FRED Entertainment

July 22, 2010

Soapbox: Bee Day 1977

Filed under: Articles — Tags: , , — UncaScroogeMcD @ 3:31 am

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Bee Day 1977

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beesAt the beginning of autumn in 1977, I had not yet started kindergarten and my Nana (who I lived with) dressed me in a yellow Star Wars tee-shirt and sent me off for the day to my cousins’ grandmother’s place, on a nearby farm. I hated the tee-shirt because I thought it was boyish. I was also mistrustful because I’d heard that bees were attracted to the color yellow. Did you think that when you were little? Maybe it’s just because everyone I knew was a dumb bumpkin.

So, my cousins (Clint and Winfield) and I were playing in the cab of an abandoned farm truck in a field, when suddenly they yelled, “Bees!” and jumped from the cab, closing the doors behind them and leaving me alone. Before I could get the rusty old door open, I had been stung by three bees that had apparently been nesting inside the truck. I had never been stung by a bee before and I took it REALLY hard. I was pretty convinced I was going to die. My cousins’ grandmother took me in and picked out the stingers and smeared toothpaste on me, but she had one of the farm workers drive me home to the farm we lived on because I was still very shaken up.

At home, when I asked my Nana if I could change my shirt because it was yellow and that’s why I got stung by bees, she wouldn’t allow me to because she was the one who did all the laundry and I think deep down inside she hated me. So, I was allowed to watch cartoons while I continued post-hysterical-crying-shuddering on the sofa for a few hours.

When it got to be later in the afternoon, my Nana told me she’d seen the mail truck go up the road and that she wanted me to go outside and get the mail. Our mailbox was a short distance from our house, maybe fifty yards or so. I was like, “No. I’m scared to go outside.” Nana was not having it. She started shrieking at me about how I couldn’t spend the rest of my life afraid to go outside because it is very rare that a person is stung by bees, etc. (For the record, I don’t think I wanted to spend the rest of my life afraid of going outside, I just wanted to spend the rest of the afternoon afraid of it.) The only thing scarier than the memory of being stung by three bees at that point was the notion of being further cursed out and sent to my room where there was no TV, so I caved. For whatever reason, I was able to overcome the psychological hurdle of going out the door and walking up the road because I had the idea that I’d take this big red umbrella with me. Maybe I thought it would cover me, plus the red would distract from the yellow. Either way, my Nana told me I looked ridiculous going out on a sunny day with an open umbrella and I’m sure I did.

I remember walking about halfway to the mailbox and that it was really windy and hard to hold onto the umbrella and that is all I remember before blacking out. Why did that happen? Well, according to what I’ve been told, it’s because I walked straight into a swarm of angry bees. I guess when I took a long time coming back, my grandmother looked out the window and saw me lying in the road. She came out to get me and I was covered with a carpet of bees, passed out. She carried me inside and called my mother who rushed home from work. (I’m not sure, but if this ever happens to any kid I know, I might call an ambulance, but maybe she didn’t know the number?)

By the time my mom got to us, I had woken up, so good for me. My mom walked over to our neighbors’ house (they owned the farm we lived on) to warn them about the bee-saster and on the way, she got several bees on her (which she was and still is allergic to) and when she got to their door, she was trying to swat them away. The lady of the farmhouse was saying, “Don’t kill them! Don’t kill them! Those are our honeybees!” Come to find out, the farmer family had started raising honeybees and the very windy day had blown over two hives which broke. The farmwife panicked (???) and decided the proper course of action would be to throw the hives into the brook that ran by our houses. Which caused the bees to decide that the proper course of action would be to swarm.

The upshot of the story is, I went to the hospital because I couldn’t walk properly and was puking. They counted over a hundred stings on me and said that not walking and puking seemed pretty normal for a kid that had been stung a hundred times. In the end, I threw the Star Wars shirt away and didn’t go outside for over a week or something, until I was coaxed out under cover of darkness, to go bowling.

That’s my bee day of 1977. Thank you for letting me tell you.

Caissie St. Onge

July 21, 2010

Hands Up Who Wants To Be In Hands Down?

Filed under: Contests,Hands Down — Tags: — Aaron @ 10:25 am

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Hello and welcome to the first ever Hands Down comic competition!

Have you ever wanted to feature in a comic? Well, Hands Down features some of the lovely people who frequent the FRED forum and now it can feature you too! All you have to do is fill in the blanks from Hands Down #8 below. The writer of the best dialogue will win a cameo appearance in Hands Down #15 later this year.

So get writing! You can enter the text simply with applications like MSPaint, Photoshop and hundreds others. Then send it to us via handsdowncomic@gmail.com. All entries must be in before September 1st and the winner will be announced soon after. Don’t forget you can enter as many times as you like so don’t restrain yourself to just one idea.

Go on! Put me out of a job and get your comedy hat on and maybe you’ll get to be a web comic character!

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VISIT THE HANDS DOWN ARCHIVES

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Art by John Merker. Copyright 2010.

Soapbox: Lackluster

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Lackluster

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One advertising slogan that never really applied to me was “If you only see one movie this month…”. I spend a lot of time in the cinema, and it’d be a very rare turn of events that would lead me to not go to see a movie at least once a week. Going to the cinema with such regularity means that I get to see everything that I want to see and I get to see some films that I don’t necessarily want to see, but am willing to take a chance on. And now, here we are again almost at the end of “Blockbuster Season” and I haven’t really been awesomed by many films.

As I write this, there is some small hope left in the Season, hope that we might go from somewhat-lacklustre to absolute-blockbuster. Inception went on general release last week in most countries around the world and it impressed the hell out of me. So far, it’s been the saving grace of the summer. Toy Story 3 went on general release in Ireland and the UK on the 19th of July (yes, it went on general release on a Monday for some stupid reason) and is riding high on stellar reviews from America where the movie has been out for quite some time. The A-Team and The Karate Kid have both yet to be released here and both have gotten very mixed reviews but still carry with them some small promise of salvation, but that hope is very small. I think that when all is said and done, Inception and Toy Story 3 could be the winners this year with a special mention for How To Train Your Dragon. That movie was released in March of this year, so it was probably too early to be considered a summer blockbuster, but hands down it’s been my favourite movie of the year and probably my favourite animated movie of all time. And as such, I’m allowing it for consideration in this column.

Dependant on what part of the world you’re reading this in, your experience of the blockbuster season could well be different to mine. In Eastern Europe, The A-Team went on release weeks ago and Toy Story 3 is out but Inception is still a week away. In this age of instant information when a movie can live or die on the strength of reviews, there’s still a huge discrepancy in the release dates of certain movies. There was a time when I was really looking forward to seeing The Last Airbender, but after reading consistently awful reviews from both viewers and critics in America, I’ll be giving that movie a wide miss. The practice of staggering releases around the world also has a hugely detrimental effect when it comes to internet piracy. There are certain people who will want to see a big blockbuster movie as soon as it’s available, no matter how it’s available. If I felt a burning need to see The A-Team before the 28th of July, I could very easily have a good quality digital copy of the movie sitting on my hard drive by now and let’s face it, if I have the movie on my hard drive there’s very little chance that I’d pay to see it on a bigger screen upon it’s cinematic release in Ireland. But illegalness isn’t my style, and I enjoy going to the cinema far too much, so the closest I’ll come to piracy is a Pirates Of The Caribbean marathon over the course of a weekend at home.

Looking at the listings for this week at my local cinema, it strikes me that there’s a smaller choice of movies now than there is at almost any other time during the year. I think that part of the reason for this is that studios are afraid that “smaller” movies will be steamrolled over by the bigger blockbuster movies. But another reason for it is 3D. At present, Shrek Forever After and Toy Story 3D account for four movies even though they are obviously only two. Having to accommodate 3D versions of movies, and not even the summer blockbusters, means that the movie will take up two spaces on a schedule and that just means that someone has to lose out. And the “someone” who loses out is usually the audience.

The only movie with which I can compare the 3D version to the 2D version is How To Train Your Dragon. I got to see that movie three times in the cinema and the second viewing was in 3D, due to scheduling more than any desire to sit in the cinema wearing a set of plastic glasses over my own prescription glasses. And I have to say that I really didn’t notice any discernable difference between the two versions. Though I think the movie is pretty much perfect either way. I think and I hope that 3D will come and go as it has before, as its main purpose at the moment sees to be purely to clog up cinema schedules or delay the release of movies. Joss Whedon’s new movie, Cabin in Then Woods would have been released by now were it not for the studio’s desire to have the film released in 3D.

But 3D still holds little sway over the world of DVD/Blu Ray and home entertainment. I can’t help but wonder if four or five months from now when the blockbuster movies are released on disc how we’ll be looking back at this summer? Predators was a worthy sequel but didn’t quite live up to its initial promise. Shrek Forever After tried to breath new life into the franchise but did more sucking than blowing. Prince Of Persia tried to be Pirates Of The Caribbean on sand but didn’t have any of the charm of the pirate movies. Iron Man 2 set the standard high early in the season, but couldn’t help but suffer from comparisons to the universally loved original movie. Twilight movies are just horrible, and send the worst possible message to it’s target audience of teenage girls. How To Train Your Dragon would be the standard bearer if it had been released a little later in the year, but it did have the advantage of being able to enjoy a very lengthy run in the cinema sue to it’s release before the lacklustre blockbusters.

So here we stand, near the end of another blockbuster season with only Inception to hold aloft as the example of what a blockbuster should be. It’s an unusual position to be in, given that Inception is also the smartest film of the year so far or indeed of the last couple of years. I’ll be going to see Toy Story 3 later this week and I have high hopes for it. Maybe high hopes are dangerous, but it’s high hopes that keep us going. And more importantly… keep us going to the cinema.

Simon Fitzgerald

July 20, 2010

BIG BROTHER Blog Report: Day 41

Filed under: Articles,TV News — Aaron @ 3:56 pm

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Day 41

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Caoimhe is gone. And good riddance. Never have I hated a countryman so much since Andrew Maxwell let the team down. She was bitchy, boring and devious. The world will turn without her.

Josie’s recent problem with Caoimhe was blown out of proportion and the result of a woman becoming obsessed by her love/like/hate relationship with John James (delete as applicable to the day). And on some levels I do feel that Josie needed to drop it a long time ago. But the problem is, Caoimhe knew she did something stupid by flirting with JJ and rather than tackle the problem head on she weasled away from the responsibility. Her efforts to avoid the situation were so deepset that she even threw up in the bathroom out of sheer embarrassment.

She has left to carry on her crazy love for the infamous “Dave” outside of the house. So good luck to her. Let’s hope we never hear from her again.

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And don’t come back

Now that we’ve reached approximately the half way point I thought I’d go through the housemates with a quick update with my thoughts and feelings on them and how they’re doing.

ANDREW
andrew_carouselBless his cotton socks. I wanted to high five him when he told John James to “take it easy on Josie”. One of the few people to actually stop and think “hey psycho, stop”. Nerdy and shy he shouldnt be as entertaining as he is but it helps that he seems to be genuinely growing confidence from the experience. Could go far.

BEN
ben_carouselThe posh git has some life in him. I thought he was in trouble from Day 1 and lets be fair he got himself into trouble since Day 1 but he has managed to endear himself not only to the housemates but to the public. He’s still desperate to be loved but his desperation is what made him human and I guess we’ve connected with that a little.

CORIN
corin_carouselRoll up, roll up and get your living Corin doll complete with four whole phrases! Just pull the string and hear “Oh my god”, “Loving it”, “Buzzing” and “Can’t believe it”. That’s all. Nothing else. Corin doll also comes with removable eyebrows.

DAVID
david_carouselAnother one who really bugged me at first but who I’ve warmed to over time. He has a similar opinion to myself about a lot of the housemates in regard to their revelry in negativity (also known as being bitchy the whole time). The only problem is, he still thinks gay marriage is immoral, I thought this would come back to bite him but obviously no-one gives a shit. It’s been while since he was up for eviction so we’ll see how he gets on.

JOHN JAMES
john_carouselDumb as a pile of rocks. His budding romance with Josie has kept me fascinated and frustrated for weeks. However, I’m tired of his anger. He’ll shout at everyone who gives him an opportunity and is obsessed with who is “real” and who isnt. He won’t let anything go and it’s exhausting. Plus, any real man would have kissed Josie by now. Seriously, grow a pair, you little girl.

JOSIE
josie_carouselHello me old mucker. She has kind of lost her marbles with this John James stuff. It doesn’t help that she sucks her thumb constantly. For a woman of her age she has not handled any of this stuff like a grown up. Hasn’t really gotten many nomination votes and I can see her making it to the final. She’s my favourite to win the show but all could fall apart depending on how she reacts to the stress of her “relationship” over the next few weeks.

KEELEY
keeley_carouselCame into the house with loads of swagger and claimed she would rule the roost. Nothing. Not a jot of that. But she has been a firm voice and a competitive spirit so she has a good place within all the kids who run about. Has a weird flirt thing going on with Steve but I would hazard that this is because she’s trying to move herself up the social ladder within the house. A go getter. Lets see if she gets it.

RACHEL
rachel_carouselShe fancies Ben… I just… I just can’t get past this.

STEVEN
steven_carouselWill make it to the final by default and I have a little bit of a problem with that. Ben pointed out early on that nobody will nominate him for fear of being seen as a bastard by the public. The thing is, he’s not entertainment. Yeah, he has 8 kids and he misses them but thats it. So if he wins this purely out of sympathy I’ll be pissed. That being said, his fawning over Keeley is freaking me out. Maybe something interesting will result of it.

Aaron Poole
Follow Aaron on Twitter – @AaronFever

July 19, 2010

FREDagator: 2010-07-19

Filed under: FREDagator — UncaScroogeMcD @ 5:50 am

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A little slice of @Mythbusters goodness – @donttrythis & Jamie paint a picture…

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July 18, 2010

A Bit Of A Chat with Ken Plume & Dave Hill

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , — UncaScroogeMcD @ 7:35 pm

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I have a bit of a chat with writer/comedian/musician/legend Dave Hill

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Dave Hill“:

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SUBSCRIBE
Subscribe to this Podcast via iTunes

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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July 16, 2010

FREDagator: 2010-07-16

Filed under: FREDagator — UncaScroogeMcD @ 4:30 pm

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Dear Baby Santa. For Xmas this year, please let it be revealed that Jedward are self-aware. Thanks. XXX Ken…

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Soapbox: Gleeful

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Gleeful

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There are a number of rules and codes that I try to live my life by and to be fair; I’ve broken most of them. But the one rule that I rend to follow as often as possible is “if it’s good enough for Joss Whedon, its good enough for me”. I’ve watched most everything that Joss has been involved in and I have to admit that it took the involvement of Joss Whedon and Neil Patrick Harris to get me to finally watch an episode of Glee, despite the encouragement of my friends since the start of the show. Joss Whedon is the man responsible for two of the best forty five minute musicals in history. My friends know my tastes; this is why they’re my friends, so when they told me that I’d love Glee I should have known that they were right. My friends know that I’m a fan of musicals and indeed it’s only because of my friends that I was lucky enough to have been exposed to musicals at all.

Like most things in my life, my exposure to musicals is due to the folk from the View Askew Message Board. In 2007, when tickets were bought for Kevin Smith’s 37th birthday party in New Jersey, plans were immediately made, and one of those plans was to stay in New York with some friends for a few days before going to New Jersey to connect with the main contingent of Boardies.

I’ve always been a huge supporter of the principle of compromise. Well, I’m a supporter of the part of compromise where I get to do the stuff that I want to do. The part of the compromise where I have to do what someone else wants to do; I’m not the hugest fan of that part. In New York with my friends before Prom, I certainly got to do a lot of stuff that I wanted to do, the funnest part of which was a brilliant night in a pub called “O’Lunney’s” on West 45th Street just off Times Square. But the time came as all times must when I had to do something that I didn’t want to do, and what I did not want to do was to endure Legally Blonde: The Musical. I’d love to be able to say that I was graceful in compromise, but I wasn’t. I really didn’t want to go to see the musical and even though I’d already paid for the ticket, when the time came to go to the venue I was trying my best to think of ways to get out of having to endure the show and even the possibility of faking a heart attack wasn’t out of the question.

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I mean, if I was being forced to sit through a musical, wouldn’t you think that at least I’d be forced to sit through a good musical. Legally Blonde was a musical based on… Legally Blonde and lets call a spade a spade here, it’s not exactly Shakespeare. But all narrative problems aside, Legally Blonde: The Musical is what every musical should be, it’s incredibly enjoyable. Within ten minutes of the show having started, I was in love with the show and by the time the main cast started doing a fair approximation of Riverdance, there was a good chance that my heart would explode with joy. When the show ended I was fully converted, and for the next week I took every opportunity possible during the festivities leading up to Prom to tell people about this life changing experience. Also, I couldn’t stop myself from singing part of the opening track of the show. “Never Say Goodbye” is the song that will forever remind me of Prom night but “Omigod You Guys”, the song that opened the Legally Blonde show is the official song of that whole holiday for me.

Folk who know me can attest to the fact that when I find something that I like, I’m not shy about talking about it to anyone who’ll listen and I spent a long time telling every person that I met about how much I enjoyed the show, how surprised I was by that fact and how I was looking forward to seeing more musicals in the future. And I think that by the time March of 2008 rolled around and I was in Orlando with the same group of friends, my musical-hysteria had just about died down. So you can imagine my surprise when I walked into the kitchen of the condo I was staying in with my friends and I saw a custom made “Legally Simon” magnet stuck to the door of the fridge.

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To make matters worse (or possibly better), I found out that a whole batch of these magnets had been produced and were being handed out to the rest of the group later that same night. Despite my initial embarrassment at seeing this particular image of myself, it’s become a reminder of a great time with good friends and I’m fairly proud of the fact that every single time I’ve gone overseas since then and have been invited in to a friend’s house, a Legally Simon magnet has been there to greet me. That makes me smile almost as much as the original musical did.

Since then, I’ve been lucky enough to see a few more musicals with my friends. I’ve been able to see The Wedding Singer, Flashdance, Legally Blonde (again), Avenue Q and most recently, Wicked. Wicked stands out a little bit from the rest of the group in that it almost is Shakespearean in its themes and narrative, based on the fantastic book by Gregory Maguire. It’s been recently announced that a movie based on the musical version of Wicked is currently in development and we can only hope that the powers that be have enough common sense to cast Idina Menzel in the role of Elphaba.

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Musicals on-screen don’t have the same impact that a stage musical has, and no matter the quality of the acting or the singing or the production values of what you see on screen, you just can’t beat the feeling of being part of an audience and getting caught up in the emotion of the moment. Having said that, every so often the on-screen musical does come close.

Before providing me with a reason to watch Glee, Joss Whedon already had two very successful forty five minute musicals under his belt. One was the “Once More With Feeling” episode of Buffy The Vampire Slayer and the other was Doctor Horrible. The episode of Buffy in particular is notable for taking a group of actors, most of which had little or no musical experience (or talent) and being able to produce what it arguably one of the best episodes of the series’ seven year run. We knew that the songs would be catchy and we knew that it would be funny in places, what we didn’t suspect at all was that that one episode of would bring to bare the inner secrets of almost every character and turn the songs into confessions. Also… it has a training montage.

If OMWF was a risk for Whedon, then his next attempt at a musical, Doctor Horrible was possibly an even bigger risk, but it was also a bigger success. The initial internet release proved to be wildly popular. It was followed by releases on CD, MP3 download, DVD as well as prequel stories in comic form. It’s also been confirmed that a sequel of some description is in the pipeline. Nobody was quite sure what to expect when Doctor Horrible first went live on the internet, but it only took one viewing to fall in love with Neil Patrick Harris’ not so villainous villain and Nathan Fillion’s not so heroic hero. Personally the biggest revelations from the first Act of Doctor Horrible were that the man who played Malcolm Reynolds could play sleazy so well and that he is a pretty great singer. “A Man’s Gotta Do”, the song that Nathan Fillion and Neil Patrick Harris share towards the end of Act One actually led to me almost being arrested one night on a busy Dublin road. Let’s just say that Nathan Fillion is a much better crooner than I could ever hope to be, and when a police man asks you what you’re doing, telling him that you’re trying to do an A-Flat isn’t the best answer to give.

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But despite my slight Whedon-related brush with the law, it did take the combined presence of Joss Whedon and Neil Patrick Harris to finally convince me to watch an episode of Glee. And through the entire episode, I couldn’t help but smile. More than any other on-screen musical that I’ve come across, Glee embodies Broadway and almost makes you feel like you’re watching a stage production, wrapped in the awe and the emotion of a crowd of people. It’s cheesy at times, and in fairness, for every four or five amazing songs there’s the occasional clunker. But that, in my opinion, just adds to the authentic and spontaneous feeling that the show has, making it like Broadway-in-a-box. Glee does exactly what a musical is supposed to. It makes you feel gleeful.

Simon Fitzgerald

Weekend Shopping Guide 7/16/10: Rock Climbing!

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

Shout Factory has settled into a pleasantly clockwork schedule of releasing new sets, but I still greet Mystery Science Theater 3000: Volume XVIII (Shout Factory, Not Rated, DVD-$59.97 SRP) with delight, because it means more episodes have made it out. This go round, we get Lost Continent, Crash Of The Moons, The Beast Of Yucca Flats, and Jack Frost. Bonus materials include new intros from Kevin Murphy & Frank Conniff, a spotlight on Coleman Francis, and MST Hour wraparounds.

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When I was a kid, I always wanted the 5 transformable lions that would join to form the mighty battle robot Voltron. Sadly, I never did wind up getting it back then. As an adult, however, I have gotten the 25th Anniversary Voltron ($69.99) in all its 1:197-scale glory. Yeah, it’s cool.

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Relive the great legacy of Sesame Street back in the days before the show went down the tubes with the DVD release of 1989’s Sesame Street: 20 Years And Still Counting (Lionsgate, Not Rated, DVD-$14.98 SRP), back when Jim Henson and Richard Hunt were still with us and the show hadn’t become pap-filled Elmo Central. Maybe we can get them to release Don’t Eat The Pictures next…

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If you’re keen for a massive tome that takes a backstage look at the genius behind the concepts, designs, and implementations of their theme parks, look no further than Walt Disney Imagineering: A Behind The Dreams Look At Making More Magic Real (Disney Editions, $60 SRP), which does exactly that, along with additional ephemera inserts.

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Tide yourself over for the next season release with Spongebob Squarepants: Triton’s Revenge (Nickelodeon, Not Rated, DVD-$16.99 SRP), which collects another 7 episodes, plus “The Clash of Triton” shorts and a Fanboy & Chum Chum episode.

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You’ve probably purchased them in the past, so what’s the incentive in buying the new editions of Saturday Night Live: The Best Of Will Ferrell & Saturday Night Live: The Best Of Tracy Morgan (Lionsgate, Not Rated, DVD-$14.98 SRP each)? Well, in addition to additional sketched, they’ve also added in more outtakes, dress sketches, and TV appearances.

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It’s hard not to be enthralled by the images on display in World War I In Color (Acorn, Not Rated, DVD-$59.98 SRP), as “The Great War” has long been one that exists in modern memory via black & white photos and footage, allowing some emotional distance between the viewer and history. Now, through the discovery and restoration of rare footage, the War suddenly pops in full color, making the events that much more immediate and visceral. Highly recommended.

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If you’re curious what Reality Bites would look like at middle age, look no further than Greenberg (Universal, Rated R, Blu-Ray-$39.98 SRP), which finds Ben Stiller as the titular layabout whose rudderless life is presented with options when his brother asks him to housesit in LA. Amiable if not memorable, it’s a decent watch. Bonus materials include a trio of behind-the-scenes featurettes.

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Warners continues to mine their deep library of noir films with the 5th volume of the Film Noir Classic Collection (Warner Bros., Not Rated, DVD-$49.98 SRP), which contains another 8 flicks – Cornered, Desperate, The Phenix City Story, Dial 1119, Armored Car Robbery, Crime In The Streets, Deadline At Dawn and Backfire.

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Post-MASH, Robert Altman decided to cash most of the goodwill audiences had in with the bizarre, daft Brewster McCloud (Warner Bros., Not Rated, DVD-$24.95 SRP), which stars Bud Cort as… I don’t know what. A dreamer? A failed realist? A fantasist? Give it a spin and see if you can figure it out.

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In the early days of Nick at Nite, one of the shows I watched night after night was My Three Sons, and I’m not really sure why. Maybe it’s because of star Fred MacMurray, as single parent Steve Douglas (sadly, sans Flubber). Or maybe it was just the lovably crotchety presence of William Frawley. Either way, both the first and second volumes of season 2 are now available (Paramount, Not Rated, DVD-$39.98 SRP each), each containing 18 episodes apiece, plus sponsor spots.

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Paramount continues to undercut the public domain cheapie market with the welcome release of the complete second season of The Lucy Show (Paramount, Not Rated, DVD-$39.98 SRP), which collects all 28 episodes of Lucille Ball’s guest star-studded follow up to I Love Lucy. Bonus materials include vintage openings & closings, interviews, rare clips, cast commercials, The Lucille Ball Comedy Hour special with guest Bob Hope, and more.

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I was never a fan of Saving Grace (Fox, Not Rated, DVD-$49.98 SRP), as its detective w/ a “real” guardian angel schtick just felt like Colombo meets Highway To Heaven, but I’m sure fans will pick up the 3rd (and final) season set. The 5-disc set contains all 19 episodes.

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Since you can’t introduce your kids to the superheroes you loved as a kid via comic books anymore (dark, violent aberrations that they’ve become), pick up The Superhero Squad Volume 1: Quest For The Infinity Sword (Shout Factory, Not Rated, DVD-$14.93 SRP) for fun, kid-friendly versions of all of your Marvel Comics favorites that are a lot closer to what you remember than what’s in the books now.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Trailer Park: INCEPTION and LOOK AROUND YOU

Filed under: Reviews,Trailer Park — Tags: , , , — admin @ 1:20 am

By Christopher Stipp

The Archives, Right Here

Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp

INCEPTION – Review

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A summer film that distills the best of what a blockbuster should be, INCEPTION is the thinking man’s action film that marries drama, wicked fast pacing, and the designation as the best big budget movie so far this year.

In literature, Marcel Proust’s “The Remembrance Of Things” is thought of a classic because of its exploration of memory and the acute moments that are triggered by the nature of living. It’s a familiar smell, it’s a taste that triggers flashes from a time that has forgotten. It’s a wonderful distillation of the nature of the mind and how it is able to start lines of thought merely started by a bite of Madeline cookies, a sip of tea.

To try and contain a review of Christopher Nolan’s masterstroke of space and time within the barriers of the written word is to not appreciate the multidimensional gambits he took in trying to make our own minds malleable. It’s a movie that brings together the talents of an ensemble that could not have been more well-crafted and chosen, a score that weaves its way into what’s happening on the screen as if it were the film’s sixth man that’s comes in at clutch moments, a directorial style that has all along been leading up to this moment, and a story that is nothing short of tight and lean.

To talk about this film’s plot is to take away a layer of ignorance that any person wanting to steep themselves in this world would best avoid, but merely recapping its plot doesn’t do much to diminish the astonishing moments that pepper this film’s running time.

Our protagonist Dom Cobb (Leonardo DiCaprio) is charged with one task in this film: plant a thought in a target’s mind and have them believe it to be his own. The mark here is Cillian Murphy who stars as Robert Fischer, Jr., a corporate player who Saito (Ken Watanabe) would like taken out of his way. The payoff, if this expert in thought extraction could do it, would allow DiCaprio to return to the U.S. a free man. What has kept him out of the country, what has kept him away from his children, what has made him a wanted man, is left for us to discover in small bits and bites on the way through the subconscious of Fischer, Jr.. Using a team that’s assembled of people that has more in common with Hermes than they do with the usual action movie tropes of ragtag mercenaries they all seem more likely to unwind with a glass of wine than they do handling the weaponry that takes this movie from being a clever idea and makes it a clever idea that might be Nolan’s best one yet.

The literal cat and mouse game that ensues once we get the groundwork laid about what is real in this world, what its rules are, what is possible, is without question one that filmmakers have to look at and be amazed by. What Nolan was able to do with a supporting cast that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine, Tom Hardy and Tom Berenger is something of an art itself. He was able to make every person earn the right to be on the screen and to harmoniously fit in with one another. There are no standouts, with the exception of DiCaprio’s sublime yet thunderous performance, and Tom Hardy’s real coming out party, per se but that’s the brilliance of the film. As a team they make up so much more than the sum of its parts. The synchronicity they share with one another makes this an uninterrupted experience unlike anything you’re likely to see.

What’s more, this film represents something about Nolan that many already know: he is passionate about telling a good story. Not just a story, but a good one. One that is airtight in its ability to thrill and excite you while also informing a part of human nature. All of his previous efforts are imbued with the small ways our humanity manifests itself in the acts of his protagonists and it’s no different here. Although, in this dream world the manifestations are literally interpreted on the screen, laying bare the psychoses that hobble everyone to some degree. Obviously here, a runaway train on the loose in a city street ought to be nothing less than spectacular if for no other reason than it is spectacular.

But Nolan doesn’t go the easy route as these visuals mean something more than what they are. Every piece of broken glass, every ice cold look from a passerby, they mean more than just what you’re seeing with your own eyes. The deception of inception is that everything is in front of you, nothing is hidden. Every question is answered and that’s the brilliance. What makes your mind hurt by the end of the film as you try and wrap your own sense of logic around what you’ve been presented is how it’s all right there to be interpreted. Lesser directors have made it an art form to hide its secrets, to throw out red herrings to toss you off its scent, but it’s the scent that means everything to Nolan as he made a world that feels too real.

It seems so simple that each and every one of us have a baseline with which to connect with this film. We all have to give in to our minds at night and at the very least allows for every person who sees this movie to understand, on some level, the totality of what’s going on. Examining the nature of memory was what made Marcel Proust such an unforgettable writer and it’s the very same thing that will make Christopher Nolan an unforgettable filmmaker.

Look Around You – DVD Review

look-around-you-checks-in-20100420112012536-000A television show that jettisons you back to an age when classroom instruction meant listening to an old coot ramble on about things that seemed antiquated to even the most basic of thinkers, Look Around You is a show that really isn’t for everyone.

Who it is for, however, are those who like their comedy on the subtle side, the kind of funny that comes from the absurd. What writers Robert Popper and Peter Serafinowicz managed to do was bring a piece of scientific nostalgia from the past (think Bill Nye The Science Guy circa mid 1970’s) and give it a language all its own. Look Around You examines common, scientific topics like music, water or the brain in a way that feels like they’re coming at us from that time. From a narrative and editorial standpoint these episodes wouldn’t be nearly as funny until the very laws of logic are conveniently left out of the program’s creation.

Very much like what Tim and Eric have managed to do for many, many seasons on Adult Swim, Popper and Serafinowicz deny you any chance to ground this straightforward science show in any kind of reality at all. It’s the mixture of the brilliant attention to detail and the ways in which these topics are covered as if it’s the gospel’s truth that make this a show that’s a must-see for any fan of alternative comedy.

The joke isn’t that nothing is as it seems, this could be done by any fool looking to make fun of programming from when we were children, but that no one ever gives the punchline. It wants you to go halfway and meet it as an experiment, for example, on the brain ends with the brain in question being suspended in brine and hooked up to a telephone making a phone call to the experiment conducting scientist to say how many nuts are in a jar that’s sitting in front of it. It’s truly bizarre but it’s bold in that it never feels the need to accentuate anything, nothing that would let anyone know this is all a big put-on. The level of restraint shown on this program only shows how serious they were taking this premise, of crafting a very short program of bogus science information that’s presented as if it were the truth, is something I rarely see. Performers want to let the audience in, to get them in on the joke. Look Around You is amazing in that it doesn’t give you anything but situations that you can either take or leave. It’s up to you to find the humor in the situation and that’s more than anyone could ask for out of comedians operating on another level.

About the DVD:

Look Around You is the BAFTA-nominated comedy series based on the unforgettable Open University and Television for Schools programs of the1970s. Through a series of gloriously deadpan experiments, we observe a colony of ants build an igloo, receive a telephone call from abrain, discover why ghosts can’t whistle, and reveal the largest number in the world. Science has never been so silly.

Special Features –

Advanced double-length module: Calcium
Little Mouse: full-length pop video
New exclusive commentaries featuring Robert Popper, Peter Serafinowicz, Tim Kirkby, Simon Pegg, Nick Frost, Edgar Wright, Trey Parker and Matt Stone, Michael Cera, Jonah Hill, and Tim & Eric
Little Mouse commentary by Jack Morgan (BSc)
Pages from Ceefax
Play-at-home quiz pages
Additional music by Gelg
Test card

July 15, 2010

FREDagator: 2010-07-15

Filed under: FREDagator — UncaScroogeMcD @ 6:37 pm

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A big thank you to Sandi Toksvig for pointing me towards the awkwardness that is the “Growing Up Skipper” doll…

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Contest Round-Up: 2010-07-15

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Welcome to our weekly round-up of featured giveaways here at FRED. Every week, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Warner Bros. Home Video, we’re giving away two (2) copies of COP OUT on Blu-Ray/DVD.

In conjunction with BBC Home Video, we’re giving away two (2) copies each of BEING HUMAN: SEASON 1 on both Blu-Ray & DVD.

In conjunction with Shout Factory Home Video, we’re giving away two (2) copies of GALAXY OF TERROR on DVD.

In conjunction with Shout Factory Home Video, we’re giving away two (2) copies of FORBIDDEN WORLD on DVD.

Win FORBIDDEN WORLD on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:33 am

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In conjunction with Shout Factory Home Video, we’re giving away two (2) copies of FORBIDDEN WORLD on DVD.

Contest ends at 11:59pm EST on Wednesday, July 28th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, July 28th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win GALAXY OF TERROR on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:25 am

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In conjunction with Shout Factory Home Video, we’re giving away two (2) copies of GALAXY OF TERROR on DVD.

Contest ends at 11:59pm EST on Wednesday, July 28th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, July 28th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win BEING HUMAN: SEASON 1 on Blu-Ray & DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:18 am

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In conjunction with BBC Home Video, we’re giving away two (2) copies each of BEING HUMAN: SEASON 1 on both Blu-Ray & DVD.

Contest ends at 11:59pm EST on Wednesday, July 28th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, July 28th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win COP OUT on Blu-Ray/DVD!

Filed under: Contests — Tags: , , , , , , , — UncaScroogeMcD @ 5:09 am

contestheader.jpg

In conjunction with Warner Bros. Home Video, we’re giving away two (2) copies of COP OUT on Blu-Ray/DVD.

Contest ends at 11:59pm EST on Wednesday, July 28th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, July 28th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Bagged & Boarded 62: It’s A Mad, Mad, Mad, Mad Mel

Filed under: Bagged & Boarded — Tags: , , , , — UncaScroogeMcD @ 4:56 am

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #62: It’s A Mad, Mad, Mad, Mad Mel – In which Matt and Jesse discuss everyone’s favorite insane (ex) actor, Mel Gibson, share their thoughts on some very viral videos, and debate about who’s been the best onscreen devil. Listen… or we’ll tell Mel where you live.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #62 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-62.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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July 14, 2010

TV Or Not TV: Summer Heat?

Filed under: TV Or Not TV — Tags: , — admin @ 4:06 am

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With the summer days completely underway I have to admit that writing a column about all the television out there that I am not actually watching is a bit of a stretch. Rather than put out a disingenuous column I’d rather write this week about the things that I actually have been watching (or plan to). I hope you don’t mind bearing with me during this interlude before the return of my regular prattle and daily TV bread down.

Big Brother’s Back
Every year I have a guilty pleasure during the summer season and it is CBS’s BIG BROTHER. It isn’t because the TV show is creative and done well, it isn’t for the blatant attempts that they do to make the players on the show (known as HOUSE GUESTS) visually appealing, and it isn’t for the diversity they also decide to plunk into the house to drum up friction. I simply love watching the show to see the way that regular social graces and group dynamics break down so quickly.

If you aren’t aware of the concept of BIG BROTHER in its US incarnation the idea is very simple: a sound stage is turned into a house, complete with an outdoor backyard, where there are over 50 cameras and microphones following around a group of contestants as they try to make it through SURVIVOR like internal voting eliminations while also competing for the things we take for granted every day: hot water, food, etc. Throughout all of this the House is not allowed any contact with the outside world. For 75 days this micro-community is all there is for these people and usually this means that they all go a little nuts.

The producers of the show also know exactly what to do in order to create artificial drama or on-camera romance in order to fill time with the three weekly airings of the show: the provide plenty of alcohol to the HOUSE GUESTS. This helps lubricate arguments, conflict and romance. It helps increase paranoia, bad choices and helps the HOUSE GUESTS to blunder things up.

This early on, with the show just starting, it’s very always very hard for me to get into the show because with 13 people living in a house at the same time it is hard for me to get all of these people straight. Each year they’ve tried to do something in the very beginning to help avoid this problem (at least for me) by introducing an early twist or idea. One season it was that the house was stocked with people and their ex-boyfriend/girlfriends. Another season they had twins playing secretly as one person (trading places in the special confessional/interview area known as THE DIARY ROOM), and another season they had people secretly playing as partners (each thinking they were the only ones). One of the better gimicss was the use of AMERICA’S PLAYER, a person that was playing to win but also had to do the things that we, the home viewer, voted for them to do. They would have to vote how we wanted them to vote, do stunts we told them to do which brought a new level of interactivity to the viewing experience.

Seeing as how this is the 12th season of BIG BROTHER, however, I think the idea well is running a little dry because they’ve flat out lifted a concept straight out of another reality show by putting THE MOLE into the house, only BIG BROTHER calls this person THE SABOTEUR. The SABOTEUR has one goal in the show: undermine the other players and get to the half-way point without being discovered for a clean $50,000. Considering BIG BROTHER only has two winners and second place gets you the same amount as the SABOTEUR will win it’s a pretty solid plan considering the odds of winning are only two in 13.

In an early smart move the show hasn’t revealed to us, the audience, who this SABOTEUR is. In an early dumb move they are going to reveal the person during this Thursday’s live eviction show. I say this is a dumb move because I enjoy not knowing who the SABOTEUR is and would rather enjoy their undermining antics while trying to determine who they are. This puts me in the same frame of mind as the HOUSE GUESTS and allows me to experience a bit of what they are going through first hand. Instead we’ll just be seeing them play out their antics much in the same way we already have from watching AMERICA’S PLAYER do their dirty work.

If you are interested in watching BIG BROTHER you can catch it on CBS weekly on Sunday, Wednesday and Thursday at 8 PM.

Are you PSYCH’d
Summer always brings plenty of original programming on the USA NETWORK and July is no exception with the premiere of PSYCH this Wednesday, July 14 @ 10/9c. PSYCH is one of those shows that I enjoy watching every season solely for the performances of JAMES RODAY and DULE HILL. Their characters are entertainingly written, well performed and the actors portray an excellent chemistry. The one thing that is disappointing for me when it comes to PSYCH, however, is how far the show has really stretched away from its original concept.

The original PILOT of PSYCH had JAMES RODAY’s SHAWN SPENCER having an incredibly well crafted and honed sense of perception who picked up on finer details that others would overlook that was matched with a very good deductive reasoning (if you saw the recent SHERLOCK HOLMES movie you know exactly what I’m talking about). The first few episodes of the first season were able to carry this concept but near the end of that initial run it began to erode. Now there are very few things that I feel like SHAWN observes that anyone else could pick up on, very few deductions made that anyone else couldn’t also come to. Considering I keep watching you can tell that this change hasn’t pushed me away.

… and finally, EUREKA (and others)
Even though the baffling name change happened the majority of the programming on SYFY really hasn’t. This past week on the network we saw the premieres of WAREHOUSE 13, EUREKA and the new show HAVEN. Of the three my favorite has to be EUREKA. The show is just silly science fiction fun set in the fictional town of Eureka, OR where a secretly funded brain trust of scientists push the boundaries of what we know in the name of progress.

The show, now in it’s fourth season, has had an interesting evolution and it’s once again played with time travel. At the end of the first season, a glimpse into the future five years from where the show started, had SHERIFF JOHN CARTER had to travel back in time to the present in order to undo someone else’s meddling. In doing so he undid the very future we saw, something that I’ve been wondering if they would ever come back to. This season opener didn’t exactly take us back there but instead displaced many characters back to the 1940’s. In getting back, just as they always do, they inadvertently brought back one of the town founders, played by BATTLESTAR GALACTICA’s JAMES CALLIS (BALTAR) and now things are different. I’m hoping the changes won’t be permanent and will instead just be a plot line that plays across a few episodes. Seeing as how JAMES CALLIS is a brilliant actor I’m hoping he’ll be the one thing that they are able to keep around for a while.

That’s it for this column. Come back next week and I’m sure I’ll have a mouthful of other things to say as well as some of the listings all of you (hopefully) enjoy.

July 13, 2010

BIG BROTHER Blog Report: Day 34

Filed under: Articles,TV News — Tags: , — Aaron @ 2:23 pm

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Day 34

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Never has a love so pure been so frustrating to watch.

John James and Josie have had a weird relationship from the beginning. It’s been kind of like watching a brother and sister relationship grow. Except that the older sister wouldn’t mind a shag from the younger brother and the younger brother doesn’t understand the tingly feeling he gets around his big sis. Like I said, it’s been a weird relationship.

I mentioned in my opening Big Brother blog entry on this site that on first inspection Josie would probably get labeled the house “frumpy one” but I was, happily, wrong. I’ve liked Josie’s personality from the off, she seems fun. I only worried about how she would be viewed because the other housemates were skinny model types. I like to think of it as a vindication of the male species that all the blokes took a shine to Josie. In fact the only person to fancy any of the other girls was… another girl, Shabby.

John James was the leader for Josie’s affection but a close second was Nathan. Oh yeah, Nathan is gone. Oh well.

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“Do you fink I’m flurtin’ wi’ you or summit?”

It’s been evident for a while that Josie and John James have like-liked each other. There has been mutterings back and forth with other housemates about it. Josie even refers to JJ as her husband and it’s one of the only names anyone is allowed to call him without a strop being thrown.

What has been harder to judge was when they were going to talk openly about how they feel or even, god forbid, make a move.

Thinking back, I would have said that they haven’t even admitted to themselves their feelings for each other until last night’s show. It seemed to genuinely be the first time either of them spoke about how much the other means to them. But it was like pulling teeth.

I was on the edge of my seat screaming at them to be grown-ups and talk honestly to eachother. Instead there was just some retarding mumblings and shouts. Neither of them acting around each other the way they were acting apart. Neither of them saying to each other what they were saying apart.

I likened the situation to being at school and two friends wanted to date but they were two young and shy to admit this fact to the other. Resulting in one or both picking a fight because of their frustration.

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The distance between us

I know I made fun of Shabby having the hormonal tantrums of a teenager but once again we’re seeing teenage traits in these grown-up housemates. They’re mad about each other but they’re going about it like kids. IT MAKES ME WANT TO SCREAM!

But, alls well that ends well. In a cringe-tastic scene, where Big Brother had to basically hold their hands and say “do you like her?”, “…yeah”. “Do you like him?”, “…yeah”. “Then shut the fuck up and snog already”.

And when they were cuddling and making up the coup de grace of the childlike behavior for me was John James’ expression when he tried to tell Josie how much he liked her. Rather than actually say the words “you know I’m mad about you” he just gave a “you know” and a dumb expression.

And then Josie went back to sucking her thumb.

ARGH! Why do they do this to me?

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Just like me they long to be close to you

Aaron Poole
Follow Aaron on Twitter – @AaronFever

July 12, 2010

Hands Down #9

Filed under: Comic Strips,Hands Down — Tags: , , , , , — Aaron @ 6:56 am

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Welcome to Hands Down, FRED’s own look into the world of the folks that frequent this sordid world of geekery. Follow Aaron, Brian and Colin (and a menagerie on the way) as they traverse the light fantastic or some such nonsense… What? It’s an online fortnightly comic strip, what kind of description did you expect?

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VISIT THE HANDS DOWN ARCHIVES

Follow Hands Down on Twitter

Written by Aaron Poole. Art by John Merker & J.K. Hulon. Copyright 2010.

FREDagator: 2010-07-12

Filed under: FREDagator — UncaScroogeMcD @ 3:54 am

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It’s Monday morning. Do you know what that means? Why, it’s time for Disco Mickey Mouse…

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July 10, 2010

Essential Sounds (2010/07/10)

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Essential Sounds (2010/07/10)

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Fear not fellow music lovers for I am back after my slight absence, I have returned to do what I do best. Yes I am here to syringe your ears with the best cuts of new music this wonderful world has to offer. This is Essential Sounds, this is the soundtrack to your week.

1. Don’t Turn The Lights On by Chromeo

Kicking us off this week is the Canadian electro funk duo Chromeo, it seems like a lifetime ago since they delivered their seminal album Fancy Footwork. But fret no longer for they have returned with a very solid and fresh sounding single which boasts a rattling bass line somewhat akin to that of Michael Jacksons “Wanna Be Starting Something”. Strangely enough Chromeo indeed are starting something here with a song which clearly holds the 80’s close to its heart. Yet with shimmering synth work similar to Kraftwerk and an eerie swelling of glass pads “Don’t Turn The Lights On” truly is a mixed bag of magic.

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2. Lets Get Lost by Beck & Bat For Lashes

Surfing on the current crest of unique collaborations the world has been treated to this offering from Beck and Bat For Lashes. On paper it seems as if the pair might not work well together but upon hearing the track its obvious to see the duo click together on every level. First of all the core strength of the song lies within the understated percussion and the vocal delivery of Natasha Khan (Bat For Lashes) this alone creates a very haunting atmosphere which is evolved further by the presence of Beck. The combination of both voices makes for a distinct cocktail of sound which seductively slips underneath the listeners skin. Seeing as the track was recorded for the recently released Twilight Eclipse soundtrack it seems as if this is a one off but fingers are crossed for the pair to work together again.

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3. I Need Air by Magnetic Man

Anybody looking to dip their toe in to the ever expanding pool that is the Dub Step scene could do no wrong by checking out my third recommendation for this week. Magnetic Man is essentially the All Stars Team of the genre, consisting of super producers Benga, Skream and Artwork “I Need Air” is the latest offering from the group and in the eyes of Essential Sounds is an instant classic. With a rhythm that moves along with mechanical precision and alternating keys and synth leads the song cuts through the listeners brainwaves like an audible version of cult classic arcade game Ikaruga. Despite the on par and versatile instrumentation its the vocoded vocals which is the synthetic heart of the song. Magnetic Man have not only delivered an essential sound but a glimpse into the future, and the future looks beautiful.

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4. Albatross by The Besnard Lakes

From the opening bars of sickly sweet shoe gazing guitar tones the psychedelic journey that is “Albatross” by The Besnard Lakes begins. With rumbling drums and the enchanting vocals of Olga Goreas we are sucked into a blissful and sun kissed world of summer loving. The vocal harmonies give this number a cosmic like beach boys feel which burns out into a kaleidoscopic progression of brass instrumentation. This is very much the indie sound of Summer so if your in the absence of sunny day’s slip this number on and slide away into a sonic paradise.

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5. Your Body Is A Machine by The Good Natured

Imagine a middle ground between La Roux and Florence and The Machine and you’re likely to find The Good Natured. Up beat and up tempo there is an air of mystery to the sweet delivery within Your Body Is A Machine. It’s joyful enough to be a mainstream hit but yet its mixed bag of instrumentation gives it musical credence. Ranging from almost like tribal like drum patterns to indie disco guitar riffs and overlapping harmonies. This is a dangerously infectious piece of indie pop which could make even the coldest cynic sparkle with happiness. You have been warned this lady will bleeding through speakers across the country before you know it.

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Mal Foster

July 9, 2010

Weekend Shopping Guide 7/9/10: Last Chance To See

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

Picking up where Douglas Adams and zoologist Mark Carwardine left off 20 years prior, Stephen Fry steps in for his good friend as he and Carwardine revisit species on the verge of extinction in Last Chance To See (BFS, Not Rated, Blu-Ray-$39.98 SRP), 6 brilliant hours of exploration, education, conservation, and entertainment.

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Everyone needs a good spork – and to have it be heat-resistant and made of a touch polycarbonate material? Well, that’s just icing on the sporky cake. In other words, pick up a 4-pack of Light My Fire Sporks ($7.99). You never know when it’ll come in handy.

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Sparkling fresh and looking better than ever, Ray Harryhausen’s stop-motion masterpiece Jason And The Argonauts (Sony, Rated G, Blu-Ray-$24.95 SRP) hits high-definition with a clutch of fanboy bonus features, including two new audio commentaries (one with Harryhausen fan Peter Jackson), interviews, featurettes, and storyboards.

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If your only exposure to Life On Mars (Acorn, Not Rated, DVD-$79.99 SRP) is the awkward US version, please put that out of your mind and dive into the complete set of the UK original, about a modern-day police detective (John Simm) hot on a killer’s trail who gets hit by a car and wakes up in 1973. Yes – you read that right. Is he a time traveler? In a coma? Delusional? This is a ride worth taking, so do so. The 8-disc set contains all 16 episodes, plus audio commentaries, a behind-the-scenes documentary, featurettes, and an outtake reel.

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At least Grover is present to balance out the furry red monstrosity in Sesame Street: Preschool Is Cool! ABCs With Elmo (Warner Bros., Not Rated, DVD-$14.98 SRP), in which the loveable blue monster plays the alphabet teaching professor to Elmo’s eager student.

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Just as Matt Smith’s first year as the Doctor comes to a close, a quartet of classic Doctor Who adventures hit DVD for the first time. From the William Hartnell years, we get The Space Museum/The Chase (BBC, Not Rated, DVD-$49.98 SRP), the Jon Pertwee years brings The Time Monster (BBC, Not Rated, DVD-$24.98 SRP), and from the Tom Baker years we get both The Horns Of Nimon & Underworld (BBC, Not Rated, DVD-$24.98 SRP each). All four are packed to the gills with the usual complement of bonus features, including commentaries, interviews, featurettes, and more.

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We still haven’t seen them in their Mystery Science Theater iteration, but you can watch the original Gamera vs. Barugon (Shout Factory, Not Rated, DVD-$19.93 SRP) in restored form – which, really, is the only way to watch a giant turtle movie. Bonus materials include an audio commentary and galleries.

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In A Single Man (Sony, Rated R, DVD-$27.96 SRP), Colin Firth more than earns his Oscar nomination as a college professor left cold after the death of his longterm partner in 1962 LA, as he struggles to find a reason to live again. Bonus materials include an audio commentary and a making-of featurette.

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After a long, long spell, Shout Factory has rescued another show that only got its first season released by Universal, delivering to fans Dragnet 1968: Season 2 (Shout Factory, Not Rated, DVD-$44.99 SRP). The 6-disc set contains all 28 episodes, the original 1966 pilot movie, a vintage trailer, and a featurette on Jack Webb.

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It’s been a long, long road to get here, but with the release of ER: The Complete Thirteenth Season (Warner Bros., Not Rated, DVD-$49.98 SRP), we’re down to the last 3 seasons to hit DVD. This season is notable for the departure of Dr. Weaver and the arrival of Dr. Gates. Bonus materials include unaired scenes and outtakes.

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The Warner Archive continues to release TV shows on demand that would otherwise have too-limited an appeal to merit a wide release, this time making available the complete first season of the Dylan McDermott-starring cop drama Dark Blue (Warner Bros., Not Rated, DVD-$24.95). The 4-disc set contains all 10 episodes.

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It feels like just yesterday that the last volume came out, but here we are with the 3rd volume of Squidbillies (Adult Swim, Not Rated, DVD-$19.98 SRP) with another 10 episodes, featurettes, bumps, art, music, and the 2009 DragonCon panel.

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It’s nice that, after years of being neglected, Dave Stevens’ Rocketeer is enjoying a resurgence and being appreciated not only in its original comic book form, but also the in the form of the underrated big screen adaptation. Sideshow has done their part by producing a stunning – and fun – Rocketeer Premium Format Figure ($339.99). With an art deco base and standing 18″ tall, it’s pretty darn nifty – right down to the wad of bubble gum plugging the hole in the jet pack. The Sideshow exclusive edition also features a swappable Cliff Secord head.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Trailer Park: DESPICABLE ME

Filed under: Reviews,Trailer Park — Tags: , , , , — admin @ 11:31 am

By Christopher Stipp

The Archives, Right Here

Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp

DESPICABLE ME -Review

despicableme_posterThe issue with Despicable Me isn’t so much that it’s a good, albeit mediocre, kids film but it is the film’s contentment with just being average that genuinely holds the movie back from being anything more than forgettable.

With Steve Carell starring as our baddie with a soft spot for small girls, Gru, and Jason Segel as a true nemesis for our nemesis, Vector, the perceived talent is ultimately wasted on a script that depends too much on forced sentimentality where there is none and a sub-plot that seems wholly inserted just to pad out a story that is wafer thin as it already is.

Primarily, the tale of an evil mastermind who adopts three orphans under false pretenses in order to get at Vector, a new villain who is usurping this old man at every opportunity, and who surreptitiously steals an item that Gru himself was pilfering at the time, goes nowhere. As that plot fizzles like a wet bottle rocket, screenwriters Cinco Paul and Ken Daurio (both of Horton Hears a Who! and The Santa Clause 2 notoriety) insert these three orphan girls as a way to build a story about self-confidence and caring. The girls, as well, have become the centerpiece of a marketing plan that finally was able to shed some light on the question many people have had as this film neared release: What is this movie about?

Truly, this movie doesn’t know what it wants to be about, quite honestly. At one time it’s a cheeky throwback to spy films long gone, Carell rolling out his best Boris impersonation from Rocky and Bullwinkle, while  at other times it’s a hackneyed yarn about what it means to feel compassion and love when all you’ve known is how to be a villain. Believe me, the irony of the screenwriters ripping a thematic page out of Dr. Seuss’ The Grinch Who Stole Christmas after they themselves worked on a Seuss adaptation isn’t lost on me but the story is as translucent as its characters. Segel for his part proves you don’t need any finesse, or subtlety for that matter, in order to voice a character in an animated film. His speaking parts seem out of place with the mouth moving on the screen as there is no inflection, no passion for creating a truly obnoxious Bill Gates-ian kind of villain. This only compounds the real problem of this movie and it’s that in an age where every single animated movie is falling short of its Pixar counterpart you are witness to the disparities in quality from one film to another. Like an essay in school that needed to be compared and contrasted, you can see that while the animation is somewhat on par there is a reason those lamp loving animators are going home with golden statuettes year after year after year.

For example, in Toy Story 3, the moment when Buzz and Woody are in danger of being melted like marshmallows at a campfire. The music by Michael Giacchino complements the emotional punch that’s tightly shot by director Lee Unkrich. It works to draw your feelings out because everything was accounted for and executed right. Contrasting that, we get moments between Gru and the orphans that don’t earn their emotional cash-in. The composition by Heitor Pereira doesn’t work or help tie anything together in a meaningful way. It’s as if you have all these moving pieces that want to act independently of one another and what you get is exactly what this is and that’s a mediocre movie that thinks it wants to be a movie about overcoming past emotional roadblocks or a movie about turning a corner in your life in order to love something other than yourself or it’s a movie about these small little yellow creatures called minions.

But let’s talk about the minions for a moment. All things being equal, the minions would still edge out everything else in this film for bring the funniest thing your kids will see this month. These adorable little creatures thankfully steal the movie away from all of their co-stars and they barely are able to say a word. Who cares about wondering why there are dozens of them scurrying about, the true delight is that they bring so much levity and slapstick humor to a movie that desperately needed it. It’s the minions who ought to have been the focus of the film, the story from their perspective would have such a more interesting creation than we have here which is all about Gru’s obsession to shrink the moon to show the world his capacity for true evil, but I understand the aim of the film. It’s not looking to reshape animation or redefine it in any way, I get that, but when you have others in this animated space showing you how films like this can be done you have to be disappointed when films like this fall just short of the mark.

Not that any of this matters, I get that as well. The movie will make millions upon millions and will probably result in sequels and spin-offs galore. (I’ll be anxiously awaiting a poorly animated Nickelodeon series based on the lives of the minions which will probably be truly awful as they’re the edgiest thing about this film) Success here is absolutely quantifiable and that is why this movie is an unquestionable hit. I may not like the way it meanders towards an ending we all see coming from the moment this film begins but the kids will enjoy it for what it is while I see it for exactly what it is.

Contest Round-Up: 2010-07-09

Filed under: Articles — Tags: , , , , , , , , , — UncaScroogeMcD @ 10:55 am

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Welcome to our weekly round-up of featured giveaways here at FRED. Every week, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Shout Factory Home Video, we’re giving away three (3) copies of MYSTERY SCIENCE THEATER 3000: VOLUME XVIII on DVD.

In conjunction with Shout Factory Home Video, we’re giving away a copy of SUPERHERO SQUAD SHOW: VOLUME 1 on DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of WHITE COLLAR: SEASON 1 on DVD.

In conjunction with Universal Home Video, we’re giving away five (5) copies of PSYCH: SEASON 4 on DVD.

In conjunction with Universal Home Video, we’re giving away five (5) copies of GREENBURG on Blu-Ray.

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