FRED Entertainment

August 16, 2013

Weekend Shopping Guide 8/16/13: Moving Right Along

Filed under: Shopping Guides — Tags: , , , , , , , — UncaScroogeMcD @ 1:32 am

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

Due to its relatively low production budget, The Muppet Movie (Walt Disney, Rated G, Blu-Ray-$26.50 SRP) is never going to look pristine, but the new high definition restoration has the film looking and sounding far better than it ever has, and for that – and the fact that it’s finally out – I’m terribly happy. The bonus materials are limited, but the extended version of the original camera tests for the film (a truncated version was available on the previous DVD release) and the uncut production footage of Doc Hopper’s commercial are much appreciated.

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When I first heard that those producers of to-scale miracles, Hot Toys, were looking to begin creating vehicles for their already-stunning line of 1/6-scale figures, I thought they were mad. When you’ve got a figure that already stands a foot, how in the heck are they going to do – and release with anything resembling a reasonable price – something that would have to be simply massive? Well, in a slap to my foolish doubt, they’ve done just that. And, in person, the 1/6-scale Batmobile ($629.99) from the 1989 Tim Burton Batman film is simply incredible. The details and accessories are incredible, from the grappling hook and machine guns to the bat discs and LED lights for the headlamps, engine, and dash, this is the perfect accessory (if you can call something so massive and intricate an accessory). To make the display that much more perfect, the appropriate Michael Keaton Batman figure – which Hot Toys released last year – fits perfectly into the cockpit. This is an iconic film vehicle, and Hot Toys has done right by it. And guess what? It comes shipped with a protective cover – which just happens to be perfectly sculpted to represent the armored version of the Batmobile seen in Batman Returns. So yes, head over to Sideshow and get this while you can. Here’s hoping Hot Toys eventually releases a Buckaroo Banzai line.

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If there’s something that Thinkgeek excels at, it’s offering up items you never thought you needed. Case in point is Twiddle ($9.99), which is… Well, I don’t know quite how to describe it. It’s a jointed length of plastic that you just mess around with. Endlessly. And it comes in different colors, because, of course. A great little stress reliever.

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Kick your celebrations of Doctor Who‘s 50th anniversary into high gear with a trio of releases, starting with the very first high definition release of a classic Doctor serial with Doctor Who: Spearhead From Space (BBC, Not Rated, Blu-Ray-$29.98 SRP), the inaugural story of Jon Pertwee’s 3rd Doctor. And it looks and sounds amazing. Bonus materials include a pair of documentaries on Pertwee and companion Caroline John, a look at the restoration process, and title sequences.

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Keep the Who party going with a new special edition of the 3rd Doctor story with the space maggots, Doctor Who: The Green Death (BBC, Not Rated, DVD-$34.98 SRP), which adds to all of the usual audio commentaries and featurettes with the inclusion of the 2-part Sarah Jane Adventures adventure guest-starring Katy Manning & Matt Smith, and a wonderful documentary with Russell T. Davies on the machinations behind the show’s return in 2005.

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And finally (until next month, anyway), there’s The Doctors Revisited: One To Four (BBC, Not Rated, DVD-$39.98 SRP), which brings together a representative story from each of the first four incarnations of the Doctor – “The Aztecs”, “The Tomb Of The Cybermen”, “Spearhead From Space” and “Pyramids Of Mars” – and pairs them with a documentary retrospective of that Doctor’s tenure.

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A few years back, William Shatner produced a wonderful little documentary called The Captains, in which he had candid conversations with the other actors who have held that rank in the Star Trek franchise. To follow that up, he’s gone back and cut extended versions of those interviews with Patrick Stewart, Avery Brooks, Kate Mulgrew, Scott Bakula, and Chris Pine – plus himself – for the expanded The Captains Close Up (E1, Not Rated, DVD-$19.98 SRP). And the result? Still wonderful. In fact – More, please.

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After being unceremoniously cancelled, it seems rather fitting that HBO is only giving a non-high definition release to the second (and now final) season of Enlightened (HBO, Not Rated, DVD-$39.98 SRP), Mike White and Laura Dern’s sublime dramedy about a post-rehab corporate executive eager to expose her own company’s sins. Bonus materials include audio commentaries and featurettes.

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The second season of Girls (HBO, Not Rated, Blu-Ray-$39.98 SRP) is where Leah Dunham’s already-soapy dramedy moves fully into guilty pleasure territory, as it cranks the absurd emotional pendulum all the way to 11. And yet I can’t stop watching. Bonus materials include audio commentaries, featurettes, deleted/extended scenes, interviews, featurettes, and more.

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Raymond Burr takes his final cases in the second volume of the 9th and final season of Perry Mason (Paramount, Not Rated, DVD-$45.98 SRP) – at least until he’d return decades later in TV movies. The 4-disc set contains 15 episodes or courtroom drama, plus an introduction to the episode “The Case Of The Twice-Told Twist” with Barbara Hale.

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I gave it the ol’ college try for its first few weeks, but I could never get into the groove of The Mindy Show (Universal, Not Rated, DVD-$29.98 SRP) – which is unfortunate, because I find Mindy Kaling both a funny performer and writer, but the show just never seemed to gel. Maybe I’ll give it another go for its second season, and hope for the best. Bonus materials include deleted scenes.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume
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August 13, 2013

A Bit Of A Chat with Ken Plume & William Shatner

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , , — UncaScroogeMcD @ 2:33 pm

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I have a chat with the legendary William Shatner about Captains, candor, raw nerves, and wine.

His latest documentary project, THE CAPTAINS CLOSE UP – featuring in-depth, expanded conversations with fellow Star Trek captains Patrick Stewart, Kate Mulgrew, Avery Brooks, Scott Bakula, and Chris Pine – is now available.

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & William Shatner“:

[audio:http://traffic.libsyn.com/bitofachat/bit_of_a_chat-william_shatner.mp3]

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Subscribe to this Podcast via iTunes

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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August 12, 2013

A Bit Of A Chat with Ken Plume & Austin Ivansmith

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , , , , , — UncaScroogeMcD @ 7:09 pm

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I have a chat with videogame director Austin Ivansmith about DuckTales, Dr. Bitter ‘n’ Resentful, eloquence, esotericolacity, greasy spoon games, smugendipity, and the Paul F. Tompquest.

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Austin Ivansmith“:

[audio:http://traffic.libsyn.com/bitofachat/bit_of_a_chat-austin_ivansmith.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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August 11, 2013

FROM THE VAULT: J. Michael Straczynski Interview

Filed under: Interviews — Tags: , , , — UncaScroogeMcD @ 9:14 pm

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Conducted ~8/2000

jmsLess than a year after the Babylon 5 spin-off Crusade ended its too-short run on TNT, I had a chance to have a nice long talk with creator J. Michael Straczynski about his long career in television, his uphill battle to get Babylon 5 made, and the bitter end of its follow-up.

I decided to bring this interview out from the vault – As well as interviews with other Babylon 5 cast members – in celebration of the release of Babylon 5 At Twenty: A Visual Celebration – a massive tome that takes readers behind-the-scenes of the show, and can be ordered via B5Books.com.

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KEN PLUME: What area of the country are you from?

J. MICHAEL STRACZYNKSKI: I was born in Patterson, New Jersey, and raised pretty much all around the country. My family tended to move from place to place following economic prospects and jobs and looking for new opportunities, so we changed schools, colleges, grade schools, high schools every 6 months to a year – depending on the breaks. I grew up in Jersey, California, Illinois, Texas… That sort of thing.

PLUME: It must have been difficult…

STRACZYNKSKI: It was difficult. As I went from place to place, I would arrive and there was no point really to making friends, because you knew – in 6 months to 1 year and sometimes less – you would be gone and they would be gone, which tended to lead me toward an isolationist style. The only thing that I discovered very early on is that, even though we might change schools and cities and towns and states, the books in the library were the same. They had the same covers. They had the same characters. I could go and visit those people in the library as if I knew them. Hence, even as a very young kid, I began spending a lot of time in the school library. By the time I was about 11 years-old, I’d already worked my way through the kids section and had moved into the adult section – which is where I really began to discover science-fiction for the first time.

PLUME: Which genre was your favorite at that time?

STRACZYNKSKI: It was probably space science-fiction. The Lensman books by E. E. (Doc) Smith. The Lord of the Rings – being more of a fantasy thing, but I discovered that as well. A lot of Arthur Clarke, a lot of Ray Bradbury. The first Bradbury books I read were R Is For Rocket and S Is For Space. A lot of the futuristic space stuff seemed to me to be a very cool form of science-fiction, so that was my first real baptism in the genre.

PLUME: Were you writing at that time as well?

STRACZYNKSKI: I always knew that I was going to be a writer. There was no question in my mind about that. I can’t recall a time when I didn’t know that, so I knew I had to prepare myself. I read voraciously. I learned about all the different kinds of pens and grades of paper. When I got to high school, I took four semesters of typing, because I knew that if I was going to be a writer, I should learn how to type. I was one of the fastest typists to come out of Chula Vista High School. It was in my senior year that I had prepared myself enough so that something kind-of rolled over in my head and said, “Now.” That’s when I wrote my first short story, three poems, and some other material. That day, I wrote 10 pages, and the next day I wrote 10 pages… and I’ve been writing 10 pages ever since – to my current age of 46.

PLUME: What aspects of the writing process appealed most to you? Was it the ability to create your own worlds? Was it as a companion? What was it that entranced you?

STRACZYNKSKI: It was the story-telling aspect more than anything else. I loved watching stories and I loved hearing stories and I loved telling stories. It was creating new places and people and telling those stories… It’s a holistic kind of a thing. I’ve always enjoyed the writing process. There are times when it’s frustrating – when you’re staring at the monitor and, for some reason, the characters are playing coy. But 98% of the time, it’s terrific and a lot of fun.

PLUME: When you first began writing those 10 pages a day, was it initially merely for yourself, or were you writing with the intention that other people would see it?

STRACZYNKSKI: Initially – in my own mind -it was to learn the process… To learn how to do it. It was something that was really my own, for the first time. The odd thing is that – almost immediately – whatever I began to write, I began to sell. I would send out little articles to kid’s magazines and they would get picked up. I wrote a couple of short stories, and they appeared in the high school periodical. I began writing sketches, and when one of my teachers happened to see what I was writing and asked to look at it, and the next thing I know, they had formed a troupe of actors out of the high school class to go from class to class acting out these one-act plays. Then the high school came to me and said, “We’re going to institute a new deal where a student will write an assembly-length play. Do you want to write it? Of course, if it doesn’t work, we’ll never do it again.” No pressure. I said sure, so I wrote this full-length show. This was within 3-4 months of having started writing. Literally the next year, I was commissioned to write an actual stage play for Summer stock for a local theater. Just coming right out of the box, I began to sell – which was very much to my own astonishment. One play that I wrote I sent off to a local theater, and they called back wanted to arrange for me to meet them. My mom got the message, and I showed up, and they were looking for my dad. I said, “No, I wrote this.” They wouldn’t believe it. I had to quote parts of it back at them before they’d believe me. So even though I started off primarily just writing for myself to learn the process, I began selling almost immediately and have ever since. I’ve sold about maybe 85-90% of everything I’ve ever written. I have no explanation.

PLUME: So were your high school years more stable as far as moving than your elementary and junior high years?

STRACZYNKSKI: No. I attended four different high schools: St. Benedict’s High School in Matawan, New Jersey, Matawan Public School, Lennox High School in Lennox, California, and Chula Vista High School in Chula Vista, California. I went to four different colleges: Kankakee Community College in Illinois, Richland College in Dallas, Texas, Southwestern College in Chula Vista, and San Diego State University.

PLUME: Did you find yourself having to reestablish your writing presence in each of the institutions as you moved?

STRACZYNKSKI: Yeah, but – again – it was never that much of a problem. I would go to the campus newspaper or the local papers and say, “I’m a writer and I can do this, that, and the other thing…” It was never much of a problem. I was very lucky in that respect. When I got to San Diego State University, I sort of took over the campus paper. I was writing entertainment reviews, columns, news articles, investigative features, I had three different columns of my own… Instead of The Daily Aztec, they began calling it The Daily Joe, because every day I had something in there. It was then that I began to get kind-of persnickety about it because at the time – being an idiot and not knowing any better – I refused to take any kind of a salary for what I was doing for the paper. I said, “If I do it my way as a freelancer, I’m not committed to following anybody’s orders. I can do what I want and walk away.” So even though I could have made a lot of money writing for the paper, I never did. I thought I would be more pure that way. I was, of course, an idiot.

PLUME: Especially at that level.

STRACZYNKSKI: As a struggling college student, no less, where I could have used the money. Very early on, I approached writing from a very naïve, idealistic point of view. I’ve gotten rid of some of it, but unfortunately a lot of it still lingers.

PLUME: What’s the hardest part to divorce yourself of, in terms of that idealistic, persnickety attitude?

STRACZYNKSKI: The hardest part is standing up for what I want to say and not compromising on certain principles. For instance, while I was in college, I began to write also for the Los Angeles Times, San Diego bureau. I became one of their key entertainment writers. One story I did about a group in San Diego called The Lambs Players, I found out that this religious theater group was getting state funding – which, of course, you’re not supposed to do, and I included that in my article. The editor said, “This has to come out, because this is news and you’re writing an entertainment feature.” I said, “But that’s integral to the entire story. This is something that has to be included in the article.” He said, “Well, then it has to come from a news reporter. You can’t do it.” I refused to take it out, and he refused to run it with it, and that standoff basically ended my time with the LA Times. I wouldn’t buckle on principle.

Continued below…

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August 9, 2013

Weekend Shopping Guide 8/9/13: Sleeping In Light

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

Sadly out of circulation for nearly 15 years, there’s nothing that stirs up good memories of a much-missed television show quite like a beautifully produced book, which certainly applies to Babylon 5 At Twenty: A Visual Celebration (B5 Books, $134). Running at 256 pages and measuring 12″x12″ on museum-quality paper, the slipcased hardcover contains 753 behind-the-scenes production images detailing everything from sets and costumes to make-up and candid moments. All with running commentary from creator J. Michael Straczynski. I’m not going to wade into the whole B5 vs Star Trek debate, because I love both series dearly, but what becomes abundantly clear – and what this incredible tome displays so well – is the remarkable world Babylon 5 was able to convey on a relative pittance compared to the much larger budgets of Trek. If you act quick – and I do meant quick – you can head over to B5Books.com and snag what remains of the first printing at a ridiculous discount that you’ll be kicking yourself later if you’re fool enough let pass by. So yes – Go get it. And then revisit one of the finest serialized science fiction shows ever to grace the pop culture firmament.

If you have any inclination that you might want to have one of the collectibles being released by Sideshow and you know what’s good for you, you’d best sign up for their newsletter or risk losing out on a piece during the increasingly all-too-brief window before they’re sold out. Case in point is the recent Hot Toys release of The Avengers-specific Black Widow ($189.99). As you can see from the photos below, the portrait of actress Scarlett Johansson is eerily lifelike, which makes the exquisite tailoring of the leather suit icing on the cake. So I must stress again – Get these collectibles while you can. You’ll regret it mightily if you don’t.

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I’ve long beat the drum for the brilliance of The Thick Of It (BBC, Not Rated, DVD-$79.98 SRP), recommending it to my fellow Americans as a rare slice of satirical brilliance brought to life by a stellar cast. And the timing of the long-awaited US release of the entire series just so happens to coincide with the announcement that star Peter Capaldi – who plays the foul-mouthed spin doctor Malcolm Tucker – just so happens to be the new Doctor in Doctor Who. Ah, coincidence. Regardless, pick up this set and watch it all. Twice. Then again, for good measure. Bonus materials include audio commentaries, deleted scenes, featurettes, outtakes, and more.

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Having become used to gritty, grimy VHS versions and only slightly better DVD versions over the years, to see the absolute, sparkling clarity Disney has accomplished with their new high definition catalogue restorations of The Sword In The Stone, Robin Hood, and Oliver & Company (Walt Disney, Rated G, Blu-Ray-$36.99 SRP each). These truly are the definitive versions of these films – the restoration is just that impressive. All 3 carry over the bonus features from their DVD releases, while also managing to add some newly found alternate opening, finales, and storylines.

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With the documentary West Of Memphis (Sony, Rated R, Blu-Ray-$35.99 SRP), filmmaker Amy Berg presents the powerful story behind the fight to save an innocent man from Arkansas’ death row, uncovering new evidence surrounding the murder of three boys and the trio of teenagers wrongfully imprisoned for the crime. Bonus materials include an audio commentary, Toronto Film Festival footage, deleted scenes, and more.

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It gets campier as the years go by, but there’s still a B-movie charm to Wes Craven’s big screen adaptation of DC Comics’ green avenger, Swamp Thing (Shout Factory, Rated PG, Blu-Ray-$26.99 SRP). The new high definition edition gets loaded with bonus features, including audio commentaries, interviews, featurettes, the trailer, and galleries.

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When you view the brand new high definition restoration of Cleopatra (Fox, Rated G, Blu-Ray-$24.99 SRP) and see in glorious detail the visual excess on screen, it’s not surprising that the epic very nearly bankrupted the Fox studio. In this modern age of computers making anything imaginable an easy reality, to see the old-school physical scale on display is truly a marvel, even if the film itself is a bit of a dud. Bonus materials include an audio commentary, featurettes, archival footage, and more.

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No matter how much I try, even by its 3rd season, I just can’t understand the appeal of Top Gear USA (BBC, Not Rated, DVD-$24.98 SRP). The trio of hosts have none of the wit and quirky charm of the UK originals, which makes the whole affair feel terribly artificial. But hey, there must be fans, or it wouldn’t still be on, right? Bonus materials include audio commentaries, interviews, extra scenes, and featurettes.

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It’s back to the backwoods with the 3rd season of Duck Dynasty (Lionsgate, Not Rated, DVD-$19.98 SRP), as the real life soap opera of the Dallas of duck calls keeps on rolling. Bonus materials include deleted scenes, webisodes, mash-ups, and music videos.

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The releases seem to be coming fast and furious as we get Gunsmoke: The Ninth Season – Volume 1 & Volume 2 (Paramount, Not Rated, DVD-$49.99 SRP each). Both 5-disc sets contain 18 episodes of James Arness’ marshal Matt Dillon doling out the frontier justice.

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With the rambling Beat nature of it all, it’s damned hard to realize an adaptation of Jack Kerouac’s On The Road (IFC, Rated R, Blu-Ray-$29.98 SRP), but Walter Salles makes a decent go of it with Sam Riley & Garrett Hedlun taking on the roles of Sal & Dean, and Kristen Stewart adding another emotion as Marylou. Bonus materials include deleted scenes and a trailer.

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Bronies the world over will be planning a movie night with the release of the first feature-length pony outing My Little Pony: Equestria Girls (Shout Factory, Not Rated, Blu-Ray-$24.97 SRP), which recasts all of the pony characters into oddly disturbing humanized versions in an alternate dimension. Yup. Bonus materials include a featurette and karaoke songs.

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Fans of a good ol’ British mystery? Look no further than the seemingly lovely villages of Midsomer County to find a thinly veneered undercurrent of murder in Midsomer Murders: Set 22 (Acorn, Not Rated, DVD-$49.99 SRP). The set contains a quartet of cases, plus a behind-the-scenes conversation.

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Expand your Star Trek prop shelf and feature film cosplay with the very first toy realization of the Star Trek II: The Wrath Of Khan Communicator (Diamond Select Toys, $45.00 SRP). Not only does it feature lights and sounds, but also sound clips of Admiral Kirk, Spock, Khan, and Lt. Uhura. Yes, even “KHAAAAAAAAN!”

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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FREDagator: 2013-08-09

Filed under: FREDagator — UncaScroogeMcD @ 12:10 am

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It’s not the official “Moon Theme” from the upcoming DuckTales Remastered, but this is pretty damn snazzy…

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August 5, 2013

A Bit Of A Chat with Ken Plume & Chris Hardwick

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , , — UncaScroogeMcD @ 4:27 pm

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I have a chat with quantum enthusiast Chris Hardwick about Moose, Fraggles, meth, bowling, Phirman, and gauntlets.

For more Chris Hardwickery, go to Nerdist.com.

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Chris Hardwick“:

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Subscribe to this Podcast via iTunes

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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August 4, 2013

FREDagator: 2013-08-04

Filed under: FREDagator — UncaScroogeMcD @ 5:02 pm

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The first footage of Peter Capaldi as the new Doctor…

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Whotininnies 24: Putting A Cap On

Filed under: Whotininnies — Tags: , , , , , , — UncaScroogeMcD @ 3:59 pm

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Join Ken Plume and Glen Oliver as they take you on a journey beyond geekiness and nerdiness – Well, they pretty much just nerd out geekily and have a bit of a chat about Doctor Who and all things sci-fi.

Whotininnies 24: Putting A Cap On
Ken and Glen discuss the new Doctor, Peter Capaldi. SPOILER WARNINGS all around. As always, our theme is courtesy of Chameleon Circuit.

Hope you enjoy…

Download “Whotininnies 24: Putting A Cap On“:

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(Artwork by Molly Lewis)

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August 2, 2013

Win CRAIG FERGUSON: I’M HERE TO HELP on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 5:43 pm

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In conjunction with New Wave Dynamics, we’re giving away four (4) copies of CRAIG FERGUSON: I’M HERE TO HELP on DVD.

Contest ends at 11:59pm EST on August 14th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
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Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, August 14th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE MUPPET MOVIE on Blu-Ray!

Filed under: Contests — Tags: , , , , , , , — UncaScroogeMcD @ 5:08 pm

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In conjunction with Disney, we’re giving away a copy of THE MUPPET MOVIE on Blu-Ray.

Contest ends at 11:59pm EST on August 14th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, August 14th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win TEENAGE MUTANT NINJA TURTLES: ENTER SHREDDER on DVD!

Filed under: Contests — Tags: , , , , , , , — UncaScroogeMcD @ 5:02 pm

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In conjunction with Nickelodeon, we’re giving away three (3) copies of TEENAGE MUTANT NINJA TURTLES: ENTER SHREDDER on DVD.

Contest ends at 11:59pm EST on August 14th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, August 14th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE LEGEND OF KORRA: BOOK ONE – AIR on DVD!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 4:58 pm

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In conjunction with Nickelodeon, we’re giving away three (3) copies of THE LEGEND OF KORRA: BOOK ONE – AIR on DVD.

Contest ends at 11:59pm EST on August 14th.

Enter the contest!
Email:
First name:
Last name:
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Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

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One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, August 14th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Weekend Shopping Guide 8/2/13: Rochester!

Filed under: Shopping Guides — Tags: , , , , , , , , — UncaScroogeMcD @ 12:47 am

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

Criminally unavailable on DVD in any proper and suitably loving presentation until now, the loveable chaps at Shout Factory have released The Jack Benny Program: The Lost Episodes (Shout Factory, Not Rated, DVD-$29.93 SRP), which brings together 18 episodes of the legendary comedian’s television show not seen since their original broadcast over 50 years ago. As if the material itself weren’t brilliant enough, the episodes have also been fully restored. Bonus materials include interviews, bits from Benny’s television specials, and Hearst newsreels. If that weren’t enough Benny for you (such a thing is not possible!), if you order direct from Shout you get a special bonus disc of The Horn Blows At Midnight – the live TV adaptation of the feature film, starring Jack as the trumpeting angel sent to destroy Earth.

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And what better Jack Benny chaser is there than Craig Ferguson: I’m Here To Help (New Wave Dynamics, Not Rated, DVD-$12.95 SRP), the late night wonder’s latest stand-up special. And if you only know Craig from The Late Late Show and haven’t seen his stand-up before, treat yourself to this outing, as it starts strong and never lets up.

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The art of animation reduced down to its most primal level is the magic to be found in Walt Disney’s Nine Old Men: The Flipbooks (Disney Editions, $60.00 SRP). The box set contains 9 squarebound flipbooks – each picking an iconic character or scene animated by Walt Disney’s legendary cadre of artists – Ward Kimball, Frank Thomas, Ollie Johnston, Woolie Reitherman, Les Clark, John Lounsberry, Eric Larson, Milt Kahl, and Marc Davis. They’re beautifully presented and deeply illuminating… So much so, that I’d love additional sets in an ongoing series.

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While the show in many ways hasn’t aged very well with very uneven seasons, kudos must once again be paid to Paramount for the absolutely stunning restoration and high definition remastering job they’ve done for Star Trek: The Next Generation – Season 4 (Paramount, Not Rated, Blu-Ray-$129.99 SRP). It’s remarkable to see how different the show feels utilizing the original 35mm film elements rather than the video masters originally used for broadcast, plus the upgraded visual effects. To add to the package and the original DVD bonus features, they’ve again added a nicely candid trio of documentaries, plus deleted scenes, promos, a pair of audio commentaries, and a gag reel. And while you’re at it, be sure to pick up the single disc release containing both the season 4 cliffhanger finale and season 5 premiere, Star Trek: The Next Generation – Redemption (Paramount, Not Rated, Blu-Ray-$24.99 SRP), which also adds a wonderful little documentary featurette on Next Gen‘s Klingon origins and legacy.

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After the abomination of the first film, it’s with great relief that, while not a particularly good film, GI Joe Retaliation (Paramount, Rated PG-13, 3D Blu-Ray-$54.99 SRP) scores a great deal of points in my book simply for trying to actually bring to screen visual elements and characters that made the original animated series such a mental mindworm in many a child of the 80’s… And yes, I mean Cobra Commander. So while it’s not great, it’s fun, and worth a spin for its move in the right direction. Bonus materials include an audio commentary, featurettes, and deleted scenes.

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Toddlers can take another ride on The Magic School Bus with a pair of new releases – The Magic School Bus: In A Pickle (Scholastic, Not Rated, DVD-$12.95 SRP), which focuses on microbes and molecules, and The Magic School Bus: Revving Up (Scholastic, Not Rated, DVD-$24.95 SRP), featuring 3 discs of construction, farms, and energy.

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I guess it all had to end eventually. Sadly, Justice League: The Flashpoint Paradox (Warner Bros., Rated PG-13, Blu-Ray-$24.98 SRP) brings to a pathetic close the last remnants of the Bruce Timm-era animated DC universe by ringing in the arrival of DC’s relentlessly imbecilic “New 52” universe with a bloody, gratuitous thud. Bonus materials include an audio commentary, featurettes, and bonus cartoons.

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The budget-conscious folks at Mill Creek, mindful of just how precious your hard-earned money is, have dropped another clutch of reasonably-priced catalogue films and documentaries – the Charlton Heston narrated series Secrets Of War (Mill Creek, Not Rated, DVD-$29.98 SRP), the oil industry documentary The Prize (Mill Creek, Not Rated, DVD-$9.98 SRP), the organized crime documentary Gangster Empire: Rise Of The Mob (Mill Creek, Not Rated, DVD-$9.98 SRP), The Korean War (Mill Creek, Not Rated, DVD-$9.98 SRP), the 12-movie collection Flying Fists Of Kung Fu (Mill Creek, Not Rated, DVD-$9.98 SRP), the 12-movie collection Kickin’ It Shaolin Style (Mill Creek, Not Rated, DVD-$9.98 SRP), and the 4-movie Benji collection (Mill Creek Not Rated, DVD-$19.98 SRP).

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For many years now, the folks at Diamond Select Toys have been putting out some quite lovely prop, action figure, and ship toys from the classic Star Trek franchise. Now, they’ve upped their game with the newly introduced Star Trek Select line – deluxe 8″-scale figures featuring interchangeable parts and diorama sets. Star Trek Select: Captain Kirk (Diamond Select Toys, $24.99 SRP) features an additional Khan figure and section of engine room set from their classic showdown in the episode “Space Seed”. The Star Trek Select: Spock (Diamond Select Toys, $24.99 SRP) gives you the ability to recreate the legendary Vulcan’s mindmeld with a Horta in “The Devil In The Dark”. Here’s hoping they get to more vignettes featuring other members of the crew.

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And finally this week, we’ve got another truly stunning piece from the fine folks at Sideshow Collectibles. Well, technically it’s two pieces in one piece – namely the Premium Format R2-D2 & C-3PO ($749.99 SRP). That’s right – Sideshow has added the iconic droid duo to their already impressive line of 1/4-scale Star Wars premium format figures, and the results are incredible. Beyond the accurate sculpts and suitably weathered Tatooine scuffed paint jobs (the Sideshow Exclusive edition opts for their pristine appearance), the figures go above and beyond with light features on both characters – All of the dome lights on R2-D2 and C-3PO’s eyes. You even have the option of displaying them with their magnetic restraining bolts on. If you can pick these guys up, you won’t regret it.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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July 30, 2013

My Favourite Things: July 2013

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JULY

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Things are picking up now as Con season is in full swing and preparations for Dragon Con next month begin. If you follow me on Twitter, then all I will say is “expect cursing”.

1) Dustin Hoffman Gets It

I love the Hoff. He’s a great actor and from all the interviews I’ve seen he seems to be a genuinely good guy to boot. Enforcing this belief is a recent interview he did with the AFI about his time on the film Tootsie where he plays a man dressing as a woman.

Hoffman had a revelation while preparing for the role and he gained a little understanding as to just how hard women have it in this world. Things get a little emotional, so grab a tissue before watching.

2) Castletown Donkey Derby 1994

Words will be difficult to find in an attempt to describe what follows. It is quite possibly the funniest, unintentionally funny, video about rural Ireland in the 90s. You’ll soon realise that Father Ted was more of a documentary than most of us would like to admit.

Welcome to the Castletown Donkey Derby. It’s as batshit insane as you’d imagine.

3) Wolverine – The Musical!

I love the guys at gloveandboots, they do some great videos. With The Wolverine out this month, they jumped at the chance to create a musical based on Hugh Jackman’s… love of musicals.

It’s pretty awesome and features cameos from Jamie Madrox, Hulk and Spider-man.

4) The Walking Dead Season 4

The TV series has been divisive to say the least. Fans of the comic and those completely unaware all have a love/hate relationship with the show. Personally, I’ve found it enjoyable but inconsistent.

Comic Con recently premiered a big four and a half minute trailer for the new season and I have to say, it looks pretty bad-ass. Check it out.

5) Tom Hiddleston

Speaking of Comic Con, here is the perfect example of an actor who is having the time of his life.

Tom Hiddleston, during a Marvel movie panel, crashed proceedings in his full Loki costume and while in character decided to “have fun”. He may be playing an evil trickster but you can tell that smile is legit.

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And that’s it! My favourite things of the last month.

Aaron Fever is the creator of con-crud. He is also more accurately an internet whore and rarely leaves the house. If you like what you read here check out his blog http://www.aaronfever.com

July 29, 2013

Win DRAGONS: RIDERS OF BERK VOLUMES 1 & 2 on DVD!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 3:20 am

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In conjunction with Fox, we’re giving away a set of both DRAGONS: RIDERS OF BERK VOLUMES 1 & 2 on DVD.

Contest ends at 11:59pm EST on August 7th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, August 7th.

The winner must allow 4-6 weeks after notification of win to receive the product.

July 28, 2013

FROM THE VAULT: Bryan Cranston Interview

Filed under: Interviews — Tags: , , , , — UncaScroogeMcD @ 3:11 pm

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Conducted ~6/2003

cranstonLong before he became Walter White on AMC’s Breaking Bad, Bryan Cranston was stealing scenes on Malcolm In The Middle after a long career as a jobbing actor.

It was during the tail end of his Malcolm run that we had our in-depth chat. Here’s the original intro to the piece…

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While most people will recognize Bryan Cranston as the affably befuddled father Hal on Malcolm In The Middle, more discerning viewers will remember his roles in From the Earth to the Moon, Saving Private Ryan, Babylon 5, and numerous others on TV and film.

He’s also a writer/director/producer, having performed all three duties (plus acting) on his independent feature Last Chance, and directed an episode of Malcolm during this past season. He’s slated to directed three more episodes this coming season (including the season premiere).

Last Chance has just been picked up by Showtime and will be making its premiere this Fall, with a DVD release planned as well.

In addition, he’s also produced and distributed an instructional DVD for parents and their children on how to stay safe from abduction, called Kid Smartz.

You can learn about Kid Smartz, Last Chance, Malcolm and more at Bryan’s official website, www.BryanCranston.com

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KEN PLUME: You’re from California, originally?

BRYAN CRANSTON: I am. I was born and raised out here. Born in Hollywood, believe it or not, and raised primarily in the San Fernando Valley, where I still live.

PLUME: So this would be what, the ‘mid-50’s, and the ’60s were your formative years?

CRANSTON: Yeah, well, ’60s and ’70s.

PLUME: What was your childhood like?

CRANSTON: It was great. My dad was a struggling actor, and my mom met my dad in acting class, with the likes of Mike Connors and Anne Bancroft – people like that, who were all young, struggling actors. Back then it was the late ’40s, I suppose, right around 1950. They met, they fell in love, they got married, and she quit so that she could raise babies. That was a pretty much expected thing back then. I do happen to know that she regrets that decision, feeling that she could have done both, and has longed to return. She’s now, God bless her, in the motion picture home, where she lives, and doing well. I recently wrote a little part for her in the next movie I plan to make, and she has one word in it. This was all by design – she would be offended by this, but her one word in it is, “Asshole.” So I’m going to get my mother to say, “Asshole.”

PLUME: Are you working out any issues?

CRANSTON: Yeah, I probably am. Like so many people, we don’t really know what issues we’re working on. It just made me laugh when I realized I could do this and not sacrifice anything. So I thought, “Okay.” I love to act, and I’ve been blessed with opportunity, so I’m just following it through. It’s like riding a wave. You go out and try to catch a wave, and you miss most of them. Once in a while, you catch one – and even when you catch it, you go, “Hey, this is a nice wave”… you still don’t know how long it’s going to take you. It could take you all the way into shore, which it looks like Malcolm is going to do. Then at the end of it, it takes you up, show ends… I’ll maybe sit on the beach for a little bit.

PLUME: Or you could be caught in the riptide and never be seen again…

CRANSTON: There you go – you could do a face plant. Exactly. I’ve been involved in those, where you think something is going to turn out good and it turns out just terrible, and all kinds of things. So it’s as fickle as anything I’ve ever been involved with. But somehow, someway, I think those who survive this business are able to find a sense of security built in this insecure world that we live in here. I’ve been doing this for 23 years, and for about 20 years exclusively as an actor. I haven’t done anything else. I find that remarkably rewarding, that that’s my chosen profession and I’m able to do it.

PLUME: Do you think it’s just a function of coming to the realization that it is a fickle business?

CRANSTON: There are certain factors that have helped me survive, as an actor. Because you ask any actor and they’ll be able to tell you, “My God, there was this guy in class that I worked with, I never saw him do anything professionally, but he blew me away whenever he worked.” There are people in class that are fantastic, there are people who start working that are unbelievably gifted, but don’t go the mile. The career is a marathon, it’s not a sprint, and you have to have that kind of mentality, that if your first couple miles, they’re not working out to good – just hang in there. Just keep going, if that’s what you indeed love to do. So my advice to young actors is only become an actor, professionally, if you have to. There’s probably a half a dozen people who will read that comment and go, “I know what he’s talking about. I feel that. I need to do this, I have no choice. But, to be an actor, because I’m pushed into that – it’s part of me.” Then, there will be the masses who go, “What the hell does that mean? Only become an actor if you have to? What is that? What an idiot.” And throw it away because they don’t get it. They see the external things surrounding an actor’s life, and the only actors that they see are ones that they admire or wish they could have a similar career to.

PLUME: Which are the working ones…

CRANSTON: Right.

PLUME: Which is what, 5% according to the Guild?

CRANSTON: If that much. I think it is something like under 5% make a living. Make a living – that means qualifying for your medical and dental plan – then maybe a half a percent of that make a very good living. So it’s not a business for anyone who has other desires. If you are thinking about making a killing financially, or getting in it for all the great women and this and that and the other, then you’re out of your mind. You would do much better to go to business school. Get a degree in business.

PLUME: Why hang out at clubs when you can hang out at cattle calls?

CRANSTON: There’s nothing more testing of your character than to endure one call after another, after another, after another where you see clones of yourself when you’re just starting, and you’re figuring out, “How do I get noticed?” You go through this whole painful retrospective, and the only way you can do it, the only way you can survive, is if you love acting. Then go act. Be in a play, do a student film, do something that allows you to act and find the joy in that.

PLUME: I’m assuming that your parents were not exactly encouraging of you going into acting?

CRANSTON: My dad wasn’t, because my dad was living the typical actor’s life, which was a hard struggle. I remember as a kid, back in the early ’60s, he would be in a good mood, and there were things going on and, you know, we bought a new car. And then the following year we sold that new car and got an old car. Okay, I don’t really get that, but kids are resilient. We’d have nothing to relate it to, and you don’t have a sense of underprivileged or privileged or deprived or anything. We were pretty much in a middle class society, and we’re living that life, and okay. One year we put in a pool, we had a built-in pool. Then I remember the following year my mother saying, “We can’t swim, because we can’t afford the chemicals that go in the pool.” “Oh, okay.” You have a flash of a sense that, “I guess this is what every kid goes through.” It’s only into your later teen years you realize, “Some kids don’t have that problem. Some kids kind of have it easier, have money or inherit money – Wow! What’s that like?” My whole family, like many depression era families, were raised on the ability to save a dollar – but they had no education, no background, into how to make a dollar. You got a job, get a job, hold a job – any job. Doesn’t matter, just get it. What’s a better job? A better job is one that pays more or it’s a little easier. That’s a better job.

PLUME: So it was always thinking in the now…

CRANSTON: Yeah, always thinking in the now, and save a buck, here’s a coupon, here’s an early bird special … here’s a garage sale, buy it there. Go to the Goodwill to buy some things. Do this, and so it was always a lower middle-class kind of mentality that I grew up with, and because of that, I went into an acting career concerned about, “Oh, I’ve got to save this, I’ve got to do this. Only drive this … I can get another couple years out of these clothes.” Thinking about that, “I need this job, because I’ve got to pay this bill, I’ve got to pay my rent.” It was nickel and diming my mind to the point where it would be intrusive to my art. I would start thinking and start obsessing about how I did. “How did I do at this audition? Did I do well? Do I think I’m going to get the job? Let me call my agent. Did you hear from them? Did they call you?” One agent one time said to me, “Bryan, listen. Believe me, they have my number. If they want you, they will call me.” “Yeah, yeah, yeah, I know. Did you get any feedback? Did they say they liked me? Am I closer?” I always just spent energy on this, until about 15 years ago, where I formulated a different point of view. That was, if I took all that energy on “Am I going to get a job? Who did they hire? Why did they hire? Why don’t they hire me? Oh my God, look who the competition is! He’s good. I’ve seen his work before. Oh God, I’ve really got to be good now, because …” and start psyching yourself out and this sort of thing. Instead of spending any amount of energy on that, I’d put the energy and the time on the work. Go back to the work. Your work starts when you get a phone call. You’ve got to read the script, because you’re going to be reading for the character of a barber and whatever… a college kid… whatever it is. You start putting together the ideas of your character, from that moment. You read the script to get a sense of the tone of the film or TV show, and you read your character to get a sense of tone of the character. Then, what I’ve always done is you start making a bouquet. I start, “What about an accent? Do I play with an accent? What about an affectation? This guy’s kind of full of himself. What about stance? Or something that he does…” And I start putting together little things like this, like gathering and making a bouquet. Perhaps now attitude, “Is he angry? Is he upset?” So I create this thing, “What does he look like? What does he dress like? How does he wear his hair? Where is he now?” I ask myself all these questions, and I would continue working on it until I felt that I would get the casting people or the producers in the room to go from having their heads rest in their hands, to picking up their head and noticing me. That I have to find something that’s that different, you know, that they would then be able to later on say, “What about that kid who did that weird thing.” Even if it was totally wrong, at least it’s something that makes a stand and says something.

PLUME: That broke the monotony.

CRANSTON: That breaks the monotony. You know, it had to be something that I felt no one else would do, because there are guideposts when you read a script. You go, “Okay, I know this guy. I know this guy. Okay.” Some people can then put the script down and go, “Okay, I know what to do,” and you’ll do what you expect to do. You’ll see the actors come in and do exactly what was written. I kept thinking, “I’ve got to do something more than what’s written. I have to go a step beyond that. Sometimes it would come to me right away, and sometimes it would take hours and hours and I’d still contemplate on it. But the energy was focused on the character, and building the character – as opposed to something that’s out of my control. I would then select my bouquet – throwing some flowers out and putting other flowers in, even at the last minute before you go in. I wouldn’t talk to anybody, I’d be alone and collect my thoughts and go into the room, present the bouquet to the people, leave it with them and you walk out. From that moment on, your job is done. I never thought about it. I would have a whole tray of scripts and sides that I would throw the things into. Not only would I not call the agents anymore, I wouldn’t even think of it. I would completely forget about it. I wouldn’t tell anybody about my auditions … I didn’t want to conjure up any kind of things I was up for, and “I think I’m really close to getting this.” It was just a waste of energy to me. Then, when I got callbacks – and I started getting more and more callbacks from things, because of my energy in a different place – I would have to try to recall, “Oh yeah, what was that?” And I’d go in that big box and I’d start fishing out, “Oh, there it is. Oh yeah, yeah, I remember this guy. Oh good, they want to see it again. Any notes?” “No, no, same thing.” “Okay.” Then I’d start working again, and that was my salvation. I simply took the axiom of not thinking for a moment about things that are out of my control. It’s not a part of acting, to wonder who they’re picking or why they’re picking someone is someone else’s business – it’s certainly not mine.

PLUME: A watched pot never boils…

CRANSTON: Exactly. I digress, but you asked about my father – he was an actor, and he started producing things and he did a series of commercials for the United Way, and PSA spots, and he put me in one. I had a great experience, and I knew from that experience that it was special. I was about 8 years old, 7 or 8, and I knew it was special. I didn’t quite know why it felt special, and I certainly didn’t say, “This is it!” at that age, but I knew something about that was special. I guess that sort of just stayed with me for many, many years. Then you go into high school, and I got into sports, and I was interested in girls, and everything’s kind of a mishmash of confusion and desires. Then I had a cognition around 21 or 22 that this is what I should do.

Continued below…

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July 26, 2013

A Bit Of A Chat with Ken Plume & Paul F. Tompkins 6

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , , , — UncaScroogeMcD @ 7:32 pm

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I have another chat with actor, stand-up, gadfly, and sartorial dandy Paul F. Tompkins, about squeaky chairs, foreign audiences, tents, Thrilling Adventures, and ascot memorials.

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Paul F. Tompkins 6“:

[audio:http://traffic.libsyn.com/bitofachat/bit_of_a_chat-paul_f_tompkins_6.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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A Bit Of A Chat with Ken Plume & Steven Moffat

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , , , — UncaScroogeMcD @ 7:09 pm

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I have a chat with DOCTOR WHO showrunner Steven Moffat about writing, expectations, anniversaries, social media, and spoilers.

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Steven Moffat“:

[audio:http://traffic.libsyn.com/bitofachat/bit_of_a_chat-steven_moffat.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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Weekend Shopping Guide 7/26/13: Schmilsson

Filed under: Shopping Guides — Tags: , , , , — UncaScroogeMcD @ 3:30 am

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

It hasn’t always been a fun ride being a Harry Nilsson fan. For many years, much of his catalogue remained unavailable on CD, save staple albums like Nilsson Schmilsson and Son Of Schmilsson. Then, starting in the UK and Japan, more of his remaining albums began to see the light of day, often accompanied by the stray, very tantalizing bonus track of an unreleased tune, alternate take, or demo. I recall many long years of desperately hunting these rarities and scraps amongst other likeminded fans on the interwebs, & the accompanying joy of each new discovery… And then wondering why more people weren’t familiar with this wonderful artist. Better late than never, the fine folks at Sony Legacy, with Andrew Sandoval and Rob Santos, have put together the definitive box set of Harry’s 10-year tenure at RCA – Nilsson: The RCA Albums Collection (Sony Legacy, $99.29 SRP). Containing 14 fully remastered albums – Pandemonium Shadow Show, Aerial Ballet, Harry, Nilsson Sings Newman, The Point!, Aerial Pandemonium Ballet, Nilsson Schmilsson, Son Of Schmilsson, A Little Touch Of Schmilsson In The Night, Pussy Cats, Duit On Mon Dei, Sandman, That’s The Way It Is, Knnillssonn – plus a trio of fully packed “Sessions” discs of unreleased tunes, demos, takes, and more, this is the set I dreamed would one day be a reality… And now it is. At its best, Harry Nilsson’s music is an open wound – A raw glimpse at life. It’s both the deep pain and glorious rapture of being alive. This set should be in your collection. Right now. And you’ll hear why I’m well and truly correct in my assessment of his genius.

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And, if you’re keen to find out more about Harry, look no further than the newly released biography Nilsson: The Life of a Singer-Songwriter (Oxford University Press, $27.95 SRP). Author Alyn Shipton utilizes candid interviews as well as Harry’s own notes for his unfinished autobiography to assemble a fascinating portrait of a supremely gifted yet regrettably human artist.

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Another few months have gone by, which means fans are spoiled by yet another wonderful collection from the fine folks at Shout Factory with Mystery Science Theater Volume XXVII (Shout Factory, Not Rated, DVD-$59.97 SRP), containing another clutch of episodes which fans thought might never see the light of DVD. This go round, we stretch back to the first season with The Slime People, then season 2’s Rocket Attack USA, season 4’s Village Of The Giants, and season 7’s The Deadly Mantis. Add on the regular clutch of wonderful featurettes, and you have another nifty treat for MiSTies.

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Last month brought the high definition debut of the first two seasons of Adventure Time, and now another Cartoon Network insta-classic gets to make its snazzy high-def splash with the release of Regular Show: The Complete First & Second Season (Cartoon Network, Not Rated, Blu-Ray-$39.98 SRP). Bonus features include audio commentaries on all 40 episodes, the unaired pilot, animatics, pencil & CG tests, shorts, karaoke, interviews, commercials, and more.

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Hot on the heels of the formal reveal of the upcoming theatrical sequel to How To Train Your Dragon comes the first pair of releases featuring the story links that set up that sequel – Dragons: Riders Of Berk: Part 1 & Dragons: Riders Of Berk: Part 2 (Dreamworks, Not Rated, DVD-$12.96 SRP each). While not as brilliant as the original film, they’re a fun romp with most of the voice cast intact.

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It usually takes quite a well crafted movie to get me to watch a film about sports, and that’s certainly the case with 42 (Warner Bros., Rated PG-13, Blu-Ray-$35.99 SRP) – the recent biopic about the groundbreaking major league signing of Jackie Robinson to the Brooklyn Dodgers. The biggest surprise of all? Harrison Ford’s ace performance as Dodgers owner Branch Rickey. Bonus materials include a trio of historic and behind-the-scenes featurettes.

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After witnessing the suicide of a woman who looks exactly like her, orphan Sarah decides to assume the dead woman’s identity and life – but finds a much deeper mystery in the first season of Orphan Black (BBC, Not Rated Blu-Ray-$34.98 SRP). Bonus materials include a clutch of behind-the-scenes featurettes.

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The Infamous Five have been trading powers as we open Misfits: Season 3 (BBC, Not Rated, DVD-$24.98 SRP), but it remains to be seen if they’ve gotten anything worthwhile to fight an onslaught of baddies and zombies, with a little time travel thrown in for good measure. Bonus materials include webisodes and featurettes.

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The pulpy guilty pleasure returns with the second season of Femme Fatales (E1, Not Rated, DVD-$29.98 SRP). Packed with guest stars like Robert Picardo and Vivica A. Fox, it’s like a film noir Love Boat. Bonus materials include audio commentaries, featurettes, deleted scenes, and more.

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The BBC’s nature documentary division returns with another pair of must-see releases, this time in the aquatic predator realm – Hammerhead (BBC, Not Rated, DVD-$14.98 SRP) and Great White Shark: A Living Legend (BBC, Not Rated, Blu-Ray-$19.98 SRP), the latter of which is presented in stunningly beautiful high definition.

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If you drain most of the campy fun (its one redeeming hallmark) and just keep the ridiculously over-the-top gore, then you get the recent remake of Evil Dead (Sony, Rated R, Blu-Ray-$35.99 SRP). Oh, and no Bruce Campbell. Big, big loss. Bonus materials include an audio commentary and a clutch of featurettes.

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If you’re of a mood for a brainless action piece starring the increasingly leathery Sylvester Stallone as a New Orleans hitman bent on revenge, then queue up Bullet To The Head (Warner Bros., Rated R, Blu-Ray-$35.99 SRP), because it certainly ticks all of those boxes. Bonus materials include a making-of featurette.

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How about some kid-centric release? Nickelodeon has a pair with Nickelodeon: Let’s Learn Colors (Nickelodeon, Not Rated, DVD-$14.98 SRP) and the Nickelodeon Double Pack of Dora The Explorer: Musical School Days/Blue’s Clues: Blue’s Big Musical Movie (Nickelodeon, Not Rated, DVD-$16.99 SRP).

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While the last season was a bit shaky, the final season of Damages (Sony, Not Rated, DVD-$45.99 SRP) manages to reassert the legal thriller we all fell in love with as Patty Hewes (Glenn Close) and her ex-protégé Ellen Parsons (Rose Byrne) reach showdown point. Bonus materials include deleted scenes and outtakes.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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July 13, 2013

Opinion In A Haystack: PACIFIC RIM review

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We live in a cinematic climate where everyone from top to bottom is trying to capture some form of the past. It’s partly the reason the film industry is struggling and artistically becoming bankrupt, however that is a topic for another day. We are trying to recapture, and repackage our youth. The big guns in Hollywood are doing it, the little guys with HD consumer cameras in their hands are doing it. We have an obsession to recreate the Reagan-era theater experience, but the popcorn is never flavored right. Hollywood, ala Transformers and such, makes it’s attempts with labels, logos, NAMES. That’s the problem really, you can call it “Transformers” or “Total Recall” all you want, you can plaster the nostalgic logo all over the posters and scream the title from the mountaintops, but in the end it doesn’t feel the same. More often than not it comes off as depressing instead of capturing that “FEEL” that it aims for and we crave. That’s because that “FEEL” isn’t in the logo, and it honestly can’t be found in low-budget “supposed to be awful” parodies of 80’s mainstream entertainment. It has to be in the DNA of the movie and filmmakers like Guillermo del Toro know how to work that double helix magic and bring it out, not with logos and fan service, but with TONE and WRITING and CONCEPT.

Pacific Rim, Guillermo del Toro’s Robots vs. Monster action homage to an eclectic handful of genres from cinemas past, is without a doubt a complete triumph for its intended goal. Oh, and most delightful of all, it’s a completely NEW property, a homage to the Godzilla (kaiju) and Robot movies of 30 or more years ago.

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For a synopsis and cast list here’s a direct link to the IMDB page.

The “triumph” aspect stems from the tone and the characters, surprisingly more so than the spectacular action scenes. Del Toro gives us a story that revolves around an ensemble cast doing their best to have a good time. Ron Perlman in a cameo role chews up the scenery as a comic relief along side Charlie Day’s Kaiju obsessed scientist. Idris Elba steals the show as the heavy, and the rest of the cast pulls us into the film in an almost effortless, sometimes pleasantly cheesy, effort. The great thing about the movie is, unlike say Bay’s Transformers films, this isn’t a red, white, and blue America-to-the-rescue patriot-fest. This film feels all-inclusive. The world is facing a giant threat and we all come together equally to stop it. This is especially evident because of the process needed to control the giant monster crushing robots, it’s called “drifting” (not the Tokyo kind) and its when two people lock minds to control the robots because a single human mind can’t do it by itself. This leads us through the emotional through line of the film and is the plot device, which gives us both a male and female hero at the end of the day.

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While there is an emotional through line, let’s say this, the film has a light touch. Light touch? Yes, it is very odd to say a film about giant, skyscraper sized monsters and robots fighting has a light touch, but in the “tone” department that is exactly what Del Toro is Aiming for. The movie is meant to be enjoyed, to be savored by those of use who grew up watching Godzilla movies and smashing robot toys together out of pure glee. In other reviews and discussions I’ve seen Jurassic Park mentioned quite a few times, because it’s a movie that made this current generation of almost-30-somethings walk out of a theater with their eyes twinkling with the glee of imagination (this reviewer included.) Pacific Rim, much like the 20-year old Jurassic Park, has the potential to do just that for a new generation of kids. That’s a bold statement to make in a cinematic climate where huge CGI action films are, sadly, the standard. However, Del Toro knows the genres he’s trying to capture, and he captures them right.

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Pacific Rim is highly recommended. Furthermore, IMAX might actually be worth the ticket price for this one, but avoid the 3D. Always avoid the 3D.

Thanks for reading!

July 12, 2013

Weekend Shopping Guide 7/12/13: I Wanna Be A Producer

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

While the bulk of Mel Brooks’ catalogue has been available in high definition, there’s been one title that’s been devastatingly absent – until now. The fine folks at Shout Factory have pulled out all the stops to give comedy fans a brilliant special edition of The Producers (Shout Factory, Not Rated, Blu-Ray-$29.93 SRP), looking and sounding better than ever. Bonus materials include the documentary from the original DVD release, a brand new interview with Mel, the theatrical trailer, a sketch gallery, and a deleted scene.

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Directed by a young John Landis and crafted by the even younger Zucker Brothers, Kentucky Fried Movie (Shout Factory, Rated R, Blu-Ray-$19.97 SRP) is the pop culture-skewering prototype that would eventually be fully realized in Airplane! and Police Squad, but there works as a still-funny collection of comedy sketches. Bonus materials include an audio commentary and a feature-length interview with David & Jerry Zucker.

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Those expecting a farce might be pleasantly surprised by the warmth of the comedy to be found in Admission (Universal, Rated PG-13, Blu-Ray-$34.98 SRP), about an overworked Princeton admissions officer (Tina Fey) who thought she had her life well-structured but is thrown for a loop when a former classmate (Paul Rudd) brings a brilliant student to her attention. Bonus materials include a featurette.

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Already a quirky little gem, Fred Armisen & Carrie Brownstein’s Portlandia: Season 3 (VSC, Not Rated, Blu-Ray-$24.95 SRP) is when the little indie sketch comedy that could gelled into a fully realized offbeat world, proving its staying power. Bonus materials include the winter special, a Portland tour, and a pair of deleted scenes.

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While the original animated adaptation was never terribly great, nostalgia made me leery of the new animated reboot of the Ninja Turtles. Well, my fears have been wiped away by the fun, funny modern take which perfectly preserves all of the necessary elements to the Turtle mythos. Want proof? Look no further than the latest episode collection – Teenage Mutant Ninja Turtles: Enter Shredder (Nickelodeon, Not Rated, DVD-$14.98 SRP). Would you believe Shredder is involved?

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Taking the same sensibility once focused on Star Wars and applying it to the superheroes and villains of the DC universe? Sold. Luckily, that pre-sale was proven correct with the hilarious Robot Chicken: DC Comics Special (Adult Swim, Not Rated, Blu-Ray-$19.89 SRP). At a too-short 22 minutes, luckily the release is padded out with commentaries, featurettes, deleted scenes, and bloopers.

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It’s not the equal of the beautifully executed Avatar, but there’s still plenty to recommend in the premiere volume of The Legend Of Korra: Book One – Air (Nickelodeon, Not Rated, Blu-Ray-$35.98 SRP), which throws viewers into the future of the Avatar spirit which now exists within the titular teenage girl. Bonus materials include audio commentaries, animatics, and a bonus short.

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A victim (Noomi Rapace) seeking retribution for a crime blackmails a professional killer (Colin Ferrell) into aiding her plan for revenge in the tense thriller Dead Man Down (Sony, Rated R, Blu-Ray-$35.99 SRP). Bonus materials include a trio of featurettes.

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Take a soaring high definition view of the northeast United States in the Smithsonian Channel’s Aerial America: New England Collection (Inception, Not Rated, Blu-Ray-$19.98 SRP), which takes a birds-eye view of Maine, Vermont, New Hampshire, Massachusetts, Rhode Island, and Connecticut.

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This week’s TV release from Paramount bring one old and one new. For the new, we get the complete first season of Unforgettable (Paramount, Not Rated, DVD-$59.98 SRP), about a woman with an otherwise flawless memory who teams up with an NYPD detective to solve her one blind spot – the murder of her sister. The vintage TV release is the ninth and final season of Matlock (Paramount, Not Rated, DVD-$49.99 SRP), starring the great Andy Griffith.

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Hot Toys’ already stellar work seems to consistently shine the most in their various representations of Tony Stark’s Iron Man armor. The latest is the suit featured in The Avengers – specifically the Iron Man Mark VII ($249.99). Exquisitely engineered and screen accurate in every detail, it features working LED lights in the eyes, palms, and chestplate, a separate Robert Downey Jr. head, 3 sets of swappable hands, and a full complement of swappable battle-damaged armor pieces. If you’ve yet to take the plunge and get your own, there” no better figure to start with. You won’t regret it.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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July 8, 2013

Party Favors: Yukon Ho!

Filed under: Joe Corey's Party Favors — UncaScroogeMcD @ 2:12 am

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ANCHORAGE – Drag queens are the new rock stars. They’ve officially replaced celebrity chefs as the new rock stars. The celebrity chefs should have lasted longer, but once Paula Deen had to cry on camera for forgiveness, their time was over. There’s no Rupaulogizes for a rock star. Rock stars haven’t been the new rock stars since the Doobie Brothers forgot to break up.

RuPaul’s Drag Race on Logo is the place where the new rock stars rise up and tuck back. While other reality based gameshow get stale, RuPaul’s been able to elevate the show after 6 seasons. Why? Because the contestants really know how to give each other crap and emotionally open up on camera. This isn’t merely pro wrestling acting. They speak from the heart and talk to the hand.

While Jinkx Monsoon won the title from the last RuPaul’s Drag, Alaska ThunkerF— proved to a plucky competitor. She grew on viewers over the season since at first she came off as a lesser version of her lover Sharon Needles, the previous winner. But she became beloved with her fashion sense, morbid sense of humor and her ability to impersonate Thurston Howell III. So when it was announced that she’d be appearing at the Pinhook Club in Durham, reservations were made.

The club was small, packed and hot. Kinda like being smashed into a Bikram yoga studio except there was no space to bend. But the bodies made space for Alaska to bring her cool 49th State to the stage. In person, Alaska looks like the lost personality Toni Collete hid from us on United States of Tara. Amanda Bynes must so jealous of Alaska’s ratty blond wig collection. She knew how to brighten up the room without raising the heat index. And the crowd responded with the oddest gift ever given that wasn’t stalkerffic. Here’s a little footage I shot:

Alaska did two sets during the evening. The one thing that wasn’t too obvious is her sweet comedic singing voice. She’s like Dean Martin in her ability to dismantle the serious nature of a song. She’s knows how to sell the punchline as you’ve seen in her musical tribute to Sarah Palin.

After the show, I tried to talk to Alaska. However the loud club music made it impossible to say much to her. So we merely posed for a photograph that will ruin any chance of me running for politician. It’s the kinda picture that Nancy Grace would demand get run on the air if I ever got in a minor issue. The photo would make the home viewers swear that I sunk the Titanic. That’s how guilty we look. But that’s the only proper response to someone with dangerous rock star appeal.

PEPPERONIS OFF

Appearing with Alaska was Miss Marry Wanna, a burlesque performer who is not a drag queen. But she’s fabulous in her own way. What way can that be? How about dressing up as a pizza slice and stripping off her ingredients? Here’s a little video for those needing an excuse to order a pizza at this hour.

Dean Martin would be so proud of her.

EMPTY LOCKERS

First they fired Dave Hester and now Barry Weiss is splitting Storage Wars for a spinoff series. Normally I’d suggest that the show can survive with new people, but everyone they’ve tested on the show has been an utter bust. It’s like they’re taking rejects from that TruTV Storage Stashers show. How do you just destroy a money making machine this hard? Maybe they can find Paula Deen in a locker?

PONYS ON THE BIG SCREEN

Thanks to the digital cinema, a movie distributor can be selective with their screening times without the burden and expense of striking 35mm prints, shipping them and having them shown only a few times a week. My Little Pony: Equestria Girls is having a selective release. In my area, the movie only plays around noon on Saturdays and Sundays at the Cineplexes. This makes sense since it takes the burden off a kids movie from packing in an audience at the 9:40 p.m. screening. The movie itself does have a twist worthy of a big screen release. Twilight Sparkle has her crown stolen by an evil pony who runs through a mirror into an alternate dimension. Even though her friends want to help, only Twilight and Spike the Dragon can go through the mirror. They arrive in a world where they are turned into a girl and her dog. It’s a major adjustment. She meets alternate version of her Pony friends in human form. To get her crown back, she has to win a school princess contest. But the evil pony has no plans on losing.

I dragged along the daughter so she can give her opinion of the movie. She really got into the film and the music. She did get a little scared during the final battle scene. Here’s her big review.

ORIGINAL HIPSTERS

The Many Loves of Dobie Gillis: The Complete Series allows fans to fully appreciate the ground breaking, wall busting teenage sitcom without having to wake up extra early to catch it on Me-TV. Dobie (Dr. Goldfoot and the Bikini Machine‘s Dwayne Hickman) was a girl happy high schooler eager to find that special gal. He also craved to be rich and popular. He’s constantly frustrated reaching for his dream. His father isn’t exactly making him a spoiled brat with his grocery store earnings. His only real friend is the immortal beatnik Maynard G. Krebs (Gilligan’s Island‘s Bob Denver). He does have an idea of the perfect girl in none other than Thalia Menninger (Sex Kittens Go to College‘s Tuesday Weld). She’s superficial and rather greedy which is just right for Dobie. Problem is that her boyfriend is Milton Armitage (Shampoo‘s Warren Beatty). He’s rich, cool and popular. While he’s Dobie’s rival, Milton also represents everything Dobie thinks he needs to be. But he’s constantly reminded that he can better than Milton by Zelda (Sheila James Kuehl). The key to the show is Dobie has no problem talking directly to the camera about his situation and desires. He sits next to version of Rodin’s The Thinker statue to hash things out.

Warren Beatty and Tuesday Weld only last the first season before they went off to become bigger star on the silver screen. But Milton’s legacy would continue with the arrival of his cousin Chatsworth Osbourne Jr. (Steve Franken). He proved to a greater snob looking to make Dobie look out of his league. The women that drove Dobie’s hearts nuts was a fine list including Marlo Thomas (That Girl, Barbara Bain (Mission: Impossible) and Yvonne Craig (Batman‘s Batgirl). The easiest charmer of the show is Maynard with his greasy mess of a sweat shirt and hip goatee. He’s all about the charms of the Jack Keroauc way of life except he doesn’t need to hit the road to find his kicks. He’s still enjoying his life in the hometown to split for Frisco or the Big Apple.

The producers understood the worst thing for a youth oriented show is having the young stars grow old. Thus the four season run produced 147 episodes. They also understood that there was no way people would want to see Dobie be the eternal high schooler. So things changed around. During the second season Maynard and Dobie get drafted into the army. In reality Bob Denver had been drafted. During the episode with Michael J. Pollard (Little Fauss and Big Halsey), Bob was off getting his physical. However he was given 4-F rejection and returned to the show. Luckily the TV army wasn’t so picky and thus he served. After their tour of duty, the duo returned home and enrolled in the local junior college. No need to put Dobie near 4 year college gals. The show finished its run with Dobie’s charm intact. The Many Loves of Dobie Gillis remains one of the best sitcoms about teens.

The bonus features include the pilot that was cut back for “Caper at The Bijou.” Clipped from the show was Yvonne Craig (Batgirl on Batman). There’s an episode of The Stu Erwin Show that features Dwayne and Sheila. Three episodes of Love That Bob! star Dwayne as the cool kid to Bob Cumming. This is what lead to his gig as Dobie. There’s a Coke Time Special which lets Bob Denver make the girlies squeal as he and Edd Byrnes give hipster talk lessons to Pat Boone. Pat remains unhip to this day. A color Dobie routine lets Dwayne sing about his love for his teacher.
There’s also pdfs of scripts from Max Schulman.

PRYOR LEGACY

Richard Pryor: No Pryor Restraint: Life in Concert is the perfect boxset for anyone who wants to remember or discover the comedic genius. The 7 CDs and 2 DVDs focus on his time behind the microphone and not his spotty acting career. Over the course of 10 hours, Pryor changes from the next Bill Cosby into a comedy icon. He’s presented unfiltered by network censors or fettered by lame script writers. He’s a man who learned how to take the most painful parts of his life and make an audience howl at his pain. It really takes talent to make people not squirm at the story he set himself on fire in a suicide attempt. He makes the audience not feel guilt for laughing at one of the bleakest moments of his life. One of the final selections is his reflecting on M.S., the disease that would end his career and ultimately claim his life. Nothing was too personal for him not to share on stage. The 7 CDs pick the best moments of his dozens of Grammy award winning albums. They have also discovered unreleased routines and longer versions of familiar stories. Pryor is pretty raw with his language so don’t play these routines when Great Aunt Anna drops by the house. I won’t quote the titles of many of the routines since this column is not a Quentin Tarantino script. What makes this boxset essential is also the inclusion of all three major stand up movies Pryor did. Richard Pryor – Live In Concert was a major break-through since it allowed Pryor to be truly appreciated without having to tone down his material for network TV. The movie is hilarious in how Richard hits the stage before large part of the audience has returned to their seats for the intermission. He jokes about white audience members finding brothers in their seats. To show that his mocking of white audience members isn’t uncalled for, there’s a goofball at the front of the stage snapping pictures of Pryor. This guy is a massive goober who can’t take a hint when Pryor calls him out. He’s not even professional photographer since his camera is that little Kodak Instamatic your mom used. Shame there’s no bonus feature tracking down this guy. Pryor shakes off this interruption and slays the audience with takes on animals, funerals, boxers and Chinese food. He even talks about why he shot up his ex-wife’s car.

Richard Pryor: Live On the Sunset Strip was eagerly anticipated since the comic had notoriously sent himself on fire. Rumors had swirled that the flames from a cocaine freebasing accident. He attempts to set the record straight in his special way. He’s really working the crowd at Hollywood’s Palladium. Richard Pryor… Here And Now (1983) was his last major stand up film. “Slavery &Southern Hospitality” is a routine that could easily be given today in the wake of Paula Deen’s P.R. disaster. The film gives more than just Pryor on stage.

Richard Pryor: No Pryor Restraint: Life in Concert is a completely satisfying distillation of his live genius. This revitalizes his work after the tarnish his image took from The Toy, Brewster’s Millions and Superman III. The man truly had few peers when he hit his prime. His fearless nature made him dangerous yet extremely insightful. With the success of the Mel Brooks and Steve Martin collections, Shout! Factory must be the place where comedians need to visit to reclaim their legacy. Robin Williams ought to give them a call.

BLU-RAY HEAVEN

The Producers is finally given the 1080p love. This was Mel Brooks’ first film and showed that comic writer wasn’t a joke when given the director’s chair. Zero Mostel is a producer of bad Broadway plays. He has a network of little old ladies that he seduces so the back his projects. Gene Hackman arrives to check the books and realizes that Mostel had slightly oversold the number of shares in a play. But ultimately this doesn’t matter since the play bombed and there was no profit to split up with the investors. This minor book keeping error turns into the seed of the greatest crime ever sold. Hackman realizes they can seriously oversell the number of shares in a movie, make the play for cheap and pocket the extra money when it gets shut down from lack of ticket sales. The duo seek out to produce the most horrifyingly bad spectacle in Broadway history. Can their plan work? The film remains pure genius thanks to how Mostel and Wilder work off each other with Brooks’ words. Dick Shawn’s audition remains legendary. The film became a Broadway musical, but didn’t bomb. The previously released Mel Brooks Collection on Blu-ray was missing The Producers. Now you can rectify that situation. The new transfer looks great. It brings out the detail in Gene Wilder’s hair. The bonus features include two documentaries about the making of the film. There’s also a deleted scene, production sketches and the original trailer. Here’s the trailer to let you know of the brilliant weirdness to expect.

Heavy Traffic marked Ralph Bakshi as an animation icon and not merely the guy who adapted Robert Crumb’s Fritz the Cat to the screen. This was his type of story. An underground cartoonist living in his parents’ Brooklyn apartment spends his days sketching and playing pinball. His life slips between live action and animation. Things seem to be going right for him when he finally gets a girlfriend. However it upsets his mobster father to no end that his new girlfriend is black. He gets so furious he attempts to use his co-workers to put an end to the romance. Will the son put up with this family feud? How much of this story is real versus a concept for the cartoonist’s next work? The amazing thing is a scene where Bakshi draws the Jawas years before Star Wars. Bakshi achieves a fragile dream state on the screen within the confines of gritty animation that blurs into reality. It’s a perfect film to get lost inside. The 1080p image brings out the details in his animation. When he does a scene using flip sketches, the blue pencil marks are easy to spot. There’s no bonus features although you can pick up Bakshi’s Unfiltered book to discover what it took to make the film.

Cohen & Tate is one of those obscure films of the ’80s that deserve a home video revival. This is a tight thriller about kid (Harley Cross) who witnesses a mob hit. His family gets put under witness protection except the cops are no help against hitman Cohen (All That Jazz‘s Roy Schneider) and Tate (Adam Baldwin, Animal Mother in Full Metal Jacket). The two men are hired to bring the kid to a mob boss for questioning. The kid does his best to escape the murderous duo since he might not survive the mob boss. His best chance at survival is to turn the hired killers against each other. Can the little kid pull it off? It’s really strange to have no memory of the movie being released, but at least I can rediscover it on Blu-ray so it looks theatrically proper. Tension looks so good in 1080p. Director Eric Red had just come off writing the scripts to Near Dark and The Hitcher so he knew how to create an unnerving road flick. There’s an interview documentary that mainly features Red, Cross and cinematographer Victor J. Kemper (The Friends of Eddie Coyle). Red talks away on the audio commentary. They found nearly 20 minutes of deleted scenes that include a few gruesome moments. Cohen & Tate is a film that’s worth reviving on a hot summer night.

The Kentucky Fried Movie is 82 minutes of comedy sketches from John Landis, David Zucker, Jerry Zucker and Jim Abrahams. What happens when the director of Animal House hooks up with the creators of The Naked Gun? Mayhem. Lots of mayhem. In this case an R-rated sketch comedy that spoofs Bruce Lee and Irwin Allen. This was one of the classic midnight movies that ran in the late ’70s next to The Rocky Horror Picture Show at the local duplex cinema. Even after all these decades, KFM is finger licking good. “A Fistful of Yen” is the perfect spoof of Bruce Lee’s Enter the Dragon. You’ll see the best mock Kung Fu fighting until Jackie Chan arrived in America. The massive highlights of the movie is Russ Meyer vixen Uschi Digard breasts pressing up against the glass of a shower stall during “Catholic High School Girls in Trouble.” This was one of the best comedy anthologies to come out during this era where performers could get good and raunchy. “The Wonderful World of Sex” remains pure gold. The bonus features includes the commentary track featuring Landis, ZAZ and producer Robert K. Weiss from the previous DVD incarnation. There’s also an hour long video interview with the Zuckers that guides you through their career that was devastated by BASEketball. The Kentucky Fried Movie deserves to be in your Blu-ray player for a midnight showing this summer. You can take my word or listen to producer Samuel L. Bronkowitz.

Here’s an interview I did with Bob Collins, who shot a few of the sketches in The Kentucky Fried Movie. He had previously worked with John Landis on Schlock. Collins would go on to win three Emmys for his cinematography including one for the pilot of Miami Vice. He’s responsible for the opening credit images. Thanks to Brett Clark for making the interview happen.

Tower Block reminds people that a good reason to move is witnessing a murder. The residents of the top floor of an apartment building refuse to leave and let their place be redeveloped. Even after they witness someone getting murder in the hallway, they don’t want to leave. They also don’t want to assist the cops in the investigation. This all comes back to haunt them when a sniper starts picking them off in through their windows. Who is getting an aim on them? Is it the previous killers or maybe the redeveloper wanting to force them out of the building via bodybags. The neighbors band together to uncover the killer. But will they figure it out before the last one gets picked off? You might want to watch this film with your curtains drawn and the lights off. The bonus features include a commentary track and behind-the-scenes interview.

The Power of Few brings the power of Larry King to 1080p. I’m not sure why he’s not given co-starring status with Christopher Walken and Christian Slater. The King is all over this film. Walken’s performance gets pushed when he has to tangle with the King. This is a fine little out of control movie that mixes a grocery store robbery with the Shroud of Turin heist. Rumors spread that people want to clone Jesus off the cloth. It is interesting to see Walken and Slater somewhat together again. They were the glue for True Romance along with James Gandofini. Now they have a chance to bring back the magic minus James. Instead we get Anthony Anderson sporting him some Mike Tyson face ink. The bonus features include interviews with the stars and deleted scenes. The 1080p image lets you play the game of following Walken’s eyes to where he’s hidden his lines on the set. The box features one of those smart phone scan squares so you can watch the trailer while browsing in the home video section of your favorite store.

DVD SHELF

Mighty Morphin Power Rangers: Season 3 has all 33 from the final season of the original incarnation. “A Friend In Need” continues the battle between the Rangers versus Rita Revolta and Lord Zedd. However there’s even more evil when Rito Revolto arrives on the scene. He’s a bony scary character. This guy really tested small fans ability to stomach the action. As a wicked trio, they smash the Power Rangers by destroying their ThunderZords. But you can’t keep the Rangers down that way. They’re going to get some ninja powers somehow. This is the sad time when the Pink Ranger (Amy Jo Johnson) splits for a gymnastics career in Florida. How could she have left them for the life of being merely a gymnast? And isn’t she extremely old to be competitive in a sport that often features a fetus on the uneven bars? But there would be no missing Pink Ranger when a new girl takes on the identity. She’s Australian so all the boys like her accent and adventurous spirit. The most shocking part of these episodes is how Bulk and Skull no longer care about outing the Rangers identities. Why? Because they have a new dream of being cops. What’s the point of being a cop in this show since only the Power Rangers can keep things safe in the town? The series didn’t quite end with this season. The new version would be called Mighty Morphin Alien Rangers.

CSI: NY – The Final Season brought to an end the ninth season with only 17 episodes. They ended 3 episodes short of 200. How could they have been denied that milestone? What villain could have been so cruel? Perhaps the suspect is a network executive that can cover their tracks from Mac (Gary Sinise) and his crew? It was fun while it lasted. “Reignited” and “Where There’s Smoke…” has them tracking down an arsonist bent on revenge. They have to drag Rob Morrow (Northern Exposure) into the manhunt. “Unspoken” is a concept episode so that there’s no dialogue in the first half. They merely communicate through Green Day’s new songs. Shame they didn’t pick The Killers. “The Lady In the Lake” has the crew drain a lake while looking for a murder weapon. Instead they double their work by finding a different body. “Clue: SI” turns their investigation into a board game. “Command + P” uses a 3-D printer to make the murder weapon. That’s worse than being drowned in spam mail. “Seth & Apep” marks the final CSI crossover since CSI: Miami was killed last season. “Today Is Life” wraps up the series with a moment the fans have been waiting a few seasons to happen. No need to spoil, but it helps bring a little bit of closure without being too overly dramatic. There’s quite a few bonus features although no major farewells from the cast. They understand that this show can’t really end cause crime doesn’t stop in the Big Apple. There is a gag reel and a few deleted scenes for those wanting just a little more time with Mac. Hard to believe we’re back to just one CSI.

Matlock: The Ninth and Final Season brings to an end Andy Griffith’s amazing TV legal career. He was able to bring his successful show back to North Carolina and prove the state was able to handle episodic TV as well as movies. He blazed the trail that allowed Dawson’s Creek and Homeland to be Tarheel based productions. It’s sad that his time in the courthouse ended, but he had 17 more cases to go. This final season has him reduce his staff down to investigators Cliff Lewis (Daniel Roebuck) and Jerri Stone (Carol Huston). There’s no major guest stars this season as either victims or suspected killers. If you look very carefully, you’ll spot my brother Matt in the final courtroom scene for “The Scam.” He said that if you looks at Andy while he was on the set, you’d be fired. While this seems harsh, Andy needed to get work done and not have the people staring at him like he’s a steak on the grill. “The Accused” puts a journalist behind bars for whacking a mobster. “The Scandal” has an attorney kill her boss. She needs Matlock to prove the guy was sexually harassing people and she shouldn’t be the only suspect. “The Dare” lets Matlock solve the perfect murder that’s been set up by Terry O’Quinn (Lost). When it comes to the mystery of who ended Matlock, the answer is Andy. He was nearly 70s and was ready to end the grind and enjoy life in Manteo. At least now his complete Matlock legacy is out on DVD for people to enjoy with their hotdogs. The bonus feature is episodic previews.

Unforgettable: The First Season should have been the complete series except it’s going to be back on CBS this summer. The show was canceled at the end of its freshman run in 2012. A few cable channels were interested in keeping the show on the air, but the network stopped that when they remembered the show. Unforgettable follows the amazing memory skills of Carrie Wells (Without A Trace‘s Poppy Montgomery). She has hyperthymesia, which lets her remember everything about a certain date. The only day she can’t remember is when her sister died. Her skills are brought onto the police force by ex-boyfriend Lt. Burns (Nip/Tuck‘s Dylan Walsh). She had given up police work, but was needed for a big case. “Up In Flames” tests her amazing memory when she must remember the details of a crime scene that went up in smoke at the start of the investigation. “Golden Bird” features Marilu Henner (Taxi) as Carrie’s aunt. What’s interesting is that Marilu has hyperthymesia and serves as a consultant. The season ends with Carrie getting a lead on her sister’s killer. Unfortunately, the killer wants a bit of closure by going after Carries. The new season starts July 28, so you can watch all 22 episodes in case you’ve forgotten a detail or two.

Quincy, M.E.: Season 6 brings another 18 bodies onto his coroner’s office. There are few shows as charmingly addictive as Quincy. By this point Jack Klugman (The Odd Couple) had achieved a comfort level that made this feel like a reality show as he sliced open bodies. He had achieved a bit of respect from Dr. Robert Asten (John S. Ragin). Sam (Robert Ito) was still a bit leery of Quincy’s more unorthodox approaches to solve a case. Somebody has to give him a little resistance in the office to keep him from being a God amongst medical examiners. “Last Rights” has Quincy pressured to declare a kid drowned instead of overdosed on drugs so not to upset the mother. Can he lie like that? “A Matter of Principle” shows a bit of innovation when Sam comes up with a technique to measure bite mark pressure on a victim. “Stain of Guilt” has Quincy brought on set to be the technical advisor of a real murder depicted in the film. He gets in trouble when he starts to investigate what’s the real truth. Is this merely a ploy to get his name on the rewrite script by changing the third act? “Dear Mommy” gets Quincy wrapped up in a not so ancient mystery. There’s a smuggling operation that might be using a mummy their mule. “Headhunter” reminds people to not take aspirin since a stewardess gets worse than a headache. Quincy is just one of those characters that’s yet to be matched on any of the procedurals that dominate the networks. Only two more seasons until it’s all out on DVD.

MADtv: The Complete Third Season proved that the Saturday Night Live rival could swap performers and strengthen itself. People were concerned with the departures of Artie Lange (for rehab) and Orlando Jones from the cast. Little did folks realize the departures would quickly be forgotten with the arrival of Will Sasso, Alex Borstein and Aries Spears. The third season marked the last when the magazine played a part in the show. Alfred E. Neuman’s face would be less prominent. There would be no more “Spy Vs. Spy” cartoons after this season. Not every episode this season had a guest host. But where can you go after a season with Don Most, Pam Grier, Bret Hart, Phyllis Diller and Anna Nicole Smith? Who needed guest hosts when Ms. Swan arrived with her view of the world? Sasso scores right away with his amazing Kenny Rogers impersonation. There’s an I Love Lucy spoof that has Lucy and Ethel pushing cocaine for their pimp. Pam Grier introduces us to an all-black superhero show. There was a reason why people didn’t feel too guilty for turning over to Saturday Night Live halfway through watching MADtv back in 1997.

Wolverine: Origin finally nails down how the X-Man got his claws. For nearly 30 years, Wolverine’s past was kept a mystery without only a few elements cropping up in a frame or two of a comic book. Then in 2001, the secret of his past was revealed with the collaboration of writers Paul Jenkins, Bill Jemas and Joe Quesada. Illustrators Andy Kubert and Richard Isanove brought out the early images. Turns out Wolverine is much older than believed. He was born in Canada back in the late 1800s. He was a sickly boy. Turns out there was a lot of turmoil in his including a strange and vicious groundskeeper who might have a clue to his nature. The six part series was adapted by Marvel Knights Animation which means the original panels and artwork are brought into motion. The characters now speak instead of just float word balloons. This is good for fans of the Wolverine movies that aren’t much into sitting around and reading comic books for fear that they’re devaluing the investment. The bonus is a retrospective with the creative team.

Blood Runs Cold is an icy horror flick. Winona (Hanna Oldenburg) is a successful musician who just wants a little peace and quiet to recover from life on the road. She needs a bit of calm so she can recharge her creative energy. It’s a little woodshedding in a remote cabin during the deep of winter. Who would bother her in such a remote location? How about an ax wielding maniac who might be some supernatural undead creature that isn’t bothered by the cold? So much for working on that new album since Winona might be a deep cut herself. This is the kinda slasher film that is best watched during summer so you don’t walk out in the cold and keep looking for an ax carrying freak chasing after you. The special feature is a short about making the movie in Sweden.

The Jungle Book, Adventures of Mowgli: Complete Collection is all 52 episodes from 1989 Japanese series. Runyard Kipling follows the life of a little boy who is raised by wolves in the Indian jungle. Things go well until he gets a little bit too big. The wicked tiger Shere Khan wants to take out the boy for good. His only hope is for the panther Bagheera and Baloo the bear to get him back to the humans. They don’t want their pal turned into Tiger Chow. This isn’t quite the Disney version of the tale since there’s no big musical numbers and Mowgli has a haircut that gives him a wolf tail look. The Nippon Animation series has supposedly never been aired in America before so this is a treat for folks who have merely read about the series. The show does wrap up in the 52nd episode so you won’t be pondering how it ends. The series is presented in full frame. This is perfect for people who prefer their Kipling without songs or kids who just want more of how Mowgli survived in the jungle.

The Garfield Show: Pizza Dreams reminds us that the lazy cat doesn’t only live by eating lasagna. He can also handle a good pizza pie. Who doesn’t like pizza? Now they make pizzas glutten-free with non-dairy cheese and faux tomato sauce so diet restrictions won’t prevent that love. Garfield has no restrictions to his diet. He just wants big slices in his pie hole. There’s six 12-minute episodes on the compilation DVD which also feature Vito, the pizza restaurant owner and chef. Garfield outwits Jon’s cruel cat diet in “The Spy Who Fed Me.” An alien clicks off gravity in Jon’s house for the “Gravity of the Situation.” “Master Chef” involves hunting down the man who makes a perfect lasagna. Garfield fears that eating dog food will turn into a mutt during “Fido Food Felin.” Garfield does his best to take advantage of Vito’s speedy pizza delivery service in “Great Pizza Race.” “Love & Lasgna” brings the wrecking ball for Vito’s pizza parlor. Can a single cat save the man’s dreams and life work? The bonus feature is five short cartoons featuring Garfield torturing Odie and others in less than a minute. This should only be played in the car if you plan on picking up a pizza with the kid. It must be noted that Wally Wingert does the voice of Jon.

Martha & Friends: Summer Fun is another visit with the animated 10-year-old version of Martha Stewart instead of the 71 year-old one. She might be younger, but she’s still crafty. She enjoys sharing her entertaining skills with her young friends. “Martha’s Fourth” has her explain how to have a fun patriotic holiday no matter what the situation. “Martha’s Back to School Party” is a lot less wild than Rodney Dangerfield’s Back to School. She knows what can be done to excite classmates and her new teacher. There’s four short webisodes. There’s even Martha explaining crafts to the kids including Scrapbooking, card making, paper lantern constructing and s’mores. There are instructions on how to make a seashell wind chime. This is a perfect gift for grandparents to give their grandkids in the hopes of getting a cool wind chime in return.

Dynasty: The Seventh Season – Volume One and Volume Two brings 28 more episodes of back stabbing, cold calculating and brazenly open Carrington soap opera action to Denver. The season picks up with Alexis (Joan Collins) not satisfied with financially crippling Blake (John Forsythe). What is the guy to do to recover? Alexs boots him out of his mansion. Is he really that broke with Krystal (Linda Evans) by his side? His memory is rather week since he can’t tell that Amanda has swapped bodies so she’s now Karen Cellini and not Catherine Oxenberg. The press views him as a desperate man. The media swears he’s torched his massive hotel for the insurance money. This leads to him getting distracted and crashing his car. Krystle takes the worst of that accident. When doesn’t she? There’s a subplot about the family getting a heart. The big season cliff hanger is another wedding gone wrong. Who will survive to Season 8? Why would anyone go near a wedding with the Carringtons involved? Shouldn’t that be a massive warning? It’s like seeing Robb Stark’s name on the wedding seating chart. Don’t go! You can get both volumes packaged together.

Bonanza: The Official Sixth Season – Volume 1 & Volume 2 brings to an end the eldest Cartwright son’s time on the Ponderosa. Pernell Roberts wasn’t too happy playing Adam Cartwright. He was ready to bolt at the end of season five. Why would he split a hit show? Cause he wanted to return to the legit stage and play a multitude of roles. Being a Cartwright turned out to be a year round job with rarely a week off since if the show wasn’t in production, the cast was zipping around the globe promoting the series. It’s not like he had a Twitter account to do his heavy work. He wasn’t exactly pulling a David Caruso since he appeared in nearly 200 episodes by the time he rode off into the sunset. “Thanks for Everything, Friend” has Rory Calhoun save Adam’s life. But he quickly proves to be a pal with issues. Tom Skerrit (Alien) gets in trouble. George Kennedy makes another appearance in “The Scapegoat.” “The Underdog” is none other than Charles Bronson (Death Wish) as a part Commanche employee dealing with prejudice. People think he’s a horse thief. “A Good Night’s Rest” has Ben looking for a quiet place to sleep. The bonus features including Allan Sherman and Lorne Greene doing an early form of rap music. Lorne unleashes the power of “Ringo.” The good thing for Pernell is that he’d eventually return to TV as the star of Trapper John, M.D. that ran for 7 seasons. He’d also be remembered as a Cartwright since all of his episodes were in color so he didn’t get snubbed in syndication like Dennis Weaver’s contributions to Gunsmoke.

July 4, 2013

A Bit Of A Chat with Ken Plume & Tony Way 4

Filed under: A Bit Of A Chat With Ken Plume,Interviews — Tags: , , , , , — UncaScroogeMcD @ 4:24 pm

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I have another chat with writer/actor Tony Way, about mustering knights, randy queens, Merchant Ivory action figures, and Sir Tony.

You can visit his official site at www.tonyway.co.uk

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Tony Way 4“:

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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June 30, 2013

FROM THE VAULT: Craig McCracken Interview

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Conducted ~6/2002

mccrackenHis name may not be well-known, but Craig McCracken is the creator of the massively successful Cartoon Network hits The Powerpuff Girls and Foster’s Home For Imaginary Friends.

It’s been 10 years since Blossom, Bubbles, and Buttercup first began their non-stop struggle to keep the fine citizens of Townsville safe from villains various and sundry, and even Foster’s Home has just come to an end.

I originally spoke with Craig in the run up to the big screen release of Powerpuff Girls: The Movie. We chatted at a time when the writing was on the wall that Warner Bros. had no idea how to market the film, and Craig’s fears about the campaign were realized with a poor box office showing.

Here’s my interview with Craig… Hope you enjoy…

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KEN PLUME: What were the difficulties in bringing the show to the big screen – especially since, I’m assuming, it wasn’t a Disney-sized animation budget…

CRAIG McCRACKEN: No, it wasn’t. Basically, it was just keeping the tone and the feel of the show. The shows are either 11 or 22 minutes and they move pretty quickly, and that’s part of the charm of them – so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format. It was a challenge to not make it feel like a totally different animal. It feels like this still is Powerpuff – just longer.

PLUME: How long did it take to arrive at a story that would sustain a feature?

McCRACKEN: We came up with two stories. It took us a couple of months… we came up with two different ideas – one that was purely an action show, and then on that was more of a subtle character piece. The network liked both of them , so basically what we did is created a hybrid of the two ideas – and thus we have the movie that we just finished.

PLUME: And it’s essentially a prequel…

McCRACKEN: Yes, it’s a prequel. It tells the story about how the girls were born with superpowers, but they weren’t necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

PLUME: I’m assuming Mojo Jojo was a given as the villain…

McCRACKEN: Yeah… Yeah… For me, definitely. He’s like the catch-all villain – he can be really silly if he needs to and evil if he needs to. He works on a lot of levels.

PLUME: I was reading the Animation Blast website the other day, and I found Amid’s take on the poster interesting, seeing as how the writers listed are artists and not screenwriters – as has been the recent way of doing things in the animated feature realm…

McCRACKEN: Yeah, definitely…

PLUME: How hands-off in the process has Cartoon Network been? They seem to exist in this little bubble of creativity in a raging storm of something less than that throughout Hollywood…

McCRACKEN: Yeah! We didn’t have any screenwriters. I don’t believe in scripts – if you’re going to write, then you also have to draw, if you want to work on Powerpuff. That’s what we did with the movie – all the guys who wrote it are the same guys who storyboarded it and visualized it, figured out all the shots, and basically made the movie. So it was being written and boarded at the same time – basically like they used to make animated movies.

PLUME: Before they forgot…

McCRACKEN: Before they forgot, yeah…

PLUME: How would you say that method enhances the end product?

McCRACKEN: There’s a lot you can do without words. You can say a lot with pictures. It’s a visual medium – and especially with animation, you can do a lot that you can’t do in live action. Because it’s drawings, you can kind of go anywhere and create anything you want. It really just gives you a sense of when you need to have dialogue and when you don’t, and if your pictures are telling the story, you don’t need to have all this talking. A show like Samurai Jack – that Genndy is doing – is a testament to that, where there’s hardly any dialogue in the whole show, but you can totally follow it because the visuals are selling that. I think a lot of times, in my experience, scriptwriters fall in love with their words and feel that they need to describe everything. There’s a lot to be said for a visual way of telling stories.

PLUME: How would you describe the atmosphere at Cartoon Network? Why are these kinds of projects allowed to flourish there and not at, say, Nickelodeon?

McCRACKEN: Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don’t know how to draw. They’re just kind-of frustrated artists who wish they could draw cartoons, but they don’t – so they go to a network where they can say “yes or no” to good ones getting made. They trust us as creators and give us a lot of freedom to do what we do, and they basically say, “Look… We don’t know how to make cartoons. You definitely do, so you go ahead and do that and we’ll put them on the air”. They love animation.

PLUME: Is there a definite sense amongst you all of operating in a bubble?

McCRACKEN: Yeah, pretty much so. We’ve been working this way for a number of years, so we’re pretty happy with the system we’ve got here and the way things work. I’ve even had my agent saying, “Well let’s try to shop you around and do this…” And I’m like, “Well, I’ve got freedom here. I can make the cartoons that I want to – why would I want to go somewhere else? Where every decision has to be made by committee?” That doesn’t appeal to me.

PLUME: Was there any hint of that committee approach while you were working on the movie?

McCRACKEN: Not at the beginning. Near the end, as we were finishing it up, there was a little more involvement – just because this is such a big investment from the network’s point of view, that they were like, “We want to make sure that everybody’s on board with this movie and there’s nothing in it that could be problematic.” There were a few edits that had to be made from Warner Bros standpoint, but nothing so disastrous that it affected the final film.

PLUME: Content editing?

McCRACKEN: Not so much content – moreso pacing. The movie is really fast and it moves along really quickly, and I think there were just some parts where Warners wanted to keep it going a little. They felt like it maybe got a little slow in certain parts. There were a few content things, but nothing major.

PLUME: So where’s the advertising for the movie?

McCRACKEN: Good question!

PLUME: Every time I turn around, there’s another Hey Arnold! ad, but no Powerpuff

McCRACKEN: You know, I’ve been wondering the same thing myself. I don’t see any posters, I don’t see any billboards, the only commercials I’ve seen are the one’s Cartoon Network’s been airing. In theory, Warner Bros is putting $20 million into promoting this movie. The movie comes out in 15 days – hopefully I’ll start seeing it.

PLUME: I was speaking with someone earlier about the film, and they said, “When is that coming out?”…

McCRACKEN: Yeah, exactly. I’m hoping that word-of-mouth on the film – people seeing it and liking it – that that will drive more people to the theaters, because I haven’t seen the billboards or the posters or anything.

PLUME: Do you worry about it opening opposite Men In Black II?

McCRACKEN: A little bit, yeah… I mean, there’s been lots of billboards and posters and ads for that movie for a number of months! I think everybody knows that’s coming out. It’s somewhat of a different audience, though, then the Men In Black audience.

PLUME: Do you have any fears – quite valid, with Warners’ history – of this being another Iron Giant?

McCRACKEN: I hope not… I hope not… That was some of my initial fears when we originally got involved with Warners, was that they haven’t had a lot of success with their animated films. Hopefully they’ll see the potential with this one. The one thing we have going for us is that we’re already a proven property, and so hopefully that will help us at the box office – that people know what Powerpuff Girls is, whereas Iron Giant was a new thing.

PLUME: Of course, here’s hoping that there’s some advertising to remind people when it comes out…

McCRACKEN: Yes! I would… I’m waiting for it… Maybe July 2 we’ll start seeing everything… The day before it comes out…

PLUME: Hopefully it’s not July 10…

McCRACKEN: Exactly! Post-promotion…

PLUME: “By the way, did you know this movie opened last week?”…

McCRACKEN: Exactly!

Continued below…

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