FRED Entertainment

October 23, 2008

Cabin Fever #45: Scotch Mist

Filed under: Cabin Fever — UncaScroogeMcD @ 3:07 am

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent πŸ˜‰

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #45: Scotch Mist – Our dynamic duo are once again joined by everyone’s favourite Irish lass, and together they tackle and taste test some traditional Scottish treats. Ireland’s recent political turmoil also gets a mention, plus there’s some musical goodies from the cabin crew themselves. Additional music is provided by 1,000 Hours.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #45 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_45.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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CLICK HERE FOR THE CABIN FEVER ARCHIVES

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October 21, 2008

Masters Of Song Fu #2: Final Challenge Voting Begins!

Filed under: Masters Of Song Fu — UncaScroogeMcD @ 11:52 pm

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We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a brand new form of creative combat here at the Stop. You’ll find the very first of these competitions here.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

A week back, we sent out the call for challengers. Hundreds of you heard the call and fought for a chance to be in the initial group. 20 were selected. Of those 20, only 13 responded in time (Them’s the breaks).

Like a songwriting version of Iron Chef, these challengers were presented with a very specific songwriting challenge, and given one week to complete their songs – however they saw fit, within the parameters set forth. Here’s the Round 1 Challenge…

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ROUND 1 CHALLENGE

This is going to seem to be a rather straightforward challenge to kick off our second Song Fu competition. In actuality, it’s a pretty darn interesting way to give people a sense of just what your songwriting personality and style is. We’re taking a cue from a fellow named Paul Simon

Your first challenge is to WRITE A SONG ABOUT THE MOON.

That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.

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After one week of intense campaigning and voting, we eliminated the bottom vote-getters – leaving only 6 competitors (5th place was a tie) to move on to… ROUND 2. The remaining Challengers and our Masters were then presented with their Round 2 Challenge…

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ROUND 2 CHALLENGE

Your challenge is to choose a famous inventor and craft a song proposing a “dance craze” based on either the inventor or one of his/her most well known inventions. For an idea of what we’re looking for, here’s a song proposing the ill-fated “Lurch”…

Your song must run no shorter than 1 minute 45 seconds.

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Your votes were tallied, and the top two Challengers from Round 2 moved on to battle head-to-head in ROUND 3…

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ROUND 3 CHALLENGE

For this Challenge, not only are we going to provide you with a theme and style, but we’re also going to give you the title. Your task is to write a song that utilizes all of the provided elements.

For this Round, we’re paying homage to the country balladeer greats “β€œ people like Jerry Reed, Waylon Jennings, and Roger Miller. Your task is to write a country ballad – using a backstory of your own creation “β€œ called “The Ballad of Rufus Amos Adams”.

Your song must run no shorter than 1 minute 45 seconds.

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Well, you voted on the Round 3 Challenge HERE. You chose one Master and one Challenger to battle head-to-head in the final challenge…

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FINAL CHALLENGE

THE SONG FROM (aka 70’s Cinema Pop): For this final duel between Master and Challenger, you must envision a world in which composer John Williams was never hired to write the now-iconic scores for the Lucas and Spielberg films of the 1970’s (JAWS, CLOSE ENCOUNTERS OF THE THIRD KIND, 1941, and STAR WARS). Imagine instead that the filmmakers decided to go with that other staple of the 70’s – a tailor-made pop tune. Think THE POSEIDON ADVENTURE’s “The Morning After (The Song From THE POSEIDON ADVENTURE)”, which you’ll find below. You must choose one of those 1970’s Williams-scored Spielberg/Lucas flicks and write “The Song From…” that the film never had, in the style of a 1970’s pop tune (particularly in your instrumentation).

The song must be at least 1min 45sec, and must be an original creation.

[flashvideo filename=”http://asitecalledfred.com/songfu/02song4/maureen_mcgovern-the_morning_after.mp3″ width=”460″ height=”20″ /]

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And now, their fate will be determined by you, as you vote for the winner of our 2nd MASTERS OF SONG FU. You’ll find the Final Songs below, followed by the voting form…

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MASTERS OF SONG FU

For this edition of Song Fu, we’re bringing in two (well, 5, if you’re being technical) very special Masters who you’ll be going up against. Think of them as the iron chefs of Song Fu, and your ultimate challengers, as you’ll square off against one of them mano-a-mano in the Final Round:

THE RIFFTONES

songfu-rifftones.jpgYou know ’em as the RiffTrax trio, but here at Song Fu they are the mighty RiffTones…

MICHAEL J. NELSON – Michael J. Nelson is the creator of Rifftrax.com, and is the former host and head writer of the Emmy-nominated, Peabody Award-winning Mystery Science Theater 3000. Since that time, he has appeared on numerous radio and TV shows, penned a regular column for TV Guide, and authored best-selling books for both HarperCollins and Abrams.

His first book, Mike Nelson’s Movie Megacheese, thrilled critics, including Richard Schickel of Time Magazine, who said of Mike, “He’s more fun than a barrel of Val Kilmers… Smarter than a roomful of Patrick Swayzes… and almost as hilarious as Keanu Reeves.” Mike’s laugh-out-loud follow-up, Mind Over Matters, prompted Kirkus Reviews to enthuse, “From someplace called Minnesota comes a Nelson funnier than Ozzie, Ricky, Lord or Half,” and even dared to compare him to another legendary writer, saying of his Serious Speech to Business People, “[It] could easily precede [Robert] Benchley’s immortal Treasurer’s Report.” And Kirkus Reviews loved his novel, Death Rat!, saying, “Fast-paced, outrageous and funny, first-novelist Nelson’s mockery of media mendacity is as biting as La Dolce Vita or Network – only funnier!”

Mike speaks all over the country, is a frequent guest on radio and television, and along with Bill Corbett and Kevin Murphy sells out theaters with his RiffTrax Live events.

KEVIN MURPHY – “I’m probably best known for portraying that ol’ squat loveable bubble-headed robot Tom Servo on Mystery Science Theater 3000. In fact I’m the only member of the cast and crew to have worked on every single episode of the series, probably because I tend to like everybody. I also got to sing at the drop of a hat and collaborated with the lovely, leggy Mike Nelson on many of the show’s songs.

Right now I’m back with Mike and Bill for www.rifftrax.com , where once again we sit in close proximity to each other and make fun of movies; unfortunately we don’t write a lot of songs… yet. To exercise my musical jollies I occasionally write and record solo and with family members, under the name The Revolutionary Communist Mountain Boys. Oh, and I’m also writing my first comic book series, symptomatic of my terminal case of Adult-onset Geekdom.

BILL CORBETT – Beloved by literally billions of people, Bill Corbett is a former writer for Mystery Science Theater 3000 on the Sci-Fi Channel, and previously on Comedy Central. He was also a performer on the show, providing the second incarnation of the robot Crow and embarrassing himself in grand fashion as other strange characters – including the all-powerful but clueless alien The Observer, a.k.a. “Brain Guy.” Bill has always been an amateur musician (cough cough HACK cough cough), performing with garage-less garage bands, and writing / performing songs for MST3K – including the beloved-by-literally-trillions CANADA SONG. He now works with former MST3K colleagues Michael J. Nelson and Kevin Murphy at Rifftrax.com.

Corbett is also a screenwriter and playwright. His plays have been produced at numerous theaters across the U.S., Canada, Great Britain, and (seriously) Japan. He wasn’t able to attend the latter, but assumes it was a live-manga concept.

A native of Brooklyn, N.Y., Corbett currently spends a lot of time in Los Angeles partying into the wee hours with stars like Skeet Ulrich, Harry Hamlin, and the late Red Buttons. But he actually lives in Minneapolis, Minnesota with his wife Virginia, their two young children, and a small Jack Russell Terrier who really runs the house.

He hopes someday to raise alpacas.

Official Website: www.rifftrax.com

FINAL CHALLENGE SONG:Love Theme from JAWS (When a Man Loves a Shark)
ROUND 3 SONG:(The Ballad Of) Rufus Amos Adams
ROUND 2 SONG:Do The Ballpoint!
ROUND 1 SONG:Moon Shine

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THE CHALLENGERS

JASON MORRIS

songfu-jasonmorris.jpgI suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.

Official Website: www.jason-morris.com

FINAL CHALLENGE SONG:Take Me Home (The Song from CLOSE ENCOUNTERS)
ROUND 3 SONG:The Ballad Of Rufus Amos Adams
ROUND 2 SONG:The O’Sullivan Stomp
ROUND 1 SONG:The Universe Outsourced The Moon

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FINAL CHALLENGE VOTING

And now, it’s time for that all important voting, where you’ll decide who has shown the most Fu in the final challenge. This person will not only win the remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, but also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY, designed and handcrafted by [adult swim] superstar Dana Snyder. Please remember, you can only vote FOR ONE song – so choose very carefully. You may only vote once, so make it count. VOTING CLOSES AT 11:59pm EST on MONDAY, OCTOBER 27th.

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Good luck, and bring on the Fu.

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Win THE SARAH SILVERMAN PROGRAM: SEASON 2 VOLUME 1 on DVD!

Filed under: Contests — UncaScroogeMcD @ 10:46 pm

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We’re giving away, in conjunction with Cartoon Network Home Video, five (5) copies of THE SARAH SILVERMAN PROGRAM: SEASON 2 VOLUME 1 on DVD.

Contest ends at 11:59pm EST on Wednesday, October 29th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, October 29th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win BEN 10: ALIEN FORCE – SEASON 1 VOLUME 1 on DVD!

Filed under: Contests — UncaScroogeMcD @ 10:36 pm

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We’re giving away, in conjunction with Cartoon Network Home Video, five (5) copies of BEN 10: ALIEN FORCE – SEASON 1 VOLUME 1 on DVD.

Contest ends at 11:59pm EST on Wednesday, October 29th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, October 29th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Bagged & Boarded 6: Short Term Memory Loss Lane

Filed under: Bagged & Boarded — UncaScroogeMcD @ 3:19 am

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #6: Short Term Memory Loss Lane – In which Matt and Jesse wax nostalgic (in a very nostalgic way) about childhood sitcoms, favorite cartoons, and the 1980’s in general. Jump in the wayback, kids…

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #06 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-06.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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Win THE MICHAEL PALIN COLLECTION on DVD!

Filed under: Contests — UncaScroogeMcD @ 3:08 am

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We’re giving away, in conjunction with BBC Home Video, one (1) MICHAEL PALIN COLLECTION BOX SET on DVD – featuring the documentaries HEMINGWAY ADVENTURE/GREAT RAILWAY JOURNEYS, FULL CIRCLE, AROUND THE WORLD IN 80 DAYS, POLE TO POLE, SAHARA, HIMALAYA, and NEW EUROPE. We’re also giving away 5 sets of the new-to-DVD Palin documentaries HEMINGWAY ADVENTURE/GREAT RAILWAY JOURNEYS and FULL CIRCLE.

Contest ends at 11:59pm EST on Tuesday, October 28th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Tuesday, October 28th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Toy Box: Professor McGonagall – Gentle Giant Mini-Bust

Filed under: Toy Box — admin @ 1:48 am

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Harry Potter fans were severely disappointed this year when the 6th movie in the series, Harry Potter and the Half Blood Prince, was delayed until the summer of 2009. The writer’s strike created a large gap for many of the studios in the spring/summer period of ’09, and several studios have pushed ’08 films out to help fill the void.

But I doubt the delay well quell the anticipation, and the previews show a much darker film, following the much darker feel of the books. And once again, Professor Minerva McGonagall will play a key role. We haven’t been treated to a while lot of McGongagall collectibles, although you can pick up her wand through the Noble Collections.

Gentle Giant might not be producing a lot more of their Harry Potter mini-busts (rumors abound of possible cancellations), but they’ve managed to release their version of Professor McGonagall. It’s a fairly limited edition, even by Potter bust standards, with just 1400 produced. You can pick her up for around $40 – $50, depending on the retailer.

Professor McGonagall – Gentle Giant mini-bust

It is only right that we finally have a bust of McGonagall, as she’s really the third most critical professor in Harry’s life, after Dumbledore and Snape. Gentle Giant has had some trouble turning in good Harry Potter female likenesses though, so it was with some trepidation that I opened the box…

Packaging – ***1/2
Gentle Giant has done a good job with the rather basic color scheme allowed them by the licensor. They also have the window here, allowing you to see the bust before purchasing, at least if you’re lucky enough to find it in an actual store. The boxes are easy to store, keep the bust very well protected, and include the edition number on the bottom. And of course, there’s the usual baseball card style Certificate of Authenticity.

Sculpting – ***1/2
One of the nice things about the McGonagall character is that Maggie Smith is allowed to play a woman that looks her age, rather than a woman that looks like she’s desperately trying to be 20 again. There aren’t a lot of roles in Hollywood that allow older women to actually BE older, but Mcgonagall is one of them.

Gentle Giant captured the look of the dear Professor quite well, and there’s certainly no mistaking her. The fine detail in the wisdom of her face is present, and the scale and proportions of the hat, body, head and limbs is quite good. I’m particularly happy that they included the robe pattern, sculpted and not just painted. That sort of texture lends a lot to the look of these mini-busts, and too often it’s missing.

All that being said, I did have one issue with the sculpt. They gave her a downward gaze…a VERY downward gaze. In fact, you’ll need to display this bust on a shelf well above eye level if you want her to be looking at you when you’re looking at her. Otherwise, she’ll be checking you out south of the border, if you know what I mean. Had they simply tilted her head back a bit, or brought the gaze up a little, or both, the sculpt would have been just about perfect for me.

Paint – ***
From early photos of this piece, my biggest concerns were around the paint. Bad paint could ruin the sculpt, and Gentle Giant, like many companies right now, has had their issues with paint lately. Early photos tended to use flash though, washing out her already pale appearance, and once I had her in hand I found that it wasn’t nearly as bad of an issue as I’d feared.

That’s not to say that the paint work is outstanding, though. It still is a little paler and flatter than I’d like, giving the sculpt less life than it should have. There’s a little slop here and there, and the eyes have that lifeless doll quality that can so hurt a great sculpt. She’s decent, but she’s no Bellatrix Lestrange.

Design – ***
We’ve never seen Minerva too active in any of the films…yet. And so this slightly reserved, contemplative look works fine for her character. It’s not as dynamic as some of their previous busts, but that works just fine in context.

I’m knocking off a bit here though too because of the downward stare. It really is the major issue in an otherwise solid effort.

Value – ***
While other collectibles have been skyrocketing, Gentle Giant has managed to keep the busts down around $45 – $50 at most retailers. That’s where I’m grading this one, and at an edition size of just 1400, she’s a better than average deal.

Things to Watch Out For –
Not much. Clearly you won’t want to go banging her against the wall. And if you do want to, then you’re one sick little puppy.

Overall – ***
While the paint is a bit too pale, and the downward gaze a tad annoying, the bust is an overall good addition to the line up. She doesn’t have any of the serious issues of some past releases, and will end up in the middle of the pack for most folks.

While there are three more announced busts to come in early ’09, they are more variants of the three kids. If it does turn out that McGonagall is the last of the non-Harry/Hermione/Ron busts, at least we’ve managed to get a nice collection of the majority if key characters in the movies. Oh, there’s a few more I’d really like to have, but that will always be true.

Where to Buy –
There’s some great online options if your LCS doesn’t carry her:

Urban Collectors has her for $45.

Andrew’s Toyz has her listed at $49.

Things from Another World has her in stock at $49.50.

Past Generation Toys has her at $50.

Entertainment Earth has her at $55.

Related Links –
I believe I’ve reviewed the entire Gentle Giant Harry Potter line so far…with maybe one or two early exceptions:

– the last one was of the regular and transforming Lupin.

– another set of ‘twins’ was the Weasleys.

– I’ve covered others including light up Harry, Cho Chang, Luna Lovegood, Draco Malfoy, Merperson mini-bust, Voldemort, Hagrid and Mad Eye Moody, Ron and Hermione, Snape and Dumbledore, Dobby and Dementor, and a guest review of Harry and Sirius.

TV Or Not TV: 10/20 – 10/26

Filed under: TV Or Not TV — admin @ 1:45 am

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Welcome back to another week of TV or Not TV. My name is Will Wilkins, and I’m not my own worst enemy.

Speaking of worst enemies, last week I got to take in the new NBC show My Own Worst Enemy. I never feel very good about shows that NBC forces down our throats over the summer in their commercial spots (a trend that goes back to the Mike O’Malley show and Suddenly Susan to name a few), but I was looking forward to My Own Worst Enemy. There was only one real reason I was looking forward to it and that reason has a name: Christian Slater. I have long thought that Christian Slater was one of the unsung heroes of the acting community that has the chops to do big things. Why he seemed to vanish could be due to elements in his past that have made him truly his own worst enemy (even though looking at his IMDB page he has worked consistenly since 1996’s Broken Arrow which is the last real big movie I remember him being in). Regardless of his low profile, seeing that he was in My Own Worst Enemy made me anticipate the premiere of this show inspite of its premise.

In My Own Worst Enemy we meet Henry Spivey.  Henry is a corporate efficiency consultant with a lovely wife, two kids, and he’s not  home a lot because his job appears to require a lot of travel. We also find out that, unbeknownst to Henry, he is also Edward Albright, a highly effective, efficient and lethal spy for a top secret government agency (aren’t they all?). This change happens when someone flips a high tech switch and super spy headquarters, at least it is supposed to. In the pilot we see that it is also now starting to happen without the switch. First Edward comes around in Henry’s bed, and Henry comes around when Edward is on a mission with a target in his sites.

When I first heard the concept I was leary of it because it seems that on the surface after you tell this story once in the pilot you have told the story over all (based on what we were told before it aired). Instead what you get is a very involving story with elements of shock and surprise. In the pilot we learn that Edward actually volunteered for this program, Henry is actually the constructed life and didn’t even exist 19 years prior. We also learn that the company Henry works for is just a cover for the spy agency, allowing them the cover they need to dispatch (and control) their operatives. Naturally, some of Henry‘s friends and co-workers are also agenst, as we learn from seeing Tom Grady (played by the aforementioned Mike O’Malley) at the office and Raymond in the spy world.

We also learned that the spies know about their cover lives, and their cover lives know nothing about them, with Henry being the now only exception. Yes, they can reset Henry so that he knows nothing about Edward but until he is “fixed” from switching when he isn’t supposed to that won’t really matter now will it?

Christian Slater puts in a great performance as both characters (just as I predicted he would) and he easily makes you believe that he is this high tech Dr. Jeckyl and Mr. Hyde. I also have to mention that the head of this mysterious agency is played wonderfully by Alfre Woodard, but then again that woman probably is capable of great acting even in her sleep.

Even though it has only been one episode I have to say that this show is probably one of the more promising of the new season and I encourage you to catch the pilot on line at NBC.com and then take in the new episode this week to make up your own mind.

Now let’s move on to other business and take a look at the week ahead.

MONDAY

NBC – 8:00 PM: If you couldn’t hear the stunt casting alarm going off it was probably because the “You’re 15 minutes of fame is way over” alert  was ringing too loudly as Nicole Richie is cast as a former high school nemesis of Sarah. That’s hot.

VH1 – 9:00 PM: The failure train continues to chug along as the guys who weren’t able to win the heart of the New York, who is the girl who couldn’t win the heart of Flavor Flav, get their own show. It’s really like seeing the evolutionary chart in reverse, isn’t it?

NBC – 10:00 PM: Because I went on about it so much above I feel obligated to point out that if you were able to stomach your way through Heroes you should really stick around for My Own Worst Enemy.

TUESDAY

FOX – 9:00 PM: A woman brings illness and death to everyone she encounters on Fringe. I think this lady has been on every flight I’ve ever taken.

ANIMAL PLANET – 10:00 PM: Wolf expert Shaun Ellis, who infiltrated a pack of wolves and lived among them, takes his girlfriend Helen Jeffs into the wild as she attempts to become a part of the pack as well in Living with the Wolf Man. The things some people do for love.

ABC – 10:00 PM: Another careful choice of stunt casting puts Katie Holmes on Eli Stone. I’m still not going to watch.

WEDNESDAY

FOX – 8:00 PM E / 5:00 PM P: It’s Game 1 of the MLB World Series with the Philladelphia Phillies pitted against the Tampa Bay Rays. Seriously, who’s watching this if you live anywhere else in the US?

ABC – 8:00 PM: Wednesday’s stunt casting is done by David Arquette on tonight’s episode of Pushing Daisies. The show tries to balance it out by also having Debra Mooney in to play Emerson‘s famous mom.

CW – 9:00 PM: If you merged Devil Wears Prada with The Apprentice you still wouldn’t wind up with Stylista. Too bad The CW didn’t realize this because they are still airing the show. Oh well.

THURSDAY

FOX – 8:00 PM E / 5:00 PM P: It’s Game 2 of the MLB World Series and I could still care less about who wins.

NBC – 9:00 PM: Tonight The Office gets robbed, proving that crime truly is senseless. Hopefully it also proves funny, but my hopes aren’t high.

VH1 – 10:00 PM: The Season 2 premiere of Celebrity Rehab with Dr. Drew has the return of Jeff Conaway as he is joined by Rodney King, Tawney Kitaen, Amber Smith, Shawn Stewart, Steven Adler, and Nikki McKibbin.  Sadly I bet no one under 20 recognizes more than two of those names.

FRIDAY

AMC – 8:00 PM: With less than two weeks until 10/31 you may want to get in the mood with the original Halloween. Triva note: the mask Michael Myers wears in the original is a Captain Kirk mask. Creepy huh?

FOX – 9:00 PM: American Idol alumni Constantine Maroulis appears on Don’t Forget the Lyrics for charity. The charity? Probably the Contstantine Maroulis Survival Fund.

NBC – 10:00 PM: A person put away last season escapes this week during an earthquake on Life. It’s nice of them to have a call back to previous season, and to see the show had a 21 percent surge in the ratings last week. Hopefully the momentum can continue because it is still one of my preferred shows.

SATURDAY

FOX – 8:00 PM E / 5:00 PM P: It’s Game 3 of the MLB World Series. I can only hope it ends with game 4.

HIST – 8:00 PM: It’s a four hour block of MonsterQuest tonight where they look for The Real Hobbit, Giant Killer Snakes, Boneless Horror and America’s Loch Ness Monster.

CARTOON NETWORK – 9:00 PM: Fans of The Batman animated series might enjoy tonights airing of The Batman vs. Dracula.

ANIMAL PLANET – 10:00 PM: Beth O, also known now as Mrs. Howard Stern, hosts the World’s Ugliest Dog Competition 2008.

SUNDAY

FOX – 8:00 PM E / 5:00 PM P: It’s Game 4 of the MLB World Series. NBC‘s idea of counter programming is…

NBC – 8:00 PM: I can’t wait to see what the TV cut of The 40-Year-Old-Virgin is like.

AMC – 10:00 PM: Emmy Fave Mad Men has it’s second season finale tonight.

Will Wilkins didn’t mention but is watching True Blood. Maybe you should to?

October 20, 2008

SModcast 66

Filed under: SModcast — UncaScroogeMcD @ 12:00 am

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 66: Sleipner the Conquerer –

In which our heroes get political, war the world, and await the annual arrival of Odin.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

DOWNLOAD: (right click to save)
SModcast 66 (MP3 format) – 61.26 MB

[display_podcast]

SUBSCRIBE
Subscribe to this Podcast via iTunes
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Wanna add your two cents? Spend it here, in the SModcast mailbag.

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CLICK HERE FOR THE SMODCAST ARCHIVES

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October 19, 2008

Opinion In A Haystack: Slew O’ Stuff

Filed under: Opinion In A Haystack — Tags: , , , , , — UncaScroogeMcD @ 11:48 pm

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I’ve seen a lot of stuff and I’ve got stuff to say about that stuff. So, get your stuff together and read this stuff”Β¦and stuff.

Quarantine

I pretty much have a distaste for these “found footage” movies to say the least. Emerging from the theater after seeing Quarantine gave me the insight needed to understand why I don’t crave the sticky sweets of this new found genre. Quarantine is a remake of the foreign film REC, which I have not seen, but I hold out hope that it is much better then its McClone. The plot revolves around a news reporter (played by Emily Rose herself) who is shadowing two firemen for an entire night, cameraman in tow. They go on an emergency call for an apartment building owned by Boris The Blade (Snatch!). One of the buildings residents is exceedingly sick, thus the firemen and news team go into the building to address the ever looming danger. Suddenly the government quarantines the entire building, trapping all the residents in and giving the producers a marketable title.

(***QUARANTINE SPOILERS START HERE***)

If it was the 90’s and a cheesy word bite needed to be branded on the poster, it would most certainly read “DIE HARD CROSSED WITH 28 DAYS LATER!!!” Those generalized amalgamated summations are painful, yet

in most cases they are accurate to some degree. This isn’t a zombie movie. Why? Because zombies have to be dead, these beings are still living, yet infected. We’ll call them “sickos” as Robert Rodriguez called his creatures in Planet Terror. The main problem with Quarantine‘s sickos is that they are completely identical to the sickos in 28 Days Later. Instead of the rage virus, here we have instant rabies”Β¦which for all intents and purposes translates to the EXACT SAME THING. When I say exact, I mean exact. It would be less annoying if they just made a spin-off of the 28 franchise and showed us the first night of infection in a locked building, because that is exactly what this is.

The movie we see, much like Cloverfield (or REC assumedly), is after the fact. We are viewing the found footage of the news cameraman. As I’ve said, I am not fond of this new genre. I’m not sure that it could even be called “new,” after all Blair Witch was almost 10 years ago. My disdain for this brand of cinema comes from a few factors. I prefer film-making to thrill-making. These movies, with their headache inducing shaky cam and muddled “realistic” dialogue, are made to be an experience, not a timeless piece of cinema. Kill me, but I much prefer the omnipotent “normal” camera work that shows us the best possible view of the story. Watch any of these “found footage” films and you will realize why they don’t shoot movies all in one take with one shot, its annoying and horrible looking. The only way to get away with such crap film making is if you create a crap genre as an excuse. Being the huge fan of film characters that I am, these films, especially Quarantine, tend to not deliver on any level of unique or memorable character types. The hyper realistic style of this film, and others like it, also kind of excommunicate any type of long-lasting personalities. The humans in these movies are intended to be real, which in cinema-lingo crossed with horror-movie-lingo, means meat-for-the-slaughter. They have no character to quote, no personality to cling to, they thrive on the flimsy mutual connection with the audience’s desire to simply not die. I’m not saying that every film needs an Ash (Evil Dead 2), or a John MCclane (Die Hard), or even a Rick Blaine (Casablanca)”Β¦but it really helps, and has a lasting effect. It’s always a pleasure to see a character that rises above the hold of mediocrity that we all live in on our side of the screen. These “found footage” films have none of that, just young, hot, questionable talents that say things like “let’s get to the basement,” “watch out,” or “OH MY GOD.” It’s all very hollow and rather boring.

(***QUARANTINE SPOILERS GET WORSE HERE***)

No doubt you’ve noticed the TV marketing campaign they are running constantly. I’m speaking of those displaying the night-vision shot of the Emily Rose chick getting dragged off into the dark. That shot is also found in the trailer, and on the poster for the film. Well”Β¦IT’S THE LAST SHOT IN THE MOVIE!!! That’s right people; they advertised the film using the last shot, right up to the last frame. Does this anger anyone else? I’m not joking here; she literally gets dragged away then it cuts to black, CREDITS. Done. Isn’t the marketing for a film supposed to only give you a taste, not a spoiler? It’s an interesting situation they have created here. Once you’ve seen the trailer for the umpteenth time then you sit through the whole film expecting it to go somewhere you HAVE NOT SEEN, it will end on the exact note that has been drilled into your eye sockets for 2 weeks between soda and car commercials”Β¦its very angering. If the movie didn’t suck all by itself, the incompetent marketing is enough to merit hatred.

City Of Ember

Director Gil Kenan’s second outing as director, City of Ember, aims to be this generations Legend, or even Dark Crystal but comes off like a chopped up mess. I know it’s based on a book of the same name, but I’ve never read it, nor am I one of those adaptation proctologists with one finger always engorged and searching for inaccuracies. The plot concerns a city, which is Of Ember, located deep below the surface of the earth. The opening prologue tells us that the city was built by scientists who only gave it a 200 year lifespan. We come into the story at the end of its 200th year, where the last generator (their only power source) is about to fail. Our two main characters, male child and female child (their names and character traits almost irrelevant to the story) go on a short mystery solving adventure to find a way out of Ember. Fun? Sort of.

Kenan obviously has a knack for eerie visuals and dark themes; this can be seen in his very impressive first film Monster House. City Of Ember has no shortage of this tone, the movie plays very much like a children’s fantasy from the 1980’s, where the underlying adult messages run deep and the tones are a bit more dreary then one would assume a kid’s film should have. These are all compliments mind you, as I feel that is the staple of any truly great “family film.” Go back and watch something like the Secret Of NIMH or The Neverending Story and stop and think about what exactly those films are conveying. They carry very heavy stuff underneath their fanciful exterior. Ember tries admirably to achieve the same goal, however it’s loose ends and unexplained details come off as more of an editing issue then the intended effect.

(***CITY OF EMBER SPOILERS START HERE***)

The film feels cut to all hell, the characters underdeveloped, and the alien world they live in is only given a few key moments to be summarized. The casting of Bill Murray as the evil mayor and Tim Robbins as the “Doc Brown” of Ember helps to sell some of it, but even they seem useless and bored…especially Murray, whose character never really earns the evil branding that the film tries to glue him to. Perhaps there is a missing 30 minutes to an hour that would make Ember a solid children’s adventure, but in the state that it landed in theaters it’s just a passing memory. However, I will give Gil Kenan the benefit of the doubt…visually he is very gifted; he just needs a script and the freedom of larger runtime.

Sex Drive

Why this movie is receiving such a marketing blitz I do not know. I had the opportunity to see this copycat comedy over a month ago at a preview screening and was completely under whelmed by it. As I am writing this sentence there are no doubt 238 commercials for this film playing on every channel, all of them touting how amazingly funny and original Sex Drive is…seriously? Sex Drive copies off about 20 to 30 other teen sex comedies in several different ways, it is NOTHING NEW. Some of the scenes are almost directly stolen. The movie has a special affinity for American Pie (a film I hated the first time it was made), stealing the “parents walking in on a boy jerking off scene” (which is, sadly, much better parodied in Not Another Teen Movie) to having a character that is IDENTICAL to Stifler. In fact, James Marsden might even be a better Stifler then Sean Willam Scott, yet that still doesn’t forgive Sex Drive for being unoriginal recycled banality.

Seth Green as the sarcastic Amish mechanic is the only saving grace of an otherwise uninspired teen-sex-road-movie, he really is absolutely hilarious with almost every line he utters. I will say that if all the gags and jokes weren’t completely tired in my 2008 eyes, I might say that Sex Drive is “pretty funny,” but I found it more angering and bland. I love teen movies too, please don’t think I have some vendetta against the genre. Perhaps my extensive knowledge of the genre is what is ironically damaging. This is a Frankenstein’s monster of teen movies, however not a parody, and if you are too apathetic, too lazy or too young to bother watching all that it steals from…then you will probably enjoy it.

What Just Happened?

Barry Levinson is a very hit or miss filmmaker. Sometimes he makes an expertly crafted piece of cinema like Sleepers, and sometimes he makes Envy, and lately it seems like he is making more Envys then Sleepers. I’m very pleased to say that Levinson has finally, somewhat, returned to form this time making fun of Hollywood egos. What Just Happened? is based on the book of the same name by Art Linson, who is also the screenwriter. By the way, Art Linson is the director of the rather forgotten Hunter S. Thompson movie Where The Buffalo Roam starring Bill Murray. There is a little wink to that fact in the movie itself.

(***WHAT JUST HAPPENED SPOILERS START HERE***)

Here we have Robert De Niro as Ben, a successful Hollywood producer. Through out the course of the film we are taken through several different, and sometimes intervening, events currently going on in his life. The film opens with him attending a test screening of a new, fictional, Sean Penn film that he produced called Fiercely. The fictional movie features an extremely graphic ending in which Sean Penn gets violently killed right after his innocent, sidekick dog is brutally shot in the head point blank with blood spewing toward the camera. The test screening audience gasps with disgust, as De Niro shows embarrassment on his face. Needless to say, it is extremely hilarious. The plot revolves around Ben’s quest to get the pretentious foreign director to re-edit the dog-murdering scene, make peace with his second ex-wife, and get Bruce Willis to shave off his beard. It’s kind of like a week in the life of a Hollywood producer, except it’s a film and not a crappy reality show.

De Niro plays his character as very subdued, there’s not an ounce of his trademark “I’m about to kick your face in” attitude in his performance, which is a testament to just how versatile he can be. In fact, through out most of the movie he comes off as rather pathetic, brilliantly so. Bruce Willis simply plays himself, but steals every scene he’s in as an egomaniac version of his persona. He refuses to shave his huge, bushy facial hair for his next role and the studio, the director, and Ben all want it gone because it ruins his sex appeal…to which Willis hilariously retorts with how much “muff” he has been getting with the beard. John Turturro plays Willis’s agent, who is also simultaneously completely afraid of him. The genius way in which the movie handles Willis is that it tries to purport that he is his action-man character in real life, that he is ready to beat anyone to death if they piss him off. Michael Wincott (better known as Top Dollar from The Crow) as the director of Fiercely gives a rather insane performance as a pretentious counter-culture filmmaker…especially going so far as to secretly re-edit the dog-murdering scene to make it even more, hilariously, gruesome. Please don’t misunderstand me, I don’t find murdering dogs funny, it’s the audience’s reaction to such a taboo that brings the laughs.

The film isn’t perfect however, nor is it a slap happy comedy riot…most of the comedy being wonderfully dry. What Just Happened? has it’s fair share of drama, mostly when concerning Ben’s love life. There is also a lot of over editing, or at least what feels like over editing. Several scenes of De Niro driving all over town feature heavy sections of cutting, jump cutting, fast motion, slo-mo, and such…it takes you out of the movie at some points, but I’ve only seen it once and that could lessen with further viewings. However, the one stroke of genius in the film is how Ben has the sample film-score to Fiercely in his car stereo the entire movie, which plays over many scenes and substitutes, appropriately, for where the real film music should be. All the songs even start with a sound editor saying the name of the track; it’s a hilarious and well executed little touch.

Godfather Restorations

My home town was lucky enough to have our local historic theater be one of the privileged few showcases for the restorations of The Godfather and The Godfather: Part 2. I spent almost seven hours alone in the dark with the Corleone family on a quiet Thursday afternoon, and I have to just say…amazing. Now, I am not the proud owner of a Blu-ray player or HD-TV so this is the only way I could experience these restorations and I can honestly say I much prefer a real film print to a digital version any day of the week. I have not sat down to watch The Godfather in almost half a decade, but even so I could see the difference in quality. These prints are worth your time, even if you’ve committed them to memory, the restorations make it worth six or seven hours to revisit.

Reviewing the movies themselves isn’t even worth doing, obviously, it’s the frickin’ Godfather. However, as I was sitting in the theater during the still-included intermission during Part 2, I couldn’t help but wonder why more re-releases don’t happen. Hollywood is constantly remaking movies, why not re-release a few as well, there is an audience for this type of thing. The only catch is that it has to be a real film print and not just a projected DVD. Their justification for remakes is always “We want to introduce a new generation to the film.” That is total bullshit, you aren’t introducing anyone to the same film, it’s a different movie, the only right way to do it would be re-release…right? You can’t tell me that a beautifully restored re-release print of Jaws, Ghostbusters, Deliverance, or even say like Once Upon A Time In The West with proper marketing and a proper release slot wouldn’t turn some sort of profit. You would then truly be giving the “old” generation a chance to introduce the “new” generation to the ACTUAL film as they saw it…right? RIGHT? eeehhhh…it’s hopeless, I know. If you didn’t get a chance to catch the Godfather restorations at the theater (because god knows that Beverly Hills Chihuahua needs to take up 5,000 screens,) get the Blu-rays, it seriously is worth the watch.

Win an INCREDIBLE HULK PRIZE PACK!

Filed under: Contests — UncaScroogeMcD @ 4:05 am

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We’re giving away, in conjunction with Universal Home Video, five (5) INCREDIBLE HULK PRIZE PACKS featuring one (1) copy of THE INCREDIBLE HULK on DVD, one (1) pair of INCREDIBLE HULK “SMASHING HANDS”, one (1) INCREDIBLE HULK STRESS BALL, and one (1) INCREDIBLE HULK CLING DECAL.

Contest ends at 11:59pm EST on Monday, October 27th.


CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, October 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

October 17, 2008

Game On!: Payne-ful

Filed under: Game On!,Reviews — admin @ 5:48 am

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Today, theater goers will have a few choices as to what to watch at their local Cineplex. For some, the choice may be the new film MAX PAYNE, based on the popular videogame series. For these people I say”Β¦MAKE A NEW CHOICE.

Now, it’s no secret that I’m a big fan of the games. I’ve played both numerous times, and I even played the first game for a few hours just before going to see the movie, just so I could compare and contrast between the two. Now, I’m not so naïve to believe that they wouldn’t change a few things in their adaptation – that’s fairly common practice nowadays “β€œ but I wanted to see just how much they would, if at all.

Let me tell you, if you’re a fan of the games at all”Β¦stay away. You will be sorely disappointed.

First, for those familiar with the game and its plot, the summary of the film version at least SOUNDS similar: “Detective Max Payne (Mark Wahlburg) seeks vengeance for the brutal murder of his wife and child. His obsessive investigation takes him through a nightmarish journey into New York’s dark underworld.” Sure, fine, good”Β¦that sounds kind of like the game, right? Well, that’s just about where the similarity ends. I don’t mind that they’ve taken Max from being a DEA agent to just a Detective”Β¦I do mind that they’ve made him a desk clerk for cold case files rather than a hard boiled, tough as nails street cop who goes all Punisher-vigilante style on the bad guys.

See, what makes the MAX PAYNE games great is their story, and how it’s told. The games use a film noir style and combine it with a shitload of gun-blazing action. If you took SIN CITY and had John Woo direct it, you’d have a pretty damn good MAX PAYNE film. Sadly, this has neither. This feature completely abandons the film noir aspect, only utilizing Max’s famous narration at the very beginning of the flick. And sure, there are many things that if you had a passing knowledge of the game, you might say ties in. The opening sequence is at the subway station at Roscoe Street. There’s a drug called “Valkyr” and a company called “Aesir” and a club called “Ragna Rock”. There are characters from the game, including Alex Balder, BB, Mona Sax, Jim Bravura, Jack Lupino and Nicole Horne. However, having these items or characters act or perform as they do in the game is practically non-existent. Many of these characters only serve as the tiniest bit of fan-service”Β¦and BAD fan-service at that. Most are only included to have a character from the game in the film.

Mona Sax (played by Mila Kunis), for example, is a strange character. Without knowing her from the game, you wouldn’t know why she appears in the movie at all. Her scenes don’t’ establish her character well enough (beyond her being the sister of a murder victim) and her reasons for helping Max, or even what she does are completely left in the dark. Apparently, she’s a Russian mobster hitwoman”Β¦or something. Likewise, Jim Bravura (rapper Ludacris) is an empty shell of a character, used only to have SOMEONE on Max’s case. Here, he’s a detective from Internal Affairs, while n the game he’s the cop following Max’s trail of vigilante justice. While those two aren’t that varied, sadly it just seems like they didn’t know what to do with the character. He does no real detective work, he just shows up at random moments and nothing really happens. It probably doesn’t help that both Mila Kunis and Ludacris are woefully miscast in this film. Making tiny Mila into a badass just doesn’t work, and Luda just plain can’t act in this film.

But these are just minor quibbles in the whole of a shitty movie. Didja see that cool trailer for the flick? The first one, where it showed all that slow-motion action of Marky Mark whipping a gun at thugs, flying through the air and blasting caps into fools? How long was that trailer, would you say? About two minutes? Would you be surprised that all the action that you see in said trailer is all the action that appears in the ENTIRE film? So, that’s two minutes of action, in a movie that lists its run-time at 100 minutes. So”Β¦that leaves 98 minutes of ACTION-LESS FILM. No action in a film based on an ACTION GAME. Brilliant. And that 2 minutes of action? It’s spread out over the last 20 minutes of the flick”Β¦which means for at least the first hour, you’re watching a film where you’re just WAITING for SOMEONE to shoot SOMETHING.

The game is known for its action set pieces. The bullet-time slow-motion gunplay put the game on the map”Β¦to see it omitted from all but a few scenes near the end of the flick is a travesty. So, what do we have instead? Ham-fisted brooding, lackluster character development and scant scenes of what you’d want in an action movie: action.

Now, don’t get me wrong, the action that IS there is decent”Β¦it’s just not what I’d want out of a MAX PAYNE movie. The director handles the look of the film well, with ample lighting and cool, slick camera moves. It’s just too bad it’s all so hollow. The effects are great”Β¦but again, NOTHING like the game.

And if you’ve never played the games at all? Prepare to be even MORE confused than those who have. In the film, the users of the Valkyr drug hallucinate and see demons with wings, which are supposedly what carry them off to their maker. These creatures are a VERY cool effect, but appear NOWHERE in the game. Sadly, the film itself does a horrible job telling the audience weather those creatures are even a hallucination or not. Even worse still are Max’s motives for doing ANYTHING in his quest for redemption and vengeance. Why is he teaming up with Mona? What are her motives for helping him? If the cops think he’s so dangerous, why don’t they make any attempts to arrest him? Why does he randomly take the drug himself? Nothing he does makes sense in this film. A friend of mine who saw the film with me (and who doesn’t know the games as well as I do, if at all) said it best to me. He said if he actually put thought into it to try to see what the filmmakers were trying to say about the situations in the movie, he understood it”Β¦but he had to figure out what that was first.

But as a fan of the games, it angers me at how sloppy this adaptation is. This is where I come off as a raging fanboy, but I frankly don’t care. I understand how Hollywood has to adapt a license to make it more marketable to reach a wider audience than it’s built in fan base. Sure, that makes sense to me. What doesn’t make sense is changing SO MUCH that they alienate the fan base to begin with. Jack Lupino (Prison Break’s Amaury Nolasco) is the boss of the first level in the game. Just the first level. Here, he’s practically the film’s entire villain focus. What about the mob, the gang war”Β¦hell, what about Max’s addiction to painkillers? Where is the bloody FILM NOIR ASPECT? I want my voice over narration with cheesy synonyms and dark humor. This film had neither. It’s like the writer looked at a synopsis of the game, took a bunch of the character names, and wrote a script around THAT. Hell, one of the pivotal characters in the first half of the game, Vinnie Gognitti, is reduced to having his last name be the name of the STORAGE FACILITY Max keeps his dead wife’s belongings in.

I know, I know”Β¦I shouldn’t expect a film adaptation of a game to be accurate to the source material but honestly? Uwe Boll has made more accurate adaptations. I don’t blame the director here, though. At least this LOOKS better than an Uwe Boll flick. No, I blame the writer for a disjointed, sloppy, confusing and utterly boring mess. And what’s worst of all? The MAX PAYNE games are rated M for Mature. The film is rated PG-13. Now, the director, John Moore, has said that he hoped for the PG-13 rating, to reach a wider audience. The director also announced he is planning a “Gamer Dedicated Cut” of the film, as he explained to GameDaily:

“There’s what I call the Gamer Dedicated Cut of the movie. It’s a little slower and a little more atmospheric. There are some rougher edges on it, but it’s not going to be a bloodfest. I want this to be the Max Payne that I set out to shoot. It’s not that I wanted to release one version in the theaters and make a cheap buck by following up with a blood-drenched DVD version. The movie you see in the theaters will be an intense experience and the movie you see on DVD will be as intense an experience with some extra sensibilities for people who really adore the game.”

Wait a second”Β¦you release a practically action-less action movie that moves slow and is confusing, then say you’re going to release a version for the fans of the game that moves even SLOWER and WON’T be as bloody as the game?

Maybe I do blame the director.

Hollywood, take note. Give video game fans what they want”Β¦a faithful adaptation of the games they love. You may find that you’ll pull in folk not familiar with the source material anyway. Just try it once, just for shits and giggles. I’d like to see how that plays out.

Weekend Shopping Guide 10/17/08: Kingdom Of The Bloody Red Baron

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

I could say that the latest Cinematic Titanic offering, Legacy Of Blood (Cinema Titan, Not Rated, DVD-$14.99 SRP), is like a cross between King Lear, Brewster’s Millions, and House On Haunted Hill, but to even compare it to those far, far superior works is undersell just how abysmally awful Legacy Of Blood is. Thank Jebus, then, for the riffing of the CT crew, and their ability to make sweet, sweet lemonade from this massive lemon.

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When I travel, I always have far too many electronics, far too many cords, and not nearly enough USB ports on my laptop to charge things. It’s always nice to have a backup plan, and the AC To USB Power Adapter ($9.99) is just such a plan. In a nutshell, it allows you to recharge all of your favorite USB devices via an AC wall socket. Sweet.

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I’d say that reaching the 10th volume of the still-must-have collection of Charles Schulz’s groundbreaking strip is certainly worth celebrating – particularly when The Complete Peanuts: 1969-1970 (Fantagraphics, $28.99 SRP) features the first year that has all of the elements that I remember from when I read the strip as a kid. The one element that’s taken this long to lock in – and one that was core to the strip I remember – is the introduction of Snoopy’s avian companion, Woodstock. This is also a year that saw the occasional reference to the politics of the time – albeit very much conformed to Schulz’s universe – such as when Linus gets swept up in a teacher’s strike which leads to the firing of his beloved Miss Othmar (Fear not! She returns!). If you haven’t already begun collecting these volumes, start now. NOW!

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It seems that Criterion is systematically going back and revisiting some of their more popular catalogue titles and giving them rather stunning new high-definition transfers and some new bonus features, and the latest title to get the A+ treatment is Robert Altman’s Short Cuts (Criterion, Rated R, DVD-$29.95 SRP). In addition to the aforementioned transfer – it puts the old Criterion set to shame – the 2-disc set features a video conversation between Altman and Tim Robbins, the feature-length making-of documentary Luck, Trust and Ketchup: Robert Altman In Carver County, a PBS documentary on author Raymond Carver, a segment from the BBC’s Moving Pictures on the screenplay, a 1983 audio interview with Carver, Dr. John’s original demo recordings, a featurette on the film’s marketing, deleted scenes, and the requisite Criterion booklet with essay.

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Some may be watching slasher flicks this Halloween, but I will be celebrating All Hallow’s Eve by taking in the new Blu-Ray edition of Mel Brooks’s Young Frankenstein (Fox, Rated PG, Blu-Ray-$39.98 SRP). The picture is fantastic, and the bonus features are a port of the already-wonderful standard DVD special edition. Get it. Watch it.

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George Lucas managed to extend his death grip into another beloved franchise, clutching Steven Spielberg in one claw and Indiana Jones in the other, and managing yet again to produce a lame monstrosity instead of what should have been a triumphant return of a cinema hero. Such was the travesty of Indiana Jones and the Kingdom Of The Crystal Skull (Paramount, Rated PG-13, DVD-$39.99 SRP), a mess of a film with a mess of a script. It’s just a goddamn mess. Which is a shame, because Harrison Ford is the most engaged he’s been in years. The 2-disc set features a pre-production featurette, a tribute to Indy, a 12-part production diary, pre-viz sequences, galleries, and trailers. The Blu-Ray edition ($39.99 SRP) features the exact same bonus materials, but also sports a picture so good that it pisses me off even more that we still don’t have the original trilogy in HD.

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All of the focus is on his stellar performance in Iron Man, but another of Robert Downey, Jr.’s great turns is getting a new special edition DVD – his starring role in the life of The Little Tramp, Chaplin (Lionsgate, Rated PG-13, DVD-$19.98 SRP). Richard Attenborough’s biopic is occasionally languid, but Downey is note-perfect in his portrayal of the complicated cinematic genius. Bonus features include a trio of new featurettes, a Chaplin home movie, and the theatrical trailer.

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I don’t think it was as strong as the first season, but I still enjoyed the second season of The Sarah Silverman Program (Paramount, Not Rated, DVD-$26.98 SRP) – particularly since it’s one of the rare comedies that understands the you can push the envelope, but you’ve got to still be funny, too. The 2-disc Season Two, Volume One contains 6 episodes, plus audio commentaries, a 2007 Comic-Con panel, digital shorts, behind-the-scenes featurettes, and more.

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In the wake of the Star Wars, Marvel, and Disney Vault titles – those wonderful collections of text and reproductions of rare ephemera – we now get The DC Vault (Running Press, $49.95 SRP), which keeps the streak going. Text is written by Martin Pasko and Paul Levitz, and the ephemera goes all the way back to 1935. One thing, though – considering how integral he was to DC’s post-Crisis relaunch in the 80’s, why is there not a single piece of John Byrne art in the book? What’s up with that, Pasko & Levitz?

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I’ll be perfectly honest with you – I was not a huge fan of The Matrix. I enjoyed the flick for what it was – a minor mind-f*** whose special effects and energy thankfully cancelled out most of its banal, overcooked pseudo-philosophizing and messianic overtones. But then came the sequels, which both – in quick succession – managed to top each other on the “Someone actually wrote this crap?” scale. Declining box office was proof enough – a fair number of fans who though The Matrix was the second coming (make your own jokes) left the theater feeling betrayed by creators who obviously had their grip locked firmly on something besides the story. Originally released in on standard DVD – and then the now-defunct HD-DVD – the 6-disc Ultimate Matrix Collection (Warner Bros., Rated PG-13, Blu-Ray-$129.95 SRP) makes its debut in Blu-Ray. The set still doesn’t quite make up for the lackluster flicks contained within… you can only gild a piece of crap so much – it’s still crap. But considering all the material you’re getting for the price – 6 discs full of featurettes, behind-the-scenes materials, interviews, documentaries, the entirety of both the Animatrix and The Matrix Revisited, commentaries (none with the elusive Wachowskis, alas, so no mea culpas) – it’s a decent deal if you’re inclined to snag it.

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Packaged in a handsome lucite slipcase, the Alfred Hitchcock: Premiere Collection (MGM/UA, Not Rated, DVD-$119.98 SRP) collects all of the Master of Suspense’s early, pre-Universal films, restored and remastered with a slew of bonus materials. The films in question are A Lodger: A Story Of The London Fog, Sabotage, Young And Innocent, Rebecca, Lifeboat, Spellbound, Notorious, and The Paradine Case. Those new bonus features include audio commentaries, interviews, making-of featurettes, trailers, and more.

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I caught an episode of Yo Gabba Gabba! the other day, and if any show can rightfully claim the mantle of “Kiddie Show Beloved By Stoners”, it’s this intriguingly bizarre combination of music and costumed characters, If you doubt me, check out Yo Gabba Gabba!: The Dancey Dance Bunch! (Paramount, Not Rated, DVD-$16.99 SRP). The sole bonus is a “Meet The Dancey Dance Bunch!” featurette. Oh, and good times. The show’s first album is being released digitally on iTunes, as well – titled, shockingly enough, Yo Gabba Gabba.

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While you’re pining for the next Spongebob season set, get a quick fix of recent episodes with Who Bob What Pants (Paramount, Not Rated, DVD-$16.99 SRP), The single-disc release features 6 episodes, plus a quartet of shorts and an animatic for “What Ever Happened To Spongebob?”.

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In the VH1 series Scott Baio Is 45… And Single (Anchor Bay, Not Rated, DVD-$19.97 SRP), viewers followed the renowned lothario C-lister as a mid-life crisis found him assessing his commitment issues by visiting with his past loves (including, yes, Erin Moran) leading up to being able to commit to his current girlfriend. It may not be much of a surprise to find out that Scott Baio Is 46… And Pregnant (Anchor Bay, Not Rated, DVD-$19.97 SRP) finds Baio a married man with a child on the way – and with even more commitment issues cropping up. What a shock.

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In these troubled, troubling times, I recommend anyone with an open mind should check out the wonderful documentaries of Richard Dawkins, conveniently collected in The Richard Dawkins Collection (Channel 4, Region 2, Not Rated, DVD-£29.99 SRP). The docs contained in the set are The Genius Of Charles Darwin, The Enemies Of Reason, and Root Of All Evil?.

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Easily the film that cemented William Hurt as an actor to be reckoned with – and a bizarre one, at that – was his turn in Kiss Of The Spider Woman (City Lights, Rated R, DVD-$34.98 SRP), which is getting a remastered special edition. The bonus features include newly-produced documentaries, a slide-show commentary, the theatrical trailer, and more.

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Sweeping and epic in the most glorious, classic sense of the word, the foreign language Mongol (New Line, Rated R, DVD-$27.98 SRP) is the incredible tale of the rise of a simple man named Temudgin and how he rose to secure his place in history as the warlord Genghis Khan. Give it a spin.

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If you’re the head of NASA’s multi-million dollar manned mission to Mars and you find out that to send the astronauts would result in disaster, what would you do? Well, if you were the head of the mission in the cult classic Capricorn One (Lionsgate, Rated PG, DVD-$19.98 SRP), you’d coerce the astronauts into faking the landing on a soundstage – but when they find out that the only way to maintain the hoax is for them to be killed and have it passed off as dying during re-entry, they make a break for it. The new special edition features an audio commentary with director Peter Hyams, a retrospective featurette, and trailers.

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It was truncated due to the writer’s strike, but the eighth season of CSI (Paramount, Not Rated, DVD-$84.98 SRP) should be noted for essentially being the swan song for doughy-faced William Petersen from the role that somehow made him famous. The 5-disc set features all 18 episodes, plus featurettes, a pair of audio commentaries, a deleted scene, and a bonus episode of Without A Trace.

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It may not be brilliant, but there’s certainly something loveable about any show that casts both Patrick Warburton and David Spade. Rules Of Engagement: The Complete Second Series (Sony, Not Rated, DVD-$29.95 SRP) features all 15 episodes, plus bloopers and minisodes of Newsradio and Diff’rent Strokes.

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I’ll be honest with you – the only real reason that I ever watched an episode of Nash Bridges (Paramount, Not Rated, DVD-$39.98 SRP) is because it costarred – alongside Don Johnson – the great Cheech Marin. There. I said it. The 2-disc set features all 8 first season episodes, plus audio commentaries, interviews, a writers roundtable, and more.

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Indulge your schlock horror bone with the brand new Ghost House Underground imprint, formed by Ghost House Pictures founders Sam Raimi and Rob Tapert, which debuts with 8 titles full of terror and gore aplenty (Lionsgate, Rated R, DVD-$19.98 SRP each). The launch titles include Room 205, The Last House In The Woods, Brotherhood Of Blood, Trackman, No Man’s Land: The Rise Of Reeker, Dance Of The Dead, The Substitute, and Dark Floors. All of the flicks feature audio commentaries, featurettes, galleries, and more.

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It could have been a hokey mess – and there is still some hokinees about – but Liberty’s Kids (Shout! Factory, Not Rated, DVD-$59.98 SRP) is a fun little animated series for kids that makes the American Revolution come alive. In a nutshell, the series follows a pair of young reporters for Benjamin Franklin (voiced by Walter Cronkite) that must navigate the shifting sands of war.

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His time in office may be fast coming to an end, but you can still watch the second season of Lil’ Bush (Paramount, Not Rated, DVD-$26.98 SRP). The 2-disc set features audio commentaries, animated shorts, animatics, and a music video.

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Science nerds (like me) can geek out to the complete second season of The Universe (History Channel, Not Rated, DVD-$44.95 SRP), covering topics like cosmic holes, dark matter, astrobiology, colonizing space, cosmic collisions, and much more. The 5-disc set features all 18 episodes. Onward, nerds!

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It has been a long, long time since the release of the second season, but fans and interested parties can now partake of The Partridge Family: The Complete Third Season (Sony, Not Rated, DVD-$29.95 SRP). The 3-disc set features all 25 episodes, plus minisodes of Charlie’s Angels and Diff’rent Strokes.

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Terence Malick’s epic tale of Captain John Smith and the Jamestown settlement’s relations with the Native American populace, The New World (Warner Bros., Not Rated, DVD-$20.98 SRP), gets even more epic with an expanded director’s cut, containing over 30 minutes of new material. The disc is otherwise featureless, and the film is flawed, but the visuals are nice.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Trailer Park: Sean Anders

Filed under: Interviews,Trailer Park — admin @ 2:08 am

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

You can see how much I enjoyed this film.

Watching SEX DRIVE in a crowded theater I was pleased that I was able to laugh along with what was happening on the screen without feeling sorry for the producers of the film. With abhorations like DATE MOVIE, EPIC MOVIE, MEET THE SPARTANS or any number of forgettable films that seek to be outrageous SEX DRIVE just wants to be funny. And it succeeds, in part, because of the man who helmed the co-writing and directorial duties, Sean Anders. It’s a name that not many people are familiar with but people should. Anders has crafted a movie that balances, like the scales of justice, genuineness and abject depravtity in a way that hasn’t been seen for some time.

CHRISTOPHER STIPP: I really liked this movie. I think I went from casually enjoying the trailers to, after I saw the film, to appreciating what you managed to do. As an aside, I think the older I get the more cynical I get about comedies. None of them speak to me anymore. American Pie? I thought it was just OK. This one I genuinely found myself laughing and having a good time sitting in a theater with other people.

SEAN ANDERS: Oh good.

CS: It was all over the board, in a good way. It wasn’t obnoxiously crude and, during those moments, it was done in a way that was fresh. How did you come in to all of this? Because I read the production notes, and it seemed like there were a lot of people pitching about what they wanted to do in order to make this movie.

ANDERS: It started out as a book and the book was sent to us. We read the book and immediately liked the sort of throw back teen comedy appeal of the premise. Kid meets the girl on-line, and of course that’s not throw back, but the idea of the kid who feels a little bit of a romantic outsider getting an opportunity.

We didn’t really go out to Hollywood with the intention of making a teen comedy. That’s not what we set out to do. We didn’t set out to do any particular thing except comedy in general. When that came up, it was all of a sudden really exciting. We grew up with those movies. Those were the movies that my friends and I, people that I have been friends with since high school, still speak to each other in quotes from 16 CANDLES. So the idea to have a crack at being a part of that world was really exciting to us. But unfortunately the book itself was not really the kind of thing that we do. I think it was focused a little younger and just wasn’t the kind of road movie we wanted to make. So we went back and said, basically to say no to it, to say we read it, we really liked these characters and the premise but the story that’s in the book, we don’t really want to screw up your book but it’s not what we do. And they said, “What would you do?” And we said, “Well, we would do something more like this.” And they said, “We love that, why don’t you do that?”

And really from that moment on there was a lot of creative freedom of “What do you guys want to do?”, “OK, let’s try that.” So then what happened is not printable because it’s just a convoluted boring story but what happened was the movie was already set up at another studio. We went and pitched the idea for it and the deal kind of fell apart and the producers asked us if we would be willing to go pitch it around town to other studios. So we did. We took it around town, we pitched it and it didn’t appear that it was going to sell. Everyone told us the same thing. They said, “It’s very, very funny but there are no big stars we can put in this.” So, that was sort of the end of it.

So then John and I went on to make a pilot for Fox and while we were making that pilot, which was so crazy and so much work, we got the call from Summit Pictures that they wanted us to write the script. We were so swamped and so freaked out working on this pilot that we almost said no. And instead of saying no, we really came out to Hollywood to do was not be writers but writers/directors/producers. So we told our agent that tell them we’d write it if we could be directors and producers.

That’ll make “˜em go away.

They called back and said, “Yeah, OK.”

(Laughs)

But they called back and said, “Let’s have a meeting and talk about it.” I think the thing that won me the job “β€œ there were two things that won me the job – in that meeting and one is that they asked me what my philosophy, my approach to comedy was and I said it was all the in the casting. Put funny people in a funny script and you’ll get a funny movie. And then the other thing I said that resonate with Erik Feig was I think in general, comedies are over-lit. And he was like, “Yeah.” So that’s where we started. On the same page. Comedies are over-lit and anybody who would read that would say, duh. But that’s always been a pet peeve of mine. So, they said, “OK. You can direct this if we greenlight it.” So we finished the pilot. Went off and wrote the first draft and they greenlighted it off the first draft. It was great.

Because once they got the first draft and said they wanted to make this movie and hired a line producer, then we were shittin’ bricks because I was worried our pilot might get picked up. It’s very unlikely that any pilot is going to get picked up But we were like, “Please don’t let this pilot get picked up.” We were finished with the pilot at that point and we were so glad when we heard it wasn’t going to get picked up. Again, what we came out to Hollywood to do was to write and direct movies. I loved that pilot and would love to do some television down the line but that was job one. So we got the opportunity to do it that way. Sorry that was the really long version.

CS: You are probably sick of telling variations of that “Β¦

ANDERS: Again, I don’t know how useful that is because it would take forever to write all that but it was this weird sort of thing that didn’t look like it was going to happen but then when it did, it was first draft, line producers, scouting locations, casting. I m that thing “β€œ from the day that we turned in the first draft “β€œ a year from then we were already showing the movie to test audiences.

CS: Really?

ANDERS: Yeah, that’s how quick this thing got done.

CS: You said that it’s all about casting and there are no big stars in this. However, they were all excellent choices. You’ve got Josh Zuckerman, Clark Duke and Amanda Crew, who I thought was a brilliantly cast because she doesn’t look like one of those vapid women we see in many comedies “β€œ I’m thinking specifically of AMERICAN PIE as all these kids look like they are straight off the runway but this one seems a little more natural, if I can say it that way.

ANDERS: And I think that makes her so much more gorgeous.

CS: Yes.

ANDERS: Because she looks real and looks like that girl in high school that you would just be terrified to talk to, even though you know she would be very nice to you because she’s a real nice girl but she’s just beautiful and has this sort of inner glow to her.

She’s actually one of my favorite stories because the studio had been pushing for more of a named actress for that part. The studio was always very good to us and at the end of the day they would always err on the side of making a good film, and they did in that case too but we were auditioning a lot of girls in LA and they would come in the room and we thought we had 4 or 5 very good choices for Felicia. Then we get this video from Canada and any actor will tell you it’s almost impossible to get a job on video because when the actor comes in the room you give them a little direction and kind of help them to let them know what you’re looking for and they adjust and we say, “OK, that’s good.” But when you see a video, you see what it is and then you’re done with it. So we see this video and we are gathered around this QuickTime of this video of Amanda Crew that was sent in from Canada and we all said, “That’s her. That’s Felicia.”

And it became me going to the studio saying this is the girl “β€œ this is Felicia. And they were like, “Take it easy. Let’s see what else we got.” But of course they are thrilled it worked out that way because they love her and she’s great in the movie. She and I talked about what her job was in the movie and I told her you’re job is to make us fall in love with you. As an audience if we fall in love with you and we get why Ian is in love with you, we’re there with you.

I think that’s it. What really separates this from the pack and why I’m a convert after seeing this movie Monday night and I need to see this movie again she felt like the kind of person that this could really occur among all the zany shit that happens around them “β€œ it just felt natural.

[Sean asks whether I would be around to see an additional screening with Clark Duke and Amanda Crew in attendance. I ask about the marketing plan for the film and how high profile the film seems to be for a relatively unknown comedy]

ANDERS: Well, what happened was the movie turned out so well that the studio wanted to have word of mouth screenings all over the country because they know this movie is a hard sell.

The problem with selling the movie is that it doesn’t have the big cast members in it and we knew that any rated R teen comedy coming out a year after SUPERBAD was going to get, “Oh, they are trying to be SUPERBAD.” Of course, this was written before that. So we knew that the movie would have to speak for itself. So they have been having these word of mouth screenings all over the country because whenever we get people in front of the movie they tend to like it and hopefully will walk out and talk about it. So anyway, we were doing this one and I lived here for about 8 years so this is sort of my second hometown. I know a guy from Harkins [a local theater chain in Arizona] real well because he helped us with NBT, the first movie we made, and getting that going. So he asked me if I would come out and do some Q&A and I thought that would be fun. They set up this party for it and everything and we were talking yesterday he said that maybe we should get some cast out for this. So I said I would call them and see if they’re around and talked to Amanda and Josh and they said they weren’t doing anything so they said, “Yeah.” It’s totally a last minute thing that they are coming out.

CS: And I have to mention before we go any further “β€œ Seth Green who I think absolutely steals”Β¦.

ANDERS: How about him, huh?

CS: You obviously approached him to do it but the performance he gave “β€œ that dry, sarcastic, sharp manner “β€œ it just works very well.

ANDERS: We had written the character to be this dry, sarcastic, but hopefully loveable Amish guy. And a guy who just really enjoys being around non-Amish people and then when the name of Seth Green came up, it was absolutely perfect. He’s just great with sarcasm, he’s really funny, and he’s just great on so many levels. But even then, none of us knew how great he was going to be until he got there. We just knew it was going to be so funny. That scene with the buggy with Clark where he says the line about butt fucking that was in the script but every time we shot it “β€œ everything we shot we just let it keep rolling and let people go past the scene and try different things and every time Clark and Seth got to that line they would just rip on butt fucking for the longest time. We cut some of that together for the extended DVD. It’s hilarious. It’s so over the top, disgusting and funny and really sharp, sharp stuff.

CS: His delivery is just wicked.

ANDERS: Well, the thing is about Seth Green is he is so funny all the time. He could be just sitting there and he’s not one of those guys who’s bouncing off the walls and trying to be the center of attention trying to be endearing to everyone, he’s just fucking funny. The way he turns a phrase, he gets his point across. He’s just funny. He’s always on. It’s a little bit intimidating.

CS: That part at the end when he talks to Fall Out Boy in front of the bus, was that all him? Did you know that line about [redacted for not wanting to spoil it] was coming at the end?

ANDERS: No. We had follow up boy for such a short time. We wanted to do a bit like that but just didn’t have time. That’s why it’s jump cut the way it is. It was basically, “OK, we have an hour before we have to go inside, let’s set up a camera and put Seth and Fall Out Boy in front of the camera and just roll and see what Seth does to f with those guys. And they were great sports and he was really funny and we shot like 20 minutes of stuff and cut it down to a minute for that little extra piece.

CS: It was a nice sort of kick at the end. How did that all come about when you are doing all these gags? It’s a thin line between obnoxious “β€œ in my advanced age, I’m 33 “β€œ I’m no foggie but when I see it “β€œ I get it, it’s supposed to be funny but you can have humor that just tries way too hard. But a massive majorirty of the gags here work very well and I don’t have any reason why they do “β€œ from your standpoint”Β¦

ANDERS: Well, I think, and you work for Kevin Smith, and I think you know what he’s so good at, of the many things he’s so good at, you can have a character say really raunchy “β€œ my friends and I, all of our conversations are raunchy, even when we are being serious. So you can have characters that behave that way and talk that way as long as the characters have heart and care about each other and they have real flaws and issues “β€œ as long as they have that sort of warmth it feels kind of real, where you were aspiring to on this “β€œ it gives people license to just relax and laugh.

And, one of the things that blew me away on the movie that I never would have predicted in a million years and almost the thing I’m proudest of the whole thing is “β€œ you do the test screenings for the test audiences and for a movie like this the studio cares far and away men 25 and under and then men 25 and older because this a movie that is going to be driven by guys and then the quadrant of girls 25 and under so females 25 and under but the women 25 and older, they don’t give a shit about. They know they are not going to go see it. Nobody’s mom is going to see SEX DRIVE. Nobody cares. So we go and we do our test screening and we get our numbers back and our number on women 25 and older were 98%.

That’s insane.

I’m sure those are numbers “β€œ like NIGHTS IN RODANTHE probably didn’t get 98%. For women 25 and older. It’s crazy. It almost seems like there has to be a mistake. And my mom saw the movie.

(Laughs)

And loved it “β€œ I don’t know “β€œ even though we are showing old man’s balls, I don’t know. All those things and despite that we can have a scene where we have a girl that almost shits on somebody.

(Laughs)

Or maybe does, depending on how you watch that scene, and that we still have women coming away loving the movie is such a huge compliment to us. We didn’t go into the movie trying to alienate any group.but you just know that when you walk a certain line people are going to be turned off by it.

CS: Why do you think women are responding so well to it?

ANDERS: Dude, I don’t know. I think the romance in the movie really works “β€œ that’s a part of it “β€œ but I don’t know. It’s mind boggling to me.

CS: I do have to ask about Andy and Randy.

ANDERS: If the movie does well enough to warrant a sequel, I already told the studio I will only do it if it’s a movie about Andy and Randy.

(Laughs)

Because I would love to do a whole movie about Andy and Randy.

CS: How did these characters materialize themselves?  If the book isn’t like this at all and it’s openly exaggerated…When you were coming up with the ideas to incorporate Brian Posehn and Seth Green to fill out these characters, how did their names come up as probables?

ANDERS: I don’t know. The way John and I write is we just sit around and bullshit all day and we’ll be talking about a certain topic and say, oh, this one time a friend of mine went to a carnival and then oh, there was this guy, this or that, and then it becomes an idea or a character. When we look back on all the characters we almost wrote and thought it was funny and look back and say thank god we didn’t try and put that in the movie. I don’t know man. I don’t know where that stuff comes from. You just sit around and talk about the idea and the characters until something funny comes up. And then there’s the arduous process of writing that first draft where you just write a whole bunch of unfunny shit and try to get to the end. And then go back through and try and find out why that stuff is not as funny was it needs to be and keep working on it. But I think a big moment in the movie was the moment when we wrote the line, “You love me, you love me too. OK.” Because we wanted to have that at the end because we knew it was going to be cheesy romantic we had written all this schlocky shit that was nauseating in the beginning. And then we just said “Fuck it. We don’t need big speeches. Let’s just simplify it and just let Ian be a man and step up and admit that he loves this girl” and when that line came up at that point in the script it was like I think we have a movie here. Because despite all the wacky raunchy stuff and at that moment writing that scene I really felt good. So, it’s weird. I’m new at this and I’m so proud of the movie. I realize it is what it is and is just one of those things that all I can do is hope that people like it as much as we do and they have a good time with it and hopefully 20 years from now that people would still be quoting it the way my friends and I quote 16 CANDLES and WERID SCIENCE and those great movies we grew up with.

CS: And the last question “β€œ I will make it brief “β€œ It’s no secret that you don’t have a whole lot on your resume behind you. You’ve managed to go from independent moviemaker to studio filmmaker “β€œ what’s the biggest lesson you learned in that transition?

ANDERS: I think the biggest lesson “β€œ man, there were so many, it was a lesson a minute all the way through that stuff. But, I think the one I’m going to apply the most is to just really try to enjoy it and have a good time and that seems to translate to a higher quality and that’s what we tried really hard to do all the way through it just not to get caught up in all the stress of the process but of course we did, and the next one even more so we will be able to because we know now that’s a formula that really works “β€œ to try and create an environment that’s really fun and laid back and have a good time and take that good time and put it on the screen and that’s something we learned from the Farrelly Brothers. They always sound like they are having a good time.

Trailer Park: Pornography, Made Sweet and Endearing

Filed under: Trailer Park — admin @ 2:02 am

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

My column is filled with sex this week.

Three things: One, I saw ZACK AND MIRI MAKE A PORNO last week and I saw SEX DRIVE a week and a half ago and I also saw a sexed up Bush a couple of nights ago during my screening for W. I’ve had a lot of randy goodness inside the movie theater as of late.

Since I am embargoed from talking about the film at great length, or any length at all for that matter, I can tell you that the tag line for this week’s column is what I told my marketing rep about what I thought of the film once I left the theater. For all the shots Kevin Smith has to take from those who are contentious in their critique of his films they simply should not have anything to say about the very believable and tender relationship between Elizabeth Banks and Seth Rogan. As well, forget about everyone else in this film, Justin Long is a scene stealer. Fucking thief. He’s disarmingly hilarious. I’ll tell more when I can but, for what it’s worth, it’s on my top 10 for the year.

Now, on to SEX DRIVE….

I first talked about Sean Anders in April, 2005.

One of the things that you can take away when watching SEX DRIVE is that this is a film that was written and directed by a guy who, last time we checked in with this artist, made only made one movie to his credit, NEVER BEEN THAWED, and spent $20,000 to create it. Why this is a valid point in critiquing SEX DRIVE is that critics will take something physically tangible like a CD or book and compare its value, and judge it, by what has come before it in order to assess whether the person who created it has evolved as an artist. Sean Anders’ evolution as a director and writer is one where you can talk in superlatives like superbly crafted, hilariously composed and completely likable. The latter point is really the difference between a dumb, vapid, insulting teen film and one that at least will respect you in the morning after it has had its way with you.

Anders starts out by creating a world where you’re introduced to a leper of a teen, one who isn’t necessarily or completely socially retarded but is just awkwardly inept with the ladies, who looks like his world is defined by the opportunities to try and get with members of the opposite sex but can’t close the deal; his opportunity to do so with his Internet girlfriend, one who is under the mistaken assumption that he’s buff (he’s not), he’s smooth (he’s not) and owns a 1969 Pontiac GTO Judge (he’s not allowed near it by his homophobe brother, Rex), sets everything in motion. This is a road movie, something we’ve seen all too many times before, but as the film unfolds you can see where Anders is taking the audience. He uses the path of where movies like this have been before but he shapes a landscape that alters the paradigm a little bit.

We grow to love our nerd in love, Ian, played by the smart and affable Josh Zuckerman, his slicker than silk best friend Lance (Clark Duke) and tag along buddy Felicia (Amanda Crew), who is uncommonly gorgeous and normal in a land littered with actresses that are better used as window dressing than they are actors. These three are the hard center for a film that is surrounded by weirdoes who stand in Ian’s way to getting to his “˜net lover. From the obnoxiously hilarious Beavis and Butt-head incarnates who have no shame or game, Andy and Randy, David Koechner’s turn as a twisted hitchhiker to Seth Green’s sarcastic Amish savior in disguise Ezekiel the movie knows it needs to go from one moment to another quickly but do it in a way that, bottom line, is funny to the rest of us. Anders teeters with going too far with the gross-out funny but, again, all the action on the screen sets itself apart by caring for the three members of the film who we follow through all of this.

SEX DRIVE’s thrust is its dealing with the issues these teenagers have in understanding how each one of them reacts to the giving and taking of love. Lance is every bit of a fantasy for how many dudes wish they could have been at that time in their lives, Felicia wrangles with the common emotion of her cohorts by not knowing who she really wants to love and Ian wrestles with the idea that he thinks he knows who he wants but acts out of blindness when the one he wants doesn’t seem to want him. And Anders, and co-writer John Morris, have done something completely extraordinary and answered the question of how do you make a completely shameless sex comedy but imbue it with a real heart.

The direction and writing meld in ways that the old adage of “at least there are more hits than misses” doesn’t even come close to applying. Anders and Morris get genuine laughs from moments within their scenes by having so many that there are bound to be a few in every one. Only the most cynical among you will be able to sit stone-faced throughout a moment where our buddy Lance hooks up with a gas station attendant in her mobile home and nearly dies because of it, where Ian, dressed as the worlds largest talking donut, has a dong attached to the front of him by some scallywags inside the local mall or the various awkward moments Ian has in the presence of his soon-to-be stepmother.

These characters are of course exaggerated but to take a moment like one where Seth Green subtly plays his character with the kind of quiet sharpness that is usually reserved for shows like Monty Python or a Kids In The Hall sketch is refreshing to have when you know, in anyone else’s hands, things could have been watered down or played for yuk yuks when what we have is good enough.

You can’t really deconstruct a comedy like this too much. One of the issues that you run into when talking about comedy is what can happen when you try and dissect a joke: it doesn’t work. This is one of those films where you can either get the joke that’s being made, and appreciate its uniqueness in a pool of films that can’t come close to what we have here, or you can take umbrage and lacerate the film for being puerile, obnoxious, horrifically scatological and offensive.

I can see both points. I can.

There’s the borderline silly homophobic Rex who seems like someone we’ve seen in many a film before, there’s the eventual ending anyone with half a brain cell ticking away can see coming and some of the jokes, specifically I’m thinking of the nut sack scene which seems to play on its surprise factor and little else, don’t all hit the target but there is something special here. There is genuineness with those we care about, an exaggerated sense of self with those we don’t and it’s completely a world where the horrors of youth are hilariously played out with no sense of decorum.

SEX DRIVE deserves a second, third viewing in a theater where the experience of laughing along with an audience is worth its weight in heavily soaked underwear from a night filled with nocturnal emissions; it’s movies like this that make going to the movies worth it.

George Bush does look like a simian.

There is no doubt about the facts surrounding the Bush administration; there are some indelible moments that can never be adjusted or reinterpreted. The kind of film that Oliver Stone has created feels like one long dramatization of these facts and of some possible conversations that might have taken place.

What’s infinitely more interesting than the facts presented, and elevates this movie beyond your usual Oliver Stone territory when dealing with a subject like this (re: NIXON, JFK), is that somehow, some way, Stone made me care about G.W. Bush. There were moments, like when he first meets Laura for instance, where he’s not a bumbling idiot we’ve placed in office but he comes across as a smitten boy who genuinely has the capacity for love.

Stone creates a powerful portrait of a political artist as a young man, tracking his progress in his various ventures that don’t always work out well. He shows us a George Bush Jr. who is nearly incompetent in every capacity as he seeks the approval and love of his father. The performance that Josh Brolin gives is second only to Heath Ledger’s Joker as he completely sinks himself into not only the mannerisms but of the motivations of this man. Where this movie excels is in this dedication to giving the audience a story of G dub’s life that we’ve never really seen.

Where this movie doesn’t do well, however, is composed of a couple of things. One is in its performance of Condoleezza Rice, namely Thandie Newton, which is wretched. Honestly, it’s one of the worst things ever put on to a screen in years.  Two, the pace seemed quite rushed. I know Oliver Stone had to get this movie out at a certain date in order to make sure it was out into the public before the election but it’s a hurried production. The unintended consequence of this, however, is that the movie briskly moves from moment. Don’t like a scene? That’s easy, just wait a few minutes. Thirdly, the film just seems to superficially give us the details of the events as they happened in George Bush’s life. We’re not allowed to linger too long and scenes don’t really develop how they should in order to have an appreciation for what Stone wants to say. If this is the extent of his message, though, I am afraid he’s stopped short of delving into the sick and depraved malfeasance this administration has been allowed to perpetrate on the American public, to hell with the legality of anything these mavericks want to do.

Stone has missed the opportunity to drive a cinematic stake into the heart of this beast.

What saves this film, though, is its nearly flawless cinematography; its attention to every moment and giving it its proper light and weight. It’s nothing short of wonderful to look at. As well, the development of the core characters, namely Laura, George Sr., Karl Rove, keep this film moving from moment to moment as, by the end, you can’t believe that it’s finished just as it was finding its footing.

Charting this man’s life from college to his various odd jobs to his entering the political arena is no doubt difficult to do in such a compressed time space, I know. However, that doesn’t excuse Stone from now taking the time he should have taken in order to make a more effective and powerful political profile. What we do have, though, is a story of a man who never got his just due from daddy, who genuinely believes in his faith, who loves his wife dearly and is a complete fool and idiot.

SUNSHINE CLEANING (2008)

Director: Christine Jeffs
Cast: Amy Adams, Emily Blunt, Alan Arkin, Jason Spevack, Steve Zahn
Release:
October 3, 2008
Synopsis: A single mom and her slacker sister find an unexpected way to turn their lives around in the off-beat dramatic comedy Sunshine Cleaning. Directed by Christine Jeffs (Rain, Sylvia), this uplifting film about an average family that finds the path to its dreams in an unlikely setting screened in competition at the 2008 Sundance Film Festival. Once the high school cheerleading captain who dated the quarterback, Rose Lorkowski (Academy Award nominee Amy Adams) now finds herself a thirty something single mother working as a maid. Her sister Norah, (Golden Globe winner Emily Blunt), is still living at home with their dad Joe (Academy Award winner Alan Arkin), a salesman with a lifelong history of ill-fated get rich quick schemes. Desperate to get her son into a better school, Rose persuades Norah to go into the crime scene clean-up business with her to make some quick cash. In no time, the girls are up to their elbows in murders, suicides and other”Β¦specialized situations. As they climb the ranks in a very dirty job, the sisters find a true respect for one another and the closeness they have always craved finally blossoms. By building their own improbable business, Rose and Norah open the door to the joys and challenges of being there for one another – no matter what – while creating a brighter future for the entire Lorkowski family.

View Trailer:
* Large (QuickTime)

Prognosis: Positive. How can you not like Steve Zahn?

He is the sui generis of his ilk and even though he has been in, let’s be honest, nothing that would be classified in the AFI’s Top 1,000.000 of all time he’s still a hard working actor who knows how to get work. If we’re talking about acting as a job, which is what most every single actor who doesn’t have their name scribbled somewhere on the A list will tell you it is, Steve Zahn is the journeyman of his trade.

As well, this trailer doesn’t so much pop and sizzle as it does impress. The opening sequence doesn’t thrill, either, but that’s not what drew me into this thing. What did grab my eye, however, was its set-up. So many trailers squeeze hefty amounts of information though a tight hole that unless you’re paying attention you would only be able to assimilate its slick visuals if it hopes you to snag your cash.

There’s a certain sweetness to Amy Adams and Emily Blunt taking care of Adams’ on-screen brood but it’s as we infer that she’s a single mom trying to make a living. Beyond that, the awkward exchange with an old high school friend who is quite obviously doing better than she is a bit hackneyed, I know that; the whole “What if the captain of the cheerleading squad ended up doing really shittily in life?” is every downtrodden nerds’ fantasy when they’re getting their neck wrenched by various members of the football team. Again, what separates this story from other trailers out there is that there is a real narrative flow to this.

I understand everything that’s going on, I’m intrigued by the premise and when Zahn comes in and explains a new career opportunity of crime scene cleaner upper I’m even more dragged in to where we’re going. I think one of the major reasons why, you see, I’m still listening to what they have to say is because I don’t know where we’re all going. Zahn is the real wildcard in this situation as I’m not positive if he’s going to be the love interest or if he’s going to be something else entirely; from what I see he could be any number of things. And, who the hell here doesn’t love Alan Arkin? You’ve got a few reasons why you should stay tuned. It’s refreshing in a way, you understand, to not be ½ way in to a trailer and know where everything is going to lead.

Further, I appreciate the dumpiness of their lives. From the trailers they’re having to clean up, to the hoopties that they’re driving to the gumption that both Emily and Amy have on display it’s the sum of many things that make up a film that looks like something easy and breezy.

That’s a little bit debunked when we’re given an extended moment of Adams losing her shit when she protests that she’s the kind of lady who men want to poke like a pin cushion but not the kind of lady that warrants a ring. I’m pretty taken aback by the starkness of the moment and what comes after, a few other moments of emotional release and pain, is wonderfully chosen to give us as a portrait of what this woman is going through.

The cut scenes at the end act like a delicate bookend to a movie that seemed to start out by the numbers but ended up being something worth keeping an eye on as it comes closer to its release.


Win JAMES BOND on BLU-RAY!

Filed under: Contests — UncaScroogeMcD @ 1:48 am

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We’re giving away, in conjunction with MGM Home Video, three (3) copies of each of the new JAMES BOND BLU-RAY releases – DR. NO, THUNDERBALL, FROM RUSSIA WITH LOVE, FOR YOUR EYES ONLY, LIVE & LET DIE, and DIE ANOTHER DAY.

Contest ends at 11:59pm EST on Friday, October 24th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Friday, October 24th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Ken P. D. Snyde-Cast #65: The Amazing Kazobo

Filed under: Ken P.D. Snydecast — UncaScroogeMcD @ 12:07 am

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #65: The Amazing Kazobo – Ken & Dana return with a descent into the world of novelty instruments – a journey that is sure to delight at least a tiny portion of our audience in addition to our hosts. And more stuff happens, too. Really.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #65 (MP3 format)

[audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-65.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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October 16, 2008

Win LIL’ BUSH: RESIDENT OF THE UNITED STATES – SEASON 2 on DVD!

Filed under: Contests — UncaScroogeMcD @ 4:11 am

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We’re giving away, in conjunction with Comedy Central Home Video, five (5) copies of LIL’ BUSH: RESIDENT OF THE UNITED STATES – SEASON 2 on DVD.

Contest ends at 11:59pm EST on Thursday, October 23rd.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Thursday, October 23rd.

The winner must allow 4-6 weeks after notification of win to receive the product.

October 15, 2008

Cabin Fever #44: The Sho Show

Filed under: Cabin Fever — UncaScroogeMcD @ 3:09 am

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent πŸ˜‰

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #44: The Sho Show – Our cabin-girl Shona returns from the wilderness to add some quantity to the proceedings, but not necessarily any quality. This leads to talk of what not to do when urinating, some line treading on the subjects of our gay listeners, and Top 5 prospective lovers. Jonathan Coulton plays the team out, and for the second week in a row a 60 second review arrives on time. There is too much going on in this show these days…

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #44 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_44.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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CLICK HERE FOR THE CABIN FEVER ARCHIVES

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Trailer Park: Zachary Levi and Joshua Gomez Video Interview

Filed under: Interviews,Trailer Park — UncaScroogeMcD @ 1:54 am

By Christopher Stipp

The Archives, Right Here

I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

One of the most delightful interviews I was able to do when I was at the San Diego Comic-Con this past July, Zachary Levi and Joshua Gomez were able to riff long enough for this video to show why CHUCK is one of the best comedies on network television. Forget your sitcoms and ensemble programs too because CHUCK developed its legions of fans out there (and if you question its popularity just let me know whose face was on the WB bags everyone was carrying around on that Friday at the Comic-Con) because of its idiosyncrasies and dedication to just good writing. Zach and Josh are but two players in a true group of talented actors who know what the material is and simply have fun with it.

Season 2 sees guest stars from John Larroquette, Nicole Ritchie, Tony Hale and Jordana Brewster, among others, and this season is all about regaining the momentum that was surreptitiously lost when writers all across the country went on strike. Although, that momentum seemed none too lost as I sat in on the CHUCK panel during Comic-Con and saw the legions of the faithful ready to keep this show atop the ratings heap.

This interview represents the 4th time I’ve talked to Zach, more times than I’ve ever talked to anyone during my tenure with this site, and it really is for good reason. Zach has been nothing short of professionally wonderful in every sense of the word. I remember talking to him in support of BIG MOMMA’S HOUSE 2 (Oy vey…the horror…) and coming away with the sense that his was a career who was going some place more prominent than the role he was saddled with. Fast forward a few years, and a whole lot of success, and he is still the same wise ass that really resonates with me in ways that I know this is just an interview that defines where he is at this time. I know we’re going to meet again.

As for Josh? This guy was always talked about in “Oh, you just HAVE to talk to him!” kinds of ways. He was hyped up to the point that I believed there was just no way it could live up to the back-and-forth kind of mind meld that people were telling me they had with one another. It was all true and as I watch this interview again (watch for the Navy Seal who interjects. The joy of live interviewing!) I can’t help but laugh at the casualness the two of them have about a show that has a lot of money riding on it but I also laugh at how funny they are with each other.

PART 1
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PART 2
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PART 3
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October 14, 2008

Masters Of Song Fu #2: Final Challenge Revealed!

Filed under: Masters Of Song Fu — UncaScroogeMcD @ 2:22 am

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We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a brand new form of creative combat here at the Stop. You’ll find the very first of these competitions here.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

A week back, we sent out the call for challengers. Hundreds of you heard the call and fought for a chance to be in the initial group. 20 were selected. Of those 20, only 13 responded in time (Them’s the breaks).

Like a songwriting version of Iron Chef, these challengers were presented with a very specific songwriting challenge, and given one week to complete their songs – however they saw fit, within the parameters set forth. Here’s the Round 1 Challenge…

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ROUND 1 CHALLENGE

This is going to seem to be a rather straightforward challenge to kick off our second Song Fu competition. In actuality, it’s a pretty darn interesting way to give people a sense of just what your songwriting personality and style is. We’re taking a cue from a fellow named Paul Simon

Your first challenge is to WRITE A SONG ABOUT THE MOON.

That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.

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After one week of intense campaigning and voting, we eliminated the bottom vote-getters – leaving only 6 competitors (5th place was a tie) to move on to… ROUND 2. The remaining Challengers and our Masters were then presented with their Round 2 Challenge…

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ROUND 2 CHALLENGE

Your challenge is to choose a famous inventor and craft a song proposing a “dance craze” based on either the inventor or one of his/her most well known inventions. For an idea of what we’re looking for, here’s a song proposing the ill-fated “Lurch”…

Your song must run no shorter than 1 minute 45 seconds.

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Your votes were tallied, and the top two Challengers from Round 2 moved on to battle head-to-head in ROUND 3…

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ROUND 3 CHALLENGE

For this Challenge, not only are we going to provide you with a theme and style, but we’re also going to give you the title. Your task is to write a song that utilizes all of the provided elements.

For this Round, we’re paying homage to the country balladeer greats “β€œ people like Jerry Reed, Waylon Jennings, and Roger Miller. Your task is to write a country ballad – using a backstory of your own creation “β€œ called “The Ballad of Rufus Amos Adams”.

Your song must run no shorter than 1 minute 45 seconds.

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Well, you voted on the Round 3 Challenge HERE. Below, you’ll find the Master and the Challenger who will be battling head-to-head, and whose fate will also be determined by you. Beneath their section, we reveal The FINAL CHALLENGE!

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MASTERS OF SONG FU

For this edition of Song Fu, we’re bringing in two (well, 5, if you’re being technical) very special Masters who you’ll be going up against. Think of them as the iron chefs of Song Fu, and your ultimate challengers, as you’ll square off against one of them mano-a-mano in the Final Round:

THE RIFFTONES

songfu-rifftones.jpgYou know ’em as the RiffTrax trio, but here at Song Fu they are the mighty RiffTones…

MICHAEL J. NELSON – Michael J. Nelson is the creator of Rifftrax.com, and is the former host and head writer of the Emmy-nominated, Peabody Award-winning Mystery Science Theater 3000. Since that time, he has appeared on numerous radio and TV shows, penned a regular column for TV Guide, and authored best-selling books for both HarperCollins and Abrams.

His first book, Mike Nelson’s Movie Megacheese, thrilled critics, including Richard Schickel of Time Magazine, who said of Mike, “He’s more fun than a barrel of Val Kilmers… Smarter than a roomful of Patrick Swayzes… and almost as hilarious as Keanu Reeves.” Mike’s laugh-out-loud follow-up, Mind Over Matters, prompted Kirkus Reviews to enthuse, “From someplace called Minnesota comes a Nelson funnier than Ozzie, Ricky, Lord or Half,” and even dared to compare him to another legendary writer, saying of his Serious Speech to Business People, “[It] could easily precede [Robert] Benchley’s immortal Treasurer’s Report.” And Kirkus Reviews loved his novel, Death Rat!, saying, “Fast-paced, outrageous and funny, first-novelist Nelson’s mockery of media mendacity is as biting as La Dolce Vita or Network – only funnier!”

Mike speaks all over the country, is a frequent guest on radio and television, and along with Bill Corbett and Kevin Murphy sells out theaters with his RiffTrax Live events.

KEVIN MURPHY – “I’m probably best known for portraying that ol’ squat loveable bubble-headed robot Tom Servo on Mystery Science Theater 3000. In fact I’m the only member of the cast and crew to have worked on every single episode of the series, probably because I tend to like everybody. I also got to sing at the drop of a hat and collaborated with the lovely, leggy Mike Nelson on many of the show’s songs.

Right now I’m back with Mike and Bill for www.rifftrax.com , where once again we sit in close proximity to each other and make fun of movies; unfortunately we don’t write a lot of songs… yet. To exercise my musical jollies I occasionally write and record solo and with family members, under the name The Revolutionary Communist Mountain Boys. Oh, and I’m also writing my first comic book series, symptomatic of my terminal case of Adult-onset Geekdom.

BILL CORBETT – Beloved by literally billions of people, Bill Corbett is a former writer for Mystery Science Theater 3000 on the Sci-Fi Channel, and previously on Comedy Central. He was also a performer on the show, providing the second incarnation of the robot Crow and embarrassing himself in grand fashion as other strange characters – including the all-powerful but clueless alien The Observer, a.k.a. “Brain Guy.” Bill has always been an amateur musician (cough cough HACK cough cough), performing with garage-less garage bands, and writing / performing songs for MST3K – including the beloved-by-literally-trillions CANADA SONG. He now works with former MST3K colleagues Michael J. Nelson and Kevin Murphy at Rifftrax.com.

Corbett is also a screenwriter and playwright. His plays have been produced at numerous theaters across the U.S., Canada, Great Britain, and (seriously) Japan. He wasn’t able to attend the latter, but assumes it was a live-manga concept.

A native of Brooklyn, N.Y., Corbett currently spends a lot of time in Los Angeles partying into the wee hours with stars like Skeet Ulrich, Harry Hamlin, and the late Red Buttons. But he actually lives in Minneapolis, Minnesota with his wife Virginia, their two young children, and a small Jack Russell Terrier who really runs the house.

He hopes someday to raise alpacas.

Official Website: www.rifftrax.com

ROUND 3 SONG:(The Ballad Of) Rufus Amos Adams
ROUND 2 SONG:Do The Ballpoint!
ROUND 1 SONG:Moon Shine

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THE CHALLENGERS

JASON MORRIS

songfu-jasonmorris.jpgI suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.

Official Website: www.jason-morris.com

ROUND 3 SONG:The Ballad Of Rufus Amos Adams
ROUND 2 SONG:The O’Sullivan Stomp
ROUND 1 SONG:The Universe Outsourced The Moon

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FINAL CHALLENGE

THE SONG FROM (aka 70’s Cinema Pop): For this final duel between Master and Challenger, you must envision a world in which composer John Williams was never hired to write the now-iconic scores for the Lucas and Spielberg films of the 1970’s (JAWS, CLOSE ENCOUNTERS OF THE THIRD KIND, 1941, and STAR WARS). Imagine instead that the filmmakers decided to go with that other staple of the 70’s – a tailor-made pop tune. Think THE POSEIDEN ADVENTURE’s “The Morning After (The Song From THE POSEIDEN ADVENTURE)”, which you’ll find below. You must choose one of those 1970’s Williams-scored Spielberg/Lucas flicks and write “The Song From…” that the film never had, in the style of a 1970’s pop tune (particularly in your instrumentation).

The song must be at least 1min 45sec, and must be an original creation.

The deadline for delivery of the song is 11:59pm EST on TUESDAY, OCTOBER 21st.

[display_podcast]

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If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY, designed and handcrafted by [adult swim] superstar Dana Snyder. Yes. Dana Snyder.

Good luck, and bring on the Fu.

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Bagged & Boarded 5: Battle Royale With Cheese

Filed under: Bagged & Boarded — UncaScroogeMcD @ 2:11 am

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #5: Battle Royale With Cheese – In which Matt and Jesse discuss the heated topic of favorite directors (in a very heated manner), FABLES, underrated comedies, and generally bicker with each other… Lock and load, folks…

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #05 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-05.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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October 13, 2008

TV Or Not TV: 10/13 – 10/19

Filed under: TV Or Not TV — admin @ 5:59 am

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Greetings TV or Not TV readers! We’re now back after a brief intermission.

Now that the new TV season is back in full swing the first thing I have to talk about isn’t actually the shows themselves, but how to watch them. I know this may seem like  a simple enough concept, we turn on the television and we watch. This day and age, however, we have DVR’s assisting us in being able to record multiple channels at once. This leads to the wonderful vortex that is setting a “priority” for the shows that we watch, making sure that our DVR records exactly what we want to watch instead of the things that we may be less enthusiastic to watch. This is the scenario that I am in and believe it or not I am still not able to record everything I want to watch. How to get all of my TV in though?

Anything on FOX pretty much falls by the DVR wayside because of how well they use their online episode availability. The same can be said for ABC. Both networks provide great online viewing options with completely tolerable commercial interuptions, making the viewing experience almost as good as watching them on a TV screen.

I know a lot of people like utilizing iTunes for purchasing their television which would be beneficial for portable viewing, but for some reason I can’t stomach paying for shows that I may later end up buying on DVD/Blu-Ray. To each their own.

Enough of this prattle, let’s talk about what’s coming up on TV this week.

MONDAY

A lot of Monday falls in to the column I like to call, “Just how long do they think they can keep this going?”

NBC – 8:00 PM: Bryce is back on tonight’s episode of Chuck. This show is plucky enough to keep me wanting more each and every week even though it was one of last season’s concept shows that made me first start wondering how long they could keep it up. I didn’t get how a guy with info in his head that never gets any newer could be of use after a long while (kind of like the daily newspaper. Great on one day, less useful two months from now). Glad I was wrong.

TLC – 8:00 PM: Matt Roloff goes to Iraq to get medical attention for dwarf children on the season opener of Little People, Big World. Man, remember when this show was just about little people and a big farm?

ABC – 9:30 PM: Tonight Samantha, Who? returns and it is another one of last seasons contenders for “Just how long do they think they can keep this going?” The show is about an amnesiac who finds she didn’t like who she was and wants to live a better life with her new clean slate. The first season was entertaining, but just how long can you drag this concept out?

NBC – 10:00 PM:Christian Slater plays a man with two personalities: one a regular family man and the other a highly deadly assasin. If you feel like you heard this all before when you saw Total Recall then I’m right there with you. After the first episode how do you keep the ball rolling? We’ll just have to see how the first few episodes play out before we make a decision.

TUESDAY

FOX – 9:00 PM: We’ve had to wait two week’s to see how Olivia reacts when her supposedly deceased boyfriend and apparent traitor showed up at the end of the last episode. If the show has proven

ABC – 10:00 PM: Where will Eli Stone find himself now that his aneurysm has been removed? Apparently in psychiatrist Sigourney Weaver‘s care. Hey, at least it isn’t George Michael again.

WEDNESDAY

ABC – 8:00 PM: Olive enlists the help of the Pie Maker and the Detective to try to track down a killer in a convent. Have I mentioned how glad I am that this show is back?

ALL NETWORKS – 9PM E/6PM P: Another thrilling round of presidential debates. Too bad they won’t have Tom Brokaw squawking about time limits during this one. I’ve never seen a grown man make two presidential candidates look like bad school children so quickly.

COMEDY CENTRAL – 10:30 PM: David Alan Grier is the man behind the desk in the newest psuedo-news show on Comedy Central. The only thing that may be more cringe-worthy than actually watching the show is its titled: Chocolate News. Uh, ok… moving on.

THURSDAY

NBC – 9:00 PM: It’s Two Men and a Baby (well, kind of) with Michael and Dwight playing out birthing scenarios/techniques. How is Dwight going to fit in his quickie with Angela with so much else going on?

ABC – 10:00 PM: It’s the second week of Life on Mars and Sam tries to bring some 2008 policing skills to the 1973 crew. I know, I’m confused too.

FRIDAY

NBC – 8:00 PM: Crusoe kicks off it’s 13 episode run tonight. Action, adventure and adaptation. Check it out.

CBS – 9:00 PM: Bella continues looking up past loves on The Ex-List and I have to point out how this show is also another great member of the “Just how long do they think they can keep this going?” club.

E! – 9:00 PM: The E! True Hollywood Story is tempting fate and risking extreme anger of the entertainment gods as they look at Oprah. Considering her clout you just know this has to be more sanitized than Adrian Monk’s bathroom.

SATURDAY

CMT – 8:00 PM: Nothing says pure entertainment more than shuffling out the D-list celebrities and having them wail on each other. Todd Bridges, Nikki Ziering, Dennise Rodman, Tiffany, and Danny Bonaduce all grasp for the Championship (yeah right) Belt. This puts Hulk Hogan’s Celebrity Championship Wrestling on the must watch list for me (as well as winning this week’s aware for longest show title).

LIFETIME – 9:00 PM: Harry Connick Jr. and Angie Harmon tug at the heart strings in this recounting of one doctor’s goal of developing a drug for treating breast-cancer.

SUNDAY

HBO – 10:00 PM: I’ve been pleasantly surprised by the new season of Entourage. Still, I’m left to wonder if a line will be crossed tonight as Vince‘s studio exec nemesis is laid to rest and we know that Ari is trying to get him the part he wants in the film about firefighters. Just where does schmoozing at a funeral fall in the ettiquete guide?

SHO – 10:00 PM: The new season of Dexter is the freshest and most compelling yet. Tune in.

I’m Will WIlkins and I approve of this column.

SModcast 65

Filed under: SModcast — UncaScroogeMcD @ 12:01 am

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 65: Captain Kev and Mister Scott –

In which our heroes race with the devil, question a non-singing moon-walker, and make contact with the most aloof alien in the galaxy.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

DOWNLOAD: (right click to save)
SModcast 65 (MP3 format) – 61.26 MB

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Wanna add your two cents? Spend it here, in the SModcast mailbag.

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CLICK HERE FOR THE SMODCAST ARCHIVES

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October 12, 2008

Win YO GABBA GABBA!: THE DANCEY DANCE BUNCH on DVD!

Filed under: Contests — UncaScroogeMcD @ 9:53 pm

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We’re giving away, in conjunction with Nickelodeon Home Video, five (5) copies of YO GABBA GABBA!: THE DANCEY DANCE BUNCH on DVD.

Contest ends at 11:59pm EST on Monday, October 20th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Monday, October 20th.

The winner must allow 4-6 weeks after notification of win to receive the product.

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