FRED Entertainment

May 5, 2009

Comics & Comics: The Road to Gilead Part 1

Filed under: Comics and Comics — Tags: , , — admin @ 8:40 pm

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Howdy Inter-Webbers, I’m Matt Cohen and I’m gonna pretend that I haven’t been away for a while. Or, I’ll lie about it.

Yeah, the second one.

Let’s try that again…

Howdy Inter-Webbers, I’m Matt Cohen and I’m finally back from the Arctic. It was cold, kinda boring, but surprisingly good bagels.

Let’s skip through all the pleasantries and get to a subject near and dear to my heart – Stephen King’s THE DARK TOWER series. Since around the age of 11 I have been obsessed with these books, the characters, and the worlds they inhabit.  Like every other good Tower geek, I have dreamed about the day when the books would be adapted to a more visual format. Well, in Peter David’s comic series for Marvel, we got just that. A new, fresh blast of life has been pumped into an honored but very (and purposefully so) dead series. I assumed once I finished the final book, that Roland and his Ka-Tet would no longer grace the world in new mediums. Thankfully, I was wrong. Along with the comic book which is now in it’s second series, writer, director, producer and Hollywood “It” guy J.J Abrams has announced the acquiring of the rights to adapt the book to film (or television… only time will tell). With this sudden and, quite frankly, awesome news I thought it would be fun to pretend I had the job of casting the films, bringing my cherished childhood  (and beyond) memories to life.

So, without further ado (or adont), I present my dream cast choices for the DARK TOWER films (or television series… Again, J.J’s all about the vagueness).

Also, if you haven’t read the books, do it… Now. Turn off your computer, go to a bookstore or library, and do it.

SPOILER ZONE BELOW, Thankee Sai.

———————-

ROLAND DESCHAIN = JOSH BROLIN

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The main man. The last son of Gilead. The last of the Gunslingers. One of the single most iconic and, quite frankly, fantastic characters in the realm of fiction. This is the big one. Cast this wrong, and the whole project falls apart. Roland has been one of the hottest “characters” that actors like to attach themselves to for years, and I’m sure a war is ensuing right now in the talent agencies of Hollywood. I’ve heard Bale, I’ve heard Jackman, and while they both and many others would LOOK like Roland, I think Josh Brolin would bring the sense of solemn pride and years and years worth of pain that Roland carries with every step of his weary feet. Look at his work in NO COUNTRY FOR OLD MEN as a sort of model for how Roland’s tone and demeanor should be. Lots of thoughts going on, but you can’t read it in his face. And maybe that’s what it comes down to. That blank, reading your soul type poker face that Brolin can rock so perfectly. Also, I tend to think Roland is closer in age to 50 then 40, so Brolin would work perfectly in that respect, as well. And, on a nitpicking note, though Bale and Wolvie can do a convincing American accent, there’s no substitute for the real thing. Anyone who doesn’t see this should just wait for JONAH HEX which is almost a Roland audition in my mind.

Runner Up: Viggo Mortensen – Would make a fine Roland if not a little to pretty, but I do think our collective memories of Aragorn cloud our judgement a bit.

EDDIE DEAN = JOSEPH GORDON LEVITT

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The second member of the Palaver and our first link as readers to our own world, worthless, weak, addicted Eddie – in the course of 6 books – goes from helpless junkie to a hero only rivaled by Roland himself. Eddie is 23, a NYC native, and badly addicted to heroin when we meet him, so casting wise I think I would go for a guy who can play both “junkie” and “heartthrob” to carry the entire arc believably. If you haven’t caught this young man’s work since 3’RD ROCK FROM THE SUN, you may be a bit puzzled right now. If you caught flicks such as the phenomenal BRICK, then you would know that Levitt is obviously one of the finest young actors working today, and could easily pull off the pathos needed for Eddie. And I know we’ve never really seen what Eddie is supposed to look like, but in my mind, this is pretty much it.

Runner Up: Shia Lebouf – I do genuinely see the appeal in Shia and think he will have a long and great career, but this may be a bit too “hard” for his current sensibilities.

ODETTA HOLMES/DETTA WALKER = GINA TORRES

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The trickiest bit of casting in my opinion. This actress would have to portray three distinct characters, different ages, and DRASTICALLY divergent personalities. My one exposure to Torres was her work on FIREFLY and SERENITY, but anyone who’s seen her act know that she plays a strong female character, to say the least. You would need to capture the fire of Detta, the wisdom of Odetta,  and the beauty and love of Susannah. I think Ms. Torres is definitely able to meet the challenge. Also, we know for sure that she can handle a weapon.

Runner Up: Zoe Saldana – I haven’t seen STAR TREK yet so my only experience with her is her bit parts in the PIRATES movies, but man, is she gorgeous… Yeah, that’s all I got.

JAKE CHAMBERS = DAEG FAERCH

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A cry of “who? rings out across the internet. If anyone saw Rob Zombie’s mediocre HALLOWEEN reboot, they may remember the one entertaining aspect of the film – the kid who played young Michael Myers. I really dig this kid’s look, which is far from your conventional “pretty boy” child actors. Rather, Daeg looks like an actual kid, something I think would tremendously boost our attachment to the tragic and tragically wonderful character of Roland’s “adopted” son, Jake Chambers. Now, we don’t know if this kid quite has the chops, but the look works and he’s age appropriate. I say give him a shot. Also, because I refuse to cast Freddy Highmore in literally every single role meant for a male between the ages of 9 and 15.

Runner Up: Unknown general casting call…

MARTEN/WALTER/RANDALL FLAGG = LANCE HENRIKSEN

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The baddie to end all baddies. Stephen King’s version of the devil, or if not the devil himself, certainly his main trickster demon. Randall Flagg, or some derivation of him, has appeared in too many Stephen King books to count. Most notably THE STAND, but certainly at the forefront of the Tower series as well. I mean, it all started when the man in black fled across the desert… so we would need an actor who can give off a sense of pure evil while at the same time a strange charm. Someone who could be ageless and just “reborn” all at once. Basically, a badass mo’fo. And if you know me, theres only one man who that could be – Lance…. Henriksen. Yes, that Lance Henriksen. The man who gave us Bishop, Frank Black, and Ed Harley. One of the coolest, most iconic, but sadly underused and overlooked actors alive today. THIS would be the role to define his career. A chance to channel all that swagger and mystery into a character finally worthy of his talents, rather then whatever sci-fi channel movie of the week he’s done recently. Look at those eyes – shark eyes… doll’s eyes…

Flagg’s eyes.

Runner Up: None needed. This is the role he was born to play.

PERE CALLAHAN = BRENDAN GLEESON

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One of the fan’s favorite characters, the priest we knew and loved in SALEM’S LOT returns from apparent death to save and join Roland’s Ka-Tet and to play a bigger role in the sage than anyone could have foreseen. Lovable, noble, trustworthy. A stand up guy. And for as long as I’ve been a fan of the man’s work, I get that exact vibe off of the fantastic Brendan Gleeson. Though he may not look like the traditional image of Callhan, this man’s range is so wide and varied that he’d have no problem stepping into the vamp hunting priest’s shoes. His casting would add an air of “esteem” to the project as well, because it’s only a matter of time that critics and award voters recognize him as one of the greatest actors of his generation.

Runner Up: James Cromwell – Because I like crappy Stephen King TV miniseries. If it wasn’t TOO broke, I guess don’t fix it.

CRIMSON KING = DOUG JONES

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The Pale Man. The Fawn. The Angel of Death. Abe Sapien. Silver Surfer. ______ Hobbit Role. The modern king of creature performances. And the Crimson King is about as far from a human as you can get. This, my friends, is what they call a no-brainer (cue PLANET TERROR reference)

Runner Up: Zach Efron – He creeps me out. In the sense that I think he wants to murder me and do terrible things to my soul. A la the Crimson King

———————————————

Now, the remainder of the characters, though “secondary”, are extremely important and cherished to Tower fans like myself, and I’ll be back next week for part 2 of this column, with a look at who I would cast to fill out the rest of the DARK TOWER universe. So please, if you enjoyed this little venture, check back next week for the conclusion. All of your friends are doing it… PEER PRESSURE!!!!

And, as always, please give a listen to BAGGED & BOARDED w/ Matt and Jesse and MEWESCAST, exclusively here at QUICK STOP ENTERTAINMENT.

Until next time friends,

“Long days and pleasant nights”

MATT COHEN is currently dancing the Commala!”

Twitter= CamelToad (cause everybody’s doing it!)

Toy Box: Indiana Jones Ark of the Covenant Card Holder

Filed under: Toy Box — Tags: , — admin @ 7:15 pm

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My son popped in Kingdom of the Crystal Skull the other day, and I thought I’d give it a second try. Perhaps on second viewing I’d be able to let go of my extreme dislike…sadly, this was not the case.

But it did remind me how much I love the original films, especially Raiders of the Lost Ark. Just a couple days later, my new Ark of the Covenant business card holder showed up from Gentle Giant, making me warm and fuzzy all over.

Business card holder? Yep, Gentle Giant has produced not one but three different desk accessories based on the relics of the films: this business card holder, a pen/pencil holder shaped like the Fertility Idol, and a paper clip holder that doubles as the Holy Grail.

I only ordered the card holder, as it was the only one I could see myself using (do I even own any paper clips?), so I’ll be covering that one all by its little lonesome. If you have any questions or comments, drop me a line at mwc@mwctoys.com, or hit my site at Michael’s Review of the Week – Captain Toy. You can also follow me on Twitter, the only legal form of stalking. Actually, I’m having a giveaway right now to one person following me on Twitter – a completely free MOTUC Mer-Man! So sign up and follow me, and you might be the lucky winner…

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Ark of the Covenant Business Card Holder

The business card holder is designed to hold regular sized cards, either in a horizontal or vertical fashion. If you’re a closet nerd afraid to let your geek flag fly full mast, this card holder (and the paper clip Grail or pencil Idol) allow you to test the work waters. If no one points and laughs, you can tell them about your Iron Man bed sheets! Or maybe not.

Packaging – ***
The big plus here is the Certificate of Authenticity, which is nicely done in a trading card size just like a Gentle Giant bust or statue. However, it lacks any sort of edition number or size.

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The box itself carries on the rather dull graphics forced on all the licensors by Lucas, but deals with them about as best as can be expected. The interior foam is very sturdy, and protects the Ark almost as well as a big wooden crate. And yes, how cool of a package would that have been?

Sculpting – ***
For the scale (remember, this is only about 3″ tall without the birds), the sculpt is fairly detailed and clean. The etchings on the side are a little soft, but some of the more intricate detail work on the edges and cornice are nicely done.

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The birds are sculpted as a separate piece, on a long base that fits across the interior top. This gives you plenty of display options, with it in or out, and with the cards in front or back.

As I mentioned, it’s only about 3″ tall without the birds, just a hair over 4″ with them. It’s too small to work as a display item with the sixth scale figures, and too big to go with any 4″ figures, but if you have the 7″ Indy from the Disney parks, it would fit in pretty well. The final photo shows a 6″ He-man with the Ark to give you some idea.

Paint – ***
There’s not a lot of paint detail here – it’s all that brass/bronze color that you’d expect, with no real wash or highlighting. It’s clean though, with a nice consistent, even coverage, and no obvious marks, bubbles, or imperfections.

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Design – ***1/2
Obviously they had to skip the lid, as I mentioned in the Sculpt section. That’s no real issue, considering the end purpose, and my favorite aspect of the design is that they took into consideration not just the most common card orientation – horizontal – but also the less common vertically printed cards. The interior of the Ark is sculpted to hold either properly, which is a big plus.

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The holder also manages a good number of cards at once. I didn’t try fully filling it up, but I’d bet you could get 50 to maybe even 75 cards in there, with the birds in place. And since the birds are movable (and removable), you can put the cards in front or in back of them as you wish.

Value – **
This guy is only about 3″ tall, not counting the birds on top. That’s a pretty small ‘statue’ for almost $40, and something around $25 – $30 would have been more appropriate considering the desk accessory market. And yes, there is one.

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Things to Watch Out For –
Don’t drop it. While it feels more poly than resin, it’s still breakable.

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Overall – ***
It’s not exactly a must have, but if you’re looking for something that shows off your fondness for Indiana Jones at the office, without being too geeky, then this card holder might just be perfect. It can also work as an accessory to the 7″ Indy, but it’s pretty expensive as an extra to an already mediocre figure.

Something that would really have made this stand out – and made the price all that much more palatable without adding a lot of cost – would have been the inclusion of the Professor Jones business card that we see in the promo photos. It’s a pity that Gentle Giant didn’t realize the potential for something like that to increase interest and sales.

Where to Buy –
You have several great online options:

Alter Ego Comics has it listed at $36.

Urban Collector also has it at $36.

Entertainment Earth has it at $37.

Related Links –
For many years, there was a drought when it came to Indy merchandise, but they’ve made up for that plus some over the last couple years. Some other collectible reviews include:

– Sideshow has the Fertility Idol Environment, as well as their Indy and Belloq figures so far.

– Diamond Select recently released a cool Fertility Idol bank, that works great as a cheap prop replica.

– the best of it all is the Sideshow Premium Format Indiana Jones.

– in a similar scale is the Ultimate Quarter Scale from DST.

– there was the recent Medicom Professor Jones Sr.

– one of my favorite new Indy collectibles is the Mighty Muggs from Hasbro, and I’ve reviewed waves 1, and 2. Of course, they’ve already been canceled.

– for the sixth scale collectors, I checked out the Hasbro mail away Ark.

– on the cute side, check out the Adventure Heroes.

– then there’s the Kotobukiya Indy and Professor Jones Sr, the Blockbuster exclusive DVD case, the 12″ German and Cairo Swordsman, as well as both 12″Hasbro Indy’s.

– in the smaller scale, I looked at some of the deluxe two packs and several of the single pack figures, with a few more over at QSE.

– There’s a number of cool Lego sets, including this one.

– Gentle Giant did a 7″ version for the Disney parks.

– Disney has done a few other Indy figures, including this wave of small ones.

– and if you’re looking for something a bit more custom, check out the very cool sixth scale Grail diary, or this sixth scale figure.

Contest Round-Up: 2009-05-06

Filed under: Articles — Tags: , , , , , , , , , , — UncaScroogeMcD @ 6:55 pm

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Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Paramount Home Video, we’re giving away two (2) copies of CSI: SEASON ONE on DVD.

In conjunction with Paramount Home Video, we’re giving away three (3) sets of both THE BEST OF STAR TREK: THE ORIGINAL SERIES & THE BEST OF STAR TREK: THE NEXT GENERATION on DVD.

In conjunction with Dreamworks Home Video, we’re giving away three (3) copies of GALAXY QUEST on DVD.

In conjunction with Walt Disney Home Video, we’re giving away three (3) sets of the 6 titles comprising THE DISNEY ANIMATION COLLECTION: CLASSIC SHORT FILMS: THE THREE LITTLE PIGS, MICKEY & THE BEANSTALK, THE RELUCTANT DRAGON, THE PRINCE & THE PAUPER, THE TORTOISE & THE HARE & THE WIND IN THE WILLOWS on DVD.

In conjunction with Time Life Home Video, we’re giving away five (5) copies of THE REAL GHOSTBUSTERS: VOLUME 1 on DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of SETH MacFARLANE’S CAVALCADE OF CARTOON COMEDY: UNCENSORED on DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of TAKEN on DVD.

In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of TWO AND A HALF MEN: SEASON 5 on DVD.

Win TWO AND A HALF MEN: SEASON 5 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 6:46 pm

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In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of TWO AND A HALF MEN: SEASON 5 on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win TAKEN on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 6:45 pm

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In conjunction with Fox Home Video, we’re giving away three (3) copies of TAKEN on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win SETH MacFARLANE’S CAVALCADE OF CARTOON COMEDY: UNCENSORED on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 6:44 pm

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In conjunction with Fox Home Video, we’re giving away three (3) copies of SETH MACFARLANE’S CAVALCADE OF CARTOON COMEDY: UNCENSORED on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE REAL GHOSTBUSTERS: VOLUME 1 on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 6:44 pm

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In conjunction with Time Life Home Video, we’re giving away five (5) copies of THE REAL GHOSTBUSTERS: VOLUME 1 on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE DISNEY ANIMATION COLLECTION: CLASSIC SHORT FILMS on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 6:43 pm

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In conjunction with Walt Disney Home Video, we’re giving away three (3) sets of the 6 titles comprising THE DISNEY ANIMATION COLLECTION: CLASSIC SHORT FILMS: THE THREE LITTLE PIGS, MICKEY & THE BEANSTALK, THE RELUCTANT DRAGON, THE PRINCE & THE PAUPER, THE TORTOISE & THE HARE & THE WIND IN THE WILLOWS on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win GALAXY QUEST on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 6:42 pm

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In conjunction with Dreamworks Home Video, we’re giving away three (3) copies of GALAXY QUEST on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE BEST OF STAR TREK: THE ORIGINAL SERIES & THE BEST OF STAR TREK: THE NEXT GENERATION on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 6:41 pm

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In conjunction with Paramount Home Video, we’re giving away three (3) sets of both THE BEST OF STAR TREK: THE ORIGINAL SERIES & THE BEST OF STAR TREK: THE NEXT GENERATION on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win CSI: SEASON ONE on Blu-Ray!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 6:40 pm

contestheader.jpg

In conjunction with Paramount Home Video, we’re giving away two (2) copies of CSI: SEASON ONE on DVD.

Contest ends at 11:59pm EST on Wednesday, May 27th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of Quick Stop Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, May 27th.

The winner must allow 4-6 weeks after notification of win to receive the product.

May 4, 2009

Bagged & Boarded 24: It’s A Way Of Life

Filed under: Bagged & Boarded — Tags: , , , , — UncaScroogeMcD @ 11:08 pm

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #24: It’s A Way Of Life  – In which Matt and Jesse cover so many topics that the human brain can’t even begin to conceptualize the randomness. Also, they premiere their new theme song. Rapping is easy… yo.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #24 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-24.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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Masters Of Song Fu #4: Sign-Up Begins…

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We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a unique form of creative combat here at the Stop.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

From now until 11:59pm EST on MONDAY, MAY 11th, we’ll be accepting sign-ups from any and all musicians across this here internet. All you have to do is apply via the form below, and you’re in. THE LIST OF CHALLENGERS AND THE FIRST TASK WILL BE ANNOUNCED ON THURSDAY, MAY 14th, 2009.

Once those participants have been announced, the showdown will commence.

Like a songwriting version of Iron Chef, the competitors will be presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop to be voted on by you, the audience.

Oh, and what do we call this competition?

MASTERS OF SONG FU

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Let us not forget the very special Masters of MASTERS OF SONG FU. Think of them as the iron chefs of Song Fu – one of which will be revealed as your ultimate challenger.

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And if you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.

Remember, you must be able to realize a song both lyrically and musically. This competition is open to both singer/songwriters and bands – but since space is limited, only enter if you truly accept the challenge. As stated above, we’ll be accepting the first 25 valid applications we receive.
[ad#contestbox]

Are you ready to bring your Fu? If so, fill out the form below:

SIGN-UP FOR THIS ROUND HAS CLOSED.

Note: Competitors will be notified via e-mail of their selection.
If you have any problems submitting your entry via the form above, you can also e-mail the entry information to
songfu @ asitecalledfred.com (taking out the spaces, naturally) with the subject line “Song Fu”.

TV Or Not TV: 5/4 – 5/10

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Welcome to TV or Not TV where I am humbled by mother nature.

This week I was able to get caught up on the new History Channel original series Life After People. This series, crafted after last year’s startling special, takes a unique look at what would happen if we people of the planet Earth just suddenly vanished. What would become of our cars, our buildings, our legacy? The results are very humbling.

In the discussion of “saving our planet” I have long been a student of the philosophy that we are not needing to save our planet but instead we need to save ourselves. Yes, we need to treat mother Earth a lot better so that her environment will still be suitable for us. We, however, do not need to save the planet because as this show outlines pretty harshly the planet will in face go on without us.

It is one thing, when watching this show, to see the computer generated scenarios of a Statue of Liberty crumbling, or the Houston Astrodome becoming a richly vegetated rain forest climate, but it is another thing to see the real evidence in today’s society where we see how the planet will reclaim that which we leave behind. A coal mining island in Japan, after only 35 years, is already falling apart and appears on the precipice of complete collapse. Mother Nature will quickly reclaim that which we turn our backs on proving that her creations are the only ones that can stand the test of time.

If you haven’t seen this show I  strongly suggest you tune in to Life After People every Tuesday night at 10 PM to see this eye opening look at what the future may hold for that which we leave behind.

Now let’s see what television transmissions we can choose from this week that will just be static two light years from now.

MONDAY

LIFETIME – 5:00 PM: It’s not every week that I make a recommendation for Lifetime, but a show called Cook Yourself Thin can’t go without mentioning in this day and age of the obese American.

FX – 9:00 PM: Now that 24 is in the 21st of it’s 24 hours Jack has got to be getting a miracle cure any minute now, right?

NBC – 9:00 PM: Allison is bailing on the DA’s office to work for a big corporate job on Medium. Do I sense a new Ms. Cleo?

TUESDAY

NBC – 8:00 PM: With only four contestants left standing on The Biggest Loser: Couples you’d think by now they’ve been through enough. Nope. They have to run a full marathon.

FOX – 9:00 PM: Olivia starts having visions, Walter confesses his connection to the Z.F.T. manifesto and we finally get to learn what Peter’s secret side project is this week on Fringe? Whoah! It must be sweeps!

HISTORY – 10:00 PM: As mentioned above, a new episode of Life After People premieres as it takes a look at what happens to Washington, D.C. and Los Angeles over the test of time.

WEDNESDAY

ABC – 8:00 PM: JD says farewell to Sacred Heart as the shows tries to wrap up what was envisioned as Scrubs final season. Will that actually be the case?

FOX – 9:00 PM: I really don’t care who gets booted on American Idol tonight, I’m just interested in seeing Daughtry perform.

ABC – 9:00 PM: This time next week I’ll be half-way into the season finale of LOST, so I’m eagerly anticipating what happens in this episode as the prelude to that.

THURSDAY

FOX – 8:00 PM: Tonight on Bones FBI agent Boothe gets a visit from Stewie from Family Guy. No, really… it happens.

NBC – 9:30 PM: Jack learns something shocking about his parentage and Alan Alda guest stars on 30 Rock. Coincidence?

ABC – 10:00 PM: It’s been over a decade since being diagnosed with Parkinson’s Disease and tonight we get to see just how far it has taken him in Michael J. Fox: Adventures of an Incurable Optimist.

FRIDAY

CW – 8:00 PM: Will this be the season or series finale for Everybody Hates Chris? Chris Rock himself has been quoted as saying it would be a good end point in the storytelling based on his life. It’s looking like the CW might agree.

FOX – 9:00 PM: The same question as asked above can be asked for Dollhouse as well. Last week we finally learned who Alpha is, we learned why he kept Echo alive and now they’re both on the run. Will this be the show’s swan song or only the ending of this chapter (not counting the un-aired thirteenth episode)?

SATURDAY

HISTORY – 8:00 PM: Cashing in on the release of Star Trek the History Channel rolls out Ancient Aliens followed by Star Trek: Beyond the Final Frontier.

FOOD – 9:00 PM: Duff and company get to go to Hawaii to create a special cake for the show LOST on Ace of Cakes. This hour special is nestled between two other hours of some of their other great entertainment themed cakes. I’ll be watching (and snacking) for the duration.

SUNDAY

FOX – 8:00 PM: Jodie Foster guests as a voice of Maggie (kind of) in tonight’s episode of The Simpsons.

NBC – 8:00 PM: It’s the season finale of The Celebrity Apprentice with Annie Duke vs. Joan Rivers. After the venom that was spewed when Melissa got the boot this should be a good one.

CBS – 8:00 PM: The Amazing Race has actually had an interesting season and this one comes to a close as the remaining teams are making the small jaunt from Beijing to Maui to cross the finale finish line.

Will Wilkins loved the new Star Trek movie, but since it’s not TV I can’t talk about it.

May 3, 2009

SModcast 84

Filed under: SModcast — Tags: , , , , , , — UncaScroogeMcD @ 10:24 pm

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Your TextSModcast is the meandering palaver of a pair of dudes whose voices are so dull, they don’t deserve to be on the radio (and, hence, aren’t). Kevin Smith and Scott Mosier are SModcast.The best thing about SModcast? It don’t cost nothing.

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SModcast 84: OUTBREAK! –

In which a hero falls to a bug and another hero falls off a moral and societally normal cliff.

[CONTENT WARNING] SModcast features harsh language and even harsher notions of propriety. Listener discretion is advised.

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SModcast 84 (MP3 format)

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May 1, 2009

Trailer Park: X-MEN ORIGINS: WOLVERINE World Premiere and ADVENTURES OF POWER – Reviewed

By Christopher Stipp

The Archives, Right Here

So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies.Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about.

ADVENTURES OF POWER – REVIEW

aop_webThe moment that solidifies THE ADVENTURES OF POWER as a film that is far more than just a movie about a guy, Power, who has dreams of being a great air drummer is when Michael McKean, who plays his father, stands up to a pack of riot police. His father heads a pro-union force looking to hold the line for union workers who toil at a local copper mine; they walk off the job, force its obnoxious, caricature of a boss hoss to shut the normal mining operations down as McKean tries to elevate the working lives of those who live in a tough and shattered city that almost could be classified under Ghost Town categorization by New Mexico standards.

It’s hard to believe that this movie actually is an amusing farce of a film but it is.

Led by the air drumming talents of actor, writer and director Ari Gold as Power himself the movie has two things on its mind: 1) Tell a story about a man who dreams of being so much more than the incompetent miner that everyone else pegs him to be. 2) Take a shot at films where events cumulate in any kind of great event where our hero needs to become the winner of it all.

Knowing these two things, the film is free to spread its thoughts across a wide palette of events that take Power from the destitute city where many dreams have no doubt died. But not Powers’. The film’s opening with Mr. Mister’s “Kyrie” sets the tone for the rest of the film in that we’re exposed to a lot of classic music where the focus is on songs with rich drum sound. What’s funny, or duly noted, about this is that not only does this movie bring together sounds from the past which let drummers express their presence in a band but the story is shaped by the music that I remember meant something more than some of what’s being made today. Power is that man, trapped in the years far in the past, trying to bring together his passion for being his own individual and trying to make those around him respect his abilities as a superior air drummer.

The premise is absolutely ludicrous, it should be said, but Powers’ walkabout that finds him first in an underground air drum contest far away from his home and then under the tutelage of a former master of funk, Carlos, played by Steven Williams. What transpires in the hollows of Newark, New Jersey is a fantastical tale of a man who is taught how to become an even greater air drummer within a cast of absolutely bizarre band mates who air drum themselves. The mere transcribing of their efforts baffles even me why it’s funny to watch and take in but a lot of that credit should go to writer/director Ari Gold. His talent for writing a story that’s funny is one thing but you could virtually watch this film without the sound on and soak in the deliciousness of his direction. The cinematography only adds another layer to what makes this film special; it’s far too beautiful for how simple the story is but it couches the events of this film in a place that feels absolutely real. It’s not like an over lit comedic showpiece that is made specifically to accent the performances of the talent on the screen, this movie makes the places inform its action.

Dallas Houston, played by Entourage’s Adrian Grenier, is also a wild card into this mix of craziness. Playing a overly hackneyed version of a superstar that is, himself, a walking caricature of arrogance we see that Houston also has dreams of being a great air drummer, a sinister behavior that he must keep hidden from his copper mine owning father (how coincidental!) but that’s the idea. The movie sends up films where these tropes exist but ADVENTURES OF POWER gets it right. It knows where to put the musical interlude during our hero’s training and it even knows every hero needs a lady to fight for. Segue to Power falling in love and wooing a deaf girl (played by the adorable Shoshannah Stern) and you have yourself the other piece to this cinematic puzzle.

Even though the events that lead up to ending and resolution of the film is as predictable as the movies it lampoons the real treat is experiencing the potential in Ari Gold’s filmmaking. His previous effort in the short, short CULTURE have proven him to be sharp, thoughtful and quick to understand the patterns that exist in modern cinema and this film is no different. The satire here is sure to be lost on those who don’t see through the superficiality of what makes this movie such a small gem in the land of independent film which seems cluttered with films looking to spread heady and heavy messages. Ari Gold’s vision is fully realized in a movie that blends place and theme, and a wicked ass soundtrack, wonderfully.

X-MEN ORIGINS: WOLVERINE – PREMIERE IN TEMPE, AZ

premiere1There isn’t a whole helluva lot that follows which is mine.

An Internet contest that was vying for the World Premiere of X-MEN ORIGINS: WOLVERINE got underway weeks ago. Hugh Jackman had a pre-recorded video message that asked fans from all over America to try and get the star studded event, he mentioned bringing a whole cadre of his actor buddies with him to help celebrate, in their town.

I, being of sound mind and not giving in to such ploys to generate market interest in the movies, didn’t vote. Of all the places, who would want to bring a movie premiere to my backyard, to Arizona?

signAll of mo-fo’s did, apparently.

The masses spoke and thanks to this being a lead story in broadcast and online news (yeah, not much was happening that day) on the last day of voting Tempe, Arizona pulled out a win. Hugh again delievered a taped message a week ago last Monday to regale people with the good news. Again it was reported on as if Jesus Christ himself was about to appear at the local Dairy Queen.

Days leading up to the event only meant more hoopla, more mentions of the fact that the last premiere to come to Arizona was BEN HUR, decades ago, and even the day of, this Monday, lines stretched around the theater the night before to try and get tickets or to at least jockey for a good position to see Hugh Jackman and company up close and personal. Hugh did the crowd a solid and sent muffins and coffee for the die hards in the wee hours on Monday morning, spending $4,300 on breakfast items for the crowd.

premiere2Me? I was giving alms to my press pass and just making sure I had my batteries charged.

What was to follow later that day, that night was pretty neat even from all the years I’ve spent covering events at places like the Comic-Con. The level of intensity from the crowd who were simply happy to be there, to see Jackman working the event like the emcee he’s so good at being, was inspiring simply because these were people who don’t work in the movie field and are just happy to indulge in a little superficality for an evening. It was good to reinvigorate myself to see how much people dig these sorts of things. Even though there’s no way in hell there will ever be another premiere in Arizona for quite some time it was still nice to talk to Wil i Am, Taylor Kitsch, Lynn Collins, Liev Schreiber and Hugh Jackman. I even got to have a very pleasant talk with Wolf from American Gladiators which was a surprisingly interesting and warm exchange.

Not all the questions below I was able to ask personally. I take minimal responsibility for some of the more innane inquiries, especially the ones asked to Hugh, so I hope you enjoy the rapid fire pace of what follows.

WOLVERINE Interview Questions and Answers

LIEV SCHREIBER

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LIEV: That’s me.The bad guy from Scream. And I am Naomi Watt’s baby daddy.

QUESTION:How are the kiddies?

LIEV: They’re good. They’re good. They’re at home.

QUESTION [Christ, I don’t know what I did to get saddled with these people]:What do you look for in a woman?If Namoi would say have at it.

LIEV:I don’t believe I could answer that question in good conscience.

QUESTION:Here’s an easy question.When you watch a movie are you a popcorn or candy kind of guy?

LIEV:It depends on what they got. But, generally, I’m a popcorn kind of guy. If the movie is good, you never make it past one handful.

[Want to know why some actors hate junkets? Wait for what comes next.] QUESTION: Is Hugh Jackman everything we think he is?

LIEV: He’s awesome. Hugh’s pretty good. Ryan Reynolds said it best. He said Hugh is so nice he makes ice cream look like Hitler.

(Laughs)

STIPP: You have a strong theater background.What kind of movie does this represent to you when you look at the jobs you’re going to take? Do you make a difference between theatre and big budget action pictures?

LIEV: The plain simple fact is that I don’t think men mature past the age of 22. Physically we can become 90, 100, 120 but mentally most men don’t go past 22 so when they say to you do you want to come to the movie and be the giant mutant cat that flys around the buildings and whips Hugh’s ass, I said yes.

STIPP: There’s no hesitation?

LIEV: No, there’s no hesitation. I don’t think there’s any hesitate for any man in that situation. Wouldn’t you do it?

STIPP:Of course.

LYNN COLLINS

lynncollinsQUESTION: What’s something interesting that our fans would want to know about? [Journalists, asking the hard hitting questions!]

COLLINS: What’s interesting to me is that one day Hugh came to me and said that the producers had gotten together and said that I needed to be wearing an outfit that may be more skimpy. So I walk into my trailer and there is the tiniest little silver dress I had ever seen in my life. So I put it on and went outside and they all said April Fool’s. It was a big joke. So I was standing there in front of the producers and Hugh Jackman in the tiniest dress that didn’t fit me.

QUESTION:Sounds like fun. [Sounds like mental retardation…]

COLLINS: That was fun. Humility. Humility baby.

STIPP: As a theatre actress, and I’ve read about how you and Liev already have worked before in that capacity, this is obviously something bigger than you have ever experienced before.

COLLINS: Right.

STIPP:How was it going from theatre to big budget action movie?How does that translate for your performance?

COLLINS: You know, I found it very interesting when I was working on this process that I was really able to utilize all my experience and training at Juliard because we are dealing with such sweeping emotions because we are working on stages with a green screen.

QUESTION: How was it working with Hugh?

COLLINS:He was the charismatic leader on this film. Everyone worked so hard and he was really the catalyst and shared that energy with all of us.

TAYLOR KITSCH

taylorTAYLOR KITSCH: Hey, how are ya?

QUESTION:Welcome to Tempe.

KITSCH:Thanks for having me. It’s a pleasure to be a part of it all.

QUESTION:Is this your first visit to Tempe?

KITSCH: It is. I have driven through but actually my first time to take it in.

QUESTION:Where’s home for you?

KITSCH:Austin, Texas.

STIPP:What’s it like to take a comic book character to screen.You have those internet geeks who love to rip apart everyone saying, “He’s not right, he’s not good, he’s not…whatever.” How did you approach this character?

KITSCH: The only way is you have to dive into it man. It’s all or nothing. You have to just commit to it 150%. So from learning the tools he has to the cars, to his accent, to his posture, to his cadence, to everything else, that’s how you do it.

STIPP:Did you get to the point where you just say, “What the hell?This is a comic book.What am I doing?”

KITSCH: No. Because the more I dived into him the more passionate I became, the more I understood the fans. I want to go another round with him at least. To go darker.

STIPP:Really?

KITSCH: Absolutely.

STIPP:You said you wanted to introduce him.Where is the Gambit we get in this movie?

KITSCH: You get a few pieces of him. He loves to fight and play around. You have to remember who he is against. Who Wolverine is to him at the time is a lot different than if you had Gambit earlier on which is something I would love to explore. How did he get to the point where he’s at his own poker table and he has that smirk. What made him have that, you know? I think a lot of that would be fun to explore.

WILL I AM

willQUESTION: How are you doing?

i AM:I’m 21 and older.

QUESTION:Hey, for all the brothers and sisters out there, what should they know about this film?

i AM: It’s a brother super hero, you know… You know what I’m saying? Obama’s in the White House, first Black super hero…

(Laughs)

Nah. It’s a great film.

QUESTION: What’s the biggest challenge you had doing this film?

i AM: It’s my first movie ever so that’s a challenge. Dealing with professionals. Look at that poster. Check that shit out!

STIPP: Are you thinking of hanging one in your house?

i AM: No. That looks weird to me. I can deal with Black Eyed Peas”¦that’s normal but this is not normal.

STIPP:Does this represent something to you now, like this is where you always wanted to be, a multi-talented artist?

i AM: It makes me say, WOW. What I can do and what anybody is capable of doing. It’s not what you want because a lot of times you don’t dream it. You’re afraid of getting your world crushed. So that represents dreaming because you can be it. To any youth out there, to any kid, it’s like look at me. You can do it. Three years ago I never thought that was possible. To me, it’s a little kid in the projects or a girl that’s going through a lot, you can make it happen. Just dream big. Anything is possible. White, brothers, Chinese, Korean”¦anybody. You can do it man. I am freaking out looking at that poster.

QUESTION:What’s going to be next for you? Any more movies?

i AM: No. Next I’m going to release the Alicia Keys album and get back to what I am a pro at “¦. And I’m not a pro even at that because Herbie Hancock is a pro.

STIPP: If you’re not a pro then what are you?

i AM: I’m a fan that has equipment. At the end of the day, really that’s what it is. I’m a fan, I’m bored and I entertain myself. And people like it.

HUGH JACKMAN

hugh

Hugh started off things by talking about his most generous gift of caffeine and pastries that morning to those waiting to get in to see the premiere.

HUGH JACKMAN: Were you here this morning?

QUESTION:No, but the fans were.

JACKMAN: Oh yeah. My pleasure.

Boy, when I rang Arianna at the bakery. I didn’t even know what the bakery’s called, but I think there was a 10 second pause when I said, “This is Hugh Jackman and I need 800 muffins and 800 cups of coffee.”

It went quiet.

“Is this a joke?”

(Laughs)

QUESTION:How are you liking Tempe?

JACKMAN: I’m loving it. What a way to come here too. The time of year and the fans are insane. I love that. That’s how these fans are. I’m telling you, I’ve been living with this character and these fans for maybe 9 years and that’s why I wanted to show it to them first.

QUESTION: And Hugh, everyone wants to know how did you get your arms in this kind of shape?

JACKMAN: As a producer I should have gotten a little more money from the visual effects budget but I didn’t. I just went to the gym and did it the old fashioned way.

Trailer Park: X-MEN ORIGINS: WOLVERINE – Reviewed

By Christopher Stipp

The Archives, Right Here

So, I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies.Download and read “Thank You, Goodnight” right HERE for free.

And now, you can follow me on Twitter under the name: Stipp. Some weeks you get lucky with the kind of information that people are talking about.

X-MEN ORIGINS: WOLVERINE – REVIEWED

x_men_origins_wolverineI don’t need to see this film again, nor do I have the need to ever own it.

When I was 13 I had a friend by the name of Brandon Murphy. He was the only one who I knew was into comics and is responsible for sending sparks into the tinder that would flame into a full-on passion for The X-Men, Spider-Man and other titles that would create the base for my love of this medium.

One month, while casually flipping through a copy of the most recent Comics Journal at my local comic book store they had a section in the back that was dedicated to talking about the cinematic developments of comic properties. Seemingly, a lot of what has finally made it to the big screen (SPIDER-MAN, X-MEN, FANTASTIC FOUR) had its genesis in a paper publication back in 1989. It would be ridiculous to think that these films were trapped in development for damn near two decades but the facts are both SPIDER-MAN and X-MEN went on to become box office juggernauts which laid waste to anyone thinking these films would only appeal to children. The early iteration of these films were a little rough as the filmmakers felt in the dark about how to translate comics to screen in a way that would be faithful to the source but be marketable enough to wide audiences so there were creative liberties taken; Rogue skewed younger, the Green Goblin was physically different and The Hulk had to contend with Hulk Dogs.

Profits swelled, studios took notice and now we’re having to contend with a litany of comic book to film adaptations, reboots and spin-offs. Thanks to the success of the movies that had to believe that taking the material seriously would actually work we now have X-MEN ORIGINS: WOLVERINE. Based on the character who was the most obvious choice to get his own film WOLVERINE takes place long before he finds himself with the X-MEN and introduces a rogues gallery of fan favorites: Deadpool, Blob, Sabertooth and Gambit. The film wants to establish Wolverine as a character, wants to delve into how he received his adamantium and tries desperately to entertain while doing it. If this was Gambit’s game he would say 2 out 3 ain’t bad but here, for this film, it’s a losing hand.

The issues that hobble this production are apparent from the beginning when we’re introduced to young Logan and his bone claws. In what has to be one of the most rushed “twist” story details, and there are enough of them here to think that M. Night Shyamalan, not David Benioff and Skip Woods, should get story credit, we have the worst use of “I’m your dad” in an awkward moment that sets the shoddy tone for what is to come. From the shoehorning of Logan’s classic comic book refrain of “I’m the best there is at what I do, and what I do isn’t very nice” into a conversation that feels awkward when uttered out loud the movie stumbles as the script feels like disparate moments strung together by a thin thread of relevance which, ultimately, prove not to be the case. The events that transpire could have all happened without the aid of the excuses that heretofore are called co-stars. If you could keep a tally on the ways in which any number of the co-stars, excluding Sabertooth, help the movie you would only need to use one hand. This is frustrating as any writer actually pushing pen to paper should recognize that you have to have a reason to include someone in a story but what seems to be the case in WOLVERINE is that these characters act as excuses to divulge wildly far-fetched bits of information.

Further, an examination of what comes next illustrates the other contentious point that could go either way for someone watching the film: the flimsiness of the movie’s production.

We go from boyhood to modern time with Logan all grown up and sharing a plane with the host of characters that will come and go like stage props for the rest of the movie. Ryan Reynolds absolutely shines as the merc with a mouth, Deadpool, and if there’s anyone who you wish they had more of in this movie it’s him. Liev Schreiber starts his run as the wickedly casted Sabertooth, and who deserves a lot of credit for elevating the tension, suspense and mood of this film, and doesn’t disappoint for the duration of the movie. The team’s leader William Stryker, played by Danny Huston, also is delightfully cast as the one man who no one should trust in a foxhole. The rest of the characters are forgettable, disposable and are completely irrelevant to the movie’s forward movement and act as convenient placeholders, like an opportune coaster to place a wet drink upon, to simply use and discard when not needed. The opening battle sequence has everyone showing off their talent, one by one, in an overly orchestrated battle that looks like it was taking place on a poorly disguised, and photographed, set; it’s plasticine flimsiness here just sets the tone for the other sets that look like sets. From the fight that takes place after our heroes board an elevator, to the jungle scene prior to Logan jettisoning from this merry band of mutants, to the fight that takes place between Gambit, Logan and Sabertooth, to a host of other special effect moments that simply look false there is a surprising lack of quality control. Never minding the accoutrements to the action on the screen the lack of character development for those on the periphery adds to the disappointment.

The script for the film seemed to be at odds with wanting to tell an origin story, hence the title, but also having a fun movie to watch. I don’t think these things are mutually exclusive but the movie covers so much ground you don’t ever have a chance to breathe and that’s not a good thing. We barely get to know Logan’s lady Silver Fox, we have an even less chance to understand Dominic Monaghan’s Bolt, John Wraith barely has an opportunity to flex his muscle, don’t get me started on the stopwatch lifespan of the husband and wife who hurriedly nurse Logan back to health after he gets his metal, we get The Blob for one token scene and Gambit is all but ignored. There are literally a cast of characters interfering with a movie that should have been about Wolverine but instead we have X-MEN 4, a new team with a different leader. Even though this film is a vast improvement over X-MEN 3 it only does so because of the strength of Hugh Jackman and Schreiber.

Jackman is the bright light in all of this as he pours himself into this role. He believes he is Logan, that he is Wolverine. And he’s damn right for thinking so. The mannerisms of what this human animal is supposed to be like are all evident in his rage when he escapes his captors as Weapon X, when he’s fighting for his life in the denouement of this film. Jackman has the charisma to pull this whole character off without a hitch but, the problem is, there isn’t anything else for him to do with what he’s given.

With a gimpy script, wretched effects, questionable photography and a host of other distracting elements it’s not hard to make a case as to why this should be the only entry in this series, that any more films will turn a once hardcore outlaw of comics into a parody of himself, better suited inside the Sunday funnies. One time will be more than enough to take in what’s presented but I do hope the resulting avalanche of money that will no doubt be in this movie’s future will help begin discussions about how to focus on what was right about this film and excise everything else that did not.

TV Or Not TV: The Morning After for LOST (4/30)

Filed under: TV Or Not TV — Tags: , , , , , , , — admin @ 12:32 am

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Welcome to another edition of TV or Not TV where I wish there were more constant to The Variable.

When I first learned the title of this week’s episode I was excited since it seemed to be one that would be paired directly with last season’s stellar episode The Constant. When it comes to season 4 of LOST I think many would agree that The Constant delivered on so many levels and packed such an emotional wallop that it is by far one of the stand-outs not only from that season but perhaps the entire series. If The Variable from it’s name alone seems to be a sister episode to The Constant so I was just plain giddy.

This week’s episode of LOST was very similar to the previous episode Some Like It Hoth because it was another bridge episode. The episode exists solely to move the story from point A to point C while having to traverse that awkward point B. They slip in some interesting revelations but really the episode exists just to nudge the characters in the direction our story tellers need them to go. There was no wallop, there wasn’t much emotion, just a brief step taken in certain directions with a shocker once again thrown in to the ending to make us go oooh and aaaah (which I just didn’t do).

In the way of the underlining thread that ties everything together we finally received confirmation (I hope) from Charles Widmore that he is in the fact the one who purchased a plane, filled it with corpses and sunk it to the bottom of the ocean to be the fake Oceanice Flight 815. This may or may not be an important item for a lot of people, but in my dicussion groups where we are trying to determine if Widmore or Ben are the more evil of these two apparently bad men (with one friend still holding hope for the fact that Ben will be proven in the long run to actually be the good guy) it is nice to see that something that Ben Linus told us seems to actually be true.

Even though the flashbacks in this episode related to Daniel Faraday we didn’t really learn a whole heck of a lot. There wasn’t really much revealed, and it all really just kind of came across as a part of the story I just didn’t care too much about. Some elements of the flashbacks even kind of confused me when I look at the overall scope of the show and the things that have occured. One of them would be when Charles Widmore comes to a now mentally hindered Daniel Faraday to offer him the job of going to the Island on the freighter. One item used to entice Faraday is the knowledge that the Island might heal his mind. In this season’s episode Jughead we find out that Daniel loves fellow freighter scientist Charlotte. This makes me wonder just how long they were on that frieghter and just how charming is the mentally hindered Faraday that he was able to some how hook up with Charlotte and have time to really fall in love with her? The timing just doesn’t add up in my head.

Another item of frustration for me with this episode is the former man of science Jack finally decided to take some action since getting the Island, only to take that action in following Faraday with his seemingly crazy plan to undo the Incident that will soon happen at the Swan station that initiates the chain of events that brings our Flight 815 people to the Island to begin with. The fact that the entire plan screams paradox doesn’t seem to concern Jack in the least, even when Kate tries to tell him that the whole thing sounds crazy. Jack is also not taking in to account that when everyone last saw Faraday he had mentally come unglued and to be honest I think his idea that people are the variables that can actually cause change comes from that same mental breakdown, a delusion he is creating to try to justify his actions. Faraday himself could have proven his very own concept of variables by not talking to Charlotte as a child in 1977 as she told him he previously had done in the episode This Place is Death. If he hadn’t done that prior to what we saw happen at the end of the episode we would know that his theory was sound. Instead I would think that his actually still telling her exactly what she said he toldher proves more than anything else that “whatever happened, happened” and there is no chance to make any changes if you are playing around in a time that can be considered your past.

This episode of LOST also suffered from a convention that the writers of this show often use to a frustrating degree. Many times characters will ensist on taking certain actions or try to talk other characters out of certain actions, however they never give a compelling reason. They will use dialogue to dance around the reason but they’ll never say why. One great example is from the season finale of Season 3 when Ben is trying to tell Jack that if he calls the freighter everyone on the Island will be killed. He never gives more of a detailed reason so Jack has no reason to comply at all. Faraday did this a bit last night and it is like nails dragging on a chalkboard for me whenever it occurs.

My last gripe with The Variable is in the ham fisted dialogue handed to us from Faraday in reminding Jack that any of them could die here in 1977. The writers were clearly trying to not only telegraph to use the ending of this episode, they were also setting us up for something that is clearly to come in the next three hours of the show. I would lay good money on the fact that one of our original Flight 815-ers is going to be shuffling this mortal coil, and that’s too bad since I like just about every one of them.

I will admit that even with all of these complaints I still really enjoyed the episode. If anything I’m probably just frustrated by the fact that I still have to wait two weeks to see how the rest of this season plays out and that is coming out in my perception of this episode.

Will Wilkins still recited “the numbers” in his head at night.

Weekend Shopping Guide 5/1/09: Where No Man Has Gone

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Also, please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

The remastered editions of Star Trek: The Original Series (Paramount, Not Rated, Blu-Ray-$129.99 SRP) – the ones with new special effects and restored prints – got a shot at a high definition release a few years back. Sadly, Paramount was backing the HD-DVD horse at the time, and they only got as far as releasing a hybrid DVD/HD-DVD of the first season. Well, now Blu-Ray is on the scene, so we’re getting a pure Blu-Ray high definition release featuring not only the remastered version of the show, but the original as well. Bonus features are largely ported over from that original release, including rare home movies, featurettes, trivia, and more. Regardless, the series looks beautiful in high-def, and here’s hoping for the speedy release of seasons 2 & 3.

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If you want a graphics tablet just for the occasional use and don’t want to drop a ton of money on a deluxe one, the SuperPen Graphics Tablet ($49.99) is for you. It’s a nice introductory piece of equipment that incorporates both the pen and a mouse, and will certainly help you get the hang of a tablet’s drawing and writing versatility.

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When people ask me why I tend to prefer British comedies to their US counterparts, I have only to point to a show like Pulling (MPI, Not Rated, DVD-$24.98 SRP) to prove my case. In a nutshell, it revolves around a trio of twenty-something single women keen on sex, drink, and maybe even love. Trust me – it’s great, and definitely worth a spin. Bonus features include a pair of audio commentaries, interviews, featurettes, and deleted scenes.

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It is with no small irony that Kate Winslet won an Oscar for her role in The Reader (Genius, Rated R, DVD-$29.95 SRP) so soon after sending up herself in Extras, revealing what actors have to do to score the gold. The film itself is quite an engrossing tale of a love, frustration, and lies in post-war Germany. The DVD contains featurettes, deleted scenes, and the theatrical trailer. A Blu-Ray edition ($34.98 SRP) is also available, with identical bonus materials.

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There’s simply too many television shows in the studio libraries for even the most diligent company to release in a timely fashion. Stepping in to help get that TV product out is the fine folks at Shout! Factory, who have built a reputation in licensing and releasing top-notch TV-on-DVD releases that have until now fallen through the cracks. The series getting complete first season sets from Shout! are Rhoda, My Two Dads, Room 222, Malcolm & Eddie (Shout! Factory, Not Rated, DVD-$34.99 SRP each), California Dreams, and The Paper Chase (Shout! Factory, Not Rated, DVD-$44.99 SRP each). All of the sets save for Malcolm & Eddie & The Paper Chase contain newly-produced retrospective featurettes with the show’s casts.

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One new TV-to-DVD set that special kudos must go to Shout! Factory for is the release of the complete first & second seasons of Mr. Belvedere (Shout! Factory, Not Rated, DVD-$44.99 SRP). “Back in the day”, as the kids say, I rarely missed an episode of Mr. Belvedere, a sitcom that seemed a cut above the rest of its family-based contemporaries (I place it alongside |Family Ties). The 5-disc set contains all 29 1st & 2nd season episodes, plus a newly-produced retrospective featurette with the cast.

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The actually decent animated adventures of ol’ webhead continue in The Spectacular Spider-Man: Volume Four (Sony, Not Rated, DVD-$19.94 SRP), which collects another 4 episodes from the series, including appearances from The Black Cat, Venom, and The Sandman.

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It’s the second of the cobbled-together attempts by Warner Bros. to utilize their extensive animation back catalog, and while the Bugs Bunny/Road Runner Movie featured new interstitial animation directed by Chuck Jones, The Looney, Looney, Looney Bugs Bunny Movie (Warner Bros., Rated G, DVD-$14.98 SRP) was directed by another classic Warner legend, Friz Freleng. As a bonus, they’ve also put the new-to-DVD late 80’s short Box Office Bunny, as well as From Hare To Eternity & Pullet Surprise.

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It’s pretty much your standard, cliched girl vs. girl comedy, but at least Bride Wars (Fox, Rated PG, Blu-Ray-$39.99 SRP) features nice performances from Anne Hathaway and Kate Hudson as a pair of best friends who find their respective weddings accidentally booked on the same day at New York’s Plaza Hotel. Mild hilarity ensues. The Blu-Ray edition also sports a standard DVD, and bonus features include deleted scenes, featurettes, and interviews.

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I periodically try, but I still don’t enjoy Seth MacFarlane’s American Dad (Fox, Not Rated, DVD-$39.98 SRP). Just can’t get into it. I know many can, and those are the people that will be picking up the 4th volume, whose 3 discs feature 14 episodes plus audio commentaries, deleted scenes, and a trio of featurettes.

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I know there were fans of it, but I never really could get into the 90’s animated adventures o Marvel’s mutants, The X-Men. For those that did, though, you can now pick up X-Men: Volume 1 and X-Men: Volume 2 (Buena Vista, Not Rated, DVD-$23.99 SRP each), featuring the first 33 episodes of the series and its sometimes baffling mish-mash of continuity.

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Universal jumps into their library and comes up with a batch of pre-code films (much like Warners and Fox) for their first Pre-Code Hollywood Collection (Universal, Not Rated, DVD-$49.98 SRP). The set features 6 films from that wild & wooly era – The Cheat, Merrily We Go To Hell, Hot Saturday, Torch Singer, Murder At The Vanities, and Search For Beauty.

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Universal also dips into the archives to release a restored 75th anniversary edition of Cecil B. Demille’s Cleopatra (Universal, Not Rated, DVD-$29.98 SRP). Bonus features include an audio commentary, featurettes on Demille and star Claudette Colbert, and a look at the pre-Production Code era.

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It’s still flawed and not terribly good, but Punisher: War Zone (Lionsgate, Rated R, DVD-$34.98 SRP) comes a hell of a lot closer to capturing the comic book character than the last big screen attempt. Bonus features include an audio commentary and behind-the-scenes featurettes.

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It’s pretty paint by numbers, but kudos must go to The Uninvited (Dreamworks, Rated PG-13, DVD-$29.98 SRP) for at least attempting to try a little bit of horror sans all of the Saw-esque gore – even if the tale of a pair of sisters encountering more than they expected whilst investigating the past of their father’s fiancée, who also happened to be their deceased mother’s caregiver. Bonus materials include a featurette, deleted scenes, and an alternate ending. A Blu-Ray edition ($39.99 SRP) is also available, with identical bonus features.

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We’re up to the sixth season of Mission: Impossible (Paramount, Not Rated, DVD-$49.99 SRP), and would you believe that Jim Phelps gets a message EVERY EPISODE that launches the team into globe-spanning action? Would you believe that? Because it happens ALL THE TIME. The 6-disc set contains all 22 episodes.

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I never thought we’d reach the end, but another TV show’s DVD journey is over with the release of the 9th and final season of The Waltons (Warner Bros., Not Rated, DVD-$39.98 SRP), as the family enters the post-war peace of the late 40’s. The 3-disc set features all 22 episodes.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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April 30, 2009

Ken P. D. Snyde-Cast #93: The Fugu Gourmet

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 10:06 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #93: The Fugu Gourmet – Ken & Dana return with their usual meandering celebration of all things conversationally moseying, plus food talk. All hail the mighty Chocodile and sweet, sweet Hostess Fruit Pies.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #93 (MP3 format)

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Cabin Fever #64: World War Z

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 7:04 pm

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cabin.jpgOh no! Just when you thought it was safe to hang out at the Quick Stop…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #64: World War Z – The boys record through the joys of Skype so as to include a special guest from across the water. Then they all go on to talk about the connection between prayer and self-love, the need for turkey basters, a hungry horse and… well, I can’t think of a way to describe the last discussion in a politically correct way. Needless to say, Cabin Fever is as rude as ever. Joel Moss plays the show out once again.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #64 (MP3 format)

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Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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Masters Of Song Fu #3: The Winner Announced!

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SIGN-UP FOR THE NEXT EDITION OF SONG FU WILL BEGIN ON MONDAY, MAY 4th, 2009

We here at Quick Stop Entertainment are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a brand new form of creative combat here at the Stop – Masters of Song Fu.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

We invited 28 challengers to pick up the thrown-down gauntlet (You know, some spares as well). 26 Responded in time.

Like a songwriting version of Iron Chef, these 26 competitors are presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to Quick Stop to be voted on by you, the readers.

In past editions of Song Fu, we’ve used these votes to eliminate Challengers as we’ve progressed from Challenge to Challenge. For this cycle, however, we’ve decided that all of the Challengers will be able to compete in every Challenge, and the Challenger with the most cumulative votes after the 3 Challenges will be the one that takes on the Master in the Final Round. So what was the first Challenge?

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ROUND 1 CHALLENGE

In light of all the doom and gloom of recent months, as financial markets crashed and winter closed in, we’re going to kick things off with a rather straightforward challenge. You can interpret this challenge however you’d like – how you do so will give people a sense of just what your songwriting personality and style is…

Your first challenge is to WRITE A HAPPY SONG.

That’s it. The only other directive is that your song must run no shorter than 1 minute 45 seconds.

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After voting on Round 1, our masters and Challengers were then given their second Challenge…

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ROUND 2 CHALLENGE

Write a song containing *exactly* 10 unique words (this includes words such as a, and, the, etc.). You can repeat the words you choose as few or as many times as you want, but the sum total of the unique words can not be less than or more than 10.. You can write on any topic and in any style. Your song must run no shorter than 1 minute 15 seconds.

Here’s a word cloud look at what everyone chose:

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After voting on Round 2, our masters and Challengers were then given their third Challenge…

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ROUND 3 CHALLENGE

For your third challenge, you have to write a song with the title “It All Makes Sense At The End”. You can interpret what song would be given that title in any way you see fit. Your song must run no shorter than 1 minute 45 seconds.

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Well, you voted on the Round 3 Challenge HERE. Your votes determined the one Master and the one Challenger who would battle head-to-head  – Paul & Storm vs Molly Lewis – in the final challenge…

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FINAL CHALLENGE

I call this one FRANKENSONG. For this fourth and final challenge, you must craft a composition that contains AT LEAST THREE (3) distinctly different songs within your final song, but which fit together into a cohesive whole. By distinct, I mean both tempo and style. Your song must run no shorter than 1 minute 45 seconds. For examples of Frankensong, think of tunes like The Beatles’ “A Day In The Life” and Paul McCartney’s “Uncle Albert/Admiral Halsey”, or have a listen to the track below:

Harry Chapin – “There Only Was One Choice”

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Below, you’ll find the Final Challenge songs from both Paul & Storm and Molly Lewis, followed by the all-important voting form.  For all of the previous songs from all of our Masters and Challengers, you can find the archive of this edition of Masters Of Song Fu HERE. But for now, here’s Paul & Storm vs the triumphant Molly Lewis…

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PAUL & STORM vs MOLLY LEWIS

PAUL & STORM

songfu-02.jpgPaul and Storm are a comedy music duo, and they have been performing as a duo since 2004. Before that, they were one half of a cappella band Da Vinci’s Notebook for about 12 years. A Paul and Storm show is part music concert and part standup/improv comedy”“just enough of both to fit neatly in neither category. They like to engage the audience, and are known to award snack cakes and/or other prizes for good (and sometimes bad) behavior. Their show would be PERFECT as a cable special, and would make lots of money for whichever brave channel decides to air them first.

Official Website: www.paulandstorm.com
Twitter: twitter.com/paulandstorm
FINAL CHALLENGE SONG:Frogger! The Frogger Musical
ROUND 1 SONG:Hippie with a Djembe
ROUND 2 SONG:Boolean Love Song” (WORDS USED: Amy, Bobby, Mary, if, then, equals, and, not, loves, happy)
ROUND 3 SONG: Sadly, Paul & Storm were eaten by dingoes in the night. They got all better for the Final.

MOLLY LEWIS – ****THE WINNER****

When she’s not bluffing her way through college courses or looking passably attractive from a distance, Molly Lewis enjoys playing ukulele, microwaving marshmallow Peeps, talking to cats, and Twittering. Early last year, she wrote two original songs, “MyHope” and “Road Trip”. “MyHope” is about the inevitable day when our children will learn how to navigate the interweb and how they will LOL at our old internet presences, namely MySpace; of “Road Trip”, Molly says it’s about “that astronaut lady who went crazy and wore the diapers, you remember that?”  She has not written any songs since.  Hopefully this competition will remedy that. When Molly was in middle school, she took up the guitar. That sank into the swamp. So she took up the mandolin. That sank into the swamp. So she took up the banjo. That burned down, fell over, then sank into the swamp. But the ukulele has stayed. And that’s what you’re going to get, Quick Stop Entertainment: the strongest ukulele in all of Tacoma, Washington.

Official Website: www.sweetafton23.com/primer/
Twitter: twitter.com/Molly23
FINAL CHALLENGE SONG:Our American Cousin
ROUND 1 SONG:I Pity The (Song) Fu
ROUND 2 SONG:Peep Fight” (WORDS USED: marshmallow, Peeps, toothpicks, microwave, sword, fight, stomach, put, in, the)
ROUND 3 SONG:It All Makes Sense At The End

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FINAL CHALLENGE VOTING

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View Results

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Not only did Molly Lewis triumph, but she’s won remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, and has also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.

Molly Lewis brought the Fu. Can you?

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Backlash: WOLVERINE’s Snikt-er-doodle

Filed under: Backlash — Tags: , , , , — UncaScroogeMcD @ 4:37 pm

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X-Men Origins: Wolverine: The Off-Screen Comedy Hit of the Summer

The day is fast approaching, X-Men fans. The day when you can legally plunk down your money and see X-Men Origins: Wolverine on a big screen and not have to worry if the neighbors down the street could see you watching the bootleg copy you downloaded from Pirate Bay through the window.

Now by all indications, Wolverine is pretty good. The advance screenings have gone well, the advance buzz from the press has been good so it’s a fair bet that, if you liked the X-Men films, you’ll like Wolverine. Yes, I’ve seen it. Both versions, just to give full disclosure – the version screened for press and the version that’s been floating around the net that got Roger Friedman fired over at FOX. I like this film more and more every day and not because of what’s on the screen.

The leaking of the mostly complete work print of the film has been one of the most unintentionally hilarious chain of events in recent entertainment history. As soon as the film hit the peer to peer networks, the studio raised the alarm. Which meant that the story was all over the press, not just Access Hollywood & Entertainment Tonight. That one act probably added more users to Bit Torrent than anything since, oh, maybe the last film that got leaked to the web early.

It isn’t that I don’t want to see the studios make a profit on films that genuinely deserve it and to be honest, Wolverine deserves it. And yes, the studio has to try and aggressively protect their copyrights, especially in situations like this. The person responsible, who probably will be found, is going to be spending a lot of time in the new Jack Valenti Re-Education wing of the State Penitentiary. But recent actions prove that the people calling the shots in Hollywood still just haven’t got a clue where this internet thing is concerned.

FOX’s big plan to make sure they get all those potential popcorn munchers into the seats opening weekend? Circulate two sets of endings on different prints. What the fuck?

Okay, for the 5 of you out there who didn’t download Wolverine or watch a copy at a friend’s house who did, the film features, like all recent Marvel Comics-based movies, a couple of “Easter eggs” (I really hate that term being used for extra scenes in credits but that’s a rant for later *-see below) during the closing titles. One is early and the other is a tag after the final credits have rolled. The prints shown to most (but apparently not all) press screenings contain two scenes that are different from those seen in the leaked copy. Not that those two bits have been scrapped, mind you – they still appear on half the prints. The other half of the prints have the tags from the press screening.

Confused yet? It gets better. There’s no way to tell which print you’re going to see. It’s like buying 100 boxes of that damn cereal to finally get Enterprise com badge from that new movie to with the 99 Klingon badges you’re giving away to people in the street. So this is how FOX is being a stern parent with us bad little kiddies who only live to give them cash – you were bad so now you have to keep paying us to make sure you completist fanboys (and girls) get to see everything.

Can I lead the congregation in a resounding “fuck you“?

Every indication is that Wolverine will follow in the steps of some of the most widely distributed peer to peer theatrical releases which have also made massive amounts of money at the box office. The Lord of the Rings films and the Star Wars prequels are perfect examples of films that don’t seem to have had their box office dented in any significant way by being traded over the internet. FOX apparently has a good film but instead of letting the film perform, they’ve decided to try this bait and switch tactic with viewers.

Listen, FOX, I get that you’re pissed off about the leak. Really, I do. It would piss me off too. But it happened and unlike some other films this has happened to, it has resulted in almost universally positive reactions. Making people just kind trust blind luck and drop more money to make sure they see what amounts to maybe two minutes of different footage at the end of 90 minutes of film? Not making yourselves any friends with your public, gang. There’s a reason theaters started posting which ending of the film Clue they were running – theatergoers were getting pissed off if they saw the same ending twice. The gimmick worked well enough for that film (God knows, that clusterfuck needed a gimmick) but it’s not going to work for you here.

Why, you ask?

Because within 24 hours the additional “Easter eggs” will be posted online for all to see. Frankly, if I’d slapped down somewhere in the neighborhood of $10 bucks to see a film and didn’t get to see all of it, I’d feel justified in downloading it.

You’ve got a little time left, FOX, to do the right thing. Come up with some kind of code or ticket or some goddamn thing for people who buy a ticket to the film so they can see all four of the tags online. It’s not perfect – if you intended to run 4 tags during the credits then you should run all four of them as far as I’m concerned. It’s at least something that doesn’t make it look like you’re trying to steal money from the very people who are actually spending the money to go to the theater. You aren’t penalizing the people who downloaded your film, you’re punishing the very people who stand to help you make some good money. That’s like sending the clerk at the convenience store to prison after he got robbed because you couldn’t catch the thief. Just relax, FOX, Wolverine is still going to make money.

Provided, of course, that Star Trek doesn’t kick your ass next week.

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* Okay, “Easter eggs”.
By definition, “Easter eggs” are something you have to hunt for, not something you sit on your ass and wait to be handed to you. If that were the case, they’d be called welfare checks. The whole point of an “Easter egg” is having to find it either hidden in the menus of a DVD or on a web site somewhere. An extra tag in the credits is not an “Easter egg”. Jackie Chan’s outtakes at the end of his films are not “Easter eggs”.

No, if FOX wants to take the four Wolverine tags and hide them on the film’s web site, that would be an “Easter egg”. Sorry, gang, I’ve just been seeing the studio and as a result the press throwing the term around all week and it has just bugged the shit out of me,

April 29, 2009

MewesCast 3: Come Get This Little Kid

Filed under: MewesCast — Tags: , , , , , , , , — UncaScroogeMcD @ 8:39 pm

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You know him as Jay, but now get to really know him as Jay. Jason Mewes brings you a podcast the likes of which you’ve never heard before. Excitement, adventure, enlightenment – All this and more as Jason (with additional noise by Matt Cohen) takes you on a weekly tour of all things Mewes. So tell your friends and warn your neighbors… Welcome to Mewescast – It’s a state of mind.

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MEWESCAST #3: Come Get This Little Kid  – In which Jason is joined by a plethora of surprise hosts and special guests, discusses “bird-swine” flu, and chows down on some taco salad. Just another night at MewesCast.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #3 (MP3 format) ““ 42.10 MB

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Greatest Movie Blog: REVIEW – STAR TREK Boldly Goes Where No Other STAR TREK Film Has Gone Before

Filed under: Reviews,The Greatest Movie Blog of All Time — Tags: , , — UncaScroogeMcD @ 7:57 pm

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There’s a commercial running for the new Star Trek film that says “This is not your father’s Star Trek.” And for a change there is truth in advertising.

This new Star Trek is a conversion to the summer blockbuster. Whereas most Star Trek films in the past were released around Thanksgiving, this one will play well on a hot day where you can hide away in an air-conditioned theater with a big bucket of popcorn and an ice-cold soda.

I enjoyed most of the previous Star Treks (particularly Star Trek II: The Wrath of Khan, the underrated Star Trek III: The Search for Spock and Star Trek: First Contact), but I’m not what one would consider a Trekkie. I’ve seen maybe one episode of the original series and a good portion of Star Trek: The Next Generation, but that’s about it. And I can say unequivocally that I enjoyed this Star Trek far beyond anything that’s come before it. This is the most fun Star Trek has ever been.

Everything about this film is given a fresh spin: the way starships jump to warp, the sound of the phasers, the way teleportation looks. And the thematic nature of this Star Trek is a departure for the previous ten films. While the series was about an intergalactic crew of explorers and the films were by and large Horatio Hornblower in space, this film is much more like Star Wars with grand themes of world destruction and epic destiny.

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The film is part origin story, part revenge story (perfect combination for a summer movie, right?). A Romulan named Nero (Eric Bana) travels back in time seeking revenge for something that happens in the future (I won’t spoil it). His ship, the Nurada, possesses the Death Star-like technology to destroy planets. It’s up to a brash young crew of Starfleet cadets to stop him (hint: they are onboard the Starship Enterprise).

Chris Pine’s James T. Kirk is perhaps the biggest departure from the original characters (the changes are plot driven,). The trailer points out that Kirk’s father was captain of a starship for 12 minutes and saved 800 lives (including Kirk’s). Trekkies, no doubt, will realize this is a deviation from canon because Kirk’s father originally lived to see Kirk become captain of the Enterprise. So Pine’s Kirk is brash, rebellious and reckless in addition to the qualities that Shatner’s Kirk had (charismatic, strong, smart leader, good with the ladies).

The rest of the cast is fairly in line with their original counterparts. Zachary Quinto does an admirable job as Spock, Karl Urban is a scene stealer as Dr. Leonard “Bones” McCoy, and Simon Pegg’s Montgomery Scott provides plenty of comic relief.

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The film is not without its flaws. I won’t get into many of them here as they would induce spoilers. The first half of the film covers a lot of time while the second half covers a very short period. Some of the humor is a bit over the top and simplistic (particularly Scotty’s alien sidekick). And for some reason the new Enterprise’s engineering looks like a brewery.

The major drawback is, I fear, that this film may alienate the core, devoted Trekkies. I won’t get into major spoilers but there are major changes in the Star Trek canon in this film. I hope Trekkies accept the changes because efforts to reboot the franchise through additional television series and Next Generation movies have by and large failed to cross over to mainstream audiences. I sincerely hope that Trekkie nation embraces this film and the ones that will surely follow. Change can be a good thing – and, in this case, a very good thing. Come on, Trekkies – Yes we can!

Brett Deacon joined the Twitter nation: @brettdeacon.

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