SIGN-UP FOR THE NEXT EDITION OF SONG FU WILL BEGIN ON MONDAY, MAY 4th, 2009
We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.
To that end, we launched a brand new form of creative combat here at the Stop – Masters of Song Fu.
In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.
Ah, but I did mention that there was a competition involved…
We invited 28 challengers to pick up the thrown-down gauntlet (You know, some spares as well). 26 Responded in time.
Like a songwriting version of Iron Chef, these 26 competitors are presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop to be voted on by you, the readers.
In past editions of Song Fu, we’ve used these votes to eliminate Challengers as we’ve progressed from Challenge to Challenge. For this cycle, however, we’ve decided that all of the Challengers will be able to compete in every Challenge, and the Challenger with the most cumulative votes after the 3 Challenges will be the one that takes on the Master in the Final Round. So what was the first Challenge?
In light of all the doom and gloom of recent months, as financial markets crashed and winter closed in, we’re going to kick things off with a rather straightforward challenge. You can interpret this challenge however you’d like – how you do so will give people a sense of just what your songwriting personality and style is…
Your first challenge is to WRITE A HAPPY SONG.
That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.
After voting on Round 1, our masters and Challengers were then given their second Challenge…
Write a song containing *exactly* 10 unique words (this includes words such as a, and, the, etc.). You can repeat the words you choose as few or as many times as you want, but the sum total of the unique words can not be less than or more than 10.. You can write on any topic and in any style. Your song must run no shorter than 1 minute 15 seconds.
Here’s a word cloud look at what everyone chose:
After voting on Round 2, our masters and Challengers were then given their third Challenge…
For your third challenge, you have to write a song with the title “It All Makes Sense At The End”. You can interpret what song would be given that title in any way you see fit. Your song must run no shorter than 1 minute 45 seconds.
Well, you voted on the Round 3 Challenge HERE. Your votes determined the one Master and the one Challenger who would battle head-to-head – Paul & Storm vs Molly Lewis – in the final challenge…
I call this one FRANKENSONG. For this fourth and final challenge, you must craft a composition that contains AT LEAST THREE (3) distinctly different songs within your final song, but which fit together into a cohesive whole. By distinct, I mean both tempo and style. Your song must run no shorter than 1 minute 45 seconds. For examples of Frankensong, think of tunes like The Beatles’ “A Day In The Life” and Paul McCartney’s “Uncle Albert/Admiral Halsey”, or have a listen to the track below:
Below, you’ll find the Final Challenge songs from both Paul & Storm and Molly Lewis, followed by the all-important voting form. For all of the previous songs from all of our Masters and Challengers, you can find the archive of this edition of Masters Of Song Fu HERE. But for now, here’s Paul & Storm vs the triumphant Molly Lewis…
PAUL & STORM vs MOLLY LEWIS
PAUL & STORM
Paul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.
Official Website: www.paulandstorm.com
Twitter: twitter.com/paulandstorm
FINAL CHALLENGE SONG: “Frogger! The Frogger Musical”
ROUND 1 SONG: “Hippie with a Djembe”
ROUND 2 SONG: “Boolean Love Song” (WORDS USED: Amy, Bobby, Mary, if, then, equals, and, not, loves, happy)
ROUND 3 SONG: Sadly, Paul & Storm were eaten by dingoes in the night. They got all better for the Final.
MOLLY LEWIS – ****THE WINNER****
When she’s not bluffing her way through college courses or looking passably attractive from a distance, Molly Lewis enjoys playing ukulele, microwaving marshmallow Peeps, talking to cats, and Twittering. Early last year, she wrote two original songs, “MyHope” and “Road Trip”. “MyHope” is about the inevitable day when our children will learn how to navigate the interweb and how they will LOL at our old internet presences, namely MySpace; of “Road Trip”, Molly says it’s about “that astronaut lady who went crazy and wore the diapers, you remember that?” She has not written any songs since. Hopefully this competition will remedy that. When Molly was in middle school, she took up the guitar. That sank into the swamp. So she took up the mandolin. That sank into the swamp. So she took up the banjo. That burned down, fell over, then sank into the swamp. But the ukulele has stayed. And that’s what you’re going to get, Quick Stop Entertainment: the strongest ukulele in all of Tacoma, Washington.
Official Website: www.sweetafton23.com/primer/
Twitter: twitter.com/Molly23
FINAL CHALLENGE SONG: “Our American Cousin”
ROUND 1 SONG: “I Pity The (Song) Fu”
ROUND 2 SONG: “Peep Fight” (WORDS USED: marshmallow, Peeps, toothpicks, microwave, sword, fight, stomach, put, in, the)
ROUND 3 SONG: “It All Makes Sense At The End“
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FINAL CHALLENGE VOTING
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Not only did Molly Lewis triumph, but she’s won remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, and has also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.
Molly Lewis brought the Fu. Can you?
Mick Bordet steadfastly insists on bouncing between and across genres at every opportunity like a hummingbird with ADD, using an eclectic collection of instruments for his sonic palette, from guitar and ukulele to theremin, yobstick and electric harmonium. Mick is a founder member of “The Lunacy Board”, Scotland’s premier progressive avant-garde skiffle duo, and cites influences as diverse as Edgard Varèse, Ivor Cutler, Conlon Nancarrow, and Roy Harper, to name but four. The duo have recently released three debut albums, including one written, recorded, and mixed within a single day. Mick’s latest project is a year-long weekly podcast set in an alternative universe as it diverges from our reality.
Johannes “Jutze” Schult (from Germany) likes to make songs about weird stories and situations. It’s all about creating a musical scenario that is somewhat original, yet believable by some stretch of imagination. Jutze used to play drums in a heavy metal band, and then founded his own pop band where he played guitar. These days he’s mainly doing solo work for the fun of it.
If you’re a bit puzzled but there’s a little twinge of recognition niggling at your subconscious right now, it’s probably because you already know who Neil Innes is without even realizing it.
Riki “Garfunkel” Lindhome and Kate “Oates” Micucci make up this band, which is a mixture of acoustic folk, comedy and pure sugar. Riki has been seen in The Changeling, My Best Friend’s Girl, Pushing Daisies, Gilmore Girls and Million Dollar Baby. You can catch Kate in Scrubs, When in Rome, Four Kings, How I Met Your Mother, or in her one-woman show “Playing with Micucci” at the Steve Allen Theater.
Jeff’s stint of reigning challenger in MoSF#1 (yet ultimately losing to Master Jonathan Coulton) has won him critical acclaim from around the world. Or is it criticism from around his house? Either way, he’s back for more and hoping to balance bringing the Fu with taking out the trash.
Edric has been writing music (off and on) for the past fifteen years. He wrote and directed a musical, The Pushcart War, based on Jean Merrill’s wonderful novel. He has written and/or arranged a number of songs for various friends – some commissioned, some as surprises. He loves acting in community theatre, and is inspired by the music of Stephen Sondheim, Jason Robert Brown, Adam Guettel, Lynn Ahrens and Stephen Flaherty – and yes, Jonathan Coulton, who in addition to writing wonderful songs, also served as a portal to finding out about the Song Fu competition.
I’m “BucketHat” Bobby Matheson. I used to make cartoons for the internet, and sometimes still do, but mostly focus on my music right now. Lately, I’ve been getting more into recording other singer/songwriters in my little, make-shift studio than I have been recording myself. I want Masters Of Song Fu to change that. I don’t really know what genre my music would fall under. Influences range from Klezmer to folk, to punk and back, which ends up sounding more like Zydeco than anything else (who’d have guessed?). I’ve been thinking of dropping the “BucketHat” from my stagename, but fear change.
Insane Ian is a comedian and writer from Baltimore, Maryland who specializes in all things nerdy, both in parody and original compositions. From Sci-fi TV shows and films, to video games, to comic books – no nerdy topic escapes his sardonic (and satiric) wit. Among his peers – such as Sudden Death, the great Luke Ski, Jonathan Coulton and, of course, “Weird Al” Yankovic – he is the only artist to have written this bio, and remains at the top of that list. Currently, his song “Guitar Hero” (from his upcoming album n3rds0ngs) was the 11th most requested song on the Dr. Demento radio show in 2008. Usually for a song, I.I. surrounds himself with talented people to make himself look better… and now is no exception, as friend and producer Benjamin Stahl helps on instrumental duties.
My name is Joe Lamb, I’ve been known online as JoeCovenant, or JoeCov, Or just Cov for the last decade or so. I’m 45 and have been performing for 40 of those years. Up until 2005 I was solely a professional actor/singer, but I am now also a Civil Servant and work for Her Majesty. I’ve been playing guitar since I was 10, but still think Bar Chords are things played in pubs. (I can’t do ’em!) I’m not too bad on the Bhodran and can pick out a tune on a keyboard when pushed”¦ really hard. I’ve always been frustrated that my ideas outdistance my abilities, so my output is always rather simplistic… But I like to think that, occasionally, synergy does its job well! This contest will be my first use of my new recording equipment… hope it doesn’t throw my limitations to the fore!
The Masked Stranger (a.k.a Neal John Mac Rae), is a self proclaimed noise/folk artist from Nova Scotia, Canada. Although his work has gone completely unnoticed on an official level, he has still managed to garner several fans from Australia and amoungst his close friends. The Masked Stranger project started in 2004 when Neal John recorded “The River Song”, a simple panflute tune he furiously augmented and destroyed on his computer. Since then he has created roughly 30 other distinctly more destroyed and demented tracks under the moniker of The Masked Stranger. His music has been described as “a total disregard for musical theory”, “aaaaaaaah!”, “raw and grating”, “annoying”, “Twisting is a word I want to use to describe it… Very natural and earthly”, and “disturbing and yet… strangely enjoyable”. His most well liked and most consistant piece “Rue The Red” was described by Cape Breton goregrind artist Devin Meaney as “a posessed man jigging out on the strings of his creator. Like a puppet, devouring the flesh of god. And this is exactly what it reminds me of, no joke.”. This awkward and soil laiden musician’s journeys into the abrassive and the tribal only threaten to continue.
On stage I am Timmy Vendetta. I’m 18 and I live with my mom and her wife. I hope to become famous and live vicariously through a hamster.
Crabbydad is a writer/sound designer/musician who, four years ago, was forced to leave all of his bands and musical compatriots behind in Chicago when his Old Lady got herself a proffesorin’ gig at a giant university in a tiny mid-Michigan town that’s devoid of any sort of culture, musical or otherwise. So he started recording songs with his kids and posting them on his blog for his four or five readers to hear. When he’s not recording songs about spiders and/or poop, he creates comedy, sound effects, and music for a company called Jellyvision, Inc.
Hank Green never wrote a song until his eternal passion for Helen Hunt (both as an actress and a woman) started off a multi-year YouTube project in which he writes a song every other Wednesday. The songs are part of a larger project in which he and his brother discuss their lives, their world, and the community of which they are a part. Their videos have now been watched more than 20 million times. Hank’s first album, SO JOKES, was just released and is available at DFTBA.com.
Mike Lombardo is a piano-playing pop-rock singer-songwriter who likes to use hyphens when describing his occupation. He has been known to write songs about just about anything, including rocks and SAW 4. When not banging on a piano, Mike spends most of his time playing way too many video games and fighting with his roomate. Currently finishing up his degree in Songwriting from Berklee College of Music, he will be touring the country this summer with his band, the Mike Lombardo Trio. Feel free to go to his website and send him lots of money. Or cookies.
In the far off land of Chandler, Arizona, where the rivers flow with sand and cacti, our leader and master, the Lord of Our Lady Gwynyth, guitar and microphone in hand, called for the greatest musicians in the land to assemble a rock and roll group like none other. Unfortunately, they were cut off on the road, and the Jalapeño Habañeros made it there first. With The Rogue Bohemian on saxophone and The Boxcar Bassist on bass and keyboards, the Lord was pleased. Now, they roam the streets of Chandler, playing epic songs and rocking faces, much like Bon Jovi. Unfortunately they are paid in change, and often get thrown into the street, also like Bon Jovi. Their lives have intertwined, and the era of the Jalapeño Habañeros has begun. Be prepared.
Hazen Nester is a multi-platinum-selling*, award-winning**, and incredibly gifted” songwriter. His works have been described as “heavenly”, “complex”, and “thought-provoking” by his critics and fans.” ”  He has, to date, three full albums”¡, two EPs”¡”¡, and is currently working on a new collection of work§. He holds a B.S. degree§§, an MFAâ•‘, and a PhDâ•‘â•‘ and currently lives in Michigan, where he spends his days writing songs and working in the fulfilling and worthwhile sector of public-access television. Apart from songwriting, his hobbies include cinema, golf, and the occasional role in various stage and audio productions. 🙂 [* – Lie, ** – Another lie, ” – Bold-faced lie, ” ” – His mom. They’re one and the same, really., “¡ – More lies, “¡”¡ – Yet another lie, § – Another lie. No, wait, actually that one’s true., §§ – In film. How appropriate., ? – Lie. What a surprise there., ?? – Do I really have to put this here?, 🙂 – That’s probably the most truthful statement in this entire document.]
Forged in the furnace of irony, molded with the hammer of satire, flattened on the anvil of righteousness, and cooled in the water of awesomeness, AudioMohel was thrust upon the world. Named from the lost audio transcripts of ’09, AudioMohel serves as a public-service backlash against the anti-circumcision trend sweeping the so-called “enlightened parents” crowd, AudioMohel urges their more devoted and impressionable fans to undergo the snip two or even three times. AudioMohel enjoys experimenting with new breakthrough genres like speed blues and death classical even though most of AudioMohel’s tunes reside firmly in the ethereal realm of vapor-ware. Some of AudioMohel’s members admitted to being a bit intimidated by the professed experience and actual musical talent apparently possessed by the Song Fu Masters, but finally it was decided that if the need arose, sabotage would not be out of the question. To be used as a last resort, naturally, but not out of the question.
Bryce Jensen has been writing songs off and on for well over twenty years, but he has rarely shared any of them beyond his friends and family. His styles range from a capella to heavy metal with a lot of wimpy finger picking stuff in between. Bryce took part in the recent Holiday Special edition of the Song Fu and found the constraints and deadline to be quite a rush. He also learned that sharing his work with the world can be very rewarding. Back for this competition because he is hooked and needs another fix, Bryce is looking forward to whatever crazy challenges lie ahead.
Jeff began playing guitar in 2003. He wrote his first comedy song in early 2004, and later that year, he wrote a song that was actually funny and in key, unlike his earlier works. He began playing shows after accidentally opening for a local band while passing through a bar. He continues to play because nobody has told him to stop.
“Hallelujah Ape” is the working name for the personal musical projects of Paul Abbott. When he’s not playing bass guitar and shouting in such bands as Three Minute Margin, he’s usually fiddling with a ukulele or trying to write Manfred Mann inspired songs for films that don’t exist. Main influences are The Bonzo’s, The Beatles and Fugazi. He owns many comedy things and likes to rub his face up against them when no-one is looking. He also co-writes the British Foghorn Company blog.
“Rusty’s Rocking Jamboree” is a one-man, music and comedy show for family audiences, starring Russ Rogers. While in college, twenty-some years ago, Russ Rogers was in a band called, “Buc Blaster and His Ukulele Rangers.” There are several noteworthy alumni of “The Ukulele Rangers,” including Song Fu Master Michael J. Nelson. Later, Rogers and Andy LaCasse (also a Ukulele Ranger) partnered to form the almost near famous, children’s music and comedy duo, “Kit and Kaboodle.” After ten years and three albums (still available on iTunes and CDBaby.com), “Kit and Kaboodle” broke up over musical differences. LaCasse was musical … an d Rogers was just different. Now, “Rusty’s Rocking Jamboree” has been entertaining family audiences around Minnesota for the past five years.
Heather Henderson has been entertaining America since she was seven years old. She got her start as a mini dancing superstar and co-host on Dance Party USA. Her career then made the natural progression towards Sesame Street and most recently a principal role in the Disney film Annapolis. Striving constantly to develop as an artist, The Big H sings with the bad-ass 60’s retro soul group SOULAMITE!, performs with the Revival Burlesque troupe in philadelphia, makes short films, writes funny songs, and is always looking for the next good audition. She hopes to have her own totally crappy and misquoted Wikipedia entry one day.
Although he has no formal training, Jarrett is an accomplished pianist who has been composing music for nearly twenty years. A relative newcomer to the world of online amateur competitive songwriting, he burst onto the scene earlier this year when he filled out an entry form just before the deadline. While earning his living as a graphic artist and website developer, Jarrett secretly dreams of leaving behind the glamor and prestige of internet publishing so he can focus on composing music for songwriting contests full-time. With no fanbase, loyal followers, obedient minions or friends, Jarrett will rely on his music-crafting skills alone to win over converts and earn votes.
I suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.
I suppose I am what you could call a “Multi-Instrumentalist”. That is a nice way of saying “Jack-of-all-trades, Master-of-none”. I began playing drums as a teenager and spent a great deal of energy during my 20’s trying to “make it” in the music biz. As a drummer, I have had the opportunity to play with some pretty incredible musicians, garnering literally DOZENS of fans over the years. In 2004 I joined the band Celestial Static, and spent several years melting some face with good friends Jeremy and Julie Elzerman. Once that ran its course, I decided to spend more time locked away in my studio, writing my own songs and learning to play guitar, bass and sing. It doesn’t pay the bills, but I have a good time doing it.
Charlie Wolf has always been much better at writing songs than at writing third-person biographies about himself. While still a teenager, Charlie Wolf is already an accomplished ‘multi-instrumentalist’, playing guitar, bass, accordion, and keyboards. In the past year or so, Charlie has began playing private parties and coffee-house gigs in the Los Angeles area, which sounds way more interesting than it actually is. His music ranges from hilarious comedy songs to tender ballads, and more often than not, somewhere in between. He would like to thank the academy, but cannot, because he does not know where the academy is or how they would like to be thanked.
Name’s Shane Peterson. Live in Red Hook, NY. 21 years of age. Alleged film and music guru. Intrepid traveller breaking the walls of perception, riding the infinite wave…
Denise Hudson once pulled a toenail during load in, later “nailing” the gig in front of an ex. Saving the phalangial flotsam for conversion into a guitar pick may seem a macabre jest; but does it indicate vileness, or merely a haunting dedication to her craft? Playing the piano like a dark pink freight train on a cloud, she’ll indulge diverse requests from Brahms to Nintendo themes. Denise was nourished by an intellectually wealthy family. She once acquired a flautist from a nearby Mexican restaurant to perform “mythical” elfin soliloquies for a be-stricken audience. UT Austin music school honed sticks, skins and sleeplessness skills; but you can’t edju-ma-cate the blues. She taught herself guitar, and her unusually skilled brother claims she “taught him to play drums.” Denise performed on his and others’ albums, in various duos, stupid hats, cover acts, and in a noteworthy “Texas blues folk rock band with creative lyrical twists & an (occasionally) naked lead guitarist.” A traveler, a poet, and sub-par housekeeper, Denise will continue churning out controversial family favorites in her awesome new home studio in 2009.
Jonathan Coulton on Jonathan Coulton: “In 2005 I left my day job writing software to pursue music full time. To keep myself busy I released a new song on this website every week for a year in a project called Thing a Week. A few of those songs became big internet hits (my folky cover of Sir Mix-a-Lot’s “Baby Got Back”, a funny video called “Flickr”, a song called “Code Monkey”), and I am now fortunate enough to make my living as a musician.
Born in the fall of 2006 in the center of the two-man acoustic comedy rock scene, Columbus, Ohio, the self proclaimed Turner and Hooch of Rock and Roll, The Paul Frumpton Experience Featuring Larry – known more colloquially as Jeff Stormer and Jeremy Hoover – are best described as what happens when comedy, music, caffeine, and improv collide in a chocolaty, peanut buttery explosion of good times. Stormer and Hoover met as students of Ohio State University and have been performing for scraps of food and hobo nickels ever since. Jeremy and Jeff’s major influences include Bacon, Booster Gold & Blue Beetle’s irreverent banter, David Bowie’s crotch in Labyrinth, and a deep-seated love of go karts. Finally, we feel obliged to mention all the things that are off limits to the comedy duo… This list includes NOTHING.
Lex Friedman’s musical influences include artists like They Might Be Giants, Moxy Fruvous, “Weird Al” Yankovic, CAKE, Barenaked Ladies, Tom Lehrer, Ben Folds, and Michael Jackson. Lex has left a smattering of bizarre music videos on YouTube, which have been slowly overtaken by videos of his 18-month-old daughter Anya. He occasionally shares new songs on his blog. He currently appears both weekly and weakly as the host of the “Week in Douchebaggery” on Cracked.com. Lex, his aforementioned daughter Anya, his lovely wife Lauren, and his diabetic maltese Charlie all live together in New Jersey, and sincerely hope that you don’t hold that against them. He gives one of them two injections if insulin each day – guess which! Lex also wrote this sentence. To avoid appearing like a suck-up, Lex has neglected to mention other musical influences of his who may or may not be the Iron Chefs of this Song Fu competition. Let’s just say he happens to also love the musical stylings of a guy whose name rhymes with Shmonathan Shmoulton.
My Fu is stronger than you! I am Coleman Bear Saunders, or Cloakie to most. At the age of 25 I work with music everyday at my studio that I recently built. I produce, engineer and compose various genres of music with ninja like precision. I have been picking away at the guitar since the age of 7 after watching my Dad play Johnny Cash tunes in the wrong key while singing the wrong lyrics, although I do the same thing because that’s the way I was learnt, ya hear me boy? I live in Kentucky and the music scene isn’t the greatest, so I turn to the internet to pipeline my Fu to the masses for free. I’m getting tired of music these days, I want some more songs about Dragons and fucking! Songs that take you on a journey and let you experience a different world, like movies do. My dream is to compose and score music for video games, TV, and my ultimate goal, the big screen. This is why the Song Fu competition was made for me. All the challenges that the competition presents to me will be similar to the expectations of future employers. Good luck to all, and may the best Fu win.
Elaine Chao Finnell is a singer/songwriter from the San Francisco Bay Area. In her checkered musical past, she has been a choral singer, a pit musician, an a cappella vocalist, a vocal percussionist, a hip hop beatboxer, contemporary Christian worship musician, and a musical librettist. After leaving the a cappella world in 2001, Elaine shifted into the world of hip hop theater, touring with spoken word artist Aya de León, then going solo and performing in such venues as the Yerba Buena Gardens in San Francisco and at the Apollo Theater in New York City. She began writing music at the tender age of 17, co-authoring her first musical with Brian Allan Hobbs. Since then, she has written two full length musicals and two plays. She currently plays regularly at her church as a lead vocalist and rhythm guitarist. While not in her musical pursuits, Elaine can be found in a cubicle at a major software company, at home with her engineer husband and their network of Macs, or studying martial arts at a local university.
The Deal: After 20+ years making music as a hobby, I recently wrote and recorded a song for my daughter. I got a little taste of mild success (hey, my mom liked it). So now I’m taking my music out of the closet, dusting it off, and seeing how it does in the sunshine. Who knew there was so much work in just attempting to do music for a living. I feel like I am opening a Subway franchise (Only opening a Subway franchise seems more fulfilling in a creative way).
Run At The Dog are high energy, rock/pop, category-sluts with multi-gendered vocals and intricate arrangements. They are like Abba meets Faith No More meets Mos Def meets the Mormon Tabernacle Choir meets Steely Dan. The songs of this Minneapolis 5-piece are always written right away, with no respect for the calculating mind. Audience members are unsure whether to dance, laugh, or panic.