Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.
Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.
Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.
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KEN P.D. SNYDECAST #166: What’s New Wit You – Ken & Dana return with another year of occasional frivolity full of chowder and manatees and midnight root beers in the face of Crypt Clark.
[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.
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Episode #166 (MP3 format)
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After all the brouhaha concerning whether Vince Vaughn’s character could say whether a car was or was not “ghey” (spelled the way the Internet intended) the movie is finally here to say once and for all if a vehicle is capable of having a sexual preference. Yes, I know, these are probably the same radicals who think that censoring Huck Finn of its nasty n-words was a good idea. It isn’t and it’s a form of censorship and good for Ron Howard for keeping the joke in tact. In fact, I may even buy a ticket just for pushing aside those who think he should have excised it from the film.
Having seen the film a couple of times already, I am convinced that Black Swan from Darren Aronofsky is perhaps one of the best films of 2010, if not the best film from last year.
Such a good film.
Sometimes you just want a movie to be a quiet character study of a couple of people.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
A collection of a master’s work that displays its greatness as much by the caliber of material left off the set as the genius of the included short films, By Brakhage is a necessary and infinitely rewarding trove of experimental cinema. Criterion have always erred on the side of preservation of a film’s look over completely smoothing grain, but they’ve managed to upgrade the technical specs of Stan Brakhage’s work while doing nothing to compromise the original image. Grain is omnipresent, because Brakhage incorporated it into his visual freak-outs (some of the shorts left off the set were omitted because Brakhage designed them with the flicker of a proper film projector in mind). Complete with footage of Brakhage’s lectures and interviews and a massive booklet, By Brakhage is a masterpiece right down to the cover art. 
It’s understandable that the otherwise laudable Kino and Criterion would insist on region-coding now that UK’s Eureka! label have gotten in on the Blu-Ray game: their pledge to release region-free BDs could cause trouble when Americans get a full view of the quality of their products. To date, their finest offerings are two restorations of F.W. Murnau classics. City Girl may not be on the same level as Sunrise (one of the 10 best films ever made), but the restoration Eureka! did for it manages to outstrip even that of Sunrise. A film made In 1931 has no business looking this pristine, and the near-total lack of the heavy damage expected in films this old distracted me from how great the film itself is, and how much it influenced masters like Terrence Malick. As for Murnau’s masterpiece, it shows its age more but still looks fantastic, and the alternate version unearthed looks even nicer. It also comes with a documentary on 4 Devils, Muranu’s legendary lost film, making these two must-owns for any cinephile. 
Criterion’s work on Charles Laughton’s fairy tale/horror The Night of the Hunter leaps over the high bar the distributor has already set for itself, turns around, raise the bar higher, then jumps over it again. Certain flaws inherent in the print remain, but the grain is pleasantly balanced when it appears, and the film never suffers for its shifts between cleaner studio shots and hazier location shoots. As impressive is the home video debut of the 2002 documentary comprising a trove of outtake footage Laughton’s widow released after his death. The two-and-a-half-hour behind-the-scenes doc shows just how meticulously and forcefully the director planned each moment, even berating the child actors to make them convincing in their scenes of terror and despair (or maybe he just hated them; Robert Mitchum himself attested to the latter). The Night of the Hunter is one of the most lyrical, multifaceted movies ever made, and Criterion gave it the treatment it well deserved. 
Presented in its definitive packaging, the Full Disclosure Edition of Apocalypse Now contains so many extras that it’s almost easy to ignore the film itself. Then you watch it (and, just as importantly, listen to it), and the stuffed-to-the-gills set takes a back seat to the enduring audiovisual might of Coppola’s schizoid triumph. A sterling video transfer and flawless update of the pioneering surround sound track make Apocalypse Now not only a film that should be a go-to on its cinematic quality but as a means of showing off a home theater. They don’t make ’em like this anymore, and that’s probably a good thing for the mental and physical health of every director working today. 
Disney’s work with their films has been nothing less than exemplary, and I nearly flipped a coin to decide between this and their restoration of Walt Disney’s still-ahead-of-its-time, genre-annihilating Fantasia. But the Beast won out, not only for the slight edge it offers it audiovisual upgrade but for the host of extras it offers. Commentary tracks, a making-of twice as long as the actual film, remastered deleted scenes, a host of ported DVD extras and more add to the immaculate restoration of one of Disney’s finest films, making the complexities of the love story between Belle and a transformed prince all the more engaging. The best Disney movies have the ability to take your breath away, and however much of an imperial sub-power they’ve become, someone over there still recognizes that and has put all effort into ensuring the presentations of those films leave us breathless, too. 
Far and away the best audiovisual presentation of the year, and certainly a contender for one of the most impressive in home video history, Criterion’s Blu-Ray of The Thin Red Line took one of the most beautiful films ever made and somehow makes it look even better. Fans sent rumors into a whirlwind over the possibility of the original, five-hour workprint version being included, but the scant outtakes that are included are a joy, containing elongated shots of Terrence Malick’s sensual transcendentalism and even the faces of cut actors like Mickey Rourke. Yet the caliber of the extras only seems the cherry on top as I continue to marvel over the sheer perfection of the film’s high-definition mastering. The Thin Red Line is one of the great war films, one that manages to avoid glorifying war while still being enthralling, and the Blu-Ray perfectly captures its power. 
With Criterion’s own update on the way in February, I shall be interested to see if they can produce a finer transfer than the sterling one offered by Artificial Eye’s region-free disc. Containing most of the extras included in Criterion’s DVD release – the highlight of which are short films by Kieslowski – the Artificial Eye Blu-Ray proves its own mettle with a stunning transfer that restores, then bolsters, the original cinematography to its transfixing, green-yellow glory. Kieslowski was a sensualist poet, treading in metaphysics but only ever putting emotion on the screen in a way that only the finest modern directors – Malick, Kar-wai, Kiarostami – can manage. The Double Life of Veronique is possibly the best starting point for Kieslowski’s 
Steven Spielberg was an early supporter of Blu-Ray and refused to let his films appear on what he felt was the inferior HD-DVD, but since Paramount initially had HD-DVD exclusivity, we had to make do with the (excellent) Close Encounters of the Third Kind set until Spielberg could get to work on remastering his modern films for Blu-Ray release. The wait was worth it. All of Spielberg’s Dreamworks releases this year — Minority Report, War of the Worlds and Saving Private Ryan — Minority Report benefits the most from the upgrade (besides, it’s my favorite of the three listed). The sterile, hyper-white tones of deceptively utopian society are blinding, while the more chaotic look of the film’s dynamic scenes is immaculately preserved while still looking gritty. Spielberg avoids commentary tracks (a crying shame, since he’d probably be brilliant at them), but there are enough behind-the-scenes mini-documentaries to satisfy all your pressing questions. The bounty of extras pushes a superb offering over the top, and one of Spielberg’s finest films has never looked better. 
Rod Serling was a few decades ahead of his time when he took the budding television medium to an early zenith with The Twilight Zone. Dismissed in its own time by those who could not process the numerous commentaries on ’50s social and political life — a particularly risible interview at the time had Mike Wallace asking Serling, “For the time being and for the foreseeable future, you’ve given up on writing anything important for television, right?” — The Twilight Zone is today rightly heralded as a masterpiece of programming. Image Entertainment has set out to honor the show’s legacy, and they’ve succeeded beyond doubt with this set. The remastered A/V quality astounds for a 50-year-old series recorded on old T.V stock, but the extras, oh Lord, the extras. The only reason this is just in ninth place is because I haven’t yet had the time to go through them all. Commentaries of 19 of the season’s 36 episodes, the unaired pilot, the unaired unofficial pilot, interviews, radio dramas inspired by the series, lectures by Serling at Sherwood Oaks College. It is an absurdly bountiful package, and I assume the same is true of the recently released second season, which I have not yet bought. The show is a seminal piece of pop culture history, it now looks as if it had just been made, and the extras are voluminous and (at least of the ones I’ve gone through so far) highly rewarding. What more must you know? 
A personal choice, perhaps, but I continue to be struck by the perfection of Sony’s transfer of The White Ribbon, one of the most gorgeous films in years. Unlike the other choices on this list, all of which came out before I was born or when I was too young to go see them in a theater or at least retain the experience, I had the luxury of catching The White Ribbon in theaters. Take it from me: the Blu-Ray puts the film on the small-screen without error, completely capturing the texture of its old-school film. Extras may be on the slim side, but this is a film that should seep into your mind without the director standing five feet away informing you of the themes as soon as you finish. For all its beauty, this is not an easy film to watch, but Sony have made things as gentle on your eyes as possible, so give this haunting allegory for the rise of Nazism if you have the fortitude to stand it. 
Roberto Rossellini’s War Trilogy truly changed the face of film forever, exploding Italy’s nascent neorealist scene into international acclaim. Viewed today, the film that started it all (Rome, Open City) looks remarkably melodramatic, but its spiritual sequels — Paisan and Germany Year Zero are uncompromising and scathingly political in a country that would probably best be served by just keeping quiet and saying only “Thank you, sir, may I have another?” to anyone that paid them attention. Criterion gives these films strong transfers despite the limitations of the grainy, cheap stock used to record them, elegantly preserving some of the most important movies of all time. 
While Seinfeld may deservedly command reverence among comedy acolytes for its depiction of “a show about nothing,” for my money it will always live in the shadow of Garry Shandling, whose metacomedic It’s Garry Shandling’s Show subverted conventions far more than a lackadaisically plotted tour of Manhattan. But Shandling’s greatest achievement was a six-season sitcom on HBO that received copious praise but little in the way of commercial attention. Based on the fallout from the Tonight Show handover — with which Shandling, considered to take Letterman’s vacant spot at Late Night when Dave jumped to CBS — The Larry Sanders Show peeled back the veneer of late night, exposing the greasy sheen and phony interest that Johnny Carson could make genuine and inviting but everyone else could not contain. I had previously been acquainted with the show by its first season the only one released by Sony all the way back in 2002, and I was struck immediately by its pitch-black tone of voice, a relentless discomfort that would go on to influence most of the best comedy of the new millennium (Ricky Gervais and Stephen Merchant cited it as a major influence for The Office). Having just gotten it for Christmas, I’ve only just started to work through the other seasons, but taking that and the abysmal video quality of the low-budget show into account, I feel no qualms calling this essential. I’ve heard that the show maintained its quality throughout, but even a dip couldn’t kill the power of its early seasons. A buried classic is finally unearthed. 
Bruce Springsteen intended to give 30th anniversary reissues to his classic albums – which is a redundancy on my part, as they’re all classics – but he never made it to the second reissue without problems. Two years late, the anniversary edition of Darkness on the Edge of Town makes up for the setback by blowing the impressive Born to Run package out of the water. The box set offers a remastered album and a two-CD set of songs that were left off the meticulously planned final cut of Darkness — and these 21 songs are but a fraction of the nearly 70 Springsteen wrote during the legal duress that kept him from recording after Born to Run, some of which would make his release The River while others remain in the vaults or nothing more than notebook scribblings. But the three DVDs are the chief draw. One features a making-of documentary for the album with background info on the legal troubles and a self-critical eye toward the writing and recording of ten perfectly chosen songs. The second disc features the album played in its entirety last year, while the third unloads a previously unseen film of one of the Boss’ legendary Darkness tour shows in Houston. While I wish he’d remastered the Dec. 20 show in Seattle, a bootleg I hold so dear I would actually trade the memory of concerts I’ve attended just for high-quality audio of this performance, I think it’s admirable Springsteen would acknowledge the efforts of bootleggers to put out material from that tour and give them something new. Bruce Springsteen is simply the most dynamic white man to perform rock ‘n roll, and he never topped the energy and force of his ’78 tour. To have an official release finally documented it is a joy, and the other five discs included – to say nothing of the impressive packaging – are delightful extras compared to it. 
The award season is rolling in and once again, I am deeply disappointed. Golden Globe nominations have hit their biggest low since nominating and awarding Pia Zadora, Best Newcomer (I wonder if that was a bizarre porn reference) for the forgettable film and performance in “Butterfly.” Throwing in the craptasticals; “Burlesque” and “Alice in Wonderland,” as the best Picture for a Musical or Comedy is like swallowing something that should never go down one’s throat. But to include the ho-hum “The Tourist” and “RED” in that category displays an extreme lack of imagination or proper thought process.
Then to add something special from their sphincter’s, they have the balls (take it back – they have no balls) to give a nomination nod to Jessie Eisenberg for what could be called a sedate version of what he’s been doing all along in every other movie. Have the Hollywood Foreign Press not seen any of his films? The guy was a hundred times more engaging in “Zombieland” and “Adventureland.” It’s like nominating Stallone for a limit to his acting range.
The Town ““ I have never been a big fan of Ben Affleck. I actually thought “Goodwill Hunting” was either a one-of-a-kind fluke or secretly ghost written by somebody else. Yes, I know Damon was his partner, but we have not seen anything else from that man either. Back to Affleck (Ben), he then blows us all away with “Gone, Baby, Gone” and now presents his very best work yet with “The Town”. In fact, I will go out on a limb and declare that “The Town” is the best picture of the year with the very best acting ensemble to go with it. It could also fall under the category as one of the greatest heist films ever made. It’s not fun or cagey, but filled with real people and their gut-wrenching stories. Once again, Blake Lively as Krista Coughlin, Ben Affleck’s old flame, scorches the screen and surprisingly Affleck shows he can hold his own with her and co-star Jeremy Renner (The Hurt Locker).
This movie belongs to Hailee Steinfeld and Jeff Bridges.
If The Departed was Scorsese’s attempt to get a hold on Boston, Ben Affleck’s 
Write all of those holiday gift thank you letters in the most beautiful and pretentious way possible with the 
I greatly enjoyed the first Nanny McPhee movie, and hoped against hope that Emma Thompson would be able to maintain the same level of Poppins-esque whimsy, heart, and humor she captured so well. Thankfully, 
Going in, I didn’t know quite what to expect from 
It’s always nice to see a new collection of Groucho material, even if it’s all culled from the public domain – that doesn’t mean it’s something I’ve seen. 
If you want a prime example of exactly how NOT to capitalize on public knowledge of a pop culture fixture for a big screen relaunch, look no further than the lifeless, drab take on 
Fans who seemingly didn’t watch the poor-rated show when it was on can now partake of the final clutch of episodes via 
If your kids liked Happy Feet and really want to see a movie about owls, then 
It’s with a bit of a whimper that the once-riveting 
I must admit, I do so love an old school, cat & mouse thriller of the kind that Hitchcock and Carol Reed would make, and that’s exactly the type of methodically taut pace found in 
It’s been over 10 years since cultural icon Stephen Fry released his first memoir, Moab Is My Washpot, which left leaders with only a portion of the story, ending as it did in his teenage years, just released from a prison sentence for credit card fraud, with college – the legendary Cambridge – and fame still before him. Well, he picks it all right back up in the same warm, witty, candid style with 
Another year has gone by, which means that we’re all being gifted with a lovely clutch of brand new QI books, first and foremost being 
Before television turned Charlie Brooker into a superstar (hush, you), he ran a website called TVGoHome, which put more than one skewer through television, from fake listings to articles and ads. These were all collected into the book 
It was with some trepidation that fans entered the 5th season of 
What would the holiday season be without cookies? And, naturally, a geek needs somewhere to put those cookies – so why not a light-up (with sound effects!) 
Evocative of Addams, Dahl, Gorey & Seuss but gloriously the unique genius that is the combination of my friends Trace Beaulieu and Len Peralta comes 
Another could-have-been-a-disaster moment turned out to be gold with Steven Moffat & Mark Gatiss’s modern take on Sherlock Holmes, 
It’s a been a few months, and you know what that means – a new Mystery Science Theater 3000 set! Continuing their yearly tradition, this holiday period box set comes packed with another bot action figure, and this times it’s the absolutely massive (and wonderfully accurate) Gypsy. If that weren’t enough, the movies contained in the 
Over the past year, there have been a trio of documentaries that any self-respecting Disney fan will find essential viewing, and all three are being released on DVD the same day (making purchase that much easier, natch). First up is 
While both films have their highs and lows – Fantasia has the “Sorcerer’s Apprentice”, “Dance of the Hours”, Night On Bald Mountain”, and “Nutcracker Suite” as highs, while Fantasia 2000 manages only the Hirschfeld inspired Gershwin sequence and the Flamingo with a yo-yo – it’s still lovely to have them both fully remastered in high definition as a 
For the true Disney fan, their incredible Walt Disney Animation Studios: Archive Series continues with the 3rd volume, 
But the Disney fun doesn’t end there, as the Disney legacy is also explored in a far different way via the grand Mouse’s videogame comeback – 
If you’ve yet to see Graham Linehan’s brilliant UK sitcom 
Because they’re so attuned to exactly what geeks want – pop culture geeks, the lot of us – Thinkgeek has become a prime destination for picking up LEGO sets that both geek adults and geek kids will want. Need proof? Well, considering you Star Wars geeks can pick up Boba Fett’s 
But what if your child likes LEGOs but you don’t want to buy them a construction set? Thinkgeek also stocks the 
Ach, but that’s not all! They’re also stocking all of the new LEGO board games, from the 
There’ve been a few quite nice highlight and retrospective sets released in the past, but if you want a truer picture of just why Johnny Carson was considered the King of Late Night, you should pick up 
Chemistry sets are so passe – Today’s kids want to investigate crimes… Particularly if their investigative materials are branded with a hit TV show. In other words, you can give the gist of a trio of kiddie-crime-solving kits – the 
I’m always leery when a new CG animated film comes down the pike and it’s not from Pixar, just because there have been so many duds trying to emulate their winning formula. This year, however, ahs been a banner one for non-Pixar flicks, starting with How To Train Your Dragon and including 
Yeah, I’m a sucker for the Guinness Book of World Records. There’s just something so compellingly exciting yet sad about the various and sundry attempts at dubious immortality “achieved” by the people, events, and tragedies included in the 
Covering the wild personal upheaval between 1964-1971, 
While it never achieves the transcendent by-golly-wow reaction it desperately wants for assembling such a massive all-star action pic hall of fame cast, 
After they released the brilliant – and much-requested – It’s Garry Shandling’s Show, fans were ready to throw a parade for the fine folks at Shout Factory after they announced they would be giving a complete series release to the even more brilliant 
There’ve been a few different versions released over the years, but the definitive edition – in high def, no less – is the 
For the past few years, Insight Editions has been putting out some truly spectacular books, from their series on the modelmaking and costuming of Star Wars to spotlights on John Lennon. While Chronicle Books has the lock on Pixar and Disney, Insight has been publishing massive, beautiful “Art Of” collections from Dreamworks and Sony. Currently available – and worth picking up – are 
Also worth mentioning from Insight, even though they’re not “Art Of” books, are Jerry Beck’s 
I have been counting the days until the high definition 25th Anniversary edition of the 
By the time we reach the third volume of 
About 5 years ago, I became aware that a documentary had been made about an artist I held dear to my heart – the underrated, underappreciated Harry Nilsson. I received a promo copy at the time, and found the documentary to be a comprehensive, enlightening overview of a brilliant artist beloved by friends and fans (including the likes of The Beatles) who happened to be a very flawed human being whose excess led to a far too early death. The doc floated around the festival circuit for the past few years, but 
It’s no Ben 10, but Cartoon Network’s 
Where the US version of the UK’s middle-age male crisis dramedy Manchild never got past pilot, the similarly themed 
I know a lot of you are probably waiting for next year’s Blu-Ray release of the entirety of season 4, but for those who can’t wait, 
It’s been almost a year since the Blu-Ray Ultimate Editions of the first two films were released, but the rather long wait has brought us the just-in-time for Deathly Hallows: Part 1 release of 
You know who else has comedy locked up for you this holiday season? The fine folks at Channel 4, who have a lovely clutch of comedy coming to DVD, including new stand-up specials – 
If you’d like to spend your holidays with a big green ogre, then you can fulfill that very odd wish with the 
The one factor that made Christopher Nolan’s 
You may know Haynes as the folks who put together all of those car manuals you see sitting on your mechanic’s (or father’s) shelf. Well, they’ve decided to venture into geek territory with the 
You can always bet that if there’s a new version of anything in the offing, the original version will get a release to coincide with it – and such is the case with the classic 1969 version of 
For the longest time, I’ve been able to suppress whatever last vestige of giddy Star Wars fanboy remained within me after being so mercilessly stamped out by the overwhelming mediocrity of the Prequels. That was, until I laid eyes on Hasbro’s incredible – in both execution and freaking size – new 
The folks at Fox want to load down your holiday viewing schedule as well, and have moved to do so with a pair of holiday box sets. 
