Category: Comics and Comics

Howdy Inter-Webbers. I’m Matt Cohen. And I dig Batman.

Hellboy and Green Arrow may be my all time faves, but for some reason I have always identified the most with good ole’ bats (which is odd, because I come from a great, happy family which is very much not murdered). I think that is part of the appeal to Batman though, the fact that any man, woman or child could “Technically” do what Bruce does. He’s hasn’t got amazing powers. He hasn’t been sent from some distant planet. He’s not infallible, like his boring buddy Clark. Batman is basically a brooding teenager who decided to get pro-active (not the acne medicine) and everyone can relate to that at some point in their life. And though the baddies might change, and the cowl may shift every few years, Batman will always remain, and I, for one, will be in the passenger seat of the Batmobile until Bruce kicks me out.

This week, Comics & Comics is extremely proud to present, a special guest piece written by my friend and yours, Mr. Jesse Letourneau, simply entitled “Batman”.

But first, as always, lets take a quick peek through this week’s new release shelf a bit, shall we?

Spoiler Alerts Ahead

———————————————–
DC

Booster Gold # 7: Geoff Johns and Jeff Katz continue to present one of the funniest, sharpest and most interesting comic in mainstream books today, with the latest issue of Booster Gold. Finally, the much awaited reunion of Blue and Gold (Booster Gold and The Blue Beetle) is upon us and it certainly didn’t disappoint. This issue finds Michael and the freshly resurrected Ted Kord dealing with the time-stream issues creating by Boosters jaunt into the past to save his best friend. And though this issue, like the others in the run, can get kind of heavy handed on all the time science speak sometimes, the sheer likableness of Booster and Skeets (and now Ted) pulls the reader in. Throw in some OMACS, a new multiverse planet to explore and a cool splash page with Green Arrow and Hawkboy, and you’ve got another very good issue of what is shaping up to be a must read series.

Salvation Run # 5 This book is bad ass. I know, not the most eloquent of reviews, but very true when talking about my current favorite book in comics, Salvation Run. The concept was simple enough, send most of the worlds super villains to an uninhabited planet and let them fend for themselves. The execution of the book however, is something to not be missed. With a cast of villains, the reader is finally “allowed” to root for their favorite baddie, without feeling those pangs of guilt for supporting killers, lunatics and talking gorillas (R.I.P Grodd). In the fifth issue of the series there is no less action nor laughs then in the previous stellar issues. With the stakes getting quickly ramped up (Jon Jonz anyone?) and the “baddies” resorting to dirtier and more vile means, Salvation Run is a unfettered view into the life of a D.C rogue, complete with all the murder, betrayal and cheesey one liners that come with it. The last page of this book promises the finale to be nothing less then epic. Awesome read.

Notable: Green Arrow and Black Canary # 6, JLA Classified # 54

——————————-
MARVEL

X-Factor # 29: Jamie Madrox is pissed. And with good reason. He “abandoned” friend and teammate Layla Miller in the future, there are marauders attacking him from every angle, and his love life is in shambles. Also, he’s a father to be (With Siryn) and has absolutely no idea. This issue finds the folks at X-Factor Investigations at a turning point. The team split up, Mutant Town in shambles and no real idea as to who is orchestrating the demise of the X-Factor. Peter David continues to script an excellent book, even throwing some unexpected curve’s this week when the series went “Cosmic” for a panel or two. (That crazy Rictor) and then got all horror movie on our collective asses. This book is week in and out a rich, engrossing and increasingly filmic read, and if you haven’t jumped on board yet, now would be a great time. On a side note, the last panel of the issue is worth the price alone, but I wont spoil it here. Tis a good’un though.

Avengers the Initiative # 10: The cover image says it all. “One Will Die!”. With a hook like that, it was hard not to be excited to read the current issue of “The Initiative” (also, I’m a sucker for SlapStick). Well, that title hint turned out to be kind of a cop-out, but luckily the issue is most definitely the best of the series so far, and quite frankly one of the better issues I’ve read of any title in a few months. The action is as ramped up as it can be for the entire book, with former team leader M.V.P now dead and seeking his revenge against the initiative under the clever handle K.I.A. This issue is pretty much a giant brawl between K.I.A and his ex teammates and what a brawl it is. Gauntlet, whom I never really took a shine to comes into his own in this issue as a hardcore hero, and I for one would love to see the ensuing fight between him and K.I.A animated one day, because it had such a great visual quality to it. The last panel is a fun surprise and anytime Steve gets to use his hammer I’m a happy camper. Excellent issue.

Notable: Last Defenders # 1, Nova V.4 #11, Thunderbolts # 119, Punisher MAX # 55

———————————————-

And now, without further ado, Jesse Letourneau presents,

“Batman”

Frank Miller dubbed him the Dark Knight. Kids’ WB calls him simply “The.” Since its debut in 2004, Kids’ WB’s The Batman has depicted the adventures of the Caped Crusader to mixed reviews. Last Saturday (March 8) saw the show’s end. This week we will look back at what they got right and what they got wrong. (I believe the Joker is something they got right.)

Before we look at what the series has done right, let’s address some concerns.

It’s not as good as the original. The most common complaint of the show is that it is not as good as Batman: The Animated Series which aired from 1992-1995. Guess what. It’s not.

The work that came from Paul Dini (author of Quick Stop’s very own Monkey Talk), Bruce Timm and many others, was a masterpiece. Taking the very best of the character’s history and infusing it with their own style, those that worked on Batman: The Animated Series (BTAS) created what many (myself included) believe to be the best version of Batman ever put on film. However, just because a better version exists, does not mean that The Batman does not hold its own as a valid and entertaining edition to the Batman mythos

It is just a kids’ show designed to sell toys. It is unfair to dismiss The Batman simply because its primary audience is children. The Batman is indeed a kid oriented show designed in part to sell plastic heroes and villains. However, there have been many shows in the past that were conceived primarily as half hour commercials. He-Man, G.I. Joe, and TMNT were all shows designed to sell toys and comics. That doesn’t mean they were a complete waste of time.

The re-imagined villains are horrid. Many argue that the villains of The Batman are the worst part of the show. I am inclined to agree. Personally, I don’t care for the show’s interpretation of the Riddler, Poison Ivy, Clayface, Mr. Freeze, and Killer Croc. However, most of these villains took a back seat in the later seasons.

Those who tried it during the first two and half seasons (the series weakest efforts) and then gave up on the series missed out. Those who stayed with the show witnessed the animation, stories, and characterizations improve. Despite all its faults, The Batman is worth checking out.

In order to appreciate The Batman, we have to know what makes the character work. In my opinion there are three elements needed to have Batman at his absolute best. Bruce Wayne (Batman’s alter ego) must face tragedy, protect Gotham, and have the balancing influence of Robin to be the best Batman he can be. I propose that the animated series has all these elements, and is fine interpretation of the character and his world.

The death of Batman’s parents is the lynchpin that made him into the hero he is today. Being an orphan is nothing unique in the four colored world of superheroes. Both Superman and Spider-Man grew up not knowing their parents. Yet Batman is not simply an alien estranged from his heritage or a teen who lost his father figure.

Batman lacks the love and support enjoyed by other heroes (Super-Man and the Kents, Spider-Man and Aunt May). Taking nothing away from the catastrophes in the lives of these two heroes, young Bruce faced one of life’s most traumatic experiences. He was subjected to witnessing the murder of both his parents. His childhood was cut short. Light and joy were not comforts Bruce had has he grew up. It is the figurative shadows of loss that gave birth to the man who now waits in the literal shadows.

The Batman while geared for kids still addresses the reality of Bruce’s loss of his parents.
While certainly not the show’s focus, the death of the Wayne’s has not been retconned away or ignored. A recurring element of the series is a picture of young Bruce and his parents taken shortly before their murder. It is not uncommon to find an episode opening or closing with Bruce meditating on this photo, recalling why he persists in his fight against crime.

Young Bruce filled the loss of his parents not only with darkness and shadows, but with purpose. Bruce’s parents loved and served the city of Gotham. They gave of their wealth, they gave of their time, and they led by example. Yet, as far as Bruce is concerned, it was the city itself that murdered his parents. Batman’s purpose is to make Gotham into the city his parents envisioned it could be.

Bruce has found a way to serve the city. Batman fights the elements that seek to corrupt Gotham. He battles the elements that seek to destroy his city. In protecting Gotham, Bruce protects the memory of his parents. If only he could cause the city to live up to the vision of his parents, then maybe the darkness will leave the heart of little Bruce Wayne. Maybe then Batman could find peace.

The season four episode Artifacts, perfectly demonstrates Batman’s commitment to protect Gotham. Wikipedia describes the story as filled with references to current comic continuity as well as the Frank Miller work The Dark Knight Returns. While both elements are present, Artifacts stands on its own as arguably the best episode of the series. I believe it could even hold its own along side the work of BTAS.

The episode is set in two different times. The near future, where we see Batman defeating Mr. Freeze; and the far-future, where Batman is gone, and Mr. Freeze has found a way to not only survive but cripple the city in his icy grip. Hope is not lost. The Gotham City police send a team to uncover the legendary Bat Cave. It is there they find information and resources, left behind by Batman, to defeat Mr. Freeze. Even from the after life the Batman fights one last battle to save Gotham.

To counter the darkness and focus the purpose, Batman needs a balance. I am not a fan of kid sidekicks; however Robin is one of the few who work well. He is not a clone of his mentor in either powers or costume. Robin’s origin is similar, but his goals are different. Robin’s purpose is to serve the greater good, and to enjoy his work while doing so.

Robin isn’t bent on vengeance like his adult teammate. He represents for Batman not only the light to his darkness, but the lost childhood of Bruce Wayne. Robin is the one who reminds Batman that the fight for truth and justice has value in itself, and that the work can be fun. Robin is the one who keeps Batman from tipping over the edge and becoming the very thing he fights.

The Batman’s version of Robin is a pitch perfect interpretation of the character. While old school purist will miss the bare legs and pixie boots of Robin’s original costume from the comic books, everything else that makes Dick Grayson work as a character is present. Robin brings humor, joy, and the knowledge of youth (one villain is caught, due to Robin’s contact with him via on-line gaming) to Batman and the series.

However, I hear my fellow fanboys screaming at their computers, “A hero is only as good as his villains, and the new Joker looks like a purple and green gorilla.”

1989 2008
“Where did you get those wonderful dreads?”

I will grant you that the visual interpretation of the Joker is not the most pleasing version ever put on film. Yet, if you can look past the physical redesign you will find that the core of the character still exists. I will go so far as to say the characterization of the Joker is nearly flawless in his appearances on The Batman.

What makes a compelling Joker? Insanity, mayhem, and an unhealthy preoccupation on Batman are the key elements that make the Joker the best arch nemesis he can be. The Batman’s interpretation has these elements in spades.

The series introduces the Joker as newly escaped from Arkham Asylum and still barefoot and in his straight jacket. This first meeting between the Joker and Batman involves a blimp full of Joker gas. Joker’s plans are to expose all of Gotham to his deadly invention. Of course good wins the day, and the Joker is thwarted. From that point on, the Joker’s new goal is to take down the Batman. This episode, titled The Bat in the Belfry is the shows premier episode. Right from the beginning audiences were treated to an insane Joker carrying out capers of mayhem, and developing his unhealthy preoccupation of the Batman.

This complete interpretation of the Clown Prince of Crime is carried all the way to the end of the series. The shows final episodes deal with the story threads of Batman and his newly acquired super friends established at the end of season four. Episode Sixty-Two of Sixty-Five (The End of The Batman) gives us one last look at the rivalry between Joker and Batman. There is a new dynamic duo in Gotham, Wrath and Scorn who aid villains in their crimes. The Joker is outraged that anyone would come to Gotham and try to upstage him. Even when the new criminals learn the secret identities of Batman and Robin, the Joker is unimpressed. Posing as the police, Joker picks up the defeated Wrath and Scorn, and before they can tell a sole who lies behind Batman’s cowl, he exposes them to a diluted dose of Joker gas. He gives them just enough to cause them to go insane, and thus discredit their newfound knowledge. As the Joker drives off he makes it clear that if anyone is going to undo the Batman it will be him.

Much like the series itself, the Joker of BTAS is seen by many (myself included) as the best Joker ever put on film. However, I applaud the creators of The Batman for not simply creating a carbon copy of a character we have seen numerous times before. Instead they had the courage to radically reinterpret the Joker, without loosing the core of what makes him a great character.

The early seasons of The Batman have their ups and down, while season four and five stand on their own as interesting and satisfying additions to the mythos of Batman.

I would like to thank Matty and the crew at Quick Stop Entertainment for allowing me a chance to share some of my ideas with all of you.

——————————————————–

Jesse, you complete me”¦

Check back next week for a look at the comedy scene around Los Angeles. I’m new here, figure its time I threw myself in headfirst and faceforward (ouch.) The following week, Ill take you behind the scenes of the upcoming “Wizard World Los Angeles” comic convention, to tell you all about the good, the bad, and the Bendis. (I kid, but lose those damn thought bubbles!). See ya later, genetically enhanced alligators.

And as always,

“Keep em’ bagged and boarded”

–Matt Cohen is currently watching Uatu. Take that, ya perve!

Howdy Inter-Webbers, I’m Matt Cohen, and I’m funny.

I’m really funny. Like, soul crushingly so. Even I can admit that there are a few (a very few) funnier then I, and here is a peek at what some of them are up to. So take off your thinking caps, and don your tuxedo tees, cause its time to share in the laughter.

——————————–
Big Screen

Semi-Pro: The first solo flick from writer (and UCB alumni) Scott Armstrong puts Will Ferrell into the “lead” role of yet another sports comedy, this time a basketball film, and amazingly another very funny movie is born. Plot-wise, Semi-Pro is nothing groundbreaking and often pretty thin but that doesn’t stop Ferrell and Co. from packing in the laughs. Ferrell stars as Jackie Moon, owner, coach and power forward of the struggling ABA club, The Flint Michigan Tropics, a loud, boisterous and yet extremely likable fool of a man. The film, set in the mid seventies, finds Moon and the rest of his squad struggling to secure a place in the NBA, after the impending mergers between the two organizations. Ferrell, in an out of ordinary move, takes backseat in the film, to the supporting cast, particularly Woody Harrelson as a washed up former pro, and Andre Benjamin as a young talented upstart. The marketing of the film is misleading in this regard, because I fully expected to go in a see a Will Ferrell movie. Not to say I was disappointed with the overall outcome, just that Jackie Moon definitely is not the focus of Semi-Pro, and though Ferrell kills in his on-screen time, I really would be hard pressed to consider him the lead of the film. Semi-Pro is filled with an excellent supporting cast; particularly Will Arnett and Andy Daily steal the show, as the two Tropics radio commentators. This movie isn’t quite as funny as Anchorman or Talladega Nights, but those are two brilliant films in my opinion, and living up to that level of excellence is hard to do. Semi-Pro is a very funny movie, not perfect, but definitely worth checking out.

“If I sink this shot, I’m taking the whole team to Carvel for sundaes and fun!”

——————————

 

Films to Look for:

Stepbrothers: After about three viewings of the trailer, I have come to the conclusion that this looks like one of the funniest movies of the year, if not the last few years. Will Ferrell and John C. Reilly re-team, this time as the titular step brothers, two thirty something men who find themselves sharing a bedroom with a complete stranger. The trailer is short, but glorious. The two men quickly find themselves going from bitter enemies to best friends, and the transition looks to be hilarious (John Stamos!!!). This is the first team up between Ferrell, Reilly and director Adam Mckay since Talladega Nights hit theaters, and it appears as if the wait has been worth it. I know people who are already quoting one liners from the film, and thats just after seeing a short preview. In Taladega Nights Ferrell and Reilly proved they are a great comedy twosome, and Stepbrothers looks like its certainly going to solidify that.

Pineapple Express: A 40-something second trailer containing guns, pot, and a song by M.I.A. (Paper Planes), and with that, I was completely and fully hooked. The trailer for Pineapple Express is an odd bird, to say the least and that may be why I’m so intrigued/excited by the film. Seth Rogen and and James Franco (In fully on hippy Jesus look-alike mode) star in a film written by Rogen and partner Evan Goldberg (the same team behind this summers Superbad) and directed by David Gordon Green of all people. If you are unfamiliar, Green is a renowned director of hard hitting, intense low budget films, such as All the real girls and the indie fave George Washington. This is not going to be a typical comedy. Early advances say that the film is “too dark” for most average comedy goers, some even saying disturbingly so. I’m a fan of all the folks involved, and a fan of the content as well, so this film is high (I’m clever) up on my radar of movies to see in 08.

“Alright, just wait for it and that picnic basket is ours!”

Baby Mama: Tina Fey and Amy Poehler star as a single working woman (Tina Fey) and her surrogate mother to be (Poehler) in this upcoming comedy. Written by Fey, it is her first starring vehicle since her newfound fame on TV’S 30 Rock., and the trailer looks like she has hit a line drive first time up at bat. The movie is sweet, but not nauseatingly so, and Poehler’s character looks to be one of the ditziest/funniest female I have seen onscreen in a long time. Fey seems to be staying in her usual “Straight-Woman” territory, but that is where she excels so you’ll hear no complaints from me. This will also be Poehler’s first co-lead and I personally think its about time, because in my opinion Amy is the funniest women alive. With two stellar leads like this film has, I think Baby Mama is one to watch for.

—————————-
DVD Review

Human Giant Season 1: Its no secret that I am a huge fan of this series, and the DVD offering of the first season does not disappoint viewers, hard-core or newcomers alike. This two-disc set comes jam packed with uncensored extras, best of clips from the 24 hour Human Giant MTV marathon and loads more. The most important part of a sketch show is the sketches of course, and lucky for us, Human Giant knows how to provide the funny, on a more consistent basis then any sketch show I’ve seen in a long time. With this two disc set, the viewer gets every uncensored episode from season 1, three hours of bonus features and an infinitely larger amount of laughs. So if you’ve seen the show, or you are a noob, pick up this set and I can guarantee you will laugh till your eyes hurt, take a break, and then laugh again.

One of these men is really large. (Hint: It’s not the little one)

————————-

Well, thats it for this week. Check back in a fortnight (I’m very cultured) for a look at next weeks comics, and special guest Jesse gives us his opinion on the much celebrated, Batman: The Animated Series. Be there or be square… And squares are no fun. Four sides…. Pft!

and as always,

“Keep em’ bagged and boarded”

–Matt Cohen is trying to build a mountain out of a mole hill, but the moles are being real jerks about it.

Howdy Inter-webbers, Matt Cohen here, and welcome to the day after. I’m reporting from the new headquarters of “Comics & Comics” in sunny southern California. If you’re anything like me (if you are, please email me”¦ I need some friends) Wednesday is the biggest day of your week. Us few, us proud, us unashamed and loyal Wednesday Warriors make treks to our respective shops, brave the lines, try to select choice copies of our favorite books and snag all the variants that strike our collective fancy. It’s a tough gig, but someone’s got to do it. So if you’re a fellow diehard, here is the column to see if other fans vibe with your opinions. If you’re new to the world of funny books, Ill try and provide a bit of a primer to the good, the bad, and the ugly (Chris Claremont anyone?). So strap in, lock on, and get ready to rock and roll.

Oh, and spoiler warning.

Comics for the week of 2/26/08

 

DC

Countdown # 9: 8 weeks away, and I cant wait! Not because I’m excited for the finale, but because I’m excited to stop buying this book. Somewhere around issue 30, Countdown became almost unbearably bad, but after that much of a committal, who would drop the series? Damn you D.C, you clever tricksters. And speaking of Tricksters, his and Pipers storyline will go down as being the only worthwhile thing Countdown had to offer. I really don’t even know what to say at this point, the story is so disjointed and confusing. All I know is, at some point, Karate Kid became the main character in the series, Brother Eye came back and Jason Todd became the Red Robin (which is actually kinda cool). Everyone somehow got to Apokolips, and its obvious the grand showdown is forthcoming, but I for one, don’t really care. The art is mediocre, the writing is pretty bad, all in all this series is pretty terrible. 8 weeks till I’m free (to start buying the next monthly, like the mark I am)

Allstar Batman and Robin # 9: Color me surprised, but I actually really enjoyed this issue! It’s such a shock, because the previous eight issues have been painfully horrible in my not so humble opinion. Not the art, mind you. Jim Lee is at the top of his form. Rather, Miller’s writing has been like a bad parody of his own work. Don’t even get me started on “I’m the Freaking Batman, you retard” or the excessive usage of the phrase “Little Snot”. Terrible. So imagine how pleased I was to find myself laughing and smiling from panel one. The entire issue is basically a stand off between Miller’s versions of Bats and Hal Jordan, with Robin providing hilarious quips in the background. Even the concept for the issue is great. Batman and Robin paint the Batcave yellow, thereby rendering Hal powerless. Batman and Robin proceed to basically bully Hal around for an entire issue, and honestly, its one of the more fun books I’ve read in a long time. Lee’s art is, as always, perfect, but the yellow tint to the entire issue makes this book take on almost an abstract art quality, something I found very cool. Yes, the rest of the series pretty much blows, but by some random play of fate, Issue 9 is freaking awesome… If you dropped the book, pick this one up, and if you never read it in the first place, this may be a good place to start. Lets hope this wasn’t a one-time fluke, and maybe this series will finally become worth reading.

JSA #13: The first issue in a new arc does not disappoint. In fact, JSA has surpassed Justice League, in my opinion, as being the best “big” team book at D.C. Yes; the roster is almost laughably large and each week is pretty much a crap shoot in regards to who will be starring in the books, but month after month this is one of the most consistently great reads at any company. The inclusion of the Kingdom Come Superman in particular is one of the more intriguing and exciting plot ideas I’ve read in a long while. Speaking of Kingdom Come, Mogo makes his triumphant return in this issue to cause havoc on Earth 3 like he did the K.C Earth. This issue is mostly told from Superman Come’s perspective, and personally, I find the character endearing and fresh, and in particular whenever he talks with our Supes, I get geek goose bumps. The crossover between the mainstay DCU and Kingdom Come could’ve been disastrous or even worse, gimmicky, rather the meeting of these characters seems organic and logical, and it makes for exciting storytelling. This issue is a solid introductory take to what seems to be shaping up to be a great arc. Check it out.

Teen Titans # 56: Since its conception, the Teen Titans, like any other big family, have had their squabbles (Terra, anyone?). The newest incarnation of the team is no different. Though they’ve been through a lot together, there is still a large amount of distrust running through the team’s ranks. This week, that dissension comes to a head, with a great issue that puts Kid Devil (the “outsider” Titan) in the spotlight. Eddie has never been the smartest or most skilled Titan, but what he lacks in experience he usually makes up for with heart. His lack of experience got the better of him this week, when he caused a villain to escape, creating a rift between him and his teammates. (You don’t want Robin pissed at you”¦). When things cant seem to get any worse for Eddie, he decides to invite a group of fans to Titans Island, for an impromptu party. (When the Titans are away, Kid Devil will play). Needless to say, stuff gets crazy pretty quick, and Eddie begins to question who he really is, hero or demon in waiting. Just when things seem to be at their most dire, it goes from bad to worse, with the introduction of the team’s newest foes, the cleverly named “Terror Titans”. After a quick battle, Eddie is down and Ravager is next up. Seems like its going to be a fun arc, with far reaching ramifications, so if you are a Titan fan, definitely consider picking this one up.

Notable: Blue Beetle V.7 #24, Batman #674, Action Comics #862

Marvel

Captain America # 35: So, about four issues into the arc, and Bucky has quickly proved himself to be a worthy successor to Steve Rogers. I can’t help but get psyched when I see the new costume, complete with gun holster and utility packs. It’s like Captain America for the new generation. I know that sounds cliché, and I do miss Steve, but in my opinion the character grew stagnant long ago, which is a shame considering Cap’s pedigree. With Bucky’s ascension to the shield, new life has been breathed into the series and I find myself actually excited to read a Captain America book for the first time in a long time. Brubaker’s previous run was good and all, but it was still pretty tame compared to the other hero’s of the Marvel Universe. Now, Captain America is back at the top of the heap, as he very well should be. Red Skull and the Baron continue to make trouble for all involved, but Bucky’s getting closer, and you know the inevitable showdown will be forty-six kinds of awesome. There is also a last panel surprise that is too good to mention here, and quite frankly worth the price of admission alone. A new Captain for a new America”¦. I like.

Marvel Zombies 2 # 5: Robert Kirkman returns, with the sequel to the bestselling (and great) mini, Marvel Zombies. This time around, Kirkman can’t manage to pack the same punch he did with his first effort. I know the first run sold like hot cakes, and anything Zombie related is pretty much guaranteed to move product, but maybe Marvel should’ve waited until they had a unique story idea, as opposed to basically rehashing everything that happened in the first series. Still, you read these books for the horror and humor, and like its predecessor, Marvel Zombies 2 is full of both. The biggest disappointment to the series is the ending, or in particular, the last 2 pages or so. The series wasn’t great, but the ending was flat out terrible. A random deus ex machina does not make fans happy, as Marvel should’ve learned by now, and though well inevitably see Marvel Zombies 3, lets hope the guys over there put some thought into it first, this time around. (Also, Sydham’s covers are extremely missed).

Thor # 6: This book has been more about Asgard and its mid western neighbors, then the lightning god himself, and I for one am fine with that. JMS has hit upon a unique and intriguing approach to resurrecting the fallen of Ragnarok. For some reason, this book reminds me of a TV show, one of those high concept action/comedy/drama/epics that the networks have been pumping out the last few seasons. The pacing, the humor, the absurdist/sci fi storyline. It reads like a “big” comic, and that’s pretty impressive considering there hasn’t even been a battle yet. Donald Blake remains likable as always, and the new interaction he has with Thor himself makes for some pretty interesting comic reading. Sooner or later, you know lightning will fly and hammers will strike, but until then enjoy what may be the only time in the Thor books history where it could be described as “quirky”. I’m sure most Thor fans are already picking up this title, but I think people who haven’t read the adventures of the Blonde bombshell, or people who stopped reading them long ago should give the book a chance. It’s definitely a fun read.

Thunderbolts International Incident: In this one shot, the Thunderbolts team is called to deal with seminal Marvel baddie, Arnim Zola, but the real crux of the issue is Radioactive Man, and his status as a Thunderbolt. The book is a decent one-shot, but really nothing spectacular. It does read very much like an issue of Radioactive Man comics though, not enough Penance, too much talking and no Venom eating people to make it feel like a true Thunderbolts book. I’ve been reading the Thunderbolts one shots, because I like the characters, but this issue is unfortunately, not a must read. Consider for true fans only.

Notable: X-Men Legacy #208, DareDevil V.2 #105, X-Men First Class V.2 #9

Indy

Freddy Vs. Jason Vs. Ash # 5: I’ll put it out there on Front Street, I’m not that big into horror comics. Sure, I read a few Zombie titles every now and again, and Ill pick up a random book if it looks interesting but for the most part it is a genre that goes largely ignored by yours truly. I am a huge horror novel buff, and love horror movies, but for some reason that don’t typically extend into comicdom. Being such a horror movie buff though, it was hard for me to ignore a series that featured three of my favorite all time horror characters (in the freaking title, none the less), and for the most part, I’m glad I decided to give it a chance. The most successful aspect of the mini is that Jeff Katz has managed to find a voice for Ash, the hero of the tale, which keeps very much in theme with the Ashley Williams we know and love from the Evil Dead trilogy. And though this issue doesn’t go much into the way of storyline progression, it’s a fun read that sets up what looks to be a pretty exciting finale, to be released soon in part 6 of the mini. If you are a fan of the flicks, check out the book. I think you’ll enjoy what you find.

————————————-

Check back soon for my angry missive entitled “One More Month: Or why Marvel has 30 days before I quit Spider-Man”. As always, Ill be back next week for a comedy report on all things live/stand up. Should be fun”¦ So much fun, your brain will fall out of your head, land on the floor and start dancing its little brain legs off! Catch ya on the Flip Wilson.
And as always,

“Keep ’em bagged and boarded”

–Matt Cohen is currently redecorating his new apartment as the Savage Land. His tiger is on back-order

Is this thing on?

Howdy Inter-Webbers, I’m Matt Cohen. And I dig comedy. Always have. From the earliest age, comedy has been a major part of my life. I grew up on the likes of Saturday Night Live and Seinfeld, Simspons and South Park, Monty Python and Mr. Show. When other kids my age were watching He Man and G.I Joe, I was watching the Marx Brothers and Woody Allen movies. Its no surprise that I turned out to be the comedy fan I am today, or that I have in my own life attempted to create worthwhile comedy, be it with sketches Ive written and shot, or Improv I’ve (attempted, miserably) performed. With this background in all things funny,I hope to be able to provide to you a look into the world of Comedy, all the people, places and things that make the scene what it is today. Hope you like. And if not, I can hold a grudge.

Small Screen
——————————————-

Human Giant: The title refers to Michael Clarke Duncan, and you should expect a Green Mile sized belly full of laughs (I couldn’t help myself.). Aziz Ansari, Paul Scheer and Rob Huebel (Upright Citizens Brigade alumni) are the stars of one of the most bizarre, subversive and hilarious sketch comedy shows in a long time. Maybe not even since the days of The State, which also aired on MTV, have television audiences received such a fresh and unique take on what is historically a pretty sub standard genre. The creators have said in interviews that the sketches are so short in length, as to provide more content per episode, and a higher ratio of laughs to sketches. Simply put “If you don’t like one sketch, wait a minute or two and you’ll have a brand new one to try”. My personal favorites are the whimsically dark “Old Fashioned Fun”, “Blood Oath” and the ongoing saga set at a burger joint, “Space Lords”. The first season of the show was near flawless and with MTV priming the Giant boys to be their new comedy mainstay, hopes are extremely high for their sophomore effort, which premieres on MTV on March 11th. In preparation for the season’s debut and the first seasons DVD release on March 4th, the Giant boys are doing a two-week tour across the country, performing their live, original stage show made famous on the stage of the Upright Citizens Brigade Theatre in New York City. If they come to your town, I demand you go”¦ Don’t question it”¦ That’s how demands work.

Flight of the Conchords: Oh, Conchords, how I love thee. New Zealand duo Jemaine Clements and Bret Mckenzie have taken a trip from their native Kiwi land, and have invaded America’s shores, and I for one couldn’t be more thankful. Compared by many to the Tenacious D HBO show of the early nineties, but infinitely funnier, (And I’m a big fan of the D) Conchords is a rare kind of comedic genius, which comes along only once in a long while. It’s a tough sell at first. A Musical/Comedy ( or Comusical, if you will be so kind) starring New Zealand’s “Fourth most popular folk parody duo in which they basically hang around their Lower East Side neighborhood, occasionally playing music at some low rent venue. The bulk of the show is split between dry situational comedy, and brilliant songs, that often times are better music wise then many bands who claim to be “professional” musicians. In fact, Conchords tunes have found a permanent spot on my iTunes play list, and I often find myself driving down the road, singing “Brett you got it going on” or “Most Beautiful girl in the room” at the top of my lungs. This show can be enjoyed on two levels, one for its high level of “Thinking man’s” comedy, which is some of the funniest that has graced our television screens in many years, or, as a straight up musical showcase, with an average of three original, funny, and pretty damn good songs in each episode. With a debut album looming, and the second season ready to go, there is no better time to be a Conchord fan… Do it.

Conchords are New Zealand’s best export since… Conchords are New Zealand’s best export.

The Whitest Kids U Know: They may not be the whitest kids you know (after all, some of you probably live in the Midwest), but they certainly are some of the funniest. With a great mix of traditional sketches, and bizarre but often time hilarious short films, the Kids have hit on a great formula for laughs. The five Kids appear in almost every sketch together, with the exception of Trevor Moore who is the defacto leader (and quite possibly funniest member) of the troupe, and stars in many solo sketches, often framed as messages to the audience, or public service announcements with twists. The ensemble works extremely well together, the viewer can see that these guys are friends in real life. Like any sketch comedy program, Whitest Kids is hit or miss, some sketches missing extremely widely as well. The ratio of laughs to failed jokes in ridiculously in favor of the funny though, so the occasional mediocre or even poor sketch is worthwhile, knowing the comedy gems that wait around the corner. Though this is far from a perfect show, its one of the funniest on television, and I definitely would recommend it to anyone who likes to laugh.

30 Rock: The second season of 30 Rock, the fictional behind the scenes of a NBC late night sketch comedy show, lived up to the amazingly high standard of comedy the first season set , and then some. Week after week 30 Rock is definitely one of the funniest things on Television today. The entire ensemble cast is hilarious, but particularly the parts played by Alec Baldwin, Tracy Morgan and Jack Mcbrayer stand out. Tina Fey though the obvious creative force behind the show, takes a back seat performance wise to the zany characters she helped to create. Its not that Liz Lemon isn’t funny, its just that on a sitcom made up a of circus like personalities, the straight man (or in this case, woman) will always get overshadowed. But that’s not to say Fey isn’t the centerpiece of the show. Without the Liz character, none of these comedy greats would have anyone to bounce off of, which is one of the greater aspects of the show, the interaction between Liz and her hopelessly bizarre work staff. Simply put, this show works… really well. The cast is perfect, the writing is brilliant, and it’s established a style for itself that is unique and extremely fun to watch. 30 Rock will be one of those shows people talk about years later, and I for one am along for the ride.

What the inside of Aaron Sorkin’s nightmares look like

The Office: Michael Scott and the rest of his staff at Dunder Mifflin Scranton branch were back in our homes this year, for the fourth consecutive season, and though the show is not the same hilarious product it used to be, its still a consistently laugh filled half hour, which is rare on network television these days. With last season’s finale revelation about the relationship status of everyone’s favorite star crossed lovers, Jim and Pam, the American version has now officially gone beyond the original arch of the British show, further proving that with some hard work and creative writing, The Office can stay fresh for a long run, something Gervais was afraid of attempting in the original UK series. Yes, it fairly watered down compared to its brilliant first two seasons, but its still one of the funnier shows on TV, and network TV at that. If you’re new to the show, get the box sets, study up, and join the club. You wont regret it.

Extras: Ricky Gervais, along with soccer stars and trashy tabloids, is one of England’s most sought after resources. And the final season of Ricky and writing partner Stephan Merchant’s sophomore sitcom effort only reinforces why Gervais is primed to be the next international funny guy. Ricky, or Andy Milman in this case, is an enigma, instantly likable, and yet cringe worthy in his pettiness. Extras is a very worthy successor to one of the funniest comedies ever made, The Office, sometimes even elapsing its predecessor in the chances its willing to take, and levels and lines its willing to push. This season found Andy in a position of “power” as star of his own widely watched, but critically panned sitcom, When the Whistle Blows, adding a whole different layer of complexity and inevitable despair to the man we love to feel bad for. HBO (by way of the fine folks at the BBC) has thrown its hat into the comedy ring full stop, with shows like Curb your Enthusiasm, and David Cross’ upcoming sitcom, and if Extras is any indication, it shows that the channel may be the undisputed king, of “real” comedy, for years to come.

Honorable Mentions: Reno 911, Aqua Teen Hunger Force, South Park, Saturday Night Live, The Sarah Silverman Program, Curb Your Enthusiasm

——————————————–

Big Screen
——————————————–

Knocked Up: Judd Apatow’s follow-up to the tremendously successful and equally funny 40 Year Old Virgin had some pretty big footsteps to walk in, and I am happy to say, it did that and more. Knocked Up is a rare mix of laugh-out loud funny and genuine emotion filled, and often touching, moments. Before this flick, I was pretty unfamiliar with Seth Rogen’s work, having never seen Freaks and Geeks, and only seeing 40 Year Old Virgin once, but after my first of many viewings of Knocked Up, I was completely sold on this young man. Rogen carries the flick, with such a charm and down to earth personality, its almost impossible not to immediately identify with his character. Backed up by a great supporting cast, including Katherine Heigl, Jonah Hill, Martin Star, and in my opinion, the scene-stealer of the movie, stand up comedian, Dr. Ken, Knocked Up delivers on all fronts, premise, laughs, and heart. Knocked Up is one of the better comedies in many years, and proof positive why Apatow and Rogen are two of today’s comedy greats. Expect very funny things in the near future.

“You know how I know you’re gay?”

Superbad: Done listen to the title. The first script from comic dynamo Seth Rogen (and writing partner Evan Goldberg) was definitely the surprise hit of the season. A main factor for this seemingly random success may have been on screen chemistry of its stars Michael Cera and Jonah Hill (and to a large extent, the McLovin scene in the trailer, which was quoted ad-nausem, many months before the films release) which played into both the Arrested Development set, and fans of any of the multiple Apatow flicks Hill has appeared in. Cera and Hill play two of the most realistic high-schoolers ever portrayed on film, in my opinion. They don’t act or speak like clichés, rather they cant help but remind viewers of at least one kid they knew while they attended school, if not of himself or herself. Greg Mottola helms, and for the most part the movie is consistently funny. There are some choppy points, particularly at the first party the boys attend, and the ending is a bit awkward with first viewing, but overall Superbad stands out as a great comedy, in a year that seemed to be full of great comedies.

Juno: Who knew Kitty Pryde could bring the funny (not Brett Ratner, or he would’ve given her more then fifteen minutes of screen time)? In the second film by director Jason Reitman (Thank you for not smoking) and the debut screenplay from stripper turned writer Diablo Cody, Ellen Page (Shadowcat) gives one of the freshest and most layered comedic performances seen by a young female actress in many years. Playing the title role of Juno, Page is a dark and too wise for her years sixteen year old girl, who finds herself pregnant by high school dweeb Michael Cera. In a year that seemed to be full of “comedies with heart” (see Superbad, Knocked Up,) Juno managed to achieve a level of sincerity and realism that none of its counterparts could match. Juno also gained a critical acclaim none of its counterparts could match, garners numerous awards for its star Ellen Page, including a Best Actress Oscar nomination, along with Oscar noms for Jason Reitman and Best Picture. Though this is a “smart” film, it is a comedy nonetheless, and it is pretty impressive that a comedy could reach this many people, and gain this level of notoriety. If you see the film, you will soon realize why. Juno is just that good. Hollywood has apparently caught on, because both Cody and Page are signed up to about 2,000 (hyperbole is fun) projects a-piece. In 2007, Juno was the little movie that could, and for good reason. It’s a genuinely great film.

Walk Hard – The Legend of Dewey Cox: The film that proved that the Judd Apatow mafia wasn’t infallible. John C. Reilly stars (his first leading role) as the titular character, in this “spoof” on the recent string of music bio-pics, like Ray and Walk the Line, that have been hitting theatres and charming critics over the last few movie seasons. Unfortunately, this film is an extremely mixed bag, with some laughs strewn throughout but overall a boring and frankly disappointing watch. Reilly is good enough in a fairly one note role, but the jokes are mostly flat and the songs almost pretty much entirely devoid of humor. Not that the film is completely laugh free, in particular I cracked up at every Tim Meadows “Drug” scene, which were spot on to the genre they were spoofing. The supporting cast is funny in spots, and the movie isn’t “painful” to watch, like some other comedies that got released this year (Odenkirk… Why?), it’s just that with this dynamic a cast, and such a talented creative staff, the viewer expects (and deserves) more than Walk Hard has to deliver. A rental flick, if anything.

When did studio executives start dressing like cops?

Hot Fuzz: The second feature film by the creative super duo of Brits Edgar Wright and Simon Pegg did the near impossible. It managed to be funnier then their first foray into movies, Shaun of the Dead, which, in my not so humble opinion, is one of the funniest movies ever made. That should let you know how strongly I feel about Hot Fuzz. Hot Fuzz is not a simple or an easy comedy. This is smart humor at its highest form, but thats not to say the flick is completely devoid of low brow laughs or slapstick. The performances, the editing, the set design, all these things come together to create such a richness and sense of realism, that when outlandish or outrageous things do happen, they shock and delight the viewer even more so then if they were watching a straight out comedy. When one watches Hot Fuzz, one is lulled into a sense of familiarity, with the content, the themes, the acting, that the comedy is such a wonderful contrast. Not enough can be said about the amazing cast, starting with seminal favorites Pegg and Frost, and including such greats as Jim Broadbent, Paddy Considine and Roger Daltry (with cameos by more stars then can be listed here, but including Cate Blanchett, Martin Freeman, and Bill Nighy) that round out this film, and create such a lush and real world palette in which our stars can play. If the first two films from Edgar Wright are any indication of his future career, then we have a bona fide comedy genius on our hands, and I for one can’t wait for him to attempt to out-do himself again. I read a review of the film a lot like this one once, very much like it indeed. In fact, it was almost the same in every way, except it had one thing this one hasn’t got. What’s that you ask? A great,big, bushy beard!!!!! (I really, really couldn’t help myself)

Honorable Mentions: Aqua Teen Hunger Force CMFFT, Blades of Glory, The Ten

—————————————————

1st Annual Super Awesome Fun Comedy Time Goodness Awards
(I gotta work on that title)

Best Sketch Comedy = Human Giant
Runner Up = Whitest Kids U Know

Best Sitcom= Flight of the Conchords
Runner Up= Extras

Best Movie= Hot Fuzz
Runner Up= Knocked Up

Best Actor: Seth Rogen (Knocked Up, Superbad)
Runner Up: Tie between Simon Pegg and Nick Frost (Hot Fuzz, GrindHouse)

Best Actress:Jenna Fischer (The Office, Blades of Glory, Walk Hard, The Brothers Solomon)
Runner Up: Amy Poehler (SNL, Upright Citizens Brigade, Blades of Glory, Southland Tales)

Best Supporting Actor: Paul Rudd (Knocked Up, Walk Hard, The Ten, Reno 911 Miami)
Runner Up: Bill Hader (Knocked Up, SuperBad, Hot Rod, The Brothers Solomon, SNL)

Best Supporting Actress: Kristen Wiig (Knocked Up, Walk Hard, Brothers Solomon, SNL)
Runner Up: Sarah Silverman (The Sarah Silverman Program)

Best Web Sketch: The Landlord (FunnyorDie.Com, Will Ferrell and Pearl Mckay)
Runner Up: Between Two Ferns with Zach Galifianakis (FunnyorDie.Com, Zach Galifianakis and Michael Cera)

“Wheres my SAG card?”

————————————-

Well, wasn’t that fun? Check back next week when we flip over the the funny book side of things again, with a look at Wednesday’s releases, and a short treatise to Marvel entitled “One More Month: Or “Why you have 30 days before I quit Spidey”. Then tune in the following week for a look at the current Stand Up and Live comedy scene. It’ll blow your corneas from your retinas (I never payed attention in biology).

And as always,

“Keep em’ bagged and boarded”

–Matt Cohen is currently in transit to his new home in Los Angeles. Wave if you see him.

* Column dedicated to the memories of Steve Gerber and Roy Scheider

Is this thing on?

Howdy inter-webbers. I’m Matt Cohen”¦ And I dig comics. Always have. In my twenty-three years on this spinning mud-ball we call Earth, I have read a lot of comic books. Like”¦ a lot. Most Friday nights, when other kids my age could be found out running amok all over town, chances are I’d be huddled up in my bedroom, a stack of comics on the floor, a package of Dunkaroos in my hand and a Ghostbusters movie on the TV (I was really popular, in case you were wondering). Comics have grown with me, and I, in turn, have grown with them. They have, scarily enough, made me the man child I am today. And, I think its about time I gave back. Unfortunately (for you), the only thing I have to offer is my years of obsessive comic book knowledge, coupled with my own strange little slant on life. I hope what I have to say, is what you want to hear. If not, can you at least lie to me, to protect my very fragile ego?

If 2007 will be remembered as anything it will be as the year of the return to blockbuster event comic books. Both of the big two pumped out at least three different company spanning epics that lasted for months, and spun off into a seemingly endless (and possibly needless) amount of one shots and mini’s released each week, much to the dismay of Wednesday warriors the world over. Though the books sold like hotcakes, most fans were not thrilled with the final products. Not to say all the comics were disappointing. It was just that after so much hype and anticipation, it was very difficult to reach fans expectations. D.C seemed to fare a bit better then Marvel, who caught a tremendous amount of flak for the anti-climatic endings of both their Civil War and World War Hulk series. And even though Sinestro Corps, D.C’s answer to the intergalactic epic was a very enjoyable read, I think most of these events will be remembered as mediocre and way over hyped, at best. As far as the non event titles, each company put out a plethora of brand new minis, revamps and one shots. Some hit, some missed wide. 2007 also marked the return of a bizarre stable of characters at both companies. It was odd, and oddly great to read the comic book misadventures of Slap Stick, Howard The Duck, Captain Carrot, Rocket Raccoon, and Ambush Bug again. Not much of this matters now though, because 2007 is gone, and the show rolls on, but before we burn too much asphalt, lets take a peek at what we read in the year that was.

So, with that, lets make like bakers, and roll (I bet you didn’t see that coming) into 2007

Infinite Crisis (Infinite Variants): After Brad Meltzer’s brilliant “Identity Crisis” the writers of the follow-up series had some big shoes to fill into. In a decisive move to clean up the Multiverse continuity once and for all, Geoff Johns and the boys launched head first into a fairly basic series, when compared to the book it was following. Mired in plot holes and random explanations (the punch heard round the worlds), what was promised to be the event to end all events, quickly became a confusing exercise in continuity destruction. I don’t know about most fans, but it seems like to clear up the Multiverse “problems” the company had been facing for years, DC first made it more confusing then it ever had been. Most casual readers were immediately lost, and even the more die hard fans found the Crisis hard to follow. Yes, the ending did simplify the multiverse situation in many ways, but it also led readers to ask themselves if they would’ve rather had the multiverse done away with entirely. I think many would’ve preferred the latter. The event that kicked off all DC events in 07 may be remembered as the run that made DC reader friendly again. Or, it will be known as the turning point into a new era of confusion and seemingly random explanations. Only time will tell.

52 (X $3.50): In what will go down as one of the more ambitious (and financially fruitful) ideas in recent years, DC decided it was time to bring back the much loved and sometime lauded, weekly series. With a writing staff compiled by some of DC’s most talented, and most popular artists, and a storyline full of b listers and characters yet to get their time in the spotlight, 52 was a gamble, both artistically and financially. What really made this series stand out from the rest of the other events this year, was its emphasis on characters, which historically have been relegated to sidekicks, or in a rogue capacity. Readers got the chance to know characters that went unnoticed for years and many fans found themselves with new favorites due to this, such as Steel, Sobek (my personal fave) Black Adam, and the late great Ralph Dibny. . With any series that runs 52 issues, pacing will always become a problem, as it was for 52, time and again. With a book released every week, it’s hard to solidify a tone for the work, and with 52, this unfortunately proved to be one of the series biggest downfalls. Individually the issues are all right, but read together as one work 52 comes of disjointed and extremely scattered. (Mr. Mind equals comic book greatness, though, so two kudos for that DC… The most evil villian in the DC universe… is a be-spectacled caterpillar. And they said stoners can’t write comics.)

Countdown (to the next event): Could DC catch lightning twice in the same bottle. After the tremendous sales of 52, of course another weekly was a logical choice from the company. Unfortunately, the new series lacks what made 52 so much fun. Primarily, the characters. With the focus of Countdown on a rag tag group of Multiverse dodgers (Jason Todd, Kyle Rainer and Donna Troy) most other characters are left in the way side, especially Forerunner, the character created exclusively for Countdown. Whereas 52 was made of sub stories that fit together in an overall scheme, Countdown’s sole purpose it seems, was to rediscover Ray Palmer (formally The Atom,). So much time is spent searching for Ray Palmer, so many near misses and close calls, that by the time he’s actually found, I couldn’t really care less and I doubt other readers were very excited by it either. Another interesting idea that never seemed to pan out was Jimmy Olsen’s “Action Man” storyline. After Olsen spent so many years on the sideline though, it doesn’t matter what kind of powers you give him, he still comes off as goofy and incompetent as ever. Marvel seems to be continuing this trend with long time also ran, Rick Jones, taking on the mantle of Hulk (Red Hulk). If Snapper Carr becomes a hero I may quit. Apart from the Trickster/Piper subplot, which was immensely entertaining, all in all a pretty forgettable series that led to a mind-numbing amount of spin offs each week. With the nature of these events, many fans felt the need to purchase all tie in books, as to really get a complete look at the story. With Final Countdown looming near, DC better raise the stakes and focus more on “important” characters and plot lines, lest leave fans with another lackluster event. (Oh, and if Kamandi is not involved somehow, Dan Didio and Paul Levitz will be hearing from my lawyer”¦ Well, Id have to get a lawyer first, but as soon as that was done, believe you me, DC’s gonna be in a world of hurt).

Sinestro Corps (Green Lanterns 2: Blackest Night Bugaloo): 3 words”¦ 3 little words single handedly made me interested in all things Lantern again. “Lethal Force Activated”. And with that, the war to end all wars had begun, as had the best event of the year. As of recent times, the GL books had grown stagnant in my opinion. There were just too many lanterns, not enough action and not enough cohesiveness between issues and series. Sinestro Corps did away with all that. Raise the stakes, throw in every Lantern we’ve ever seen and raise the body count level to one rarely seen in mainstream comic books. It was a recipe for success. Sinestro Corps managed to make its namesake, Sinestro, one of the most feared and prominent baddies in comics again, a position he had not held for a long time. Fan favorites like Kilowag and Mogo were present, and enjoyed, as always, but another one of Sinestro Corps great qualities is that it also managed to bring new life to what has been a pretty stagnant GL four (Jordan, Rayner, Stewart, Gardner), in particular John Stewart, who finally seems to have come into his own, and displaced the stigma of being a fourth rate lantern, or as many critics have asserted “The token Black Lantern”. Possibly the most exciting thing to come out of the series, is the hint that comic fans will soon see Alan Moore’s fateful prophecy, “Blackest Night” become a reality. There is no better time to be a Lantern fan then right now, and if fans have dropped any GL titles recently, I suggest they remedy that situation immediately, lest miss out on the all the fun.

Sinestro’s ultimate S+M fantasy, finally becomes a reality

Best of the Rest

Detective Comics: QSE’s very own Paul Dini finally got a chance to write an ongoing series this year, and hits a home run first time up at bat. The fully contained, one issue archs, allow Dini to worry less about continuity and cannon, and more about content and fun. Striking art by Wayne Kramer also helps to keep the book fresh. If the current issue doesn’t strike your fancy, fans know that in only four weeks, they’ll be introduced to a brand new adventure, one that can be read, enjoyed, and in a rare but I think important aspect of comics, forgotten. These are stories that will never lose their appeal, regardless of the current state of Bat Affairs.

Booster Gold: Skeets is, in my not so humble opinion, the greatest sidekick in comic history. Lets just get that out of the way. I would’ve fully supported a Skeets title, and most likely, it would’ve wound up here anyway, so the inclusion (and reintroduction) of Booster Gold, back into the DC universe, was just icing on the cake. All jokes aside, this series is fantastic. In each issue, Geoff Johns and Jeff Katz bring Booster and Co. to another famous story in DC lore, everything from “Killing Joke” to “Identity Crisis” – something the Countdown spin off “Search for Ray Palmer” tried to do as well, but couldn’t measure up to in quality. With the series restarting at #0 with the reintroduction of “Blue and Gold” (a brilliant idea), I think this will be a book to read for a very long time.

Honorable Mentions: Shadowpact, Shazam and the Monster Society of Evil, Salvation Run, Infinite Halloween Special

Civil War (Or Tony Stark is an A-Hole): Who’s side were you on? But more importantly, did any side really win? What was billed as Marvels biggest event since Secret Wars, turned out to be the main even of what was already an event filled summer. Cap vs. Iron Man. Hero vs. Hero. The Marvel universe as we knew it was going to be torn apart. Starting with the Stanford explosion and continuing into almost every mainstream Marvel title available. With after effects as far reaching as Civil War’s were, I think it’d be better to break down my feelings into positive and negative.

——————————————————–

PRO

The Creation of Penance: Speedball (Robbie Williams) has quickly become an awesome, psychotic, deadly new character, an archetype Marvel seems to be able to get right more then its competitors. With obvious shades of the albino Opus Dei member, Silas, from “The Da Vinci Code”, Robbie Wilson, former New Outlaw and current Thunderbolt, would never be the same. And I personally, am glad for that. Penance is currently one of the most “hardcore” characters in the Marvel arsenal. Even on the Thunderbolts, a team assembled of madmen and killers, Penance’s predilection for pain and torment make him stand out from the rest. This is definitely a character to watch in the near future.

Sure, sure, we know… You cut to feel. Crazy emo kids.

Bucky Reborn: Who would’ve thought Cap’s diminutive sidekick would be one of the most vicious and frankly, badass characters the Marvel Universe has seen in a long time. Remove all former traces of his previous life, add in some guns and knives, factor in some post resurrection craziness, and you’ve got the new Bucky Barnes (or Captain America, if you will). If anyone is more appropriate to take over the mantle of the New Cap, the Captain for the modern age we live in, then I cant think of him or her. Yes, its a bit of a trade off, seeing as Steve Rogers had to die, for this new version of Bucky to exist, and yes, in the scheme of things there will always only be one true Cap, but I think this current Bucky is breathing new life into what had become a stagnant Marvel Universe. Now, with the shield en tow, Bucky stands high above the Marvel heap, and I think its a fitting place for him to be.

CON

The Death of Steve Rogers: Did we really need this? Time and time again, the big “Deaths” have been more about comic sales then creative integrity. Most famously, Superman Doomdsay, left fans disappointed and feeling more like walking dollar signs than loyal readers. This time up was Marvel heavy hitter Steve Rogers, the figurehead of all things Marvel. Steve had for years, been the most cookie cutter hero in comics, and unfortunately for this reason, (just like in early 90’s Super books) became extremely boring to read about. That all changed in the past few years, with Ed Brubaker’s great run on Captain America. For the first time in decades, Steve was cool again. So what did the higher ups at Marvel decide to do? I think we all know”¦. And none of us cared. As stated above, the one positive thing to come from Steve’s death is Bucky’s ascension to hero, but even that is not enough to make this death a memorable plot point, as opposed to a marketing stunt.

The Mighty Avengers: Dare I say, the most unlikable hero team in comic book history. I don’t know if every fan is as low on all things Stark related right now as I am, but his new team certainly doesn’t help that negative image. With the exception of Carol Danvers, who is always a likable character, there’s honestly not one compelling or fan friendly member of the group. Ares, in particular, makes me cringe every time he appears on-panel. I once was a great fan of Bendis, but I think overextending himself has really begun to catch up with him. And the thought bubbles, though pretty clever in concept, are extremely confusing, poorly executed, and detract from the reading experience in my opinion. This book, along with the Initiative titles, are unfortunately, the mediocre fallout of Civil War’s mediocre resolution.

——————————————————–

World War Hulk (Green Gamma Guy Goes Gaga): Puny humans shoot Hulk into Space”¦ Hulk fight war.. Hulk become king. Hulk fall in love, have family. Puny Humans blow up Hulks planet. Hulk Pissed. Marvel had launched into its big follow-up to Civil War. And part of World War Hulks ultimate failure may be due to its close proximity in release to Civil War. After months of “blockbuster” events books, World War Hulk couldn’t raise the stakes in terms of scope or scale. It’s like the sequel rule. Most follow-ups should elevate and heighten. World War Hulk is almost a watered down version of Civil War, in terms of stakes and company wide ramifications. I think Marvel readers were tired of this; “All or Nothing” attitude this summer, and it shows when you ask fans what they thought of World War Hulk. Most will echo the same sentiment. Over-hyped, under-developed, and mostly disappointing. Continuing this trend, Marvel has relaunched their seminal goon, this time, with Red skin. This color change doesn’t fool me, and I doubt it fools the rest of the fans. New color does not equal new direction for the series. This isn’t the early nineties. You cant wow em’ with holo-foil or a die-cut cover anymore, and a marketing stunt like green to red isn’t gonna do much either. On the plus side though, WWH did lead to The Incredible Herc, which I’m enjoying quite a bit. So, swings and roundabouts, folks.

“Miek wishes Miek was in The Exterminators…”

Annihilation (Big Trouble in Outer Space): With the exception of Nova and Drax, I was extremely bored by this series. Starting with a ridiculous and non threatening bad guy and going downhill from there, Marvels attempt to bring fans back to their cosmic stable of books, failed pretty miserably overall. This series had too many spin-offs each week, too many characters and almost no direct relation to the rest of the goings on in the Marvel Universe. With the stakes this low, and sales to match, Annihilation will be looked on as the mini event that couldn’t. A truly forgettable series.

Best of the Rest

Nova: Richard Ryder is a pimp. A few fans have known this for years, but it wasn’t until Nova’s re-launch did readers rediscover everyone’s favorite space cop with an attitude. Stricken with the deadly Worldmind virus, Ryder finds himself alone (with the exception of WorldMind, Marvel’s answer to Skeets), ravaged by a virus he cannot control, and basically free floating in deep outer space. Through this adversity, Ryder has “found himself” and the self that he found, just happens to be a colossal badass. This is the one Marvel book set in space that really connects with me. I could care less about Star Lord, and I personally thought Annihilation was more then enough, and don’t feel the need to read the current “Conquest” storyline. Nova, however, is a book I really enjoy reading each month.It doesn’t matter that it plays like a sidepiece to the rest of the Marvel comics, because the book itself is great in a standalone nature. I hope an inevitable staff change doesn’t alter the current course this book is running on, because its honestly one of the Marvel comics I enjoy reading the most.

X-Factor: In what may be Peter David’s finest work in years, the folks of X-Factor Investigations, have become cool again. With film noir plotting, and beautiful artwork by, Madrox and the gang has been brought to the forefront of the Marvel Universe once again, and it’s a role many fans are glad to have them in. Since its conception in, the various X-Factor teams have never really found their role amongst the other heavy hitters. Always more of an X-Men B team then anything else. With this run David has managed to include the X-Factor in the big events, without them losing their individual voice and team personality. I think this is a title that will remain strong for a while to come. Add it to your pull list. I know stuff”¦.

Honorable Mentions: NextWave:Agents of H.A.T.E, Marvel Zombies, X-Men First Class, ______ & Deadpool, Franklin Richards: Son of a Genius, The Dark Tower:The Gunslinger Born

NextWave: The most fun someone can legally have with a crayon.

Indie Report: A look at the best books the “Other” guys had to offer

Mike Mignola: Mignola took a side seat this year, mostly staying in a co writing capacity, but that doesn’t mean the house that Mike built wasn’t churning out great books every month. “Darkness Falls” Hellboy’s first foray into comics in about three years, was a very good read, which helped to expound on Hellboy’s intriguing mythology. Duncan Fegredo took over the reigns of art, the first time someone but Mike has drawn HB on the run, and his work is similar enough to Mignola’s, and yet spectacular in its own right. On the B.P.R.D front, Guy Davis and Jon Arcudi keep putting out great stuff, particularly building Ape Sapiens back story, which timing couldn’t work out better for, since Abe is getting his first solo mini next month. Lobster Johnson’s first solo mini was great as well, very Mignola, very 20’s, very visual, very fitting for the man with the claw.

The Goon: Eric Powell’s zombie noir masterpiece was back in full effect this year. The Goon, with all his lack of flair and flavor, has quickly solidified himself as one of the best and most interesting characters in comicdom. Goon doest need powers, or flashy weapons. Hes got his fists and Frankie, which is enough for him. This, month after month, is one of the down right funniest books published by any company. Powell has nailed a style of humor for this comic, and it’s truly a pleasure to be able to read a book that knows so well what it is trying to be. Particularly the arc “Chinatown” was a fantastic read this year; in fact, the trade outsold single Goon issues by far. Dark Horse is the undisputed leader for gritty, funny, different, non-super books, and The Goon is a great running mate to President Hellboy.

Mickey Rourke, keep your work calendar clear (As if that was difficult to do).

Usagi Yojimbo: Stan Sakai’s samurai road story is in its 23rd year of publication (same as your not so humble columnist) and shows no signs of getting stale. Usagi is a fairly straightforward book, something refreshing in the age of crisis and crossover. Usagi Yojimbo, is, and always will be, a samurai comic. Actually, it may be the only mainstream comic book to ever pick a genre and stick with it over decades. Usagi has never strayed into crossovers (unless you count Space Usagi on the TMNT cartoon, which was ten kinds of awesome), never “put down his sword and picked up a gun”. In a world of anti-heroes, Usagi may be the most pure and noble character in comics. With twenty years plus of back-story to draw on, every issue of Usagi feels like revisiting old friends. I can’t help but smile when I see Gen, or Spot, or (my personal late, favorite) Zato-Oinko. This book feels like a loyal pal, who never lets you down, and stops by for a visit about once a month. Who would’ve thought a comic book about a samurai rabbit and his various animal pals, would last two decades and make Stan Sakai comic book royalty? I think Sakai san may have had an idea. And the world of comic fans are richer for it.

The Exterminators: Where the hell did this book come from? And what did I do before I found it? I love this freaking comic. Simon Oliver’s gross-out epic is in its second year of publication, and the books have only been getting better and more bizarre. This title is more MAX, then any MAX imprint book could ever hope to be. This one isn’t for kids. This is adult storytelling at its best. Vertigo has proven itself to be the premier imprint for cutting edge “dangerous” storytelling, and Exterminators sits pretty at the top of that illustrious heap. The tales of the boys at “Bug Bee Gone” are funny, disgusting, and eerily disturbing sometimes. Exterminators is not a superhero book, or a book like any other comic fans have read. . Since its inception, Exterminators has stuck to an ongoing arch that draws fans deeper into the mythology each month and with art work by Tony Moore, which rivals his early Walking Dead art, this is a book that will remain “Must Read” until the fine folks at Vertigo decide (insanely) to stop publishing it.

Honorable Mentions: The Mice Templar, Archenemies, Craig and Todd’s The Perhapnauts, Groo: Hell on Earth

And last, but certainly not least,

OVERALL COMIC BOOK OF THE YEAR

Visual drum roll please”¦”¦”¦.

Fables: Bill Willingham, I bow down to you sir. Every single issue of this book so far has been near perfect. The book is genius, the art, the writing, and the entire experience. Fables, is a rare piece of art, something that comes along only a few times in ones life. A work, where every single component comes together seamlessly, to create a comic book that is more then any superhero book can possibly offer these days. With the creation of Bigby Wolf and gang, Willingham has brought to life characters and stories that will stay in the popular consciousness for a long time to come. Read in single issues, or solely in trades, I cannot think of a more enriching and down right brilliant comic book as Fables. Willingham takes a page out of Alan Moore’s (the single greatest comic book writer of all time, in my not so humble opinion) playbook, and populates his book with characters from literature and popular culture, an act that immediately draws fans to certain characters, ones they’ve known and enjoyed since they were children. There is no getting to know you period with Fables. Willigham builds on our imagination and memories, and it never feels false or put upon for a moment. This is the logical path for these characters. What would our favorite fairy tale folks do if confronted with the modern world? Willingham answers this question each issue, and then some. The only continuity a fan might have to worry themselves about, is if they’re caught up on all their childhood fairy tales. No prior comic book knowledge required. And this is the reason I think Fables is such a great introductory read to non-Comic fans. Its not threatening, not “geek” inclusive like some other books, just a purely enjoyable, timeless read. Fables is simply, one of the greatest comic books ever written, and if you haven’t experienced it yet, its time to.Now, on to the glitz and glamor that makes comic books what they are,

First Annual Paper Cut Awards: Awarding excellence in comics since this sentence was typed
———————————————————-

Best comic (Ongoing):Fables
Runner Up: Detective Comics

Best comic (Mini or Cancelled): NextWave: Agents of H.A.T.E
Runner Up: Shazam and the Monster Society of Evil

Best graphic novel: League of Extraordinary Gentlemen: Black Dossier
Runner Up: Heroes:Volume One

Best writer: Bill Willingham (Fables, Jack of Fables, Shadowpact)
Runner Up: Brian K. Vaughan (Dr. Strange: The Oath, Ex Machina, Y The last man)

Best artist: Andy Kubert (Batman)
Runner Up: Jae Lee (Dark Tower: The Gunslinger Born)

Best event: Sinestro Corps
Runner Up: 52

Best one shot: DCU Infinite Halloween Special
Runner Up: Deadpool/Great Lakes Initiative Summer Fun Spectacular

Best new character: Penance (Thunderbolts)
Runner Up: Warpath (X-Force)

Best comic book merchandise: Bigby Wolf and Snow White statue (D.C Direct)
Runner Up: Sinestro Corps T-Shirt (Graphitti Designs)

“In blackest day, in brightest night, in a soft, durable cotton weave…”

Lifetime achievement award: Peter David (X-Factor, Dark Tower: The Gunslinger Born)

——————————————————————-

Well, thats it for funny books. Check back next week for Part 2 of “Is This Thing On?” when I take a look back at the year in Comedy… All the people and shows that made you laugh, cry, and then laugh while crying. (I bet that second Comics in the title of this column is beginning to make more sense now).

So keep it tuned. And, as always,

“Keep em’ bagged and boarded.”

–Matt Cohen is currently writing “Kara Zor-El Cohen” in magic marker all over his spiral notebooks.