Tag: starbuck

  • Weekend Shopping Guide 7/30/10: BILKO!!!!

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    After teasing fans with a best-of collection a few years back, the complete, digitally remastered first season of Sgt. Bilko (aka The Phil Silvers Show) (Paramount, Not Rated, DVD-$39.98 SRP) is now available – and if you’ve never seen the show and consider yourself a fan of comedy, you must rectify the oversight immediately. Not only is the writing sterling, but Phil Silvers is a brilliant comic performer, elevating the material and making his role as a con-happy army sergeant iconic. The 5-disc set contains all 34 episodes, plus audio commentaries, the original network opening, original cast commercials, the lost audition show, and Phil Silver’s guest-starring episode of The Lucy Show.

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    I love bubbles. My nephews love bubbles. Who doesn’t love bubbles? Well, perhaps people who hate Lawrence Welk. Still – most people love bubbles. How about really big bubbles? Surely big bubbles equal big fun. And it’s true – big bubbles equal big fun. How can you make big bubbles easily? Why, with The Big Bubble Thing ($11.99), with which you can make ginormous bubbles up to 50-feet long.

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    If you’ve yet to see the brilliant Stephen Fry’s equally brilliant journey across the United States in the 6-part documentary Stephen Fry In America (BFS, Not Rated, DVD-$29.98 SRP), please rectify that grievous oversight at your earliest available moment. Accompany Fry as he visits all 50 states, encountering stereotypes and people, places & events that undermine established stereotypes. A Blu-Ray edition ($39.99 SRP) is also available (and looks pretty darn good).

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    I never thought that I’d eventually get to watch a high definition version of GI JOE: The Movie (Shout Factory, Not Rated, Blu-Ray-$26.97 SRP), restored to its intended theatrical ratio. Yes, remember that it was supposed to be a theatrical feature, but when the big screen outing of Transformers tanked, GI JOE: The Movie was consigned to a direct-to-video release. Granted, the print still looks like a TV cartoon from the 80’s, but it is cleaner than it’s ever been, and the sound has been cleaned up significantly. Bonus materials include an audio commentary and those good ol’ PSAs we know and love so much. Also, for fans, the bonus standard DVD includes contains the flick in full frame, as we all remember it.

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    Leave it to Warner Bros. to take an incredible legacy and talent base for their animated DC properties and continue to spin out neither here nor there direct-to-DVD features that recast already brilliant actors for the sake of gimmicky stunt casting. So it goes with Batman: Under The Red Hood (Warner Bros., Rated PG-13, Blu-Ray-$29.99 SRP), which finds yet another voice for Batman & The Joker, leaving behind the iconic Kevin Conroy & Mark Hamill, in a blah story about the Gotham arrival of a vigilante with no ethics, Red Hood. Bonus materials include featurettes, a quartet of Batman: The Animated Series episodes presented by Bruce Timm, and a Jonah Hex animated short.

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    The one thing I can say about the otherwise flat, lifeless, and sadly boring remake of Clash Of The Titans (Warner Bros., Rated PG-13, Blu-Ray-$35.99 SRP) is that, stripped of its horrid 3-D conversion for home viewing, it’s a least a brighter affair. Bonus materials include an alternate ending and a featurette on Sam Worthington.

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    Long available in the complete series set, high definition enthusiasts can now pick up the penultimate 3rd season of Battlestar Galactica (Universal, Not Rated, Blu-Ray-$88.98 SRP). The 5-disc set contains audio commentaries, video blogs, deleted scenes, featurettes, and webisodes.

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    As Stallone’s big action flick The Expendables is right around the corner, it’s no surprise that there’d be a tie-in release of Rambo: The Complete Collector’s Set (Lionsgate, Rated R, Blu-Ray-$54.99 SRP), which contains all 4 Rambo films in high definition (though the most recent, Rambo, is just Disc 1 of the original 2-disc set). Bonus materials are the same as the last special edition.

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    I suppose it must be a sign of soft sales at retail that the 3rd season of The New Adventures of Old Christine (Warner Bros., Not Rated, DVD-$24.95) has been demoted to Warners On-Demand service. But I suppose fans should just be happy they can get the 10 episodes that comprise this season anywhere.

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    Just in time for the healthcare debate but ignored in theaters, Repo Men (Universal, Not Rated, Blu-Ray-$39.98 SRP) stars Jude Law and Forest Whitaker as Remy & Jake, a pair of near future repossession men who reclaim organ transplants when their recipients fail to make their payments. But after Remy gets a new heart after an on-the-job accident and falls behind in his own payments, Jake comes after him. Bonus materials include an audio commentary, deleted scenes, fake ads, and a visual effects featurette.

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    Largely depressing but endlessly fascinating, Life After People: The Complete Season 2 (History Channel, Not Rated, Blu-Ray-$39.95 SRP) presents another 10 episodes packed with post-apocalyptic degeneration. Like I said – irresistibly depressing.

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    After 7 seasons and years of releases, the DVD journey of Sabrina The Teenage Witch (Paramount, Not Rated, DVD-$39.98 SRP) comes to an end with the final season. The 3-disc set contains all 21 episodes, plus the TV movie Sabrina Goes To Rome.

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    Besides barreling through introducing him to a load of classic films, I’ve been looking for activities that my 6-year-old nephew will enjoy while the summer heat gets a bit too hot to make outside activities viable. And what I’ve found is that the movie-watching activity can be combined with major construction projects. Those major construction projects, you won’t be terribly surprised to find out, are LEGO-based.

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    This week, we tackled the immense Star Wars: Venator Class Republic Attack Cruiser ($199.99), thanks to our good friends at ThinkGeek.

    This is the largest LEGO project we’ve tackled, coming in at 1,170 pieces… A good deal of them very, very tiny. Once the box was opened and the bags set out, the enormity of the task was a bit daunting.

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    Of course, I spent far too much time wondering why Grand Chancellor Palpatine looked so much like Christopher Walken.

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    And finally – after three whole movies – we came to the end, and my nephew was eager to explore all of the nooks and crannies, including Palpatine’s office (with a small box holding Death Star plans hidden away in the bow).

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    Next week, we’ll be tackling another project, but for now, here’s a look the finished Attack Cruiser…

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Weekend Shopping Guide 7/31/09: Turning It To Eleven

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

    After what has seemed like an endless series of delays, the mother of all mockumentaries has finally made its way to high-def with the release of This Is Spinal Tap (MGM, Rated R, Blu-Ray-$ SRP). Picture and sound are as good as they’re ever going to get, and bonus materials include much of the same that we found on previous releases – including an audio commentary with the band (sadly, still no commentary from the old Criterion release), deleted scenes, featurettes, a quartet of Tap videos, outtakes, and a bonus DVD with their performance at Live Earth and the National Geographic Stonehenge interview with Nigel Tufnel.

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    As someone who prefers quiet walks at night when traffic isn’t quite as busy, it’s nice to have a practical hat like the Solar Light Cap ($34.99). With multiple brightness settings and the ability to recharge the cap in the sunlight (each charge provides 2-18 hours of light, depending on the brightness setting), it’s a nifty, all-weather safety accessory.

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    If you’re only exposure to Life On Mars (Acorn, Not Rated, DVD-$59.99 SRP) is the awkward US version, please put that out of your mind and dive into the complete first series of the UK original, about a modern-day police detective (John Simm) hot on a killer’s trail who gets hit by a car and wakes up in 1973. Yes – you read that right. Is he a time traveler? In a coma? Delusional? This is a ride worth taking, so do so. The 4-disc set contains all 8 first series episodes, plus audio commentaries, a behind-the-scenes documentary, featurettes, and an outtake reel.

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    The episodes have been released in single-disc releases thus far, but now you can get The Spectacular Spider-Man: The Complete First Season (Sony, Not Rated, DVD-$25.95 SRP). So far, it’s the closest Marvel has come to capturing the quality of the animated DC universe. The 2-disc set contains a pair of behind-the-scenes featurettes.

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    It’s the beginning of the end as the first of showrunner Russell T. Davies’ four telemovie swan songs comes to DVD in the form of Doctor Who: Planet Of The Dead (BBC, Not Rated, DVD-$14.98 SRP). It’s certainly a rousing adventure, even if it falls short of the best of new Who. Still, best get your David Tennant fix satiated while you can. Bonus features include an hour-long behind-the-scenes special. And, for the first time, a Blu-Ray edition ($19.89 SRP) is also available.

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    Oh, Torchwood– you are such a flawed little spin-off. So desperate to be adult and differentiate yourself from parent Doctor Who, you’re just a mess of poorly realized characters, awkward writing, and unrealized potential. Still, fans can pick up The Complete Second Season (BBC, Not Rated, Blu-Ray-$79.95 SRP) in high definition, with behind-the-scenes featurettes, deleted scenes, and outtakes. That’s something, right? Slightly better but still not what the show could be is the 5-part Torchwood: Children Of Earth (BBC, Not Rated, DVD-$29.98 SRP), which acts as the show’s 3rd season and acts as a bit of house cleaning. Bonus features include a behind-the-scenes featurette and an audio clip. A Blu-Ray edition ($34.99 SRP) us also available, with identical features.

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    It’s my second favorite Irwin Allen disaster flick (after the wondrous Poseidon Adventure, but The Towering Inferno (Fox, Not Rated, Blu-Ray-$34.98 SRP) is the first to actually be released on Blu-Ray. After seeing the lovely print and hearing the crisp sound, it makes me pine even more for my favorite to get its time in the sun. Bonus materials include audio commentaries, deleted/extended scenes, featurettes, the AMC Backstory, interviews, the NATO presentation reel, and more.

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    Ever since being informed of its existence by the great Graham Linehan, I’ve been dying to see Big Man Japan (Magnolia, Rated PG-13, DVD-$26.98 SRP) – a delightfully bizarre flick about Japan’s plus-sized superhero defense against bizarro monsters, the titular Big Man Japan. Really – you just gotta see it. It’s hilarious. Bonus features include a making-of and deleted scenes.

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    Joss Whedon lost my trust during the abysmal final season of Buffy. I never got into Firefly, and every time I tried to watch his latest, Dollhouse (Fox, Not Rated, DVD-$49.98 SRP) – starring Eliza Dushku as a blank slate, programmable, expensive call girl, essentially – but couldn’t shake the impression that it was a muddled mess that never gives the audience a reason to care about anything or anyone on it. The 3-disc season set features the original pilot, an unaired episode, audio commentaries, deleted scenes, and featurettes. A Blu-Ray edition ($69.99 SRP) is also available, with identical bonus materials.

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    Weaving seldom-seen interviews, footage, and interviews with those who knew him, How Bruce Lee Changed The World (History Channel, Not Rated, DVD-$19.95 SRP) is a loving portrait of the martial artist, actor, husband, and father.

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    Though many will get their stuff in a bunch, I thought the finale of Battlestar Galactica was a big, awkward disappointment that jumped from “Huh?” to “What?” moments with reckless abandon. Still, fans are sure to snap up the final set, Battlestar Galactica: Season 4.5 (Universal, Not Rated, Blu-Ray-$49.98 SRP). The 3-disc set features the final clutch of episodes, plus audio commentaries, deleted scenes, video blogs, featurettes, and more.

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    There are a lot of catalogue titles making their way into the Blu-Ray roster, but it’s always nice when the films of a personal favorite filmmaker get a spin – such as Terry Gilliam’s 12 Monkeys (Universal, Rated R, Blu-Ray-$29.98 SRP). Even though he didn’t write the film, his signature style is all over the production, and it most definitely fits into what I define as “Gilliam-esque”. The Blu-Ray ports over the audio commentary, featurettes, and Hamster Factor documentary from the original DVD release.

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    Quirky and fun, The Middleman (Shout! Factory, Not Rated, DVD-$39.99 SRP) was a show destined for cancellation. But now you can pick up the complete series focusing on the “exotic adventures” of the titular hero and his brand new protégé. The 4-disc set features all 12 episodes, plus audio commentaries, deleted scenes, featurettes, a table read, audition footage, and a gag reel.

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    I guess the best way to describe Miss March (Fox, Not Rated, DVD-$29.98 SRP) is as a tepid, watchable, raunchy road trip comedy about a pair of friends who embark on a cross-country road trip to the Playboy mansion in order to find the girlfriend who has become a centerfold. You know how that goes. Bonus materials include a clutch of featurettes. A Blu-Ray edition ($39.99 SRP) is also available, with identical bonus materials.

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    Before Polanski went mainstream with Rosemary’s Baby, he was spending the 1960’s making chilling cinema like Repulsion (Criterion, Not Rated, Blu-Ray-$39.95 SRP), his follow-up to Knife In The Water. It’s also just gotten a scrubbed and spiffy high-def transfer featuring an audio commentary, a documentary on the making of the film, a rare 1964 French TV special on the film, and trailers.

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    Of all the direct-to-DVD DC animated adventures to come down the pike thus far, Green Lantern: First Flight (Warner Bros., Rated PG-13, DVD-$24.98 SRP) is the first one I’ve actually enjoyed. It’s essentially an origin story, explaining how test pilot Hal Jordan came to possess the power ring that would make him a Green Lantern, one of an army of peacekeepers under the leadership of the Guardians Of The Universe. It also sets up the fall of Green Lantern Sinestro, who’s secretly plotting the overthrow of the Guardians. Lot of stuff there. The 2-disc set features featurettes, bonus cartoons presented by Bruce Timm, the episode of Duck Dodgers featuring the Green Lanterns, and more. A Blu-Ray edition ($29.99 SRP) is available with identical bonus materials.

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    It went out with a bit of a whimper, but fans at least can now pick up the wrap-up with Prison Break: The Final Break (Fox, Not Rated, DVD-$26.98 SRP). Bonus features are limited to deleted scenes. A Blu-Ray edition ($29.99 SRP) is also available, with the same single bonus feature.

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    Besides featuring an early TV performance from a young Ian McKellen, Armchair Thriller (Acorn, Not Rated, DVD-$59.99 SRP) was pretty typical of the mystery/suspense tales being cranked out in the UK during the 70’s, many of which found their way to PBS’s Mystery!. This inaugural set collects a quartet of stories (including the aforementioned one featuring McKellen).

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    I never cared for The Fast & The Furious, but even I could see diminishing returns in its sequels. So, too, did the studio, who decided to go back to basics – cast and all – with the cleverly named Fast & Furious (Universal, Rated PG-13, Blu-Ray-$39.98 SRP), which has more cars. Fast cars. And Vin Diesel. Doing whatever the hell he does. Bonus features include featurettes and a short film from Diesel.

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    When Jon & Kate Plus Eight: Season 4 (Genius, Not Rated, DVD-$19.95 SRP) decided that the theme of the season was “The Big Move”, little did they know just how accurate the term would become to that rolling clusterf*** of a marriage.

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    Oh, relaunched Knight Rider. You were so very hopeful that your self-important, lackluster new take on the 80’s hit would actually have a future, you didn’t even bother to call your DVD release The Complete Series even though you’ve been cancelled. So now people can buy Knight Rider: Season 1 (Universal, Not Rated, DVD-$59.98 SRP). The 4-disc set features all 17 episodes plus the TV movie, as well as commentary on the pilot and featurettes.

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    The film is one of those cult faves, and Lalo Schifrin’s score to Sky Riders (Aleph Records, $14.98 SRP) is one of those fun, overlooked little gems that has thankfully gotten a release. Get it.

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    Gary Hobkins and his rather unique ability to foresee and hopefully avert the future – literally, he’s delivered the next day’s edition of the newspaper – returns with the complete second season of Early Edition (Paramount, Not Rated, DVD-$45.98 SRP). The 5-disc set features all 22 episodes, plus original promos.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Backlash: A Fistful of Frak

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    I am officially convinced that Battlestar Galactica is being written & produced by refugee chimpanzees.

    No, seriously. Never in my life have I watched a better example of a television series throwing shit at the wall to see what sticks on a weekly basis than what we’ve gotten from Galactica. We’re talking major, industrial grade amounts of crap here, people. The kind of tonnage that you could only get by reassembling the simian cast of Lancelot Link: Secret Chimp and tossing in Clyde from the Clint Eastwood movies and feeding them a whole lot of laxatives.

    I’ve wanted to like Galactica from the start but the series started contradicting itself and the universe it was trying to create in the bloody pilot. Note to producers: if you have a great plot inconsistency in your series, try not to feature said inconsistency in the opening titles. The inconsistency I’m singling out (because there are a helluva lot to pick from) is the inexplicable downgrading of the humanoid Cylons from the pilot to the rest of the series. Every week, we have a shot of Baltar (James Callas) being shielded from a nuclear blast by what we now call Caprica Six (Tricia Helfer). She doesn’t move, doesn’t even flinch but before long, we’re capping the humanoid “skin job” Cylons like they’re shuffling zombies in George Romero film. But that’s not enough – we go on later in the series to show that you can kill a Cylon by ejecting them out an airlock only to then show Boomer (Grace Park) functioning perfectly well in a vacuum aboard a Cylon base ship. But don’t make the mistake that possibly Boomer & Caprica Six are some kind of super-Cylons – Boomer takes a bullet just like anyone else and dies (at least, as much as any of the Cylons actually “died” at that point). The Cylons really need to outsource their work to Skynet – at least it knows how to build humanoids that can take a pounding!

    I have had to tolerate fans and even national publications trying to present this series as “the best fraking show on television” for years now and, I hate to tell you, it’s just not that great. Edward James Olmos, an actor that I enjoy and greatly respect, has spoken in glowing terms about the quality of the series and how he never imagined he’s be doing science fiction on cable. To be certain, the actors love the series and why wouldn’t they? The series is a succession of actor-moments, scenes where actors get to scream, cry, rend the fabric of their clothing and generally chew more scenery than Vincent Price ever could. But a collection of acting moments does not a good series make. Granted, you’re working within the confines of science fiction, you’ve got people confined to space ships on the run from evil robots so there’s some limit to the amount of “reality” you can truly expect. Having said that, you expect people who worked within the confines of the Star Trek universe, arguably one of the most defined fictional universes in the history of entertainment, to be able to set up some basic rules and stick to them. Its one thing to find a way around an old, established rule like Trek‘s old “can’t send a transporter beam through shields” and quite another to play fast and loose with the basic building blocks of your own universe. If the producers don’t care enough to color inside the lines, why should the viewers give a damn about anything that happens between the opening titles and the end credits?

    I’m not just railing about this because of the problems I’ve seen during the run of the series. The producers themselves talked about not really knowing what the hell they were doing in the commentary for a recent episode. We’re in the home stretch for this series and viewers should rightfully expect that the producers have at least a vague idea what they’re going to do in the final episodes. You’re at a point where you don’t have the luxury of a toss off episode; every episode has got to build towards your climax. So why, pray tell, would the producers suddenly realize that their original choice for the ‘final’ Cylon contradicted previous storylines? First of all, I wonder why they just started worrying about this now when they’ve been content to contradict themselves since the pilot but more importantly, how do they not pay attention to the plots they’ve already produced?

    The answer is simple: pure laziness. Their solution: pull an answer out of their asses. At this point, it looks like they’re having to reach so far up their own rectums the producers are in danger of feeling a strange tickle in the backs of their collective throats.

    It’s not like Galactica is complete waste. The series is at its best when the shooting starts, as seen by the recent two part mutiny storyline. Yes, we had to have some of the series’ trademarked convoluted storytelling to get us up to that point but there were many, many ways to get there that made more sense and would have felt less like treading water for a few hours. So many episodes of Galactica play out like extended teasers, just begging you to blow another hour of your time in hopes that something, anything, might happen. As evidence, just look at the episode that followed the mutiny – more tossing stuff at the audience that only serves to frame something else down the road. While you need to set up the events that are going to happen later in the series, a good series will do that by weaving those plot developments into an actual story, instead of just stringing them all together for 42 minutes and calling it a day.

    The series is also unrelentingly grim. Even big fans of the series have told me that they have to get themselves into the right frame of mind to watch the series every week, many of them recording it to watch later instead of viewing it during its live broadcast. As one fan told me, she had to make sure to watch the series at a time when it wouldn’t make her want to immediately slit her wrists. The darkness of the series combined with the general mood in the world at the moment makes it hard to gain a lot of escapist enjoyment out of Galactica.

    For that reason alone, I can’t say I’m surprised that the decision was made to bring Galactica to an end as even the most incontinent of monkeys will run out of feces eventually. I’ll still be watching, hopeful that the series will come to some sort of satisfactory end but tempering that hope with the realization that disappointment has always lurked just around the corner with this series.

    I’m looking at the prequel series, Caprica, with a wary eye as well. Let’s see, Galactica without the action. I don’t really see the appeal here but the fans seem stoked about it, so I’ll give it a chance. But it doesn’t get the same amount rope Galactica did from me and, I suspect, from the rest of the audience, either. Say what you will about the Stargate franchise (and God knows it has it’s own set of major problems) but it at least delivers on it’s promises 90% of the time, which is a lot more than can be said for Galactica. One wonders what kind of series we’d have gotten if the producers spent as much time on the series itself as they seem to on the animated vanity card at the end of each episode (often the best part of any Galactica episode).

    So, as the series stumbles towards the finish line, I have to wonder what the ultimate fate of “the best fraking show on television” is going to be. Like many serialized series, it’s popular now and everyone is willing to sing the praises of the self-indulgent train wreck that has spewed onto television screens around the world for the past 6 years or so. But when it comes time to look back at the finished product as a whole, how will people react? I suspect time will not be kind to Galactica as the realization sets in that this was not some grand, epic story told over the years but a slipshod collection of half thought out ideas, none of them ever realized as well as they could have been while others should never have made it to the screen. Only the performances of actors like James Callis, Mary McDonnell, James Hogan and Edward James Olmos will endure, as they should, rising above the material that surrounded them.