Tag: marvel

  • Soapbox: Conventional

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    Conventional

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    When I went to the Wizard World convention in Long Beach in LA in 2005, one of the first things that I did was to make sure that I knew where the convention was being held and what the quickest, easiest route to the convention centre was. As soon as I had that figured out, my next course of action was to find a convenient pub. There was a pub straight across the road from the Long Beach Convention Centre called “The Auld Dubliner” and given the fact that I’m a young Dubliner, I had to at least give the place a try to see what it was like. The bartender was from Donegal and as soon as I spoke to him, he new that I was from Dublin. And just like that, I found myself a home for the time that I’d be in LA, especially considering the fact that I’d be in LA on the 17th of March for Paddy’s Day. Being an Irishman in an Irish bar on Paddy’s Day in LA is pretty cool, but knowing the bar staff in that bar would be even better, so I made it my business to get to know the folk tending bar in the few days running up to Paddy’s Day.

    I arrived in LA on the 12th of March and the convention didn’t start until the 18th so I had a fair bit of time between hitting LA and going to the convention. I kept myself busy by touring around, going sightseeing, going to malls, seeing whatever was in the cinema at the time, even if that meant having to sit in a cinema in Disney and watch Keanu Reeves play John Constantine. It also meant that I got to spend a lot of time in The Auld Dubliner in the run up to Paddy’s Day. By the time that the evening of the 16th of March rolled around, I had only had a pint in one other place besides The Auld Dubliner, and that was in the ESPN sports bar in Downtown Disney. Normally sports bars aren’t my favourite place to drink a pint, but I felt that reading a pile of comics in the sports bar while drinking a pint would be nerdy enough that I could be comfortable there. So on the night of the 16th, after a huge dinner and more than a couple of bottles of beer, I decided that I should see a bit more of LA, and I decided that the best possible way to do that was to go on a pub crawl up the main street leading away from the convention centre back towards Pacific Coast Highway where my hotel was located.

    It really did seem like a good idea at the time.

    Despite the fact that I use the term “pub crawl”, very few of the places that I visited after leaving The Auld Dubliner were actually pubs. I was in restaurants; I was in night clubs and about two hours after embarking on the pub craw… I ended up in an amusement arcade. At this point, I have to admit that there’s a period of time I just do not remember. I remember going in to the arcade because for some reason, I had to show the guy at the front door my I.D. in order to get in to the amusement arcade. It was all bright lights and loud noises and even though there was almost no chance of getting a drink in there, I couldn’t resist going in. To this day, I do not remember any of what happened in that place. After showing my I.D. to the bouncer, the next thing I remember is leaving the arcade carrying a giant stuffed panda. I don’t know if I won it, stole it or bought it but somehow I ended up leaving the arcade with a giant stuffed panda. I decided pretty much straight away that his name was Peter.

    The pub crawl was based on a left-to-right pattern, wherein I’d go from one side of the street to another. This was harder than it sounds because, as a Dublin native, I’m used to just crossing the road whenever there is a chance to do so and not pay much heed to traffic lights or pedestrian crossings. In LA, crossing the road whenever and wherever you please will just get you and your panda shouted at. But both myself and Peter managed to make it across the road unscathed and we wound up in front of the next stop on the pub crawl… Hooters.

    Despite whatever attraction that Hooters may or may not have had for the twenty five year old me, it was the next stop on the zig-zag pub crawl so I had to go in for at least one drink. I thought that getting some food might be a good idea too, but I still wasn’t sure if Peter the Panda was a vegetarian yet. When I went in, I got a table and put Peter in the seat opposite to me. I purposely got a smaller table with seats rather than a table with stools as at that stage of the evening the chances of either of us being able to balance on a stool were fairly slim.

    After a couple of drinks, a small meal and some pretty one sided conversation, I decided that the next brilliant idea would be to buy Peter a Hooters t-shirt. There was no particular reason for this other than I was quite drunk and I thought it’d be funny. After buying the t-shirt and wrestling it on to Peter, I revelled in just how funny I was and lapped up the laughs and compliments that we were both getting from the staff. It was going pretty well until heavy set lady with a Southern accent decided that she didn’t like the idea of a panda bear wearing human clothes. It was pretty ironic though; she looked more than a little bit like a bear herself.

    With no hint of amusement or even curiosity, the woman wanted to know why Peter was wearing a t-shirt. She didn’t want to know why he was sitting at a table with me, she didn’t want to know why he wasn’t drinking his beer and she didn’t want to know if Peter was a vegetarian. It actually turns out that he was, I had to eat all of the food myself. No, the only thing she wanted to know was why Peter was wearing a t-shirt and when she asked, she asked aggressively. I looked at her for a second and told her that it was part of a protest against the fur trade. “I’m a member of PETA” I told her, and Peter was Peter The PETA Panda. The reason that Peter was wearing the t-shirt, apparently, was to demonstrate how silly it was for people to wear animal fur by showing how silly an animal looked wearing human clothes.

    I thought it was funny.

    The bear-looking lady took huge offence to this. She started talking about freedom to wear whatever she wants and America being a land of liberty and then she started yelling at me, telling me that I should go back to whatever country I came from because the fur trade isn’t going anywhere. Now, I have no strong feelings on the fur trade one way or the other, but all of a sudden I felt passionate about it in a very loud, very vocal way. But most of all I think, I was just annoyed that the bear-looking lady didn’t think I was funny.

    So I stood up and voiced my new found opinion on the fur trade. I don’t think that I ended up winning the argument, because I got kicked out of Hooters and was told never to return. To make it even worse, the bear-looking lady was allowed to stay in the restaurant and when I got outside and realised that Peter was still inside, I wasn’t allowed to go back in and get him. One thing that I’ve learned over the years is that it’s never a good idea to argue with staff in a restaurant or a bar when you’ve had a few drinks. It never works out well for anybody. So I decided to cut my losses, leave Peter to the tender mercies of the bear-looking lady and head back to The Auld Dubliner where I should probably have stayed in the first place.

    When I got back to The Auld Dubliner, the seat that I was in earlier that day was still free, so I sat back down, and ordered another drink. It would have been like I never left but for the fact that the barman told me that Seth Green had just been in the pub. He arrived about ten minutes after I left and departed a few minutes before I got back.

    Paddy’s Day came and went as it always does. The day was full of beer and laughter and stodgy food and more beer and introductions and new friendships. It was exactly the kind of day that I hoped it would be.

    For anyone who over indulges on St. Patrick’s Day, I can fully endorse going to a comic convention in blistering heat as a hangover cure. The first day of Wizard World LA 2005 was on the 18th of March and it was an amazing day. It was the first time that I’d ever been to a full scale comic convention and I was a bit overwhelmed by it all at first but it felt good to be in the company of like minded folk. Every so often though, it was nice to be able to leave the Convention Centre and head over to the pub to get a breath of fresh air and a pint and a bite to eat.

    At the end of the first day, I went back to the pub purely to get some dinner and then I was planning to head back to the hotel and collapse from tiredness. But halfway through my dinner, someone came up to the bar to book a table for himself and a group of friends. I recognised the guy from the convention floor so I was paying a bit more attention than usual to what he was saying and who he was booking for. When he said that the booking was for “Marvel Comics” and plans that I had to leave the pub early disappeared. Waiting an hour to see who was going to come in for dinner wasn’t a huge difficulty as I had bought a lot of stuff at the convention that day. I had a lot of books and comics to read, though as time went on, I tried to make sure that anything I read was a Marvel comic.

    When the crew from Marvel Comics started arriving, their table wasn’t ready for them yet so Victor the barman told them that they could wait at the bar next to where I was sitting, have a few drinks and Victor would call them when the table was clear. There’s a time to be restrained and there’s a time to step up and make yourself noticed. This was one of the times when you have to step up. I introduced myself to the nearest person who turned out to be one of the Spiderman editors at the time, Axel Alonso. We chatted for a while and as more folk started to arrive, he introduced me around to his friends. Some of the names I recognised, some of them I didn’t. Somehow I became the focus of attention and I talked about how I enjoyed the convention, about how it’s so different to anything that we’d have in Ireland, how I met Kevin Smith for the first time that day, etc. But I started to run out of things to say, and when that happens, I always fall back to the same thing. I start telling stories. So I told them the story of me falling flat on my fact the day previous in the pub while trying to do my Michael Flatley impression and I told them the story of Peter the Panda. It was just then that Joe Quesada walked in to join the group and at the same time Victor came up to let them know that their table was clear for them.

    Over the next two days of the convention, I saw some of the same crowd at panels and booths or just walking around the convention floor and they always made the effort to acknowledge me or say hi or stop to chat briefly. I’ve written before about how living the Nerd Life has certain advantages over living life the ordinary life of the masses and another advantage that being a nerd brings is that the people who we admire are very accessible to us. There’s any number of comic conventions in America during the course of the year where you can meet your heroes and they’re almost always friendly and courteous and willing to make time for a photo or an autograph. Being treated with respect by people you admire just makes you admire them more.

    The next comic convention that I went to was the first annual Dublin City Comic Convention, being held in Temple Bar Music Centre at the end of November in 2006. The most notable guests at the convention were Mark Millar and Bryan Hitch who were riding high on the success of The Ultimates. And in a uniquely Irish twist, the convention kicked off on the Friday night with a pub quiz in which Millar and Hitch were competing. Needless to say, they won the quiz. But given the amount of beer that I drank that night, I sort of feel like I won too.

    After nowhere near enough sleep, I went back into Temple Bar the next morning for the convention and the differences between the LA convention and the Dublin convention were enormous. The LA convention was a mass of stands and stalls selling everything from replica weapons to bootleg DVDs to t-shirts to videogames to comics. Comic creators were giving panels about their craft, Joss Whedon was talking about Wonder Woman and The Hulk was walking around the convention floor stopping to talk to anyone who approached him. The Dublin convention consisted of vendors crammed into the main dance hall of the Temple Bar music centre, selling their wares off tables that looked like they were about to collapse. Bryan Hitch was signing autographs on the stage in the dance hall and Mark Millar was signing autographs in an adjacent corridor. All along the queue for a Millar autograph, lesser known comic artists were sitting at tables trying to get people to buy their original art. I was very happy with the fact that I got a page of original art from the Angel: Masks one shot from IDW that was drawn by a native Dubliner named Stephen Thompson. That was looking like it was going to be the highlight of the day, until I finally got to meet Millar.

    I had two books with me that I wanted Millar to sign, and even if he had signed them, handed them back to me and moved on to the next person, I would have been happy enough, but he made the effort to say hi and ask me how I was doing, was I having a good time, was I at the quiz the night before. Then he absolutely shocked me by telling me that he recognised me, and not only did he recognise me, he was able to tell me that he remembered me from Wizard World in LA the previous year. It was pretty amazing. There’s people that I interact with every day that wouldn’t recognise me if I met them on the street, but even after twenty months and probably meeting a few thousand other people, Millar still remembered me.

    Being a nerd and being a comic book fan is rewarding in and of itself. Validation from others isn’t something that we need, we do what we do because we enjoy it and it makes us happy and that’s more than enough reason for doing anything. But I do think that the nerd community is pretty unique in the respect that the professionals give to the fans, partly because a lot of the professionals started out as ordinary fans themselves. And to be honest, a certain level of respect is something that I’ve come to expect when I’m lucky enough to come face to face with the people that I admire. But sometimes you get more than you hoped for. Sometimes all it takes is meeting the right person at the right time and a story about a panda named Peter.

    Simon Fitzgerald

  • A Bit Of A Chat with Ken Plume & Stan Lee

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    I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

    In this episode, I have a chat with master storyteller (and living legend, natch) Stan Lee….

    Hope you enjoy…

    Download “A Bit of a Chat with Ken Plume & Stan Lee“:

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    SUBSCRIBE
    Subscribe to this Podcast via iTunes

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    Drop Ken a line HERE.

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    You can also find more of my interviews by clicking HERE.

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  • Contest Round-Up: 2010-02-24

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    Welcome to our weekly round-up of featured giveaways here at FRED. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with Warner Bros. Home Video, we’re giving away six (6) copies of WHERE THE WILD THINGS ARE on both Blu-Ray & DVD.

    In conjunction with Fox Home Video, we’re giving away three (3) copies of COLD SOULS on DVD.

    In conjunction with Shout Factory Home Video, we’re giving away five (5) copies of ELVIS on DVD.

    In conjunction with Comedy Central Records, we’re giving away three (3) copies of SONGS OF THE SARAH SILVERMAN PROGRAM on CD.

    In conjunction with Faber & Faber, we’re giving away four (4) copies of THE QI “G” ANNUAL.

    In conjunction with Hasbro, we’re giving away a MARVEL UNIVERSE: IRON MAN Figure.

  • Win a MARVEL UNIVERSE: IRON MAN Figure!

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    In conjunction with Hasbro, we’re giving away a MARVEL UNIVERSE: IRON MAN Figure.

    Contest ends at 11:59pm EST on Wednesday, March 17th.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of FRED Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Wednesday, March 17th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Contest Round-Up: 2010-01-13

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    Welcome to our weekly round-up of featured giveaways here at FRED. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with Sideshow Collectibles, we’re giving away a SHE-HULK Premium Format Figure.

    In conjunction with Shout Factory, we’re giving away five (5) copies of KINGDOM OF THE SPIDERS on DVD.

    In conjunction with Shout Factory, we’re giving away three (3) copies of THIRTYSOMETHING: SEASON 2 on DVD.

    In conjunction with Lionsgate, we’re giving away three (3) copies of GAMER on DVD.

    In conjunction with Lionsgate, we’re giving away three (3) copies of WEEDS: SEASON 5 on DVD.

    In conjunction with Lionsgate, we’re giving away three (3) copies of SMOKIN’ ACES 2: ASSASSINS’ BALL on DVD, plus SMOKIN’ ACES water bottles.

    In conjunction with BBC Home Video, we’re giving away three (3) copies of RETURN TO CRANFORD and one (1) grand prize copy of THE CRANFORD COLLECTION on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of DALLAS: SEASON 12 on DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of THE WALTONS MOVIE COLLECTION on DVD.

    In conjunction with It Books, we’re giving away five (5) copies of HEADS ON AND WE SHOOT: THE MAKING OF WHERE THE WILD THINGS ARE.

    In conjunction with Cartoon Network, we’re giving away three (3) copies of BAKUGAN: VOLUME 6 on DVD.

  • Win a SHE-HULK Premium Format Figure from Sideshow Collectibles!

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    In conjunction with Sideshow Collectibles, we’re giving away a SHE-HULK Premium Format Figure.

    Contest ends at 11:59pm EST on Wednesday, January 27th.

    Sideshow Collectibles, Marvel Comics and Adam Hughes are proud to present the She-Hulk Comiquette, the very latest in Marvel Collectibles. Cast in high-quality polystone, this sculpture is taken directly from concepts and designs by famed comic book artist Adam Hughes, whose critically acclaimed realistic illustration meets pin-up style art has made him one of the industry’s most sought after artists and a perennial fan favorite. Each piece is individually painted and finished to exacting standards, each with its own unique quality and detail that is the trademark of a handcrafted Sideshow Collectibles product. The She-Hulk Comiquette is a fantastic addition to any display, a must-have for true Marvel fans.

    The Sideshow Exclusive version of the She-Hulk Polystone Statue includes a unique feature available nowhere else: A print of the control art created by Adam Hughes

    PLEASE NOTE: If you enter this contest, you are also signing up for Sideshow Collectibles’ newsletter. You can always unsubscribe whenever you want, but it’s full of great news, giveaways, exclusives, and announcements.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of FRED Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Wednesday, January 27th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Trailer Park: X-MEN ORIGINS: WOLVERINE – Reviewed

    By Christopher Stipp

    The Archives, Right Here

    So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies.Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about.

    X-MEN ORIGINS: WOLVERINE – REVIEWED

    x_men_origins_wolverineI don’t need to see this film again, nor do I have the need to ever own it.

    When I was 13 I had a friend by the name of Brandon Murphy. He was the only one who I knew was into comics and is responsible for sending sparks into the tinder that would flame into a full-on passion for The X-Men, Spider-Man and other titles that would create the base for my love of this medium.

    One month, while casually flipping through a copy of the most recent Comics Journal at my local comic book store they had a section in the back that was dedicated to talking about the cinematic developments of comic properties. Seemingly, a lot of what has finally made it to the big screen (SPIDER-MAN, X-MEN, FANTASTIC FOUR) had its genesis in a paper publication back in 1989. It would be ridiculous to think that these films were trapped in development for damn near two decades but the facts are both SPIDER-MAN and X-MEN went on to become box office juggernauts which laid waste to anyone thinking these films would only appeal to children. The early iteration of these films were a little rough as the filmmakers felt in the dark about how to translate comics to screen in a way that would be faithful to the source but be marketable enough to wide audiences so there were creative liberties taken; Rogue skewed younger, the Green Goblin was physically different and The Hulk had to contend with Hulk Dogs.

    Profits swelled, studios took notice and now we’re having to contend with a litany of comic book to film adaptations, reboots and spin-offs. Thanks to the success of the movies that had to believe that taking the material seriously would actually work we now have X-MEN ORIGINS: WOLVERINE. Based on the character who was the most obvious choice to get his own film WOLVERINE takes place long before he finds himself with the X-MEN and introduces a rogues gallery of fan favorites: Deadpool, Blob, Sabertooth and Gambit. The film wants to establish Wolverine as a character, wants to delve into how he received his adamantium and tries desperately to entertain while doing it. If this was Gambit’s game he would say 2 out 3 ain’t bad but here, for this film, it’s a losing hand.

    The issues that hobble this production are apparent from the beginning when we’re introduced to young Logan and his bone claws. In what has to be one of the most rushed “twist” story details, and there are enough of them here to think that M. Night Shyamalan, not David Benioff and Skip Woods, should get story credit, we have the worst use of “I’m your dad” in an awkward moment that sets the shoddy tone for what is to come. From the shoehorning of Logan’s classic comic book refrain of “I’m the best there is at what I do, and what I do isn’t very nice” into a conversation that feels awkward when uttered out loud the movie stumbles as the script feels like disparate moments strung together by a thin thread of relevance which, ultimately, prove not to be the case. The events that transpire could have all happened without the aid of the excuses that heretofore are called co-stars. If you could keep a tally on the ways in which any number of the co-stars, excluding Sabertooth, help the movie you would only need to use one hand. This is frustrating as any writer actually pushing pen to paper should recognize that you have to have a reason to include someone in a story but what seems to be the case in WOLVERINE is that these characters act as excuses to divulge wildly far-fetched bits of information.

    Further, an examination of what comes next illustrates the other contentious point that could go either way for someone watching the film: the flimsiness of the movie’s production.

    We go from boyhood to modern time with Logan all grown up and sharing a plane with the host of characters that will come and go like stage props for the rest of the movie. Ryan Reynolds absolutely shines as the merc with a mouth, Deadpool, and if there’s anyone who you wish they had more of in this movie it’s him. Liev Schreiber starts his run as the wickedly casted Sabertooth, and who deserves a lot of credit for elevating the tension, suspense and mood of this film, and doesn’t disappoint for the duration of the movie. The team’s leader William Stryker, played by Danny Huston, also is delightfully cast as the one man who no one should trust in a foxhole. The rest of the characters are forgettable, disposable and are completely irrelevant to the movie’s forward movement and act as convenient placeholders, like an opportune coaster to place a wet drink upon, to simply use and discard when not needed. The opening battle sequence has everyone showing off their talent, one by one, in an overly orchestrated battle that looks like it was taking place on a poorly disguised, and photographed, set; it’s plasticine flimsiness here just sets the tone for the other sets that look like sets. From the fight that takes place after our heroes board an elevator, to the jungle scene prior to Logan jettisoning from this merry band of mutants, to the fight that takes place between Gambit, Logan and Sabertooth, to a host of other special effect moments that simply look false there is a surprising lack of quality control. Never minding the accoutrements to the action on the screen the lack of character development for those on the periphery adds to the disappointment.

    The script for the film seemed to be at odds with wanting to tell an origin story, hence the title, but also having a fun movie to watch. I don’t think these things are mutually exclusive but the movie covers so much ground you don’t ever have a chance to breathe and that’s not a good thing. We barely get to know Logan’s lady Silver Fox, we have an even less chance to understand Dominic Monaghan’s Bolt, John Wraith barely has an opportunity to flex his muscle, don’t get me started on the stopwatch lifespan of the husband and wife who hurriedly nurse Logan back to health after he gets his metal, we get The Blob for one token scene and Gambit is all but ignored. There are literally a cast of characters interfering with a movie that should have been about Wolverine but instead we have X-MEN 4, a new team with a different leader. Even though this film is a vast improvement over X-MEN 3 it only does so because of the strength of Hugh Jackman and Schreiber.

    Jackman is the bright light in all of this as he pours himself into this role. He believes he is Logan, that he is Wolverine. And he’s damn right for thinking so. The mannerisms of what this human animal is supposed to be like are all evident in his rage when he escapes his captors as Weapon X, when he’s fighting for his life in the denouement of this film. Jackman has the charisma to pull this whole character off without a hitch but, the problem is, there isn’t anything else for him to do with what he’s given.

    With a gimpy script, wretched effects, questionable photography and a host of other distracting elements it’s not hard to make a case as to why this should be the only entry in this series, that any more films will turn a once hardcore outlaw of comics into a parody of himself, better suited inside the Sunday funnies. One time will be more than enough to take in what’s presented but I do hope the resulting avalanche of money that will no doubt be in this movie’s future will help begin discussions about how to focus on what was right about this film and excise everything else that did not.