Tag: Hugh Hefner

  • Party Favors: Dan Aykroyd Is On A Mission From Vodka

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    JOLIET, IL – Dan Aykroyd is on a mission from vodka. The Blues Brother is cruising around the country in a Damnation Alley RV promoting his Crystal Skull premium vodka. He rolled into my town and I was compelled to see the man.

    He was appearing at a liquor store on a Tuesday at 1:30 p.m. What sort of crowd could he draw? I showed up at 1 p.m. with my four month old designated driver. There was already 400 people in line. Another 300 people end up behind us. Luckily Dan’s traveling partner announced that even though Dan was schedule to leave at 4:30, he’d be signing his bottles until the last person went home happy.

    Why not? Each bottle cost $50. I’ve been told that there’s only two types of vodka in the world: Good vodka and vodka that makes you go blind and piss blood. Premium vodka is merely paying extra for fancy packaging. Luckily Dan chose a packaging worth the extra bucks: a crystal skull. And the people in line were buying them up between 2 to 12 bottles each.

    From what I heard, the store sold 1,500 bottles during Dan’s visit. With around $75,000 in the register, this would have been the liquor store to knock off. This also explained about six cops keeping an eye on Dan and the till.

    Dan was a signing machine. The line moved fast although it still took three hours in 91 degrees heat to get to the front of the line. Our time with Dan was short. A person in front of me asked Dan about Ghostbusters III. He said things were looking good, but couldn’t say anything else. This was just after Kanye’s infamous interruption of MTV Music Video Awards. Dan had hosted the first ceremony.

    “No. That was real team back when I was doing it,” Aykroyd said. “The most exciting thing there was Madonna and her wedding dress.”

    Here’s a video tribute to the Schiller Reel about taking a baby to the liquor store to meet a comedy legend.

    BACK TO THE HOUSE

    Dennis Hof wrote to remind me that Cathouse: Sex, Guys and Videotape starts airing on HBO this Oct. 22 at 11 p.m. The ladies of the Bunny Ranch get their hands on the cameras to show their life. It’ll be on HBO OnDemand for those who can’t stay up late.

    Hof, the owner of the Bunny Ranch and star of HBO’s Cathouse reality series, also called up the Party Favors hotline for a chat about the latest installment in the series. So what gets exposed? Sadly, the end of a romance gets captured on tape. This and many subjects get discussed while Dennis is being driven to his hotel in Chicago. We also get the scoop about Dennis’ Subway dream.

    DOWNLOAD: (right click to save)
    Party Favors: Joe Corey Chats With Dennis Hof (MP3 format)

    [audio:http://www.smodcast.net/partyfavors/party_favors-dennis_hof.mp3]

    THE NEW GIRLS

    The new edition of The Girls Next Door ought to be just called Rebound Mansion. The twins are probably more interesting when they get violent. The third woman is so far as forgettable as a middle Duggar daughter. This is what Hef’s banging at the Mansion? Sure I speculated that things weren’t right with Holly, Bridget and Kendra after the first few seasons. Mostly because there wasn’t that decadent angle to the trio and Hef. Is there a bisexual angle to these new threesome? The twins do like to get next to each other and touch while naked. But they have yet to set their boundaries on camera. Do they mind threesomes with the “we’ll be in the bed together with you, but we won’t touch each other” rule? Or do they live in mortal fear of returning to the day jobs at that Hooter’s knock-off wing joint that they’ll do whatever Hef desires? And how come Hef hasn’t enticed these girls into getting implants? Mankini’s got bigger breasts.

    A SIMPLE REQUEST

    On competition shows that eliminate contestants over the course of the season, can producers please put an “X” through the contestants that had been eliminated before each episode.

    FACT OR FICTION

    My source at Entertainment Tonight sent me a few of their fact or fiction teasers that couldn’t make it onto the air.

    Fact or Fiction: Did The Big Bang Theory‘s Jim Parsons beat to death a TMZ cameraman with a bust of Sean Penn and bury the guy’s body behind Mel Tillis’ mansion? Since Mel hasn’t complained about a strange smell, Mary Hart’s calling it fiction.

    Fact or Fiction: Did Jay Leno buy Nic Cage’s comic book collection and give them away to the cast of Glee? That’s also Fiction.

    Fact or Fiction: Is Adam Lambert really straight and secretly married with two kids? Since he’s not denying our report, we’re going to just let it slide as a Fact.

    GET MY LIFE

    Now that Miley Cyrus is off Twitter, I guess I’ll spend the newly found free time drinking rubbing alcohol.

    BLU-RAY HEAVEN

    Transformers: Revenge of the Fallen Blu-ray gives the high def love to this summer’s mindless fun. The Decepticons return for a second round of mechanical thrashing with the Autobots. The Decepticons take Shia LaBeouf hostage as part of their plot. But mostly it’s about seeing how many ways they can get Megan Fox to bend over. She’s the 21st century Caroline Munro. Is it worth relaying the plot? It’s basically Rock’em Sock’em Robots with Megan Fox bending over. And that’s enough to make it worthy of Blu-ray visuals at my estate. There’s plenty of bonus features including spending a day with Michael Bay in Tokyo. There’s also a celebration of the 25 Years of Transformers. There’s easter eggs for those who hunt.

    G.I. Joe: The Rise of Cobra Blu-ray reminds me that anytime you can knock down the Eiffel Tower, I’ll watch. I’ll hit the rewind and slo-mo to watch that Paris landmark bite the dust. The 1080p detail of the crunch is a great way to show off your new TV. I don’t hate the French, but I can’t get enough of watching that Erector set tower go boom. When Cobra nails it with the metal eating spores, it’s a disasterpiece worthy of Irwin Allen. The film is a semi-throwback to the animated series. But I’m not sold on Channing Tatum. Luckily there’s Dennis Quaid giving us his paycheck scowl as the general. Sienna Miller finally has a worthy role as the Baroness. She can rule my world in that costume. But once she whines about Pittsburgh, she’s out of the bed. The movie is about as fluffy mindless as Transformers. They make a good double feature if you’re unable to get off the beanbag. The bonus features include an extensive Making Of doc and a piece on the FX crew. There’s also a digital copy so you could watch the Eiffel Tower collapse on your iPod while your on the top of the Eiffel Tower.

    It’s a Wonderful Life Blu-ray makes this holiday treat sparkle on the widescreen. They’ve included both the colorized and black & white versions on the disc. The colorized one reminds me of tinted postcards from the ’40s. This is almost as important to the holiday season as egg nog and a restraining order. Jimmy Stewart and Donna Reed sparkle in the 1080p image. You might fear falling into the water when the gym floor opens up. There’s also the documentary from the recent DVD release. Since the movie is no longer public domain, it’s nice to have the Blu-ray handy to run it any night during the holiday season.

    Forrest Gump: Sapphire Series Blu-ray brings the Oscar winner to Hi-Def. The film was revolutionary at the time as it used so much CGI for pumping up shots. They expanded crowds, inserted extra helicopters, removed legs and made JFK come alive. It showed that these new FXs could be used for more than making dinosaurs roam the Earth. Tom Hanks is the mentally challenged guy who wanders through every major historical moments. There’s bonus features on the second disc with “An Evening with Forrest Gump” as the highlight. Director Robert Zemeckis, Tom Hanks, Gary Sinise and screenwriter Eric Roth talk at USC about the movie and its impact. Ben Fong-Torres contributes pods about the music used in the soundtrack. He’s a real person and not merely a character in Almost Famous.

    THE DVD SHELF

    It’s Garry Shandling’s Show: The Complete Collection is the best TV DVD of the year. I had forgotten how great Garry’s original Showtime series was. The series dared to completely deconstruct the sitcom by making everything inside the soundstage part of the story. He didn’t want us to forget that this was an artificial world where he truly was the most powerful being. The audience in the studio’s fair game. They’re not just there to contribute a live laughtrack. During one scene, Garry leaves his apartment set and the crowd wanders out of the peanut gallery to party in Garry’s living room. During “Garry Throws a Surprise Party,” the audience’s shouting scares Garry’s mom into having a heart attack. “The Graduate” has Norman Fell help Garry recreate the Dustin Hoffman movie when he tangles with Mrs. Robertson. While Garry enjoys exposing that it’s all just a show, the scripts are still entertaining. “The Last Show” has Garry dying. Tony Danza gives the eulogy. But the network can’t let Garry die cause he owes them two more show. Tying this into the column, Dan Aykroyd plays off his straight role in “Driving Miss Garry.” The boxset has all 72 episodes spread over 16 DVDs. There’s tons of bonus features to let us know how Garry and Alan Zweibel got away with a series that would have been canned after three episodes on network TV. If you’re a fan of Larry Sanders and Seinfeld, It’s Garry Shandling’s Show: The Complete Series deserves a space on your DVD shelf. Shout! Factory has done a perfect job in presenting this underplayed series.

    Planes, Trains, and Automobiles: (Those Aren’t Pillows Edition) gives a deluxe edition to John Hughes’ last watchable directorial effort. This is fine viewing before Thanksgiving cooking begins. Steve Martin gets stuck on his way home to enjoy Thanksgiving with his family. His only hope is John Candy. Things get weird on this journey including the line “Those aren’t pillows.” The bonus features include Getting There is Half the Fun: The Story of Planes Trains and Automobiles, John Hughes for Adults, A Tribute to John Candy and Deleted Scene – “Airplane Food.” They must have finished this up before they could make a feature on Remembering John Hughes.

    White Christmas: Anniversary Edition is perfect for any time you need a little holiday tunes on the big set. Bing Crosby, Danny Kaye and Rosemary Clooney unleash the Irving Berlin songbook including the title song and “It’s Cold Outside.” This is the first Vistavision film and the details show even on DVD. The second disc has plenty of bonus features including “Backstage Stories from White Christmas,” “Rosemary’s Old Kentucky Home,” “Bing Crosby: Christmas Crooner” and a commentary track with Clooney. Truly a sweet holiday film about the things army buddies will do for each other.

    G.I. Joe Resolute brings together the episodes that aired on Adult Swim over the summer. This gets even more action-packed than the original cartoon while maintaining the same GI Joe team characters. The characters bleed when shot and they even die when shot enough. Snake Eyes and Storm Shadow throwdown in overdrive. The plot deals with Cobra Commander once more trying to take over the world. Naturally GI Joe has to stop him. Why does anyone want to take over the entire world? What’s the point in controlling Detroit?

    Mission: Impossible: The Seventh and Final TV Season wraps up the greatest espionage series. These would be the final times the message would self-destruct for Peter Graves, Greg Morris and Peter Lupus. The main cast change isn’t a complete replacement like in previous seasons. Barbara Anderson (Ironside) alternates episodes with Linda Day George as the female agent. Anderson’s a flipped mobster moll so she’s got history when they set up gangsters. The prime episode is “Cocaine.” William Shatner is a mobster smuggling the white powder into America via art. His connection is Gregory Sierra (Det. Chano on Barney Miller). Charles Napier (Squidbillies) gets an uncredited role. “Speed” gives another great supporting role from Claude Akins. The best part about this season is Greg Morris’s boss ’70s haircut. After these 22 episodes, there’s no more assignments for the original IMF.

    Hawaii Five-O: The Seventh Season is not even close to the final season. Jack Lord beat down bad guys around Honolulu for 12 seasons. Season 7 has Al Harrington vanish in the middle of the season. Because of a lack of real personality to his character, he’s not really missed. “The Young Assassins” has Larry Wilcox (CHiPs) as part of a killing crew. “We Hang Our Own” has Leslie Nielsen (Police Squad as a badass ranch owner. Wo Fat pops up for “Presenting…in the Center Ring…Murder.” He’s going to kill a Chinese official that’s accompanied by James Wong (Kung Fu Panda). “Hit Gun for Sale” has Sal Mineo (Rebel Without a Cause) as a mobster’s son ready to plant a flag in Hawaii. They’re supposedly remaking Hawaii Five-O so this might mean the release schedule might be sped up for the final five boxsets.

    Vega$: The First Season, Volume 1 brings us the action from middle school Vegas of 1978. Michael Mann (Heat and Miami Vice) wrote the pilot movie about a private detective in Sin City. Dan Tanna (Robert Urich) a major swinger living in a converted warehouse behind Circus Circus. “High Roller” has him hunting down the murderer of a runaway teen that turned to hooking. Can’t go wrong with a visit from Scatman Crothers (The Shining). Greg Morris (Mission: Impossible) is Tanna’s hook up on the Vegas police force. “Centerfold” brings Tony Curtis onto his team. The real treat is guest star moments from Abe Vigoda and Vic Tayback (Alice. “The Pageant” is a nightmare episode for fans of The Brady Bunch. Marcia Brady (Maureen McCormick) is raped while competing in a beauty contest. Mr. Brady (Robert Reed) hires Tanna to find her attacker. It wasn’t Sam the Butcher. Vega$ brings us a land of glitz, disco and polyester. Double down on this boxset.

    The Fugitive: Season Three, Volume One takes us beyond the halfway mark in the pursuit of Dr. Richard Kimble (David Janssen). “Wings of an Angel” puts Kimble inside a prison. He’s a patient in the hospital after capturing an escaped prisoner on a bus. Greg Morris is the prison orderly that knows his secret. Harold Gould (Rhoda) is the doctor. Star Trek fans will get to see James Doohan as a doctor in “Middle of the Heatwave.” DeForest Kelley appears in “Three Cheers for Little Boy Blue” along with Ed Asner and Richard Anderson (Six Million Dollar Man). William Shatner finally beams down for “Stranger in the Mirror.” Clint Howard burns in “Set Fire to a Straw Man.” Norman Fell (Mr. Roper) is investigating a cop killer in the town. Bruce Dern makes his fourth series appearance in “The Good Guys and the Bad Guys.” James Hong nails the “End of the Line.” These are 15 pressure filled episodes. The Fugitive: Season Three, Volume Two comes out on Dec. 8. This means 2010 should give us the colorful end when Kimble finds the One-Armed Man.

    Mannix: The Third Season brings 25 more cases from the files of America’s hard knocks detective. He solves case with his gut, the assistance of Peggy Fair (Gail Fisher) and police contact Robert Reed (Mr. Brady). There’s also Larry Linville (M*A*S*H‘s Frank Burns) as the prickly cop. “Return to Summer Grove” takes Mannix to his hometown to solve a case and patch things up with his dad. “Who Killed Me?” gives us Batgirl Yvonne Craig. Mannix has to help a rich guy uncover his potential killer. “Who Is Sylvia?” turns out to be Jessica Walter (Arrested Development). “Murder Revisited” has a murder in talkshow. Don DeFore (Hazel) doesn’t come off as a great TV father here. “War of Nerves” has a kidnapping turn into a potential nerve gas attack. Hugh Beaumont (Leave It to Beaver) is in the middle of this instant death. Best to watch Mannix with your favorite Scotch.

    Tales From the Darkside: The Second Season give more little chills and thrills from the George Romero (Night of the Living Dead) executive produced series. “The Impressionist” kicks off the season with Chuck McCann (Far Out Space Nuts in a starring role. He’s a nightclub performer brought in by the government to understand an alien. One of Chuck’s finest moments in TV. Little Seth Green pops up in “Monsters In My Room.” He’s got to convince his family that there really are creepy crawly things under his bed. Has this been spoofed on Robot Chicken? “The Trouble with Mary Jane” is two exorcists battling to get the demons out of a girl so they can collect $50K. Phyllis Diller and Lawrence Tierney (Reservoir Dogs) possess the episode.

    The Guardian: The First Season is where America first fell for the sly Simon Baker (The Mentalist). He’s a party hard lawyer who gets nailed on drug use. He’s stuck with the burden of 1,500 hours of community service. How is he going to do that and be a fat cat lawyer? It’s hard. He gets stuck doing pro bono work for kids that need legal help. He has to balance little kids with major corporate takeovers. Naturally working with the kids gives him a bit of a soul after 22 episodes this first season. The series lasted three seasons.

    Numb3rs: The Fifth Season gets us more FBI action with mathletic determination. Charlie (David Krumholtz) back his security clearance. He’s back to helping out his FBI agent brother Don (Rob Morrow) find the bad guys. Their dad Alan (Judd Hirsch) ends up coaching basketball. Charlie almost swaps jobs, but realizes that this is his place. Don discovers a knife is in his back. The incident screws up the delicate mind of Charlie. Agent Nikki Betencourt (Sophina Brown) joins the team. The big finale, “Angels and Devils” has Amita being snatched by a cult. They have to go save her before she is forced to marry the guy and thus block Charlie’s intentions. The 22 episodes are on 6 DVDs.

    The L Word: The Complete Final Season brings to the end Showtime’s semi-soap opera about a group of lesbians in Los Angeles. The eight episodes hinge on the investigation of who killed Jenny Schecter (Mia Kirshner). The whole season is a flashback as Lucy Lawless investigates. Xena is going to get to the bottom of this. Mia’s major storylines deal with her love for Shane (Katherine Moennig) and new book. She’s upset that her Les Girls movie was yanked away from her. Jennifer Beals and Laurel Holloman want another baby. This time through adoption. But it’s hard for them to find a willing pregnant woman. There’s also a tale of what happens when a couple’s new friend leads to those unexpected emotions. Its hard to enjoy the season knowing that sweet Mia Kirshner was going to end up dead. The show will be missed. Although mostly because of those great scenes when Mia got nasty with the ladies. Now how am I supposed to get my Pam Grier fix? A nice bonus feature is Jennifer Beals personal photos from the set.

    Lost Tapes is a series from Animal Planet that blends In Search of…. monster hunts with Blair Witch Project home video action. Supposedly the videotape presented in the show is from people who have had accidental encounters with cryptozoological creatures. This isn’t for hard edge reality documentary fans since it’s mostly fiction with a bit of archival footage to explain the unknown. It’s as real as The Hills. It’s ultimately a low-fi X-Files. “Chupacabra” has a family sneaking over the border get attacked by the goat sucking critter. “Big Foot” has us wondering if the park ranger is being stalked by the beast or a bear poacher who is also a peeping tom. They also explore The Mothman, Hellhounds and Megaconda. The two disc set contains the first season. Don’t watch this with the lights out after downing a bottle of tequila. You’ll fear the Chupacabra.

    Greg Giraldo: Midlife Vices lets the star of all the Comedy Central Roasts use 66 minutes to do more than riff on Andy Dick. Giraldo does take things to the blissful absurd. He ponders the irony of slipping in a handicap shower and becoming handicapped. He’s an ex-lawyer and his routine sounds like the most amazing closing statement as he summarizes his life. He gets manic while impersonating the airline steward passing out the snacks. He gets nasty about people who declare “my dog is like my kid.” He asks, “How many people have a dog cause they were too drunk to pull out?” There’s plenty of moments to quote on the back of the school bus. The true excitement is when Giraldo catches an audience member sleeping. The bonus features include his pilot for “Adult Content” and an earlier special.

    Nick Swardson: Seriously, Who Farted? gives us an hour with the Dane Cook of his generation. You might know Nick as Terry, the gay rollerskating misfit on Reno 911. He’s also part of Adam Sandler’s crew. He wrote Grandma’s Boy. He gives a nice warning about testing the power of pot brownies. But he stops short of really taking it to the next level. He doesn’t take his routines to the point of no turning back. He’s like a drunk guy has to continually pump the keg and constantly blather. If you loved Grandma’s Boy, you’ll adore his tale of sucking face with Shirley Jones. The bonus features includes Terry’s Christmas album. There’s a trailer for 28 Drinks Later about boozing zombies. The funniest thing on the disc is “Nick Swardson: Timeless Comic.” The fake biography does go for the kill in a few places.

    Legend of the Seeker: The Complete First Season is a fantasy series about how a lowly woodsman (Craig Horner) rises up to battle the evil Darken Rahl (Craig Parker). There’s going to be terrifying consequences if he falls short. His main help is a wizard (Bruce Spence) and a Confessor (Bridget Regan). It’s based on novelist Terry Goodkind’s Sword of Truth. The series is produced by Sam Raimi and Robert Tapert. They’re the guys who brought us Hercules and Xena back in the ’90s. The show has the same vibe and a few of the same New Zealand locations. All 22 episodes are on 5 DVDs. The bonus features includes Goodkind discussing the adaptation. It’s very rare that a novelist isn’t horrified at what Hollywood has done to their series.

    Chop Socky Chooks: Volume One enters the kung fu chickens. That’s right, animated martial arts fighting fowl. The Aardman studio creation is vibrant. Chook is Oceanic slang for chicken so don’t get your feathers ruffled. There’s a lot of espionage with the leading agents battling Dr. Wasabi’s evil empire. Who hasn’t realized the dastardly nature of wasabi? They get to use their wicked moves and numerous 007-esque gadgets. The boxset contains the first 13 episodes that aired on the Cartoon Network.

    Little Spirit: Christmas in New York brings a dose of animated Danny DeVito for the holiday season. Danny voices a New York City cabbie who narrates the tale. A family moves to Manhattan and quickly lose their pet dog. During the hunt, the son finds a new little pet called Little Spirit. Together they take in the fun of the holidays in the Big Apple. It’s a kiddie cute entertainment. The bonus features include a making of special and an interview with Danny DeVito. Plus a music video from Duncan Sheik. Nice to see he’s still around and not living off his condom empire cash. The special is only 44 minutes so it doesn’t go on too long. Fans of NBC news will be delighted by Brian Williams giving the voiceover performance of his career as Rock Granite.

    The Killing Room recreates a government psychological project codenamed MK-ULTRA. This has to be an evil scientific experiment since Peter Stormare (Fargo) is in charge. He’s assisted by Chloe Sevigny (Big Love) as they gather a group of people to fill out a long series of questions. Included in the guinea pigs is Timothy Hutton, Clea DuVall (Carnivale) and Nick Cannon (Mr. Mariah Carey). The test begins with Stomare shooting and the test group locked in the room. It’s like SAT Saw. This is almost a Peter Watkins film. Expect Glenn Beck to claim this film is a documentary. A rather queasy fright film for people who already have a test taking phobia.

    The Tournament gives Robert Carlyle (Trainspotting) a chance to go insane with weapons. That’s always a cinematic treat. In this case he’s part of a last man standing tournament involving the top 30 assassins working in the world. Every seven years a group of billionaires host this fatal knock out match. The defending champ is Ving Rhames (Pulp Fiction). The wild card is Kelly Hu (Nash Bridges). There’s tons of blood and bullets in this free for all of top flight carnage. Having Carlyle and Rhames face off is a treat that requires a large TV screen to capture their mayhem. I couldn’t help, but think how this bookends with Kelly Hu’s recent hosting of Top Chef Masters. Except in this case it’s Top Murderers Masters.

    REALITY MOMENT

  • Trailer Park: Trevor Moore, Zach Cregger and 2007’s Playboy Playmate of the Year, Sara Jean Underwood for MISS MARCH

    By Christopher Stipp

    The Archives, Right Here

    I’m awesome. I wrote a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

    And now, you can follow me on Twitter. Find me here, my oh so original name on the thing is Stipp so come on and follow my stray ramblings. From standing in a pool of toilet water to talking about nothing of great importance you can ensure that I send out quality.

    Before we get started with the interview I thought I would begin with giving away some free stuff.

    In support of this week’s release of Universal’s ROLE MODELS on DVD I have five copies to send to anyone living and who can write me an e-mail to Christopher_Stipp@yahoo.com. One entry per e-mail address (some of you really get into this and while I appreciate your enthusiasm I cannot let you think this is Publisher’s Clearing House so keep it to one) and, just to make things interesting, I have a first runner-up prize for a handful of hopefuls: an official ROLE MODELS bottle opener w/ custom blue LED flashlight built into it. What better way to show you can open a beer bottle and then navigate your way through a darkened beer garden than with this nifty piece of electronica.

    Good luck…

    Official Synposis:
    Paul Rudd and Seann William Scott star in Role Models as Danny and Wheeler, two salesmen who trash a company truck on an energy drink-fueled bender. Upon their arrest, the court gives them a choice: do hard time or spend 150 service hours with a mentorship program. After one day with the kids, however, jail doesn’t look half bad. Surrounded by annoying do-gooders, Danny struggles with his every neurotic impulse to guide Augie (Christopher Mintz-Plasse) through the trials of becoming a man. Unfortunately, the guy just dumped by his girlfriend (Elizabeth Banks) has only sarcasm to offer a bashful 16-year-old obsessed with medieval role play. Meanwhile, charming Wheeler tries to trade in an addiction to partying and women to assist a fifth-grader named Ronnie (Bobb’e J. Thompson) redirect his foul-mouthed ways. It would probably help if Ronnie’s new mentor wasn’t an overgrown adolescent whose idea of quality time includes keggers in Venice Beach. Once the center’s ex-con director (Jane Lynch) gives them an ultimatum, Danny and Wheeler are forced to tailor their brand of immature wisdom to their charges. And if they can just make it through probation without getting thrown in jail, the world’s worst role models will prove that, sometimes, it takes a village idiot to raise a child.
    ———————

    MISS MARCH INTERVIEW

    These three were a delight.

    One of the problems with seeing a movie before interviewing those who were in it is that sometimes, once in a great while, the film doesn’t live up to what either you or I would consider, in this case, a breakthrough of comedic proportions. That’s not to say the film doesn’t have its moments. However, I thought it best to stick to questions about Zach Cregger and Trevor Moore’s (WHITEST KIDS U’KNOW) triple threat of writing, directing and acting in their first feature film.

    They proved to be affable and quite open about the process of making the movie and when the interview starts with Zach giving Playboy Playmate Sara Jean Underwood shit for texting during a previous interview it was a good enough entry point for me.

    MISS MARCH opens everywhere today, March 13th.

    SARA JEAN UNDERWOOD: He called me out and said I was rude at one point, so…

    CHRISTOPHER STIPP: Really? Why did he say you were rude?

    ZACH CREGGER: Would you be offended if someone was texting while you were interviewing?

    CS: Well, it would make me feel bad on the inside.

    (Laughs)

    CS: I would never say it but…

    UNDERWOOD: So unprofessional! Thank you for calling me out. I will never do it again.

    CS: Texting when someone is interviewing you. That’s hardcore.

    (Laughs)

    UNDERWOOD: I was trying to be sure they had a booth tonight at the club. I was working.

    [I intentionally turn away from Sara]

    CS: So what I’m going to do is focus on this part of the table to avoid…

    CREGGER: Aaaand….I’m going to text.

    (Laughs)

    CS: So, where did this come from? Did the two of you go into a room and say, “Let’s make a movie”?

    CREGGER: Well, originally, somebody wrote the script for Trevor and I and gave it to Fox and Fox brought it to us and said, “Would you like to re-write this movie and direct it?So we read the script and were not wild about doing a road trip/sex comedy. Just not our sort of thing. So we were really hesitant, but then we thought about it a lot and decided that we could turn it into a challenge ““ a writing challenge ““ and say, “OK, can we take this model that has been done and try and put our stamp on it, push it as far as we can and make it something that we would enjoy and hopefully that others who enjoy our show would enjoy as well.”

    That was our motivation for accepting.

    And so we threw out the script they gave us, the only similarities, every character is different except for Hefner.

    TREVOR MOORE: Hefner wasn’t even in the original script

    CS: Really? A movie abut a girl who becomes a Playboy Playmate doesn’t have Hef in it?

    CREGGER: He wasn’t, you’re right. Originally, they get stuck in a ravine outside the mansion and they have to get rescued by…

    MOORE: I honestly never made it past more than 25 pages of the original script.

    (Laughs)

    CREGGER: I did but out of pure morbid curiosity.

    UNDERWOOD: I feel bad for the guy who wrote it.

    CREGGER: He’s a great guy.

    MOORE: We know him and actually it should be said that we don’t think that it was his intention ““ we think it was his intention just to get us to re-write it. He was basically saying, “I think this is a good idea. Here’s a script. You guys take it and do whatever you want with it.”
    I think the big thing that was kind of the idea that made us think that maybe we could make this something that would be worthwhile for us to do, was the idea of instead of having both characters being obsessed with getting laid ““ which is in every road trip sex comedy, we thought we’d have it just be about putting sex on a pedestal and having an unhealthy viewpoint on sex. So it happens on both ends of the spectrum. The Eugene character is terrified of sex and he is put up as this thing that it starts to hurt his relationship with his girlfriend. Then he begins to hold past partners against her. Then on the other side of that coin, we have the Tucker character who has a good girl, a girl that is probably right for him but he can’t accept that because he doesn’t think he’s lived enough yet, or doesn’t have enough notches in his belt. So, it’s really about these two, completely opposite, but also, completely wrong viewpoints on sex and finding a middle ground in the middle of probably where they both should be.

    CS: When you went to do it, and [looking over to Sara] I’ll pull you into this one because I can see you are not texting right now…

    (Laughs)

    UNDERWOOD: You have my undivided attention.

    CS: There are moments in the film where there is a lot of, for lack of a better word, gags. You shit the floor, Craig Robinson’s nuts…

    MOORE: Lack of nuts.

    CS: Yes, lack of nuts and all that. How did you block with Sara and say, “This is kind of the idea of what we want to do, comedically, but we want to make it funny and not go over the top.Coming from a comedy background in sketch comedy, where do you know where that line is between what’s really funny or what someone would look at and say, “They are just being obnoxious at this point”?

    MOORE: You just have to go with your gut. It’s kind of like a fingerprint. Everybody’s personal style ““ it’s just something that is your sensibility. Where you think the line is or how you would tell that joke and hopefully enough people are on that same page that you are. There are some people who would go like that joke could go even more low brow or some people ““ like the way we did it was too low brow.

    CREGGER: Our rule is that if it makes us laugh out loud while we’re writing then it probably will go in.

    CS: And during the process of writing, getting Craig Robinson, getting Hugh Hefner in the picture, how hard was that coming from a couple guys that have a sketch show and will you be in our movie? How hard was that to get everyone on board?

    CREGGER: Craig just auditioned.

    MOORE: It was his first audition after Knocked Up. He came in and auditioned. It was one of those things where we had a couple options of people, different comedians who had come in and done well and would have been fun but then Craig just came in and right off the bat basically was the character you see in the movie. Just got the character, was him from the very beginning. The art direction for Craig would be like, “Remember what you said back there, use that, do that again.” It was very little direction for him because he really got the character. As soon as he left and shut the door, it was like, “Call his agent, call his agent.” We knew right off that bat that he was the guy.

    CS: How did you know she was right?

    MOORE: We did the movie without Playboy’s involvement originally. We had Robert Wagner playing Hefner. We shot it because when you are dealing with a company as iconic as Playboy you don’t know how seriously they are going to take their image and don’t know who much they are going to micro-manage the script. That was our paranoia. So we were like, “Let’s just do it without Playboy being involved.Then, when we screened it, the movie tested well all the way through except when Hefner would come out and then there was just a disconnect. Even though Robert Wagner did an awesome job they were just thinking, “Why didn’t they get Hugh Hefner? That’s weird.”

    CREGGER: Especially with the TV show now and Hef’s more in the limelight now than in the last 10 years.

    MOORE: Yeah, so you can just see in the eyes that, that’s not happening. So we knew it was a problem and knew we had to see if Hefner would actually do it. We showed him the movie and we were really lucky that he liked it, wanted to be in it, and didn’t want to change anything. Our fears were for naught. He was totally down to do it the way we had written it. Then he sent us some reels of some Playboy Playmates and we saw some footage that Sara had done and there was something that was just very likable and sweet about Sara.

    CS: There was. Sara is very sweet on camera. Very demure. Not that I’ve met any other playmates but the kind of vibe that they put out is that they are beautiful and have a certain air but with Sara it was very natural…and kind of like the girl next door for lack of a better word.

    MOORE: It was an instant likability ““ I don’t want to say anything bad about other playmates, but there is more of an instant likability than other playmates. That’s really good for doing this movie and the point of the movie in some way in that the Cindy character is not a bad person because she’s in Playboy so meeting another playmate like that just reinforces.

    CS: And that part, the moment in the movie when Hugh talks about the ugly girl next door, how many takes did that take because it looked, for a comedy, it looked very natural for him. I can see that if he delivered that it could seem kind of stilted, or awkward but it seemed very natural, very easy.

    CREGGER: Not that many. I think maybe three or four. He was just really eager to cooperate. If he did a take and you wanted him to do it different, he was fine. You never know what you’re going to get when dealing with someone like that. He used to be so powerful. No incentive for him to be in this movie other than really wanting to help us out. He just came out of I’m going to help these guys and make it as good as possible. He was enthusiastic which is why he came across that way.

    MOORE: What we didn’t know until yesterday, Sara said the day before he was studying his lines and taking it very seriously and trying to get it down. It was really kind of impressive.

    UNDERWOOD: He said it was the most lines he’s had in a movie. He said he’s done cameos. But he had a lot of lines in that and he was really nervous about it.

    MOORE: I think that was amazing that this guy has other stuff to do. This is not a make or break to his career.

    CS: I’m shocked. The last time I saw him was probably in Beverly Hills Cops II. That’s the last time I saw him on screen.

    CREGGER: He was in House Bunny.

    CS: Didn’t see it. I’m sorry. Last movie that was aimed at the ladies I did see was HE’S JUST NOT THAT INTO YOU.

    UNDERWOOD: Was that good?

    CS: It was pretty awful.

    CREGGER: But they had so many stars in it.

    (Laughs)

    CS: You would think! Obnoxious. You two both have co-directing credits on this. How was the relationship? Anything along the lines of “I don’t know about this”, “I don’t agree with that?” Or was that not an issue?

    MOORE: We wrote it together so by the time that you are shooting, we already voiced the characters while we were writing it. Kind of like acting it out as we were writing it. So, there’s not a whole lot left up to discussion by the time we are on the set, except for angles and camera equipment and stuff like that. So the beginning of each day we just walk though and set that up and it was pretty good.

    CS: Seeing the film ““ the finished product ““ you are used to doing half hours at a time, how was it now looking at the finished product and seeing what you have on screen? Did you get everything you wanted to get or did you say, oh, I wish I would have gotten something different here?

    CREGGER: I can’t help but think that. That’s just how it happens when you do this. When I watch it I see every little thing I wish I could change. Not that I don’t like the movie, it’s just when you slave over something…I wish I could have another tweeking. Just the nature of the beast. Got to let the baby go. But there are also things that work very well. In a couple of years I’ll be able to watch it without any of that stuff.

    CS: How do you feel about the filmmaking process itself when you compare it to your television work?

    MOORE: There’s pros and cons to it. I think by nature I enjoy television a little more because of the immediacy of it. I love writing and I love writing something, shooting it and throwing it out there. Immediate audience feedback on it. But this you have to do something for two years. I do like doing movies but to direct something again it would have to be something I really, really cared about and thought that I need to direct this or else it won’t have the right tone. I think the next thing I would want to direct is a wise kids movie because I don’t think that is something you could turn over to just another director. We would have to direct that. But, I’m interested in just writing stuff and not directing it unless it’s a pet project.

    CS: Sara, as a bonus for you not texting the whole time, I’ll give you the final question real fast. Your experience on the film, what did you take away from working with these two?

    UNDERWOOD: They make fun of me every time I say it like I’m brown nosing, but it was exciting to be in it. They wrote it, directed it and stared in it and they are really talented and I think they are upcoming stars and I think that it’s cool to be a part of their first movie. They have some much more cool stuff ahead of them.