There were a couple of times that you looked like you were going to, if you could get up, fist fight with Lee (Mack).

MITCHELL: Right… (laughing)

KP: And I think Lee started to realize, during the second series, that there was a line he could cross with you.

MITCHELL: (laughing) You’ve gotta keep Lee in line.

KP: Lee certainly seems like he feels a little bit vulnerable to certain things. But I was surprised by, I’m not sure which episode it was, where Lee was threatening to throw something at you. And you would have none of that.

MITCHELL: Yeah – what was it? The coconut…

KP: Yes. You seemed genuinely worried that he was going to lob it at you. Just for comedic effect. I’ve never seen someone be abandoned so quickly by his teammates…

MITCHELL: I think that was the thing that was most hurtful, to be left alone on the sinking ship.

KP: That, and you can almost see the panic of a schoolboy in the yard knowing that something was about to go down and there was no one around. And the teacher was laughing.

MITCHELL: Yeah, absolutely.

KP: Do you still find the panel shows enjoyable?

MITCHELL: Oh absolutely, yeah. I love them. I’ve managed – well, touch wood – I’m sort of in a state where I can go into them with quite a relaxed state. Some, actually, of what I do with Peep Show and the sketch show, it’s very – you know, there’s a lot of preparation, a lot of hard work. It’s very satisfying, I’m very glad to do those shows, but it’s nice to do a show where my part of it is quite brief and quite frivolous, and all the planning and the headaches are obviously involved in the structure and writing the whole script and everything, but I can essentially swan along, pontificate for a bit, and go home. And while people are willing to pay me to do that, I will be a very happy man.

KP: Would you ever want to front your own panel show on TV?

MITCHELL: Oh, I think, yeah, I’d be interested if it was the right thing. But at the same time, I think that would be much harder and less of a breeze, but very satisfying if it worked. Because those shows, when they click in a way Have I Got News For You has, then they can run and run and become a real beloved fixture in the schedule.

KP: What do you think would be the panel show that you would front? What type of panel show do you think would be…

MITCHELL: The difficult thing, I sort of vaguely pitched an idea, with the company who make Peep Show, for the BBC – which they’re mulling over – which was a sort of panel of people who’d try and answer random questions, was the vague idea. That seemed quite a nice idea, because it was loose and lots of topics could come up. But I think there’s a balance to strike with something that’s not too restricting, but also something that has enough of a structure to seem like it’s not just people sitting around shooting their mouths off. It’s a delicate balance to strike, and with something like Would I Lie to You, it’s very heavily structured. It’s a parlor game. And I think that really helps it, because there’s clear competition and it’s clear what people are trying to do and why they’re there. On the other side of it, QI is much looser, but also works very well because there’s the sort of mission to inform, and from the panelists a sort of mission to be facetiously ignorant. And that works very well. But I think it’s the sort of thing you never really know when you’ve got it right until you’ve had the idea and had a bit of a go with it.

KP: Well, you’ve always struck me as someone who would be perfect also with a current affairs show.

MITCHELL: A sort of topical comedy thing?

KP: Yes.

MITCHELL: Yeah, that was… you know, the best ones of those are great.

KP: I’ve never understood… obviously we have something like The Daily Show in the US, which airs about 300 times a year. I’ve never understood where you could have Have I Got News For You air for 20 episodes a year and that’s seen as being as topical as it could be. It’s off the air so much. Even Mock the Week is only about 20 weeks a year…

MITCHELL: About 10 a year, 12 a year maybe.

KP: And obviously news is happening all the time.

MITCHELL: Yeah. We’ve never had this idea that any show should be year-round. Our television has always been differently structured so that to us, Have I Got News For You is on a huge amount of the year. Because a show usually runs for six weeks and has one series a year. And instead of that, Have I Got News For You is running for 20 weeks of the 52 rather than six. So yeah. But you’re quite right – there’s absolutely no reason other than I think Ian Hislop and Paul Merton probably wouldn’t want to.

KP: Which is bizarre, because news certainly happens all the time…

MITCHELL: It definitely happens all the time, although it has to be said less of it happens in the summer – I can say, as someone who’s been on once a week in the summer. It’s the kind of thing, I’m sure – I mean, things must have happened, but actually in the summer, all it is is silly stories and then the occasional massive tragedy, which you can’t go into a topical show saying, “I’ve got all these great gags about some terrible thing that happened in Indonesia.” There’s no jokes about that. What you need is MPs saying embarrassing things or Gordon Brown looking like a twat. That’s the area that it’s serious enough to matter, but trivial enough to make jokes about – and that seems to never happen between July and September.

KP: Or you just realized that, going in, all of those awkward jokes have got to be told by Frankie Boyle.

MITCHELL: (laughing) Yeah! Frankie Boyle must be… you know, it’s a difficult season for him at the moment. His whole genre of comedy is under attack. (laughing)

KP: I just heard that replacing, Jonathan Ross’s show on Friday nights, is going to be Live at the Apollo, with the first episode featuring Frankie.

MITCHELL: (laughing) That’s asking for trouble. They should be showing Howard’s End, or something.

KP: It was a sort of “What?” kind of moment. I think Michael McIntyre is fronting it for this series, but yeah, the first spotlighted comedian is Frankie. What commissioner put that forward?

MITCHELL: Yeah, right. That’s a risk, ’cause he’s gonna…

KP: How can he not?

MITCHELL: Yeah, his mainstay is stuff about rape and necrophilia.

KP: And this entire controversy. I’m wondering who’s gonna be vetting that tape.

MITCHELL: Yeah… (laughing)

KP: Surely there must be safer comedians to go with.

MITCHELL: Yeah. He’s very funny, Frankie.

KP: I think you need that comedic voice.

MITCHELL: Oh definitely, definitely. But yes I wouldn’t necessarily agree with sticking him on BBC1 on a Friday night this week.

KP: That brings up an interesting thing that you participated in in the past – has there been any word how Channel 4’s Big Fat Quiz is going to be this year?

MITCHELL: I’ve not heard any word. I assume it’s happening, but I think I was vaguely approached about it and I think it might be a time I can’t really do. I’ve heard it’s happening, but that’s all. I’ve no idea who’s on it.

KP: Because last year you did it, and Jonathan and Russell both did it.

MITCHELL: Yeah. I don’t know whether… I imagine… Well, I mean, there’s nothing to stop Jonathan being on Channel 4, but at the same time… he’ll probably keep his head down, I think, until after Christmas.

KP: I can see Russell doing it.

MITCHELL: Yeah. Well, I think the thing that would make him do it is the thought that some people thought he shouldn’t.

KP: Well, not just that – I guess, what, his Channel 4 show is getting great ratings.

MITCHELL: Yeah. Yeah, he might do it if he’s not in L.A.

KP: Yes, hanging out with his future career.

MITCHELL: (laughing)

KP: So, when do those records normally happen? Is that early December?

MITCHELL: Yes, I think last year it was the first week in December kinda time.

KP: So you’ll be fully engrossed back in work at that point.

MITCHELL: Yes, I think so. I can’t remember the date they gave me. The first week of December I’m actually hosting Have I Got News For You, which I’ve never done before.

KP: Well, congratulations on that.

MITCHELL: And I’m looking forward to that. And I do this Radio 4 show called Unbelievable Truth.

KP: That was recommissioned…

MITCHELL: That’s been recommissioned, but we’re doing… the series will be next year, but we’re doing a Christmas special. And then the week after that, I go into this pilot thing.

KP: Really, there needs to be some sort of outlet where people can find out all the things that you’re actually doing.

MITCHELL: If I was a technical wiz kid I might even have a website.

KP: You don’t have to be a technical wiz kid to have a website at this point.

MITCHELL: No, I know. But what you do have to do is remotely get your shit together. I’m blaming technical knowledge when in fact I should be blaming overall human competence.

KP: And you just did. At the very least you could have a Twitter account.

MITCHELL: A what?

KP: Oh, that’s good. I was hoping for that response. Twitter is essentially a micro blog. It’s MySpace for lazy people. So people can friend you and you can friend people, so people can follow what you say. But you’re limited in your postings to 140 characters. Essentially a text message.

MITCHELL: Oh right. Oh, that’s quite nice. Yes, so every so often just remember to put, “Doing this show on this day, please watch.”

KP: Exactly. And it goes out to people via their cell phones, RSS feeds. Stephen Fry just got a Twitter account and has been Twittering from Africa.

MITCHELL: Oh. Where is he in Africa?

KP: Well, let’s see where he is right now. “Oh my sainted pants. Held a golden orb spider in my hand. They’re huge, they’re horrid, damn they can produce silk though. Photos when I can.” Next post: “Golden orb spider’s bum’s poking out. 24 spinning silk which is twisted into threads. Four threads are strong.” And he’s posting links to pictures in these things as well. “Sorry it’s blurry. Fear. I took some better ones with another camera but I haven’t got the card reader.”

MITCHELL: (laughing) That’s sort of nice. It’s like getting personal text messages from Stephen Fry.

KP: It is exactly that. And occasionally he’s actually replying back to people that are replying to him. So whenever he’s got a signal, he’s sending these sort of messages. But certainly, when you have a Christmas special up you want to get the word out about, you can say, “Be sure to tune in.” Or, “Be sure to illegally download it from the net when it hits.”

MITCHELL: Oh, of course. (laughing)

KP: Which people do, of course.

MITCHELL: What Rob and I should really do is get that website that’s under construction for longer than any Olympic stadium, we should get just something on it – just what we’re doing. It’s a simple thing. At least there’ll be something there.

KP: I mean, really – if Wembley could be finished, so could your website.

MITCHELL: (laughing) Yes.

KP: I don’t know what builders you hired for it.

MITCHELL: I haven’t heard back from them for a while. Well the trouble is it was James Bartman that was doing, but we just didn’t give him any content. But also, now I think he’s too busy with his own career to bother setting up our website, which is completely fair enough. We should probably just approach someone who does that as a job, pay them some money, and all the things that normal professional institutions do. We are supposed to be a business, after all.

KP: I’ve had this very same conversation, it seems, with many British comedians now about getting web presences.

MITCHELL: I think the trouble is we’re just sort of feckless and unprofessional as a nation.

KP: Well, really, all you need is someone who just puts up these various little news bits. That doesn’t necessarily mean that you have to sit on the site going, “Oh, I’ve got to do another blog entry.”

MITCHELL: Yeah yeah. No, exactly. Somewhere where we can stick something up like that, but we don’t have to…

KP: Actually do content for it.

MITCHELL: Or worry about doing another 500 words a week, or something.

KP: Yes. Although it does pay dividends in the end.

MITCHELL: Yeah, it makes people look at it, doesn’t it, if you change things.

KP: And even with the Twitter thing, I think that probably would have been beneficial and still could be beneficial to the US promotion.

MITCHELL: Yeah.

KP: You know, so that you can easily deploy people and get a nice little base built up.

MITCHELL: I’m going to write myself a note. That’s how serious this is.

KP: I think it’s only a year or two that separates you and I – do you think there’s a threshold for technical aptitude?

MITCHELL: I don’t know. I think if I was a couple years younger, I’d probably be more likely to be competent at it, or see it as just a part of life. But at the same time, I think it’s partly what I’m like anyway. I’m always going to be among the least technically savvy of my generation, but obviously younger generations are more technically savvy and I would be more so if I were in those generations – if this sentence now makes sense.

KP: It does. What do you think plays into that? Do you think you just don’t have the patience to sit down and mess with it?

MITCHELL: Yeah, I think partly that. I do things out of necessity. That’s now I motivate myself to do things I want to do, is by turning them into a necessity. So the only way I ever did shows was by booking a venue, so we’ve got to do it. Without those deadlines I don’t tend to get things done, in a pottery way.

KP: So do you think if a website did fully exist and needed to be fed, it would be different than just an “under construction” or “coming soon” being there for you?

MITCHELL: Yes, I think so. Yeah. I think once it’s there, once it’s become part of my system, I can service my system. But I’m very bad at… “One of these days, I should set up a website…” is just the same as saying, “I will never do this.” But if somebody says, “You’ve got to do it next Thursday,” I go, “All right, fucking hell, next Thursday, here we go,” and then I might do it.

KP: Yes. “Where’s your Christmas message for the website?!?”

MITCHELL: Yeah, exactly. If I had a website, I’d realize that at Christmas I’d better put something up there. Or we’ve got a new show coming out; I’d better put something up there. And yes, it would be part of… yes. I’ve written myself a note now, so this is serious.

KP: I’m glad I’ve forced you into note mode. I feel like I’ve deployed you. But I would definitely recommend at least looking into it because it’s so simple and easy and quick to launch the Twitter account, at least as an interim step before an actual website launch.

MITCHELL: Right.

KP: I mean, Stephen’s doing it – how can you not have that seal of approval prompt you to action?

MITCHELL: No, exactly. The thing is, though, he’s brilliant at everything. He’s incredibly technically savvy and all these things. He’s a renaissance man. I’m not. I’m a medieval man.

KP: But it’s purely by choice.

MITCHELL: I suppose so. You’re just making it worse! You won’t let me attribute my failings to something sort of genetic that I can’t help.

KP: This is almost a sketch. Someone who is just clinging onto the idea that they’re a medieval man and refuses all modern technology.

MITCHELL: Yes, “There is nothing I can do! I would like to wipe my ass – it’s just not in my nature!”

KP: “You cannot drag me into your modernity. I refuse. In fact, I would be largely incompetent and will not even try!” There’s certainly a place in the world for someone like that, just for the sake of comparison.

MITCHELL: (laughing)

KP: Now I feel I’ve pushed you into something. I’ve forced you to cook with fire.

MITCHELL: Yes. “I’m very happy with raw mammoth.”

KP: There’s always got to be a technology dissenter.

MITCHELL: Yeah.

KP: You’re a neo-luddite.

MITCHELL: Yes. I’m a luddite who can’t actually be bothered to smash things. I’m the new, very 21st century apathetic take on Luddism.

KP: I feel bad. I just want to make that perfectly clear.

MITCHELL: I feel guilty for not having a website; you feel bad for having pushed me – it’s great. A free and frank exchange of vague guilt and self-loathing.

KP: It pretty much is what our relationship’s comes down to. Speaking of which, what exactly happened with the US? I guess the show is no longer being aired on BBC America.

MITCHELL: Oh, it’s not?

KP: No, I checked their schedule and you are not on it.

MITCHELL: But they showed it, didn’t they?

KP: I think they did what they normally do with shows, and showed it once in the middle of the night, and didn’t let it actually build an audience through repeats.

MITCHELL: We have hardly any contact with them. I should try and hassle them to stick it all on again.

KP: It would be, what, one less rerun of Ground Force?

MITCHELL: Yeah. It’s not like they’re paying us for putting it on, so it’s pretty much free.

KP: You would think that they would utilize that a bit more.

MITCHELL: Yeah. It got some nice press, I think.

KP: I thought you got a good deal of good press over here.

MITCHELL: Yeah, but then you’ve got to give people the opportunity, having read the press, to see the show.

KP: BBC America refuses to advertise anything or show it where people can see it, so you’re pretty much just throwing it out there and no one’s really going to see it. BBC America just throws it against the wall, largely because I think they do get it for free, and what incentive do they have for it to take off?

MITCHELL: Yeah.

KP: There’s not that pressure as if they developed it in house. So I think it’s an awful shame that they do this, but they do it again and again. They killed Black Books over here. They have the option to pick up stuff like Spaced and make it run, and it took the internet and cult audiences for it to take off. You’ve probably had more viewers on YouTube than you had on BBC America.

MITCHELL: Yeah, sure.

KP: And did they only pick up the first series, or both series?

MITCHELL: BBC America?

KP: Yeah.

MITCHELL: They picked up both.

KP: That’s at least 12 days that they ran you.

MITCHELL: Yeah.

KP: I see this block runoff in the middle of the night…

MITCHELL: Well, maybe now that there’s a third series, they could show them all for a magnificent 18 days next year.

KP: In fact, they should call it that – “18 Magnificent Days of Mitchell and Webb”. Or, “Hey! Look! It’s Mitchell and Webb!” Or, “We’re BBC America and We’re Here”. Again, I think to leave the marketing in their hands is not the best thing to do to make sure that people see it. And I don’t think that they really anticipate that artists will contact them and go, “What the hell?”…

MITCHELL: No.

KP: So it certainly might be worth your while, or the while of someone on your behalf, to find out what their deal is.

MITCHELL: Yeah.

KP: You thought you had a good response press wise, right?

MITCHELL: Definitely.

KP: Are there any plans to come over? You had mentioned, at one point, the possibility of coming over and doing a show or two in the US…

MITCHELL: To be honest, there’s not going to be any time. We’re not going to have any time for that in the next six to nine months, but I think after that we might put together a stage show and do a tour here, and I think that would be the point at which to do a couple of gigs over with you at the same time, when we’ve got a show that we feel we’ve worked in and is slick and would represent us well.

KP: How do you view doing stage work at this point? Is it just a matter of not having the time to mount something like that?

MITCHELL: At the moment we’re pretty booked up until next autumn doing TV stuff and this book.

KP: The last live thing you did was, what, The Secret Policeman’s Ball?

MITCHELL: Yeah, which was just one sketch.

KP: It seemed like a very odd room.

MITCHELL: Yeah. It’s not a theater, really – it’s a big concert hall. And I think the priority was to garner publicity rather than for it to be a great comedy night. I think the output reflected those priorities. But, in the end, it’s for a charity, so they’ve got to do what they think is best. You hear about the Secret Policeman’s Balls, and when they started you felt it was really something that was creatively led by the comedians, and it isn’t now.

KP: And it seemed like an odd reaction in the room to the various comedy pieces…

MITCHELL: Yeah.

KP: Almost a very subdued reaction. I don’t know if that was the mic-ing of the audience or if there was a lot of silence on the night for the comedians…

MITCHELL: Well, people seemed to be laughing to me, but I think it’s such a big room there’s no atmosphere. Because it’s not built in that way.

KP: So it was like playing in a vacuum.

MITCHELL: They could have probably done the sound mix on the TV show a bit better.

KP: It certainly makes it an awkward viewing experience for someone at home, going, “Well, I find it funny…”

MITCHELL: (laughing) Yes, exactly.

KP: “Surely *someone* in the audience must be laughing…”

MITCHELL: Yeah.

KP: Then you just feel sorry for the performers – “Just run – run from the stage. Don’t look back. Don’t ever do this again.”

MITCHELL: The bit we did felt like it had gone down well, but I never saw the TV version.

KP: It was an interesting viewing experience, if you wanted to see an exercise in awkward silence. For everyone. I’m not pointing out you specifically.

MITCHELL: “You died on your ass…”

KP: You should have been more self-aware in the moment. You’re hearing all these imaginary laughs in your head. But yeah, it was interesting. Although, on that note, we should wind down… Don’t forget about the website…

MITCHELL: It depends on whether I finally get my shit together on this occasion or not. It will have to happen at some point.

KP: Or someone will just start an account called “TheFakeDavidMitchell” on Twitter and just start posting all of your information…

MITCHELL: Yeah.

KP: In an attempt to lure you out…

MITCHELL: (laughing) Right.

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Ricky Gervais: Holiday Havoc

Filed under: Holiday Havoc — Tags: , , , , , — UncaScroogeMcD @ 2:38 am

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Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

Not us.

Here at FRED, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you (and you can check out last year’s fun here).

Ain’t that cool?

Today, we’ve got a festive audio easter egg from my recent in-depth interview with Ricky Gervais. Be sure to pick up a copy of GHOST TOWN on DVD and Blu-Ray this holiday season…

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Download “Happy Holidays From Ricky Gervais“:

[audio:http://asitecalledfred.com/holidayhavoc/ricky_gervais_ken_plume-holiday_wishes.mp3]

Check out the rest of this year’s Holiday Havoc – and past Havoc – HERE

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Trailer Park: SPECIAL Interview

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

I remember seeing the trailer for SPECIAL almost three years ago.

As you can see here, I was enamored with the premise and the promise for what it could be. Like many films with trailers that are seemingly on the horizon their release dates sometimes get pushed back and back until their very existence is only proved by a 2:29 preview.

Many times, films that don’t hit their suggested release, only to resurface in the time of year when you see films dropped like detritus on the street, are the kinds of turkeys that deserved a quiet and silent death. When I heard SPECIAL was actually getting its debut, premiering not only in theaters but on HDNet and video-on-demand I had to admit that I was more than interested. This film surely had a story to tell and when I was able to see the film I was taken aback by not only its fascinating execution but that you had this seemingly no budget movie that had the kind of special effects that are usually reserved for films larger in scope. And that’s what’s so endearing about this movie: the characters, the sets, the story is steeped in averageness but when the super powers plot line kicks in you are thrust into a world that meshes the supernatural within it.

I had the chance to talk to the film’s directorial/writing duo of Hal Haberman and Jeremy Passmore along with star Michael Rapaport.

CS:  What has happened in 3 years?

HABERMAN/PASSMORE: What’s happened?  Not so much.  We got distribution coming out of Sundance and apparently there was some problems and it fell through and got lucky and Magnolia came along and now they are putting it out and in between I think we stopped hoping it would come out.  We just gave up hope on it.

HABERMAN/PASSMORE: I didn’t.  But it was heartbreaking.  Tired of thinking of it all the time.  It was hard.

HABERMAN/PASSMORE: That was the thing.  We came out of Sundance with distribution and then to lose it, it was heartbreaking and it took a long time for that to even happen.  It was like getting dumped by your girlfriend and you move on with your life and out of no where she comes back and says, “I changed my mind, I want to marry you.”

HABERMAN/PASSMORE: And then she leaves you again.

(Laughs)

HABERMAN/PASSMORE: And then she comes back and says, “I won the lottery.  This time it’s real.”  It was weird.  It was just sort of odd to be doing it now but it’s also very nice because as Hal was just saying, Magnolia, the way they are putting it out, is much better than the way it would have originally.

CS:  Yeah, it’s being released through pay-per-view and then on Mark Cuban’s HDNet movies.

HABERMAN/PASSMORE:  I know I’ve had friends call me up and say, “I just watched your commercial which is on pay per view.” It’s kinda unbelievable.

HABERMAN/PASSMORE: Secretly, there is this fear that it’s all going to fall apart.

CS:  Michael, what brought you to the project in the first place?  These guys are really first time filmmakers, how did the script get into your hands?

RAPAPORT: Oh, I got it from my manager who read it and liked it and he suggested I read it.  So I read it and then met with the guys.  It was pretty straight forward and pretty simple.  There wasn’t any interesting, fun story, it was just casting when it worked in a good way.

CS:  What really spoke to you when you read the script?  What made this one stand out?

RAPAPORT: I loved the way it was written.  I thought it was very elegantly written.  I love the character and the arch that he had and I was just able to relate to him in a bunch of different ways and I love that the story had humor in it.  I just liked the tone I imagined it would be.

CS:  Hal and Jeremy, when you first came up with the idea of this, was it just one of you who came with it first and the other one helped develop it?  How did the process come about?

HABERMAN/PASSMORE: We decided to make a low budget move together and bounced ideas around and when we came to this one, which was Jeremy’s, I just knew this is one we had to do.

HABERMAN/PASSMORE: And at first I thought he was nuts because my first thought was like special effects.  I mean I’ve done stunts in my thesis film at film school and it was brutal.  I mean it was really hard to do it.  So my first thought was that it would be all stunts and special effects but then the second you have that thought you think, “Why not?”  I’ve never seen a low budget movie with a bunch of stunts and special effects.  Suddenly it was like, no body would be every crazy enough to make a super hero movie with no money, therefore, that is exactly what we should do.  That was the feeling of it.

HABERMAN/PASSMORE: And we didn’t have to talk about it too long before we could imagine the character too and I think it was a character that we both related to and cared about on a lot of levels and that was the final nail in the coffin.

HABERMAN/PASSMORE: It was just very universal.  This feeling of “Crap, my life isn’t what I thought it would be” and that desire for something more and like “When I was a little kid my mom said I could do anything” and I said, “What’s so special…and now I’m stuck in this job I don’t really like.” It’s just very universal.  Especially these days.  Those feelings are, often to take the edge off, a lot of people do turn to medication.  So it just felt universal and unique at the same time.

CS:  Michael, when you were developing who this guy was, what did you want to make sure came through in the performance?

RAPAPORT: I just wanted the character’s genuineness and his honesty and I wanted him ““ I knew the character was very emotional person, an emotional character, and I just wanted to just make every sort of beat he was going through make them clear and distinct and just very honest and relatable.  I wanted to make him relatable and human.  Which is really the thing we go for in every character but because of the way the script was written it was all kind of laid out there in my hands to just kind of bring it to life.

CS:  Hal and Jeremy, the premise itself almost seems rather post modern considering the kind of year we’ve had this year with super heroes.

(Laughs)

HABERMAN/PASSMORE: Yeah. Are you talking about reality or just movies?

CS:  I think the superhero genre in general this year.

HABERMAN/PASSMORE: That’s what was funniest to us because the movie is really about a guy going crazy but within that we really tried to adhere structurally to the traditional super hero origin story which is not your normal three act structure.  It’s like the discovery of powers ends with I’m going to fight crime and it’s not really until halfway through the movie that the main villain is usually introduced.  So structurally we are in the drama genre but to us it was always about this guy we liked going crazy more than anything else.

And we were always breaking with the genre too at some points.  Superheroes with dark undersides or superheroes with problems. There is something about the way we made this movie on such a low budget and in such a crazy direction that those movies feel like a whole different type of movie to me.  That don’t feel like anything that what we were doing because what we were doing ““ it just has a level of danger.

As well, it’s a commentary on the superhero genre, the whole idea of a superhero, just that part of it, the genesis of the idea was just looking at the superheroes, the big ones, and realizing that you are reading Superman comic like it could just have easily been that he has a split personality.  The very idea that I’m this normal guy with this normal boring day job and then when no one is around and when no one is looking, suddenly I am invincible is completely nuts.  And so there was that aspect of deconstruction.  What if we just took that metaphor out and suddenly that’s your guy?

He is crazy the way that psychosis manifests he thinks he has super powers.

CS:  Was it always that intention to have him just devolve further and further into his own sense of what he thought this was?

HABERMAN/PASSMORE: I think so.  I think once we realized we were making a movie about insanity, we realized that it was going to go as far as we could possibly take it.

And there were so many things working together to push it in that direction.  Part of it was just the natural arc of the character.  Like you want to see him go from one extreme to the other and that necessitates that he has got to be so high on the drugs that he’s completely insane which means we kind of wanted the audience to feel insane and also tying into it was that we had this philosophy that we really wanted to make the movie unpredictable.

All of that fused together to just make it to this point ““ we were half way, three quarters through the movie and it’s kind of like, it feels like, anything can happen.

CS:  Right.  Exactly.  Michael, you ““ I don’t know if this is one of your most physical roles to date but there was obviously a lot of running, a lot of jumping, I can only assume that it wasn’t a huge budget, but how involved were you with everything that you were asked to do?

RAPAPORT: Well, first of all this was a No Budget movie.  New category.  Not low budget ““ it’s Not Budget.

(Laughs)

I did as much as I could but I wasn’t going to try and hurt myself for bravery.  We had a great stunt guy and it was in the best interest of the film to let him do his thing.  He was the Rocky-ist stuntman.  He just kept going and was really fantastic.  His name was Brian Hite.  I didn’t try to do anything that would jeopardize me walking away the same way I walked in.  But there was a lot of running, some jumping, some wires and all this stuff but the real heavy stuff Brian did and it is a tribute to him and they way the guy shot the movie.  The way the shots were set up lent itself to make the stunts look as real and natural and as violent as they wound up doing.

CS:  And I absolutely agree with you.  I think Hal and Jeremy did a wonderful job making it feel real.  Can you gentleman talk about the “no budget” angle?

(Laughs)

HABERMAN/PASSMORE: I think it worked in our favor a lot.  One we got lucky finding the right people to do it.  Brian is the only stuntman who would do the stunts with the authenticity that he did.

And Nelson the cameraman, who’s perfect to shoot the movie, he’s happy to make it look realistic and lit it with fluorescents and no highlights ““ so it was a mix of what we were going for and what everyone was able to bring to us.

There was a point where I worked with Brian on my student film and it was crazy.  It just had these brutal stunts.  We were talking to him and we’re like we were thinking we could do this with wires and kind of shoot the angles and he just looked at me like I let him down.  He was so disappointed, he was like, “No, we’re not going to do that.  If I want to get hit by a car, I want to get hit by a car.”  It was just so funny.  Of course, that’s what we wanted but didn’t want to injure the guy.

CS:  Exactly.  But it’s something you can’t compare to other films with 10 times the budget.

HABERMAN/PASSMORE: There was one night when we did a stunt”¦That he said it was the hardest stunt which was jumping off a roof and tackling someone.  He missed the first time and landed”¦He said  “Do you want me to do it again?” and I was very scared to.  So I said, “Dude, if you can do it again we should do it again.” And he did it.  It was amazing.

HABERMAN/PASSMORE: But it was harrowing.  I was really kind of sick.  It was like, “I don’t want to be the guy who puts him in the hospital.”

HABERMAN/PASSMORE: To a certain extent we had boxed ourselves into a corner because we felt like we wanted those stunts to play in a big static wide shot because it’s like you are looking at it and you know it’s real.  We didn’t fake it in the editing.  He really jumped off a roof and tackled that guy.  So on the one way it’s really brutal like a skateboarding video on the other hand it’s getting into a bit of a Keystone Cops kind of feel.

HABERMAN/PASSMORE: On the third hand, that’s exactly how a superhero movie would not do it.

HABERMAN/PASSMORE: Exactly.  It’s exactly what you wouldn’t do, so that’s exactly where we ended up going.

CS:  I know my time is short but I definitely want to find out from all of you, now that it has taken years for this film to make the light of day, how do you look at this process and look at this film with regards to your faith in the process of making a movie?

RAPAPORT: Aside from the distribution delay, it couldn’t have been any better.  It was a great experience.  Great, great, great experience for me.

HABERMAN/PASSMORE:
I’m in the same boat.  To me it was empowering because we didn’t have any money and we just said we’re going to make a movie and go to Sundance and that’s exactly what we did.  So in the back of my mind I feel like I really want to make a movie but can’t because the problem is I really want to do one with more money.

STIPP:  Has this movie been able to allow you to do that now that it’s out there?  Have those “in charge” taken notice?

HABERMAN/PASSMORE:  Oh yeah.  They are pounding on the doors.

(Laughs)

HABERMAN/PASSMORE: It’s weird.  We don’t expect that at this point.  It’s just this movie is what it is and if people love it then that’s great and if they don’t, then oh well, but I don’t think we’re going to get to direct ROCKY VI.

(Laughs)

HABERMAN/PASSMORE: What’s actually kind of cool with this delayed release -  Coming out of Sundance I would have had my hopes so tied up into it, whereas now, I’m just really glad people are going to see it.  It’s really weird.  I’ll be in a meeting on something else and halfway through they’ll go “Wait a minute. You were one of the guys who did SPECIAL. I love that movie…” or something but they don’t even realize it because it’s been so long.

Party Favors: Ring A Ding Ding

Filed under: Joe Corey's Party Favors — Tags: , , , , , , — UncaScroogeMcD @ 1:55 am

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VIRGINIA CITY – Not every woman working at the Bunny Ranch is an HBO star. You’ll recognize Bunny Love, Air Force Amy and Audrey in the line up, but there’s plenty of fresh faces ready to introduce themselves. These are women who don’t want to bask in the limelight or even have their pics posted on brothel’s website.

Why be anonymous at the high profile Bunny Ranch? One woman grew up in the area. She always makes sure the local guests don’t recognize her. She has no dream of being a spokesmodel for “Take an Uncle to Work Day.” She won’t arrive at the line up until she checks the security monitor. One night a pack of old high school classmates decided they were going to party in the parlor. She spent the night in her room with a good book. Quite a few women commute from around the country. They appreciate the chance to earn more cash than pulling extra shifts at Hooters. The folks back home think they’re earning quick bucks cocktail waitressing at Reno casinos.

Hollywood always likes to push the prostitute character as either dim or a streetwise cookie. A majority of the Bunnies we spent time with were well educated. Many of them had not even worked as strippers. They’re smart enough to know there’s little point in shaking your breasts in a guy’s face while hanging on a pole for a dollar.

People will always ponder what drives a smart woman into prostitution. After quite a few informal chats, I deduced one common thread: Student loans. Many of the women had graduated from very influential schools. They were stuck owing over $100,000 plus for a liberal arts degree that sounded great, but could barely land a gig at Barnes and Noble. One had a degree in social work that after a five year career, left her living under the poverty line. They needed an economic boost that waitressing doesn’t offer. A person can only handle so many extra jobs before they question the point of living if your waking hours are spent punching the clock and getting deeper in debt.

Currently Dennis Hof has Natalie Dylan offering up her virginity to pay for her grad school. Alana Love is 7 months pregnant and eager to take on clients to wipe the slate on her pharmaceutical school loan and afford to be a stay at home mom. Ivy League schools ought to offer Prostitution as a minor for the non-trust fund kids. There was a recent high school graduate who had chosen working at the Bunny Ranch as her career goal when she was 14 after seeing the first HBO America Undercover special. She’s saving up for school.

Our hostess for Saturday evening was Danielle Luciano. She had returned to the Ranch after taking a few years off. During her first tenure, she was a low profile Bunny. Nobody in her family knew that she did this for a living. When she decided to get back in the business, she came out to her close family members. She wanted to be able to put her photos up on the website and help with publicity events without worrying about a nosey aunt finking her out to dad. Turns out that it wasn’t a traumatic revelation. The family knew about HBO series and didn’t have any problems with her working at that brothel.

Danielle was very open when it came to talking about her profession. While there is a gym at the Bunny Ranch compound, her most important exercise routine is Kegels. A Bunny has to be tight and rocking all over. Since my wife had come along on the trip to act as producer and Bunny wrangler (although mostly she wrangled me), the subject of threesomes was inevitable. Many of the Bunnies are gay for pay. If your wife is ready for her first threesome, you don’t want a woman who isn’t fully enthusiastic about the fun. You can’t afford the afterglow to be ruined by your wife declaring, “That was more for you than me.” You want her blissed out and drooling from all the attention. You want this to be a do-over moment. While you might have your dreamy third partner picked out, let your wife do the choosing. Odds are she’ll find the Bunny who will know how to equally divide her attention. Using our journalistic skills, we were able to observe that Danielle’s tip really worked. She’s very knowledgeable when it comes to couples play.

During breakfast, we hung out with Max. She’s best known for playing naked chess on Cathouse. She believes that a majority of men want princesses when they ring the buzzer. They want to spend time with the woman that’d be unapproachable in a normal social setting. Max doesn’t think a woman should smoke a cigarette or drink out of a beer bottle while lounging near the bar. What’s the point of coming to the Bunny Ranch to hit on a woman they could find in any Nevada honky tonk? She told us about a guy who was a major fan of Cathouse and wanted to hook up with one of the leading ladies. Upon arrival, he saw her by the bar sucking down a longneck and puffing away on a Virginia Slim. The image turned him off. He didn’t even approach his intended Bunny. Instead he found a lady in the parlor that impressed him and spent $5,000 for a night long party. Further proof that smoking is bad.

While Max thinks that a Bunny can elevate her career by doing adult material, the Bunny has to be careful of the genre. Do the wrong film and she’s no longer considered a high dollar date. What hedgefund manager wants to spend $10,000 to hook up with a woman who stars in hobo gangbang videos? Guys don’t like to think about who’s been with her before them. Even less men want to know that they’re getting Boxcar Willie Jr’s sloppy fifty-thirds. I came to trust Max’s opinions since she only works by appointment.

We come to the final two video segments of The Party Favors interview with Dennis Hof. Ron Howard has dropped out of the bidding war for Hof/Corey. All we have left is Roger Corman and a VHS-only operation out of Brussels. Corman promises I can play myself if I’m flame resistant. Otherwise he’s calling Clint Howard.

Our talk picks up with the cliffhanger of how Dennis went to an extreme to legally smoke pot. The topic changes to how he feels when he sees pimps and madames being busted outside of Nevada. Learn about Dennis’s relationship with Heidi Fleiss. Dennis discusses the new episodes of Cathouse on HBO (best found at the HBO OnDemand channel). He plugs the boxset containing the first two seasons and the musical of the show. He explains the educational value of the series. We dip into the new trends in what clients want to enjoy during their visits. Plus legendary boxer Butterbean is coming to the Bunny Ranch, but not the same way as porn stars Sunny Lane and Anna Mills.

Seeing how Ron Jeremy is rumored to be Jewish, the Golden Nugget Casino won’t accept wagers on his chances to beat Butterball for the last pork chop.

The final segment features exterior shots as we show off the area around the Ranch and the changes to the Brothel. There’s a Pony Express stop on the property. As a warning: Moonlight Benny’s is a real body shop and not a brothel. None of the selections the receptionist offers are euphemisms. The full service does involve paint and a hammer. Dennis discusses how the gift shop helps lure the curious into being full service guests. You can even buy his special hot sauce at any hour.

After the interview with Dennis wrapped up, Brooke Taylor arrived. She’d been in New York City to appear on a variety of shows including Tyra. Brooke has had a strange career path. Her life at that Ranch had been fully documented by HBO. America got to see her first day on the job. We were there when she popped her professional cherry. Because of her performance on Cathouse: The Musical, Brooke has performed at the Filmore West and the House of Blues. She became the centerfold in Hustler at the same time Marie Claire did a profile piece on her. She’s a very busy woman who still has time to lay back and enjoy her day job.

The sad fate of Isabella Soprano weighed heavily on my questions. I wanted to know what kept Brooke Taylor stable. She invited us into her bedroom and we turned on the camera.

Brooke explains things that a woman needs to know before she considers a life at the Ranch. Remember to practice negotiations before you arrive in Carson City. I end up asking Brooke how strange it is that she went to college to study music, but received her big break while working in a brothel. This is a path that your college career counselor never discuss.

Thus we come to the end of the Party Favors visit to the Bunny Ranch. We’d like to thank Dennis Hof, Madame Suzette, Brooke Taylor, Max, the charming staff and the extremely rocking Danielle Luciano for their hospitality.

WIN SOME SWING

CBS DVD has been nice enough to let 5 of my faithful readers win copies of Swingtown: The First Season. The DVD will be released on Dec. 9. Normally I’d have you email in your name and address and five randomly chosen folks would win. But since Swingtown has been a favorite of this column, we’re having a quiz. In addition to sending in your name and address, you must answer these three questions about the show:

What star of Swingtown filmed a scene for a movie I produced?
According to the Party Favors, what series now features Grant Show’s pornstache?
What did Dennis Hof and I say about Swingtown during the Hof/Corey interview?

If you have these answers, drop me an email at mokaha@aol.com by Dec. 14. You must be 18 and allow 4-6 weeks to get your prize. My parents, co-workers, Anson Williams and Grant Show’s pornstache are not allowed to enter. Enclosing Polaroids that your parents sent to swingers magazines in 1976 won’t help you win, but they will be appreciated by our judges. Thanks once more to CBS for making a few of my readers be winners this holiday season.

In case you’re curious about the show, there’s a proper review in The DVD Shelf section.

DINING TIP

If you’re in Carson City, drop by Ti Amo in the Casino Fandango. The Seafood Lasagna still makes me drool. There’s plenty of shrimp, lobster, crab and scallops between the layers of noodles. It reheats nicely for when you need extra fuel for playing the Happy Days penny slots. Did I mention that Anson Williams cost me $2.38? Damn that Potsie.

VEGAS EATS

When you plan on visiting Las Vegas, skip the Strip and head to Fremont Street. There’s a friendly vibe downtown. My favorite place to snack on the street was Mermaid’s Casino. The slot palace offers up 99 cent Nathan’s hotdogs, deep fried Twinkies and deep fried Oreos. What makes the little grill in the back extra special is the staff is just bouncing around to the music on the PA system. The folks seemed like they were being pumped full of oxygen. They gave off enough energy to revive me from my Potsie downfall. I couldn’t help but smile and bounce around while waiting for my chocolate covered frozen banana. The Mermaid’s Casino is truly old school since they have change cups unlike that cheapskate Steve Wynn’s new casino: Redundant.

LEARN FROM MY PAIN

A little tip for business and tech people: When a person on the internet advertises that they’re proficient in CBT, this normally doesn’t mean Computer Based Training. Do not invite them to your office for a presentation.

JOE THE ZILCHER

John McCain screwed up and it cost me my ambassadorship to Hawaii. The position is still on the books at the State Department. You think the feds ever eliminate a gig? There’s still a Department of Buggywhip Inspection. My destiny of being Ambassador to the land of Don Ho was screwed by Joe the Plumber. When John McCain needed a Joe to prop up his campaign, he refused to call me. I’m a real Joe. As we know by now, Joe the Plumber is really a guy named Sam. Those of us named Joe take the business of being a Joe seriously. If your first name isn’t Joe, you’re not a Joe. It’s that simple. Jesus didn’t go by his middle name (which I think was Joe). John McCain ticked off the International Brotherhood of Joes and cost me my chance to operate out of Jack Lord’s old palace office. Let this be a lesson to all those in America that when you need a Joe, you come to a Joe and not a dofus named Sam.

MSNBC needs to fix their Joe crisis. When Joe Scarbough goes on vacation, they need a guest host named Joe to host Morning Joe. Mika Brzezinski and Willie Geist aren’t Joes. Neither is that Mike Barnicle guy. I’m not even sure if he’s really a Mike since he comes off as a Gary. MSNBC needs to understand that when you advertise a Joe, you better have a backup Joe ready to go. It can’t be that hard of a job unless you have to wax Pat Buchanan’s back during the commercial breaks.

THE DVD SHELF

A Colbert Christmas: The Greatest Gift of All! is as great as advertised. This is the greatest Christmas special since Pee Wee’s Playhouse Christmas Special. The premise is simple: a ruthless bear has trapped Colbert in his cabin. He can’t get to New York to host his Christmas special with Elvis Costello. The holiday festivities come to him with truly an all-star cast without any faux-stars with E! reality shows. Toby Keith has confused me. The guy was a big turn off with his Karl Rove approved anthems. But on this special, Keith gives a hilarious song about what he’ll do to defend Christmas. John Legend performs the sexiest song about nutmeg. Jon Stewart brings a little Old Testament holiday wishes. Willie Nelson’s fourth wiseman song will never be sung at a Catholic Church’s midnight mass. Feist is angelic on all levels. You’ll probably wonder why you need the DVD when this special is being repeated on Comedy Central right now. The DVD has bonus features. You get a video Yule Log that gets an extra flame boost from books. There’s even a Colbert Advent calendar that’s better than the one your Aunt Eunice gave you. Plus be thrilled by the alternate endings. Your Christmas isn’t complete unless you give all your friends A Colbert Christmas: The Greatest Gift of All!

Swingtown: The First Season gives a strange bit of hope that last summer’s series might be back for a second round of hanky-panky. Molly Parker and Lana Parrilla put the Bi into Bicentennial with this short season that centered around the 4th of July in 1976. The 13 episodes explore what happens when a normal married couple move to wild side of Chicago. Parker (Deadwood) and Jack Davenport (Pirates of the Caribbean) discover their neighbors are swingers. Parrilla is an ex-stewardess who knows how to tighten more than a seatbelt. Pilot Grant Show (Melrose Place) plays second banana to an amazing pornstache. The couples boogie down, but guilt grabs Parker and Davenport. They’re not sure if they’re cut out to cut loose. There’s also the issue of their daughter hooking up with her summer school teacher. Oddly enough that while the action takes place 32 years ago, the morality brigade went nuts over CBS running the series. But there’s nothing on this show that isn’t part of an afternoon soap opera. The DVD has a few bonus features including a blooper reel. They didn’t include the ’60s record deal commercial hosted by Peter Fonda. If the DVD does well and the show grabs a couple end of the year awards, Swingtown might be back next summer. This might be the perfect Christmas gift for the neighbors you want to covet in a group plan.

Man On Wire is a bold, death-defying examination of Phillipe Petit’s illegal wire walk between the World Trade Center’s Twin Towers in 1974. The film mixes recreation footage with the actual coverage of the historic day. They show Petit’s previous walks between Notre Dame Cathedral and the Sydney Harbor Bridge. He’s like an outlaw version of the Flying Wallendas. The execution of securing the wire between the buildings is more exciting than any scheme in the lame Ocean’s Eleven films. While the documentary should be the celebration of a daredevil’s spirit, there is sadness. How can a viewer not get misty eyed seeing the Towers still erect? Michael Nyman’s music from The Cook, The Thief, His Wife and Her Lover plays during a section showing the Towers being constructed. And it hits how temporary this massive structure became. You need to watch this film twice – once for the Towers and another for Petit. Man On Wire is compelling cinema that pulls us into Petit’s passion to accomplish this outrageous feat. Man on Wire and The Dark Knight are the films that mark 2008.

Happy Days: The Fourth Season brought the word Mallachi Crunch to sports. “Fonzie Loves Pinky” was an epic three parter. Howard’s lodge is hosting a demolition derby. Part of the entertainment is female motorcycle daredevil Pinky Tuscadero. While the Fonz is favored to win the derby, he has to worry about the Mallachi brothers. They’re notorious for a move where they smash a car on both sides at once. During the episode Fonz falls hard for Pinky. But before he can marry her, they have to survive the Derby. As a kid, these episodes were more terrifying than when Fonzie jumped the garbage cans in season three. Pat Morita returns for “The Graduation.” During the end of school dance, Anson Williams jumps on stage and unloads a not even close to the 1950s ballad. How come you can’t find any Anson Williams records outside of a 45 on ebay and the show’s theme? Why aren’t there bootlegs of Anson Williams live at the Whiskey A-Go-Go? “Fonzie’s Baptism” brings the Fonz to Jesus. Wasn’t this a Family Guy episode? Happy Days: The Fourth Season was the final year before it “jumped the shark.”

Petticoat Junction: The Official First Season is the link between The Beverly Hillbillies and Green Acres. The action takes place at the Shady Rest Hotel that’s on the rail line near Hootersville. The place is run by Bea Benaderet (Jethro’s mother) and her three really hot daughters. They’re all a handful for the quiet community. The first few episodes have the immortal Charles Lane swearing to shut down the steam locomotive. Bea does her best to have him forget about it. Many of the Green Acres characters are also on this show including Sam Drucker (Frank Cady) running the general store. Adam West (Batman) plays the doctor on “My Daughter the Doctor” and “Hootersville VS Hollywood.” It’s amazing that this show ran for seven seasons, but never received the rerun action of its sister shows. The DVD includes the old commercials starring the cast. This first season has 38 episodes Southern hospitality.

Beverly Hills 90210: The Sixth Season is a must see for old timers who feel pangs of nostalgia when they catch promos for 90210 on the CW. The action on this boxset took place for 1995-96. The shocker of the season is Kelly Taylor (Jennie Garth) becomes a junky. She was the original Amy Winehouse. Who could imagine sweet little Kelly snorting up blow like an English supermodel? Donna (Tori Spelling) has to break with an abusive boyfriend. Dylan (Luke Perry) is ready to wed. Does this mean he’ll leave the show? I’m not giving it away. For many, this was the clutch season of heartbreak and triumph. For Steve (Ian Ziering), this was the year he joined AARP.

Cannon: Season One, Volume Two brings Leif Garrett back to the column. “Death Is a Double Cross” has Cannon riding the train to protect a millionaire’s wife and two children. Leif and Dawn Lyn are the kids. Lyn is best remembered as Dodie, the adopted daughter on My Three Sons. Turns out she’s also Leif’s sister. “”Treasure of San Ignacio” puts Cannon on the trail of thieves who rob a church’s artifacts. “To Kill a Guinea Pig” brings us the always creepy Geoffrey Lewis (who is not Robert Pine) to horrify Vera Miles (Psycho). She’s running a drug study at a prison. Lewis’ boss wants a certain inmate to be part of the program. Only Cannon can help her from this evil web. Even with his huge gut, William Conrad is still physical in scenes. He moves pretty well for a hefty guy. He’s got 13 clients on this boxset that need his expert detective help.

Jake and the Fatman: Season One, Volume Two means you’re getting a double dose of William Conrad fighting crime. This time he has help with Jake (Joe Penny) doing the heavy lifting. The big highlight of the second half of the first season is watching David Soul choking the life out of his wife on “How Long Has This Been Going On?” How can the star of Starsky and Hutch be so vicious? He’s a Yacht Rock superstar. Of course discovering your wife is banging a priest might get a man upset. He frames the priest, but Jake doesn’t buy it since he’s pals with the padre. Speaking of hall of fame creepy character actors, Joseph Ruskin is a mobster in “After You’ve Gone.” Did you know he’s the only actor to have appeared on every Star Trek live action TV show? “Lady Be Good” also has a Trekkie connection with Nana Visitor (DS9) killing a rich guy while he was staging his own death. Even though Conrad is slow to move and looks like he sleeps in his office, he knows how to solve a case. He didn’t get to be Los Angeles District Attorney by looking good on posters.

Perry Mason: Season 3, Volume 2 allows us to once more see America’s greatest TV lawyer in action. Raymond Burr accepts 14 more clients in this boxset. “The Case of the Slandered Submarine” allows him to visit a military court. There’s a few bodies connected to the testing of a high tech device. “The Case of the Singing Skirt” has a bunch of illegal actions taking place at a legal casino. The owner decides to set up a worker for the fall. But she does the smartest thing a you can do: hires Perry Mason to prove her innocence. “The Cast of the Prudent Prosecutor” has D.A. Hamilton Burger begging Perry to defend a pal. How much did that have to hurt Burger to get assistance from the man who kicks his ass almost every week in the courtroom? The picture quality is still stunning on these transfers. Just remember that anything you see in an episode of Perry Mason can’t be used on the Bar exam.

The Mod Squad: Season 2, Volume 1 unleashes the grooviest crime fighting trio. Pete (Michael Cole), Linc (Clarence Williams III) and Julie (Peggy Lipton) are still the mystery unit run by the Captain (Tige Andrews). “Lisa” has them protecting Carolyn Jones (Morticia from The Addams Family) from a mysterious hitman. The most obvious suspect is Joseph Ruskin. The Squad suspect Carolyn isn’t telling them her whole story. “Ride the Man Down” has them meet Richard Anderson (The Six Million Dollar Man‘s Oscar Goldman) after Pete gets nailed with murder charges. “The Healer” has a homicidal quack loose in the urban jungle. Dwayne Hickman (Dr. Goldfoot and the Bikini Machine) rubs elbows with Julie. Linc gets to fall in love again during “To Linc – With Love.” The object of his affection is a DMV instructor has a dark past. What could be darker than working for the DMV? The Mod Squad is still the coolest because Peggy Lipton makes me melt.

Gunsmoke: The Third Season, Volume 1 is perhaps your best quickie gift for Grandpa. Who didn’t grow up with their old man watching Matt Dillon cleaning up Dodge City? The series at this point is still black and white and only 30 minutes long. “Jesse” has my favorite plot of a son showing up in Dodge City ready to gundown the man who shot his daddy. Sadly this does not star Dennis Hopper. “Romeo” lets Robert Vaughn (Man From UNCLE) get romantic with a land baron’s daughter. Daddy isn’t happy and takes it out on the town. “Doc’s Reward” shows he can handle a gun like a scalpel. He puts a slug in Jack Lord. But in a shocking twist, Lord returns for his revenge. Fans of The Dick Van Dyke Show will get a thrill with Rose Marie in “Twelfth Night” and Morey Amsterdam in “Joe Phy.” Jack Klugman (Quincy) rides the range in Buffalo Hunter. He’s poaching on Indian land so the Sheriff has to do something that’s tantamount to murder!

Rawhide: The Third Season, Volume 2 reminds us that there was time when Clint Eastwood’s face didn’t look like a Francis Bacon portrait. Clint is youthful and not even in charge of the drovers. He keeps the cows moving as they cross paths with other stars. “Incident of the Running Iron” has one of them accused of rustling. Dwayne Hickman is part of the family that holds his fate. John Cassavetes (Killing of a Chinese Bookie) gets heated up during “Incident Near Gloomy River.” He’s been courting a woman who has eyes for his brother. “Incident of His Brother’s Keeper” puts Jack Lord (Hawaii Five-O) in a wheelchair. He gets nasty when Sheb Wooley takes his woman dancing. The Lord versus Clint should pay-per-view. Star Trek fans will get to see Spock vs. Clint during “Incident Before Black Pass.” “Incident of the Lost Idol” has Claude Akins (Sheriff Lobo) bounty hunting. Rawhide‘s extensive outdoor shooting makes it play more like a short movie than just a normal TV Western.

Bachelorman is a romantic comedy starring David DeLuise (Dom’s son) as a guy who knows what women need cause he worships them. He’s the second coming of The Tao of Steve with Donal Logue’s trainer. He gets involved with his neighbor (Josie and the Pussycats‘s Missi Pyle) only to discover she’s not a one night stand. Can he muster the energy to remain a swinging single? Blake Clark gets work without Adam Sandler writing the check. Clyde Kusatsu (Midway) plays the sushi making neighbor. He’s been in tons of shows over the years. Fans of naughty things on the internet will get to ogle Kira Reed. Bachelorman allows Missi Pyle to use her comic muscles for longer than her short time on Soul Plane. There are quite a few useful tips given off by DeLuise. The DVD contains the complete promo for TesteFlex.

Mister Foe is an unnerving piece of cinema from Scotland. Jamie Bell (Billy Elliot) has become a voyeur in the wake of his mother’s death. He suspects that his father’s new wife (Mallrats‘ Claire Forlani) killed her. Dad (Rome‘s Ciaran Hinds) tries to be understanding of his son’s weirdness. However the son’s peeping tom hobby is driving him nuts. It’s quite shocking to see Claire play a wicked stepmother. Her sweet face can turn diabolical. The weirdness get kicked up a notch when stepmother goes Cinemax After Dark on her stepson. Is she distracting him or just a slut? This is another small film that you’ll need to watch on your TV screen.

Hancock was such a big piece of crap that Stephen Sommers ought to have his name on him. The first half has a weird potential with Will Smith as Abel Ferrara with superpowers. Although the idea of super sperm nearly killing a woman was an old “why Superman has to pull out of Lois Lane” joke. Jason Bateman trying to clean him up was OK. When we get the plot twist with Charlize Theron, I thew up in my popcorn. Why did I think this film wouldn’t blow chunks with the star of The Wild Wild West, I Am Legend and Bad Boys II? Cause I’m a cockeyed optimist.

Horton Hears A Who proves you can make a feature length film out of a Dr. Seuss book that doesn’t get annoying like the dreadful live action Grinch and Cat in the Hat flicks. Horton goes CGI which allows them to truly explore Dr. Seuss’ illustrations without merely adapting them to human form. Horton the elephant discovers a whole world living on a speck. Everyone thinks he’s nuts including the mayor of Whoville. The Whoville folks don’t think they’re on a speck. Horton wants to put the speck in a safe place outside of his vicious jungle domain. It’s an action heavy flick with animals out to take down the weird elephant. Jim Carrey as Horton and Steve Carell as the Mayor play well of each other with their voice work. These guys should host a talkradio show. There’s enough adult level humor to make this worth watching with the kids. The DVD has tons of bonus features about the CGI work and vocal booth weirdness. You can even create your own animation. They tossed in a digital copy of the film so you can watch it on your iPod.

IN CASE I FORGET

Remember to have a great Festivus this year.

Charo has been saved for the Christmas column! Prepare to be coochie-coochie-cooooed!

TV Or Not TV: The Holiday Special (12/8 – 12/14)

Filed under: TV Or Not TV — Tags: , , — admin @ 1:21 am

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Welcome one and all to a Ho-Ho-Holiday special edition of TV or Not TV!

This week here at TV or Not TV we’re kicking off what I hope becomes an annual tradition. This week we will be looking specifically at all of the Holiday TV offerings that are avaialble to you, the loyal television viewer.

I’m sure each and every one of you reading this may have a certain TV special or movie that resides in your mind as the one that you identify with the holiday season. Maybe it is something you look forward to when it comes on the tube, maybe it is the movie you put on in order to get into the holiday spirit, maybe it is something you like to put on while you are making your Thanksgiving feast or decorating your tree. Whatever the TV special or movie is I’m sure, if you are like me, it is the one thing that you set time aside for to take your annual viewing in.

For me these memories currently span close to four decades and each new gem for me has a place on my holiday shelf as I enjoy them all. Some of the movies you may not even think of as holiday films (the original Die Hard and Lethal Weapon are great examples) but during this time of year I love them all. I don’t need ABC Family’s 25 Days of to get me through the season because of how much is out there.

It's a Wonderful LIfeOne of the movies that I always enjoy this time of year is the Frank Capra classic It’s a Wonderful Life. If you look at this film, as a whole, it is as much of a holiday film as the aforementioned Die Hard and Lethal Weapon are but because the films climax occurs on the eve of Christmas it has been widely adopted as one of the holiday staples. A copyright misunderstanding during the 1980’s also lead to the movie being played on numerous channels and numerous days during the holiday season, so much so that you could sometimes find it on more than one channel at the exact same time.

Whether you think of It’s a Wonderful Life as a holiday classic or a great american film doesn’t matter. The film represents a lot of things that we can all appreciate. The movie tells us a story of a simple man, George Bailey. George has big dreams at the beginning of the film, dreams of travel before college to become an architect or engineer and designing big buildings or bridges, all themes that can be connected to a man making his mark on the world. During the course of the film, however, George has to set these dreams aside in order to keep the family business running and ensuring his little brother has a good life. He doesn’t  pursue his dreams, he lives his life and he makes sacrifices for the greater good while constantly facing off against Henry Potter, the stingy town tyrant who is determined to own the entire town.  After his Uncle Billy makes an absent minded mistake that can ruin the family business, George reflects that his life is a failure and is about to give it all up before his guardian angel Clarence intercedes. He gives George a glimpse at what the world would be like without him, giving him true perspective on all that he truly has (a new spin on the A Christmas Carol theme). In the end everyone in George’s life steps up to help him, just as he has helped them his entire life.

I haven’t watched It’s a Wonderful Life this year, even though I have the DVD. Oddly enough just writing about it has the same effect on me as I hold back choking on emotional tears thinking of Sam Wainwright‘s telegram to George (I wasn’t kidding when I said I have a deep emotional connection to the film).  It never ceases to amaze me how a work of fiction can be soemthing that reminds us that just by being here we have an effect on the world around us, to show us that even just by doing our everyday jobs we still make a difference, and of course the reminder of how important friends and family are. All of these messages are nice to have in the face of the troubled times around us. This, if nothing else, shows why this movie is timeless.

The good news is that even if It’s a Wonderful Life isn’t your cup of holiday tea I have plenty more for you take in during this week. Unfortunately I didn’t find any instances of Christmas Vacation or Scrooged this week, which are two of my holiday must haves. Those two exceptions aside, here’s what I have found to offer.

MONDAY

ABC – 8:00 PM: Once again ABC rolls out another one of the holiday classics with A Charlie Brown Christmas. Be sure to spot the commercial where they try to get you to buy the digitally re-mastered DVD of what you are watching for free.

DISNEY – 8:00 PM: Tim Allen has to find a wife in The Santa Clause 2. Their clever use of the Mrs. Clause still makes me chuckle, but Tim Allen in the fat makeup without the beard is just plain creepy.

ABC FAMILY – 8:00 PM: Bad accents, bad acting and our introduction to Jake Lloyd are just a few of the horrors that make up Jingle All the Way. One redeaming quality is the late and great Phil Hartman‘s presence.

CARTOON NETWORK – 8:00 PM: Just in time to get the song stuck in your head for a week is the cartoon special built around Grandma Got Runover by a Reindeer. If that doesn’t make you leary enough, there’s a character named I.M. Slime. Behold the creativity at work here!

TUESDAY

FOX – 8:00 PM: House tries to bring the holidays home with this episode titled Joy to the World. The critical case of the week is a girl that collapses during her high school Christmas program.

FOOD – 8:00 PM: Enjoy two hours of food fun starting with Paula’s Cookie Swap (I thought this was like a key party with cookies, turns out I was wrong) followed by Dear Food Network: Holiday Family Traditions.

WEDNESDAY

NBC – 8:00 PM: Just when you thought your life wasn’t complete because you haven’t seen a CGI version of Danny Devito your cries were heard with the new animated special Little Spirit: Christmas in New York. I will say this, the combination of CGI rendered in the style of a traditional painting creates a very interesting aesthetic (even though everyone has a wrapped in plastic kind of sheen on them).

ABC FAMILY – 8:00 PM: It’s Rankin/Bass night with Santa Clause is Comin’ to Town followed by the confusing Rudolph’s Shiny Year and Jack Frost.

USA – 9:00 PM: If you didn’t catch the Monk holiday episode Mr. Monk and the Miracle you can watch this before the 10 PM showing of Elf.

THURSDAY

NBC – 8:00 – 10:00 PM: That’s right Comedy Done Right-ers, all of your comedies tonight have a holiday motif.

HALLMARK – 9:00 PM: Even though it’s been on once a week since Thanksgiving, you can still catch a father/daughter trying to save their Christmas theme park from a land developer in Moonlight and Mistletoe.

ABC Family – 9:00 PM: Some classics don’t need an update and Rudolph the Red-Nosed Reindeer & the Island of Misfit Toys is a great example of that. It’s interesting to see the Rankin/Bass characters rendered in CGI, but the novelty wears off quick. Your kids, however, are gonna love it.

FRIDAY

NBC – 8:00 PM: Greatest Holiday Moments is back with their hour long Songs of the Season Countdown.

CBS – 8:00 PM: Faster than you can say Happy Birthday that lovable talking snowman is back for two hours with Frosty the Snowman and Frosty Returns. Stick around for both of those and you can even take in a Finnish Flying Squirel trying to teach Niko the reindeer how to fly in The Flight Before Christmas.

AMC – 11:00 PM: Nothing says holiday fun more than hundreds of green menacing Gremlins tearing up your town on Christmas Eve.

SATURDAY

NBC – 8:00 PM: If you made it through the entire beginning of this column and it made you want to see It’s a Wonderful Life than you are in luck because it’s on tonight. I’ll be the guy that’s sobbing around 10:54 PM when they read that telegram. Sentimental HOGWASH!

FOOD – 8:00 PM: It’s another holiday food block tonight with A Neely Family Holiday, Unwrapped: Holiday Treats, and The Secret Life of…: Christmas.

TLC – 8:00 PM: If you want to be envious of other people’s holiday yard decorations (or feel good that yours are better than these) you can watch Crazy Christmas Lights.

ABC – 9:00 PM: Ben Affleck tries to get to the root of his issues with commitment and the holidays while battling whits with Tony Soprano in Surviving Christmas.

SUNDAY

BRAVO – 9:30 AM: Snuggle up with your morning cup of coffee to watch Mel Gibson try to make a drug bust in a Christmas Tree Lot in Lethal Weapon. My favorite moment is when Gary Busey answers Scrooge on the television in the question of what day it is with, “It’s FU@#ING CHRISTMAS!” before destroying the TV in a hail of machine gun fire. Ahh, the holidays.

MTV – 8:00 PM: If the CGI Danny Devito wasn’t enough for you than you can take in an animated version of Adam Sandler in Adam Sandler’s Eight Crazy Nights.

HGTV – 8:00 PM: Relive magical moments like when as kids you watched the holiday display at Higbee’s with Holiday Windows 2008.

FOX – 9:30 PM: It took a holiday edition to finally get me to mention American Dad, so that must say something. Stan, in pursuit of the perfect tree, meets an untimely end in the woods and fights the forces of good and evil in limbo.

Will Wilkins is a mean one, Mr. Grinch.

Win MR. BEAN: THE ULTIMATE COLLECTION on DVD!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 1:02 am

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We’re giving away, in conjunction with A&E Home Video, one (1) copy of MR. BEAN: THE ULTIMATE COLLECTION on DVD.

Contest ends at 11:59pm EST on Monday, December 15th.

Rowan Atkinson (Johnny English, Blackadder) stars as the iconic Mr. Bean, who never fails to leave a trail of merry mayhem — and side-splitting laughter — in his wake. His exploits have earned MR. BEAN a slew of awards and an international cult following, and now every one of his adventures is conveniently packed up in one tidy box — MR. BEAN: THE ULTIMATE COLLECTION.

Included in this collector’s set are all 14 episodes of the landmark original series that introduced Mr. Bean to an adoring, if confused, world, as well as his two feature films BEAN: THE MOVIE and MR. BEAN’S HOLIDAY. And if that’s not enough, an extra-special helping of MR. BEAN: THE ANIMATED SERIES features him in the role he was drawn to play. It all adds up to the ultimate serving of Bean ““ so pull up a chair and dig in!

Extras: Deleted Scenes; French Beans; Beans in Cannes; The Human Bean; Documentary “The Story of Bean”; Never-Before-Seen-On-TV Sketches “Bus Stop” and “Library”; Comic Relief Skits “Blind Date” and “Torvil & Bean”; “Double Trouble” Voice Recording; No Parking and The Fly Live Action Guide; OMC “I Love L.A.” Music Video; Theatrical Trailers; Mr. Bean: The Whole Bean Trailer; Mr Bean: The Animated Series Trailer; Photo Gallery; Film and Cast Biographies

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 15th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win HELLBOY II on Blu-Ray!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 12:43 am

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We’re giving away, in conjunction with Universal Home Video, three (3) copies of HELLBOY II on Blu-Ray.

Contest ends at 11:59pm EST on Monday, December 15th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 15th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win NOELLE on DVD!

Filed under: Contests — Tags: , , , — UncaScroogeMcD @ 12:36 am

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We’re giving away, in conjunction with Paramount Home Video, five (5) copies of NOELLE on DVD.

Contest ends at 11:59pm EST on Monday, December 15th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, December 15th.

The winner must allow 4-6 weeks after notification of win to receive the product.

December 5, 2008

2008 Quick Stop Holiday Shopping Guide

Filed under: Holiday Havoc,Shopping Guides — UncaScroogeMcD @ 2:11 am

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It’s that time of year again, when sites the web-over compile helpful holiday shopping lists to guide you into the deepest, darkest pits of retail with a map that will hopefully get you out alive. Here now, without further ado, is the 2008 Quick Stop Holiday Shopping Guide (and if you see anything you like, support Quick Stop by clicking through the links and order from that fine online emporium, Amazon.com)…

I’ve banged on about for years, and I’m going to keep going virtual door to virtual door until the word gets out about QI. If you’ve never heard of the UK quiz program QI, you’re missing out on one of the funniest “educational” shows ever devised (the devisee being creator/producer John Lloyd, formerly of Blackadder, Not The Nine O’Clock News, and Spitting Image). The key to QI (which stands for “Quite Interesting”) is the central tenet of its philosophy – it’s not always being correct that counts, but being interesting (and funny). The interesting nature of a given piece of information spurs conversation and debate, eventually leading round to the learning of said informational nugget. Did you know that the Earth has more than one moon, for example? Or that otters kill crocodiles? Soon to make its debut on BBC1 (with its 5th season), it’s hosted by Stephen Fry and features a rotating panel of four comedians (one of which is mainstay Alan Davies) – and it’s one of the most hilarious shows I’ve ever seen… Honestly, you’ll laugh as much as you learn, and I still hold out hope a network in the US is smart enough to pick the show up uncut, as BBC America have been nothing but boobs about it (Hello, Comedy Central! Hello, Discovery Channel! Hello, PBS! Somebody!). Until then, you can grab a copy of both the first (A Quite Interesting Game) and second (Strictly Come Duncing) interactive QI DVD games (Warner Home Video, DVD-£18.99 each), the 2-disc, feature-laden DVD sets of the first three seasons – The A Series (2 Entertain, Not Rated, DVD-£19.99), The B Series, & The C Series (Warner Music Entertainment, Not Rated, DVD-£19.99 SRP each). Keep in mind that all five of which are available only for Region 2, so make sure you have a Region Free player. For those in the US, the very first QI Book of General Ignorance (Faber & Faber, $19.95 SRP) and the follow-up Book Of Animal Ignorance (Faber & Faber, $ SRP) are available, and they’re both brilliant tomes which collect much of the interesting information featured in the first four seasons into one handy volume, plus scads more of those aforementioned nuggets of intellectual goodness. Folks in the UK (and bright, industrious Americans who know how to use the internet, HINT HINT) can get their very own copies of both the inaugural QI “E” Annual and this year’s QI “F” Annual (Faber & Faber, £12.99 each), which make the perfect holiday gift for all ages. Last but certainly not least is the Advanced Banter: The QI Book Of Quotations (Faber & Faber, £14.99 SRP), which is the most interesting compendium of clever and memorable quotes you’ll ever lay your inquisitive mind upon. By all means, learn what all the hubbub is about (and stop by the official QI site at www.QI.com).

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And while we’re on the subject of Stephen Fry, let me take a moment to heartily recommend the DVD collection of his recent documentary series, Stephen Fry In America (West Park Pictures, Not Rated, DVD-£ SRP) – also available in a beautiful Blu-Ray edition (£39.98 SRP), both for Region 2 – which finds dear Mr. Fry traversing every State in the US in his London cab, exploring the Venn diagram of American and regional identity. At the same time, be sure you get a copy of the companion book, also titled Stephen Fry In America (HarperCollins UK, £20.00 SRP), which offers deeper insight and anecdotes from Stephen on his journey.

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Few could have predicted that over 25 years later, Ralphie Parker and his Christmas quest for a Red Ryder 200-shot Carbine Action BB Gun would be a must-see holiday tradition. Based on the childhood stories of humorist Jean Shepherd, its impact continues to grow – the sales of Leg Lamps have skyrocketed, people are more conscious of eye safety, and no one will ever pronounce “Fragile” the right way again. Now, the 2-disc special edition has been repackaged as A Christmas Story: Ultimate Collector’s Edition (Warner Bros., Rated PG, DVD-$39.92 SRP) which – in addition to the bonus features on the original release (an audio commentary, Jean Shepherd radio readings, a retrospective documentary, & featurettes) – contains themed cookie cutters, a cooking apron, and a photo-filled recipe book within a collectible cookie tin. And for you high-def enthusiasts, a Blu-Ray edition is also available ($49.99 SRP), which – instead of the cookie materials – sports a set of string of miniature leg lamp lights.

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My good friend Glen Oliver and I waited years – YEARS! – for a company to treat The Final Countdown (Blue Underground, Rated PG, Blu-Ray-$34.95 SRP) with the love and care deserved of such an enjoyable cult classic. We’d suffered through the heartbreak of mediocre releases that were so bad they almost broke us. We feared there would be no one out there that would give a fair shake to the tale of a modern aircraft carrier that, via a freak time storm, is given the option of altering the events of Pearl Harbor. Just when we thought no one would step up, a light shone on the horizon… A blue one, to be exact. Blue Underground gave fans a beautiful 2-disc special edition with wonderful sound and video, plus bonus featurettes and an audio commentary with Director of Photography Victor J. Kemper. Now they’ve gone one better and ported the whole kit and kaboodle over with a new, glorious high definition transfer to Blu-Ray. It’s a must-have. On behalf of Glen and myself – plus countless fans – many, many thanks to the fine folks at Blue Underground for continuing to give the flick due respect.

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Although the story is rather flat and doesn’t hold up to much scrutiny, Sleeping Beauty (Walt Disney, Rated G, Blu-Ray-$34.99 SRP) is the one Disney film that I watch just to admire the visual design (due largely to designer Evinyd Earle) and the incredible 2:55 widescreen canvas. The new 2-disc 50th anniversary edition is sparklingly clean and pops like a champagne cork. It’s also the first of the classic Disney animated films to get the high definition treatment – and it is a wonder to behold. I can only hope the other classics in the Disney library arrive quickly (though, knowing Disney’s history, it will be a long, slow trickle). Bonus features include a never-before-seen alternate opening sequence, deleted songs, a new making-of documentary, an audio commentary, behind-the-scenes featurettes, and much more.

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I admit – I tried to avoid the pressure to fall in lock step with the “It’s the second coming” crowd who banged the drum loudly for The Dark Knight (Warner Bros., Rated PG-13, DVD-$34.98 SRP). After seeing the film – and being disappointed by so many comic adaptations that litter the recent past – Not only is it a nuanced, brilliantly acted piece of cinema, it doesn’t stab the mythos or the characters in the back to achieve it. The 2-disc special edition features making-of featurettes, the film’s IMAX scenes, Composer Hans Zimmer on scoring the Joker, 6 episodes of the faux news program Gotham Tonight, galleries, trailers, and more. The 2-disc Blu-Ray edition ($35.99 SRP) sports all the same bonus features, but in high-def. The real jaw-dropper, though, is just how spectacular the film looks and sounds. If you have the option, go Blu-Ray.

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There were plenty of worrisome moments over the past few years, where it seemed like the wonderful Walt Disney Treasures line of collector-friendly vault releases were doomed. This uncertain fate was particularly heartbreaking as it would have put the release of the complete run of Donald Duck cartoons in jeopardy. Thankfully, though, we’ve made it to the end of the Duck’s theatrical run with The Chronological Donald Duck: Volume 4 (Walt Disney, Not Rated, DVD-$32.99 SRP). The 2-disc set contains all of the shorts from the years 1951-1961, which include some rare Cinemescope outings that have been gorgeously restored. The set also features a look at the Duck’s career in comics books, animator Eric Goldberg presenting the storyboards to an unproduced short, and audio commentaries on a pair of shorts.

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The second of this year’s Walt Disney Treasures sets focuses on the most beloved of all the Mouseketeers – Annette Funicello. This 2-disc set contains the complete run of The Mickey Mouse Club Presents Annette (Walt Disney, Not Rated, DVD-$32.99 SRP), a 20-minute serial that aired during the 3rd and final season of The Mickey Mouse Club and featured Annette as a country girl gone to live with her suburban relatives. In addition to an introduction from Leonard Maltin, the set also sports a tribute to Annette.

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Finally, the third and final release from this year’s Walt Disney Treasures wave contains the complete adventures of Dr. Syn: The Scarecrow Of Romney Marsh (Walt Disney, Not Rated, DVD-$32.99 SRP). Produced for Disney’s Wonderful World Of Color, this 3-part adventure aired in 1964 and starred a pre-Prisoner Patrick McGoohan as Dr. Christopher Syn, the midnight righter of wrongs. In addition to the 3-parter as originally aired, the set also includes the feature film assembled for theatrical release in England, Walt’s TV introductions presented in widescreen, a look at the history of the Dr. Syn character, and the reasons behind the creation of Disney’s satellite studio in England.

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In a perfect world, shows like Freaks & Geeks never would have been prematurely cancelled, but in a near-perfect world, at least creator Paul Feig has carved out a niche for himself as an author who successfully mines all of the social and physical awkwardness of adolescence and turns tragedy into comedy – first in his non-fiction essays on his own childhood, and now in the laugh-out-loud functional adventure Ignatius MacFarland: Frequenaut! (Little Brown Young Readers, $16.99 SRP). When the teased and tormented Ignatius MacFarland decides that space must be kinder than his classmates, he builds a rocket ship. Unfortunately, an accident transports Ignatius – not to space, but to another “frequency” (a parallel world), where former English teacher (and frequenaut) Chester Arthur has become a dictator. Can Ignatius and another trapped frequenaut, Karen, unseat the evil Arthur and find a way to return home? Read the book and find out!

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It was only a matter of time before the classic James Bond flicks made their high definition debut, and we’ve got a clutch of 6 to ring in the holiday season. You can whet your Blu-Ray Bond appetite with the fully restored Dr. No, From Russia With Love, Thunderball, For Your Eyes Only, Live & Let Die, and Die Another Day (MGM, Rated PG, Blu-Ray-$34.98 SRP each). While all of the bonus features are basically those found on the previous standard DVD special edition sets, many of the documentaries have been remastered in high definition. The picture quality is revelatory – they certainly beat any of those viewing you might have had on standard cable during your childhood holiday season. By all means – fire up the Blu-Ray player, pull over the ottoman, and have yourself a mini-marathon.

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Now that you’ve got the adults squared away, how are you going to keep the kids occupied? How about with the newly-revamped with sound FX silly skill game, Operation ($14.99 SRP)? How’s that? Or how about an electronic edition of Guess Who? ($24.99 SRP)? With tons of faces and characters to keep kids playing into late-adolescence?

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This holiday season, I feel compelled to guide you towards a handful of UK (that’s Region 2, so be sure you have the capability to play them) DVDs from some stand-ups you should be following. First up is the latest offering from comedian Jimmy Carr, who supplements his too-numerous-to-mention hosting gigs to periodically return to the stage for some pocket money. This year, it’s Jimmy Carr: In Concert (Channel 4, Not Rated, DVD-£19.99 SRP), which features 90 minutes of scathing jocularity recorded at London’s Bloomsbury Theatre. Bonus features include a collection of Jimmy’s best audience put-downs done in various animated styles, comic strips, and alternative subtitles (be sure to check out Scouse and Polish).

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If Jimmy’s humor isn’t pitch black and acerbic enough for you, then the first live DVD from Mock The Week regular Frankie Boyle might be what you’re looking for during the bleak midwinter festivities. Titled, wouldya believe it, Frankie Boyle Live (Channel 4, Not Rated, DVD-£19.99 SRP), his caustic wit is a wonder to behold, as it leaves absolutely no taboo unmolested. Bonus features include the behind-the-scenes tour diary “F**k You Scotland”, sketches from the BBC3 comedy Rush Hour, and additional audio material.

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Another Mock The Week regular getting his very first live DVD is Russell Howard. Imagine taking the Ritalin away from a hyperactive child, then sitting him down with a bowl full sugar. That, in a nutshell, is the comedic energy you’re dealing with here – and even better, it’s intelligent comedy that belies Howard’s age (he’s younger than me, the bastard). Bottom line – pick up a copy of Russell Howard Live (Channel 4, Not Rated, DVD-£19.99 SRP), which also features a behind-the-scenes tour diary.

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To further reinforce Mock The Week as a veritable breeding ground for launching inaugural stand-up DVDs, another regular gets his first with Michael McIntyre: Live & Laughing (Universal, Not Rated, DVD-£19.99 SRP). McIntyre is another of those virtuoso comedians whose ability to entertain feels like nothing more than reflex action – the reflex action of a ridiculously talented bastard who somehow must have sucked the talent from the rest of us (a statement meant merely to assuage my bruised ego, that so much funny should exist in one cheeky fellow). This disc also features the entirety of McIntyre’s Live A The Apollo appearance.

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We haven’t run out of Mock The Weekers yet, as the host of the show has also got his second stand-up DVD dropping this holiday season. Dara O’Briain Talks Funny In London (Universal, Not Rated, DVD-£19.99 SRP) finds the sharp Irishman unloading on a whole slew of new targets.

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Surely that’s all of the UK panel show regulars, right? Well, no, because 8 Out Of 10 Cats team captain and QI regular Sean Lock has got his very own debut DVD, Sean Lock Live (Universal, Not Rated, DVD-£19.99 SRP). And now I think that’s it. Quite a lot to buy, no? And you should get every one of them.

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Oi! I almost forgot that Bill Bailey has a new DVD out, from his last stand-up tour, in the form of Bill Bailey: Tinselworm (Universal, Not Rated, DVD-£19.99 SRP). Is everybody coming out with their stand-up DVDs this year? Well, make sure you add this one to the stack, ’cause it’s a right funny affair.

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And while you’re at it, pick up the Russell Brand Menage A Trois Collection (Universal, Not Rated, DVD-£39.99 SRP), a 3-disc set collecting two of the Forgetting Sarah Marhsall star’s stand up specials – Russell Brand Live & Russell Brand: Doing Life – as well as the first season of his hilarious observational series, Russell Brand: Ponderland.

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Prior to laying eyes on the Premium Format Indiana Jones (Sideshow, $279.99 SRP), I’d considered the Premium Format editions of Darth Vader and Obi-Wan Kenobi to be Sideshow Collectible’s greatest achievements in their deluxe line. I may have to revise that assessment, but regardless, Indy belongs firmly in their company. Not only is the costume tailoring and scale issue spot-on, the likeness captured in the sculpt has to be the finest representation of Harrison Ford yet in collectible form. Edition size is limited to 3,000, and it’s every bit worth the price of picking one up.

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However, if you can’t afford the big fig, a very nice alternative is Sideshow’s 12″ Indiana Jones ($89.99 SRP). The details are just as great – it’s just the size that’s smaller. It also has a much larger edition size, of 7,500, so you’re chances of snagging one are much better.

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If you’ve yet to spend some time with the addictive fun of Nerf Darts and their accompanying launchers, rectify that particular black hole in your life with the ultimate Nerf Dart launcher – the Nerf N-Strike Vulcan Blaster ($44.99 SRP). Like a Nerf Gatling gun, it automatically fires 25 Nerf darts in a matter of seconds from an ammo belt. Where were these glorious toys when I was a kid?

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Well, Nerf even has an answer for that, too, as they’ve produced an adult version of their blasters in game form, perfect for office conflicts of domestic disputes – the Nerf Elimination Game ($19.99 SRP). What you get are 4 single-shot Nerf blasters ideal for sneak attacks sure to make the daily grind, if not better, at least tolerable.

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While I still wait (it seems) in vain for the DVD release of Car 54, Where Are You? and Sgt. Bilko, I can at least console myself by watching the complete 4-season run of McHale’s Navy (Shout! Factory, Not Rated, DVD-$44.99 SRP each). It’s basically Bilko on the water, as we follow the naval misadventures of the crew of PT-73 – a crew that included Lieutenant Commander Quinton McHale (Ernest Borgnine) and Ensign Parker (Tim Conway). Forever plotting to get McHale’s crew tossed out is Captain Binghamton (the great Joe Flynn). Fun, fun stuff. Get it!

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For criminy’s sake – it’s taken forever, but we in the US have FINALLY gotten a box set containing all of the various travel documentaries hosted by Python Michael Palin in the uber-wonderful Michael Palin Collection (BBC, Not Rated, DVD-$249.98 SRP). The set features Hemingway Adventures/Great Railway Journeys, Full Circle, Pole To Pole, Around The World In 80 Days, Sahara, Himalaya, and New Europe. The titles are also available separately, if you just need to pick up the new stuff. Either way, GET THEM.

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Even though they’ve done just about everything possible (including throwing the kitchen sink at it) to tear down the beloved characters and stories of their relaunch, time and unfortunate editorial machinations have only made the Keith Giffen/J.M. DeMatteis/Kevin Maguire run of Justice League International look all the more enjoyable by comparison. Ignore all of that Uber Final Infinite Crisis of Something Or Another business and pick up the collected Justice League International: Volume One, Volume Two, and Volume Three (DC Comics, $24.99 SRP each), which collects the first 22 issues. You won’t regret it.

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Speaking of the League, Roger Stern and John Byrne re-teamed last year for a JLA story arc that’s now been collected in JLA: That Was Now, This Is Then (DC Comics, $14.99 SRP), which finds our heroes going toe-to-toe with an ancient foe that troubled them in their early days, and threatens to destroy them in the present.

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Try as we might, there’s not doubt that this holiday season will cause at least some small amount of aggression. How to deal with it, then? Why, your very own Hulk Smash Hands ($19.99 SRP)! Unlike the original Hulk Hands from a few years back, they changed the foam construction to stuffed cloth, I guess because even if it’s Nerf, a punch might hurt just a bit. These new hands are soft… Though even in the most heated holiday battle, I’m not exactly suggesting you wallop someone with them… Unless, you know, they deserve it.

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The first major HBO miniseries to make the transition to high definition is the Tom Hanks/Steven Spielberg produced Band Of Brothers (HBO, Not Rated, Blu-Ray-$99.98 SRP). The 6-disc set presents all 10 episodes in full 1080p HD. The 80-minute documentary “We Stand Alone Together: The Men Of Easy Company”, the making-of featurette, and footage from the Normandy premiere all carry over from the original DVD release, while the Blu-Ray edition adds picture-in-picture commentary from real Easy Company veterans.

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I admit – I was wary of Wall-E. Cars had left me a little cold (and the creepy, post-apocalyptic, human-less but made by humans world it was set in was just disturbing), but Ratatouille was more enjoyable than I thought it was going to be, and my faith in Pixar was ready to be fully restored. And it was. It helps that I experienced the film sitting beside my 4-year-old nephew, who was in the process of taking in his very first movie on a movie theater’s BIG SCREEN. It was a magical time from start to finish, and the DVD brings it on home. If standard definition is still your cup of tea, then I recommend the Wall-E: 3-Disc Special Edition (Walt Disney, Rated G, DVD-$39.99 SRP), featuring an audio commentary with director Andrew Stanton, deleted scenes, a sneak peek at “Wall-E’s Tour Of The Universe”, a look at Ben Burtt’s sound design work, the “Presto” short, a brand-new short following the frustrated robot Burn-E, a look into the workings of Buy n Large, behind-the-scenes featurettes, Leslie Iwerks’s feature documentary The Pixar Story, and more. For you high-def enthusiasts, the Blu-Ray Wall-E (Walt Disney, Rated G, Blu-Ray-$40.99 SRP) features all of the bonus features of the standard edition, plus the addition of picture-in-picture storyboards and commentary on “Burn-E”, pop-up commentary, video games, 3-D set fly-throughs, and Cine-Explore with Andrew Stanton. Take your pick, but be sure to pick up at least one.

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Kudos to Stephen Colbert for reviving the tradition of a pundit holiday special – just like the George Plimpton celebrations of yore – with A Colbert Christmas (Paramount, Not Rated, DVD-$19.99 SRP). Would you believe it’s full of festive musical performances and opinionated tidings? And a video fire? BELIEVE IT!

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The fourth season of Saturday Night Live (Universal, Not Rated, DVD-$69.98 SRP) is the last to feature what’s now considered the “classic cast”, as this was the final season to feature both John Belushi and Dan Aykroyd as cast members (they would soon be off making The Blues Brothers). As far as guest hosts go, the season is absolutely stellar, with the roster including the likes of Steve Martin, Eric Idle, Michael Palin, Carrie Fisher, Fred Willard, The Rolling Stones, Frank Zappa, Elliott Gould, Walter Matthau, and the infamous Milton Berle. Musical guests included Talking Heads, Peter Tosh, Van Morrison, The Grateful Dead, Bette Midler, James Taylor, The Doobie Brothers, and more. Bonus features this go round are limited to archival cast interview footage, but something is certainly better than nothing.

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The Brits have a knack for taking the tired old sitcom format, blowing it up, and creating some absolutely brilliant television. Those bastards. Most definitely to be included in their long line of triumphs is Spaced, a show about a pair of twenty-something slackers – Tim & Daisy (Simon Pegg & Jessica Stevenson) – who pose as a professional couple in order to get a North London apartment. Sure, Tim could be a comic book artist if he tried, and Daisy’s quite a good writer, but being successful in either of those careers would mean applying themselves… By, of all things, *working*. Gah! With a gaggle of off-the-wall friends and acquaintances, if you think of it as a twenty-something Seinfeld with a postmodern pop culture twist (there are frequent surreal diversions) you wouldn’t be far off the mark. After much legal wrangling, fans and soon-to-be fans in the US can now pick up Spaced: The Complete Series (BBC, Not Rated, DVD-$59.98 SRP). In addition to the audio commentary, outtakes, feature-length behind-the-scenes documentary, deleted scenes, trailers, raw footage, and galleries found on the original UK release, the US set also includes brand new commentaries featuring special guests Kevin Smith, Quentin Tarantino, Matt Stone, Diablo Cody, and more. Try out the show – I think you’ll be pleasantly surprised. Those clever bastards.

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Just when the summer doldrums were beginning to set in, I found out just why everyone has been fawning over Mad Men (Lionsgate, Not Rated, DVD-$49.98 SRP) – the AMC series about Madison Avenue ad execs in the early 60’s. The reason why everyone has flocked to it? Because it’s one hell of a great show. Check out the first season for yourself. The 4-disc set features all 13 episodes, plus audio commentaries, featurettes, and more. The first season is also available on Blu-Ray ($49.99 SRP), with identical bonus features.

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They took a little while to wade in, but the wait was definitely worth it when one of the first two high definition releases from the cinema mavens at Criterion is their already-stunning special edition of The Third Man (Criterion, Not Rated, Blu-Ray-$39.95 SRP). The picture is just a revelation – which is certainly welcome, considering what a mood piece the film is. Bonus features are carried over from the recent revised special edition, and include a pair of audio commentaries, an introduction from Peter Bogdanovich, an abridged recording of Graham Greene’s treatment, the outstanding 90-minute documentary Shadowing The Third Man, an hour long documentary on Graham Greene from 1968, the 30-minute Austrian documentary Who Was The Third Man?, The Third Man on the radio, an illustrated production history, archival footage of post-war Vienna, a look at the foreign dialogue in the film, and Joseph Cotton’s opening narration for the US version of the film. A must-have.

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The other Criterion release to go Blu-Ray is The Man Who Fell to Earth (Criterion, Rated R, Blu-Ray-$39.95 SRP). The film itself is an odd duck. One part allegory and one part sci-fi, it was also intended as a starring vehicle for the recently Ziggy Stardust-ed David Bowie. Amazingly, director Nicolas Roeg was able to craft a masterful tale that is at the same time both beautiful and enigmatic. In it, Bowie stars as an alien from a dying planet who, upon landing on Earth, becomes a reclusive millionaire enveloped by the decadent, self-destructive lifestyle he embraces. This special edition contains the uncensored, fully restored version of the film, an audio commentary (with Roeg, Bowie, and Buck Henry), a video interview with screenwriter Paul Mayersberg, video interviews with Candy Clark & Rip Torn, audio interviews, still galleries, trailers and more.

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When I was but a wee lad still fresh in this phenom called Star Wars and eagerly awaiting the release of Return of the Jedi (we knew there was a third one coming, because they went off to save Han), one of my favorite Christmas gifts of all was the Millennium Falcon. I still remember tearing open the box and then spending what seemed like hours putting all of the decals on before finally sliding the lock-legged Han & Chewbacca into the cockpit and navigating the starship around the room courtesy of the center handle (later that morning, all of my figures took turns playing holo-chess in the cabin area while Luke whacked the training ball around). I can only imagine the jaw-dropping joy that me from then would greet the new Millennium Falcon (Hasbro, $199.99 SRP) with now. First of all, it’s immense – this thing is over 3 times as big as the original toy, and was awkward for me, as an adult, to cart around, so modern kids are going to have plenty of grounded play. The detailing is pretty damn faithful to the actual models, and the increased size means they could finally get the proportions right. Also included are both a Han Solo and Chewbacca figure, both of which sit perfectly in the cockpit. Oh, and it’s positively packed with sound effects, putting the old school Falcon to shame. This is simply an amazing toy… For kids of all ages.

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If you still haven’t treated yourself to the complete run of Monty Python, now’s the time to pull the trigger and pick up The Complete Monty Python’s Flying Circus: Collector’s Edition (A&E, Not Rated, DVD-$159.95 SRP), containing the entire 45-episode run, plus the 7 discs packed with the German special, Monty Python Live!, additional Gilliam animations, documentaries, all of Personal Best DVDs, as well as a pair of brand new documentaries.

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It’s not Wall-E, but there’s plenty of wonderful production artwork to be found in the pages of Chronicle Books’ latest Disney “Art Of” book, The Art Of Bolt (Chronicle Books, $40.00 SRP). They’re always worth picking up and flipping through.

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Also from Chronicle, you can explore the fascinating history and groundbreaking output of a true videogame pioneer in Rogue Leaders: The Story Of LucasArts (Chronicle Books, $60.00 SRP). Started in 1982, over the next quarter century there would be plenty of landmark games, including Sam & Max, Monkey Island, and a bunch of games with Star Wars in the title. The book is packed with info and concept art, and is in many ways a nice blast from the past.

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As a good friend of mine says often – and practically lives his life by – a robot makes everything better. Make your holidays better with the i-SOBOT (Thinkgeek, $179.99), and incredible RC bit of technology that can actually walk, dance, do a handstand, play air guitar, and more. You can program the 6.5″ ‘bot, or use pre-programmed actions to awe and delight. Really, this little servo-filled bugger is amazing. Where was this when I was a kid?

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I’ve made no secret in the past of my love for the various vinyl Disney figures that Medicom has been releasing in Japan and that are, thankfully, now distributed in the US by Sideshow. The Medicom sculpts are always spot-on and put any of the domestic licensees to shame. For the holidays, I wanted to spotlight a trio of Vinyl figures based on the original comic book versions of Mickey Mouse ($47.99 SRP), Minnie Mouse ($47.99 SRP) and Pluto ($47.99 SRP). Nice, aren’t they? Oh, and let’s not forget Winnie the Pooh, too ($39.99 SRP)!

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Ask people what their favorite classic film is, and most often it’s a toss-up between Citizen Kane and Casablanca. Personally, I’ve always been a Kane-ite, but Casablanca is high up on the list. Even though the film has been on DVD for quite awhile, Warner Home Video worked their digital mojo, crafting a deluxe, fully-restored special edition. The film never looked better… in fact, it almost looked *too* good. The frame is so clean, I’d almost expected to see someone wearing a digital watch. Some purists don’t like this level of restoration, but I’m all for any process that makes a film look as good as it possibly can. That restoration is now beautifully packaged in the Casablanca: Ultimate Edition (Warner Bros., Not Rated, DVD-$59.98 SRP). It features the 2-disc special edition with an audio commentary from Roger Ebert, a second audio commentary with author/historian Rudy Behlmer, an introduction with Lauren Bacall, theatrical trailers, deleted scenes and outtakes (believe it or not!), “You Must Remember This” & “Bacall On Bogart” documentaries, “The Children Remember” featurette, the Looney Tunes homage “Carrotblanca”, the radio adaptation, a still gallery, and the premiere episode of the 1955 TV series. The documentary Jack L. Warner: The Last Mogul is also included. As if that weren’t enough, the set also sports a 48-page photo book, 10 one-sheet reproduction cards, archival correspondence, a passport holder, and a luggage tag. The one to get, tough, is the Blu-Ray edition of the set ($64.98 SRP) which is just draw-droppingly wonderful.

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If Casablanca has left you wanting a little more classic cinema to explore, then you might want to pick up (be careful, though – it’s heavy) the Murnau, Borzage, and Fox box set (Fox, Not Rated, DVD-$239.98 SRP). This absolutely incredible set the two surviving works that F.W. Murnau made with Fox from 1927-1930, Sunrise & City Girl, while his lost work 4 Devils is given an exploration in both featurette form and a lavish book included in this set. Murnau protégé Frank Borzage gets ten films in the collection – 7th Heaven, Street Angel, Lucky Star, Lazybones, They Had To See Paris, two versions of Song O’ My heart, Liliom, Bad Girl, After Tomorrow, Young America, and a reconstruction of the lost film The River. The set also includes the feature length documentary Murnau, Borzage, & Fox, and a companion book. This is simply a breathtaking set.

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If you’re holiday isn’t nearly bizarre enough, achieve the proper level of bizarreitude with Aqua Teen Hunger Force: Volume 6 (Adult Swim, Not Rated, DVD-$29.98 SRP). The 2-disc set features 13 episodes, 4 of which have never been seen before. Bonus features include featurettes, oddities, and the horror that is Terror Phone.

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Yeah, I’m a sucker for the Guinness Book of World Records. There’s just something so compellingly exciting yet sad about the various and sundry attempts at dubious immortality “achieved” by the people, events, and tragedies included in the 2009 edition (Guinness, $28.95 SRP).

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Trekkies wanting to wipe the pain of JJ Abrams Trek High can take some solace playing with their very own Original Series Star Trek Communicator toy (Diamond Select Toys, $29.99 SRP). Comparing it to my prop replica of the same, the sculpt is pretty darn good, and this even features authentic series dialogue from Kirk, Spock, McCoy, Scotty, & Uhura.

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Nothing says “perfect gift” like something with no practical purpose except to entertain, and that’s certainly the case with the Stickman Action Figure (Thinkgeek, $11.99), which allows you to pose the hapless Stickman and create your own custom caution sign. Mine is currently staring at the computer, traumatized by the economy.

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Home Movies is one of those shows that – despite making it 5 seasons – was cancelled before its time. Victim of apathy at Cartoon Network (a few influential individuals though it didn’t fit into their vision for the Adult Swim line-up), the animated adventures of budding filmmaker Brendon (Brendon Small) who, along with his friends Melissa (Melissa Galasky) and Jason (H. Jon Benjamin), crafted some truly Ed Wood-ian movies, was one of the most well-written character pieces ever to grace the small screen (be it live action or animation). The most vibrant character, though, would definitely have to be the kid’s gym teacher and emotional man-child, Coach John McGuirk (Benjamin, again), who had designs on Brendon’s single mother. Discover the series via the now comprehensive Home Movies: 10th Anniversary set (Shout! Factory, Not Rated, DVD-$129.99 SRP), containing all of the episodes plus audio commentaries, interviews, short films, easter eggs, a clapperboard, and a Coach McGuirk tote bag.

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For the little kiddies on your list, the Beeb have released the complete first and second seasons of their Disney Channel hit Charlie and Lola in one handy-dandy set (BBC, Not Rated, DVD-$79.98 SRP). The set features all 8 previously released single-disc volumes.

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I caught an episode of Yo Gabba Gabba! the other day, and if any show can rightfully claim the mantle of “Kiddie Show Beloved By Stoners”, it’s this intriguingly bizarre combination of music and costumed characters, If you doubt me, check out Yo Gabba Gabba!: The Dancey Dance Bunch! (Paramount, Not Rated, DVD-$16.99 SRP). The sole bonus is a “Meet The Dancey Dance Bunch!” featurette. Oh, and good times. The show’s first album is being released digitally on iTunes, as well – titled, shockingly enough, Yo Gabba Gabba.

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After her turn in the Christmas special “The Runaway Bride”, some were worried about Catherine Tate reprising her role of Donna Noble as the 10th Doctor’s new companion in the fourth series of Doctor Who (BBC, Not Rated, DVD-$99.98 SRP). I’m happy to report that those fears quickly dissipated right from the get-go, as Donna – and Tate – proved to be one of the Doctor’s finest companions in a season that saw the return of the Sontarans and Davros, plus a few more surprises to boot. The 6-disc set features all 14 episodes plus audio commentaries, deleted scenes, video diaries, the Children In Need special “Time Crash”, a retrospective featurette, Doctor Who Confidential, teasers, and trailers.

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I’m going to give you one reason – and one reason only – to pick up Cartoon Network’s Chowder: Volume 1 (Warner Bros., Not Rated, DVD-$14.98 SRP). However, it is a compelling reason, and one that can not be ignored. It refuses to be ignored! In fact, the reason will grab you by the collar and drag you to your nearest DVD emporium. That reason? One of the main characters on the show is voiced by none other than Dana Snyder. That’s right. Now do you see?

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If your idea of chestnuts roasting by the open fire is spending time with a vengeful Vietnam vet, then you’ll probably want a copy of Rambo: The Complete Collector’s Set (Lionsgate, Rated R, DVD-$49.99 SRP), featuring all four flicks starring Sylvester Stallone as John Rambo – First Blood, Rambo: First Blood Part II, Rambo III, and Rambo). The 6-disc set contains the feature-laden ultimate editions of all four films. Also available is a Blu-Ray edition of the set ($49.99 SRP) with identical bonus features, in uber-sharp high-def, but without the most recent film.

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I’ll be honest with you – Freaks and Geeks was a painful show to watch when it originally premiered (for far too brief a life) on NBC in the Fall of 1999. It was painful because I could relate to every bit of the awkward adolescence that the characters on screen were going through – my high school years were reflected in the tribulations of Sam and Lindsay Weir, and their assorted friends and enemies. Freaks and Geeks was the first (and so far only) show that presented the teenagers as they really are, and what high school is really like. And it was painful to see that on screen, because it dredged up my bitter memories of gym class, of disastrous social situations, and just the perpetual teenage ennui. But the beautiful part is that once you get past the pain it dredges up, Freaks and Geeks became a catharsis. It became a way of measuring your growth as a person against the mirror being presented on screen. And it was a damn good show, to boot. Well-written, funny, and emotional, it was… Well, it was life. Not a comedy, not a drama, and nothing as hackneyed as a “dramedy,” it merely existed as one of the most well-crafted shows ever to get slaughtered upon the network altar of quick returns and poor judgement. Credit goes to creator Paul Feig and producer Judd Apatow for giving us a glimpse of greatness, however briefly it shone. Of course, the coda on all of this is that we eventually got the long-awaited DVD set, collecting all 17 episodes (with their original period song-packed soundtracks intact) alongside a ton of bonus features. Originally a limited edition, now the general public can purchase the 8-disc special Freaks & Geeks: Yearbook Edition (Shout Factory!, Not Rated, DVD-$169.98 SRP). Packaged in a replica of the William McKinley High School Yearbook and containing 2 additional discs crammed full of cool bonus materials, the regular bonus features carried over from the 6-disc set are the audio commentaries – each episode features at least one audio commentary (while some feature more than one) from the cast, crew, executives, and sometimes the characters themselves.

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For the headbanging Adult Swim fan on your shopping list, there’s the uncensored complete second season of Metalocalypse (Turner, Not Rated, DVD-$29.98 SRP). The 2-disc set features all 19 episodes, plus loads and loads of features sure to blow your mind.

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Make the season shagadelic (yes, I just used that old chestnut) with the high definition release of The Austin Powers Collection (New Line, Rated PG-13, Blu-Ray-$74.98 SRP). That’s right – you can now get Austin Powers: International Man Of Mystery, Austin Powers: The Spy Who Shagged Me, and Austin Powers In Goldemember in all their Blu-Ray glory, featuring the same bonus materials as the standard editions. Groovy! (Yeah, I used that, too.)

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It’s a Yabba Dabba good time for Hanna-Barbera fans with Flintstones: The Complete Series (Warner Bros., Not Rated, $129.98 SRP), a colossal slab of a set containing the entire run of the Stone Age family’s classic 60’s series. Bonus features are identical to the previously released individual sets, but this package does come in a plastic case sculpted like the Flinstone’s TV set.

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Comprehensive box set fever has also hit Will & Grace (Lionsgate, Not Rated, DVD-$249.98 SRP), with the entire 8 season run housed in one massive, 32-disc block. If you’re thinking “But I already own all of the seasons!”, wouldn’t you know that they’ve gone ahead and put an exclusive bonus disc in the set with brand new bonus features.

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While kudos must go to Rhino for keeping the Mystery Science Theater 3000 DVD releases coming over these long years since the show’s cancellation, the show’s new DVD home – Shout Factory – has really elevated the game with their Mystery Science Theater 3000: 20th Anniversary Edition (Shout Factory, Not Rated, DVD-$49.98 SRP). They continue the Rhino precedent of releasing 4 episodes at a time spanning the 10-year run of the show – this set includes First Spaceship on Venus, Laserblast, Werewolf, and Future War – but they’ve also gone to town with the bonus materials. Not only is there a feature-length 3-part documentary on the history of the show, the 20th anniversary panel from the 2007 San Diego Comic-Con, and a compilation of all the show openings, but the whole kit and kaboodle comes bundled in a collectible tin with postcards AND a pretty damn spiffy Crow T. Robot figurine. Support this with your purchase, and keep the classic releases coming.

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Glad tidings from the folks at Cinematic Titanic (MST3K creator Joel Hodgson and alums Trace Beaulieu, Josh Weinstein, Frank Conniff, and Mary Jo Pehl) comes in the form of a fresh take on that horrid holiday perennial, Santa Claus Conquers The Martians (Cinema Titan LLC, $14.99). MST fans will remember it as a classic episode, and this new edition features all-new riffs that make it a must-get disc. Just make sure to lay off the candy canes and nog before you give the flick a spin, as the very sight of Dropo’s awkwardly unfunny goofiness is sure to make it all come back up.

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When HBO’s brilliantly dark western Deadwood began its first season, the time was only a few weeks following the massacre of Custer’s troops in 1876. Into the lawless South Dakotan town rode two men – one a bitter ex-lawman, and the other a man looking to start a new life – and both ran afoul of the local heavy who owns half the town. What followed was an epic drama of operatic heights, and one you can watch in its entirety with Deadwood: The Complete Series (HBO, Not Rated, DVD-$179.97 SRP). The 19-disc set features all 36 episodes, audio commentaries, featurettes, interviews, and an exclusive bonus disc with creator David Milch discussing the season’s conclusion, a historical featurette on the real Deadwood, a Q&A with the cast & creative team, the Al Swearengen audition reel, and a 360-degree tour of Deadwood.

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Ah, but that isn’t the only HBO series you should be picking up. Empty out your wallet at the same time by snagging The Wire: The Complete Series (HBO, Not Rated, DVD-$249.98 SRP). That’s right – all 60 episodes of the epic tale in one 23-disc box, with an exclusive bonus disc filled with a trio of prequels and a gag reel.

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If you’ve been patiently avoiding the single-disc releases for the next seasonal batch of that happy chap that lives in a pineapple under the sea, then you’ll rejoice in your purchase of SpongeBob Squarepants: Season 5 Volume 2 (Paramount, Not Rated, DVD-$26.98 SRP), whose 2 discs feature 21 episodes.

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If you want your holiday gift-giving to be full of blood, battle, and none-too-thinly veiled homoeroticism, then you’re probably going to want to pick up the 300: Limited Collector’s Edition (Warner Bros., Rated R, DVD-$49.98 SRP). In addition to the original 2-disc special edition with an audio commentary and bonus materials galore, the set contains a brand new bonus disc with a look at the 300 legend and its filtering through history, graphic novel, & film. If that weren’t enough, you also get a 52-page photo/art book, 6 photo cards, and a lucite-encased lenticular display from the film.

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Every comic book series seems to be getting the snazzy deluxe treatment nowadays – with some bewildering choices – but certainly deserving of the honor is Mike Mignola’s Hellboy. The clothbound, hardcover Hellboy Library Edition: Volume 1 (Dark Horse, $49.95 SRP) contains the first two Hellboy mini-series – “Seed Of Destruction” and “Wake The Devil” – printed in oversize 12″x9″ with brilliant reproduction. The Hellboy Library Edition: Volume 2 (Dark Horse, $49.95 SRP) contains all of the short stories that made up the bulk of the late 90’s Hellboy material, including “The Chained Coffin” and “The Right Hand Of Doom”. There are even a clutch of bonus materials, including sketchbooks. Perfect for the library.

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The Day The Earth Stood Still (Fox, Rated G, DVD-$19.98 SRP) is director Robert Wise’s classic (and extremely relevant) tale of mankind’s first encounter with an alien being, whose enigmatic agenda leads a fearful world to turn to violence – even though the alien may be their only hope for survival. The new 2-disc special edition DVD features fully restored picture and sound, an audio commentary with Wise and Nicolas Meyer, a “film historian” commentary, featurettes, a 1951 Movietone Newsreel, still galleries, trailers, and more. A Blu-Ray edition is also available ($34.99 SRP), and is worth the addition to the library.

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I’ve spoken in the past of just how much I love the mental acrobatics of magician Derren Brown, but one of the sore points is that his specials have been absent from DVD even as his series have gotten released. Well, all of that is rectified with Derren Brown: The Specials (Channel 4, Not Rated, DVD-£29.99 SRP) – a 2-disc set that collects Russian Roulette, Séance, The Heist, and The System. Sadly, the set is missing the specials The Gathering and Messiah and has zero in the way of bonus features, but it’s still better to have something rather than nothing (with the hope the rest will come eventually).

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As a child of the 80’s, I was absolutely taken with Ghostbusters when it came out. I had the toys, I used to pretend I was a Ghostbuster, and before everything turned sour with Ghostbusters 2, I delighted in the Saturday morning adventures of the guys on The Real Ghostbusters. After a few disappointing single-disc collections from Sony, Time Life has hit the ball out of the park with the wonderfully packaged The Real Ghostbusters: Complete Collection (Time Life, Not Rated, DVD-$179.99). The 24 disc set features all 134 Real Ghostbusters episodes, 13 Slimer! episodes, episode introductions, visual commentaries, isolated music & effects tracks, featurettes, interviews, and much more. There’s also a set-exclusive bonus disc with the original promo pilot (with visual commentary), extended interviews with the cast and crew, the DVD promo trailer, a title card slideshow, the series bible, and storyboards for the pilot promo. Kudos must go to Andy Mengels, the special features producer, for putting together such an amazing package. Did I mention that all 5 volumes come packed in steelbook tins, housed inside of a box representing the firehouse?

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I’d say that watching George Carlin’s 14th and final HBO special was a bittersweet affair, but it seems like such an inappropriate word considering just how funny It’s Bad For Ya (MPI, Not Rated, DVD-$19.98 SRP) is, even compared to Carlin’s incredible catalogue of work. It’s certainly a good feeling to know that he went out at the top of his game in topics ranging from politics and religion to children and, yes, death. Bonus features on the disc include selections from the Archive of American Television’s 3-hour interview with Carlin, as well as his January 25, 1969 appearance on The Jackie Gleason Show. And, while you’re picking this disc up, be sure to snag a copy of the classic Carlin on Campus album (Laugh.com, $12.98 SRP), featuring such classic routines as “An Incomplee List Of Impolite Words” and “Baseball and Football”.

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A long time ago, not too terribly far away, there was a company that produced some of the most wonderful and faithful Star Wars prop replicas to be had. Sadly, due to corporate issues both various and sundry, the timeliness of the releases began to wane, and then the company decided to drop the license entirely. What became of it? Well, the core group who handled the license at that other company decided to strike out on their own, and they formed eFX Collectibles. Out of the gate, they’ve created a prop replica of the Star Wars Clone Trooper helmet circa Attack Of The Clones ($429) – which is unique in that all of the Clone Troopers in the film were digital, so this is the first “real” CT helmet. My feelings for the movie aside, right out of the gate eFX has done a stunning job on the helmet itself, which is fully padded (and fully wearable) and even features a red LED light on the back, as it did in the film. The edition size is limited to 1,000, so you’d better act fast. The company has some big plans for the future (check out their Ralph McQuarrie-inspired Vader helmet), and should be on your “will drop plenty of dough on…” list.

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I remember always looking forward to watching Mr. Bean whenever it would air on HBO (remember that?). Rowan Atkinson’s devilish character never failed to entertain. Like an ersatz Harold Lloyd, Bean is an almost silent physical comedy, and I’m delighted that all 14 episodes are on DVD in Mr. Bean: The Ultimate Collection (A&E, Not Rated, DVD-$69.95 SRP). If that weren’t enough, the set also features both Mr. Bean feature films – Bean: The Movie & Mr. Bean’s Holiday – and 9 animated episodes. Special features include the 40-minute documentary “The Story of Bean,” never-aired sketches “Bust Stop” and “Library,” the Comic Relief skits “Torvill & Bean” and “Blind Date,” a photo gallery, deleted scenes & trailers on the films, and more.

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For all of the dramatics found in the stage and screen versions of Frost/Nixon, the kinetics found in the actual interviews – collected for the first time on Frost/Nixon: The Original Watergate Interviews (Liberation Entertainment, Not Rated, DVD-$24.95 SRP). You can find out the mechanics of how the interviews happened in the film, but to watch David Frost set up a most ingenious honeypot and admit the failings of not only his administration, but also himself, is an amazing thing to behold.

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There’s nothing quite like seeing the stop motion magic of Ray Harryhausen in high definition, which is exactly what fun you can have with the Blu-Ray Ray Harryhausen Collection (Sony, Not Rated, Blu-Ray-$107.95 SRP), which features the deluxe special editions of Earth Vs. The Flying Saucers, It Came From Beneath The Sea, 20 Million Miles To Earth, and The 7th Voyage Of Sinbad. Also available is a Ray Harryhausen Gift Set (Sony, Not Rated, DVD-$80.95 SRP), featuring the standard edition DVDs of Earth Vs. The Flying Saucers, It Came From Beneath The Sea, and 20 Million Miles To Earth, plus an incredibly cool 12″ statue of the monster Ymir.

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Rights issues prevent regular Rifftrax commentaries from being released as physical DVDs with the movies they’ve riffed, but no such issues exist with the public domain short subjects Mike, Kevin, and Bill have been doing over the past year. What does that mean, exactly? That means we get almost 90 minutes of goofy fun with The Best Of Rifftrax Shorts: Volume One (Legend Films, $14.99). That’s 9 whole shorts on everything from patriotism and juvenile crime to proper shopping techniques and canine racism.

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Transformers fans both young and old will have something to snag this year, with the younger crowd enamored of the current Transformers Animated series able to get their very own talking, and incredibly large Roll Out Command Optimus Prime (Hasbro, $49.99 SRP), who actually begins his transformation process from big rig to robot as you roll him across the floor. The sculpting on the toy fixes most of the more awkward design deficiencies of the cartoon, but the main key here is that my nephew is intent on asking Santa for one of his own.

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For old-timers with too much nostalgia and cash on hand, there’s the 25th Anniversary Optimus Prime ($69.99 SRP) – a perfect reproduction of the original G1 Optimus that was the lynchpin of every kid’s Transformers toy collection. This is an exact repro of the Prime I owned – including the trailer and its launchable roller vehicle. It may not b accurate to the G1 cartoon designs (which was recently rectified with the wonderful Optimus Masterpiece edition), but this certainly brings out all the warm fuzzies in my pop culture-infused heart.

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You may not think “horror” when you think “holidays”, but John Carpenter’s The Thing (Universal, Rated R, Blu-Ray-$29.98 SRP) is certainly in a class of its own. You can now experience all of the arctic psychological terror in full high definition courtesy of the new Blu-Ray edition. The audio commentary from the standard release carries over, and interviews with the cast and crew are now integrated into a picture-in-picture feature.

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The “Judd Apatow” brand of comedy has always been hit or miss with me, but when it does hit a sweet spot – as it does with Forgetting Sarah Marshall (Universal, Rated R, Blu-Ray-$39.98 SRP) – it best exemplifies how many levels a good comedy can work on, from slapstick to true drama. Penned by and starring Freaks & Geeks alum Jason Segal, it’s the story of one schlubby man’s attempt to get over a break-up by traveling to Hawaii – and running right into his ex (Kristen Bell) and her new beau (Russell Brand). Will he find new love in Hawaii with a hotel staffer (Mila Kunis, who continues to grow as an actress the more I see her in)? What do you think? The extended cut Blu-Ray edition features a visual audio commentary, picture-in-picture behind-the-scenes footage, deleted scenes, video diaries, featurettes, a gag reel, karaoke, and more. While you’re at it, pick up the Blu-Ray edition of Apatow & Rogen’s Knocked Up (Universal, Not Rated, Blu-Ray-$29.98 SRP), featuring the unrated version of the film, an audio commentary, deleted/alternate scenes, featurettes, video diaries, gag reels, and more.

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If you’re not all politicked out this holiday season, then you might want to pick up the JFK: Collector’s Set (Warner Bros., Rated R, DVD-$39.98 SRP). Not only does the set feature the previously released 2-disc special edition of Oliver Stone’s film, plus the documentary The Kennedys: America’s Emerald Kings. If that weren’t enough, the set also contains a 44-page book of rare behind-the-scenes photos, photos, and reproductions of letters written to and from Kennedy. A Blu-Ray edition is also available ($34.99 SRP) containing identical bonus features.

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Fans of Jack Sparrow can now get the entire swashbuckling trilogy – The Curse Of The Black Pearl, Dead Man’s Chest, & At World’s End – in high definition courtesy of the Blu-Ray Pirates Of The Caribbean Collection (Walt Disney, Rated PG-13, Blu-Ray-$ 82.99SRP). The bonus features pretty much identical to the standard edition DVDs, but the visuals and sound are the real draw here.

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Eager to suck every last nostalgic dollar out of my long-suffering wallet, the re-launched classic GI Joe line that hooked so many kids in the 80’s is still going strong, with their lovingly updated versions of old school favorites. This year has brought – alongside the regular figures ($5.99 SRP each) – the addition of vehicles, including the Cobra HISS Tank ($14.99 SRP). And, just like in the old days, it comes with the Cobra HISS Commander figure.

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There are some flaws here and there, but I was incredibly impressed with The Incredible Hulk (Universal, Rated PG-13, Blu-Ray-$39.98 SRP). Whoda thunk that, oh, just being faithful to the character and its history would be the right way to go? WHO WOULD HAVE THOUGHT SUCH A BIZARRE NOTION WOULD BE TRUE? You know, besides intelligent people who aren’t Avi Arad or Tom Rothman. This flick erases the abysmal Ang Lee Hulk from memory, and sets a redo template I can only hope will soon be applied to Fox’s bastardized Fantastic Four and X-Men. The Blu-Ray edition features an audio commentary, deleted scenes, making-of featurettes, a gallery of comic images that inspired shots in the film, an interactive character dossier, and more.

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It’s certainly a case of diminishing returns, but the Brendan Fraser-led Mummy films are a far sight better than the cursed Kingdom Of The Crystal Skull, and there’s no better way to watch the technical hoo-ha at hand than via the Blu-Ray editions of The Mummy and The Mummy Returns (Universal, Rated PG-13, Blu-Ray-$29.98 SRP each). Bonus features include audio commentaries, behind-the-scenes featurettes, deleted scenes, outtakes, and more.

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Previously only available as a Time Life exclusive, now one and all can pick up the complete Man From U.N.C.L.E. (Warner Bros., Not Rated, DVD-$199.92 SRP). The classic 60’s spy series comes housed in the kind cardboard briefcase familiar to anyone who owned a portable kiddie record player, and contains 41 discs with all 105 episodes, plus the original color pilot, the feature One Spy Too Many, behind-the-scenes featurettes, retrospective interviews, award show excerpts, galleries, and more.

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Every once in a while, a truly spectacular, must-have catalogue release makes its way to DVD. Add to that exclusive list the Blu-Ray edition of the Cinerama epic How The West Was Won (Warner Bros., Not Rated, DVD-$34.99 SRP). Meticulously restored and remastered, the 2-disc special edition features a new commentary, a documentary on the film’s Cinerama experience, the theatrical trailer, a reproduction of the original souvenir book, photo cards, and a reproduction of the original pressbook. You even get the option to watch the film in “Smilebox”, which approximates the experience of seeing the film on Cinerama’s curved screen. Truly stunning, and a requirement for any film library.

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Just when you think that there can’t possibly be another collectible line that will hook you, along comes Mighty Muggs ($9.99 SRP each) – 6″ cartoony versions of all your favorite characters, from Darth Vader and Indiana Jones to Spider-Man and Captain America. As soon as you see one of these addictive little bastards, you’ll want them all. Devious!

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And just as subversively cute and irresistible are the various tiny, cartoony “Heroes” lines by Hasbro, featuring well-known characters in kiddie-friendly tooned-up forms and sold in ready-for-fun two-packs ($5.99 SRP each). Marvel Comics characters are featured in the “Super Hero Squad” line, Indiana Jones has “Adventure Heroes”, The Transformers are featured in “Robot Heroes”, and GI Joe has now got “Combat Heroes”. Forget the kids – how can you not pick up Lil’ Cobra Commander?

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You know, Will Smith’s I Am Legend is actually a decent adaptation of the Richard Matheson novel – up to a point. That point is when we leave behind Smith’s Dr. Robert Neville – who has stayed behind in a decimated New York City to try and find the cure for a virus that has wiped out mankind, leaving a small survivor base of violent humanity, the immune Neville, his dog, and the hope of more people out there somewhere. The film begins to flail about in the cesspool of Hollywood mediocrity when the crappy CG infected monstro-humans show up, with their implausible anaconda mouths and plastic skin. It’s a shame it all falls apart, because they had something there. See for yourself with the new I Am Legend: Ultimate Collector’s Edition (Warner Bros., Rated PG-13, DVD-$49.98 SRP), which features a new 3-disc edition with an audio commentary, deleted scenes (with optional commentary), the alternate ending that hews closer to the book, a making-of documentary, a look at the science of the film, a quartet of animated comics, and the theatrical trailer. In addition, the set contains a 44-page concept sketch book, 6 art cards featuring cities devastated by the plague virus, and a lenticular. A Blu-Ray edition of the set ($59.98 SRP) is also available.

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And now, because I have to shop for little nephews, how about a digression into some toys geared towards the little ones on your list? In fact, the first pair of items comes from that somewhat disconcerting yet oddly ingratiating Nick Jr. show The Wonder Pets. First off is the titular rescuers in their Fly Boat ($19.99 SRP). Featuring 3 removable heroes, lights, and sounds, it’s sure to delight junior fans. But if that’s simply not enough, you can also pick up “This Is Serious” Ming Ming ($34.99 SRP), a large plush that sings, talks, and shows off her rescue moves.

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For the slightly older kids, there’s the Go Diego Go Animal Rescue Railway Track Set ($49.99 SRP), which features 3 cars, track, rescue environments, and a Diego figure that is sure to make kids go “Thomas who?” And toy that comes with monkeys is definitely a keeper.

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He has yet to make the transition to the US, but Alan Carr – currently riding high in the UK – is a comedian worth keeping an eye on, should he make his way across the pond. Until then, I’d certainly recommend you pick up a copy of his first stand-up DVD, Tooth Fairy (Universal, Not Rated, £19.99 SRP), as well as his recent autobiography, Look Who It Is! (Harper Collins, £18.99 SRP), and keep an eye on him.

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Let pure evil keep your tootsies warm with the big and fluffy Evil Stewie Slippers ($11.99 SRP) that I’m sure will be embraced by the Family Guy fan in your family. Who likes evil. You know who that is.

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It’s goofy, but darned if my nephews don’t have a ball (no pun intended) with Gator Golf ($19.99 SRP). It’s like an executive putter for the preschool set, as kids can face off against each other by putting a golf ball into a giant orange alligator head, and you can save all the money you’d otherwise spend on a trip to put-put. A perfect gift!

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this holiday season. See ya next year…

-Ken Plume

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December 4, 2008

Ken P. D. Snyde-Cast #72: Neverending Stories

Filed under: Ken P.D. Snydecast — UncaScroogeMcD @ 9:14 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #72: Neverending Stories – Ken & Dana return with an episode that shatters all previous records, and provide those who desire nothing more than conversational background noise the ability to work for a really, really long time without getting up. Oh, and they talk about stuff.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #72 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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Bagged & Boarded 10: To All My Brooklyn

Filed under: Bagged & Boarded — UncaScroogeMcD @ 8:39 pm

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #10: To All My Brooklyn – In which Matt and Jesse take a break from comedy (sorry kids) to get real about some very real subjects, on a very special episode. Dig it.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #10 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-10.mp3]

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Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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Cabin Fever #48: Sex, Ramps & Videotape

Filed under: Cabin Fever — Tags: , , , , , , — UncaScroogeMcD @ 1:56 am

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #48: Sex, Ramps & Videotape – After a week’s hiatus, The Fever returns with a bumper installment, minus Texas-bound Aaron. Brian, Shona and Bruce attempt to make do with tales of ramps, sticks, and flashlight sex aids. Also, the trio try to get to the bottom of Prison Break’s all-encompassing crapness.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #48 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_48.mp3]

SUBSCRIBE
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Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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