Tag: andy samberg

  • Weekend Shopping Guide 9/26/14: Meet Some Friends Of Mine

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    Matt Stone & Trey Parker show no signs of flagging in the seventeenth season of South Park (Comedy Central, Not Rated, Blu-Ray-$39.98 SRP), as it contains the truly epic “Black Friday” trilogy, which is the show at its social pop commentary best, The 2-disc set contains all 10 episodes, plus the standard clutch of mini-commentaries and deleted scenes, plus a new #socialcommentary feature, with behind-the-scenes tweets from the official @SouthPark account.

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    The soul stealers at Hot Toys continue their magical miracles with their latest take on Scarlett Johansson’s Black Widow (Sideshow, $189.99), this time portrayed with her updated look in Captain America: The Winter Soldier. While the costume has seen only minor changes over the course of her three figures (dating back to Hot Toys’ take from Iron Man 2), the biggest change is in both her maturing head sculpt and different hairstyle, accomplished once again by astonishingly well-realized rooted hair rather than a sculpt. The figure has the usual complement of extra hands and wrist gauntlets (featuring her “widow’s bite” lasers), plus a pair of pistols ad a cell phone. And did I mention again how eerily realistic she is?

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    Some of the freshest, funniest sketch work being done on TV can be found in the third season of Key & Peele (Comedy Central, Not Rated, Blu-Ray-$24.99 SRP), as the duo tackle everything from paintboobs to PB & J. The 2-disc set contains a best of seasons 1 & 2 special, “The Van & Mike Show”, and a gag reel.

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    It seems the US is taking a page from the UK’s longstanding policy of quickly releasing episodes to home video prior to a big season box set with the drop of Doctor Who: Deep Breath (BBC, Not Rated, Blu-Ray-$24.98 SRP), which sports the feature-length debut of modern Who‘s 8th season and Peter Capaldi’s Doctor. To make the impulse purchase a little sweeter, the BBC have added in a behind-the-scenes featurette, a prequel, “The Real History Of Science Fiction: Time” documentary, and last year’s live special in which Capaldi was announced as the Doctor.

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    If there’s one reason and one reason alone to watch the BBC’s The Musketeers (BBC, Not Rated, Blu-Ray-$49.96 SRP), it’s to catch the mighty Peter Capaldi in his turn as Cardinal Richelieu. And really, isn’t that enough? Bonus materials include a quartet of featurettes.

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    A landmark science fiction anime gets the high definition treatment it deserves with the 25th anniversary edition of Ghost In The Shell (Anchor Bay, Not Rated, Blu-Ray-$29.99 SRP), which means if you’ve never seen its mind-blowing craziness, now is the perfect time to do so.

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    It definitely grew on me, and by the end of its first season, I was looking forward to spending time with the crack ensemble of Brooklyn Nine-Nine (Universal, Not Rated, DVD-$44.98 SRP). The 3-disc set contains all 22 episodes, plus deleted scenes.

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    Sure, it’s not the Belushi/Aykroyd black comedy I was hoping for, but the Seth Rogen/Zac Efron Neighbors (Universal, Rated R, Blu-Ray-$34.98 SRP) still has its comedic moments, many coming from Rogen aging into the role of one-half of a young couple (with Rose Byrne) whose quiet suburban life in their new home with their newborn child is ruptured when a college fraternity moves in next door, fronted by frat boy Efron. And then they go to war. Of course. Bonus materials include an alternate opening, deleted/alternate scenes, featurettes, and a gag reel.

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    It’s as lowbrow as most Chuck Lorre comedies, but there’s no denying the appeal of leads Allison Janney and Anna Faris in Mom (Warner Bros., Not Rated, DVD-$44.98 SRP), which finds Faris as a newly-sober single mom thrown up against her own mother (Janney) as comedic sparks fly. The sole bonus feature is an often-funnier-than-the-show gag reel.

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    For those of you who still watch the seemingly neverending pandering emptiness and truly wasted ensemble cast of Big Bang Theory (Warner Bros., Not Rated, Blu-Ray-$44.98 SRP), the seventh season is more of the same, including a decided increase in guest stars and wacky t-shirts. Bonus materials include a clutch of featurettes, the 2013 Comic-Con panel, and a gag reel.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Weekend Shopping Guide 2/8/13: You Can Fly

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    (Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

    It certainly seems to take quite a long time between Disney’s high definition releases from their animation catalogue, but when you look at the stunning, absolutely pristine restoration done for the new release of Peter Pan (Walt Disney, Rated G, Blu-Ray-$44.99 SRP), the wait makes perfect sense, because this film has never – NEVER – looked better than it does here. In addition to all of the bonus materials from the previous DVD release, the Blu-Ray ups the ante with a pair of deleted songs (“Never Smile At A Crocodile” is a wonderful earworm), a pair of deleted sequences (presented in storyboard form), featurettes, and even an introduction from Diane Disney Miller. Brilliant, and a must-get.

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    As I am terribly old and can remember playing the original Legend Of Zelda on my original NES system when it was a new release before battling the ferociously difficult Zelda II and immersing myself for days into A Link To The Past, the arrival of the massively geeky The Legend Of Zelda: Hyrule Historia (Dark Horse, $34.98 SRP) is a cause for celebration. Collecting creator interviews, information, production artwork, and even an official timeline of the series, it’s everything a Zelda fan could hope for in one tome, made even more special via the limited edition being stocked by the fine folks at Thinkgeek, which presents the book with a faux-leather cover that would not look out of place in any of the games.

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    Eugene Mirman may not be a national treasure now, but he deserves to be. Or, at the very least, a fami9liar face to a much wider audience, which would certainly be the case if you gave a copy of his special Eugene Mirman: An Evening Of Comedy In A Fake Underground Laboratory (Comedy Central, Not Rated, CD/DVD-$ SRP). Because it’s very, very funny.

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    From the first time I heard “Rainbow Connection” as a small child, I had an affinity for the songs of Paul Williams. As I got older, I would hear his music all over the place, usually in the form of immensely successful interpretations by some of the most popular artists of the day, as well as seeing him in films and on TV. And I liked him there, too. Come to find out, I’m not alone in liking Paul Williams, as filmmaker Stephen Kessler shared the same love and decided to make a film about him called Paul Williams: Still Alive (Virgil Films, Rated PG-13, DVD-$19.99 SRP). Give it a spin. Tis brill.

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    For more years than I can recall, the amiable scholars at Twomorrows have been publishing a wide range of magazine and books chronicling every nook and cranny of the comics, creators, characters, and companies fans know and love. They’ve now taken that love and scholarly approach to the next logical step, by launching a must-have document of four-color history in the American Comic Book Chronicles (Twomorrows, $39.95 SRP), which will eventually chart from 1940 to today. The debut volume, The 1960’s: 1960-1964, looks at the origins of the Silver Age, from its launch at DC to its true blossoming in the halls of the newly-rechristened Marvel Comics. Get this book, then star setting aside shelf space for the rest – which can’t come fast enough.

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    It had a built-in expiration, but that – and a cast that includes the great Hugh Bonneville & Jessica Stevenson – is what makes the comedy series Twenty Twelve (BBC, Not Rated, DVD-$34.98 SRP) so great. Imagine The Thick Of It, but focused on the planning committee for the London Olympics, and you know exactly what you get from this gem.

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    Bit by bit, Criterion is revisiting its deep library of world cinema greats and giving them full-blown high-def audio/visual upgrades that make them a must to repurchase. The latest is Volker Schlondorff’s adaptation of Gunter Grass’s acclaimed satire The Tin Drum (Criterion, Not Rated, Blu-Ray-$39.95 SRP), about a highly intelligent boy who refuses to grow older past his third birthday as the world crumbles into the folly of a world war around him. Bonus materials include new interviews, featurettes, Grass reading experts from the novel, and more.

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    The wait is over, as you can now watch the entirety of the Gotham crusader’s last stand now that Batman: The Dark Knight Returns: Part 2 (Warner Bros., Not Rated, Blu-Ray-$24.98 SRP) has hit. Bonus materials include a pair of featurettes, 3 bonus cartoons, and a preview of Superman: Unbound.

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    Surprisingly, there’s nothing cloying about Celeste And Jesse Forever (Sony, Rated R, Blu-Ray-$35.99 SRP), about separated couple (Rashida Jones & Andy Samberg) on the path of divorce who also happen to be the best of friends. But just as they begin to re-assess what they really mean to each other, a wrench is thrown into the works. There’s actually a strong genuine streak to the whole affair too often missing from traditional “romcoms”. Bonus materials include audio commentaries, deleted scenes, and featurettes.

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    Fox inaugurates their 2013 Studio Classics catalogue initiative with a trio of titles that certainly fit the bill – Wild River, How Green Was My Valley, & Gentleman’s Agreement (Fox, Not Rated, Blu-Ray-$24.99 SRP each). All are beautifully restored, with bonus features including audio commentaries, featurettes, trailers, and more.

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    I have to say, Flight (Paramount, Rated R, Blu-Ray-$39.99 SRP) is the first enjoyable Robert Zemeckis film in years. It’s like he’s woken from a vegetative state, returning with a tight drama about a drunken, drugged-out airline pilot (Denzel Washington) who manages to perform a heroic landing after an equipment failure, and the awkward situation that comes from it. I could have done without the tacky, heavy-handed religious angle, but the rest of it makes up for it. Bonus materials include a clutch of featurettes and a Q&A.

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    Fancy a bit of a starry nosh this weekend? Then look no further than the Dead Celebrity Cookbook (HCI, $19.95 SRP), in which Frank DeCaro collects dozens of recipes from the stars of yesteryear, from John Ritter’s favorite fudge to Bea Arthur’s vegetarian breakfast.

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    Anyone who’s ever been to a nice theater in a nature museum knows that seeing a beautifully-shot 3D nature film is just this side of actually being there, and a trio of new home video releases bring that experience right into your living room – Fascination Coral Reef 3D, Fascination Coral Reef 3D: Mysterious Worlds Underwater, and Amazing Ocean 3D (Universal, Not Rated, Blu-Ray-$34.98 SRP each).

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    A feature film usually works as a catalyst to unleash a flood of tie-in projects, but for the adaptation of a legendary stage musical, the options are somewhat limited. So, in lieu of action figures, we get a beautiful collectible tome like Les Miserables: From Stage To Screen (Applause, $45.00 SRP), which chronicles the history of the show from its earliest roots on the French stage to its massive success in London and Broadway, on to the recent big screen take. Additionally, the book contains reproductions of ephemera from original tickets and promotional flyers to posters and concept art.

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    Considering how inexpensive they are to produce, it should come as little shock that we’re already up to Paranormal Activity 4 (Paramount, Not Rated, Blu-Ray-$39.99 SRP), which returns with an all new malevolent spirit and a fair share of genuine scares. So think of it as an anthology series! As for bonus materials, you get 30 minutes of additional footage.

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    The second season of Misfits (BBC, Not Rated, DVD-$24.98 SRP) finds our 5 reluctant heroes on community service, all of which is being observed by a mysterious new figure with a secret that could affect them all. Bonus materials include additional scenes and featurettes.

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    Made on a shoestring but with verve to spare, All Superheroes Must Die (Image, Not Rated R, Blu-Ray-$29.97 SRP) is a pulpy little film about a quartet of superheroes stripped of their powers and under the gun in a plot orchestrated by a villain from their past. Give it a spin.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Opinion In A Haystack: THAT’S MY BOY Review

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    That’s My Boy ““ A SPOILER FREE REVIEW!

    Why am I always so on the defensive with comedy these days?

    Not really sure if this makes me a contrarian or what, but one of the things I miss most about the “˜90s is that it was like a mid-budget comedy-film heaven. A time where studios were investing in sillyness, stupidity and laughs on a consistent basis, and where the cynicism born out of the soon-to-come net-generation was nowhere in sight. Sue me”¦I loved the Hollywood that could release films like Dumb and Dumber, Wayne’s World, Coneheads, Tommy Boy, Happy Gilmore, Dirty Work, Cabin Boy, etc. Comedy is undoubtedly my favorite genre, I was raised on it, and those were the type of films released during my impressionable years. It was practically on tap at the theater, and I make no apologies for loving them. Why did it all stop? Can’t really be sure, but perhaps it was some mixture between the fact that Hollywood no longer can make a mid-range budgeted film anymore AND somewhere along the lines comedy in film became associated with bad cinema.

    I blame Tarantino, and I’ve been accused of being a Tarantino fanboy”¦but in my humble opinion, Tarantino is to studio comedy films what Nirvana is to “Fun Music” (see Darren Aronofsky’s The Wrestler for further explanation.) They came on the scene and suddenly everything needs to be gritty, real, and/or serious or “IT SUCKS!” (at least in the mind of the audience.) Which doesn’t even make sense since there’s nothing “real” about Tarantino’s films”¦in a good way, but I digress.

    That’s My Boy is a return to form for Sandler, a return to the Sandler of his early comedy albums, his SNL days, the era of Billy Madison and Happy Gilmore. For some this isn’t really a good thing, if you hated Sandler before you aren’t going to magically love him now, ESPECIALLY with him doing a silly accent for 90 minutes, it even took me a few minutes to adjust without cringing. In retrospect though, I like the over the top absurdity of his (Boston?) accent. I’m the guy who loved and still loves Little Nicky after all .

    What is the “form” that this is returning to? Basically, R-rated, family-unfriendly humor. It’s Sandler as the goofball dad and Andy Samberg as his estranged son, the straight man who can’t stand the constant free-flowing sex jokes, stupidity and/or slobbery. Sure, it’s an old formula, but a great formula when played right. I submit the following examples:

    Awesome:

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    Even more awesome:

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    This poster looks familiar, the posing, the spilling beverage, the word “BOY” :

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    The best comment I have for That’s My Boy is that it isn’t our worst fear, it isn’t JACK AND JILL 2: JACK AND JILL AND JED (I’m just guessing.) This is the Sandler that we fell in love with in the 1990s. Now that he’s back on track, and the fact that this film is essentially a non-violent Uncle Donnie movie (his name is even Donnie,) I hope and pray that he will finally make my dreams come true and make Toll Booth Willie: The Movie.

    I’m Bob Rose and thanks for your eyeball time!