Tag: Derren Brown

  • Weekend Shopping Guide 11/16/12: Ottoman Empire

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    While it looked as lush and lavish as we’ve come to expect from Pixar, the trailers for Brave (Walt Disney, Rated PG, 3D Blu-Ray-$49.99 SRP) didn’t leave me with a great desire to actually see the film, or any real idea of what exactly it was about. Having finally seen it, though, the film itself was done a disservice by its marketing, because it’s an absolute gem of a story in both conception and execution, focusing on the all-too-rare relationship between a daughter and her mother – in this case the headstrong Princess Merida who chafes against the expectations of her courtly mother, Queen Elinor, who disapproves of her daughter’s tomboyish demeanor. Everything comes to a head when Merida finds out about her upcoming nuptials – a long-standing social convention that is a foregone conclusion leaving her at the mercy of whichever pre-selected suitor from three clans should succeed at a challenge of her choosing. And… well.. no spoilers. Just see it. Bonus materials include the new Pixar short “La Luna”, audio commentary, featurettes, extended scenes, an alternate opening, galleries, and more.

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    Ever had a piece of electronic equipment go wonky on you, needing only a quick bit of solder to fix it right up? Well, now you can snag a quick all-in-one Solder Tool Kit ($15.99) from Thinkgeek, containing a 25w soldering iron with stand, long nose pliers, wire strippers, side cutters, and a sponge for tip cleaning. No solder, though, as that would make shipping difficult, but you can easily pick that up locally.

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    Complementary to Brave, also making its debut is the 2nd Pixar Short Films Collection (Walt Disney, Not Rated, Blu-Ray-$39.99 SRP), which brings together 12 shorts, from Ratatouille‘s “Your Friend The Rat” to Brave‘s “La Luna”, plus audio commentaries and student short films from Pixar luminaries.

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    Already long-available as a spectacular, feature-laden special edition DVD set, never did I imagine that the great Dick Van Dyke Show (Image, Not Rated, Blu-Ray-$349.98 SRP) would make its way to high definition. But considering the show was show on film, the results are truly stunning. If that weren’t enough, not only does the set port over all of the previous bonus features, but also adds the TV Academy tribute to Carl Reiner, a 50th anniversary Q&A, a color test for the legendary “It May Look Like A Walnut”, cast appearances on The Danny Thomas Show, a “Kick The Habit” radio spot with Dick Van Dyke, and a safety council reel. Get this set immediately.

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    It’s the third complete collection of Father Ted (Channel 4, Not Rated, DVD-£29.99 SRP) we’ve gotten, but 3 time’s the charm as this set supplements the bonus features available in previous sets with a brand new retrospective documentary and newly-recorded audio commentaries with both Graham Linehan and Arthur Matthews (the previous set feature the duo only on the 3rd series, leaving Graham to go solo on Series 1 & 2). So yes, this is the one to get. Again.

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    Peter Serafinowicz is brilliant. He just is. If you’re following him on Twitter (you should be), you know that Peter will periodically go on joke runs based on prompts from his followers, coming back with compact, economical jokes that are sublime. A Billion Jokes! (Volume One) (Boxtree, £12.99 SRP) brings many of those together into the perfect gift for that special someone in your life. Who likes to laugh. If they don’t like to laugh, THIS WILL CHANGE THEIR LIFE.

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    One of my absolute favorite Carl Barks Donald Duck stories also happens to be a holiday tale, and it forms the centerpiece of the latest collection from the fine folks at Fantagraphics Books. Donald Duck: A Christmas For Shacktown (Fantagraphics, $28.99 SRP) is a beauty, as are the other handful of tales included, along with some wonderful essays and informational articles.

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    And since you’ve picked up the Donald collection, make sure you pick up the equally as lovingly presented 4th volume of Floyd Gottfredson’s run on the Mickey Mouse newspaper strip, House Of The Seven Haunts (Fantagraphics, $29.99 SRP). Alongside the Peanuts collection, these books reinforce the assessment that no one is doing archival comic collections as well as Fantagraphics.

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    Considering how much air there is between the two halves of the season again, it makes sense that the BBC would throw fans a bone by releasing Doctor Who: Season 7 Part 1 (BBC, Not Rated, Blu-Ray-$29.98 SRP) , collecting first 5 episodes – “Asylum Of The Daleks”, “Dinosaurs On A Spaceship”, “A Town Called Mercy”, “The Power Of Three”, & “The Angels Take Manhattan” – plus the “Pond Life” shorts, a pair of episode prequels, a Comic-Con featurette, and the “Science Of Doctor Who” special.

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    We’ve had Bridge On The River Kwai and Dr. Zhivago for years, but the David Lean film most have desired to see in full high definition glory in their home theater was the epic of epics, and finally – FINALLY – Lawrence Of Arabia (Sony, Rated PG, Blu-Ray-$26.99 SRP) has arrived. And the wait was worth it, because the restoration work done on the film is simply remarkable, blowing away the already lovely DVD of yore. The 2-disc set also includes a making-of documentary, retrospective featurettes, interviews with Peter O’Toole and Steven Spielberg, newsreel footage, theatrical trailers, and more. I shouldn’t have to convince you – so go get it.

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    He’s known for writing some of the finest, densest songs ever to be sung on stage, and one of his most challenging efforts gets a marvelous star-studded go that was thankfully documented with Stephen Sondheim’s Company (Image, Not Rated, Blu-Ray-$29.98 SRP). You can’t go wrong with a cast that includes the likes of Neil Patrick Harris, Stephen Colbert, Jon Cryer, and Patti Lupone.

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    I didn’t know what to expect from Fresh Meat (Channel 4, Not Rated, £14.99 SRP), and only knew that it was created by Jesse Armstrong & Sam Bain, the team behind the brilliant Peep Show, and that it featured a group of university housemates. Would it be a sitcom? A drama? A farce? Thankfully, it’s its own thing – a blend of comedy and drama, with a nuanced ensemble. Just brilliant. Bonus materials include deleted scenes, a behind-the-scenes tour, and outtakes.

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    One of the nicest holiday surprises was the addition of a new set of characters and specials to the seasonal viewing rotation in the form of a pair of elves who are part of the team that makes people’s homes ready for Santa’s arrival. Now you can get all of the specials in one place – and high definition! – via the Prep & Landing: Totally Tinsel Collection (Walt Disney, Not Rated, Blu-Ray-$20.00 SRP), which also sports bonus featurettes and more.

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    Seeing as how we’re so close to all of the extant stories being available on DVD, it’s no surprise that the BBC has been going back and revisiting some of their earlier releases and improving the presentation and adding bonus materials. The latest special edition is Doctor Who: The Claws Of Axos (BBC, Not Rated, DVD-$34.98 SRP), wherein Jon Pertwee’s 2nd Doctor tries to uncover the too-good-to-be-true secret of the Axons. Bonus materials include an audio commentary, featurettes, continuities, and more.

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    Derren Brown is brilliant. And scary. Scary, and brilliant. And the idea that Derren Brown might try out his mental act on you? Terrifying. So, thankfully, I can enjoy being a non-participant in Derren Brown: The Experiments (Channel 4, Not Rated, £13.99 SRP), a collection of four trials devised by Brown, one of which even creates an assassin. Just watch it. Bonus materials include additional footage and audio commentaries.

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    A quartet of frustrated suburban schmos who just happen to be the local neighborhood watch uncover an alien plot to destroy the earth in The Watch (Fox, Not Rated Blu-Ray-$39.99 SRP), which could have been a truly memorable sci-fi-comedy mash-up if it didn’t keep misfiring. Even the cast – including Ben Stiller, Vince Vaughn, and Jonah Hill – never quite click. The one saving grace, though, is the brilliant Richard Ayoade, who steals every scene. Bon us materials include featurettes, deleted scenes, alternate takes, and a gag reel.

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    It’s a softball of a film, but Nia Vardalos’s little film that could My Big Fat Greek Wedding (HBO, Rated PG, Blu-Ray-$19.98 SRP) is still an amiable comedy, now making its high definition debut in a 10th anniversary special edition featuring an audio commentary, deleted scenes, and a brand new retrospective featurette.

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    Amy Heckerling reunites with her Clueless star Alicia Silverstone in the genre-bending Vamps (Anchor Bay, Rated PG-13, Blu-Ray-$24.99 SRP), which finds Silverstone paired up with Krysten Ritter as a pair of time-shifted vampires still playing the club scene after decades of eternal youth, who both hit a snag that make them reconsider eternity in the face of love.

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    A few years back, Hot Toys released a 12″ version of Iron Man in his original cobbled-together Mark I armor. The detailing of the suit itself was incredibly detailed and screen accurate. The Tony Stark head under the mask, though, left a little to be desired. Well, Hot Toys has decided to revisit it with Iron Man Mark I 2.0 ($219.99), which manages to plus the already-stunning suit while also presenting an accurate Tony Stark sculpt up to Hot Toys well-established high standards. Add the light-up features and a themed base, and you’ve got a pretty good reason to run over to Sideshow and snap one of these up as quick as you can, because this is definitive.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Weekend Shopping Guide 11/5/10: A Toy’s Life

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    It’s a terribly bleak meditation on aging and not terribly suitable for kids who aren’t in the middle of an existential crisis, which may be an odd assessment to some considering I’m talking about Toy Story 3 (Walt Disney, Rated G, Blu-Ray-$45.99 SRP), but I stand by my statement. It really is bleak… almost Bergman-esque. Thankfully, the Blu-Ray set returns to the good ol’ days of Pixar special editions, and is positively loaded with bonus materials, including commentaries, featurettes, roundtables, production art, and much more. The Blu-Ray edition also comes with both a standard DVD and digital copy.

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    There’s something oh so juvenile but oh so fun about having Rear View Spy Glasses ($12.99). Sure, looking off to either mirrored side doesn’t give that much a of a glimpse of what’s behind you, but it’s enough for the 10-year-old part of your brain to go “Cool.”

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    The 25th anniversaries are coming fast and furious, as hot on the heels of Back To The Future comes The Goonies: 25th Anniversary Collector’s Edition (Warner Bros., Rated PG, Blu-Ray-$49.99 SRP). The movie looks mid-80’s beautiful in high definition, but I admit that the bonus features – carried over from the DVD edition (video commentary, deleted scenes, Cyndi Lauper video, and original making-of featurette) – are not as impressive as one would hope, as a new documentary would have been nice. However, the pack-ins included in the set are quite nice, including a miniature reproduction of the original 1985 souvenir magazine, a reprint of Empire‘s “Where Are They Now?” article, storyboard cards, and a board game (which, admittedly, I will never play).

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    A few years ago, mentalist/sorcerer supreme Derren Brown released a book that provided tantalizing glimpses into his life but largely served as a sort of overview to the methodology behind his magic. Now, however, he’s returned with a proper autobiography, Confessions Of A Conjuror (Channel 4, £18.99 SRP), which provides insight and wit about his greatest trick of all. While you’re at it, be sure to pick up the Unabridged Audiobook (Channel 4, £16.99 SRP), read by the author.

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    A few years back, when the Alien Anthology box set (Fox, Rated R, Blu-Ray-$139.99 SRP) arrived on standard DVD, it was a definitive, bonus-laden collection of a film series that only contains 2 good films. That assessment still stands for the set’s upgrade to high definition, though all 4 films look and sound significantly better, and the already copious amount of bonus materials has been augmented even further. For the price, it’s still a remarkably good deal for everything you’re getting.

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    It’s not nearly as enjoyable or as cohesive as Band Of Brothers, but there’s still plenty of fascinating history – and accompanying visuals – to be had in its follow-up mini-series, The Pacific (HBO, Not Rated, Blu-Ray-$99.98 SRP). The 6-disc set contains all 10 parts, plus a making-of featurette, a historical documentary, real life portraits of the Marines involved, and a Blu-Ray exclusive in-picture enhanced viewing option.

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    It’s a growing trend to create books packed with reproductions of ephemera, and you can add the Harry Potter film franchise to that list with the release of Harry Potter Film Wizardry (Collins Design, $39.99 SRP), which provides an overview of the tremendous amount of design work that went into the costuming, sets, props, and effects contained in the series, and includes reproductions of some of those props (like a Marauders Map, Yule Ball Ticket, and more). A perfect gift for the Potter fan on your list, alongside those Blu-Ray box sets.

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    I’ve made it this far in my life without ever having seen The Sound Of Music (Fox, Rated G, Blu-Ray-$34.99 SRP) all the way through. I’ve seen bits and pieces over the years, and know all of the necessary pop culture trivia about it, but never actually sat down to watch it. Well, now I have, and it’s certainly a musical of the period, both overlong and ornate, with about a quarter of the songs being truly worthwhile. What sets this apart, and benefits greatly in the restoration done for Blu-Ray, is the direction by the legendary Robert Wise, who makes the most of the Bavarian locations. Bonus materials include audio commentaries, documentaries, featurettes, screen tests, interviews, photo galleries, and more.

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    Just in time for the holidays – and hot on the heels of his stage comeback – you can pick up the complete 5-season run of Pee Wee’s Playhouse (Image, Not Rated, DVD-$39.98 SRP) in one handy set, complete with the Pee Wee’s Playhouse Christmas Special. Sadly, there’s no bonus material, but don’t let that stop you.

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    It’s a big ol’ festive mess of a film, but I have a special place in my heart for Santa Claus: The Movie (Lionsgate, Rated PG, Blu-Ray-$19.99 SRP), if only for its cast – including Dudley Moore, Burgess Meredith, John Lithgow, and The Big Lebowski himself, David Huddleston, as Santa Claus. It’s also got a sleigh-full of 80’s excess, but really – that’s what makes it such campy fun. Bonus materials include an audio commentary and a making-of featurette.

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    Join photographer Murray Fredericks as he travels into the remote, dangerous, formidable, and breathtakingly beautiful Lake Eyre, a massive salt lake in the north corner of South Australia. The documentary, Salt (PBS, Not Rated, Blu-Ray-$19.99 SRP), captures his annual solo pilgrimage, and his fight against the elements for art. The bonus feature is a directors interview.

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    It’s clearly Robert Rodriguez’s attempt to make the same impact on the Predator franchise that James Cameron made with Aliens, but Rodriguez’s Predators (Fox, Rated R, Blu-Ray-$39.99 SRP) has none of the flair or genuinely creepy bravado found in Cameron’s far superior sequel, but it does have plenty of Adrian Brody. Plenty. Bonus materials include an audio commentary, featurettes, and deleted/extended scenes.

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    My unwavering love for Star Wars has wavered quite a bit since George Lucas slapped us with the prequels, but occasionally something comes along that reignites that enthusiasm, if only for a brief time. One of those flares came when flipping through Millennium Falcon: A 3-D Owner’s Guide (Scholastic, $21.99 SRP), which provides a layered series of overlapping cutaways giving you a slice-by-slice view and explanation of the inner workings of that famous starship.

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    There may be only one Highlander, but they made the unfortunate decision to follow up the decent fantasy flick Highlander with the laughably bad Highlander 2 (Lionsgate, Rated R, Blu-Ray-$19.99 SRP each), which put a nice little dent in Sean Connery’s reputation, cementing the idea that it was the paycheck that mattered. Both films are now available in high definition, and make a half-good double feature. Bonus materials include audio commentary, featurettes, deleted scenes, and more.

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    A sci-fi schlock classic makes its DVD debut as The Green Slime (Warner Bros., Rated G, DVD-$24.95) arrives courtesy of the Warner Archive Collection. If you ever wanted to see a little bit of jelly take over a space station with a bunch of erratic tentacles, this is the film for you.

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    It’s not spaceflight or Everest, but using IMAX to shoot and present the works of Vincent van Gogh’s paintings is certainly a unique, and interesting, use of the format, as shown in Van Gogh: Brush With Genius (Image, Not Rated, Blu-Ray-$24.98 SRP). It’s still not quite the same as being in the presence of the works in question, but it’s certainly the next best thing.

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    When he’s not busy giving directions to a god of thunder, Kenneth Branagh has been starring as Inspector Kurt Wallander in the BBC’s latest mystery series Wallander (BBC, Not Rated, Blu-Ray-$39.98 SRP), set in Sweden. The 2-disc set contains 3 feature-length episodes, plus a pair of featurettes.

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    If you want to look at a dull, lifeless reimagining, look no further than the awkward tedium that is V: The Complete First Season (Warner Bros., Not Rated, Blu-Ray-$49.99 SRP), in which the tale of a conquering alien race coming to Earth in the guise of friendship is turned into 12 episodes of meandering pabulum. Bonus features include an audio commentary, featurettes, and deleted scenes.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Weekend Shopping Guide 7/10/09: The Future Now

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support Quick Stop by using the links below to make any impulse purchases – it helps to keep us going…)

    Fans were lucky to get one – MAYBE 2 – Mystery Science Theater 3000 Collections each year during the old Rhino days, but Shout! Factory has really stepped up the pace as we now get their THIRD release, Mystery Science Theater 3000 Collection: Volume XV (Shout! Factory, Not Rated, DVD-$59.99 SRP). The 4-disc set features The Robot Vs. The Aztec Mummy, The Girl In Lovers Lane, Zombie Nightmare, and Racket Girls. In addition to the episodes themselves, you also get a pair of clips packages taken from the long out-of-print MST3K scrapbook video, promos, interviews with the stars of Zombie Nightmare, and a sneak peek at Trace Beaulieu and Kevin Murphy’s contributions to a project called Hamlet A.D.D. Bring on the next volume!

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    Sometimes you just have to sit back and admire a piece of equipment that takes a standard device and just plusses the heck out of it. Such is the case with the Neverlate Executive Alarm Clock ($59.99). It’s takes your basic alarm clock – you know, the thing you need to get your exhausted, overworked body aware enough to get out of bed and start another day – and adds functions such as two separate alarm schedules, customizable buzzers and sleep options, MP3 player input, a USB jack for recharging your equipment, and more. It’s definitely time for an upgrade.

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    As much as I love Derren Brown’s various series (and I do love them so), I think I dig his live shows even more. There’s something supremely entertaining seeing a master mentalist and showman at work in front of an audience, where the energy is palpable. His latest show to make its way to DVD is Derren Brown: An Evening Of Wonders (Channel 4, Region 2, Not Rated, £12.98 SRP), and the title is an apt description. Bonus features include an all-too-brief interview and some deleted scenes.

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    The cast has been shaken up (Deputies Garcia, Johnson, & Kimball are absent and Joe Lo Truglio and Ian Roberts have joined as Deputies Rizzo & Declan) and the comedy has gone even more into the realm of bizarre slapstick, but the sixth season of Reno 911 (Comedy Central, Not Rated, DVD-$26.98 SRP) remains a fun, funny romp in improvisational excess. Bonus features include outtakes, deputy profiles, and audio commentaries.

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    Thee Beebs roll out of classic Doctor Who continues with a pair of new releases. The first comes from the William Hartnell years – Doctor Who: The Rescue Of The Romans (BBC, Not Rated, DVD-$34.98 SRP). The second is a Cyberman story from the Colin Baker years – Doctor Who: Attack Of The Cybermen (BBC, Not Rated, DVD-$24.98 SRP). Both releases are, as usual, packed to the hilt with bonus materials, including commentaries, featurettes, interviews, and much more.

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    Celebrate the launch of Apollo 11 and mankind’s trip to the moon with Moon Machines (Image, Not Rated, DVD-$24.98 SRP), a spiffy little documentary that looks at all of the amazing tech it took not only to get to the moon, but also to work on its surface.

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    While most of the attention has been paid to contemporaries like Peter Cook, John Cleese, and David Frost, let me take a moment to give some proper attention to “The Two Johns” – Bird & Fortune – and the numerous gifts they’ve given to the field of brilliant satire. Much of their recent contributions are featured in Bird & Fortune: Two Johns and a Dinner Party (Channel 4, Region 2, Not Rated, DVD-£19.99 SRP), which contains almost 3 hours of their often prescient and thoroughly cutting face-to-face interview pieces, as well as their dinner party sketches. Trust me – just get this. You’ll want more.

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    What otherwise might be an interesting, enjoyable thriller turns to mush when it stars Nic Cage, which is a shame when Knowing (Summit, Rated PG-13, Blu-Ray-$34.99 SRP) could be a fun romp. Cage plays a professor who deciphers a coded message that accurately predicts upcoming disasters, leading him to try and uncover the source of the prophecies and find a way to prevent them. Bonus features include an audio commentary and a pair of featurettes.

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    Personally, I can’t get into the charm and wit of The Prairie Home Companion. Regardless, I did enjoy the documentary Garrison Keillor: The Man On The Radio In The Red Shoes (Docurama, Not Rated, DVD-$26.95 SRP), which looks at the man behind The Prairie. Bonus features include outtakes, an interview with Keillor and Robert Altman, and footage of Keillor speaking to students.

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    I’m not going to mention what recent film Push (Summit, Rated PG-13, Blu-Ray-$34.99 SRP) is awfully similar to, but the tale of a group of super-powered operatives on the run from the government (one of which is Dakota Fanning) is enough of a silly romp to hold your interest. Bonus features include an audio commentary, deleted scenes, and a featurette.

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    It’s not the feature-laden special edition that some were hoping for, but at least we have a nice, widescreen, spiffy high-def edition of Grumpy Old Men (Warner Bros., Rated PG-13, Blu-Ray- $28.99 SRP) – a still fun reunion of Jack Lemmon & Walter Matthau. The sole bonus feature is the theatrical trailer.

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    Like most procedural shows, by the time you’ve seen a half-dozen episodes, you’ve pretty much seen all the rest – for good or ill. Third Watch (Warner Bros., Not Rated, DVD-$59.98 SRP) certainly falls into that mold. The 6-disc set features all 22 episodes, plus a gag reel.

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    A little bit The Exorcist, a little The Omen, and a little Japanese horror, The Unborn (Universal, Not Rated, DVD-$29.98 SRP) is a standard, professional little thriller that doesn’t exactly break new ground. Bonus features include deleted scenes, plus both a theatrical and unrated cut of the flick. A Blu-Ray edition ($39.98 SRP) is also available with identical features.

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    Take a very funny Australian sitcom about a white trash mother and daughter, remake it, put it on NBC starring Molly Shannon and Selma Blair, and watch all of the funny disappear. Such is the sad case with the first season of Kath & Kim (Universal, Not Rated, DVD-$29.98 SRP). The 2-disc set features all 17 episodes, plus audio commentaries, deleted scenes, and a gag reel.

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    Oh, Power Rangers – you never seem to stop, like some kind of Energizer Bunny. The latest iteration is hitting DVD with Power Rangers RPM: Start Your Engines (Buena Vista, Not Rated, DVD-$19.99 SRP). Yes, they fight monsters. Lots of ’em.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Contest Round-Up: 2009-07-08

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    Welcome to our weekly round-up of featured giveaways here at Quick Stop. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

    In conjunction with Paramount Home Video, we’re giving away five (5) copies of THE STATE: THE COMPLETE SERIES on DVD.

    In conjunction with Thinkgeek.com, we’re giving away five (5) sets of SINGING MONKEY BALLS.

    In conjunction with Shout! Factory, we’re giving away five (5) copies of THE MYSTERY SCIENCE THEATER 3000 COLLECTION: VOLUME XV on DVD.

    In conjunction with Channel 4, we’re giving away two (2) copies of DERREN BROWN: AN EVENING OF WONDERS on DVD. Please note that this is a Region 2 release.

    In conjunction with Channel 4, we’re giving away a copy of BIRD & FORTUNE: TWO JOHNS AND A DINNER PARTY on DVD. Please note that this is a Region 2 release.

    In conjunction with Channel 4, we’re giving away a copy of BEEHIVE: SERIES 1 on DVD. Please note that this is a Region 2 release.

    In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of ER: SEASON 11 on DVD.

    In conjunction with TNT Home Video, we’re giving away five (5) copies of LEVERAGE on DVD.

    In conjunction with HBO Home Video, we’re giving away four (4) copies of GREY GARDENS on DVD.

    In conjunction with BBC Home Video, we’re giving away three (3) copies of WILD PACIFIC on DVD.

    In conjunction with Paramount Home Video, we’re giving away five (5) copies of VAN WILDER: FRESHMAN YEAR: UNRATED on DVD.

    In conjunction with Virgin Records, we’re giving away three (3) copies of DAVID BOWIE: VH1 STORYTELLERS on CD/DVD.

    In conjunction with Warner Bros. Home Video, we’re giving away four (4) copies of THE WIGGLES GO BANANAS on DVD.

  • Win DERREN BROWN: AN EVENING OF WONDERS on DVD!

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    In conjunction with Channel 4, we’re giving away two (2) copies of DERREN BROWN: AN EVENING OF WONDERS on DVD. Please note that this is a Region 2 release.

    Contest ends at 11:59pm EST on Wednesday, July 29th.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of Quick Stop Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on July, 29th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Weekend Shopping Guide 5/23/08: The Man With The Hat

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    weekendpicks2008523-00.jpgEver since seeing Raiders of the Lost Ark as a wee child, Indy’s iconic headwear has held a special fascination for me. Even going back 15 years, I contemplated trying to get a fedora of my own – but the price was quite prohibitive (or, at least, relative to my finances today). Still, the dream persisted, and on a trip to Disneyland a few years back I picked up one of their $35 officially licensed fedoras – and I was happy. It looked close enough to the real thing for me to feel like I finally got what I’d always wanted. Ah, but then ThinkGeek had to step in and slap me across the face, and show me that there was a difference between hamburger and steak with their high-end, officially licensed Indiana Jones fedora. Featuring 100% pure felt, a leather headband, and a satin liner, it’s the ultimate geek dream – so, surely, it must be hundreds of dollars… But you’d be wrong! The hat can be yours for just $99. Head on over to ThinkGeek straightaway and get yours, now… You know you want to. Hell, as you can see from the pic below, I’m wearing mine right now… I might even wear it to bed.

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    We’ve now officially reached – and passed – the middle of The Muppet Show‘s DVD release with the arrival of season 3 (Walt Disney, Not Rated, DVD-$39.99 SRP). There’s only two more seasons to go, but you’ll more than enjoy the magnificent clutch of classic episodes contained herein, with guests including Harry Belafonte, Gilda Radner, Pearl Bailey, and more. The 4-disc set also features a welcome return of absolute must-have rarities from the archives (thanks, Craig!), including the public television special “Muppets On Puppets”, Rowlf the Dog Purina commercials, and a spotlight on the Muppet performers.

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    With all that attention being paid to the man with the hat, let’s turn our eye towards the original Lucasian franchise that was driven into the ground with an unfortunate return, Star Wars. Before the release of the prequels – even before the release of the special editions – there was an incredible behind-the-scenes tome that was released. Though out of print for years, it was brought back into print a few years back, and it’s celebration of an unsullied Star Wars universe warms my frosted heart. Packed with hundreds of behind-the-scenes photos and detailed information, get your own copy of Star Wars Chronicles (Chronicle Books, $150.00 SRP) and try to recapture some of the magic stolen by that bearded bastard.

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    Although still largely unknown in the US, I’m quite the fan of mentalist/magician/illusionist/creepy guy Derren Brown. I heartily recommend you pick up the DVD documenting his live tour Derren Brown: Something Wicked This Way Comes (Channel 4, Region 2, Not Rated, DVD-£12.99 SRP). It’s a simply stunning piece of theater, and a must-see. The DVD contains deleted scenes and behind-the-scenes footage, but sadly no commentary (I want to know how the walking on glass/reduced circulation trick was accomplished).

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    It’s been so long since their airing that I barely remember the episodes features in the 5th season set of Penn & Teller’s Bullshit (Paramount, Not Rated, DVD-$29.98 SRP). The 2-disc set features 10 episodes on topics including obesity, Wal-Mart, breast hysteria, de-toxing, exorcism, immigration, handicap parking, Mt. Rushmore, anger management, and more. Unfortunately, we’re still not getting any bonus features, making the features on the first season set a fluke.

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    Although his smarmy, opportunistic, and ultimately destructive behavior became cartoonish in his last years as prime minister, it’s a film like writer Peter Morgan and director Stephen Frears’ The Deal (Channel 4, Region 2, Not Rated, DVD-£15.99 SRP) that shows that Tony Blair was always a little Machiavelli. The film details the rise to power of Tony Blair, on the back of current Prime Minister Gordon Brown – from the broken Labour Party of the 80’s to their triumphant return in the 1990’s, and the understanding that Blair would step aside after a second term… which, obviously, he did not. Michael Sheen reprises his role as Blair, and David Morrissey is pitch-perfect as Brown. It’s a fascinating piece of political drama that is still having repercussions today.

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    Long before her turn as Carrie Bradshaw, Sarah Jessica Parker was teamed with Amy Linker in the 80’s prototype for My So-Called Life, Square Pegs (Sony, Not Rated, DVD-$29.95 SRP). You can now own the complete awkward misadventures of Patty and Lauren in the harrowing halls of Weemawee High School via this new DVD set, featuring all 19 episodes across 3 discs. Bonus materials include interviews with the cast and crew and minisodes of Silver Spoons and The Facts Of Life.

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    Longtime readers of this column will know I’m a sucker for historical documentaries, so keep that in mind when I say I watched The Hunt For John Wilkes Booth (History Channel, Not Rated, DVD-$19.95 SRP), which illuminates and traces the escape route the assassin used after shooting Lincoln.

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    If you’re an armchair adventurer, you might want to pick up a copy of The Indiana Jones Handbook: The Complete Adventurer’s Guide (Quirk Books, $18.95 SRP). It’s essentially a tongue-in-cheek survival guide based on the Indy universe, advising on everything from “How To Pass Under A Moving Truck” to “How To Escape The Wrath Of God”.

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    If you’ve not yet seen Brass Eye (Channel 4, Region 2, Not Rated, DVD-£19.99 SRP), you need to rectify that egregious comedic oversight immediately. I’m serious. Immediately. As satire goes, it’s absolutely brilliant, pointed, and brutal in its take on the topics of sex, crime, animals, science, and more. The DVD contains the entire series, plus bonus footage, audio commentaries, trailers, and more.

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    Often – and unfairly – overshadowed by the much showier Platoon, Hamburger Hill (Lionsgate, Rated R, DVD-$19.98 SRP) gets a new 20th Anniversary special edition of Bravo Company’s struggle to take the infamous Vietnamese hill. Bonus features include n audio commentary, behind-the-scenes featurettes, and a timeline.

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    After four seasons of Jim Nabors bumbling around as the titular Gomer Pyle, USMC (Paramount, Not Rated, DVD-$39.98 SRP), you pretty much know what you’re going to get. It’s a safe bet that Gomer will screw up something or another on Camp Henderson, much to the consternation of Sgt. Carter. The 5-disc set features all 30 episodes, sparkling-fresh.

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    You’ve got to love BBC period dramas – and I do. They’re lush, they’re dependable, and they’re usually packed with top-flight actors. Such is the case with Cranford (BBC, Not Rated, DVD-$34.98 SRP) – based on the works of Elizabeth Gaskell – which features Judi Dench, Michael Gambon, and Imelda Staunton. The sole bonus feature of the 2-disc set is a making-of featurette.

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    I was an avid Saturday morning cartoon watcher during the 70’s and 80’s, and even I don’t remember that there was such a beast as the Richie Rich Scooby Doo Show (Warner Bros., Not Rated, DVD-$26.98 SRP). Despite my lack of knowledge, there apparently was, and the first volume of it is now available – its 2 discs featuring 7 episodes and the featurette “The Story Of Richie Rich”. Who knew?

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    Not one to let the dead rest even a moment, George Romero returns with another installment in his seemingly never-ending zombie saga, Diary Of The Dead (Dimension, Rated R, DVD-$24.99 SRP). This go round, it’s the Cloverfield of the run, as we find a group of college film students documenting the rise of the zombie epidemic. Bonus features include an audio commentary, a feature-length documentary, featurettes, and more. Also available is a newly-restored, feature-laden special edition of Romero’s original Night Of The Living Dead (Dimension, Not Rated, DVD-$19.98 SRP), featuring a pair of audio commentaries, a feature-length documentary, interviews, and more.

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    If watching war flicks over the labor day weekend seems kind of old hat, you might want to try taking a look at the veritable wagonload of westerns making their way out of the vaults. First out the gate is Fox, which has dropped John Wayne: The Fox Westerns (Fox, Not Rated, DVD-$29.98 SRP), featuring a quartet of the Duke’s outings for the studio – The Big Trail, North To Alaska, The Comancheros, and The Undefeated – including Fox Movietone News segments, featurettes, audio commentary, trailers, and more. Also available is Fox Western Classics (Fox, Not Rated, DVD-$19.98 SRP), with Rawhide, The Gunfighter, and Garden Of Evil.

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    For sheer volume, though, MGM has opened up the floodgates with Man With The Gun, Man Of The West, The Gunfight At Dodge City, Day Of The Outlaw, The Way West, Sergeants 3, Navajo Joe, and The Westerner (MGM, Not Rated, DVD-$14.98 SRP each), as well as the complete collection of the Michel Biehn starring TV take on The Magnificent Seven (MGM, Not Rated, DVD-$49.98 SRP).

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    If you’re in the mood for a great drama that features Eddie Izzard (and really, who isn’t?), try the Region 2 release 40 (Channel 4, Region 2, Not Rated, DVD-£19.99 SRP), which focuses on the interwoven lives of seven men & women reaching the titular age and realizing exactly who they are – and what they’ve done – in life, with some unforeseen consequences.

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    Surely I can’t be the only one that had zero interest in National Treasure, and even less interest in its sequel, National Treasure 2: Book Of Secrets (Walt Disney, Rated PG, DVD-$29.99 SRP). I mean, I found the story to be lackluster and Nic Cage to be about as interesting as paint drying. No… wait… I’d rather watch the paint, hands-down. For those of you who do care about Cage’s search for the Lost City Of Gold, the 2-disc special edition features an audio commentary, deleted scenes, behind-the-scenes featurettes, outtakes, and more.

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    Take Party Animal, mix in The Hills, and add a bit of the envelope pushing of Queer As Folk – oh, and set it all in the UK – and you’ve got the basic formula for Skins (Channel 4, Region 2, Not Rated, DVD-£39.99 SRP), an acclaimed dramedy which follows a group of hard-partying teens that are slipping through the cracks of society in the most hedonistic way possible. The 6-disc box-set features both the first and second seasons, plus interviews, video diaries, bonus stories, and more.

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    The be-uniformed crusaders of the Judge Advocate General’s office return in the sixth season of JAG (Paramount, Not Rated, DVD-$55.98 SRP). Thrills! Spills! Cast shake-ups! The 6-disc set features all 24 episodes, but not a single bonus feature.

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    I still believe the film is an unwanted return to a franchise whose potential was dashed upon the rocks of a mediocre first outing, but there is something to be said for Harry Gregson-Williams’ score to The Chronicles Of Narnia: Prince Caspian (Walt Disney Records, $19.99 SRP), which really deserves a better film.

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    Hoping to fill the void left by Jeff Foxworthy’s departure from the sitcom scene, redneck compatriot Bill Engvall received the eponymous Bill Engvall Show (Warner Bros., Not Rated, DVD-$19.98 SRP), which found him starring as a family counselor with a rambunctious and rowdy family of his own. Fun, right? You be the judge. The 2-disc set features all 8 first season episodes, plus interviews and behind-the-scenes featurettes.

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    Broadway-philes can give a spin to the new revival cast recording from Rodgers & Hammerstein’s South Pacific (Masterworks Broadway, $18.98 SRP). It’s a nicely upbeat affair that’s the perfect listening companion to the recent Radiohead album.

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    As everyone surely knows by now (You have been reading this column, right?), the new Indiana Jones film is currently unspooling (well, I guess there are no spools in digital projection) in theaters around the globe. While I’m not exactly enthused about the new flick, the upside is that it means a return to stores of Indy toys based on the original trilogy, and Raiders in particular. Not only do we have new 3 3/4-inch action figures from Hasbro ($8.99 SRP each), but you can get the young kids the cartoonish “Adventure Heroes” figure 2-packs (Hasbro, $5.99 SRP each). Lego is also in the game with their various playsets, but for sheer simplicity, fun, and economy, you can’t beat the Motorcycle Chase set (Lego, $9.99 SRP) from The Last Crusade, featuring the two Dr. Jones’s pursued by the German soldier.

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    However, I’ve saved my favorite Indy toy for last – because it is the most glorious “What in the hell were they thinking” toy I’ve seen in ages. Hasbro’s “Adventure Heroes” line is geared towards 3-year-olds, who one would presume have not seen Raiders of the Lost Ark – and probably won’t be seeing it for a few years. Imagine their shock when they find out the story behind the happy-go-lucky cartoon characters featured in the “Belloq and Ark Ghost” 2-pack ($5.99 SRP)…

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Interview: Derren Brown

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    -by Ken Plume

    derrenbrown-2007-08-08-01.jpgDerren Brown is a very dangerous man. In fact, any encounter with Derren – be it on a street or even your own home – is an affair fraught with peril. He is, in addition to being such hazard, one of the most fascinating entertainers currently plying his arcane trade on television today.

    What exactly is that trade, you ask?

    Derren Brown is – depending on how you look at it – a mentalist, a magician, an illusionist, a hypnotist, a paranormal skeptic… When, in reality, he’s all of these things and more. With an acerbic wit and presentational flair, he’s a riveting performer who’s finally making his way to the US.

    A staple in the UK courtesy of multiple series, specials, and live shows, the Sci-Fi Channel has imported Derren via a rejiggered and expanded edition of his initial effort, Derren Brown – Mind Control. It’s a mixture of tricks and mental feats for a generation raised on Penn & Teller, and a must-see affair. As Derren himself describes it, his work is a combination of “magic, suggestion, psychology, misdirection and showmanship.” The US edition of Mind Control is currently berthed on Thursday nights at 10pm EST.

    I’d also recommend you pick up the DVDs that are currently available in the UK (the original Mind Control, plus the first two series of Trick of the Mind), as well as his must-read book Derren Brown: Tricks of the Mind.

    I got a chance to tempt fate by chatting with Derren, whilst constantly fearing that I would fall under his sway and become nothing more than a puppet in his diabolical schemes…

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    KEN PLUME: It’s a pleasure to be speaking with you.

    DERREN BROWN: You too…

    KP: It’s something we’ve been wanting to do for, I believe, two years now…

    BROWN: Really?

    KP: Yes. I’m a huge fan of you and your work.

    BROWN: Oh, thank you very much, that’s lovely. Thank you, Ken.

    KP: And knowing some statements you’ve made in the past regarding enjoying your anonymity in the U.S. …

    BROWN: (laughs)

    KP: What suddenly was the change that brought about the transport of the show and yourself into the arena of a U.S. network?

    BROWN: Well, yeah. I think it just… it’s one of those things that’s always kind of been on the cards. You know we didn’t sell the show to the States, anticipating that one day we might want to have it commissioned out there. That was just something that was always gonna go in the background, and it’s been seven or eight years that I’ve been on TV, so it seemed like a good time to start asking. In terms of the anonymity, for me, I just don’t know… I mean, the difference is I don’t live in the States. If I do become well known out there for the show, it’s something I’ll have to deal with. I like my privacy, but I don’t know. I just don’t know. I was just talking to a previous interviewer about the slightly odd stalkers and strange reactions I’ve had, and God knows what it’s gonna open up starting up out there. So who knows.

    KP: So does that mean at some point you’re going to start hosting America’s Gone Mental with Piers Morgan?

    BROWN: (laughs) Yes, that’s the time. I’ll make a note!

    KP: Do you still find that you have a shred of anonymity within the UK, or do you think that’s largely disappeared?

    BROWN: Well, it’s kind of nice. Channel Four – it’s one of the big channels, but it’s less mainstream. It’s kind of the cooler, edgier kind of programs – which is fantastic for me, because they really support some of the stuff that I do, that I think I’d have trouble getting commissioned on some of the other channels. It’s a mixed sort of audience that watch the show and everything, but it gets – on average – I think about three million people that watch it, which is good figures for that channel. It’s not 20 million that watch the big soap operas. So it feels an okay sort of balance – but I wouldn’t want too much more. I don’t quite have the ambition or the ego of most big flashy magicians, so I’m not gonna be fishing and struggling to be number one magic type mind reading figure out there, so we’ll see. I’m fairly modest about all my expectations. I think it’s a good show and I hope people will want to watch it.

    KP: And you also mentioned that you’re not exactly – by your preference – an outsized personality when it comes to the public eye…

    BROWN: No. Yeah…. I think most of that comes from your own kind of drive and what you want. I mean, I was already doing what I do, quite happily, but just not on TV. And then I was offered the chance to do it on TV – which of course was great and exciting, but I think if you’re already doing something that you enjoy and it’s about just doing more of what you enjoy, that keeps it all sane. As opposed to just wanting to be on TV and famous for the sake and the appeal of that.

    KP: What is that you want?

    BROWN: I’d like to have a place in Florence, and retire and paint at some point, to be honest. I love doing this and it’s great fun, and I’ve been able to kind of reinvent the show a few times and I get to tour every year. I love all of that. So I enjoy it enormously. I have no idea how it’ll go in the States, whether it’ll take off and be a big thing or whether it’s something that will kick over for a while. I think it’s a good show. I’m proud of the show, so I’m very happy with that. Depending on what happens in the States, I may have to drastically change my priorities. I try and be relaxed about it and I don’t have any particularly strong ambitions or strong expectations in any areas.

    KP: Have you found it more difficult going with each new series, as far as developing material for it?

    BROWN: Actually, it’s kind of got easy. I thought it would be more difficult. Very rarely have we felt – I say “we”… it’s me and one other guy, my friend Andy, and we write all this stuff together…

    KP: That’s Mr. Nyman right?

    BROWN: Andy Nyman that’s right, yeah. Who’s currently touring in Death at a Funeral, this new Frank Oz movie. He’s just gone over to LA for a month. It’s opening sometime this month. So for me, what happened is the show’s progressed and matured here. It’s become about – especially the one hour specials that I’ve done – has sort of become about what I feel I wanted to look at or what’s become an area of interest for me. They’ve grown with me – as opposed to just, “Here’s another series, we need to churn out another 50 routines.” It’s never really felt like that. It’s always quite fresh and different. So somehow I’ve had a clearer sense of the sort of thing that I want to do each time, and that’s actually kept it fairly easy to come up with material that still feels interesting and fresh. It hasn’t been as difficult as I might have anticipated.

    KP: Do you feel that you’ve, in lockstep with that, progressed and matured as a performer as well?

    BROWN: I think so, yeah. I mean, I’m doing big stage shows and things that I never thought I’d do, and I had to learn how to do that. I had to learn how to perform in front of two thousand people – which is fairly big for our standards.

    KP: What are the disciplinary differences between TV and on stage for an audience?

    derrenbrown-2007-08-08-03.jpgBROWN: Oh, hugely. You can do stuff on TV but not be particularly much of a live performer. I think it’s just one thing to get something on TV – most of the kind of drama and pace of it will probably come from the editing of the show, and the style and the look of the show. On stage, it’s just me for three hours, and I’ve got to try and keep everybody constantly entertained. That really is just me. So it’s a different set of skills on top of actually making the stuff work. For me, it’s much more exciting, I much more prefer that, and I look forward to hopefully, in time, doing something on Broadway, because it’s a real buzz.

    KP: It definitely is more energizing to see you in that longer sustained form, having seen the Something Wicked special you filmed during your last stage tour…

    BROWN: That’s cool. Yeah, it is different, isn’t it? And it also means I have to be sort of lighter and funnier, and do things that for some reason never really worked too well in the series. The series is quite solemn in comparison. Not a lot of room for gags.

    KP: Would you perceive the character of Derren Brown that you’re performing in those two venues to be different?

    BROWN: Yes, I think it is. Still, I think the stage version is more me, because that’s the… if you’re gonna perform at all well – and I’m not saying that I perform that well – but it has to be you. It has to be a theatrically enhanced or tweaked version of yourself. You can’t just sort of fake your personality. That doesn’t really work. It does on TV, because it’s all sort of fairly quick segments, and I’ve just got to get through what I’ve got to do because it’s got to fit into a format on TV. You know, less room for that. Actually performing the piece, you want them to shine and you want them to interest the viewer at home. So yes, I think in terms of the character, there’s certainly two different sides. That’s kind of interesting. If it was me watching the show and I’d seen that guy on TV, I’d be quite interested if I went to see him on stage and he sort of fleshed him out a bit as a character. But I don’t think of it too much as a character… but I suppose, invariably, you have to, to keep on top of it.

    KP: Do you perceive him as any different from how you are off stage?

    BROWN: I think I’m a lot less the kind of very confident, controlling… It’s a side of me, if I’m comfortably high status (laughs)… I can be like that, but I’m much quieter and more considered, I think. But then it’s really fun if you are like that – and I’m quite indecisive and I’m quiet and private… all those things in real life… so it’s actually quite nice to tap into that side, the more confident aspects of yourself. To do that on stage is a real treat.

    KP: So you’re saying the closest thing people would see to the real you is if they’d seen that bonus feature on your second DVD set, with you eating breakfast rather anal retentively?

    BROWN: Oh that! Yeah probably, probably. Yes, I thought that was quite fun when I watched that. Yeah, it’s all different parts of me. You have to draw from yourself, and then you kind of have to enhance that and make it interesting. With the TV show, it’s fast-paced – it’s difficult having too many layers to that. But sometimes, certainly the show here has gotten funnier and lighter. It never become a big laugh, but the TV show, as it’s grown up, it’s become a little bit softer around the edges, in a good way. And I think that was something that was important. Whereas, yeah, doing the first series for Sci-Fi, I think it has to be very clear to people exactly who I am and what I’m doing. And then hopefully give it room to grow if it gets recommissioned, and has a chance to do that.

    KP: Do you call them tricks? Do you call them performance pieces?

    BROWN: Routines? Segments? I don’t mind. Some people have called them tricks – that’s fine, too.

    KP: Watching the last series, Trick or Treat, on Channel Four…

    BROWN: I’m fascinated that you know the material, that you’ve watched these things. Thank you.

    KP: Like I said, I’m one of the people in the US who’ve been trying to show people your work for the last couple years.

    BROWN: Oh thank you, Ken…

    KP: I’m just glad you’re coming to the US. When you look at those segments, there seems to be both a… you know, obviously because of the concept of the program (where volunteers get to choose what type of piece they’ll be involved in – a trick or a treat), it has a very soft, kind edge, as well as a very, very hard edge with the trick portion of it. Do you see a line that is uncrossable in what kind of segment you’ll do, in terms of what you’ll subject a participant to?

    BROWN: I think, for me, the thing of primary importance is the experience of the person that takes part in it. That’s a huge, important part of it. Although some of the pieces, they may be finished in a way that makes them look quite bleak or traumatic or cruel, the reality is that people always are so well taken care of and always invigorated by it. To me, that’s very important. Especially how participants generally are treated in reality shows and things – it’s just criminal and quite upsetting sometimes. So it’s very important to me that it isn’t like that, and that their experiences are authentic and matches what they see on TV when it goes out, but also that it’s enjoyable for them. So with that in mind, it’s our sort of building drama. It’s a question of not just showcasing, “Look at me, look how clever I am, I can do this” – that was maybe more important at the very start when I had to make a name for myself, but now I’m in the shows less… and ideally, I wouldn’t be in them at all, but I still have to make a living. (laughs) Obviously I have to get my skills and what I do in there, but at the same time what I’m interested in is the drama of the situation – which, at home, you’re empathizing with the person that’s taking part. I think we just sort of sit around and talk about it, and that idea, and a couple of others, came like the zombie arcade game – which I guess you must have seen…

    KP: Yes.

    BROWN: They came out of normally sitting around, talking about smaller sort of tricks, if you like, and ideas, and I go, “Can we just think a bit bigger? What if we… I mean we’d never do this obviously, but what if somebody woke up and they were witnessing their own death in a car crash, and we had a double made of them, or something.” Something like that. And that idea kind of sticks, even though it’s normally said in a spirit of, “Well, obviously we couldn’t do that because that would be really cruel.” And then it sticks, and then…

    KP: And then you did it.

    BROWN: … and then we find a way to do it that isn’t cruel and irresponsible, and that’s sort of interesting and intriguing and fascinating to the person. If it is a bit cruel, at least by the end of it they’ll feel elated and exhilarated and forgive us. Plus they volunteered to take part in the show, and they know the sort of character that I am.

    KP: They know what they’re getting into.

    BROWN: Yeah, they know what they’re getting into.

    KP: Has there ever been a participant that reacted in a completely surprising manner?

    BROWN: It’s never happened. There was one stunt, the staring competition…

    KP: Was that the gentleman that was about to hit you?

    BROWN: Yeah, that’s right. Exactly. That’s as far as it’s gone, but that was specifically to make somebody angry and troubled. That was full of that, so it was hardly a surprise.

    KP: Did you feel, in that situation, that there was the potential for it to get out of control?

    BROWN: I think for me… I get asked this a lot, and I understand that. Maybe it’s just that I’m so on top of what’s happening, and that experience – hopefully knowing how they’re kind of framing it in their minds. It’s difficult to explain, but it kind of… in the same way that hypnotized people look like they’re under the control of somebody else, there’s in fact a much more subtle game of behavioral manipulation, and what looks like one person, the hypnotist, controlling – it isn’t about that at all. It’s about a kind of…

    KP: A dance, would you say?

    BROWN: It is, yes, exactly, it’s more of a dance, so there is… often what it looks like, in terms of that level of cruelty or control, it isn’t really quite like that. And being aware of the subtler aspects of it, I’m utterly comfortable with what I’m doing and how far I’m taking it. Then, in terms of how it’s presented on screen, once the music’s added and whether it’s left on a very bleak note, I like people to feel a bit guilty for having watched it. I think it’s kind of interesting. It’s not the sort of stuff that you necessarily associate with watching, like, a magic show, or something like that, which obviously it’s related to that whole tradition. So I like playing around with all of that – but that’s separate from the person’s experience, which hopefully always comes out very positive. We did this thing called The Heist, which…

    KP: Which, honestly – of all your outcomes – was probably the most disturbing to watch…

    BROWN: Yeah, it was pretty disturbing. Now there, I had the guys come over and watch the show in its rough edit form to make sure… the guy, Danny, who was the one that kind of seemed most disturbed when he was stopped… the one that’s doubled over…

    KP: Who seemed to have a bit of a breakdown…

    BROWN: Yeah. We became good friends. I went out to dinner with them all afterwards, and explained to him the whole of the show, and then Danny came over, and he loved it. He was so exhilarated by it, and he came over and watched the rough edit of the show. Because it was two weeks that had to be pulled down into an hour, and I didn’t want them thinking that I’ve reflected them badly or even it doesn’t reflect what really happened, so he came over as the kind of – as the guy who’d been through the worst – just to make sure that he was happy with it. Which he was. He came and saw a screening of it, and they were all happy with it. It was great. They’re always very well taken care of, and I generally tend to keep in touch with them as well, and some of them become friends. That side of it is hugely important. And yeah, that line you talked about is just one of responsibility. Ultimately, the show is put together intelligently and seriously, and not just sensationally. I know people that have been involved in reality shows and the like, and it’s sort of heartbreaking how ruthless that world is. Maybe it’s partly through seeing that, that makes me realize how important that kind of welfare side of it is…

    KP: That sense of compassion does come through in the programs. I think it’s a fascinating companion to also read your book…

    BROWN: You have done your homework!

    KP: I keep hoping that the book will come over to the U.S., because I’m tired of importing copies for people.

    BROWN: (laughs) Hopefully it will at some point.

    KP: If Louis Theroux can get his book through…

    BROWN: Has his show been in the States?

    KP: No, in fact his show hasn’t aired in the States at all, but they released his book here in the U.S.. His companion book to Weird Weekends.

    BROWN: That’s nice…

    KP: But reading your book, I can definitely see where you’re coming from when you do these sort of things. I think anyone who watches the show probably should read the book just to get a better sense of what your head space is and what your foundation is, as a performer…

    BROWN: I hope that’s something that will – if further series are commissioned, and so on – I hope that’s something that will be allowed to grow. Understandably with the first series, Sci-Fi is very keen that it just nails it straight down the middle, in terms of what I do and how I do it.

    KP: Just out of curiosity, have you seen the “Seven Safety Tips For Dealing With Derren Brown” that’s been circulating the internet?

    BROWN: No, I haven’t!

    KP: Well, here’s the bullet points of it: First one is “Don’t deal with Derren Brown.” Second one is “Don’t go to the United Kingdom”… Which is now moot, of course.

    BROWN: This is something from the States?

    KP: Yeah, there’s a site called needcoffee.com

    BROWN: Okay…

    KP: Number three, “If you suddenly find yourself in the UK and Derren approaches, don’t look at him.” Number four, “If you cannot escape him, do not let him touch you.”

    BROWN: (laughs)

    KP: Number five, “If he manages to touch you, at least keep him from taking hold of your wrist.” Number six, “If he manages to take hold of your wrist, for the love of baby Jesus don’t let him put his hand over your face.”

    BROWN: (laughs)

    KP: Number seven, “Even if he doesn’t touch you, don’t let him not touch you either.”

    BROWN: (laughs)

    KP: And it’s fully illustrated with various clips to back up the assertions.

    BROWN: That’s fantastic!

    KP: That’s from May of this year.

    BROWN: That’s great! I hope you’re going to put those in the article. That’s fantastic.

    KP: Oh, definitely. From a performance point of view, I’m wondering which aspect you find most challenging – is it the memory skills, the dexterity, or the interpersonal communication?

    BROWN: (laughs) The honest answer to that is remembering people’s names when they come up on stage. I did this thing in my first stage tour – I thought, for each city I go to, I will memorize the phone book for that city, then have people call out names and addresses of themselves or their friends or whatever, and I’ll tell them the phone numbers, or around the other way. And I managed to do it – I didn’t always get them right, but managed to do that. But despite that, I never learned the name of the person that would come up that was going through the same book to double check it… the names of people in the audience when they stood up… I’m terrible with that, because I’m so focused on one thing. So it’s always the little things… And utterly ridiculous, because I do this stunt and then thank the person and then have to say, “What was your name again?” You’re like a gag. It got a laugh every night, and I just found it embarrassing. It’s the little things. All the other stuff kind of… (sigh) I don’t know. I’m making it look more difficult than it is. That’s part of the performance. I don’t find it too difficult to monitor something new… I mean, when I’m doing the stage shows, that’s always kind of hard on the first night, and it gradually gets rolled in. It’s a difficult one to answer, but probably the truthful answer is the more entertaining one, I guess, which is people’s names when they come up. I’m very good – like with journalists, I find that if I sit there and do a bank of 10, 20 journalists and I say I will remember all their names, and I always tell them their names back again, and they always write in the articles how impressed they are. But yeah, if I don’t make a point of doing it, I’m just like everybody else – just terrible, terrible at doing that kind of thing. On stage, when it matters most, is when I’m worst.

    KP: It’s fascinating, in watching the first series of Mind Control in the UK, having seen the Devil’s Picture Book tape…

    BROWN: Oh yes… gosh. Wow.

    KP: … to see some of the things reappearing in different guises within the series…

    BROWN: Yeah.

    KP: I thought that was fascinating. That and the reaction you got out of Stephen Fry.

    BROWN: Yes, that’s right. Oh, he’s lovely. He’s such a nice guy. He’s not that well known in the States, is he?

    KP: He is and he isn’t. He’s known to a certain segment, but he’s not everywhere like he is in the UK.

    BROWN: Yeah, yeah.

    KP: One of the things I did want to touch upon briefly was also your painting.

    BROWN: Oh yeah…

    KP: I quite enjoy what I’ve seen…

    BROWN: Well, thank you.

    KP: Your portraits are heavily caricatured, and in capturing the essence of a person, has there been anyone that’s proved particularly difficult for you?

    derrenbrown-2007-08-08-04.jpgBROWN: Al Pacino. It’s probably the least successful that I’ve done. I think it’s on the website, if it’s been updated. But yeah, I always found him very difficult. Really wanted to paint him and have that in the collection, but it’s never been in my… you know why it was? You know, he’s got a very kind of expressive face. It’s not for lack of features to exaggerate, but I could never get it right. It’s sort of all right, the one that I’ve done, but I don’t know if it’s…

    KP: Do you think it’s a difficulty to exaggerate exaggeration?

    BROWN: Yeah. I don’t know what it is, because it’s not a very conscious process. It’s not like you… they are caricatures, even though they’re subtle, but I don’t kind of… you don’t consciously think, “Right, that’s quite a big nose, so I’ll draw a big nose.” You just draw what you see, and then if you naturally see things in an exaggerated way with faces – which I guess I do, which I’ve always had a very good memory for faces because I’ve always seen them and remembered them in this kind of exaggerated way – so you just draw what you have in your head and it just comes out in an exaggerated way. If I try and draw a straight portrait that isn’t exaggerated, I can’t. It just comes out like that. So it’s very difficult, to do it when it isn’t working, it’s kind of hard to make it work. And for some reason I was hung up on that…

    KP: Has your self-portraiture changed much over the years?

    derrenbrown-2007-08-08-05.jpgBROWN: Yes. It’s only the most recent one that I think works for me. There were quite a few previous ones that were not very good. How you see yourself isn’t how other people see you, so if you’re painting somebody else, and you know when it’s right, because it kind of clicks into place, and I can hear their voice talking when it works. You just look at it and it’s like looking at a photograph, and the picture triggers all the associations that looking at the real person would. Whereas yourself, that click doesn’t happen, because you don’t think of yourself in the same was you think of other people. You don’t hear the person’s voice and you think of them, and all those sorts of things. It’s just guess work, in the end. It’s just, “Yeah, that looks like what’s in the mirror, so I’ll stick with that.” It’s only this last one that…

    KP: That’s finally clicked?

    BROWN: Yeah. Probably because I see myself on TV now. I’ve actually got an image of that.

    KP: Do you think you have a perception of yourself outside of yourself? If that made any sense…

    BROWN: Well, I guess more so than before.

    KP: Is that perception of you as “you”, or do you perceive that as the “performer” version of you?

    BROWN: I think it depends on how messy my hair is, how confidently I’m staring at the camera… all that kind of thing. I think there’s a certain look and dress I associate with the performing me more than… or even having said that, I am wearing a suit at the moment, even though I don’t need to – though I do tend to wear suits in real life, as well. I don’t know…

    KP: Well, obviously you’re dressing up for the interviews.

    BROWN: (laughs) A perfectionist. In case you have some video thing that I don’t know about…

    KP: I saw you rearranging silverware at breakfast on the DVD features, so I know all about your perfectionism…

    BROWN: (laughs)

    KP: Any plans to take your live tour to the US at any point?

    BROWN: Well, I would love to. I mean, that’s certainly something to aim for. I think it’s just a question of if the series builds up a fan base and it feels right, then I would love to do a tour, do a Broadway run if possible. That would be great. They’ll love the way I sing. You’re a very diverse country. You know? I mean, in some ways you’re very homogenous, and in other ways… you’re hardly heterogeneous, if that’s the word. And it’s psychologically interesting as well, so it’s nice, with the show, to go to different areas. I’m sure how New Yorkers react to a camera – let alone what I’m doing – will be very different to going somewhere in kind of the Midwest or deep south. It’s a rich area, I think, and I think useful and good fun for the show, as well.

    KP: Hopefully we’ll come across better than we did in Messiah

    BROWN: (laughs) Yeah, I think… I don’t know if we’re using bits from that. No, we might just hold that back and have that as a special. Yeah, might need to soften it up a little bit.

    KP: Here’s hoping that you do make the transition. I think it’s been a long time coming.

    BROWN: Well, thank you, Ken. I really appreciate your support, and thank you for making people read the book. That’s lovely.

    KP: I do appreciate your time, and here’s hoping in the future we can finally do that in-depth interview that we’ve been trying to do for years.

    BROWN: That would be fantastic. I can’t wait to meet you one day…

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