FRED Entertainment

February 26, 2010

Ken P. D. Snyde-Cast #136: 136 Skidoo

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 12:40 am

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #136: 136 Skidoo – Ken & Dana return with a pondering of the podcast’s future after a rather awkward start, but soon get back on the argumental horse.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #136 (MP3 format)

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Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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February 25, 2010

Comics in Context #234: Diary of a Wimpy Con Man

Filed under: Comics in Context — Tags: , , , — admin @ 11:19 pm

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#234 (VOL. 2 #6): DIARY OF A WIMPY CON MAN

cic-wimpy-01Most of us probably first saw Popeye in one of his hundreds of animated cartoons., but he originated in Elzie (E. C.) Segar’s newspaper comic strip Thimble Theatre in 1928. Although Thimble Theatre had been running for ten years when he made his debut, seemingly as a minor player for a single story arc, Popeye quickly became the lead in Segar’s large and colorful cast of characters. But only a handful of those characters made it to the screen in the animated cartoons produced by the Max Fleischer Studio in the 1930s and early 1940s, and by Paramount’s Famous Studios (the Fleischer Studio minus the Fleischers) in the 1940s and 1950s. Most of these cartoons followed a formula in which Popeye competed for Thimble Theatre leading lady Olive Oyl against his rival Bluto, who appeared relatively briefly in only a single storyline during Segar’s run on the strip. Popeye’s adopted baby Swee’pea, Poopdeck Pappy, Eugene the Jeep, and even, in one cartoon, the monstrous Goons also made it into some of the Fleischer cartoons.

But apart from the central Popeye-Olive-Bluto triangle, the Segar character who appeared most frequently onscreen was hamburger aficionado J. Wellington Wimpy. He even plays prominent roles in two of the Fleischers’ animated Popeye featurettes, Popeye Meets Sindbad the Sailor (1936) and Popeye the Sailor Meets Ali Baba’s Forty Thieves (1937). This surely testifies to Wimpy’s popularity in the Popeye newspaper strip.

But Wimpy in the animated cartoons is only a superficial shadow of Segar’s great creation in the comic strip. Wimpy certainly acts in character in the Fleischer cartoons: he devours hamburgers when he has them, tries to mooch them when he doesn’t, using his trademark line “I will gladly pay you Tuesday for a hamburger today,” and will even trail after a small bird in the hope of turning it into a meal. Basically the cartoons reduce Wimpy to the familiar stock comedy character of the glutton.

Recently Fantagraphics Books has been reprinting Segar’s Thimble Theatre from the storyline introducing Popeye in a handsome series of hardcover books, at the rate of one volume per year: they are now up to Volume Four. The cover of Volume Three features Wimpy himself, and I was surprised to discover that Wimpy dominates virtually all the Sunday strips included in this volume. Although Popeye is the lead character in the daily strips in this volume, he is more often than not Wimpy’s straight man in the Sunday strips in this collection. Indeed, it is clear that while Wimpy may be a minor supporting character in the animated cartoons. he is the second most important character in the Thimble Theatre newspaper strip, playing far more of a role than even Olive Oyl.

Wimpy is a variation on a character archetype that goes back to the ancient Roman comedies of Plautus and Terence: the parasite. This character type can be fixated on food and on trying to get food. But he does not turn to work to get his meal; rather, he lives off the charity of others, often deluging them with empty flattery to get what he wants.

One can see this aspect of Wimpy in the first Sunday in Fantagraphics’ Popeye Volume 3, from October 9, 1932. (As usual in these analytical essays, I issue a spoiler alert.) Popeye has been invited to Olive’s party, but realizes that he carries the odor from all the onions he has been eating. So Popeye sprays himself with perfume to compensate, but goes too far. At the party Olive and the guests are repelled by the overdose of perfume. Popeye leaves the party and retreats to his hangout, Rough-House’s restaurant, afflicted by melancholy: “I yam a misfit. I tries to do the right thing, but I yam always wrong.” This is an important part of Popeye’s appeal as a character. He may be the super-strong hero of the strip, but he is an outsider in society, ugly, uneducated, and maladroit at various social proprieties, with whom we can empathize. As a combination of proto-superhero and social misfit, Segar’s Popeye foreshadows the later Marvel superheroes.

cic-wimpy-02In this moment of Popeye’s vulnerability, Wimpy showers him with praise. “My friend, you are heavenly,” Wimpy tells him, loudly sniffing his scent. “Your fragrance takes me back to childhood when I lay among the geraniums in my mother’s garden.” As Wimpy pours on the flowery flattery, he seemingly cannot help but reveal what is really on his mind, and what his true icon of beauty is: “Your most delightful perfume reminds me of blooming pastures wherein dwell cows, of which are made ground beef sandwiches.” And then Wimpy makes his pitch: “My friend, will you buy for me a hamburger?”

Popeye doesn’t fall for it: “No!” So Wimpy moves away from Popeye, takes a clothespin, affixes it on his nose to block the smell of Popeye’s perfume, and then looks over at Popeye with a deadpan expression on his face. Since Wimpy’s strategy didn’t work, he drops the flatterer’s mask. Popeye reacts in shock while Wimpy remains cool and quiet: if he can’t get a free hamburger out of Popeye he will take his revenge by letting Popeye know what he really thinks of his “heavenly” fragrance. And thus we see that Wimpy is no ordinary version of the comedy parasite.

Wimpy is also a variation on another comedy archetype that often turns up here in “Comics in Context,” and in the August 27, 1933 Sunday strip in this collection, he seems well aware of it. The strip opens with Popeye and Rough-House discussing how they are both fed up with Wimpy’s continual mooching. But soon they are instead puzzled as to why Wimpy hasn’t tried to mooch any burgers today. Wimpy explains that he injured his jaw and therefore can’t open his mouth wide enough to eat. Rather than feel sorry for him, Rough-House decides to take this opportunity to play “a mean trick” on Wimpy, and Popeye, Wimpy’s nemesis George W. Geezil (more about him later), and other patrons of Rough-House’s establishment gather to watch. Rough-House then presents Wimpy with “the finest hamburger I ever made,” a large burger indeed, for free. The other customers look on in amusement at the idea that Wimpy can see this burger but can’t eat it. With his usual deadpan expression, seemingly unwounded by this “mean trick,” Wimpy says he expected this from “my tricky friend.” Then he adds, “But as you can see, I too am quite tricky,” and he opens his mouth enormously wide, as if in a great, triumphant grin, and shoves the giant hamburger right in. J. Wellington Wimpy is, after all, one of the greatest trickster figures in comic and cartoon art.

In these early Sunday strips from 1932 and 1933 we can see Segar experimenting with Wimpy, developing the character, sometimes changing his mind about him, and experimenting with Popeye as well. Popeye has an ambivalent attitude towards Wimpy in these early strips, shifting back and forth, perhaps reflecting an ambivalence in Segar’s own attitude towards Wimpy.

In the October 20, 1932 strip Rough-House has grown so infuriated with Wimpy’s mooching that he pulls out a gun. But Popeye stops him, saying, “I sez ya ain’t gon’er shoot “˜im! He’s okay–it takes all kinds of people to make a world.” Nevertheless, there are already limits to Popeye’s tolerance. Rough-House’s restaurant is infested with flies as well as Wimpy (another kind of pest?). Popeye sprays Wimpy with sugar syrup, so the flies will swarm around him, lures Wimpy outside with a hamburger, but then puts the burger on the branch of a tree, out of Wimpy’s grasp. Back at Rough-House’s Popeye laughs at having rid Rough-House of both his problems.

But in the following Sunday, Nov. 6, 1932, Wimpy returns, with the flies still following him. One of Wimpy’s admirable qualities is his persistence; like Popeye, he (usually) doesn’t give up. Rough-House puts a hamburger in a basket attached to a dog, which then runs out of the restaurant, with Wimpy in pursuit. Popeye is displeased, apparently feeling that Rough-House has gone too far. But Popeye is amused when Wimpy returns with both the dog and the burger. “As a rule, gentlemen,” Wimpy declares, “I am an inactive man, but when there’s a sandwich at stake, I am both limber of leg and fleet of foot.”

Popeye seems to admire Wimpy’s triumph here. For one thing, Popeye tends to sympathize with underdogs, and for another, Popeye has much more of a sense of humor than Wimpy’s adversaries Rough-House and Geezil. Moreover, Wimpy has pulled off a feat of sorts here by catching up with the dog. In these strips Wimpy is repeatedly called a “loafer,” but as he himself observes, he is very willing to exert himself in pursuit of his goal, the hamburger. Wimpy has no regular job, but perhaps his true vocation is trickery: he certainly works to persuade people to feed him.

Something else notable about Wimpy is his sense of dignity. Notice his elegant use of language in that previous quotation. He is an unemployed man who is continually, in effect, begging for food. But there does not come off as an aggressive beggar who might repel the readers, nor does he seem pathetic. Even as he does undignified things he has a certain dignity in his manner and his speech, as if what he is doing is utterly respectable, as if his attempts to con people out of hamburgers is a job like any other. There are exceptions, as we shall see, when his hunger gets the better of him.

Significantly, in the January 15, 1933 strip, when, urged by Popeye, Rough-House offers Wimpy hamburgers and spinach for free, Wimpy protests, “I cannot accept charity, my friend. Charge this to my account.” Rough-House points out, “You ain’t got no account.” Wimpy proudly replies, “Then take it away,” before his hunger gets the better of him, and he ads, “Leave it here.” This suggests that Wimpy’s sense of dignity prevents him from admitting to being a beggar or a charity case. Hence, when Wimpy promises to pay somebody Tuesday for a hamburger today, he isn’t just conning someone: Wimpy is trying to maintain the fiction that he is not the desperately impoverished man he actually is. (As Rough-House notes at one point, Wimpy never shows up on Tuesdays.)

Though Wimpy does not actively seek out work, he is not opposed to employment. He regularly serves as the referee in Popeye’s boxing matches, and in these strips when someone offers Wimpy a job, he accepts. For example, in the Nov 27, 1932 strip Popeye suggests that Rough-House give Wimpy a job shooting the mice infesting the restaurant. (Rough-House’s diner is clearly not of the highest caliber.) Wimpy accepts but then keeps missing the mice when he shoots and fears he will never succeed. But then Wimpy finds a mouse caught in a mousetrap, shoots it, and turns it in to Rough-House in exchange for a hamburger. Wimpy continues to show Rough-House the sane mouse over and over, pretending it is a different one each time, and getting a burger each time. Popeye is about to tell Rough-House that Wimpy is cheating when Wimpy looks fixedly at Popeye and says emphatically, “My good friend–I am hungry–very hungry.” Popeye shuts up.

cic-wimpy-03Reading this strip, I felt as if the comedian, Wimpy, had suddenly revealed the pain behind his comedy. Segar created Wimpy during the Great Depression; these strips were published in the early 1930s, when many people were indeed jobless and going hungry. Maybe this fact helps explain Wimpy’s popularity with newspaper strip readers of the 1930s: here is a penniless man who is a survivor, who lives by his wits, persists and retains his dignity, even though he is reduced to living on the charity of others. Wimpy’s mooching may make us smile, but it is something he must do to survive.

So in the next Sunday strip, December 4, 1932, when Rough-House complains that Wimpy is just a “loafer,” Popeye retorts, “Rough-House, ya got to take people for what they are–Wimpy is what he is–the same as I yam what I yam.” Wimpy may not pursue getting work, but Popeye, at this point, is not about to penalize Wimpy for that. Popeye recognizes that Wimpy is simply behaving according to his essential character, and wants Rough-House to be more tolerant of that, perhaps implying that Rough-House should indeed help feed him.

This strip too raises the curtain on the sadder aspect of Wimpy’s existence. Wimpy notes that he has “no friends, no pals.” Perhaps, then, when he elsewhere calls Popeye “my friend,” Wimpy isn’t just flattering him: he seems to long for friends to help him, indeed, for companionship. In this Sunday strip Wimpy even declares, perhaps alluding to the Depression, “It’s a cruel world. Better I should be dead–no longer can I stand my hunger.” Seeing Wimpy head for a pier, Popeye even fears that Wimpy will commit suicide. But instead he finds Wimpy simply fishing for food. Once again, this is a a source of Wimpy’s appeal: he doesn’t let this “cruel world” destroy him but keeps trying to survive in it, hoping for the best. Maybe he will catch a fish.

In the January 1, 1933 Sunday strip Rough-House complains that if he shoots Wimpy, he’ll be hanged. Again Popeye counsels tolerance, and perhaps having a sense of humor, telling Rough-House that he “takes life too serious.”

In this Sunday installment Wimpy discovers he has just inherited $25 from an uncle, a tiny sum that nonetheless seems huge in the context of this strip. Nos that Wimpy can actually afford to pay him, Rough-House plies him with food. But while Wimpy is eating, he is besieged by bill collectors, who claim all of his inheritance. And so when it comes time to pay for his dinner, Wimpy once again resorts to his trademark pledge of paying you next Tuesday. Rough-House seethes with angry frustration but Popeye is amused by the absurdity of it all. Wimpy, seemingly sincere, tries to comfort Rough-House by saying, “Cheer up, my friend–I have another uncle.” Again, Wimpy is characteristically optimistic: maybe someday he will get another inheritance.

In the October 30, 1932 strip, not only was Wimpy not bothered by the flies in Rough-House’s cafe, but he said that flies liked him: “That’s because I’m sympathetic to all dumb animals.” At the start of the January 8, 1933 Sunday strip, Popeye too feels sympathy for an animal when he sees a man kick a dog. “Poor little swab,” Popeye says, comforting the dog; then, outraged, he calls to the dog’s tormentor, addressing him as if he were the real animal–“Ahoy, ya beask!”–and then beating him up. Popeye then takes the dog to Rough-House’s to feed him hamburgers. Wimpy begins barking at the dog, who then brings the burgers to Wimpy. “Lissen, Wimpy, the first time was funny,” says Popeye in annoyance, “but now yer tryin’ to take advantage of a dumb animal.” Popeye has sympathy towards “dumb animals,” but it appears that Wimpy actually speaks the dog’s language. That implies that Wimpy is somehow closer to the world of nature than even Popeye is, though each is an outsider in his own way in the world of human society.

So there is a lot more to Wimpy’s character than first meets the eye, and we shall see still more in weeks to come.

Copyright 2010 Peter Sanderson

Follow me on Twitter (@PeterJSanderson) and at Facebook Comic Con.

Musical MySpace Tour #6

Filed under: Musical Myspace Tour — Tags: , , , — UncaScroogeMcD @ 10:55 pm

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There are occasions that I wonder if I do this column because I love MySpace or if I do it because I needed to find a use for MySpace.

It’s true when people say that the place is a waste-ground these days. Most people have migrated to Facebook. And yeah, Facebook is good and all but it’s still not designed for music. This is what MySpace is fantastic for. There is nothing out there that is designed as accessible for music as MySpace and in the end this is what I’m hoping to highlight here.
Little nobodies can have a page that looks and can be used as well as a professional’s page. Unfortunately they can also be disasters. Some people aren’t helping themselves out, for example dotdotdot (http://www.myspace.com/dotdotdotnz), who sent me a friend request. I click the link only to find a huge banner to say that the band will not be using this url anymore and have changed to a new one. They have, however, only tried to add me with this seemingly dead profile. No review for you.

It’s a shame that no-one this week had a video on their page to go along with their music play-lists. I find they can be a great help with getting to know a band/musician and connect with them a little bit. But as with my experience, a lot of folks think the music will speak for itself. When you’re dealing with MySpace bands though, maybe they’re better off staying quiet.
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KARL ELAND
www.myspace.com/karlelandireland

There is a section on MySpace band profiles that allows you to list your musical influences. It’s helpfully labelled “Influences”. It can often be interesting to see the type of music a musician listens to themselves. Unfortunately it can also have a massive downside because you instantly draw comparisons. Comparisons are fine when it’s “he writes songs with a similar theme to…” or “this particular drum beat can be likened to…” etc. It’s not fine, however, when you listen and think “he sounds exactly like…” and unfortunately this is the case for Karl Eland.

Karl, from Preston in England, is like mini-Springsteen. He’s not The Boss though, he’s just an assistant manager. I wouldn’t say Karl is doing an impression of Bruce Springsteen but when he lists him in his “Influences” section, he REALLY means it.

The songs aren’t bad though. In fact, Springsteen could probably add these to an album and nobody would blink. The main thing that holds Karl back, for me, is that his voice isn’t as strong as the songs he’s singing. A bit more power would add endlessly more conviction to what are essentially songs written about blue-collar rebellion. The sound is decent, especially considering how much production money I’m sure he has behind him. Overall, it’s hard to complain… if it wasn’t for the fact that I just can’t get the Springsteen comparisons out of my head. And unfortunately, when you’re being compared to such a legendary name in music you’re only going to come off poorly.

On a side note; I’ve noticed this a few times before. This is not Eland’s only MySpace page. He has them for different countries. Karlelandusa and just plain karleland also exist. What is the point of this? You’re just splitting up your hits. Surely this is a waste of time?

Presentation = 3/5
Content = Not a lot. 3 songs and not much else.
Music = 3/5
Friend Request = DENIED!

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myspace-crossingWASHINGTON’S CROSSING
www.myspace.com/washingtons2crossing

If the pictures are anything to go by, Washington’s Crossing have had a bit of a revolving line-up. That can be a worrying factor as it could indicate to something “not quite right” within the group but it could also keep things interesting musically if each new member has their own input into the songs.

The first song on the play-list is a little ditty called Who is the Antichrist which, I swear to Buddha, sounds just like a Spinal Tap song to me. I actually had to double check it wasn’t a cover. When I was looking at pictures of the band I thought that this sound didn’t match up with the image. Then the next song played called We’re all welcome here, a jangly, almost reggae, island number and I realised… none of this matches up! Not the band, not the music. It’s like a mix-tape of crap.

Either they’re a subtle, subversive parody band or they don’t get the joke. It’s hard to tell. I feel like if I saw this band play Don’t Say in the background of the bar in Cocktail neither I nor Tom Cruise would blink. Although that might just have something to do with the coke in Tom’s case. Allegedly.

I could go on about the possible religious angle to the band but it’s probably not worth starting that snowball. Needless to say “the devil is evil”, as a concept, is mentioned a lot. Rock on with your good selves.
I will say though, as a rare positive, whoever plays guitar on Not that I’m Crazy does a classy job. It’s even a catchy tune. So it’s not all bad.

Presentation = 2/5
Content = Loads of pictures and enough songs but no video, which would have been welcomed.
Music = 2/5
Friend Request = DENIED!

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myspace-baconmoonBACON MOON
www.myspace.com/baconmoon

Bacon Moon is a band I tried to review before (during the hard drive debacle of January 10) and I remember at the time being, for once, mildly positive. It’s nice to get a second chance. However, if memory serves me right, it seems that they have changed the songs on their play-list since then. So, I must start this review fresh and pretend like I wasn’t paying attention the first time because I really do take my time to review all these bands fairly and with no bias.

Honestly.

Stop looking at me like that.

This may surprise a lot of people, including the band, but there is a lot of stuff here that I like. Despite the sound being distinctly low-tech garage band, they have that feel from a golden age of rock (for me) which is the early 90s grunge era. I’m not saying that Bacon Moon sound like a grunge bad, not in the slightest, but they are definitely influenced by other bands from that period. Simple Life could be a Pavement song and Like To Try it could be taken from an IRS era R.E.M. album. It’s in Simple Life also where I think the lead singer does his best job and is the highlight of the play-list for me. I understand that each member contributes to the vocals and I appreciate that not every singer can have a Meatloaf range but I’m a firm believer in people knowing their range and working with it. In some songs such as Stuck his voice becomes a whine and it completely grates on you. I’m sure it’s a different person taking lead on each song but as a MySpace browser it’s hard to distinguish who from who so I’m going to assume that maybe someone should stick to back-up.

Overall it’s just hard to get a handle on Bacon Moon. There is a touch of everything in the songs and in the end it just adds up to something clustered and messy. I don’t know if this is because of a looseness in the instruments or just that maybe the band members aren’t taking themselves seriously enough. I get the impression that Nick, Jon and “db” might be just having fun. If so, kudos to them for enjoying themselves but I honestly believe that if they put their minds to it they could make a really good CD.

I think I’m going to dig out my copy of Murmur.

Presentation = 1/5
Content = Not a lot. A good few songs though.
Music = 3/5
Friend Request = DENIED!

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myspace-tiradesTHE TIRADES
www.myspace.com/tirades

Was this recorded on a phone? Dear god. It’s so tinny and just maxes out every five seconds.

I can’t review this as it’s murder on my ears. I might even have given them a good score, because what I could make out through all the noise seemed good but if you can’t get your act together and create a decent recording of it you’re not getting a good score from me.
This sort of thing is important, lads.

There are some better recorded songs on the play-list but they seem to be credited to a different band, which is a previous incarnation.
No, this is all wrong.

*runs for the exit*

Presentation = 0/5
Content = An “About Me” section… and noise.
Music = 1/5
Friend Request = DENIED!

– If you’d like to have your music reviewed (or at the very least made fun of) by Aaron on this column, just head over to www.myspace.com/aaronhbp and send him a friend request. He’ll then add you to his list of problems.

February 24, 2010

Paul Dini’s JINGLE BELLE: #04

Filed under: Jingle Belle — Tags: , , , , — UncaScroogeMcD @ 8:39 pm

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Santa Claus gets along with every child except one ““ his own feisty teen-age daughter, JINGLE BELLE. Jingle’s creator Paul Dini (Batman: The Animated Series, Gotham City Sirens) and illustrator Stephanie Gladden (Hopster’s Tracks, Girls of Monster Paradise) present ALL NEW Jing strips here at FRED. Check in each Thursday for more arctic antics!

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CLICK BELOW FOR THIS WEEK’S STRIP

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Jingle Belle and all related characters ™ & ® 2010 Paul Dini all rights reserved

Contest Round-Up: 2010-02-24

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Welcome to our weekly round-up of featured giveaways here at FRED. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Warner Bros. Home Video, we’re giving away six (6) copies of WHERE THE WILD THINGS ARE on both Blu-Ray & DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of COLD SOULS on DVD.

In conjunction with Shout Factory Home Video, we’re giving away five (5) copies of ELVIS on DVD.

In conjunction with Comedy Central Records, we’re giving away three (3) copies of SONGS OF THE SARAH SILVERMAN PROGRAM on CD.

In conjunction with Faber & Faber, we’re giving away four (4) copies of THE QI “G” ANNUAL.

In conjunction with Hasbro, we’re giving away a MARVEL UNIVERSE: IRON MAN Figure.

Win a MARVEL UNIVERSE: IRON MAN Figure!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:41 pm

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In conjunction with Hasbro, we’re giving away a MARVEL UNIVERSE: IRON MAN Figure.

Contest ends at 11:59pm EST on Wednesday, March 17th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE QI “G” ANNUAL!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 5:25 pm

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In conjunction with Faber & Faber, we’re giving away four (4) copies of THE QI “G” ANNUAL.

Contest ends at 11:59pm EST on Wednesday, March 17th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win SONGS OF THE SARAH SILVERMAN PROGRAM on CD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 5:06 pm

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In conjunction with Comedy Central Records, we’re giving away three (3) copies of SONGS OF THE SARAH SILVERMAN PROGRAM on CD.

Contest ends at 11:59pm EST on Wednesday, March 17th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win ELVIS on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 4:58 pm

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In conjunction with Shout Factory Home Video, we’re giving away five (5) copies of ELVIS on DVD.

Contest ends at 11:59pm EST on Wednesday, March 17th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win COLD SOULS on DVD!

Filed under: Contests — Tags: , , , , — UncaScroogeMcD @ 4:51 pm

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In conjunction with Fox Home Video, we’re giving away three (3) copies of COLD SOULS on DVD.

Contest ends at 11:59pm EST on Wednesday, March 17th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win WHERE THE WILD THINGS ARE on Blu-Ray & DVD!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 4:16 pm

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In conjunction with Warner Bros. Home Video, we’re giving away six (6) copies of WHERE THE WILD THINGS ARE on both Blu-Ray & DVD.

Contest ends at 11:59pm EST on Wednesday, March 17th.

CLOSED! THANKS FOR ENTERING!

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, March 17th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Bagged & Boarded 48: “Well, slap my face and bury me in a cow!”

Filed under: Bagged & Boarded — Tags: , , , , — UncaScroogeMcD @ 1:43 pm

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What happens when two young men let their love of movies, comic books, and all things “geek” take over their lives? They run away from their families, bringing only the most essential DVDs and comics to their secret, highly fortified underground bunker in sunny Southern California, where they start recording podcasts that will change the world.

Are they heroes?

No.

Are they geniuses?

Far from it.

Are they the future of this planet?

I sure hope not.

Simply put… Matt Cohen and Jesse Rivers are “Bagged and Boarded”.

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BAGGED & BOARDED #48: “Well, slap my face and bury me in a cow!” – In which Matt and Jesse discuss the ongoing Winter Olympics, chat about the new game HEAVY RAIN, and jaw on one of the stranger hypotheticals the show has seen. Do it to it, like you love it.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #48 (MP3 format)

[audio:http://traffic.libsyn.com/baggedboarded/bagged_boarded-48.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Matt & Jesse at the B & B mailbag.

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CLICK HERE FOR THE BAGGED & BOARDED ARCHIVES

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FREDagator: 2010-02-24

Filed under: Articles — UncaScroogeMcD @ 12:47 am

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Oh, Japan. CGI has finally caught up to your filmmaking crazy…


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February 22, 2010

Masters Of Song Fu #6: Round 2 Voting Begins

Filed under: Masters Of Song Fu — Tags: , , , — UncaScroogeMcD @ 10:43 pm

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We here at FRED are true lovers of music, in all its forms. We’re also quite keen on the spirit of competition, and of spurring creativity through said competition.

To that end, we launched a unique form of creative combat.

In this age of manufactured and painfully earnest talent contests, we’ve decided to instead shine a light on the quirky, quixotic underworld of musicians that don’t get nearly the attention they deserve.

Ah, but I did mention that there was a competition involved…

Like a songwriting version of Iron Chef, the competitors will be presented with a very specific songwriting challenge. They’ll be given one week to complete their songs – however they see fit, within the parameters set forth – after which time the entries will be uploaded to FRED to be voted on by you, the audience.

At the end of the 3rd Challenge, the two Challengers with the most votes will face off, mano a mano for the title of…

MASTER OF SONG FU

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However, there may yet be one final challenge for this newly crowned Master – for they very well might (if the stars align and schedules permit) face off against one of the LEGENDARY MASTERS – artists like Jonathan Coulton, Paul & Storm, Neil Innes, Doc Hammer, & The RiffTones. Think of them as the iron chefs of Song Fu – one of which may or may not be revealed as your ultimate challenge. Only the wheel of uncertainty can predict (and even then, not).

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So what was the first Challenge?

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ROUND 1 CHALLENGE

Write a song that is about (or at least has key to the central narrative) RAIN (the meteorological phenomena). At some point (or throughout) the song, you must utilize an instrument (or vocals) that represent the rain. You are free to write your song in any style that you choose.

That’s it. The only other directive is that your song must run no shorter than 1 minute 30 seconds.

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And then our Challengers were given their Round 2 Challenge…

ROUND 2 CHALLENGE

Write a song that does not rhyme.

CLARIFICATION: Your song can be in any style, but must not contain any rhymes of 2 dissimilar words within a traditional verse structure. Exact repetition of a phrase or word is permitted. Your song must run no shorter than 1 minute 30 seconds..

If you want some inspiration, here’s a number song from The Muppets
[audio:http://asitecalledfred.com/songfu/rhymingsong.mp3]

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You’ll find the Round 1 and Round 2 songs from each of our Challengers below, as well as the results of the Round 1 voting. More importantly, though, you’ll find the voting form for the Round 2 Challenge tunes!

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THE CHALLENGERS

MIKE LOMBARDO

Mike Lombardo is a piano-playing geek-pop-rock singer-songwriter who likes to use hyphens when describing his occupation. He has been known to write songs about just about anything, including rocks and SAW 4. When not banging on a piano, Mike spends most of his time playing way too many video games or teaching small children how to bang on pianos. A graduate of Berklee College of Music, Mike is currently finishing up his second album with his piano rock band, the Mike Lombardo Trio.
Official Website: www.mikelombardomusic.com
Twitter: twitter.com/mikelombardo
ROUND 1 SONG:Sit And Watch The Rain
[audio:http://asitecalledfred.com/songfu/06song1/mike_lombardo-sit_and_watch_the_rain.mp3]
ROUND 2 SONG:I Found You
[audio:http://asitecalledfred.com/songfu/06song2/mike_lombardo-i_found_you.mp3]

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EDRIC HALEEN

songfu-edrichaleen.jpgEdric is a returning veteran of the Masters of Song Fu competition. He has been writing music (off and on) since the early nineties. He wrote and directed a musical, The Pushcart War, based on Jean Merrill’s wonderful novel. He has written and/or arranged a number of songs for various friends – some commissioned, some as surprises. He loves acting in community theatre, and is inspired by the music of Stephen Sondheim, Jason Robert Brown, Adam Guettel, Lynn Ahrens and Stephen Flaherty. Also – feel free to check out (and add to!) the “Happiness Board” on his web pages!

Official Website: happinessboard.com/Edric_Haleen.html

ROUND 1 SONG:In The Rain
[audio:http://asitecalledfred.com/songfu/06song1/edric_haleen-in_the_rain.mp3]
ROUND 2 SONG:This Song Doesn’t Rhyme
[audio:http://asitecalledfred.com/songfu/06song2/edric_haleen-this_song_doesnt_rhyme.mp3]

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GODZ POODLZ

Legends foretell of a mighty duo, born in the frozen North. Two neighbors and friends will unite to form “Godz Poodlz” and battle the Mazters or Song Fu for glory and bragging rights! Godz Poodlz are Rüss Rogers and Rod Durre. Russ Rogers was once a member of “Kit and Kaboodle” (still available on iTunes) and currently performs in “Rusty’s Rocking Jamboree!” Rhod Durre was in the Goth Rock Band, “Sear!” Beware the Godz Poodlz Ear Worm! Godz Poodlz songs are bright, funny and tenaciously catchy. Come join Godz Poodlz Legionz of Fanz!

Official Website: godzpoodlz.bandcamp.com

ROUND 1 SONG:Rain Is Pouring Down
[audio:http://asitecalledfred.com/songfu/06song1/godz_poodlz-rain_is_pouring_down.mp3]
ROUND 2 SONG:Blue Sky Thinking
[audio:http://asitecalledfred.com/songfu/06song2/godz_poodlz-blue_sky_thinking.mp3]

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SPENCER SOKOL

Spencer is trying to do things. Music is one of those things. It is painfully obvious to him, if not others, that he has absolutely no idea what he’s doing. In the past he has been musically inclined with a guitar and occasionally with a piano. He is trying to be musically active once again, but this time he is attempting to do so while on the Internets. Creating music is a large part of his 40×40 list and he thinks this competition seems like “a Super Mega Happy Fun way” to rekindle his musical desires.
Official Website: www.spencersokol.com
Twitter: twitter.com/spencersokol
ROUND 1 SONG:Reservations
[audio:http://asitecalledfred.com/songfu/06song1/spencer_sokol-reservations.mp3]
ROUND 2 SONG:Minus
[audio:http://asitecalledfred.com/songfu/06song2/spencer_sokol-minus.mp3]

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KYLIE PETTO

My name is Kylie, and I’m your everyday 17-year-old girl with a passion for music. I’ve been writing my own songs since I was ten years old, and nothing is more fun for me than to sit down with my guitar and unwind. Now I thankfully have a violin to add to my arsenal, and I’m armed and ready for my second go at song fu!

Official Website: NONE
Twitter: twitter.com/KyliePetto

ROUND 1 SONG:Robby
[audio:http://asitecalledfred.com/songfu/06song1/kylie_petto-robby.mp3]
ROUND 2 SONG:All These Knives
[audio:http://asitecalledfred.com/songfu/06song2/kylie_petto-all_these_knives.mp3]

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CALEB HINES

Caleb is a software engineer who pretends to be a musician on the internet. Self-taught in music theory, he is more comfortable writing a four-part instrumental fugue than he is writing a verse-chorus-bridge song. His favorite style of music went out of style at the end of the 18th century, but after discovering the likes of Weird Al, Dr. Horrible, and especially Jonathan Coulton, he realized that “omodern music” can be fun too. Now he is on a quest to update, expand, and diversify his musical knowledge and experience. In addition to singing, he plays a whole family of recorders, baroque flute, ukulele, melodica, pretends to play keyboard and guitar, and most recently, bass. He also uses virtual instruments because a real orchestra costs too much.

Official Website: refactoringmybrain.blogspot.com
Twitter: twitter.com/calebhines

ROUND 1 SONG:Water Cycle
[audio:http://asitecalledfred.com/songfu/06song1/caleb_hines-water_cycle.mp3]
ROUND 2 SONG:Hippopotomonstrosesquipedaliaphobia
[audio:http://asitecalledfred.com/songfu/06song2/caleb_hines-hippopotomonstrosesquipedaliaphobia.mp3]

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BOFFO YUX DUDES

The Boffo Yux Dudes began in the 80’s and 90’s doing radio comedy, and promptly fell asleep for the next 15 years. Tom Giarrosso and Allan Morgan (Pop Machine) continue the tradition of trying to recreate their lost youth with exceedingly torturous music, instead of spending the money on therapy like normal people having a midlife crisis. Tom blames Mike Lombardo for showing him the Fu way of doing things, and now he has to listen to the voices and write songs instead of doing his actual day job.
Official Website: www.boffoyux.com
Twitter: twitter.com/boffoyuxdudes
ROUND 1 SONG:Reign of the King
[audio:http://asitecalledfred.com/songfu/06song1/boffo_yux_dudes-reign_of_the_king.mp3]
ROUND 2 SONG:Al’s Blues
[audio:http://asitecalledfred.com/songfu/06song2/boffo_yux_dudes-als_blues.mp3]

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DENISE HUDSON

Denise Hudson is a musician of non-determined hair-color from Austin, Texas who is married to an musicaphile Australian. She hopes that she typed up her bio correctly (alas, she cannot spell!); and additionally hopes she amuses you, but she is done apologizing now. 🙂 If she happens to make you slightly uncomfortable, she supposes there’s nothing to be done for it…
Official Website: denisehudson.bandcamp.com

Twitter: twitter.com/RangerDenni
ROUND 1 SONG:Rain
[audio:http://asitecalledfred.com/songfu/06song1/denise_hudson-rain.mp3]
ROUND 2 SONG:Something Very Horrible (Bluebeard’s Lament)
[audio:http://asitecalledfred.com/songfu/06song2/denise_hudson-something_very_horrible_bluebeards_lament.mp3]

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“BUCKETHAT” BOBBY MATHESON

songfu-buckethatbobby.jpgI’m “BucketHat” Bobby Matheson. I used to make cartoons for the internet, and sometimes still do, but mostly focus on my music right now. I write and record my songs solo, in my little make-shift studio, and when I play live, I often get some help from friends. Some of my music is funny, and some isn’t. More often than not, the humour is unintentional. My Influences range from Klezmer to folk, to punk and back again, which ends up sounding more like Zydeco than anything else (who’d have guessed?). I’ve been described as a “Cajun Buddy Holly” and an “Optimistic Elvis Costello”. It’s been said that I sound like “That guy from the Barenaked Ladies” and a “Nasaly Bob Dylan”. One of these days, I hope to have a description that is accurate.
Official Website: www.buckethatbobby.randomsociety.com
Twitter: twitter.com/BucketHatBobby
ROUND 1 SONG:Forget About The Rain
[audio:http://asitecalledfred.com/songfu/06song1/buckethat_bobby_matheson-forget_about_the_rain.mp3]
ROUND 2 SONG:I’m Fine (Could Be Worse)
[audio:http://asitecalledfred.com/songfu/06song2/buckethat_bobby_matheson-im_fine_could_be_worse.mp3]

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IAN “TWO SHADES” JOHNSON

Ian is a guitarist/singer/pianist/other-stuff-ist. He was a participant of Song-Fu #5, and is a member of Too Much Awesome. His songs have been described (by himself) as “probably not as funny as I think they are.”
Official Website: ianjohnson.bandcamp.com
ROUND 1 SONG:Downpour
[audio:http://asitecalledfred.com/songfu/06song1/ian_two_shades_johnson-downpour.mp3]
ROUND 2 SONG:Two Words
[audio:http://asitecalledfred.com/songfu/06song2/ian_two_shades_johnson-two_words.mp3]

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GORBZILLA

songfu-gorbzilla.pngGorbzilla is a musician/band teacher in Mid-Michigan. He has been in a few bands over the years, most notably as the bass player/vocalist for the band “Satin Jones” and the guitarist/vocalist for the band “Jimmy Likes Pie”. The proud father of two future rock maniacs, Gorbzilla has been writing music for the past twenty years, and is currently working on his first musical Beer ““ Finally a Musical for Men based on the Haiku by Patrick “Horkmeister” Sweet entitled, “I Think I Threw Up”. He has been happily married for eight years, and is looking forward to this competition.
Official Website: gorbzilla.blogspot.com
ROUND 1 SONG:Freezing Rain
[audio:http://asitecalledfred.com/songfu/06song1/gorbzilla-freezing_rain.mp3]
ROUND 2 SONG:A Song About This Song
[audio:http://asitecalledfred.com/songfu/06song2/gorbzilla-a_song_about_this_song.mp3]

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GOVERNING DYNAMICS

Governing Dynamics is the name of Travis Norris’s eternal sideproject, where all the stuff written by him goes when his current band (whatever it may be) refuses to play it. The music has been favorably compared to such bands as Eels, Radiohead, The White Stripes, and other bands that cool people like. It has been unfavorably compared to the tactics used by the FBI against the Branch Dividians at Waco. If he has to describe his music by genre (and refer to himself in third person) Travis calls it “alternative/shoegazer with a liberal dose of Midwestern rock”.
Official Website: governingdynamics.bandcamp.com
Twitter: twitter.com/travisnorris
ROUND 1 SONG:Rain in Chicago
[audio:http://asitecalledfred.com/songfu/06song1/governing_dynamics-rain_in_chicago.mp3]
ROUND 2 SONG:Restrictions
[audio:http://asitecalledfred.com/songfu/06song2/governing_dynamics-restrictions.mp3]

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ZER0GUY

Two brothers from the midwest return to Song Fu with their brand of eclectic musical ideas. They don’t like to stick to a genre, and sometimes they suffer from swarms of bees.
Official Website: www.myspace.com/zer0guyband
ROUND 1 SONG:Thundercade
[audio:http://asitecalledfred.com/songfu/06song1/zer0guy-thundercade.mp3]
ROUND 2 SONG:Guitar Tonite
[audio:http://asitecalledfred.com/songfu/06song2/zer0guy-guitar_tonite.mp3]

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JUTZE SCHULT

Johannes “Jutze” Schult (from Germany) likes to live in a dream world where there has been no Grunge and where he is a talented singer. Sometimes his little folky pop songs find their way into the real world. Here they suffer from his hoarse voice and the do-it-yourself home recording production, struggling to appeal off and on beaten musical paths.
Official Website: www.jutze.com
Twitter: twitter.com/schult
ROUND 1 SONG:Kingdom Of Rain
[audio:http://asitecalledfred.com/songfu/06song1/jutze_schult-kingdom_of_rain.mp3]
ROUND 2 SONG:Communication Removal
[audio:http://asitecalledfred.com/songfu/06song2/jutze_schult-communication_removal.mp3]

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LEIGH & HOOVER

Dave & William have been writing songs together for decades, yet have still managed to avoid finding a clever name for themselves. William writes the words; Dave the music… which is good because it doesn’t really work the other way ’round.
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Official Website: www.cratchit.org/music
ROUND 1 SONG:Summer Rain
[audio:http://asitecalledfred.com/songfu/06song1/leigh_and_hoover-summer_rain.mp3]
ROUND 2 SONG:We Do What We Do
[audio:http://asitecalledfred.com/songfu/06song2/leigh_and_hoover-we_do_what_we_do.mp3]

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COMMON LISP

Common Lisp is the name for the music projects of yours truly, Paul R. Potts, and any collaborators I may be able to drag into participating. I am a middle-aged software engineer with four children, some home recording gear, and too many guitars. I have never written an original song. It’s about time, don’t you think?
Official Website: commonlisp.bandcamp.com
Twitter: twitter.com/paulrpotts
ROUND 1 SONG:Polly Loves the Rain
[audio:http://asitecalledfred.com/songfu/06song1/common_lisp-polly_loves_the_rain.mp3]
ROUND 2 SONG:War Criminal
[audio:http://asitecalledfred.com/songfu/06song2/common_lisp-war_criminal.mp3]

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GLEN RAPHAEL

Glen Raphael is a Manhattan-based software geek, circus performer, and guitarist/singer/songwriter who counts Jonathan Coulton and Paul & Storm as influences. He has recently written songs that featured killer robots, exploding pants, and the Statue of Liberty having a mid-life crisis. Though not all at once. Yet.
Official Website: youtube.com/glenra
ROUND 1 SONG:Can’t See The Sky
[audio:http://asitecalledfred.com/songfu/06song1/glen_raphael-cant_see_the_sky.mp3]
ROUND 2 SONG:Song That Doesn’t Rhyme
[audio:http://asitecalledfred.com/songfu/06song2/glen_raphael-song_that_doesnt_rhyme.mp3]

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INVERSE T. CLOWN

Inverse T. Clown is a jack of many entertainment trades, songwriting being one of his favorites. He has an album half-ready to be recorded, and is looking forward to garnering the patience to sit down and do it. Even more so, he’s looking forward to Song Fu 6. There is an ongoing series of internet covers of Inverse’s song “Today’s The Day” – and he loves them all – but it would nice to get some steam behind the endless REST of his genius, and Song Fu seems just the place to start it up. He’s funny, he’s clever, his music is synthetic, and he’s champing at the bit to throw everything he’s got to his clamoring fans. Stick around, and see why Salemites everywhere call this musical genius “The Future of Greatness”.
Official Website: toomuchawesome.ning.com/profile/InverseTClown
ROUND 1 SONG:Sexy In The Rain
[audio:http://asitecalledfred.com/songfu/06song1/inverse_t_clown-sexy_in_the_rain.mp3]
ROUND 2 SONG:An Angry Rant
[audio:http://asitecalledfred.com/songfu/06song2/inverse_t_clown-an_angry_rant.mp3]

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JEFF MacDOUGALL

Coming in at twice Mike Lombardo’s age, Jeff MacDougall is back and ready to throw some Fu! When asked about the competition, he had this to say: “Yeah. That’s right. I’m back. *coughs* *mumbles*” This will be a Song Fu for the ages!
Official Website: www.jeffmacdougall.com
Twitter: twitter.com/jeffmacdougall
ROUND 1 SONG:Beautiful Day
[audio:http://asitecalledfred.com/songfu/06song1/jeff_macdougall-beautiful_day.mp3]
ROUND 2 SONG:Ken Plume Is To Blame
[audio:http://asitecalledfred.com/songfu/06song2/jeff_macdougall-ken_plume_is_to_blame.mp3]

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TARYN MILLER

Taryn Miller is an 18-year-old, gluten-intolerant, crazy-hat-wearing guitarist (and other stuff too, but she’s played guitar longest). She hails from Winfield, Kansas – Home of Bluegrass.
Official Website: myspace.com/chellenesuperstar
ROUND 1 SONG:Crowded And Clouded
[audio:http://asitecalledfred.com/songfu/06song1/taryn_miller-crowded_and_clouded.mp3]

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To download a ZIP FILE containing all of the ROUND 2 songs, CLICK HERE.

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To download a ZIP FILE containing all of the ROUND 1 songs, CLICK HERE.

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ROUND 2 VOTING

And now, it’s time for the voting. For this round, you can choose your TOP 5 FAVORITE Challenger songs. Be sure to choose carefully. VOTING CLOSES AT 11:59pm EST on SATURDAY, FEBRUARY 27th, and THE NEXT CHALLENGE WILL BE REVEALED ON FRIDAY, FEBRUARY 26th. If you are having trouble voting, CLEAR YOUR BROWSER’S CACHE and try again. PLEASE NOTE: This voting system bases voting eligibility on your IP Address. If there are other computers on a home or business network that share the same IP address through a router, it may say you’ve already voted. Unfortunately, there is no way around this, and still be able to prevent ballot stuffing. It’s just the nature of the online voting beast.

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ROUND 2 VOTING – THE CHALLENGERS

[poll id=”25″]

View Results

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ROUND 1 VOTING RESULTS

[poll id=”24″]

View Results

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SHADOW ENTRIES

JOE “COVENANT” LAMB

I’m Joe Covenant. I’m Scottish. And never have enough time to do everything I wanna! Been singing and perfoming for over 40 years… (yes, I am 46.)… and I’ve nearly learned a 6th chord! Everything I do. I do for Song Fu. (If not for this ‘contest’ I would have never met and collaborated with so many talented people.)

Official Website: joecovenant.bandcamp.com
Twitter: twitter.com/JoeCovenant

ROUND 1 SHADOW SONG:Rain
[audio:http://asitecalledfred.com/songfu/06song1/shadow_song-joe_covenant_lamb-rain.mp3]
ROUND 2 SHADOW SONG:The “Jay Is Awesome” Polka
[audio:http://asitecalledfred.com/songfu/06song2/shadow_song-joe_covenant_lamb-the_jay_is_awesome_polka.mp3]

If you triumph, not only will you win remarkable (and potentially off-putting) bragging rights and a clutch of fantastic mystery prizes, you will also become the proud owner of the magnificent, one-of-a-kind MASTER OF SONG FU TROPHY.

Good luck, and bring on the Fu.

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TV Or Not TV: 2/22 – 2/28

Filed under: TV Or Not TV — admin @ 1:37 pm

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Welcome back, folks, to another pathetic and useless week of television.

That’s a nice cheerful intro, right? I know, I guess I’m a little bit grouchy this week because I have no interest in watcing the Olympics and most of the channels out there are barely even trying to compete. This sets me in a bad mood especially when I have to, in a few paragraphs, start writing about what to watch this week.

I suppose I’m also in a bad mood because something that premiered last week was something I was looking forward to but was let down. If you’ve never heard of THE RICKY GERVAIS SHOW than you were the target audience for the premiere of a new animated show of the same name last Friday night on HBO. The TV show is the repurposing of the podcast that took the Internet by storm in 2005 (if memory serves, sorry…. I’m just too lazy to look it up and confirm). In concept I think the idea is great and in some cases I’ve see it work very well.

When it comes to the animated version of THE RICKY GERVAIS SHOW I must be biased because I’ve already heard a lot of the content. I also wasn’t fond of the animation itself and I found that it didn’t add very much to the discussions. Yes it helped to bring elements of the story to the visual medium but Gervais himself is already such an animated person to watch that I found his Fred Flintstone-without-personality animated character to be a bit of a distraction.

Another show that premiered this past Friday on HBO was the FUNNY OR DIE but I am somewhat hesitant to recommend it. The premiere episode had a decent gem with the Drunken History sketch. The others sketches (or short comedy bits or whatever you want to call them) left me wanting to vote more int he Die category but on my TV there was no way to vote.

Now that I’ve given these two glowing reviews let’s move on to the other weak choices that we have available this week.

MONDAY

FOX – 9:00 PM: Last week on 24 stuff started hitting the fan and this week they are looking for scape goats. Yeah, that’s some actions.

TNT – 10:00 PM: Men of a Certain Age has it’s season finale tonight. Haven’t watched a single episode. I’m a great TV critic aren’t I?

ABC – 10:00 PM: Yes I’d happily take a repeat of CASTLE over most of the other crap that’s on this week.

ABC FAMILY – 10:00 PM: Yes I watch GREEK and they just got picked up for another season. Good on them.

TUESDAY

ABC – 9:00 PM: Last week on LOST we learned something about why these people are on the ISLAND. This week we learn more. Oh yeah, CLAIRE is also back. I also don’t give a crap about anything else on TV tonight.

WEDNESDAY

ABC – 11:00 AM: OCTOMOM drops in on THE VIEW. Unless WHOOPI asks her, “BITCH ARE YOU CRAZY?!?” this just can’t go the way I want.

ABC – 2:00 PM: I don’t watch ONE LIFE TO LIVE  but a guest appearance by SNOOP DOGG could get me to tune in. When he’s on is it One Lifel to Double LIZAL?

USA – 10:00 PM: On PSYCH GUS and SHAWN join a group trying to stopy a tycoon from getting murdered by thinking up the perfect murder. Naw, that can’t back fire at all. Wasn’t this also a plot on ALIAS?

THURSDAY

CBS – 8:00 PM: I am really enjoying SURVIVOR: HEROES VS. VILLAINS even though no one is wearing spandex.

FOX – 8:00 PM: Tonight the dream of four hopefullys will be crushed on live television in the first national vote results show for AMERICAN IDOL.

FRIDAY

FOX – 8:00 PM: I’m sure I lose credibility in admitting that I like BLADES OF GLORY but at least I’ll be watching some type of Winter Olympic sport, even if it is totally fake and awkward.

THE CW – 8:00 PM: Apparently the KANDORIANS revived a dead physician and he thanks them by trying to convince the world that it’s being invaded by aliens on SMALLVILLE. OK, even this description confuses me.

SATURDAY

ABC – 8:00 PM: Another Saturday night with the Alphabet airing a boy wizard movie as they roll out HARRY POTTER AND THE ORDER OF THE PHOENIX.

AMC – 8:00 PM: Remember when FORREST GUMP was leading edge film making technology? Those crazy blue cat people mock Gump now, but it was something back in the day.

A&E – 8:00 PM: Another guilty pleasaure film that I never have admitted here (I don’t think, again too lazy to verify) is GONE IN 60 SECONDS.

SUNDAY

ABC – 9:00 PM: I think the producers of DESPERATE HOUSEWIVES are trying to make sure they get more of a male demographic: the former stripper is now living with KATHERINE and they’ve got the hots for one another.

NBC – 10:30 PM: We’ve heard a lot about THE MARRIAGE REF and tonight we get our first glimpse of it. Some random guy and a celebrity panel help people’s marriages. I admit I’m curious.

WILL WILINS will try to be a bit perkier next week.

FREDagator: 2010-02-22

Filed under: Articles — UncaScroogeMcD @ 1:07 pm

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Ken Plume – 42nd Street Scene 1


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February 21, 2010

FREDagator: 2010-02-21

Filed under: Articles — UncaScroogeMcD @ 12:19 pm

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Rufus Hound performs ‘Fight For This Love’ – Let’s Dance for Sport Relief


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February 19, 2010

Ken P. D. Snyde-Cast #135: A Low-Key What If

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 8:58 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #135: A Low-Key What If – Ken & Dana return with a laryngital cast that aims to be mellow, but blows up into a dessert debate and just goes downhill from there.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #135 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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Cabin Fever 87: To Kill A Leprechaun

Filed under: Cabin Fever — Tags: , , , , , — UncaScroogeMcD @ 7:56 pm

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cabin.jpgOh no! Just when you thought it was safe to hang out at the FRED…

Cabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

Hugs and Kisses,
Aaron P. + Rev. Fitzy

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CABIN FEVER #87: To Kill A Leprechaun – This week, Brian and Aaron are joined by the puppet master Ken Plume. He manages to pull the strings and direct conversation through fairy museums, movies, and harmonica dueling. Music is provided by the sexiest band on earth, Le Sexoflex, and the most illegal Los Fahina.

[CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

DOWNLOAD: (right click to save)
Episode #87 (MP3 format)

[audio:http://traffic.libsyn.com/cabinfever/cabin_fever_87.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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CLICK HERE FOR THE CABIN FEVER ARCHIVES

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Wonderful World of Talkies: Tenacious D & Friends Stand With Haiti

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Howdy Interwebbers. I’m Matt Cohen and I dig the D.

Of course, I am referring to Tenacious D – the folk-metal guitar duo made up of Jack Black (Jables) and Kyle Gass (Kage). I’ve been getting my socks rocked off’ since high school, and have been an avid follower of all things D ever since. I voraciously devour their new albums and attend as many live shows as I can, so it was to my delight and surprise that the boys had put together an epic night of comedy and music… and better yet, it was for a great cause. I snagged my ticket, patiently waited a few weeks, ventured out in the heart of Korea Town (and hunted for a good/free parking spot, WHICH I found, thank you very much) and was presented with a night of performances I would never forget.

Want to live vicariously through me? Well, besides it being a tad creepy… I’m flattered… Here’s your chance! I’m proud to present my review of “Tenacious D and Friends: Stand With Haiti”, presented in chronological order for all you fans of Obsessive Compulsive Disorder!

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Maya Rudolph: What’s funny is that I had just watched Ms. Rudolph’s infamous SNL “Nation Anthem” sketch mere hours before attending the show.

What’s also funny is getting to see it in person. Maya took the stage as “Pamela Bell” and proceeded to sheepishly walk to the center, pick up her microphone, and – well, you all know how this one goes (If you don’t know how this one goes, watch the video above). It’s been a minute since I’ve seen Rudolph in anything (I think since IDIOCRACY, which was a few years back now) and seeing her on stage reminded me she really is one of the more talented women in the funny business. I look forward to seeing more of her in the future.

Tig Notaro: Heading to the show, I had no clue if this was a comedian, a musician, a man, or a woman. I knew one thing – Tig is fun to say. Happy to report that Ms. Notaro is a) A Woman and b) A comedian… and a very funny one at that. Ms. Notaro admittedly looks a bit like she could be Mr. Notaro at first glance, and she talks about the consequences of such a misidentification. Witty, calm – Notaro has the poise and presence of an old hand at the comedy game, and her set was better then most “spotlights” I’ve seen on major TV networks in recent years. A really solid stand up set by someone who was previously unknown to me goes to show that comedy can come from anywhere, and to never overlook a “new” voice. Consider me a fan.

Will Ferrell: The big surprise of the night. Without fanfare, without hype, without notice – Will Ferrell took the stage to what was probably the biggest applause of the event (other than The D). Ferrell quickly apologized to the audience, as he had “forgotten” the scheduling of the benefit and, as such, had arrived unprepared. He then proceeded to delight and confuse the crowd with the only “routine” he could remember off the top of his head – a third grade dance routine set to the synth classic “The Popcorn Song”, by Hot Butter. Cue two minutes of “Kaufmanesque” type performance art that made you smile more then it managed to illicit belly laughs. Ferrell was a welcome if not odd addition to an already stellar line-up of entertainers, and it was pretty cool to get to see one of my favorite on-screen comedians in the flesh (albeit 20 or so feet away).

Frank Black: The frontman from the PIXIES (sometimes know as Black Francis) took to the stage for the evening’s first musical number, and I was fairly excited. I proudly put the PIXIES in my top ten all-time favorite bands, and I had not gotten the chance to see them or their illustrious leader (Miss you, Kim.) live. The set was not quite what I expected – picture a heavy, raw, oddly tempoed angry rockster – but was still quite enjoyable. I did get to hear “Where Is My Mind”, which brought up all kinds of FIGHT CLUB related memories. Definitely worth checking out, but I’d much rather hear the whole band (or what stands for the whole band at the current date and time).

Bob Odenkirk: Out of the grand list of illustrious talent assembled, Mr. Odenkirk is my number one. Allow me to clarify. Yes, I am a huge Tenacious D fan, as I am one of Patton Oswalt, Aimee Man, Brand/Segal, etc. However, if the benefit had just been Bob Odenkirk talking to himself on a stage for an hour, I would not only have attended, but would have payed a lot of money to do so. In terms of “influences” in my life, Bob Odenkirk (and David Cross) are in the top quadrant. Without MR. SHOW in the world, I most likely would be an accountant somewhere, asking people around the office, “Hey, what’s this Twitter thing I keep hearing about?” Odenkirk emerged in a mustache and horn rimmed glasses as Steve Job’s lesser known but “better” brother. Odenkirk walked us through a presentation (complete with slides) of his newest inventions. Classic Odenkirk – weird but not zany character, tons of pop culture references (His partners in business? Clint Howard and Gordon Spielberg), and a concise and well paced sketch. One of the kings of comedy doing what he does very well. My only complaint was that Odenkirk was only on stage for about seven minutes. I could watch that man do comedy for days on end and beg for more.

James Mercer: This was a benefit and all the artists were appearing out of the kindness of their hearts, so I would feel bad “maligning” anyone, but…. I don’t think I like the Shins. I had never heard of them or their frontman James Mercer before the night, and after hearing said dude perform a couple songs, I don’t think I’m missing much. Yeah, Mercer has a nice voice and can play guitar alright, but he’s so opposite my type of music. So mellow I almost fell asleep standing up. Mercer played about three acoustic songs and the ladies swooned. I had to hold on to a railing to stop from “slumbering off”. People seem to like him and the guy came out for a good cause and lent his time, so – right on. A Shins fan I suddenly am not, though.

Nick Kroll and Ben Stiller: Oh, Fabrice Fabrice. I cannot get enough of this character. From the first time I saw Nick Kroll perform as Fabrice Fabrice, I’ve been hooked – bordering on obsessed. For those unfamiliar with the character, Fabrice Fabrice is a loud, obnoxious, ridiculously dressed “Head of Craft Services” who is of somewhat questionable sexuality. His “routine” consists of regaling the crowd with some of his stories from his many years spent in the fast track world that is feature film craft services. He oftentimes invites some of the celebrities he’s worked with in the past onto stage with him for an embarrassing and ridiculously offensive interview. Tonight’s guest: Mr. Ben Stiller. I don’t want to try and paraphrase an act that began with “What up you cock-ass bitches?!?” so I’ll leave the exact details to your imagination. However, the interview included references to Michael Jackson being a woman, Stiller’s inappropriate relationship with the monkey from NIGHT AT THE MUSEUM, and an invitation of oral sex, “For Haiti”. It’s not often that one of Hollywood’s biggest comedians plays the straight man, but Stiller certainly filled that role during Kroll’s savage and ridiculously funny assessment of his career. Nick Kroll is funny with or without a rhinestone belt that says “Bing Bong”, and to see him share the stage with the likes of Ben Stiller was a thrill for someone who’s been following his career since its inauspicious starts at a basement theater in New York City. And Ben Stiller is a also person who ain’t that bad.

Jason Segal: A musical interlude from the man who forgot Sarah Marshall. I’m sure you’ve all seen the film by now so you may know that Segal performs (and wrote) some original songs for the film, including a mini version of a Dracula musical entitled “A Taste For Blood”. All six plus feet of Segal took the stage to a warm welcome, though he looked a bit sad. Once seated at the keyboard he told the audience, “I’m bummed because my buddy was supposed to show up to help me tonight but he couldn’t make it”. Now, I know a bit when I see one, but I wasn’t sure just who exactly would be joining Segal on stage. Incidentally, Segal was joined by a guest on his first song of the evening – Jack Black came out to perform a duet of “Dracula’s Lament” in which Jables belted out some high notes to match Segal’s now-famous Dracula impression. Funny stuff. But, of course, this wasn’t the aforementioned buddy who had missed the show. We’d have to wait for Segal’s second number to find out who that was – and from the moment it started, it was kind of an easy guess. The opening notes of “Inside of You” rang out in the theatre, the first verse proceeded (with Segal doing a sort of fake Brand impersonation), and then the man of the hour took the stage – Russel Brand. The two joined for a spirited version of the Infant Sorrow classic and finished it all of with a uncomfortably long open mouthed kiss. Good stuff and a good reminder that GET HIM TO THE GREEK drops soon (At least it was for me).

Patton Oswalt: I am a fan of stand up comedy, but I’m not a “stand-up guy”, per say. I’ve got my favorites, and I always try to keep up to date on their newest releases/routines – and Patton Oswalt is definitely included in that pack. I have listened to Patton’s albums dozens of times and had been anxiously awaiting the opportunity to catch a live show. This wonderful night did not fail me. Patton did a full half hour of brand new stand up (I’d never heard it before) and within a few minutes I was doubled over in hysterics, trying to stay afoot. Patton is so unassuming that when the insanity leaves his mouth it not only catches you off guard, but sort of wakes you up a bit. His presence on stage is so polar to the material he’s delivering, which is conscious and brilliant. If he was Dane Cook telling the same jokes, it wouldn’t work. There’s something so instantly likable (almost lovable) about Patton that his insights, while not always the most profound statements ever, are always familiar – which, of course, is one of the ingredients for good stand up. Relatability. Familiarity. Etc. If this set is any indication of where Patton’s taking his comedy (more family material, kid stuff, less geek-oriented material), I will purchase his newest release gladly, and I relish the day when I get to see him take to the stage again.

Aimee Mann: Aimee Mann is one of my top 3 favorite solo artists, and it was a thrill and a pleasure to finally get to see her perform live (and one of the motivating factors in my attendance of the show). Ms. Mann took the stage with a skeleton crew – a bass player and a keyboardist – and began to rock the house in her own very unique and other-worldly way for a solid half hour or so. As far as female voices go, Aimee Mann’s is at the top of the heap, and her guitar skills match – to see it all live is to be caught up in a sort of rapture. Lots of talented folks in the house this evening but Aimee Mann – at least musically – is on an entire other level. I was first exposed to Aimee Mann with her work on the MAGNOLIA soundtrack (and within the film itself), and since then have been longing to catch her perform. Of all the tracks Mann and co. played during the show, my favorite has to be “Save Me”, from the MAGNOLIA soundtrack. Very different from my usual concert fare, but so damned talented and, dare I say, beautiful that I would definitely check out Aimee Mann live again in the future (And wouldn’t mind seeing her also very talented husband, Michael Penn, either).

Russell Brand: By this point in the night, I thought that Tenacious D would take the stage for the finale, and I was quite content with that. Luckily, like always, I was wrong. “Rusty” took the stage like a pit bull takes to raw meat and delivered what is definitely the most energetic and frantic set of stand-up comedy (if you could really call it that – more like “observational philosophy) I’ve ever seen. Wordy is an understatement when one describes Brand’s stage set – It’s like studying for your SAT verbal section. Rather then being off-putting or excluding, Brand’s intellectual (and highly spiritual/sexual) bent differentiates him from ANY comic working today. Like all the bests, Brand uses the stage as a psychotherapy couch, and the cathartic rambling that spews henceforth from his waifish frame is a look into the mind of a very complex, very intelligent, very disturbed, and – luckily for the audience – very funny human being. Brand muses on all things from life, love, and the pursuit of “happiness” to more topical subjects as his recent stint as host of the MTV Movie Awards. A mile a minute, very funny, and oftentimes challenging, if you get a chance to see Mr. Brand take to a stage, I would definitely recommend jumping on the chance.

Tenacious D: The men behind the entire evening. Respectively – Jack Black and Kyle Gass. Collectively – The D. I’ve had the pleasure of both meeting The D at a signing and seeing their PICK OF DESTINY TOUR when it hit Madison Square Garden, so I knew that some face-melting was about to occur. Since I heard the first licks of “Wonderboy” back in the 9th grade, I’ve been hooked on them. And not as a parody group or a comedy act, but rather as one of my favorite bands in the world, musically as well as ideologically. This very special set kicked off with the debut of a new song, chronicling the failure that was THE PICK OF DESTINY, and foretelling The D’s inevitable return to greatness. Pop songs, these are not. All the favorites were rolled out – “Tribute”, “Fuck Her Gently”, etc.) with a few songs I’d never heard thrown into the mix as well (including a very funny new tune called “The Roadie”). Look, you either love The D or you’ve never heard of them. It was a D show. Rocking and funny while at the same time melodic and impressive. Notable moments include Ben Stiller making a guest drum appearance on a cover of the GOOD TIMES theme, and Kyle quitting the band (as he always does). A fantastic finale to a truly remarkable night of laughs and music.

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And like that, it was over. One of the most entertaining nights I can remember in a long while, and all for a worthy purpose, as well. Sometimes, all is right with the world. Thanks for the gander, and I’ll see you cats next time with a op-ed piece on the 90’s equivalent of LOST… THE X-FILES. How good was it? How important was it? How Canadian was it?

Matt Cohen is currently Standing With Laziness

For more Matt Cohen, check out CameltoadProductions.Com and, of course, “Bagged and Boarded“, right here at FRED entertainment.

Stalk Matt Cohen on Twitter = @CamelToad

Opinion In A Haystack: SHUTTER ISLAND

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Plot Summary from IMDB:

It’s 1954, and up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston’s Shutter Island Ashecliffe Hospital. He’s been pushing for an assignment on the island for personal reasons, but before long he wonders whether he hasn’t been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy’s shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals “escape” in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything – his memory, his partner, even his own sanity.

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****************MAJOR SPOILERS********************

Now that no one will partake in this review due to the spoilers I can pretty much be as candid as I want. It is quite a drag when you walk out of America’s greatest living filmmaker’s latest effort and all you can say is “It’s good, but lame.” Shutter Island is just that: good, but lame. Why good? Martin Scorsese’s style and ability to tell a story is just as sharp as ever. There is a lot of very effective, yet puzzling camera work, editing and story injections that feel fresh and give this movie the only leg it has to stand on. Why lame? We’ve seen it all before. Scorsese’s biggest flub here is simply using the source material (once again, I haven’t read it, but I’m going to assume.) He can try his best(est) to infuse all that beloved style into a giant hunk of yesterday’s rotted fruit, and the end product will still be moldy peaches.

If Dennis Lehane’s book is anything like the film, then I guess it’s the literary offspring of an orgy between The Wickerman (1973), David Fincher’s The Game, and M. Night Shyamalan’s entire cranium. It’s 2010 people”¦twists are lame, especially mental illness twists. I’m not being hard on the flick for plagiarism, not at all, what I am saying is that there isn’t one theme or story element in this entire production that we haven’t seen so many times before that they already haven’t been parodied. I guess the hope is that Shutter Island, with it’s cast and director reputation, will do a 180 on the parody/criticism and bring back these themes to being too legit to quit (no reference intended.)

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Did no one on set ever see Charlie Kaufman and Spike Jonze’s brilliant Adaptation? Remember how one of the huge jokes in that movie was that Nic Cage’s character Donald Kaufman was a writing a script where a detective was chasing a serial killer and in the end it turns out that the killer is him, THE DETECTIVE!!! (WHAT A TWIST!) The joke was, if you didn’t get it, that twists like that are lame, lamer than lame even. It’s the whole stigma of the Hollywood “dream solution.” You can theoretically end every movie and TV show with the plot twist that it was all a dream/mental illness happening in a character’s head. It’s not creative; it’s stupid and disrespectful to the audience. Vanilla Sky was a pretty cool flick, all right up until we get “oh it was just a dream, everything you were invested in was nonsense”¦ok roll credits!” How about the ending of Roseanne or St. Elsewhere“¦so everything we were watching every week was just in someone’s head? THAN WHY TELL THE STORY! If anything, at least M. Night’s twists were marginally respectful to the investment the viewer put into his characters, with that said, he is almost single handedly responsible for making the “twist” lame, and he spent a whole decade making sure it stayed that way (and I like some of his work, but truth is truth.)

*********HERE COME THE MAJOR, MAJOR SPOILERS*******

So what’s the twist? What’s the dream? What is the obvious, makes-you-pray-while-watching-it-that-it’s-not-the-twist-twist? Leonardo’s character, a U.S. Marshall assigned to investigate the disappearance of a female inmate, responsible for murdering her three kids, is actually AN INMATE HIMSELF AND A MURDER AND THE FEMALE WAS HIS WIFE AND HE’S A GHOST!!! Ok, not a ghost, but the other parts are really the twist of the movie. Lame right? This movie’s plot twist would have been lame in the late “˜90s, now it’s just utterly pathetic.

What really hurts is that DiCaprio’s delusion, where there’s a conspiracy at the mental hospital in which it’s being controlled by Nazis/Communists who are turning people into crazy psychopathic “ghost” killers and releasing them back into society, is way more interesting than the outcome. Not to brag, but I could feel the twist coming from a mile away, so the movie had me sitting there, begging for it not to turn the corner and not to become a “dream solution.”

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Enough whipping the movie for its twist, besides that, there is actually quite a lot to love. As I said above, Scorsese is still such a sharpened talent that he almost makes the film rise above its last act. There are quite a few scene’s of Teddy (DiCaprio) having flashbacks to his service in WW2 in which he witnessed, and participated in, the killing of several Nazi’s and the gruesome result of a concentration camp: train cargo cars overflowing with frozen, rotting Jewish innocents. These scenes are just as disturbing as one would assume due to the history, plus more on top due to how well they are handled. The good news is that these flashbacks are not “completely” part of the delusion. Basically Teddy was suffering from a pretty severe case of Post Traumatic Stress Disorder from WW2, which in turn led to him being an alcoholic, which in turn made him neglect the realization that his wife was mentally ill, which in turn led to her murdering their three children, at which point teddy has a fully formed mental breakdown and kills his wife which lands him in a criminally violent mental hospital for two years right up to when we, the audience, join the story. So, in Shutter Island‘s defense, some of his delusions are real, they are just scrambled up, him confusing his guilt of one thing for another.

The other saving grace is the cast. DiCaprio is in top form here and he really does one of the best jobs of his career in carrying a movie. Ten years ago I was not sold on DiCaprio, he was just a sellout pretty boy (it seemed,) but by now I am fully convinced of his chops, and am very much in support of his this constant, and fruitful, team-up of him and Scorsese. DiCaprio’s shining moment in the film, in my humble opinion, is a long conversation he has with the character George Noyce (Jackie Earl Haley, wonderful as always, in a bit part) in which he is trying to find the location, on the island, of his wife’s killer. Mark Ruffalo plays a pretty convincing sidekick and fellow U.S. Marshall through out the film, of course by the end we learn he’s actually Teddy’s primary care physician. Of course you can’t go wrong with Ben Kingsley and Max von Sydow (better known as Brewmeister Smith to all you hosers,) two men so regal and talented in their delivery that they could make Dane Cook’s stolen jokes sound poetic. There’s even a very short, but pivotal, scene starring Elias Koteas (Casey Jones!) as a character completely cooked up by Teddy’s delusion. It’s a small scene, however it’s nice to see Koteas act under Scorsese, hopefully it won’t be the last time.

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I’ll say this, I’m glad I saw the movie, lame twist and all, if not only for the acting and Scorsese’s direction. Is it worth the $87 ticket price (not adjusted for inflation)? No clue. However, while it’s lame, it’s less lame than most chick flicks. Seeing Nazis get brutally shot, even for only a minute, is way more satisfying, financially worthy, and cathartic than the banality of seeing a movie about Valentines Day.*

*If Garry Marshall’s Valentines Day is in anyway about Nazis or killing Nazis, I stand corrected. I haven’t seen it.

Thanks for reading, I’m Bob Rose, and this sentence is over.

Trailer Park: TERRIBLY HAPPY, $9.99, DEAD SNOW and BRAVE NEW FILMS 5th ANNIVERSARY COLLECTION

By Christopher Stipp

The Archives, Right Here

I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right HERE for free.

Check out my new column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp

TERRIBLY HAPPY – REVIEW

terribly_happy_ver2You have to look at a performance by Christoph Waltz in Inglorious Basterds in order to fully comprehend why Jakob Cedergren, who plays town cop Robert Hansen in Terribly Happy, deserves his own spot on the world stage.

Cedergren takes a character, an urban police offer who is exiled into a rural, remote village town after having a nervous breakdown, and twists it into a complex individual who has no predictability, no hints about what he’s going to do next. He’s thrilling to watch on screen as he is tasked with what ought to be a simple enough assignment: watch over a sleepy hollow where no one seems to even want official law enforcement. The town has its own rule of law, its own way of handling things, and Cedergren disturbs the natural order with his presence. He’s a cop who seems to engender not an ounce of intimidation or respect from the townsfolk but he does find a kindred spirit in a local woman who isn’t from around here, either, a woman with her own secrets.

The pastoral themes abound in a town that wants to keep its close knit community closed off from interlopers looking to change things and Cedergren is absolutely dynamic in a role that showcases his range, not only in ability, but in the way his character vacillates throughout the film. When we meet him he’s Superman, a hero who is absolute in his convictions and black and white-ness, but, by the end of the movie, as the town’s secrets slowly give up its dead, it’s Batman that takes over. By the third act moral ambiguity becomes the predominant theme, the line between what’s right and what’s wrong blurs in ways that haven’t been seen in modern cinema in some time.

Sure, to those who wonder whether director Henrik Ruben Genz’s film that deals with such ambiguity smacks of Cohen or Lynch-ian type of filmmaking would be right in postulating as such but that would be a disservice to a filmmaker who demonstrates his ability to craft a noir tale that does not relent. More importantly, Genz’s film is its own creation, living and breathing within this hermetically sealed world where oddity is subjective. For example, when we meet who is ostensibly the femme fatale of this thriller, Ingerlise (played by Lene Maria Christensen), she leans on Cedergren to help her escape her abusive husband Jørgen (Kim Bodnia). The outcome of what will be a face off between these two men will not only surprise you in its originality but will satisfy any filmgoer’s expectation to be entertained along with being jolted. The dark comedy that simmers below this film’s bleak palette is there but it exists only insofar in its subtlety. It won’t smack you or be ostentatious in order for you to recognize it but that’s the draw with filmmakers of this type. It makes you work for it but there is a payoff in the form of the movie’s themes.

Such a theme, like subjugation, looms large when you consider the movie deals a lot with the idea of drowning a town’s dark secrets in its bogs. Literally. Bogs play a symbolic role but, again, its use is done with intelligence, not obviousness.

The movie transcends its linguistic cadence that does take some getting used to but, once you give into how it is telling its story, the story is enveloping to the point of amazement. Amazement that this movie has flown underneath so many people’s radars because it offers so much sustenance to those hungry for a good story about a man who has to trade in some of his altruistic character in order to maintain some sense of normalcy in a town where absolutely nothing is normal.

tatia$9.99 – DVD REVIEW

$9.99 is not your typical stop motion film.

There are no cutesy talking bears, no star-studded roster of actors who just happened to lend their voices to the main leads of the movie, and certainly it is not concerned with one singular tale. $9.99,  a film from Tatia Rosenthal who based this film on a series of short stories by Etgar Keret, is a movie that deserves not only to be watched but deserves to be ruminated on.

The way this movie sets itself apart from any other animated film is that the subject matter it deals with packs enough wallop you wonder why little figures were used and not full sized actors. The meaning of life is something that is knocked around in other films but here it is dealt with head-on as all the vignettes that are told through its nearly 90 minute run time confront the notion of what is really the purpose of human beings. It’s heady to be sure but Rosenthal makes exquisite use of drama and the absurd in an ebb and flow fashion.

From grown adults who are trying to find love, one wants it from a gorgeous woman while the other is looking to get approval and love from his father, a lazy roustabout who needs some direction in his life, to a boy simply looking to save up for a shiny new toy, there are other stories in here which really try and push the boundaries for what you can put in a stop motion production. There are mature themes and elements, sex does manage to happen between two puppets, but it never feels like the medium is being used unnecessarily or in a way that seems exploitative. There is some genuine heart and soul put into these inanimate objects as they ruminate about what they are really after but what’s exceptional about this film is that Rosenthal manages to be emotionally affective with her presentation.

Real moments are shared between these voice talents that blend seamlessly with what we’re watching on the screen. While, yes, there are times that the animation takes away from what’s occurring on the screen there is nonetheless a world that’s created where you believe in the action happening before you.

Surely, if you are in need for a grown-up film that deals openly with what many think about every now and then in the quiet moments of our lives you could not do any better than $9.99. It’s a movie that provokes you to think, if only for a few moments, and in a movie landscape cluttered with treacle which leaves your system as quickly as it’s processed by your eyes this is movie is a wonder.

Amaray Wrap.EPSDEAD SNOW – DVD REVIEW

If you’re only able to see one movie that deals with Nazis and zombies this winter, you’ve got to check out Dead Snow.

Dividing audiences and critics alike, this movie, about resurrected zombies who terrorize a pack of individuals who find themselves holed up in a snowy cabin (isn’t that always the way) and a wily kook who tells these vacationers that evil abounds who is quickly dispatched in order to let the narrative take its eventual course, is a literal howl. Getting everything right about what makes a good splatterfest of gore and viscera, director Tommy Wirkola ought to be given some kind of Congressional Medal of Honor for having a clear vision of what he wanted to make and making it the way he did.

Yes, Nazis awake from their dead slumber and attack these youths in a way that is reminiscent of Night of the Living Dead tinged with an obvious nod to a movie like Evil Dead and Dawn of the Dead. The fast moving zombie debate is one that purists can go impale themselves on if they feel that animating dead tissue ought to be accompanied by slow movement. In Dead Snow I delighted with how Wirkola used his quick moving undead in order to keep the pace fast. The editing ought to be recognized as well for assisting in making this a movie that, once it starts, never lags.

The quality kills, however, are the real crowning achievement here. From brains, to guts, gnashing flesh, to torn limbs this movie achieves high marks for, even though it is low budget, managing to keep every penny up on the screen. Often times, in an age where there is a lot more modesty in horror films in the last decade, as an audience we have to fill in patches of action with our own idea of what’s happening. Here, however, nothing is left to the imagination and “Huzzah!” all around for the copious amounts of blood.

It’s obvious that the plot is not what you came here to see. However, writer Stig Frode Henriksen crafts a screenplay that doesn’t try too much nor tries to be anything more than what it is. What that is, however, is an absolute winner of a movie that not only gives you everything you expect out of a zombie film but, as the second disc of this DVD shows you, the production that went into this movie is just fascinating. To wit, a 45+ minute documentary that shows how these filmmakers brought Nazis back to life north of Norway is nothing if not educational.


braveBRAVE NEW FILMS 5TH ANNIVERSARY COLLECTION – REVIEW

In an interview I did with Henry Rollins a couple of years ago. While Henry was talking about the nature of information gathering and the level of news he consumed on a daily basis and the amount of reading he does that I started to feel inadequate as a citizen of this country in that I don’t feel like I’m plugged into what’s really happening out there. I kind of felt like a piece of plankton that’s at the mercy of the ocean’s current. I feel that way about a lot of things that happen in this country that I just feel resigned to because I work all day at a job and then come home and work at another job as a father. How am I supposed to know what is really brewing behind the twinkling lights of Washington D.C., how the slickly dressed and perfectly coifed talking heads on networks like Fox News are disseminating their information or what the Wal-Mart effect means to average people like myself? Robert Greenwald’s Brave New Films collection is an excellent and highly recommended place for you to start getting answers.

That said, this 10 DVD collection ought to be bought for its scholastic and academic merit than it does its filmmaking. And it’s not that Greenwald’s 10 films are somehow poorly made, certainly nothing more could be further from the truth, but these documentaries are done with minimal flash and sizzle. Compared to a movie like Super Size Me you can see how editing and effects are like snapping fingers, things that are meant to hold your attention. These movies, in contrast, are no frills. You’ve got to take each one of these movies in stride, trying to jam through all of them in one sitting will make you feel angry, despondent, and thinking the world outside your door is not worth fighting for. Greenwald should be taken in doses. Anger goes a long long way and where Greenwald excels is getting his facts straight and his interpretations fleshed out. You do walk away from each one of these films more educated than you were before you started and for that alone these deserve your time and attention.

It’s the production values that make me want to educate buyers that what you are getting with these are not just documentaries that are trying to pick apart social issues that need some light and air on them but this is, honestly, a collegiate level course in Modern Civics. This is the best way to view a collection of movies that range from examining the Iraq war, to uncovering the seedy goings on of Fox News, what Wal-Mart is doing to America, and scads of other topics that are culturally relevant this is a compendium of knowledge that should be required viewing for anyone wanting to know more about the country they live in.

While there is some narrative bias in some of the reporting in these films the points raised in the films are sobering if not frightening. Finding out a lot more about the very things that we take at face value doesn’t always end well but getting to the point of raising your consciousness ought to be good enough incentive to take a look at this hefty collection.

ABOUT THE DVD RELEASE

NEW YORK, NY ““ For the last five years, Robert Greenwald and his production company Brave New Films have been at the forefront of the fight to create a just America. Using new media and internet video campaigns, Brave New Films has created a quick-strike capability that informs the public, challenges corporate media with truth, and motivates people to take action on social issues worldwide. Now, the team at Brave New Films has compiled virtually everything they’ve produced to date into a colossal, 10-disc box set. This must-have full access tool kit for every documentary filmmaker, activist organization and person who wants to use film and video to achieve social and political change will be released on January 26 by The Disinformation Company and will be available for $59.98SRP.

The New York Times has cited Brave New Films as an example of the growing influence of the internet on American politics, and from Real McCain and Sick For Profit exposés to calling out FOX News for its overt media bias and hard-hitting videos on social and economic injustices, Brave New Films’ groundbreaking online campaigns have revolutionized traditional grassroots politics.  Using online video, bloggers, social networking sites and strategic partnerships with both national networks and local activists, Brave New Films reaches millions of people and gets results ““ fast.

Included in this comprehensive box set are ten dual layer discs containing 40 hours of video and film:

“¢Â Â   RETHINK AFGHANISTAN
“¢Â Â   UNCOVERED: THE WHOLE TRUTH ABOUT THE IRAQ WAR + all related antiwar shorts
“¢Â Â   OUTFOXED: RUPERT MURDOCH’S WAR ON JOURNALISM + all the “Fox Attacks” shorts
“¢Â Â   WAL-MART: THE HIGH COST OF LOW PRICE + all related shorts and extras
“¢Â Â   IRAQ FOR SALE : THE WAR PROFITEERS + all the related shorts, Greenwald’s media appearances and more
“¢Â Â   The War on Greed: all the shorts including Henry Kravis, Fighting for Our Homes, Starbucks, Bank of America, Burger King and Sick For Profit
“¢Â Â   The Political Shorts including The Real McCain series, The Real Rudy, Lieberman Must Go and many others
“¢Â Â   This Brave Nation + many more activist shorts
“¢Â Â   Brave New Films focus with Arianna Huffington,
“¢Â Â   Larry Lessig, Sam Seder and more

Over 1,000,000 members strong and growing by the day, Greenwald has built the Brave New Films machine into an organization that can produce a hard-hitting three-minute video in less than 24 hours that exposes John McCain’s double talk and receives 8 million views around the world.  However, they can’t create a nation of socially conscious activists alone.  If you’ve ever been interested in fomenting change through the quickly evolving medium of film and the Internet, don’t miss THE BRAVE NEW FILMS 5TH ANNIVERSARY ACTIVIST COLLECTION.

Weekend Shopping Guide 2/19/10: We’re Musicians

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

I have nothing against the Coen Brothers’ remake, but it doesn’t hold a candle to the original Ealing version of The Ladykillers (Lionsgate, Not Rated, Blu-Ray-$39.99 SRP), which has arrived in high-definition in a deluxe special edition featuring an introduction from Terry Gilliam. Not only that, its also go an audio commentary, featurettes, interviews, and the theatrical trailer. If you haven’t seen this film – See it.

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Do you have a bunch of old albums lying around that no one’s bothered to release either on CD or digitally? I do. A ton of ’em. I’ve tried different digitizing solutions, but all have been rather awkward or delivered poor sound quality. With the Briefcase USB Turntable ($69.99), I think I’ve finally found a solution that sounds good, has a dead simple interface, and – seeing as how it’s all in a nifty briefcase – is portable. Add to that the brilliance of built-in speakers, and you’ve got a one-stop solution. Ain’t clever technology grand?

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There are some films that I can watch again and again – not by choice, but if I stumble upon them, I’m instantly drawn back in. Goodfellas (Warner Bros., Rated R, Blu-Ray-$34.99 SRP) is a film like that. Now, it’s made its way to high definition, in a 2-disc edition that carries over the bonus features from the standard special edition – a pair of audio commentaries, a trio of featurettes, and storyboard-to-scenes comparisons. The second disc is the feature-length documentary Public Enemies: The Golden Age Of The Gangster Film.

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It’s been attempted before, but it’s taken Black Dynamite (Sony, Rated R, Blu-Ray-$34.95 SRP) to finally nail a truly funny satire of the blaxsploitation flicks that dominated 70’s cinema. The script is sharp, and Michael Jai White is pitch perfect as the titular former CIA agent out to avenge his brother’s death. Bonus materials include an audio commentary, featurettes, and deleted/alternate scenes.

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Also arriving in high-def is Akira Kurosawa’s take on King Lear, Ran (Lionsgate, Rated R, Blu-Ray-$39.99 SRP). Besides a spiffy respiration, the disc also includes an interview with a Japanese Art-Of-War expert, and a trio of documentaries.

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I do believe the packaging for the second half of the second season of Cannon (Paramount, Not Rated, DVD-$36.98 SRP) is making a weight joke about star William Conrad when it says “LA’s biggest crime fighter returns!” Yeah, I think they are. Either way, the 3-disc set contains 12 episodes, plus the episodic promos.

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Stephen Fry returns in the 3rd and final series of Kingdom (BFS, Not Rated, DVD-$39.98 SRP) as the titular solicitor who finds himself representing the eccentric folk in the small English town of Market Shipborough. It’s a fun, funny series that reminds me of the US’s Boston Legal.

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Exploring exactly how Adolf Hitler was able to survive over 40 assassination attempts, Hitler’s Bodyguard (Acorn, Not Rated, DVD-$79.99 SRP) pieces together a portrait of the elite staff who swore oats of allegiance to the Fuhrer himself. The 3-disc set collects all 13 episodes of this fascinating series that weaves interviews, documents, recreations, and virtual tours of his various homes, bunkers, and strongholds.

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What’s the sign of a good documentary? It’s one that makes you interested in a subject you never fathomed that you would ever find interesting. Chris Rock accomplishes this feat with Good Hair (Lionsgate, Rated PG-13, DVD-$27.98 SRP), which looks at the way hairstyles impact multiple facets of the black community. Give it a spin and you’ll dig it, too. Bonus materials include an audio commentary and the theatrical trailer.

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The final Bourne film arrives in high-definition as the latest of Universal’s new line of flipper single-disc Blu-Ray/DVD combos. I loathe flipper discs with a passion, so even though I understand the cost-cutting thought behind it, I can’t get behind the concept. Looking at the Blu-Ray side, The Bourne Ultimatum (Universal, Rated PG-13, Blu-Ray-$29.98 SRP) features a load of featurettes, an audio commentary, and deleted scenes. Great flick, shame it’s a flipper.

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Over here! The big wheel keeps on turning out more direct-to-video Scooby-Doo movies, the latest of which is Scooby-Doo!: Abracadabra-Doo (Warner Bros., Not Rated, DVD-$19.98 SRP), which finds the Mystery Inc. crew trying to unravel the sinister forces at work inside a school for magicians. As for bonus materials, there’s a featurette on how to make your very own scary puppet.

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Abby Cadabby and Elmo travel down the rabbit hole in the newest Sesame Street release, Abby In Wonderland (Warner Bros., Not Rated, DVD-$14.93 SRP). Is it worth it just to see Grover as the Mad Hatter? Sure. The release also contains a bonus CD of 5 classic Sesame Street tunes.

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As some series wrap their release on DVD, there are still plenty of others waiting in the wings, which is why we’ve got the complete first season of Barnaby Jones (Paramount, Not Rated, DVD-$39.98 SRP), starring Buddy Ebsen as the titular PI forced out of retirement to solve the murder of his son. The 4-disc set contains all 13 episodes, plus the episodic promos for each.

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I didn’t think I would, but I actually found the female-centric comedy Women In Trouble (Screen Media, Rated R, DVD-$24.98 SRP) to be quite a fun little flick. In fact, it’s what The Women should have been – an all-star cast backed by a strong script. This one centers around a group of LA women who collide on one unique day. Bonus features include deleted scenes and trailers. A Blu-Ray edition ($29.98 SRP) is also available, with identical bonus materials.

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With a cast that includes Gary Coleman, Ron Jeremy, Jason Mewes, and Scottie Pippen, it’s not without a small amount of embarrassment that one watches the sensationally titled documentary Midgets vs Mascots (First Look Studios, Not Rated, DVD-$19.98 SRP). I mean, you’re either gonna watch it or you’re not. Bonus materials include featurettes and deleted scenes.

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I’m sure you’ll agree that Raiders Of The Lost Ark is loaded with iconic props (although I’d consider Indy’s hat to be costuming and his whip to be a weapon). Of those iconic props, there’s one that remains attached to one of the most dynamic, tension-filled opening sequences in cinema history – the golden Fertility Idol ($169.99). Sideshow has created a chrome-plated, expertly recreated piece complemented by a polystone base evocative of the pedestal from the film. It’s a fantastic piece, a conversation starter, and irresistible to evil French archeologists. The piece is limited to 1500, so get yours now.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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February 18, 2010

Comics in Context #233: Cunning Canines

Filed under: Comics in Context — Tags: , , , , — admin @ 11:50 pm

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#233 (Vol. 2 #5): CUNNING CANINES

cic-fox-01One of the animated films nominated for an Academy Award this year is live action director Wes Anderson’s venture into stop-motion animation, Fantastic Mr. Fox. This is based on Roald Dahl’s children’s book, which draws upon the traditional characterization of the fox as a trickster, which goes back to Aesop’s fables and the European tales of Reynard the Fox. Other wild members of the dog family likewise have appeared as tricksters, notably the coyote in Native American mythology, and sometimes the wolf.

Thinking about Hanna-Barbera’s 1960s animated trickster Top Cat for a forthcoming installment of this column led me to consider another example of the canine trickster: Top Cat’s predecessor at Hanna-Barbera, Hokey Wolf. Baby Boomers may find this chilling, but 2010 marks Hokey Wolf’s 50th anniversary. Yogi Bear (another trickster) had originally appeared in cartoons in The Huckleberry Hound Show; when Yogi got his own show, Hokey Wolf was created to take over his spot on Huckleberry Hound, from 1960 into 1962.

Hanna-Barbera’s TV cartoons and characters often seemed to be inspired (to be kind about it) by other characters, actors or series. But in Hanna-Barbera’s better work, they reworked the concept in such a way as to make it uniquely theirs. Hence, for example, The Flintstones is essentially Jackie Gleason’s The Honeymooners transplanted to a Stone Age suburbia.

cic-stang2I think that even as a child I recognized that Top Cat was inspired by the TV series that was originally called You’ll Never Get Rich but was retitled The Phil Silvers Show, and familiarly known as Sgt. Bilko. When I first saw Top Cat, Phil SIlvers was still a prominent figure on television, and Bilko was in syndication. Bilko was Silvers’ signature role: a fast-talking sergeant in a motor pool on an army base who endlessly devised money-making schemes. Aided by his crew of corporals and privates, Bilko continually bamboozled authority figure Colonel Hall and numerous other dupes, and his plans often became elaborately successful before usually collapsing due to some twist of fate. (After all, the title was You’ll Never Get Rich.) Bilko was a classic example in pop culture of the comedic con man; W. C. Fields and Groucho Marx played variations on this sort of character in most of their films. Probably a major reason for Bilko’s success was his role as an army sergeant in a time when most of the adult men watching TV were veterans of either World War II or the Korean War: Bilko was their hero, defying the frustrations and limitations of military life they well remembered.

cic-fox-02Beyond that, Bilko was a mid-20th century version of an archetypal figure in comedy, the trickster. Top Cat is so appealing and memorable a character because he is such a well realized version of this perennial comic figure. (I have previously written extensively about tricksters in my “Comics in Context” columns about Neil Gaiman’s Anansi Boys, his novel on the subject.)

Hanna and Barbera had already introduced a Bilko-like character, Hokey Wolf, on The Huckleberry Hound played by Daws Butler in a voice that did not duplicate the sound of Phil Silvers’ voice, but caught his rapid-fire delivery, his self-confidence, and his outward friendliness while moving in for the kill with his sales pitch. Indeed, animation historian Mark Evanier notes that Hanna and Barbera initially intended Butler to play Top Cat, presumably using the Hokey Wolf voice.

Whether legally or not, the Internet has proved to be a vast library of the history of animated cartoons, and enabled me to watch some Hokey Wolf cartoons for the first time since my childhood. I was impressed by Hokey at his best, concocting schemes that reflect the adult world more than I had expected in cartoons that were aimed primarily at small children. (As usual, I issue spoiler warnings.) For example, in Tricks and Treats the hungry Hokey pretends to have his foot injured in a steel trap set by a mild-mannered farmer.

Hokey has his hero-worshiping sidekick Ding-a-Ling (voiced by Doug Young) take photographs, and threatens to use them as evidence when he sues the farmer. Taken aback, the farmer agrees to let Hokey recuperate in a bed in his house, if Hokey will drop the lawsuit. So, as Hokey had planned, he and Ding-a-Ling get to freeload at the farm. Eventually the farmer discovers that Hokey is faking and gets out his shotgun, but Hokey had the foresight to devise a backup plan. Representatives of the Humane Society show up, taking more photographs, to praise the farmer for taking such good care of the injured wolf.

But seeing these cartoons again as an adult, I was struck by the darker implications of the cartoons that I had completely missed as a child. These are comedies dealing with “funny animals.” But in this cartoon Hokey is really pretending to be a cripple. Do children stop and think of how much the “teeth” of that trap on his foot could hurt? And when the angered farmer gets out his shotgun, isn’t he intent on killing Hokey? There is a grimness here underlying the comedy.

Consider the ambiguous status of “funny animal” characters in animated cartoon series. At one end of the spectrum are characters like Disney’s Pluto, who are meant to be more or less real animals, lacking human-level intelligence or the ability to speak. On the other hand, Pluto’s owner, Mickey Mouse, not only can talk and think like a human being, but is accepted in society as if he were human: he owns a house, he holds jobs, and so forth. And then there are characters who are somewhere between these poles. For example, Yogi Bear is “smarter than the average bear”: he has a human intellect and can talk. Yet Ranger Smith treats him as an animal who is supposed to obey the rules set down by humans in Jellystone Park, or else he’ll get shipped to captivity in the St. Louis Zoo.

Many of these characters are essentially humans in animal form. The tension between the “human” and “animal” sides of the characters is often essential to the cartoons. Since Bugs Bunny is an animal, Elmer Fudd has license to shoot him when it’s “wabbit season,” yet since Bugs is essentially human, it would seem like murder if Elmer succeeded in killing him. (Indeed, typically when Elmer is tricked into thinking he has killed Bugs, he is overcome with guilt.) And so we in the audience root for Bugs to outwit Elmer.

In the cartoon Who’s Zoo Hokey Wolf and Ding-a-Ling declare themselves to be “hungry” and looking for food.

Though outwardly animals, they act like humans, talking, wearing clothes, walking on their hind legs. Hokey may be jauntily dressed in straw hat and bow tie, but he and Ding-a-Ling have no visible means of support. If they were humans, they would be tramps. Though Daws Butler endows Hokey with a lighthearted manner, when Hokey admits to being hungry in this cartoon, Butler makes him sound serious indeed.

Hokey and Ding-a-Ling arrive at a city zoo and realize that the “dumb animals” living there are well fed (“We should be so dumb,” notes Hokey, in a somewhat bitter tone). So most of the cartoon consists of Hokey trying unsuccessfully to get a huge steak away from a captive lion. Finally, Hokey shifts strategy: since he and Ding-a-Ling are wolves, they simply take up residence in the wolves’ cage at the zoo. The cartoon ends with Hokey rattling a cup against the bars of the cage, as he explains to Ding-a-Ling that in “prison movies” doing this always gets the guards to bring the inmates food. It’s a rather ironic end to the cartoon. Sure, we may be used to thinking of wolves kept captive at the zoo. But Hokey and Ding-a-Ling are also like people in animal guises, and they have chosen to sacrifice their freedom and become prisoners behind bars in exchange for being fed.

I was taken aback by another Hokey Wolf cartoon, Hokey Dokey, in which Hokey encounters the Three Little Pigs.

Like Frank Tashlin’s The Fox and the Grapes (1941), this is another cartoon exercise in metafiction. In Hokey Dokey Hokey knows the story of the Three Little Pigs and decides to create his own sequel to the tale; at the cartoon’s end, Hokey even consults a book to reread the original fable.

This is hardly the only animated cartoon that deals in revisionist versions of well known fairy tales. At this time Jay Ward had already been doing Fractured Fairy Tales and Aesop and Son on the Rocky and His Friends and The Bullwinkle Show for years. Moreover, there was already a long history if cartoons that not only parodied the classic Three Little Pigs story but also Disney’s landmark Three Little Pigs cartoon (1933). In Hokey Dokey the bricklaying pig wears virtually the same outfit as his Disney counterpart. Among the previous cartoons that created variations on Disney’s Three Little Pigs were Tex Avery’s Blitz Wolf (1942) and Three Little Pups (1953) for MGM and Friz Freleng’s Pigs in a Polka (1943) and the jazz-scored Three Little Bops (1957) for Warners.

Presumably because they are protagonists of cartoons for kids, Hokey and Ding-a-Ling are not predators. Early in Hokey Dokey, Hokey declares that his goal is not to eat the pigs but to con them into giving him the brick house, since he and Ding-a-Ling need a place to live in the winter months.

Hokey’s strategy is startling for what is purportedly a kiddie cartoon. He poses as an insurance company agent, investigating the mysterious disappearance of the Big Bad Wolf, and making it clear to the pigs that he suspects foul play. The three pigs deny everything, but are clearly shaken. In the traditional end of the Three Little Pigs’ story, the Big Bad Wolf slides down the chimney into a cauldron of boiling water and perishes. Disney let the Wolf escape, but it is clear in Hokey Dokey that the pigs believe that they killed the Big Bad Wolf. Now Hokey is treating them as murder suspects. Interestingly, Hokey refers to this as a “double indemnity” case, suggesting that the cartoon’s writer (Michael Maltese, perhaps?) was thinking of Double Indemnity–James M. Cain’s 1935 novella and Billy Wilder’s 1944 film.

After intimidating the Three Pigs by playing insurance investigator, Hokey dons a sheet and impersonates the ghost of the Big Bad Wolf. This is a rather macabre stunt, and it works. Guilt-ridden and frightened of retribution, the Three Pigs pack up and leave, telling Hokey that he can have the brick house if he wants it.

In the end, like Disney, Hanna and Barbera can’t kill off the Big Bad Wolf: he turns up, alive and reformed, and turns the tables on Hokey.

So here is an early Hanna-Barbera TV cartoon that works on two levels, for children and for any adults who might be watching. Apart from the Three Little Pigs dealing with their guilt over seemingly committing with murder, there is also Hokey and Ding-a-Ling’s motive for trying to trick the Three Little Pigs out of their house. Hokey and Ding-a-Ling are homeless. For an instant even a child watching this cartoon might visualize Hokey and Ding-a-Ling shivering in the snow if they cannot somehow find shelter. Hokey may be amusing, but the motives for his actions in these two cartoons–hunger and homelessness–are not funny at all.

Fifty years after Hokey Wolf’s debut, writer/director Wes Anderson went much further in applying an adult perspective to the trope of the talking trickster animal in his recent stop-motion animated film Fantastic Mr. Fox.

This is an adaptation of Roald Dahl’s children’s book of the same name, which treats its talking animals in a relatively conventional manner: the animals have human intelligence and can talk among themselves (although humans apparently don’t understand their language), but they still roughly follow the lives of animals.

Anderson’s movie, however, seems very much a reinterpretation of Dahl’s material for an adult audience. In the film, the animals not only talk but wear full sets of clothing. The lead character, Mr. Fox, voiced by George Clooney, works as a newspaper columnist. The character Badger, voiced by Bill Murray, is a lawyer. Anderson himself voices a weasel who works as a real estate agent. (Supply your own joke here.) It becomes apparent that the animals comprise a community that parallels human society. In Dahl’s book Mr. Fox steals chickens from the local human farmers, Boggis, Bunce and Bean, because that is what foxes do. In Anderson’s film Mr. Fox reverts to stealing chickens as a result of what New York Times critic A. O. Scott aptly terms “something of a vulpine midlife crisis.”

As in Dahl’s book, the human farmers retaliate by trying to hunt down, starve and exterminate the foxes and the other animals. But if the animals are just like humans, then the farmers are effectively attempting to commit murder. One could easily interpret the clash between the hunters and the animals as a metaphor for class warfare, with the rich attempting to eliminate the poor–or, actually, the middle class, since Anderson’s animals have respectable bourgeois professions. Perhaps one could even interpret the farmers’ war on the animals as a metaphor for racism, with the farmers attempting to commit genocide by wiping out those beings whom they consider to be their inferiors. (Watching the film, it struck me that the chickens are not presented as having human intelligence; if they did, then arguably the foxes who eat them would be guilty of genocide as well!)

Although it is intended for an audience of children, Dahl’s Fantastic Mr. Fox in effect justifies theft: the readers’ sympathies will clearly be with Mr. Fox and his friends and family, not with the farmers who are out to destroy them. Dahl portrays the farmers as particularly nasty, so they seem to deserve to have the foxes steal chickens from them. But moreover Dahl seems to be saying that the foxes are justified in stealing from the wealthy farmers, who have far more than they need. Hence, Mr. Fox is something of a Robin Hood figure, especially when he provides stolen food for the community of animals.

In Anderson’s version, Mr. Fox reverts to stealing chickens apparently as away of recapturing his youth, when he did that all the time. This may serve as Anderson’s metaphor for youth’s rebellion against the system, and the film seems to argue that middle-aged members of the middle class are likewise justified in rebelling against a system controlled by the rich and repressive. Beneath the trappings of a children’s fable, complete with talking animals, Anderson has disguised a rather radical point of view.

Casting George Clooney as the voice of Mr. Fox works well in this interpretation of Dahl’s story for adults. Following the example of Phil Silvers, Daws Butler’s Hokey Wolf deals in the fast talking hard sell. Arnold Stang’s Top Cat isn’t as hyperactive, but he, like Hokey, overpowers his target with a barrage of verbiage. Clooney has a smooth way of speaking that also proves suitable for trickster characters, as the Coen brothers recognized in their film O Brother, Where Art Thou? (2000). Clooney’s more laid-back screen persona suits a more mature version of the trickster, one that is also capable of emotional vulnerability, which is what Anderson’s Mr. Fox becomes. Moreover, Clooney conveys the calm and cool that separates the trickster from many of his hot-tempered, violent opponents, like the farmers in this film.

I will have much more to say about classic tricksters in cartoon art in near future installments of “Comics in Context,” including Top Cat and one of the greatest characters of this sort in comics, Popeye’s pal J. Wellington Wimpy.

Copyright 2010 Peter Sanderson

Follow me on Twitter (@PeterJSanderson) and at Facebook Comic Con.

February 17, 2010

Contest Round-Up: 2010-02-17

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Welcome to our weekly round-up of featured giveaways here at FRED. Every Wednesday, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Channel 4 Home Video, we’re giving away two (2) copies of THE PETER SERAFINOWICZ SHOW on DVD.

In conjunction with Channel 4 Home Video, we’re giving away two (2) copies of MISFITS: SERIES ONE on DVD.

In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of THE INFORMANT on both Blu-Ray & DVD.

In conjunction with Warner Bros. Home Video, we’re giving away three (3) copies of THE BOX on both Blu-Ray & DVD.

In conjunction with Screen Media Home Video, we’re giving away three (3) copies of WOMEN IN TROUBLE on both Blu-Ray & DVD.

In conjunction with Screen Media Home Video, we’re giving away two (2) copies of TRAILER PARK BOYS on DVD.

In conjunction with Rhino Records, we’re giving away three (3) copies of the SHUTTER ISLAND Soundtrack on CD.

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