FRED Entertainment

December 24, 2010

Trailer Park: Golden Globes and TRUE GRIT

Filed under: Trailer Park — admin @ 1:28 pm

By Christopher Stipp

The Archives, Right Here

Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp

My Golden Globes Rant or No Wonder They Keep Them Hidden in Their Pants by Ray Schillaci

67th-golden-globeThe award season is rolling in and once again, I am deeply disappointed.  Golden Globe nominations have hit their biggest low since nominating and awarding Pia Zadora, Best Newcomer (I wonder if that was a bizarre porn reference) for the forgettable film and performance in “Butterfly.”Â  Throwing in the craptasticals; “Burlesque” and “Alice in Wonderland,” as the best Picture for a Musical or Comedy is like swallowing something that should never go down one’s throat.  But to include the ho-hum “The Tourist” and “RED” in that category displays an extreme lack of imagination or proper thought process.

Goddamn, if they needed nominees so badly they didn’t have to look any further than ‘Kick-Ass” “Cyrus” or “Toy Story 3”.  These films were far more entertaining and had so much more to say.  In defense of 2 out of the 3 mentioned (Kick-Ass and Cyrus) they had nowhere near the studio backing or publicity machine that cranked out false kudos for their misconceived products that offered nothing but false hopes for our entertainment.  Unfortunately, for “Toy Story 3″ it was dumped into the limited nomination of Best Animation with total disregard of all its other star attributes.

My God, the HFP’s heads are so far up their asses, I think they are choking on their Adam’s apple.  Perhaps that explains their biggest crime; to nominate Fincher’s soulless “the social network” over such better story driven, far more passionate pieces and expertly crafted fare as “The Town,” “True Grit” and, once again, “Toy Story 3.”Â  Having HFP dismissing the much better films and going the popularity route is like wiping a canvas with a handful of shit.

johnny-depp-mad-hatter2Then to add something special from their sphincter’s, they have the balls (take it back – they have no balls) to give a nomination nod to Jessie Eisenberg for what could be called a sedate version of what he’s been doing all along in every other movie.  Have the Hollywood Foreign Press not seen any of his films?  The guy was a hundred times more engaging in “Zombieland” and “Adventureland.”Â  It’s like nominating Stallone for a limit to his acting range.

What about that nomination in Musical/Comedy for Johnny Depp for “Alice in Wonderland”?  Perhaps a special nomination should have been concocted for “Best Fagela – Who Cannot Help but Tell, Even If You Ask!”  I like Depp, but his Mad Hatter performance was a new low, right up there with Willy Wonka.  Please, let’s not encourage this fine actor into anymore lowbrow John Water-type character roles.  They are better suited for the gay cabaret club circuit.

Also, how could anyone exclude Blake Lively with her intense raw performance in “The Town”?  She is a standout in this year’s acting category.  This is one case where ignorance is far from bliss.  Shame on the Hollywood Foreign Press for their omissions and inclusions, they have single-handedly dismissed the entire art of cinema with a ballot made from Charmin.

As for the TV nominations, I will not waste anyone’s time, since it really doesn’t matter.  The Golden Globes are a pale version of the Oscar telecast and an even a worse boring mess compared to the Emmy’s.  Will I watch it?  Perhaps by accident if I am not stuck in the john with a bad book or magazine.

At this time I wish you all Happy Holidays with some wonderful suggestions for your viewing pleasure:

Kick-Ass ““ How many adjectives can I use to describe the geek-love I have for this film?  It’s a thrill ride-in-a-half that appeals to the bad boy in all of us.  Nicholas Cage is perfection and the young wunderkind, Chloe Moretz playing his daughter is a true find.  Together, they are the greatest duo since Ryan and Tatum O’Neal from “Paper Moon.”Â  Aaron Johnson is warm, compelling and sincere as the kid who tries so hard to be a real superhero.  By the way, language and violence is rough on this one.  So prudes, stay clear.

Inception ““ Let’s take an extreme action film and give it a mind!  What a concept that is beautifully executed by writer/director Christopher Nolan.  Multiple viewings will probably be required to catch up with the intricate plot.  This is a Blu-ray must!

town_blakeThe Town ““ I have never been a big fan of Ben Affleck.  I actually thought “Goodwill Hunting” was either a one-of-a-kind fluke or secretly ghost written by somebody else.  Yes, I know Damon was his partner, but we have not seen anything else from that man either. Back to Affleck (Ben), he then blows us all away with “Gone, Baby, Gone” and now presents his very best work yet with “The Town”.  In fact, I will go out on a limb and declare that “The Town” is the best picture of the year with the very best acting ensemble to go with it.  It could also fall under the category as one of the greatest heist films ever made.  It’s not fun or cagey, but filled with real people and their gut-wrenching stories.  Once again, Blake Lively as Krista Coughlin, Ben Affleck’s old flame, scorches the screen and surprisingly Affleck shows he can hold his own with her and co-star Jeremy Renner (The Hurt Locker).

Toy Story 3 ““ Not that it’s anywhere in the same category, but TS3 is right up there with my best picture choice (The Town) in 2010.  Who would ever think that there was another tale to be told by the Toy Story people?  Not only did they capture the charm of the original, they improved upon it and had us crying and cheering along with our children.

The Book of Eli ““ A snazzy, off-beat post-apocalyptic tale that never ceases to surprise.  Denzel Washington is mesmerizing as Eli, the quiet, simple man with a mission to deliver a book while thwarting cannibals and demigods.  This is a survival story with heart that never gets morose or boring.

Cyrus ““ As I had mentioned before in my June review, the film is creepy, quirky, and highly original and loads of fun.  It’s right up there with such underground classics as “Harold & Maude” and “Where’s Poppa?”Â  John C. Reilly reaffirms his comic prowess and plays it beautifully off both Marisa Tomei and Jonah Hill who only add to the hilarity and sincerity of dysfunctional people trying to survive love.

Monsters ““ This movie actually has the biggest WOW factor of any of the films mentioned.  But warning, it’s definitely not for the simple minded.  Therefore, all you couch potatoes waiting for an onslaught of special effects to continue to wipe out another major city for your viewing pleasure will be disappointed. This wonderful film (see Christopher Stipp’s review) concentrates on the aftermath and an incredible journey of two people discovering a passion for living and loving in the midst of disaster.  It is intense and awe-inspiring.  Yes, there are monsters involved, but they are almost an engrossing subplot to the whole story.  The ending gave me the same chills I received when I first viewed Steven Spielberg’s original cut of “Close Encounters of the Third Kind.”Â  But there is one very big exception, this film looks like a multi-million dollar movie, yet it was made for reported $15,000. Unfortunately, we have to wait till February 1, 2011 before it is released to Blu-ray or possibly catch it as a viewing rental from Amazon, unless there is enough of a public outcry to get the film a decent theatrical release as did “Blair Witch” or “Paranormal Activity.”Â  But please do not confuse it with those movies.  It is not a first-person camera story (found footage, etc.).  It is far better than any of those types of films in every way, shape and form.  It has to be seen to be believed.

Enjoy the holidays, the recommendations and the few good films that are available to us via theatrical release (Black Swan, The Fighter, True Grit, Tangled) and home video release.  Remember, it’s the season to relish the time you can spend with those family members you love and stomach the time with those you have no tolerance for.  One last thought for the year; life is too short not to be entertained.

TRUE GRIT – Review

picture11This movie belongs to Hailee Steinfeld and Jeff Bridges.

Forget about Matt Damon, who is nonetheless excellently poised at every moment to add flavor and humor to a tightly shot script, and certainly pay no attention to Josh Brolin who might as well have been given a Guest Starring credit as Barry Pepper is the true force majeur in the moments we spend with him. The real pleasure is watching Hailee and Jeff spin in each other’s orbit, the harmony that exists as the two of them shuck and jive is something to behold.

Whereas Henry Hathaway’s 1969 version was something of a departure from Charles Portis’ novel upon which these films were based the Coens’ version hews closely to the book and it shows. The newest incarnation feels sinewy, not an ounce of fat to be cut from what is a pretty simple tale of a little girl coming into a strange town to hire someone to get the man who killed her father. Really, this should be a movie that is about revenge and the ineptitude of a girl who fancies herself a woman. However, what Joel and Ethan Coen do is wrap this western in a true coming of age tale, the real masterstroke that makes this one of the most exciting westerns to come out in the last ten years.

The male bravado that is on display in so many westerns is the very thing that has held it back as a genre. The modern testosterone fueled picture is but a simulacrum for these things where men are men, women are women, and the Indians are always the bad guys.

The Coens flip this and what you end up with is a movie that wants to be more than just the tale of  drunkard Rooster Cogburn’s redemption as a man of law and as man in general. For it’s Mattie Ross (Steinfeld) who provides the role reversal in being the fast talking, and quickest witted, girl who can carry herself just fine. It’s a postmodern feminist tale set in the old west where there was no such thing as the kind of defiance she exerts to those around her who she feels has wronged her, belittled her, or seek her subjugation to their will. In countless scenes she is seen as neither sassy, nor cute, in her attempts to exact the Shakespearean level revenge, her pound of flesh, from the hide of Tom Chaney (Brolin).

With Ross’ story, the ultimate face-off between Chaney and herself seems perfunctory.  It’s irrelevant, even, to the larger themes being discussed which really is that the journey means more than the destination. The revenge is sweet, no question, but the lack of any character development whatsoever with regard to Chaney and the events that lead to his exiting the picture happen so fast that there isn’t any other conclusion to be reached other than this is a story of Ross and Cogburn. And Cogburn, for all he’s worth, really helps to anchor this film and establish it as a movie worthy of being this year’s best.

Bridges commands both sides of being both amusing and lethal. The gray areas in between are where we see glimpses of a man who used to be something more than a lawman who fudges the letter of the law, of showing a determination and honesty to his word when he realizes he has nothing else left to him but these virtues. Loyalty is something that’s developed slowly and gradually but Bridges brims with the character of a man who is beaten but who has not given up. There is some honor left in this samurai of the west and the Coens do what they do the best: allow their actors to stretch the skins of their character.

Yes, the words are on the page and are intended to be delivered word for word but they realize that it’s in nuance, in small moments when their players are talking to simply step back and let the material, and not their style, be the guide. Matt Damon as LaBoeuf does well as a man who would like to think himself as the superior enforcer with regards to the law of the land but in a place where there are no rules Damon comes off well as the in-over-his-head fop who constantly finds himself in many inopportune situations.

The real pleasure of this version of True Grit comes across not only in the performances which are uniformly great but in the honesty with which everyone plays their part. This is a western, yes, but with the infusion of innocence that is slowly rubbed away like oxidation on a copper penny you have a film that means so much more than a stamp that will place it in the Western genre. It’s a story of redemption and loss and what it means to keep pushing forward even when it seems the night is at its darkest hour.

A Merry Hands Down Christmas!

Filed under: Comic Strips,Hands Down — Tags: , , , , , — Aaron @ 4:19 am

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Welcome to Hands Down, FRED’s own look into the world of the folks that frequent this sordid world of geekery. Follow Aaron, Brian and Colin (and a menagerie on the way) as they traverse the light fantastic or some such nonsense… What? It’s an online fortnightly comic strip, what kind of description did you expect?

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VISIT THE HANDS DOWN ARCHIVES

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Written by Aaron Poole. Art by John Merker. Copyright 2010.

December 17, 2010

Weekend Shopping Guide 12/17/10: Townies

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

If The Departed was Scorsese’s attempt to get a hold on Boston, Ben Affleck’s The Town (Warner Bros., Not Rated, Blu-Ray-$35.99 SRP) is a homegrown take on the intricate web of Goodfellas, right down to a heist that ultimately tears everyone apart. Sure, it’s a simplistic view of a remarkably good flick, but why don’t you give it a spin for yourself? Bonus materials include an audio commentary (on both the theatrical and extended cuts) and a clutch of featurettes.

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Write all of those holiday gift thank you letters in the most beautiful and pretentious way possible with the Old Tyme Writing Set ($24.99). You get a feather, a wooden pen handle, seven interchangeable nibs, and a bottle of ink.

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I greatly enjoyed the first Nanny McPhee movie, and hoped against hope that Emma Thompson would be able to maintain the same level of Poppins-esque whimsy, heart, and humor she captured so well. Thankfully, Nanny McPhee Returns (Universal, Rated PG, Blu-Ray-$39.98 SRP) more than maintains it, and is an equal standalone bit of fun in its own right, as McPhee tackles the unruly household situation in WWII Britain. Do check it out. Bonus materials include an audio commentary, featurettes, and deleted scenes.

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Going in, I didn’t know quite what to expect from The Other Guys (Sony, Not Rated, Blu-Ray-$34.95 SRP), but I was hoping it would be just another boring entry into the long line of buddy cop movies. Well, color me pleasantly surprised, because it managed to entertain me quite a bit with its story of bottom-tier NYPD partners – Will Ferrell and Mark Wahlberg – who get a shot at glory after the precincts top cops are die in the line of duty. Bonus materials include an audio commentary, deleted/extended scenes, featurettes, a music video, gag reel, and more.

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It’s always nice to see a new collection of Groucho material, even if it’s all culled from the public domain – that doesn’t mean it’s something I’ve seen. Groucho Marx: TV Classics (Synergy, Not Rated, DVD-$24.95 SRP) contains 16 You Bet Your Life episodes, a pair of Groucho-hosted episodes of The Hollywood Palace, and a few other miscellaneous bits and bobs.

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If you want a prime example of exactly how NOT to capitalize on public knowledge of a pop culture fixture for a big screen relaunch, look no further than the lifeless, drab take on The A-Team (Fox, Not Rated, Blu-Ray-$39.99 SRP), which manages to suck every bit of likeability out of this ragtag group of ex-special forces attempting to clear their name. Bonus materials include featurettes, deleted scenes, and a gag reel.

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Fans who seemingly didn’t watch the poor-rated show when it was on can now partake of the final clutch of episodes via Caprica: Season 1.5 (Universal, Not Rated, DVD-$49.98 SRP), including the still-unaired final few. Bonus features include commentaries, video blogs, deleted scenes, and featurettes.

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If your kids liked Happy Feet and really want to see a movie about owls, then Legend Of The Guardians: The Owls Of Ga’Hoole (Warner Bros., Rated PG, Blu-Ray-$35.99 SRP) is the film for you. You want to see good owls fight evil owls, right? Bonus materials include featurettes and galleries – and one bonus that makes picking up the disc worth it… A new Road Runner cartoon.

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It’s with a bit of a whimper that the once-riveting 24 (Fox, Not Rated, DVD-$59.98 SRP) came to a close in its 8th and final season, having long since become a hyper version of itself. The 6-disc set contains all 24 episodes, plus commentaries, featurettes, and deleted scenes.

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I must admit, I do so love an old school, cat & mouse thriller of the kind that Hitchcock and Carol Reed would make, and that’s exactly the type of methodically taut pace found in The American (Universal, Rated R, Blu-Ray-$39.98 SRP), in which George Clooney plays a mercenary who can’t escape his past. Just watch the damn thing. Bonus materials include an audio commentary, a featurette, and deleted scenes.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Ken P. D. Snydecast #164: Every Day’s A Holly-Day

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 1:28 am

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #164: Every Day’s A Holly-Day – Ken & Dana return with even more holiday tidings, plus talk of auditions, dying movies, death, and other festive things.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #164 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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CLICK HERE FOR THE SNYDECAST ARCHIVES

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December 16, 2010

2010 FRED Holiday Shopping Guide

Filed under: Holiday Havoc,Shopping Guides — Tags: , , , , , — UncaScroogeMcD @ 5:28 pm

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It’s that time of year again, when sites the web-over compile helpful holiday shopping lists to guide you into the deepest, darkest pits of retail with a map that will hopefully get you out alive. Here now, without further ado, is the 2010 FRED Holiday Shopping Guide.

(If you see anything you like, please support FRED by using the links below to make your holiday purchases – it’s appreciated!)

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It’s been over 10 years since cultural icon Stephen Fry released his first memoir, Moab Is My Washpot, which left leaders with only a portion of the story, ending as it did in his teenage years, just released from a prison sentence for credit card fraud, with college – the legendary Cambridge – and fame still before him. Well, he picks it all right back up in the same warm, witty, candid style with The Fry Chronicles (Penguin, £20.00 SRP), a must-read volume that, sadly, only covers the 1980’s… But at least we can look forward to more volumes.

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Another year has gone by, which means that we’re all being gifted with a lovely clutch of brand new QI books, first and foremost being The Second Book Of General Ignorance (Faber & Faber, £12.99 SRP), which compiles a whole slew of new knowledge and clarifications on common misconceptions. Add onto that The QI Annual: H (Faber & Faber, £12.99 SRP), featuring all things having to do with that 8th letter of the alphabet. Of course, if you’ve missed previous years editions, The EFG Bumper Book of QI Annuals (Faber & Faber, £12.99 SRP) is just the things, bringing together the 3 previous volumes into one handy, massive paperback.

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Before television turned Charlie Brooker into a superstar (hush, you), he ran a website called TVGoHome, which put more than one skewer through television, from fake listings to articles and ads. These were all collected into the book TVGoHome: TV Listings The Way They Should Be (Faber & Faber, £12.99 SRP), which has thankfully returned to print after a long absence, because it is brilliantly funny. It is.

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It was with some trepidation that fans entered the 5th season of Doctor Who (BBC, Not Rated, Blu-Ray-$89.98 SRP) – Not only were we losing fan-favorite David Tennant as the 10th Doctor, but the 11th Doctor would be the ridiculously young unknown Matt Smith. Surely this would be when the new series stumbled. Well, no. No it didn’t. In fact, Matt Smith is a wonder in the role, and has more than made it its own, and new companion Amy Pond puts all former Nu-Who companions to shame. Add to that some brilliant writing and a true sense of fun (Remember when sci-fi wasn’t just maudlin navel-gazing?), and you have a brilliant season. Bonus materials include newly-filmed short interludes between episodes, video diaries, Doctor Who Confidential, in-vision commentaries, Monster Files, outtakes, teasers, and trailers.

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What would the holiday season be without cookies? And, naturally, a geek needs somewhere to put those cookies – so why not a light-up (with sound effects!) Doctor Who: TARDIS Cookie Jar ($26.99). Of course, you’ll want to put your own Doctor figure in front of the TARDIS, so why not pick up the 2-figure 11th Doctor Crash 2-Pack ($19.99), featuring the disheveled post-regeneration Matt Smith Doctor and his regular outfit.

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Evocative of Addams, Dahl, Gorey & Seuss but gloriously the unique genius that is the combination of my friends Trace Beaulieu and Len Peralta comes Silly Rhymes For Belligerent Children ($19.95), a beautiful book full of cautionary ““ and not so cautionary – tales sure to entertain (or scar) many a child lucky enough to be gifted with it this holiday season.

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Another could-have-been-a-disaster moment turned out to be gold with Steven Moffat & Mark Gatiss’s modern take on Sherlock Holmes, Sherlock (BBC, Not Rated, Blu-Ray-$39.98 SRP), which managed to make the mythos current without undermining the essence of what has made the character a perennial. My only regret? That the first season is on 3 feature-length episodes long. Bonus materials include audio commentaries, a making-of featurette, and the original pilot episode.

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It’s a been a few months, and you know what that means – a new Mystery Science Theater 3000 set! Continuing their yearly tradition, this holiday period box set comes packed with another bot action figure, and this times it’s the absolutely massive (and wonderfully accurate) Gypsy. If that weren’t enough, the movies contained in the Mystery Science Theater 3000 Collection: Volume XIX (Shout Factory, Not Rated, DVD-$69.97 SRP) are the 1st season episode Robot Monster (with a Josh Weinstein intro), season 4’s Bride Of The Monster, and the Sci-Fi era Devil Doll and Devil Fish. Bonus materials include featurettes on Bride & Devil Doll, a look at the “Invention Exchange”, a panel from CONvergence 2009, and trailers.

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Over the past year, there have been a trio of documentaries that any self-respecting Disney fan will find essential viewing, and all three are being released on DVD the same day (making purchase that much easier, natch). First up is Waking Sleeping Beauty (Walt Disney, Rated PG, DVD-$29.99 SRP), which looks at the resurgence of Disney feature animation in the period between 1984-1994, and ends as the foundation begins to erode, which would lead to the late 90’s downturn and eventual (albeit brief) shuttering the of the legendary department. For a look at another unique period in Disney history, Walt & El Grupo (Walt Disney, Rated PG, DVD-$29.99 SRP) focuses on the trip Walt Disney and a select group of his artists undertook a good neighbor trip to South America at the behest of the US government, just prior to the WWII. Last but not least, there’s The Boys (Walt Disney, Rated PG, DVD-$29.99 SRP), about the legendary songwriting brothers Richard & Robert Sherman. All three are packed with bonus features, including deleted scenes, additional interviews, and archive footage. Get them all.

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While both films have their highs and lows – Fantasia has the “Sorcerer’s Apprentice”, “Dance of the Hours”, Night On Bald Mountain”, and “Nutcracker Suite” as highs, while Fantasia 2000 manages only the Hirschfeld inspired Gershwin sequence and the Flamingo with a yo-yo – it’s still lovely to have them both fully remastered in high definition as a Fantasia/Fantasia 2000 set (Walt Disney, Rated G, Blu-Ray-$45.99 SRP), containing audio commentaries, featurettes, the short Destino, and much more, plus bonus DVD editions of both films.

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For the true Disney fan, their incredible Walt Disney Animation Studios: Archive Series continues with the 3rd volume, Design (Disney Edition, $50.00 SRP), which collects a beautiful overview of the production artwork that influenced the final look of many an animated classic.

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But the Disney fun doesn’t end there, as the Disney legacy is also explored in a far different way via the grand Mouse’s videogame comeback – Epic Mickey (Disney Interactive Studios, $49.99 SRP), in which our hero must reclaim an animated world left to rot, while at the same time reconnecting with his “older brother”, Oswald The Lucky Rabbit.

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If you’ve yet to see Graham Linehan’s brilliant UK sitcom The IT Crowd (MPI, Not Rated, DVD-$24.98 SRP), the beauty of it is that you can literally watch any episode and be able to enjoy that glorious madness that unfolds. So why not pick up the newly released 4th season set and then back-fill from there? Bonus materials include audio commentaries, featurettes, outtakes, and hidden goodies.

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Because they’re so attuned to exactly what geeks want – pop culture geeks, the lot of us – Thinkgeek has become a prime destination for picking up LEGO sets that both geek adults and geek kids will want. Need proof? Well, considering you Star Wars geeks can pick up Boba Fett’s Slave I ($79.99), the Hoth Wampa Cave ($39.99), and the massive Battle Of Endor ($99.99), while Harry Potter fans can snag Hagrid’s Hut ($39.99).

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But what if your child likes LEGOs but you don’t want to buy them a construction set? Thinkgeek also stocks the LEGO Lantern ($23.99), for those scary nights, or a hand crankable LEGO Dynamo Torch ($24.99). Heck, they even have an oversize Darth Vader or Stromtrooper Minifig Alarm Clock ($29.99).

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Ach, but that’s not all! They’re also stocking all of the new LEGO board games, from the LEGO Minotaurus Game ($24.99) to LEGO Creationary ($34.99). So yes, Thinkgeek has your LEGO needs clearly squared away.

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There’ve been a few quite nice highlight and retrospective sets released in the past, but if you want a truer picture of just why Johnny Carson was considered the King of Late Night, you should pick up Tonight: 4 Decades Of The Tonight Show Starring Johnny Carson (Respond2, Not Rated, DVD-$119.99 SRP), a 15-disc set that features shows from across Johnny’s 40-year reign. It’s an impressive set that I hope is only the first of many.

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Chemistry sets are so passe – Today’s kids want to investigate crimes… Particularly if their investigative materials are branded with a hit TV show. In other words, you can give the gist of a trio of kiddie-crime-solving kits – the CSI: Impression Kit ($35.77 SRP), CSI: Facial Identification Kit ($21.95 SRP), & the CSI: Ink & Handwriting Analysis Kit ($23.99 SRP). Promote logic and critical thinking skills!

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I’m always leery when a new CG animated film comes down the pike and it’s not from Pixar, just because there have been so many duds trying to emulate their winning formula. This year, however, ahs been a banner one for non-Pixar flicks, starting with How To Train Your Dragon and including Despicable Me (Universal, Rated PG, Blu-Ray-$39.99 SRP), which stars Steve Carrell as a supervillain whose plan to achieve “World’s Greatest Villain” status by stealing the moon suddenly goes pear-shaped when he enlists a trio of little girls who decide to latch onto him as a father figure. Bonus materials include a trio of new mini-movies, audio commentary, featurettes, and more.

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Yeah, I’m a sucker for the Guinness Book of World Records. There’s just something so compellingly exciting yet sad about the various and sundry attempts at dubious immortality “achieved” by the people, events, and tragedies included in the Guinness Book of World Records: 2011 Edition (Guinness, $28.95 SRP).

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Covering the wild personal upheaval between 1964-1971, Lennon Naked (BBC, Not Rated, DVD-$19.98 SRP) stars Christopher Eccleston as a very convincing John Lennon in a drama about that period during which the rise of the Beatles was matched by the destruction of Lennon’s first marriage and his courtship of Yoko, and ends with the end of Fab Four and rise of a new Lennon.

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While it never achieves the transcendent by-golly-wow reaction it desperately wants for assembling such a massive all-star action pic hall of fame cast, The Expendables (Lionsgate, Rated R, Blu-Ray-$39.99 SRP) is still a throwback bit of high octane fun, more concerned with blowing things up and throwing out one-liners than telling a story. Which, really, is exactly how this kind of picture should be played, ya namby-pambys! Bonus materials include an audio commentary, a making-of documentary, featurettes, deleted scene, 2010 Comic-Con panel, a gag reel, and more.

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After they released the brilliant – and much-requested – It’s Garry Shandling’s Show, fans were ready to throw a parade for the fine folks at Shout Factory after they announced they would be giving a complete series release to the even more brilliant Larry Sanders Show (Shout Factory, Not Rated, DVD-$149.99 SRP). So yes, you can now watch the entire 6 season run! The copious amount of bonus features are all ported over from Sony’s “Best Of” collection from a few years back, but those featurettes and interviews were so comprehensive, that the port is appreciated. Now, if only they can get the rest of Dream On out, too…

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There’ve been a few different versions released over the years, but the definitive edition – in high def, no less – is the Apocalypse Now: Full Disclosure Edition (Lionsgate, Rated R, Blu-Ray-$59.99 SRP), which contains a fully remastered theatrical cut, the more recent expanded cut, and the behind-the-scenes documentary Hearts Of Darkness. Besides the commentaries and featurettes, the best bonus feature in the lot is a chat between Coppola and screenwriter John Millus. A must watch.

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For the past few years, Insight Editions has been putting out some truly spectacular books, from their series on the modelmaking and costuming of Star Wars to spotlights on John Lennon. While Chronicle Books has the lock on Pixar and Disney, Insight has been publishing massive, beautiful “Art Of” collections from Dreamworks and Sony. Currently available – and worth picking up – are The Art and Making Of Cloudy With A Chance Of Meatballs ($50.00 SRP), The Art Of Megamind ($39.95 SRP), and The Art Of Shrek Forever After ($24.95 SRP).

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Also worth mentioning from Insight, even though they’re not “Art Of” books, are Jerry Beck’s 100 Greatest Looney Tunes Cartoons ($24.95 SRP), the stunningly realized Harry Potter Pop-Up Book ($34.95 SRP) and even though I hated the film, the pictures featured in Indiana Jones And The Kingdom Of The Crystal Skull: A Photographic Journal ($29.95 SRP) make it worth a pick-up.

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I have been counting the days until the high definition 25th Anniversary edition of the Back To The Future Trilogy (Universal, Rated PG, Blu-Ray-$79.98 SRP) arrived, eager to see it looking all snazzy and hoping the reality lived up to my outrageous expectations. Well, I’m delighted to say all three films look and sound amazing, and they’ve managed to plus the bonus materials above and beyond the ridiculous amount found on the original DVD special editions, including new documentaries (plus some tantalizing yet still unsatisfying glimpses of the legendary Eric Stoltz as Marty McFly footage). Is this an upgrade worth making? Yes. Yes it is.

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By the time we reach the third volume of Bloom County: The Complete Library – 1984-1986 (IDW, $39.99 SRP), we’ve arrived at the golden age of the strip, where both the political satire and the humor had gelled into a transcendently pointed, funny strip that cemented itself in the comics pantheon. If you’re new to Bloom County, get all of the available volumes. Fast. Rectify that oversight now.

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About 5 years ago, I became aware that a documentary had been made about an artist I held dear to my heart – the underrated, underappreciated Harry Nilsson. I received a promo copy at the time, and found the documentary to be a comprehensive, enlightening overview of a brilliant artist beloved by friends and fans (including the likes of The Beatles) who happened to be a very flawed human being whose excess led to a far too early death. The doc floated around the festival circuit for the past few years, but Who’s Harry Nilsson (And Why Is Everybody Talkin’ About Him?) (Lorber, Not Rated, DVD-$29.95 SRP) is finally available on DVD, along with nearly 90 minutes of additional interview footage. Get this documentary, and get Harry’s music. Now.

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It’s no Ben 10, but Cartoon Network’s Generator Rex (Cartoon Network, Not Rated, DVD-$19.98 SRP) is certainly constructed to try and hit all of the same buttons with the kids, right down to a super-powered kid – in this case, a 15-year-old boy/weapon made of nanites – fighting the big bad world. The 2-disc set contains 9 episodes.

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Where the US version of the UK’s middle-age male crisis dramedy Manchild never got past pilot, the similarly themed Men Of A Certain Age (Warner Bros., Not Rated, DVD-$39.98 SRP) – starring Ray Romano, Andre Braugher, and Scott Bakula – seems to be going strong. The first season set contains audio commentaries, featurettes, deleted scenes, and a gag reel.

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I know a lot of you are probably waiting for next year’s Blu-Ray release of the entirety of season 4, but for those who can’t wait, The Venture Bros.: Season 4 Volume 1 (Adult Swim, Not Rated, DVD-$23.98 SRP) contains the first 8 episodes of the season, plus audio commentaries (in which, yes, I am mentioned – count the times!), deleted scenes, a Comic-Con promo, and a “lost” open.

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It’s been almost a year since the Blu-Ray Ultimate Editions of the first two films were released, but the rather long wait has brought us the just-in-time for Deathly Hallows: Part 1 release of Harry Potter & The Prisoner Of Azkaban: Ultimate Edition & Harry Potter & The Goblet Of Fire: Ultimate Edition (Warner Bros., Rated PG/PG-13, Blu-Ray-$49.99 SRP each), both of which are necessary upgrades from the previous Blu-ray editions, if only for the next two installments of the 8-part documentary series “Creating The World Of Harry Potter, which have been newly produced for these Ultimate Editions. Also included are all of the previous special features and documentaries from the previous releases, plus photo books and character cards. The bottom line? Get ’em both, and hope the next two come out a lot quicker.

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You know who else has comedy locked up for you this holiday season? The fine folks at Channel 4, who have a lovely clutch of comedy coming to DVD, including new stand-up specials – Jimmy Carr: Making People Laugh, Frankie Boyle: If I Could Reach Out Through Your TV And Strangle You, I Would, & Rhod Gilbert & The Cat That Looked Like Nicholas Lyndhurst (Channel 4, Not Rated, DVD-£19.99 SRP each) – and TV series collections – Miranda: Series 1, The Inbetweeners: Series 3, Russell Howard’s Good News: Best Of Series 1, and Peep Show: Series 7 (Channel 4, Not Rated, DVD-£19.99 SRP each).

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If you’d like to spend your holidays with a big green ogre, then you can fulfill that very odd wish with the Shrek: The Whole Story box set (Dreamworks, Rated PG, Blu-Ray-$76.99 SRP), which brings together all four films – Shrek, Shrek 2, Shrek The Third, & Shrek Forever After – for the first time in high definition. Not only do all of the sets contain all of the bonus materials found on the original releases, but the set also includes Donkey’s Christmas Shrektacular and an exclusive 4-part documentary.

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The one factor that made Christopher Nolan’s Inception (Warner Bros., Rated PG-13, Blu-Ray-$35.99 SRP) work for me is that Nolan didn’t burden the storytelling with the concept, but instead dumped the audience right into the action, allowing the headiness of it all to permeate, rather than overwhelm. That being said, I’m not even going to try explaining the plot, but will instead just recommend you give it a spin. Bonus materials include in-depth featurettes, an animated prequel short subject, and more.

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You may know Haynes as the folks who put together all of those car manuals you see sitting on your mechanic’s (or father’s) shelf. Well, they’ve decided to venture into geek territory with the USS Enterprise Owner’s Workshop Manual (Simon & Schuster, $27.00 SRP). Its detailed schematics may not be entirely accurate, and it unfortunately also features the Enterprise NX-01, but it’s a fun read nonetheless.

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You can always bet that if there’s a new version of anything in the offing, the original version will get a release to coincide with it – and such is the case with the classic 1969 version of True Grit (Paramount, Rated G, Blu-Ray-$24.99 SRP), starring John Wayne as the larger-than-life Marshall Rooster Cogburn. The film looks superb in high definition, and bonus features include an audio commentary, featurettes, and the theatrical trailer.

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For the longest time, I’ve been able to suppress whatever last vestige of giddy Star Wars fanboy remained within me after being so mercilessly stamped out by the overwhelming mediocrity of the Prequels. That was, until I laid eyes on Hasbro’s incredible – in both execution and freaking size – new AT-AT ($119.99). Standing over two feet tall, articulated, and full of lights and sounds, it’s everything we hoped for after walking out of Empire Strikes Back 30 years ago. Granted, we’re adults now, but so what?

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The folks at Fox want to load down your holiday viewing schedule as well, and have moved to do so with a pair of holiday box sets. The Christmas Collection (Fox, Rated PG, Blu-Ray-$79.99 SRP) brings together Home Alone 2: Lost in New York, the George C. Scott A Christmas Carol, the modern Miracle on 34th Street, and Jingle All the Way. If you just want to spend some time with Kevin McCallister, there’s the Home Alone Collection (Fox, Rated PG, Blu-Ray-$39.99 SRP), which sports all 3 films in the canon (yes, even the forgettable non-Culkin one). Of course, if the kiddies are clamoring for something animated, they’ve also got Ice Age & Ice Age 2 (Fox, Rated PG, Blu-Ray-$24.99 SRP each), in snazzy high definition.

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And finally, let’s wrap up this year’s holiday guide with a couple of beautiful pieces from the fine folks at Sideshow Collectibles. Hopefully you’re familiar with their Premium Format line, which used mixed-media materials to create some truly stunning display pieces. Earlier this year, they secured a license from Disney, and have been working their magic on everything from Pirates Of The Caribbean‘s Captain Jack Sparrow ($324.99) to Sleeping Beauty‘s Maleficent ($299.99), as you’ll see from the photos below. And about as different from Disney as you can get, how about an incredible polystone diorama featuring Conan The Barbarian – Conan: The Prize ($299.99).

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-Ken Plume

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December 15, 2010

Contest Round-Up: 2010-12-15

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Welcome to our weekly round-up of featured giveaways here at FRED. Every week, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!

In conjunction with Penguin Books, we’re giving away a SIGNED copy of Stephen Fry’s THE FRY CHRONICLES.

In conjunction with Faber & Faber, we’re giving away two (2) copies of THE SECOND QI BOOK OF GENERAL IGNORANCE.

conjunction with Faber & Faber, we’re giving away two (2) copies of THE QI ANNUAL: H.

In conjunction with Faber & Faber, we’re giving away three (3) copies of THE EFG BUMPER BOOK OF QI ANNUALS.

In conjunction with Faber & Faber, we’re giving away two (2) copies of CHARLIE BROOKER’S TV GO HOME.

In conjunction with It Books, we’re giving away three (3) copies of PRETTY THINGS: THE LAST GENERATION OF AMERICAN BURLESQUE QUEENS.

In conjunction with A&E Home Video, we’re giving away three (3) copies each of GENE SIMMONS FAMILY JEWELS: THE COMPLETE SEASONS 4 & 5 on DVD.

In conjunction with A&E Home Video, we’re giving away three (3) copies each of BILLY THE EXTERMINATOR: THE COMPLETE SEASONS 1 & 2 on DVD.

In conjunction with Fox Home Video, we’re giving away three (3) copies of CYRUS on DVD.

In conjunction with author Scott Neumyer, we’re giving away three (3) copies of JIMMY STONE’S GHOST TOWN.

In conjunction with Sideshow Collectibles, we’re giving away three (3) INDIANA JONES: 12″ MUTT WILLIAMS figures.

In conjunction with Spin Master Toys, we’re giving away a whole slew of TRON LEGACY Action Figures & Vehicles – Everything from 3 3/4 and deluxe figures to light cycles and more.

Win TRON: LEGACY Figures & Vehicles from Spin Master Toys!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 6:55 pm

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In conjunction with Spin Master Toys, we’re giving away a whole slew of TRON LEGACY Action Figures & Vehicles – Everything from 3 3/4 and deluxe figures to light cycles and more.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win an INDIANA JONES: 12″ MUTT WILLIAMS Figure from Sideshow Collectibles!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 6:38 pm

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In conjunction with Sideshow Collectibles, we’re giving away three (3) INDIANA JONES: 12″ MUTT WILLIAMS figures.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win JIMMY STONE’S GHOST TOWN!

Filed under: Contests — Tags: , , , , , , , — UncaScroogeMcD @ 6:12 pm

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In conjunction with author Scott Neumyer, we’re giving away three (3) copies of JIMMY STONE’S GHOST TOWN.

Contest ends at 11:59pm EST on Wednesday, January 5th.

On December 7th, Scott Neumyer released his thrilling, fun, and heartfelt middle grade novel JIMMY STONE’S GHOST TOWN, on Amazon.com (http://amzn.to/jimmystone)! Available for the special introductory price of only $0.99, JIMMY STONE’S GHOST TOWN is can be downloaded on the Amazon Kindle (as well as Kindle for Mac, Kindle for PC, Kindle for iPhone, Kindle for iPad, Kindle for Android, and Kindle for Blackberry)!

In a matter of less than a week, JIMMY STONE’S GHOST TOWN started climbing up the Amazon.com charts! It reached #2 in Children’s Books for Boys & Men (ahead of Justin Bieber’s new book) and was #1 on the Hot New Releases section of that same genre!

For less than a dollar, readers can enjoy this “fantastical mystery for young readers” that Lara Zielin (Author of DONUT DAYS and THE IMPLOSION OF MAGGIE WINCHESTER) has called “…irresistibly appealing!” Available now on Amazon.com, JIMMY STONE’S GHOST TOWN is the most entertaining way to spend 99 cents!

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win CYRUS on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 6:01 pm

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In conjunction with Fox Home Video, we’re giving away three (3) copies of CYRUS on DVD.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win BILLY THE EXTERMINATOR: THE COMPLETE SEASONS 1 & 2 on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:54 pm

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In conjunction with A&E Home Video, we’re giving away three (3) copies each of BILLY THE EXTERMINATOR: THE COMPLETE SEASONS 1 & 2 on DVD.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win GENE SIMMONS FAMILY JEWELS: THE COMPLETE SEASONS 4 & 5 on DVD!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:45 pm

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In conjunction with A&E Home Video, we’re giving away three (3) copies each of GENE SIMMONS FAMILY JEWELS: THE COMPLETE SEASONS 4 & 5 on DVD.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win PRETTY THINGS: THE LAST GENERATION OF AMERICAN BURLESQUE QUEENS!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:23 pm

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In conjunction with It Books, we’re giving away three (3) copies of PRETTY THINGS: THE LAST GENERATION OF AMERICAN BURLESQUE QUEENS.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win CHARLIE BROOKER’S TV GO HOME!

Filed under: Contests — Tags: , , , , , — UncaScroogeMcD @ 5:03 pm

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In conjunction with Faber & Faber, we’re giving away two (2) copies of CHARLIE BROOKER’S TV GO HOME.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE EFG BUMPER BOOK OF QI ANNUALS!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 4:49 pm

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In conjunction with Faber & Faber, we’re giving away three (3) copies of THE EFG BUMPER BOOK OF QI ANNUALS.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE QI ANNUAL: H!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 4:43 pm

contestheader.jpg

In conjunction with Faber & Faber, we’re giving away two (2) copies of THE QI ANNUAL: H.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win THE SECOND QI BOOK OF GENERAL IGNORANCE!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 4:32 pm

contestheader.jpg

In conjunction with Faber & Faber, we’re giving away two (2) copies of THE SECOND QI BOOK OF GENERAL IGNORANCE.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

Win a SIGNED copy of Stephen Fry’s THE FRY CHRONICLES!

Filed under: Contests — Tags: , , , , , , — UncaScroogeMcD @ 4:18 pm

contestheader.jpg

In conjunction with Penguin Books, we’re giving away a SIGNED copy of Stephen Fry’s THE FRY CHRONICLES.

Contest ends at 11:59pm EST on Wednesday, January 5th.

Enter the contest!
Email:
First name:
Last name:
Street Address:
Address Line 2 (if needed):
City:
State/Province/Whatever:
Zip Code/Postal Code:
Country:
Birth Month:
Birth Day:
Birth Year:

Official Rules

No member of FRED Entertainment or their immediate families may enter.

No Purchase necessary to win.

Must be 18 years of age or older to enter.

One entry per day, per person.

All submitted entries must be received by 11:59pm EST on Wednesday, January 5th.

The winner must allow 4-6 weeks after notification of win to receive the product.

A Bit Of A Chat with Ken Plume & Dom Joly

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I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.

In this episode, I chat with writer/comedian/documentarian/presenter Dom Joly, creator and provocateur of TRIGGER HAPPY TV, about Dark Tourism, celebrities trapped in the jungle, and much more…

Hope you enjoy…

Download “A Bit of a Chat with Ken Plume & Dom Joly“:

[audio:http://traffic.libsyn.com/bitofachat/bit_of_a_chat-dom_joly.mp3]

SUBSCRIBE
Subscribe to this Podcast via iTunes

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Drop Ken a line HERE.

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You can also find more of my interviews by clicking HERE.

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December 13, 2010

TV Or Not TV: 12/13 – 12/19

Filed under: TV Or Not TV — Tags: , — admin @ 11:10 pm

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Well another season of DEXTER has now come and gone. Although I’ve read mixed reviews about this season I have to say that I was really entertained by it. I’m also going to not hold anything back in talking about it so if you haven’t seen it yet and plan to then be forewarned that there be spoilers abound in these waters.

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This season of DEXTER had the very large shoes of last season to try and fill. JOHN LITHGOW had a stellar performance as the TRINITY killer in an amazing story line that shocked, amazed, and hit us with a punch in the gutt on its way out the door with the unexpected murder in the final moments.

When viewing the season’s overall story arc I think the writers did a pretty good job of delivering us a season that wasn’t too over-the-top while still being a fufilling viewing experience. They started the season off slow, with DEXTER dealing with the fallout after RITA’s death. It isn’t until the middle of the second episode where we start to see some of the old DEXTER return. He also doesn’t fufill the cravings of his “dark passenger” until the end of the third episode, giving us as viewers enough time of mourning over the loss of RITA before moving on to the DEXTER that we all know and love.

The first few episodes of the season are the only ones that I have a complaint about because the pace and stories of the supporting characters in the show seemed drawn out. Yes some elements of the stories were necessary to allow for other characters to be introduced like the great PETER WELLER. These characters for the DEXTER fan, however, are a mixed bag since they help move the story along but even though they are his co-workers they are also his adversaries. I never want to get too involved in their stories because, as the second season taught us, they can become expendable.

The direction the show took with the introduction of LUMEN and the situation surrounding the BARREL GIRLS was a new type of terror that we haven’t really had to face. I understand why it was necessary but the simple shocking reality is that this type of thing may go on in our world which made it slightly difficult to endure. After you get over that shock it is very easy to see why the story had to unfold the way it did. In the third season it was very difficult to stomach JIMMY SMITS character committing the types of attrocities that DEXTER does because he didn’t live by “the Code” so he was just a psychopath. We can handle what DEXTER does because he acts out what the id feels when we learn what these people do. Unless it is to ensure his survival DEXTER doesn’t just kill someone that makes his life difficult. JORDAN CHASE and his BARREL GIRLS group gave this season two important things: something for DEXTER to focus on that involved protecting future innocent lives being taken away just like RITA and allowing someone to go down such a dark path we didn’t mind if they commited the same type of vigilante killings that DEXTER does.

In the season finale there was a season ripe with tension but for me it was also wrought with metaphor. DEXTER’s sister DEBORAH comes across the camp and the very room where DEXTER and LUMEN have dispatched the last person reponsible for her horrific ordeal. In this moment the pair are hidden by a murky sheet of plastic that divides the room. DEB can see that they are there but can’t see them completely. This moment also reflects, for me, the same way that DEB must view DEXTER. Other police officers in the Miami Metro Homicide division have been suspicious of DEXTER yet DEB never questions. She sees her brother every day but she must have a similar murky filter between her and her brother that belays any suspicions she must have. This has to be the case since at least two other detectives have had suspicions about DEXTER (speaking of which, don’t any of these cops wonder why their area attracks so many demented murderes? The Ice Truck Killer, The Bay Harbor Butcher, The Trinity Killer, Barrel Girl Killers… that’s a lot for one city isn’t it?).

The writers did a pretty good job as well of wrapping up this season in a manner that allows them a clean slate for the recently green lit sixth season. LUMEN is leaving in a non-fatal manner, one that given her story was a foregone conclusion for me the moment she and DEXTER were working together. DEXTER is still a father but has the perfect nanny and RITA’s children can conveniently be around during visits and then dispatched conveniently back to their grandparents home. After DEXTER clears QUINN of the crime that DEXTER knows he didn’t commit QUINN admits to owing DEXTER which will hopefully avoid any future suspicions of DEXTER’s “other” activities. DEXTER is once again free to just be DEXTER.

Now that I’ve said my piece on DEXTER let’s move on to the crime that is this week’s available viewing options.

MONDAY

CBS – 8:00 PM: Have you noticed yet that the only show on CBS I recommend on Monday’s is HOW I MET YOUR MOTHER? ’nuff said.

NBC – 8:00 PM: I don’t know why I can’t stop watching THE SING-OFF since it’s the exact same show as last year. There’s one group of older people,
several mediocre groups and then there’s the entertaining college kids (ON THE ROCKS) and the smaller but completely amazing ensemble that were the clear winners from day one (COMMITTED). Ah well, it’s not like anything else is really on.

ABC – 9:00 PM: From the “We don’t give a crap file” I humbly submit to you MARIAH CAREY: MERRY CHRISTMAS TO YOU. Let me guess, she’s got a holiday album out this year?

TUESDAY

ABC – 8:00 PM: I love the PEANUTS specials (Who can forget the touching story told in IT’S FLASH BEAGLE, CHARLIE BROWN) but I don’t think I’ve ever seen I WANT A DOG FOR CHRISTMAS, CHARLIE BROWN!

FOX – 8:00 PM: It’s a pop-star tribute GLEE-peat double header tonight with the MADONNA and BRITNEY SPEARS episodes. I’d make a joke about this but I think the show writers already did by making them.’

NBC – 9:00 PM: It’s the live season finale of THE BIGGEST LOSER where I’m rooting for PATRICK to win. This show is such a great motivator and reminder to ea… oh look, Christmas fudge!

WEDNESDAY

NBC – 8:00 PM: OK, if you actually watched THE SING-OFF along with me then be sure to remember there’s another episode on tonight.

USA – 8:00 PM: Oh, look! ELF is on USA tonight. There’s something you don’t see happen very often.

COMEDY CENTRAL – 8:00 PM: If you missed the first ever FUTURAMA HOLIDAY SPECTACULAR then here is another chance to catch it.

DISCOVERY – 9:00 PM: In tonight’s all new MYTHBUSTERS special it’s a special GREEN HORNET edition where SETH ROGEN drops in to help bust some myth’s. Which myth are they attacking, “You’re not off ’till you cough?”

THURSDAY

ABC FAMILY – 6:00 PM: On a night full of repeats ABC FAMILY gives us the gift of PIXAR with FINDING NEMO followed by THE INCREDIBLES.

FX – 10:00 PM: It’s the IT’S ALWAYS SUNNY IN PHILADELPHIA holiday special! Need I say more?

TBS – 10:00 PM: If it weren’t for the fact that the “Man Your Man Could Smell Like” himself, ISAIAH MUSTAFA, is hosting I’d think sitting around watching the FUNNIEST COMMERCIALS OF THE YEAR was silly. Even sillier? If you DVR this you’re going to be skipping over the commercials to get to the commercials.

FRIDAY

CBS – 8:00 PM: CBS is offering up a large helping of holiday cheer with YES, VIRGINIA followed by FROSTY THE SNOWMAN and FROSTY RETURNS.

USA – 9:00 PM: Oh, look! ELF is on USA tonight. There’s something you don’t see happen very often.

ABC – 9:00 PM: In this PRIMETIME special WHAT WOULD YOU DO? the network uses hidden cameras to see how people react when tey think no one is watching. Does putting the PRIMETIME name on it class it up enough so that we don’t know it’s a classed up version of SCARE TACTICS?

CBS – 9:30 PM: Tonight special I GET THAT A LOT as they look back at some of the highlights (I use the term loosely) from past shows and some unseen footage. Come watch again as nobody believes that it isn’t PARIS HILTON pumping their gas.

SATURDAY

ABC – 8:00 PM: Need a way to distract the kids for three hours? ABC rolls out another airing of I WANT A DOG FOR CHRISTMAS, CHARLIE BROWN! followed by MADAGASCAR.

NBC – 8:00 PM: The Peacock offers up a retread as well as they re-run the Christmas party episode of THE OFFICE.

HALLMARK – 8:00 PM: BATTLE OF THE BULBS sure feels a lot like DECK THE HALLS when DANIEL STERN and MATT FREWER get ugly trying to one up each other’s holiday decorations.

NBC – 11:30 PM: I still haven’t watched last week’s episode of SNL with PAUL RUDD but this week is a no-miss as THE DUDE himself JEFF BRIDGES hosts the weekly train wreck.

SUNDAY

ABC – 7:00 PM: ABC puts forth no programming effort whatsoever with the airing of THE SANTA CLAUSE 2 and THE SANTA CLAUSE 3: THE ESCAPE CLAUSE.

CBS – 8:00 PM: It’s the season finale for SURIVOR: NICARAGUA and I’ve not watched a single moment of the show.

FOX – 9:00 PM: FAMILY GUY‘s retelling of THE EMPIRE STRIKES BACK airs tonight to serve as a warm up to all the people that will no doubt be watching…

ADULT SWIM – 11:30 PM: I completely missed the mark in neglecting to mention the amazing VENTURE BROTHERS season finale so I am making it a point to mention the ROBOT CHICKEN: STAR WARS EPISODE III special. Nothing says Happy Holidays like stop-motion Star Wars comedy.

FREDagator: 2010-12-13

Filed under: FREDagator — UncaScroogeMcD @ 10:40 pm

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“Oh, Yogi…”

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December 10, 2010

Weekend Shopping Guide 12/10/10: Bionic Bigfoot

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The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)

They rebuilt him… Better… Stronger… Faster… And now, after an interminably long wait, The Six Million Dollar Man (Time Life, Not Rated, DVD-$239.95) has finally arrived on DVD. As if that weren’t enough, Time Life has delivered the complete 5-season run in one massive set, which includes all 3 pilot films, all 3 reunion films, the Bionic Woman crossover episodes, newly-recorded cast interviews, and alternate syndication edits of the pilots. All in all, it’s 40 discs worth of bionic fun… So plenty to keep you occupied during the long winter ahead.

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As a child in the early 80’s I remember the magical joy of coloring pieces of thin plastic that, when cut out and put in the oven, would shrink and thicken into tiny little 2-D plastic figurines. Yes, I’m speaking of Shrinky Dinks ($4.99), and thanks to the fine folks at Thinkgeek, I’m able to introduce my nephews to the joy of heat-shrinky plastic.

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In the mid-60’s, a trio of producers named Bob Rafelson, Bert Schneider, and Steve Blauner stepped from the surging counterculture and into the mainstream conservative milieu of Hollywood and crafted a definitive TV property with the manufactured pop band/TV show The Monkees. Seeking to move into films, they developed a decidedly unorthodox film for The Monkees written by good friend and Corman regular Jack Nicholson. After it bombed miserably, they hit paydirt with an era-defining film – Easy Rider. High definition version of both those films – plus the rest of their output (Five Easy Pieces, Drive, He Said, A Safe Place, The Last Picture Show, & The King Of Marvin Gardens) – in the box set America Lost & Found: The BBS Story (Criterion, Not Rated/Rated R, Blu-Ray-$124.95 SRP). In addition to the remastered films themselves, the set includes audio commentaries, documentaries, screen tests, outtakes, interviews, TV/radio spots, trailers, and a collectible booklet.

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For decades, Fritz Lang’s silent masterpiece – a visual and conceptual feast that his inspired scores of filmmakers – has been a fractured film, with whole chunks of footage and sequences that were in the debut cut deemed lost forever. Well, never say never, as recent discoveries have allowed the fine folks at Kino to assemble the complete Metropolis (Kino, Not Rated, Blu-Ray-$39.95 SRP), which they are making available in high definition. The print quality on some of the formerly lost material doesn’t quite match the sparkling extant footage, but that in no way negates the wonder of watching the film as it was intended to be seen, particularly after all these years. Bonus materials include a recording of the original score, a 50-minute documentary, an interview with the curator of the Buenos Airen museum where the footage was found, and the 2010 re-release trailer.

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Earlier this year, Kino also began releasing its extensive Buster Keaton collection in high definition, with the result being a trio of must-have releases for any aficionado of cinematic comedy – Steamboat Bill Jr., The General, and a double-feature of Sherlock Jr. & Three Ages (Kino, Not Rated, Blu-Ray-$34.95 SRP each). All four feature multiple score choices, featurettes, intros, and more.

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When HBO’s brilliantly dark western Deadwood began its first season, the time period within the series was only a few weeks following the massacre of Custer’s troops in 1876. Into the lawless South Dakotan town rode two men – one a bitter ex-lawman, and the other a man looking to start a new life – and both ran afoul of the local heavy who owns half the town. What followed was an epic drama of operatic heights, and one you can watch in its entirety in high definition with Deadwood: The Complete Series (HBO, Not Rated, Blu-Ray-$209.98 SRP). The 13-disc set features all 36 episodes, audio commentaries, featurettes, interviews, and an exclusive bonus disc with creator David Milch discussing the season’s conclusion, a historical featurette on the real Deadwood, a Q&A with the cast & creative team, the Al Swearengen audition reel, and a 360-degree tour of Deadwood.

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Your perennial holiday viewing just got a high definition upgrade with the Blu-Ray release of The Original Christmas Classics box set (Classic Media, Not Rated, Blu-Ray-$44.95 SRP), featuring the Rankin Bass specials Rudolph The Red-Nosed Reindeer, Frosty The Snowman, and Santa Claus Is Comin’ To Town. Yes, you know you’ll be getting this.

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Killing time between now and when the globe-trotting Cars 2 comes out next summer? Well, you can dip into brand new adventures featuring everyone’s favorite hillbilly tow truck in Cars Toon: Mater’s Tall Tales (Walt Disney, Not Rated, Blu-Ray-$29.99 SRP), which features 9 short subjects, plus intros, featurettes, and more.

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The complete runs of both the classic Batman and Superman animated series have already made their debut as box sets, as well as Justice League, so the last to get the treatment arrives with Batman Beyond: The Complete Series (Warner Bros., Not Rated, DVD-$99.98 SRP). The 9-disc set contains all 52 episodes, plus commentaries, retrospectives, a collector’s booklet, and a bonus disc with the documentary Secret Origin: The Story Of DC Comics and a trio of new featurettes.

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It’s not really a brilliant series, but Gerry Anderson’s Space: 1999 (A&E, Not Rated, Blu-Ray-$99.95 SRP) is one of those canon sci-fi series that everyone should see at least once, even if you might walk away wondering what all of the fuss is about. It does look better than ever in high definition, as you can now watch via the complete 1st season set, containing 24 episodes plus loads of bonus material, including commentaries, featurettes, documentaries, interviews, and much more.

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It’s certainly not as well-known or well-loved as shows like Space: 1999 or Thunderbirds, but completionists are sure to rejoice at the arrival of Gerry Anderson’s Space Precinct (Image, Not Rated, DVD-$49.98 SRP) on DVD, even if it plays like a low budget Alien Nation.

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As the little Fockers will be making their way to the big screen shortly, it makes sense that Blu-Rays of Meet The Parents and Meet The Fockers (Universal, Rated PG-13, Bly-Ray-$26.98 SRP each are making their way to shelves, both of which contain featurettes, deleted scenes, audio commentaries, and outtakes.

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We’re now into the second season, and I’ve pretty much written off Parks And Recreation (Universal, Not Rated, DVD-$39.98 SRP) as an awkward, failed comedy that still hasn’t discovered what it wants to be, outside of another Office. Which is a shame, because the cast deserves so much better. The 4-disc set contains all 24 episodes, plus deleted scenes, featurettes, and bloopers.

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Most people think of Romeo + Juliet or Moulin Rouge when they think of Baz Luhrmann and over look the dance-happy Strictly Ballroom (Miramax, Rated PG, DVD-$19.99 SRP), but it’s actually his most straightforward and watchable. Bonus materials on the new special edition include an audio commentary, featurettes, and a deleted scene.

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It’s been a long string of single-disc releases leading up to the release of Spongebob Squarepants: Season 6 Part 2 (Paramount, Not Rated, DVD-$29.99 SRP), whose 2 discs contain 23 episodes, featurettes, and shorts. So yes, your kids can be fully immersed in Spongebob this holiday season.

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Beginning after his emigration to the Big Apple in 1971, Lennon NYC (A&E, Not Rated, DVD-$24.95 SRP) looks at the new, post-Beatles life John Lennon forged for himself as a husband and a father, making music infrequently. Packed with rare footage and new interviews with Yoko, Elton John, David Geffen, and more, it’s a unique look at an artist in the city he came to love.

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The Warner Archive has decided to celebrate the holidays be bringing together the holiday episodes of everything from The Courtship Of Eddie’s Father and Alice to Mama’s Family and Dr. Kildare in the Classic TV Christmas Collection (Warner Bros., Not Rated, DVD-$29.95). The 4-disc set contains 10 episodes total.

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The Warner Archive Collection continues to release titles no sane fan would ever think they’d eventually get their hands on, and I’d say the complete animated spin-off of The Dukes Of HazzardThe Dukes (Warner Bros., Not Rated, DVD-$29.95). The 4-disc set contains all 20 episodes.

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In an attempt to further turn themselves into Spike, the History Channel’s Human Weapon (History Channel, Not Rated, Blu-Ray-$49.95 SRP) pairs a martial artist and an ex-football player on a journey to learn different forms of combat, from karate to stickfighting, while also journeying across the globe and manhandling relics. Oh, and there’s CGI! The set contains all 16 first season episodes.

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I’ve become less and less interested in seeing Tom Cruise on screen in recent years, and was hoping that the True Lies-esque bit of a blast thrill ride Knight And Day (Fox, Rated PG-13, Blu-Ray-$39.99 SRP) would win me back over, but instead I got an amiable enough actioner about a small toen girl (Cameron Diaz) who gets mixed up with a fugitive super-spy (guess who) that leaves practically no impression after it’s over. Bonus materials include a clutch of featurettes.

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After Santa and his canine BFF travel to New York and the big man loses his memory, it’s up to the doggie to make sure Christmas is achieved in the saccharine sweet The Search For Santa Paws (Walt Disney, Rated G, Blu-Ray-$39.99 SRP). Well, I’m sure the kids will eat it up… Or at least be babysat by it. Bonus materials include a featurette, a music video, and a the standard DVD.

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You know how long it’s been since Rush Hour (New Line, Rated PG-13, Blu-Ray-$24.98 SRP) – the action flick that made household names out of Jackie Chan & Chris Tucker – came out? Long enough that there’s a blurb from both Ebert and Siskel on the cover of this new high definition release. Doesn’t seem like it should be that long ago, does it? Well, here it is, sporting audio commentaries, featurettes, music videos, a trailer, and more.

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For every surprisingly enjoyable bad idea like Pirates of the Caribbean comes a misfire dud like The Sorcerer’s Apprentice (Walt Disney, Rated PG, Blu-Ray-$39.99 SRP), which takes How To Train Your Dragon’s Jay Baruchel and makes him the new apprentice to sorcerer Nicolas Cage, who’s channeling both Keanu Reeves’ Neo and a drunken drifter. I’m sure you’ll eventually catch this film on cable, entirely by accident, and when you do – you might want to change the channel. Bonus materials include featurettes, deleted scenes, outtakes, and more.

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Real-life lovers Drew Barrymore and Justin Long have gone down the path of many actor couples by immortalizing their relationship as an onscreen duo, with their particular vehicle being Going The Distance (New Line, Rated R, Blu-Ray-$35.99 SRP), about a bicoastal pair of lovers who decide to make a go of their long distance relationship after a summer fling in New York City. Bonus materials include an audio commentary and behind-the-scenes featurettes.

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Rob Reiner shoots straight down the middle with his amiable adaptation of young love novel Flipped (Warner Bros., Rated PG, Blu-Ray-$35.99 SRP), about a pair of 7th graders who are coming to realize that they love each other in a “destined to” kind of way – Well, actually, the girl knew since second grade, but through a twisty path, the boy comes to fall for her as well. Bonus materials include behind-the-scenes featurettes.

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It’s no Ben 10, but Cartoon Network’s Generator Rex (Cartoon Network, Not Rated, DVD-$19.98 SRP) is certainly constructed to try and hit all of the same buttons with the kids, right down to a super-powered kid – in this case, a 15-year-old boy/weapon made of nanites – fighting the big bad world. The 2-disc set contains 9 episodes.

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Part of me cringes to say this, but I’ve begun to think that YouTube sensation Fred Figglehorn is this young generation’s Pee Wee Herman, particularly after seeing the feature-length Fred: The Movie (Lionsgate, Not Rated, DVD-$19.98 SRP), which finds the gratingly-voiced teen attempting to find his former-neighbor-but-just-moved-to-a-new-house crush, Judy, while avoiding neighbor bully Kevin. It’s not nearly as funny or polished as Pee Wee’s Big Adventure, but it does play to the a lot of the same absurdist man-child qualities. Bonus materials include an audio commentary, featurettes, and more.

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As always, it’s rather pointless to criticize the Twilight movies, as the rabid, massive audience care’s not what anyone has to say about their beloved pap-fest, and the same rule applies to Eclipse (Summit, Rated PG-13, DVD-$26.99 SRP), which features more shirtless wonder for teens and 40-somethings. The 2-disc set contains audio commentaries, a 6-part making-of documentary, deleted/extended scenes, music videos, and a photo gallery.

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So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

-Ken Plume

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Trailer Park: Greg Fitzsimmons

By Christopher Stipp

The Archives, Right Here

Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp

GREG FITZSIMMONS – Interview

This is not hyperbole, just fact: This is the best interview you’ll read all year.

I never quite can tell what conversation will make the life of a freelance writer a little less depressing but conversing with comedian Greg Fitzsimmons about his book Dear Mrs. Fitzsimmons: Tales of Redemption from an Irish Mailbox was certainly a conversation that made me believe Greg could possibly be the most honest man I’ve talked to all year. While he and I talked about what it meant to write a book that was so unflinchingly funny in a way that only those with caustic senses of humor can appreciate there was also the sense that here was a man who had yet to accomplish things in his career, who had regrets, and who was willing to talk about wondering whether he would realize his goal to get an hour long comedy special. It’s hard to think that the man who has a successful podcast, Fitzdog Radio, and plays to audiences who know who he is and want to be entertained by his brand of funny would have any reason to look inward. But he does and he couldn’t have been more frank about the nature of comedy today, what it means to be a comedian on the road and how you don’t carry yourself if you’re looking for help, and what it means to have finally exercised the demons of the mind onto paper.

I think it would be deceptive if I didn’t state that I’ve listened to the man’s podcast since its inception, that his style of speaking to other comedians or to himself if he’s all alone just letting his thoughts flow and collide out of his mouth, the male equivalent of Mrs. Dalloway, a Virginia Woolf of comedic consciousness, but what you see below made me realize that he’s one of the few out in the world of entertainment that will actually answer a question in a straightforward and direct manner. It’s a rarity to have the ear of someone like Greg who doesn’t stick to talking points, who is willing to share something genuine, and for that I am grateful. The book is an amazingly hilarious charting of one man’s course through life, especially considering that anyone with ADHD will be forever grateful for the many pictures and letters which breaks up any lengthy passages, and it made me laugh out loud. It must sound so trite to say, but in an age when what passes for comedy is Mike & Molly there is comfort to be had knowing Greg is out there ready to take down anyone or anything at a moment’s notice in the same breath recognizing his own frailties as a man, a husband, a father. The book is wholly satisfying and more than worth the time it will take to appreciate how hard that this man has scratched, bitten, and fought to get to the middle.

Buy the book. Visit the man’s site. Read the interview.

519nzqmzp1lCHRISTOPHER STIPP: Greg?

FITZSIMMONS:
Yes.

CS:  Christopher Stipp.

FITZSIMMONS: Christopher, it’s a pleasure.  Thanks for calling.

CS:  Really, the pleasure is mine.  I just finished the book over the weekend.  Loved it.

FITZSIMMONS: I can’t tell you how nice that is to hear when I spent so long writing it and now to actually have people reading it just these last few weeks. Feels great.  Thank you.

CS:  You are welcome.  I had just finished Adam Carolla’s book a week prior, finding that both made me laugh while reading it, but yours was more personal,  profound in a way.  I would like to start by asking if you really had that in mind ““ whether you wanted to make this a raw look into your life.

FITZSIMMONS: I’m Irish so I was raised on literature.  I was an English major and I dreamed about being a writer since I was little.  My comedy is drawn to, not only is it dark, it’s story telling that’s truthful and so when it came to writing a book I knew that there was two directions.  We had four publishers bid on the book and they all had a different take on the letters.  I wrote a proposal and they each had a solid different split on whether or not it would be funny to show the letters, write jokes about them and then another publisher wanted the letters out completely and just write the narrative so the great thing about Simon & Schuster is that they wanted both, which is the right way to go. It allowed me to ““ there’s a chapter, it’s a sad part where dad dies, one chapter where I really put all the dad drinking stuff in – it just allowed me to then go through high school years where antics were funnier.  It let me do what I do in my stand-up, just try to draw people in with my truth and then relieve it with jokes.

CS:  I keep thinking about what part of the book I wanted to touch upon and I keep coming back to the moment when you were talking about Uncle Jerry. You were at your uncle’s house and I forget exactly what the circumstances were but he snapped,  he took one of your cousins, took him to a back room, made him stay there, the kid starts thumping his head against a wall and moaning while the rest of you guys then found it hilarious…

FITZSIMMONS: [Laughs] You must be Irish.  Only Irish people think that’s funny.  Other people think that’s horrible.

CS:  I am Irish.  And I found it hilarious.  I look at a show like Rescue Me and I find that dry sense of humor to be satisfying, where it seems all you do is bust balls and take people down a peg or two once in a while.  But in a healthy way if I’m in a relationship, you know?

FITZSIMMONS: Yes.  The Irish are committed to taking down hubris wherever we see it.  It’s a function of growing up. Historically we were made to feel like pieces of shit by the British so we police ourselves.

[Laughs]

CS:  And that brings up a good point. You reference it in your book that being Irish it’s part of your DNA and I’m almost, reading it over and over again in your writing, I’m ready to believe that it’s true.  That it is a nature, not a nurture, thing.

FITZSIMMONS: It is interesting because you always wonder how much of it is cultural and how much is innate.  Speaking of the Irish – our livers process alcohol must faster which is just a physical fact that has led to a certain behavior.  And I think the Irish are prone to depression and I think manic depression and I kind of feel like I have elements of that I keep myself from feeling too great because the fall-off is so painful.

I just of feel like if I clip the highs I won’t go as low and I think culturally it was a way of dealing with that swing we have. And I don’t know if it comes from the damp climate but I think there is just a sensibility to stay steady.

CS:  And do you find that, as you referenced, that you kind of fight those impulses?  You write you have never hit your kids.  Do you find yourself fighting with demons from the past when it comes to trying to correct the path it looks like you were on as you grew up?

FITZSIMMONS: I look at this book ““ I’ve had my midlife crisis the last few years and the book was definitely a part of that and, at the same time, it made it profound.  I can really look at the two acts of my life.  The first one is now over.  In the book I don’t have to look back anymore.  I don’t plan on looking back anymore.  I’ve got a beautiful wife who loves me and I’ve got two kids who are 7 and 10.  I live in Venice Beach which is not exactly where I want to live.  And I’m healthy and I just can’t waste anymore time worrying about how my parents raised me or whether or not I had too much conflict as a kid.  I’ve got it all in the book.  I can just lock it and move on.  It’s a very liberating thing for me emotionally.

CS:  I see that in the text.  Matter of fact, I just listened to your latest podcast where you broke down the Ten Commandments, which is an essential listen every week for anyone interested in solid humor, but you did it without anyone around you.  You were just riffing by yourself.  How do these ideas quickly materialize from thought to rant?

FITZSIMMONS: Well, on Friday, I forget which Commandment ““ but one of the Commandments got me curious like if we were to read the commandments ““ just curious to where we fall on them now.  So I riffed on them Friday night and then Saturday in between the two shows I was doing, literally just sitting in the green room during that hour and a half, in between shows, I just turned on my recorder and started riffing.  Then I hitched up with other comics and they were like, “Where’s the script?”  I go, “There’s no script.  Just go.”  And it just somehow ““ I think doing stand-up for the last 20 years has enabled me to bullshit for an hour.

[Laughs]

CS:  It’s a wicked skill.  It obviously allows you to land you writing gigs and what have you.  I know some people have asked you what do you prefer more ““ the writing or performing ““ but really though, what feeds the other?  What part of the brain is getting satisfied when you are locked in a room writing versus being on a stage and performing?

FITZSIMMONS: I think it has a lot to do with lifestyle.  In a perfect world I can be on stage in front of hundreds of people every night and trying new material and showing that insane outpouring of acceptance from the crowd and the danger of some nights not feeling that ““ that would be ideal.  But, the reality is I have to leave my family to go do that so writing allows me to stay home for months at a time and I do enjoy it.  I like collaborating with other people and I get very claustrophobic.  You know, ADHD, I’m a loaner and I need to go after a while.

CS:  I know you’ve touched upon it too in a podcast in that it’s a lonely existence ““ you’re off doing what you need to do to satisfy that sort of need to do something else and shake it up – but once you’re out there do you find yourself saying “I need to go home” or is more like you need to stay days away before that feeling goes away?

FITZSIMMONS: I think the grass looks greener on the other side of my yard.  I don’t even need to look at the neighbor’s yard to long for the other part of my life instead of the part that I’m in and I think it’s gotten a little unhealthy.  I feel unsatisfied in each one because I’m at the point now where I do a radio show, a podcast, I’ve got a TV deal with 20th Century Fox for a sitcom, I’ve got a game show deal with Nickelodeon, I’ve got the book that I’m still promoting and then the stand-up and after a while you go, you also have two kids and I’m so loaded I don’t see friends anymore because every spare moment I have I’m going to soccer practice and something’s got to give.

This book was a way for me to take all these energies and focus them on one thing; but no real plan, though, of where that would take me other than it would force me to have all of them work towards one thing and I think that that allowed me to make real progress and giving more clarity to what I want to do.

CS:  Not to be facetious about it but is it to get that what they call “f.u. money” ““ essentially say “I can do things on my own time” instead of saying, “I need to fill a need because I need to keep my kids in school, I need to keep my wife from having a job of her own?”  Or is it something more than just the money?

agenda_cap-1FITZSIMMONS: Well, for me, a lot of it is money at this point only because I worked as a kid ““ from the age of 12 on I was shoveling driveways, raking leaves, I was caddying by the time I was 14.  I was just always working and then through the time I was in college I’ve been doing stand-up but really found myself at whether it was stand-up or writing just giving it everything.  And, after 20 years of that you start to feel like ““ life starts to say f.u.. And you always have to work and I’ve always been pretty smart about buying real estate and for a long time I’ve benefited from not having to take just one job and it’s allowed me to make choices and in the long run even more beneficial to my career because I truly do what I want, what excites me. I think, and it’s the biggest cliché, but it really is true, that if you are doing what you love you don’t have to worry about the money.  It just always seems to work out.

But what would work well for me if this book did well enough that I could get another book deal.  I’m starting to get more and more advertisers to my podcast and I think that if my foundation was doing a podcast a few days a week it would make it real money and doing another book then I could continue to cut my stand-up down to just weekends or one night shows rather than 3 or 4 days at a time and not take any writing jobs, unless they were mine, not anyone else’s.

CS:  The idea of just working on weekends for standup…I was just reminded when you talked to Brian Regan, an amazing interview as I never gave that guy a second thought but now I want to check the guy out based on what you two talked about…

FITZSIMMONS: Now here’s a guy if you ask comedians whether you are talking to the biggest alternative comic or biggest performer, he’s the one guy that I think bridges all worlds of comedy and is so respected.  He’s clean, original, and makes you laugh.  Period.

CS:  He does and this is the funny thing ““ growing up as a kid I used to watch Mario Joyner’s Half-Hour Comedy Hour and John Mulrooney when he did Comic Strip Live.  It was decades ago but Brian seems like he still has the same passion for performing.

FITZSIMMONS: It’s passion but also craftsmanship. He’s one of these guys who, you talk about Irish, I think he comes from a family of about 6 or 7 Irish boys and he has that work ethic and aesthetic for quality without having any ego about it.  He always just puts on his tool belt and worked on his act and then underneath that is this silly, goofy, physical comedy and when you bring those two things together it’s magic.

CS:  Not to switch too many gears, I’m curious to know ““ the Howard Stern effect.  You reference him in the book and you reference how he’s able to goad things out of you that you normally wouldn’t have otherwise shared.  What is it about Howard that he’s able to get people to really open up?  Is it the power of how many people he’s broadcasting to?  Is it a skill that he has? What’s under the hood that makes him such a good interviewer?

FITZSIMMONS: It’s definitely not about how many people are listening.  That rarely crosses my mind.  It’s if you’re a girl in high school, and the guy with the ’69 GTO and leather jacket, who smokes, and asks you to go out on a date. You are going to go further with him than you would the nice guy”¦than with Brian Regan.

[Laughs]

You accept this.  You have a curiosity and something compels you to take the challenge to be around this person and all of a sudden you find yourself further than you would have gone and all of a sudden you’re blowing Howard Stern.

[Laughs]

CS:  It’s amazing how many people he’s able to ““ amazing interviews ““ he’s almost the Playboy of radio where, sure, you have the naked women but you sure as hell would subscribe just to get the articles.  I think he’s unique and I just don’t understand what he’s able to do and how he’s able to make all these people open up.

FITZSIMMONS: Well, you know what it is?  You learn very quickly.  Anybody that comes on the show is a fan of the show.  It’s very rare that someone comes on because the publicist pitched a really hot project.  I’ve seen Howard get pitched guests for his show and I’ve seen what interests him and what doesn’t.  If there’s not a story he doesn’t really care about how big the project or how big they are.  There has to be something that he knows he can tap a nerve with.  The person is going through a transition, whether it’s divorce or getting off drugs or changing careers – something that he can stir up and get some real juice out of.  I think that he then is able to make you realize you can’t deflect.  He’ll call you on it.  Just by being one hundred percent truthful ““ first of all about himself ““ everything he’s embarrassed about ““ then it’s, “OK, that’s how we play in this room.”  And so if you try not to answer questions, that’s when he attacks he does that as a recourse for not playing by his rules in his sandbox.

CS:  Do you try to do that?  Now that you are on the other side and you’re talking to someone like a Brian Regan or talking to comics on the road, are you trying to take some of that or do you just go in there with your own intentions in mind?

FITZSIMMONS: I certainly do it differently than Howard because I come from a different world than he does.  He had a lot to prove when he was starting out.  He felt very changed by his mother and he wanted to be the outrageous guy and would ask tough questions of famous people.  Where I come from it’s about – I think defiance about Catholicism, and I don’t want to be impolite necessarily – but at the same time from doing stand-up for so many years, I gauge my radio show the way I would assume a comedy crowd would be receiving the show.  In other words, if I feel like it’s boring, I will attack my guest.  I’ll cut them off.  I’ll tell them they are being boring and say things like, “Can you say it any slower?  Can you drag this out more?”  I’m very direct but I never offend a guest and it’s just because I pay attention to them.  I’m only being truthful.  I have no tolerance for people that indulge themselves a story they’ve told a million times.  I don’t want that kind of show.  I don’t want your prepared jokes.  I just want you to answer questions in an honest way.  I learned that from Howard.  I think the motives may be different.

CS:  He choose you ““ I assume he had some hand in having you have your own show on Sirius.

FITZSIMMONS: Yes, he asked me on the air one day.  He said, “Do you want to have your own show?” and I said, “Yeah.”

CS:  That must have been wholly gratifying.  Was it just that fast or was it…

FITZSIMMONS: It was that fast.  It was literally just, “Hey, want your own show?”  And at the time he threw a bunch of people on at first and of all the people ““ you got people that have full-time shows ““ Bubba and Ferrell ““ but of all the people he threw up there the few that remained are the guy who claims he was abducted by aliens and somebody who’s an alcoholic.  I’m a 44 year-old guy with a receding hairline and two kids who doesn’t drink or do drugs and somehow I have a show that has traction on his network.

CS:  That is pretty remarkable.  It must have been completely flattering to think you could have a place on his network.

FITZSIMMONS: When I first got the show I knew it was a lark.  This thing could go one, two, three episodes and then it could politely and, well, I knew it could go six months. By that time you kind of  know if you’re dead in the water.  And so I felt ““ my dad did radio his whole life.  He was one of the most successful DJ’s in New York.  I really dug in and certain opportunities in your life that you are very aware at the time could be very meaningful if you put the effort into it and if I don’t put the effort into it, it’s really going to show so I always respected the opportunity.  I took a lot of good notes and was able to grow and learn the skills of broadcasting just by being on.

CS:  Was it, I don’t want to say terrifying, but was it?  Let’s say today is my first day and I’m on the radio interviewing you, I’d be out of my mind thinking how do I balance both trying to be funny but be informative but also be a good host and interview someone properly.  Were you filled with anxiety by being a comedian and wanting to be funny or were you past anxiety at that point?

FITZSIMMONS: No, lots of anxiety every single time.  The only thing that makes it work is I took a two year acting program at the Neighborhood Playhouse and learned the Meisner Technique where you really just put every thought out of your head except focusing your attention on your partner.  Listening in the audition, looking at them, being connected to them.  And I find with interviews, not worrying about my manners, and not worrying about my agenda, I can get out of the way of the interview.  Then I can be really fast and I can be really clever and can be really gracious and the only thing you have to learn is jump breaking for commercial and try to put some bits in there, recurring bits in there and all that, but as me interviewing, even the monologue, it’s about just having the confidence to get out of your own way which I learned in stand-up.

You are not a good stand-up until you are not nervous and you don’t care.

You don’t let them judge you.  It’s like you just do it and do it until you are in the zone longer and longer each time.  So, it’s still terrifying to me because I don’t know how long to pause and I don’t know how much to ramp up.  So the only thing that keeps it organic for me is like that thing backstage it kind of helps to be the comic for the green room because I see a smile and say, “OK, this is working.”  And from there I think that there’s more meat on this bone and I’m going to keep going on this part.

j_jol_01_0103_11_v6CS:  And I’m reminded about the riff from last night just going off, you were knocking the Commandments down, one after another.  It was almost felt like, as we listen to you, you were thinking, “While I’m at it let’s just go through the rest of this and see what I can make out of it.”

FITZSIMMONS:  I was on the Internet that day and I just had a number next to each one.  It was like, one, no gods, then two, father and mother, and I had thoughts on each one and had done it on stage a couple of times so I felt it was starting to gel a little more.  That’s the great thing about doing a podcast on the road.  I’ve always got a page of bullet points or new ideas I want to talk about, like Sarah Palin is like a rodeo clown.  She’s comic relief during a bad economy.  Just one image and you go on stage with it and explore it.  You just keep throwing stuff out and I record every set and then by the weekend it’s a little more gelled so the time I get a podcast usually like Saturday, I’ve already done two or three sets.  So now I’m doing a podcast and it’s totally fresh and brand new but it’s also got a little bit of form.

CS:  I’m reminded about last week, too, I was listening to Howard’s show and he was talking to Gilbert Gottfried and Gilbert had no interest in being a mentor to anybody.

FITZSIMMONS  Yeah, I loved that.

CS:  And I’m reminded of you when you are talking to these comics and these people who I have never heard of but I hope they come into their own and become people that I do hear about, do you find that this is something you wanted to do in talking to these comedians that are relatively fresh on the scene?  Is it your intention to be sort of an elder statesman, as it were?

FITZSIMMONS: No, not at all.  There are a lot of comics I find on the show that are original and earnest and I feel like even if they don’t make it big, here’s somebody who I think I can help and want to help.  It always comes down to would it make a difference if I gave this person advice.  And when you are working with a guy who is drinking at every show, he doesn’t change a word of his act, he’s more concerned about after the show.  I’m not going to waste a second of my energy on to try and say to that guy “You know you can transition this better” but when I see somebody who’s young, going over their notes, they are nervous, they care, then I feel like what’s the glaring thing about their act that I can point out ““ one given note, if taken, can save that person from having to figure it out on their own.  But, only if you really listen to it, which is hard.  I love coaching people in anything that I feel I might have some skill in.  I don’t know why but I love kids.  I love teaching them sports.  I love working with anybody that is, like you said, is earnest, and if I am in a position to help them, I love that.

But I can’t stand the sense of entitlement that a lot of young comics have today.  They see you, I go through my set and run out because there will be people that come up and say “You don’t remember me?” and I say “When did we meet?” and they say, “I don’t know, it was probably…”  It’s like, “You motherfucker….’I don’t remember’…F.U….I don’t owe you anything.”  Just because you have happened to see me, just because I may be above you on the ladder that doesn’t entitle you to be rude or have some expectation that I’m going to”¦..I don’t f’n know you.  You want me to what?  Call a club.  Tell them I got somebody to open for me?  And then if you bomb I look bad?  Where’s the upside for me?  I never once asked a comic to bring me on the road with him.  I used to drive for hours to go to clubs and showcase and then get hired by the club.  Now it seems everyone wants you to do them a favor.  And you don’t even know them.  I think the landscape has changed like that.  When I’m on the road and can connect with somebody who is quality, I love it.  But, the idea of being a mentor is really preposterous.  I’m still trying to learn how to do stand-up myself.

CS:  To that point, I think it actually comes down to the work ethic.  I think myself I’ve been told you do good work and the work speaks for itself that you’ll eventually be recognized for it but some people now want to jump that line and think it’s more about style.  And that if you have enough style you can move forward, and it certainly works in some areas, but where do you fall on that whether work for it’s own sake will get you noticed or is it about self-promotion, is it about putting something in front of somebody and saying, “Recognize me! Recognize what I do!” Is there a line there?

FITZSIMMONS: Yeah, that’s what I struggle with every day.  Self-promotion today is such a pure drain of energy and time and if you go half-ass you might as well not do it at all.  At the same time if you don’t do it at all, you’re screwed.  People are bombarded with marketing and promotion and they think they can just go on the road and just kill and think that that’s going to build up a following ““ those days are over.

The guy who had a regular TV show, no matter how bad, those guys will outdraw everybody except, literally Brian Regan and maybe two other guys besides him that don’t have weekly TV exposure or guys that have movie exposure.  I think clubs booked by talent and with a certain editorial in mind.  So I try to find a way of marketing myself that is more natural.  I like Twitter because I can send out one or two tweets a day and maybe one is a joke and one is about a book signing tonight and I always have a fear, a paranoia, that people are going to see me as just another pushy person who’s trying to get somewhere in a rush and more often than not, I don’t do enough.

I’m ashamed of marketing myself.  I find it distasteful and I feel like I’m proud of the show I do and I’m proud of what I do.  The thing about being a perfectionist is I don’t put out as much content as I should.  I really do worry about that.  I hired a webmaster.  I have a publicist right now and I have a producer on my podcast which most people don’t have because I need to hand stuff off so I can focus on the creative side of things.

CS:  It’s really fantastic.  Nothing but quality.  What’s more I respect that if you’re busy or if you can’t do it you allow yourself to miss a day.  You’re not out to put out a half-assed product and that comes through.

FITZSIMMONS: Like Twitter, the podcast seemed like the way to put content out that wasn’t…that wasn’t promotion for the sake of promotion but it was content that worked as promotion.

CS:  Do you find that people responding positively?  I don’t know how many followers you are up to now but do you find it’s a positive thing for you to use?

FITZSIMMONS: I have like 17,000 people that follow me on Twitter.  It’s not like in the days of the Myspace page when I had way more than that but I would say three quarters of them were probably spam addresses, whereas on Twitter these are people that are actually reading your shit.  It’s crazy.  I do a couple segments on my show like Overheard, where  people sending things overheard, and I get a hundred of them a week and I get people coming out to my shows and it used to be way back when it was because I had a show on MTV and that went away, and then it was Best Week Ever and those people come out…but the podcast by far is the biggest draw because people are listening for the whole hour, every week, and it may not be the same numbers you get on Stern but they are really there to listen to it.

CS:  And advertisers?  Are they responding well to the fact that you are such a top rated download?

FITZSIMMONS: Yes, it makes a difference and also that and the demographic they are going after. I think that’s like Adam Carolla and Marc Maron and myself are the young male demographic that people watch.  So I’m actually surprised that there aren’t more advertisers.  I know it’s a podcast and I really think that they will. Like right now, there’s half a dozen that work with most of us and breaking through to that next level is what everyone is trying to do now.  What’s hard is that if someone is not familiar with podcast it’s hard to turn them on to the process of it ““ people are techno-phobes and are just used to getting their content the way they get it.  You really have to go after the tech-savvy and the people who have iPhones and really care about fresh content as opposed to listening to albums on their iPod.  I guess the short answer I guess is I think that the business model isn’t there yet but I think that the audience is growing and seems like everything is in place for it to grow much faster and we’re not yet in the clutches of the studio system ““ still completely independent meaning we can keep all the money, which is nice.

CS:  There is only so much ““ how many ProFlowers bouquets can I buy this week ““ how many downloads can I make from audible ““  and you are right it does seem like a very tiny ““ all these companies ““ feels like there should be a lot more because, demographically, like you’re speaking, there’s always these other people advertising.  I’m amazed that it’s just these core half a dozen.

FITZSIMMONS: I just got a couple new sponsors.  There are some that I won’t take.  I’ve had offers ““ pornography ““ and then junk companies where they want you to write the ad and want you to work off commission on what you bring in.  I’m not interested in that.  There’s a recipe of every thousand downloads you get a certain dollar amount.  That’s the only way it really makes sense.

CS:  Is this thing growing on its own?  Is it taking away from what you really want to be doing, and that’s your act, your comedy?  Is it not even significant to even talk about because the technology is so in its infancy that it’s not really taking any of your time to deal with?

78855250FITZSIMMONS: When I was coming up in New York and then LA, I always did a lot of alternative comedy because there’s always one room that I would try to work every week or every other week because it would force me to do 10 new minutes.  You are standing in front of a crowd that was there every week so you couldn’t do something you’ve done before and it forced me to come up with new material every week.  And, the podcast is the same way.  I try not to look in the paper for what my monologue is going to be.  I try to really look at either my life, which is pretty limited ““ two kids and on the road a lot there’s just so many airplane jokes and my kid threw up jokes ““ for me where my head is at is the existential midlife crisis type things.

Like the 10 Commandments ““ thinking about the big picture and trying to express my anger or confusion about things that are in my heart right now and I think that trying to do topical stuff is fine as long as it’s a springboard into something bigger.  I was talking to a friend about how much of your identity is a collection of attributes, whether it’s fine wine seems to go along with classical music and good cigars and Brooks Brothers, no matter what walk of life you’re from you think you have much more taste in a universal, objective way and give yourself credit for having more choice in taste than you really have.  It’s more that identification with a group and social climbing and that’s something that seems to touch a nerve.  When I bring that up, people get incensed.

Even my own wife, who swears that, no, it takes a certain intelligence and worldliness to appreciate a single malt scotch that’s good or bad.  Even she couldn’t really wrap her head around the fact that if she was from another world it would be much more about whether or not your wear a sarong that denotes a different cast system and you may not be attacked with sticks for it and that everyone has their agenda with their fashion choices or culinary choices or where they vacationed.  Something like that is a show and whether or not the show goes that way that’s where I’m going to start it and 9 out of 10 times it goes in a completely different direction.  I do the same thing with sand up.  I’ll explore an idea and if there’s something to it, I’ll continue it on stage or vice versa.

FITZSIMMONS: If I had what Brian Regan has, which is that work ethic, I’m going to write it all down, I’m going to organize it and then like Louis CK is doing, what Chris Rock did, and what George Carlin did, which is every year do my one hour special ““ I lay it down and then start from scratch.  I wish I could do that.  I have ADHD and every set is like a drunken knife fight for me.

[Laughs]

I jump from thought to thought and talk about how the spotlight above me is humming and driving me crazy and I never quite get through a stream of consciousness that’s not interrupted.

CS:  Do you think you have it in you, let’s say if HBO came up, or Comedy Central, said, “We want you to do an hour show.” Would it motivate you?

FITZSIMMONS: I’m dying to do a one hour show.  I know I have that hour.  I’ve actually done it on tape.  I made a spreadsheet with all the bits and I just did an act a few weeks ago in Minneapolis and I recorded three shows and I have the hour.  Every minute is something that I’m proud of, that I worked on, and that I know will stand up in a theater but I’ve been so caught up in this book that I haven’t even pursued it.  But the one hour in the past, there wasn’t enough interest.  It’s a lot of money and there aren’t a lot of buyers like there used to be.  HBO is only interested in things like George Lopez, somebody who already has a show or big name.  And then Comedy Central is a place that I would have more luck with but maybe they are pursing someone younger.

So, I’m kind of dying to do it the same way I’m dying to do this book.  There’s nothing I want more now than to do the one hour special so that at the end of my life  I can sit on my porch with 14 Emmys on the mantle and my book on the shelf, with my one hour special on top of the TV.

CS:  I’m amazed that it hasn’t happened. It almost seems like the cliché from your own show that you like just being in the middle and but that’s where you’re currently caught.

FITZSIMMONS: Yeah, I was on the road for two years straight and that’s a lot of road work.  And when you do that you lose all the momentum if  you’re not out there ““ you’re not a comedian anymore because a lot of comedians get off the road as they start writing gig and you never seen them on the stage again.  I would fly out on weekends…I never gave up on it but the perception was the same.  It’s held me back a lot.  It’s just the reality of it.

CS:  Really?  Even with all the road gigs you did?  Hasn’t the tide turned?

FITZSIMMONS: No.  I think I’m back in a place of having more visibility as a pure stand-up but the fact that, even writing a book, even having a TV deal, it all works against you in a weird way.  I know it sounds contradictory saying guys like George Lopez, but he got to where he was with stand-up.  I got jobs more because of my writing skills.  And it just gets spread kind of thin.  “Oh, he’s the guy with the podcast.”  “He’s the guy on Stern.”  But, not always, “He’s the guy who used to work stand up non-stop for 20 years.”  I think my goal now is to do as much as I can and put my main energy into the podcast and stand-up because they seem to work really well together.

Do a one hour special and get to the point when you can go out one night or two nights as opposed to longer and it’s just a matter of believing it will happen and making it a priority, which I didn’t do before, and that’s one of the things I talked about when I did the book.  I was focusing all these different energies because I know I put a more concerted effort in this book than I ever have in my life.  It taught me about how much time I was wasting and things I gave up doing this book that I certainly didn’t miss.  I don’t audition anymore.

I am not very good at auditioning.

I have a low batting average and a huge waste of time to drive up to the valley and rehearse and it makes me feel like a loser.  There are certain things I had to give up while I was writing the book and I’m not bringing back into my life.  Stand-up is the most truthful thing you can do in our society today.  I think there is probably more freedom of speech with stand up than almost anything else.  You can choose to do it the way you want to.  You can do theaters, you can do clubs, you can just do it on the internet.  You can do it on TV.  Whatever your sensibility works best, you have the option to do it that way.

CS:  Do you find people respond the same way?  In terms of comedy, can you be, I guess Brian Regan would be the best example, that people respond to the same comedy he has been doing for decades, are you finding that you can be as free?  Are audiences different than they were, 10, 15, 20 years ago?

FITZSIMMONS: I don’t know.  I never really thought about that.  I always just walk on stage and walk up to the mike and my goal is ““ I truly have no idea what I am going to say when I walk up to the microphone.  I have no idea what’s going to happen in the middle.  I have bullet points I want to get to but some nights I don’t get to any of it.  I know I’ve grown in some ways and in other ways I think I have gotten, I don’t know if I’ve gotten weaker, but I was on Bob and Tom this morning and they pulled out some comedy clips to play them on the air from 15 years ago and it was jokes, just bam, bam, bam, good jokes.

I think back and I don’t write like that anymore and I do miss it.

It was really more of a varsity sport back then for me.  It was like, “How can I type this up?  How can I land a tagline to this?”  As opposed to now it’s much more about, “How can I talk around an idea that I think is interesting to keep the audience with me through choppy waters “˜cause they might have been uncomfortable with the topic but we all came through it together?”  But there’s a part of me that would like to do more of that.

CS:  I am intensely curious to know ““ you bring her up in the book, you said that Erin wants to put the brakes on what you can say sometimes.  Do you find that the deeper relationship you have with the wife and the kids, that the impulse is to drag them into the comedy in a way ““ is there an impulse to keep that at bay?  Is there a back and forth of what you can and can’t talk about?

FITZSIMMONS: I think it helps me make more mature decisions about what I should be talking about.  I am reading this book right now called The Razor’s Edge.  Have you heard about that?

CS:  No.

FITZSIMMONS: It’s kind of a classic and it’s about this guy who is born in the upper-class in Chicago, 19-teen’s and it’s a fast read. It explored what it was like to be a part of that whole scene of Paris of that time.  His friends tell him, “What are you doing?  You’re wasting your life.  You’re not working.  You’re not going to the country club.  You’re not working on your golf game.  You’re throwing your life away asking all these questions about God and evil.  These questions have been asked forever and you think you’re going to solve them?”  And he says, “Well, if they’ve been asked forever maybe because there’s no answer they are the only questions that are supposed to be asked.”

So, I don’t know if you could say embarrassing but maybe divulging more about my family than what would make people comfortable I can be forced to have to take on bigger questions and more important ideas than anger at my child misbehaving or frustrations about not having sex with my wife as much.  That kind of stuff has been pretty well mined and I think, even for me, I kind of transcend those kinds of things.  It’s my marriage, my kids, and thinking about how can I deepen my relationship with my wife.  How can I be a more supportive non-judgmental parent to my kids and not feel frustration?

And I think with my stand up it’s the same thing.

How can I go deeper with my stand up?  At the end of my career can I look back and be proud of the topics I was talking about on stage?  I look back at some of the material and I absolutely cringe.  I talked about those jokes before but I also did a lot of very ““ I don’t want to say offensive ““ but tacky topics ““ not topics ““ tacky premises.  So, I think it’s good to cringe when you look back at your work because it means there must be some kind of growth going on and I just really do feel that after 20 years I have no idea the right way to do it ““ it’s a work in progress.

CS:  And I think that’s a good a place to end it as it could be.

FITZSIMMONS: Hey, I can’t go any deeper than that!

Laughs.

Trailer Park: Digital Holiday Buying Guide

Filed under: Trailer Park — admin @ 6:35 am

By Christopher Stipp

The Archives, Right Here

Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on TWITTER under the name: Stipp

LITTLE FOCKERS – Screening

little-fockers-posterLive in Phoenix or the nearby environs? Interested in seeing Little Fockers on December 16? Then, pal, I have just the ticket for you. In fact, I have a lot of tickets so by all means shoot me a line at Christopher_Stipp@yahoo.com and I’ll see about hooking you up with passes to see it.

Need to know more? Here’s some information:

This holiday season come LITTLE FOCKERS the third installment in this blockbuster series (Meet The Parents and Meet the Fockers.) The test of wills between Jack Byrnes (Robert De Niro) and Greg Focker (Ben Stiller) escalates to new heights as Jack Byrnes (Robert De Niro) and Greg Focker (Ben Stiller) and the family all get together under the same roof. Laura Dern and Jessica Alba join the returning all-star cast for a new chapter of the worldwide hit franchise.

It has taken 10 years, two little Fockers with wife Pam (Polo) and countless hurdles for Greg to finally get “in” with his tightly wound father-in-law, Jack. After the cash-strapped dad takes a job moonlighting for a drug company, however, Jack’s suspicions about his favorite male nurse come roaring back.

When Greg and Pam’s entire clan — including Pam’s lovelorn ex, Kevin (Owen Wilson) — descends for the twins’ birthday party, Greg must prove to the skeptical Jack that he’s fully capable as the man of the house. But with all the misunderstandings, spying and covert missions, will Greg pass Jack’s final test and become the family’s next patriarch…or will the circle of trust be broken for good?

This laugh out loud comedy, LITTLE FOCKERS will be screening on December 16, and opens in theatres on December 22.

And now, on to the recommendations to make this a merry digital Christmas for that special someone, or something, or yourself, this year:

JEDI JUNKIES – DVD

jedi-junkies-20100722-122816What a pleasure this film was to watch.

If you’ve seen the documentary Trekkies and appreciated what that film did for fans of the Star Trek then you have to get this for any fan, even tangential ones, of the Star Wars franchise.

What I learned by watching Mark Edlitz’ expose on the fans who are, at times, downright obsessed with this film series is that these fans are just passionate about everything having to do with this property. You have people who have been tattooed, people who have devoted entire rooms of their homes in order to contain their habit, and some who are dedicated enough to teach a class on how to properly use a lightsaber. The overriding lesson that’s learned by watching this documentary is that these are people who are really into this thing that just happens to be Star Wars. What Edlitz gets right in a huge way is making these people normal. I know that doesn’t sound like much but, like in Trekkies, these people showcased aren’t made to look foolish or nerdy. They’re genuine fans of these films and through conversations with these individuals you get that we should see them as champions for something many of us have already written off after so many years of naked greed. It’s an exploration of the nature of fandom and I couldn’t have been more entertained by a well-made and expertly executed treatise on what it means to be a supporter of Star Wars.

You can order the film right here through their website and I couldn’t recommend seeking this out high enough. In fact, if you’re in the market for your own lightsaber, Jedi Junkies is looking to give one out in a contest. So, visit the site, check out the movie, enter the contest, be impressed.

Details on the contest to win your own custom, steel lightsaber:

JEDI JUNKIES

Announces release of DVD and a chance to win a CUSTOM LIGHTSABER!

Star Wars feature documentary, JEDI JUNKIES, is giving fans the chance to win their very own custom, steel lightsaber to celebrate the release of the DVD. To be entered to win, fans need only to LIKE the film’s Facebook fan page. A winner will be selected on Monday, December 21st.

The film teamed with Advanced Light Weaponry to offer this very special promotion. As an added bonus, the winner will be able to select which side of the force they are on by choosing the saber’s color (blue for Jedi, red for Sith).”¨”¨JEDI JUNKIES is a fun, affectionate documentary profiling some of the hardcore and passionate fans inspired by the multi-billion-dollar grossing deep space epic: from the creation of a full-size Millennium Falcon spacecraft in a fan’s backyard, to schools teaching light saber fighting techniques, to women who spend their spare time recreating Princess Leia in her slave bikini, this film tells the stories of Star Wars fans who will shock and delight you with how they redefine Star Wars fandom.

Also featuring the perspectives of celebrity insiders including Olivia Munn (Attack of the Show, The Daily Show with Jon Stewart), Peter Mayhew (Chewbacca), Jeremy Bulloch (Boba Fett), Phantom Menace actor Ray Park (Darth Maul), Celebrity Fit Club’s Dr. Linda Papodopolis and Blair Witch Project director Ed Sanchez, JEDI JUNKIES will change the way you look at fandom forever!”¨ “¨A film made by Star Wars fans, for Star Wars fans, can now be purchased on DVD, iTunes, Amazon VOD and Playstation 3. The film is also available for rental on iTunes, Amazon VOD and Playstation 3.
For information on JEDI JUNKIES, please visit their website: http://www.jedijunkies.com/

MAD MAX & ROBOCOP – Blu-ray

roboThis one is a no brainier.

For those who are looking to expand their Blu-ray collection with titles that will really take advantage of your surround sound with the sweet sound of explosions and many pounds worth of violence you can’t do better than these two titles.

Recently released, Mad Max and Robocop are two titles that fit nicely within any manly man’s collection of films. One, a dystopian vision of a desolate landscape fraught with crazies and psychopaths while the other is a dystopian vision of a desolate urban landscape fraught with crazies and one guy named Clarence. Robocop, for my money, has spawned the most number of callbacks of any destructive action film in recent memory. It was ahead of its time but completely on point when it came to the larger issue that Paul Verhoeven was going for with regard to a film that was essentially about a cop who has come back from the dead to restore justice to a lawless city. While Mad Max, if you think about it, was a revolutionary film in that its success only grew after its release and outrage that followed. Without Max it would be doubtful there would have been a Saw franchise.

msfBoth of these films are true classics and classics that make excellent gifts to those men, or ladies, in your life who can appreciate the larger themes that both of these movies explore.

About the Blu-rays:

The cyborg super-cop Robocop defends citizens of Old Detroit with three times as much action when the ROBOCOP TRILOGY arrives as a Blu-ray collector’s set October 5. Just in time for the holiday season, this three disc set from MGM Home Entertainment contains the original ROBOCOP on Blu-ray, as well as ROBOCOP 2 andROBOCOP 3 on Blu-ray for the first time.

Packed full of memorable moments and Robocop quotes, the ROBOCOP TRILOGY is a fan must-have. Viewers can experience their favorite “human” robot in all three classic films, now on Blu-ray. Directors Paul Verhoeven (Totall Recall, Basic Instinct) of ROBOCOP and ROBOCOP 2 and Fred Dekker (Monster Squad Forever, Nighs of the Creeps) of ROBOCOP 3bring the half robot, half police officer to life with the help of an intensely talented cast, including Peter Weller (The Order; 24), Robert Burke (Good Night, and Good Luck; Tombstone), Kurtwood Smith (Rambo III; That 70’s Show) and Nancy Allen (Law and Order, Carrie).

In ROBOCOP (1987), a terminally wounded cop in crime-ridden Detroit returns to the force as a powerful cyborg with submerged memories haunting him. ROBOCOP 2 (1990) features a corrupt businesswoman seeking to disable Robocop in favor of her own model of cyborg. In ROBOCOP 3 (1993) Robocop saves the day once more. This time the half man/half robot takes on ruthless developers who want to evict some people on “their” land.

Now viewers can experience the thrilling dystopian action film with an all-new Blu-ray/DVD Combo Pack. Special features include filmmaker commentary and the documentary “Mad Max: The Film Phenomenon,” featuring interviews with the original crew and film experts. The new release also features the very popular original Australian audio track in addition to the American dubbed track.

Considered one of the best films of 1979, MAD MAX garnered three Australian Film Institute (AFI) Awards for editing, sound and musical score. The film was also nominated by the AFI for Best Film, Best Director, Best Original Screenplay and Best Supporting Actor (Hugh Keays-Byrne).

In the ravaged near future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them. But they underestimate one officer: Max Rockatansky (Gibson). And when the bikers brutalize Max’s best friend and family, they send him into a mad frenzy that leaves him seeking revenge, which is the only thing left in the world for Max to live for.

Special Features:
– Filmmaker Commentary by Jon Dowding, David Eggby, Chris Murray & Tim Ridge
– Documentary: “Mad Max: The Film Phenomenon”
– New-To-The-U.S. Original Australian Language Track
– Two theatrical trailers
– TV Spots

I KNEW IT WAS YOU – DVD

iknewitwasyoudvdIt’s simple why you should get this for any fan of film after watching this documentary.

A movie about John Cazale, someone who you really shouldn’t have heard about before seeing this, it charts the tragic story of an actor who acted in but five films but those films (The Deer Hunter, The Godfather, The Godfather: Part II, The Conversation, Dog Day Afternoon) garnered 40 Academy Award nominations. You couldn’t have charted a more perfect career. That ended, though, when Cazale wrapped The Deer Hunter and died of bone cancer at the age of 42.

This documentary is one that I am not sure would have been made without the horrible circumstances surrounding Cazale’s untimely demise, obviously, but this is a film that goes beyond this man’s life. It is an exploration on the nature of acting and how one man could genuinely tap into that thing that make good actors better, average performers step up their game. The interviews are the real treat, with people like Robert De Niro, Gene Hackman, and Meryl Streep providing a glowing context to what this man so special. It’s not something to be missed and should appeal to anyone looking to understand why some just were meant to act.

About the film:

KNEW IT WAS YOU, which explores the life of the exceptional but little-known actor John Cazale. The film premiered at the 2009 Sundance Film Festival and aired on HBO June 1, 2010. The film was produced by Brett Ratner and Stacey Reiss. O-Scope will release the DVD in the fall of 2010.

Cazale’s film career consisted of just five movies, but all of them were Academy Award nominees for Best Picture: THE GODFATHER, THE GODFATHER: PART II, THE CONVERSATION, DOG DAY AFTERNOON, and THE DEER HUNTER. He is remembered by his colleagues as one of the brightest talents of his day, but three decades after his promising career ended with his untimely death, Cazale is largely unknown the general public.

Featuring interviews with Hollywood legends such as Al Pacino, Gene Hackman, Robert De Niro, Richard Dreyfuss, Meryl Streep, and Sidney Lumet, as well as actors and filmmakers from a younger generation inspired by Cazale, including Philip Seymour Hoffman, Sam Rockwell, Steve Buscemi, and Brett Ratner, and including clips from Cazale’s movies and rarely seen photos and home video, I KNEW IT WAS YOU seeks to remedy the disparity of Cazale’s success with his relative anonymity.

Richard Shepard said, “It’s a thrill to have Oscilloscope release the DVD of I KNEW IT WAS YOU. Their passion and commitment to quality projects is evident in the care and creativity they put into each of their releases. This documentary was a labor of love for everyone involved, and it’s really nice that it continues with the DVD release. I’m very excited that movie fans everywhere will have a chance to learn about John Cazale, and his incredible craft of acting.”

Adam Yauch, head of Oscilloscope, said, “Oscilloscope is the Fredo of independent film, so it’s an honor to put this film out.”

VENGEANCE – DVD

vengence-dvd-cover-artworkIf you’re looking to get something that is hard boiled, smart, taut, and pretty damn satisfying this is the movie to get this season.

In the grand tradition of great Hong Kong crime films where the classical themes of revenge are still mined for great subject matter this is a movie that moves quick and is wholly satisfying. It should be enough to say that this is a movie that deals with one man’s quest to deal with a bunch of professionals who were on a mission to take out his family for reasons that are all too clear and are all too blatantly easy to understand but who cares, right? This movie is all about the copious use of squibs and pistols and gunfire and, believe me, you get a lot of that here. In spades. Sometimes you just want a movie that doesn’t spend too much time navel gazing about the nature of man. Sometimes you just want a movie where a man needs to kill another man just because. And that’s what you get. Loved it.

About the film:

Legendary director Johnnie To (The Election Trilogy, Triangle PTU) the greatest master of Hong Kong action films since John Woo returns with an instant modern classic compared by Roger Ebert to Clint Eastwood s Unforgiven, VENGEANCE is a visually stunning and gripping gangster tale about honor among thieves and a father determined to avenge his daughter.

Pop legend Johnny Hallyday (often called the French Elvis) gives the performance of his life as Costello, a world-weary but dapper gourmet chef who clearly has violence in his past (and future) when he enlists the help of hired assassins to enact his bloody revenge on the Chinese gangsters who nearly killed his little girl. Two brilliantly staged shoot outs by To one in the moonlight, the other at an abandoned dump are merely the highlights of a movie that crosses Memento with a spaghetti western and comes up with this international smash hit.

THE WORLD AT WAR – Blu-ray

the-world-at-war-blu-rayHow many of you, like myself, are obsessed with the History Channel and cannot stop watching footage from Word War II?

I know I’m not the only one who feels that way and, I am willing to bet, you know someone in your life who can’t stop watching either. What’s remarkable about this collection of 26 hours of documentary footage that was originally broadcast over 35 years ago is that not only is it narrated by Sir Lawrence Oliver but that the content is still just as fascinating as it was when it originally aired. The dirtiness of war and all that it brought into the world so many decades ago still is a thrill to watch because of how resonant the themes are even today.

Especially today.

For some mini series that have found their way onto Blu-ray nothing compares to the high level of quality that you’ve come to expect from History in bringing a high-def experience to your living room. I know it’s schmaltzy to say that this process brings history to life but in my Blu-ray player, with my kid looking on, it’s hard not to feel willingly trapped in a classroom where, even now, you learn something new about what this war cost both sides.

For what you get, and it’s a megaton of additional features, this simply cannot be a better value for what you get and that, in addition to the 26 hours of the actual programming, you get an additional 10+ hours of extras.

About the DVD:

Unsurpassed as the definitive visual history of World War II, THE WORLD AT WAR is a powerful and devastating historical chronicle of battle, comprised of penetrating interviews with world and military leaders, and the ordinary men and women who endured the war from the home fronts, that give viewers a chilling, first-hand experience of the Second World War.

Narrated by Academy Award winner Laurence Olivier, THE WORLD AT WAR is epic history at its absolute best.

Special Features:

Secretary to Hitler (Traudl Junge), The Two Deaths of Adolph Hitler, Warrior (archival interviews about combat), Hitler’s Germany: The People’s Community 1933-1939, Hitler’s Germany: Total War 1939-1945, The Final Solution Part One, The Final Solution Part 2, From War to Peace. Plus new shows Making the Series and Experiences of War (unseen interviews from the archives of the Imperial War Museum). Bios, photo galleries.

VALHALLA RISING – DVD

valI ought to only have to mention the Pusher Trilogy and Bronson. This thing should sell itself without me getting in the way.

One was a crime thriller that was gritter than beach sand in your shoe and Bronson gave the world Tom Hardy.

Filmmaker Nicholas Winding Refn has brought his unique vision of violence out of the streets and into the hills, and waiting arms, of the legendary Vikings. The movie’s plot is easy enough to understand: Mads Mikkelsen plays One Eye, a prisoner of some dirty Vikings who would like to use him for sport and leisure. What they weren’t counting on is this prisoner rising up and violently gaining his freedom where his quest enters a new phase when he incorporates himself into a band of soldiers looking to battle in the Crusades.

What’s especially fun and unique about this film is that it is, without question, dark. It’s dank, gray, wet, and depressing but it adds to the overall appeal of the film which is that this is a movie that really brings back a certain violence that is reflective of the time. Like Deadwood, this film tries to at least, in a general way, get the period right. Never mind the finer details, what Refn gets kudos for is how visceral the punishments are in this movie. People are picked off and battled with in the most gory ways but there’s a little bit of poetry in the way Refn shoots it.

Hopefully you pick this one up for someone itching for a satisfying gore-fest follow up to 300.

About the DVD:

Unsurpassed as the definitive visual history of World War II, THE WORLD AT WAR is a powerful and devastating historical chronicle of battle, comprised of penetrating interviews with world and military leaders, and the ordinary men and women who endured the war from the home fronts, that give viewers a chilling, first-hand experience of the Second World War.

Narrated by Academy Award winner Laurence Olivier, THE WORLD AT WAR is epic history at its absolute best.

Special Features:

Secretary to Hitler (Traudl Junge), The Two Deaths of Adolph Hitler, Warrior (archival interviews about combat), Hitler’s Germany: The People’s Community 1933-1939, Hitler’s Germany: Total War 1939-1945, The Final Solution Part One, The Final Solution Part 2, From War to Peace. Plus new shows Making the Series and Experiences of War (unseen interviews from the archives of the Imperial War Museum). Bios, photo galleries.

DOLLHOUSE: THE COMPLETE SECOND SEASON – Blu-ray

dollhouse-2-blu-rayI didn’t know the first thing about this series before putting it into my player but man did I rush out and get season one as soon as I was halfway through this.

I can understand why this show did get canceled based on how unique and high concept the show was but it shouldn’t take away from the fact that it was a very smart show. If anyone needs any indication of where smart gets you on Fox you need only look at where Arrested Development went and have all your questions answered. Dollhouse is that unique property where brains meet ambition and you can see how lush this environment is when you see it as the flower of Joss Whedon’s imagination. The mix of sci-fi and quick action in this season make this a curious question mark about where else smart television needs to go if this is the result.

If this season was any indication of how well future seasons were going to go then it’s a shame I am reviewing this set as the final entry for it had great promise of being a program that could have had staying power if it just could have found the right people to support it.

If you’re going to get this season, and you should, do yourself a favor and throw in season one just to complete the series.

About the release:

From creative mastermind Joss Whedon comes the second and final season of the sexy, suspenseful thriller Dollhouse on Blu-ray and DVD October 12 from Twentieth Century Fox Home Entertainment. The collectible set includes all 13 episodes of Dollhouse, a limited edition exclusive comic book, and bonus audio commentary by Joss Whedon and series writers Jed Whedon and Maurissa Tancharoen.

Joss Whedon’s take on the ultimate identity theft follows a cast of Actives, or Dolls, who serve as agents of Dollhouse, an illegal underground organization providing elite clientele with programmable human beings. Personality imprints allow Actives to temporarily become anyone or anything – the perfect burglar, lover, spy or assassin. When the mission is completed, memories are wiped clean. The all-star Dollhouse cast is led by Eliza Dushku as Echo (Buffy the Vampire Slayer, Tru Calling, Angel) and Tahmoh Penikett as Paul Ballard (Battlestar Galactica).

Disc Features
The Dollhouse Season Two four-disc DVD or three-disc Blu-ray collection includes a retrospective with Joss Whedon and cast roundtable about the series. A gag reel and deleted scenes from top episodes are also included. Disc contents include episodes 1-13: “Vows,” “Instinct,” “Belle Chose,” “Belonging” and “The Public Eye,” “The Left Hand,” “Meet Jane Doe,” “A Love Supreme,” “Stop-Loss” and “The Attic,” “Getting Closer,” The Hollow Men,” and “Epitaph 2: The Return.”

The complete 13 episodes of the final season are presented in wide screen format with English, 5.1 DTS sound and English, Spanish, French and Portuguese subtitles.

Dollhouse Comic Book
Each Blu-ray and DVD comes with a 28 page exclusive limited edition comic book by Dark Horse Comics. Jed Whedon and Maurissa Tancharoen, joined by longtimeBuffy the Vampire Slayer artist Cliff Richards, take us on an intricate trip through the precise moment when the Active technology went global, and how the protagonists from Epitaph One and Two narrowly avoided death, and worse. Jed Whedon and Maurissa Tancharoen wrote the Epitaph episodes of Dollhouse Seasons One and Two, and currently write for the Starz series Spartacus. This is their first work in comics. Artist Cliff Richards has drawn more Joss Whedon-related comics than any other artist, including issues of Buffy Season Eight.”

SKELETONS – DVD

5125q1wzcl_sl500_aa300_This movie is a riot so go forth and buy a copy of this. Literally, the answer to any anglophile in your life who thinks they know it all when it comes to the most brilliant comedy to come out this year.

Something of a mix between a flat out comedy by way of dry humor and a science fiction yarn, Skeletons is a movie that you never knew you wanted to see until it was right in front of your eyes. If you were to ask for a modern day Laurel and Hardy and give them British accents, this would be the result.

Ed Gaughan and Andrew Buckley are our mismatched pair and who have the kind of chemistry usually reserved for lusty actresses and their handsome beaus. These two are neither yet this story about a couple of schmoes who go into people’s homes in order to literally exercise the skeletons in their closet. They do so with the kind of aplomb usually reserved for those getting their oil changed but I found myself laughing consistently at this Ricky Gervais/Carl Pilkington match-up between the guy who thinks he knows it all and the guy who can’t wait to mess things up.

The plot, at its essence, is basically that these two fellows are great at finding these skeletons and revealing the information of what was found to the people who have let them in their homes but there is one case where things don’t go well and proves to be a challenge to these guys. Now, that’s very reductive, I know, but please watch this short video which gives you a 50,000 view of the plot. I don’t want to spoil anything about a movie I am sure will be someone else’s discovered treasure. I don’t want to give anything else anyway.

So, if you’re looking for something else besides the buddy films of Nick Frost and Simon Pegg, this could be the one you haven’t been looking for.

About the release:

SKELETONS, Edinburgh International Film Festival’s Best British Film of 2010, and written and directed by Derbyshire based Nick Whitfield and shot entirely on location in the county,
tells the story of Davis and Bennett, a mismatched pair of travelling salesman in the business of cleaning skeletons from closets. Together they travel across Britain, wandering in and out of other people’s lives, performing the “˜Procedure’ whereby hidden secrets and lies are exposed. They literally bring the skeletons out of the closet.

In June SKELETONS was awarded the Edinburgh International Film Festival’s prestigious Michael Powell Award for Best New British Feature Film. The Edinburgh International Film Festival’s jury, headed by veteran actor Sir Patrick Stewart, was unanimous in its decision, commenting: “Nick Whitfield’s debut feature SKELETONS best exemplifies the spirit of Michael Powell in its original vision and dark humour”

KISSES – DVD

kissesYou simply could not do better when it comes to finding a movie about two kids who find each other.

What is so brilliant about filmmaker Lance Daly’s take on a tale about two kids who run away with one another is how the film feels more like a love letter to the city of Dublin, that it shows how perilous it can be while also showcasing its dazzling attractiveness. These two kids who find themselves caught in a world after dark, far away from the soft comforts of home, are a real charm as well. One wants to be hardcore while the other is looking for someone to lean on but what ends up happening is that they both find something in each other that they need: comfort.

It’s by no means a movie without some tough love but what you have here is simply a mesmerizing portrayal of what happens when you just can’t face what life hands you anymore and you don’t have anything else to hang onto. There is someone waiting to help but it never is quite as easy as asking, as Daly shows us.

I could not recommend this movie enough to buy for someone needing a reason to believe in the power of hope.

About the film:

On the fringes of Dublin two kids, Kylie and Dylan, live in a suburban housing estate devoid of life, colour and the prospect of escape. Kylie lives with five other siblings and her overworked mother. Next door, Dylan lives in the shadow of an alcoholic father and the memory of an elder brother who ran away from home two years earlier.

After a violent altercation with his father, Dylan runs away from home and Kylie decides to run away with him. Together they make their way to the magical night time lights of inner city Dublin, to search for Dylan’s brother, and in the hope of finding, through him, the possibility of a new life.

Lance Daly’s vision of Dublin, as seen through the innocent eyes of our protagonists, is a kaleidoscope of magic, wonder and mystery. But as the night wears on, and Dublin takes on a darker character, the two kids have to rely on the kindness of strangers, the advice of Bob Dylan and their trust in each other to survive the night.

AVATAR: EXTENDED COLLECTORS EDITION – DVD

ava515fr7odmhl_sl500_aa300_James Cameron is, if nothing else, thorough.

What I learned while going through this re-release on DVD was how wide he cast the net for what was, by all accounts, one of the biggest films ever made. While I can’t say that watching it for a third time did anything for me I was remarkably impressed by how much back story he put into this film. One thing you cannot knock the guy for is his endless passion to get it right and when I delved into all the special features of this DVD set it was clear that his vision was executed the exact way he wanted. You cannot be anything but amazed at the efforts he took to not only technically get it right but in thinking about the small things that surrounded the creation of this story.

Even though this was a DVD release that I saw the visuals are really something to behold and take in. I can only imagine what it looks like in Blu-ray in how he captured lights and darks and colors of all kinds. I recommend this one solely for those who not only liked the film but those who want hours of additional footage showing you why he is indeed king of the world.

About the re-release:

Director James Cameron is unlocking the secrets of Pandora and taking fans on a guided tour of his vision with the highly anticipated release of AVATAR Extended Collector’s Edition on Blu-ray and DVD releasing November 16th in North America and rolling out internationally from November 15th. These exclusive Extended Collector’s Editions come with iconic, collectible packaging to get fans to experience Pandora like never before. With three versions of the film, AVATAR fans will get an all-new extended cut of the film and hours of never-before seen material including over 45 minutes of amazing deleted scenes!

“I told our team — let’s do the ultimate box set of Avatar, with everything in it the fans could possibly want. There’s an extended length cut that’s sixteen minutes longer, plus documentaries, behind the scenes featurettes, artwork and over 45 minutes of deleted scenes. Everything worth putting into a special edition is in this set,” said James Cameron.

The three-disc AVATAR Extended Collector’s Edition Blu-ray and Theatrical Special Edition Re-Release DVD will both feature the original theatrical release, a special edition re-release, family audio track with all objectionable language removed and new collector’s extended cut with sixteen more minutes including an exclusive alternate opening Earth scene. Viewers will journey to the depths of Pandora with filmmakers during “Capturing Avatar” an in-depth feature length documentary covering the 16 year filmmaker journey including all new interviews with James Cameron, Jon Landau and cast and crew exploring James Cameron’s unique vision for the film seen by more than 310 million people worldwide. The Oscar and Golden Globe winning epic is the highest grossing film of all time, taking in over $2.7 billion in worldwide box office. It is also the top-selling Blu-ray disc of all time.

The AVATAR Extended Collector’s Edition Blu-ray will also have even more bonus material and interactive viewing. Through the unparalleled, interactive technology of Blu-ray, fans can dive further into the world of the Na’vi and experience the #1 international sensation from behind the scenes, with a “master class” on the production of the film. Leveraging the interactivity of Blu-ray, viewers can experience the full film in three stages of production: Performance Capture, Template (1990’s video game version) and Final as well as a composite of all stages in “Pandora’s Box”. This will be supported with interviews by Jim Cameron and the filmmakers and serve as a “master class” on the making of AVATAR.

Contents:

Disc One

Original Theatrical Version

Special Edition Re-Release

Collector’s Extended Cut

16 more minutes and exclusive alternate opening

Family Audio Track (All Objectionable Language Removed)

Original Theatrical Release

Special Edition Re-release

Disc Two

“Capturing Avatar” An in-depth feature length documentary with James Cameron, Jon Landau and cast and crew

Deleted Scenes ““ including over 45 minutes of new never-before-seen deleted scenes

Production Materials

Disc Three

Open “Pandora’s Box” and go deeper into the filmmaker process

Interactive Scene Deconstruction: Explore the various stages of production through 3 different viewing modes

Production Shorts: 17 featurettes covering performance capture, scoring the film, 3D fusion camera, stunts and much more

Avatar Archives including original scriptment, 300 page screenplay and the extensive Pandorapedia

BD-live Portal with additional bonus materials

AVATAR Collector’s Edition: 3-Disc Special Edition DVD:

Disc One

Original Theatrical Version

Special Edition Re-release

Collector’s Extended Cut

16 more minutes and exclusive alternate opening

Disc Two

Original Theatrical Version

Special Edition Re-release

Collector’s Extended Cut

Disc Three

“Capturing Avatar” An in-depth feature length documentary with James Cameron, Jon Landau and cast and crew

Deleted Scenes ““ including over 45 minutes of new never-before-seen deleted scenes


LENNONYC – DVD

lennonycI’m not a big Beatles fan but I appreciated this film.

Understanding why Lennon called New York City home is an interesting angle to take as we unceremoniously celebrate the 30th year of this man’s brutal death by a deranged fan. While I’m an even bigger non fan of Double Fantasy this is nonetheless a gripping expose on the life of a guy who wanted to make his home in the middle of a place where raising a family wasn’t the most healthy of endeavors. Still crawling with the more seedier elements Lennon was nonetheless a polarizing figure in the fight against an unjust war, his vocal opposition most likely the reason Nixon wanted him deported, and his notion that there was still great beauty in this world makes this not so much a portrait of a Beatle who was starting a new life in America but of a man who was looking to make his life in America, a place he held so dearly. Moving and poignant, the documentary is a true examination of what it meant to be an artist in New York.

About the film:

This fall, as the world remembers John Lennon on what would have been his 70th birthday, and the 30th anniversary of his death, LENNONYC takes an intimate look at the time Lennon, Yoko Ono and their son, Sean, spent living in New York City during the 1970s.

“New York became a part of who John and I were,” said Ms. Ono. “We couldn’t have existed the same way anywhere else. We had a very special relationship with the city, which is why I continue to make this my home, and I think this film captures what that time was like for us very movingly.”

“The period that Lennon lived with his family in New York is perhaps the most tender and affecting phase of his life as a public figure,” said Susan Lacy, series creator and executive producer of American Masters as well as a producer of the Lennon film. “Just as the generation that had grown up with the Beatles was getting a little older and approaching a transitional time in their lives as they started families, they saw this reflected in Lennon as he grew from being a rock star icon into a real flesh and blood person.”

“I have long been moved by the honesty and directness of John’s music,” said Michael Epstein, LENNONYC director, producer and writer. “And, by using never-before heard studio talkback of John from this period, I think I was able to give the viewer a window into John Lennon that had not been put to film before.”

Following the breakup of the Beatles, Lennon and Ono moved to New York City in 1971, where Lennon sought to escape the mayhem of the Beatles era and focus on his family and private life. At the same time, he created some of the most acclaimed songs and albums of his career, most of them written at his apartment at The Dakota on Manhattan’s Upper West Side, including Mind Games, Whatever Gets You Thru the Night, I’m Losing You, and Woman. He also remained highly active in the anti-war movement as well as numerous other progressive political causes.

As much as New York made an impact on Lennon and Ono by offering them an oasis of personal and creative freedom, so too did they shape the city. At a time when New York faced record high crime, economic fallout and seemed to be on the verge of collapse, Lennon and Ono became a beloved fixture in neighborhood restaurants, at Central Park, at sports events and at political demonstrations.

Lennon and Ono also bonded with millions of their fellow New Yorkers in their experience as immigrants. The film traces their struggle to remain in the U.S. when the Nixon administration sought to deport them, supposedly based on a narcotics violation, but which Lennon insisted was in response to his anti-war activities.

LENNONYC features never-before heard studio recordings from the Double Fantasy sessions and never-before-seen outtakes from Lennon in concert and home movies that have only recently been transferred to video. It also features exclusive interviews with Ms. Ono, who cooperated extensively with the production and offers an unprecedented level of access, as well as with artists who worked closely with Lennon during this period, including Elton John and photographer Bob Gruen (who took the iconic photograph of Lennon in front of the skyline wearing a “New York City” t-shirt).

SPACE 1999 – Blu-ray

space1999_s1_blu_eThis was one amazing television series.

I’m not recommending this to anyone who doesn’t already appreciate the finer qualities of mid seventies conceptions of what space was as it was seen through the eyes of television producers. Now, apart from the models that look extremely suspect, background equipment that seems like it was crafted with a bunch of bright light bulbs and decoupage, and outfits that border on laughable this was nonetheless a brilliant watch. The examination of the nature of man and the oddities that these space explorers encounter on their quest to explore the universe is the real attraction here. This television show was ahead of its time as episodes take a more frank and serious approach to space exploration that doesn’t once involve hi-jinks of any kind. A must for any fan of the series, knows of the series, or has an affection for a television show that supposes that if there really were space explorers they would probably be just as serious as these individuals were.

About the Blu-ray:

In the year 1999, a spectacular explosion at a lunar nuclear waste dump sends the moon out of Earth’s orbit. In this seminal sci-fi series from producer Gerry Anderson (Thunderbirds, UFO), the men and women of Moonbase Alpha are suddenly propelled on a treacherous journey across the universe in search of extraordinary new worlds. Left with no way home, the Earthling citizens are forced to embark upon the greatest adventure of their lives, encountering bizarre life forms and strange phenomena as they struggle to survive among the awe-inspiring wonders of outer space.

All 24 first season episodes of this acclaimed space adventure have been restored in stunning high definition and presented with newly-created 5.1 surround soundtracks, and hours of brand-new bonus features.

With its progressive plotlines, an outstanding cast, and astonishing special effects from Oscar® winner Brian Johnson (Alien, The Empire Strikes Back), SPACE: 1999 has secured its place as one of the most thought-provoking series of the 20th century – and beyond.

DISC 1: Breakaway / Matter of Life and Death / Black Sun / Ring Around the Moon / Earthbound
DISC 2: Another Time, Another Place / Missing Link / Guardian of Piri / Force of Life / Alpha Child
DISC 3: The Last Sunset / Voyager’s Return / Collision Course / Death’s Other Dominion / The Full Circle
DISC 4: End Of Eternity / War Games / The Last Enemy / The Troubled Spirit / Space Brain
DISC 5: The Infernal Machine / Mission Of The Darians / Dragon’s Domain / Testament Of Arkadia
DISC 6: Bonus Features

5.1 surround sound audio for each episode, along with the original mono
Audio commentaries
Music-only tracks
Behind-the-scenes featurettes
Episodic image galleries for all episodes
Trailers
Textless titles
Barry Gray’s theme music demo
Alternate opening/closing titles
Martin Landau and Barbara Bain US premier intro and outro
SFX plates and deleted SFX scenes with music track

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When it was first broadcast in 1975, there had never been a more lavishly produced science fiction TV series than Thunderbirds creators Gerry and Sylvia Anderson’s Space: 1999, a British production whose budget for the first of its two seasons ran an astounding 3.25 million pounds. What keeps us fans enthralled after all these years has only partly to due with the first-rate production values, the plausibly constructed spaceship models, and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV sci-fi predecessors such as Star Trek, whose mood was more convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the 311 crew members of Moonbase Alpha–including Commander John Koenig (Martin Landau), Chief Medical Officer Dr. Helena Russell (Landau’s Mission: Impossible costar and then-wife Barbara Bain), and Professor Victor Bergman (Barry Morse, who relentlessly pursued David Janssen on The Fugitive)–experience a cataclysm that causes the moon to break away from Earth’s orbit and travel endlessly through space, turning our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this.

Of course the show is not without its detractors; it has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode, “Breakaway,” which had nuclear explosions on the “dark side of the moon” somehow propelling it out of Earth’s orbit and flying through space without regard to any physical laws. In “Earthbound,” aliens traveling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn’t take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena that the crew members encounter on their journey through the galaxy. –Jim Gay

Billy The Exterminator: Season 1 and 2 – DVD

billy2I won’t explain myself any further than to say I dig this show when it’s on my DVR and managed to get me through many a sleepless night with my newborn. Sometimes a reality show doesn’t have to be angry or controversial, sometimes all it needs to do is be entertaining and Billy The Exterminator certainly is.

Yes, the series formula is basically Billy going out and saving someone from any number of creature invasions. That’s it. But I dug it and I dug watching these DVDs. I probably should be embarrassed but at 2 in the morning there isn’t anything I’m embarrassed of.

About the DVD:

Follow the fearless and funny Billy Bretherton as he attempts to balance life at home with the drama of running one of the busiest pest removal companies in Louisiana.

In the pest management industry for over 15 years, Billy runs Vexcon the only pest removal team in the state that handles all types of animal removal with support from his wacky but lovable family: kid brother, Ricky; tough-as-nails father, Bill Sr.; sassy office manager and mom Donnie; and beloved wife, Mary. Whether it s a giant 8-foot alligator walking down an affluent street, baby raccoons inside the wall of an office, 70,000 bats who call a stadium home, or a wild pet-eating bobcat, Billy and his family get the job done with enough skill, energy and wit to keep even the most squeamish viewers wanting more. A former U.S. Air Force Sergeant, Billy has taken a militaristic approach to pest control and is emerging a winner.

billy11BILLY THE EXTERMINATOR: SEASON ONE contains all 13 episodes from the debut season on 2 DVDs.

DISC 1 (7 episodes): Goth Bees & Killer Coons / Snake in the Closet / There’s A Gator in My Boat / Kitty Corpse Cleanup / Gator Park Swarm / Possums in the Wall / Llama-Eating Gators

DISC 2 (6 episodes): Psycho Raccoon/Killer Spiders / Raccoon Haunting / Tattoo Rattlesnake / Bobcat Invasion / Extreme Roaches/Busy Beaver / Skunks and Mice and Snakes Oh My / Bonus

BONUS FEATURES: Featurettes: About Billy, Billy s Words of Wisdom, Billy the Storyteller, Meet the Family, Donnie

Season 2 of BILLY THE EXTERMINATOR reunites viewers with the one and only Billy Bretherton as he tackles some of Louisiana’s creepiest, craziest pest problems.

BILLY THE EXTERMINATOR: SEASON TWO contains all 21 episodes from the second season on 3 DVDs.

DISC 1 (8 episodes): Funeral Home Snake / Attack of the Trash Can Raccoon / Snake Invader / Backyard Gator / Nursery Room Raccoon / Extreme Gator / Snakes in the Swamp / Bee Relocation

DISC 2 (8 episodes): Raccoon Rescue / Bobcat & Yellow Jacket / Spider Invasion / Attack of the 15 Foot Snake / Squirrels in the Attic / Rattlesnake Combat / Bat Attack / Deadly Snake on the Loose

DISC 3 (5 episodes): 9 Foot Gator! / When Squirrels Attack! / Sprayed by a Skunk! / Python on the Prowl / Billy Goes to the Gulf (one-hour) / Bonus

BONUS FEATURES: Featurettes: About Billy, Billy’s Tips; Behind-the-Scenes

RoboGeisha – DVD

robogeishaHave a friend who won’t shut up about the superiority of Asian cinema or that special someone in your life who just doesn’t get what is up with those wacky kids in the Far East? This film will please both of these people while making them wonder what in the world is wrong with you for buying such a thing.

I can’t really put into words how awesome this movie is when you consider that all you need to know about what exactly makes this movie great is that it’s an exploitation film of an exploitation film. It’s about an army of Geisha assassins and school girls and projectiles that hurl out of the backsides of young women and it’s really wonky special effects with it all coalescing into a narrative that defies logic and propriety.

I loved it.

It defies gravity at times, it absolutely defies logic, but it’s a movie where if you’re into sword play, ass play, sexually suggestive violence then this is for you. Here is the trailer

About the DVD:

Yoshie, the younger and ill-treated sister of a renowned Geisha, is discovered to have natural strength and fighting ability. She’s recruited into an army of Geisha assassins by the rich and powerful owner of a steel-works, Kageno. During training large (and interesting) parts of their bodies are altered into weaponry directly linked to their brains. Yoshie soon realizes that Kagenos real plan is to have his robotic castle throw a new and very powerful nuclear bomb into the centre of Fuji-san, effectively destroying Japan entirely. With the help of other ‘Kageno defectors’, she sets out to stop him and his Tengu warriors.

December 9, 2010

Ken P. D. Snydecast #163: Holiday Shebangery

Filed under: Ken P.D. Snydecast — Tags: , , , , , , , — UncaScroogeMcD @ 8:18 pm

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Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

VISIT THE SNYDECAST EXPERIENCE

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KEN P.D. SNYDECAST #163: Holiday Shebangery – Ken & Dana return with holiday tidings… But then, wouldn’t you know it, the two bickersons even argue about something as simple as that.

[CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

DOWNLOAD: (right click to save)
Episode #163 (MP3 format)

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SUBSCRIBE
Subscribe to this Podcast via iTunes

Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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