Author: UncaScroogeMcD

  • Noctural Admissions: Movie News, Living Room Theaters

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    Everyone knows that “movies” as we have known them for over 100 years are on the verge of radical change. Indeed, since at least the late 1970s, with the introduction of home video, an implacable force of change has been on the march. Home entertainment centers, iPods, Bittorrent trading, and the world wide web itself are just a few of the mutations that have revolutionized how we view movies and how we find out about them. One of the most vivid shifts among so many such alterations is that a movie, as we customarily know it, may cease to be a physical thing. Taking a page, as it were, out of the aesthetics of Monroe Beardsley, who argued that a work of art is a perceptual object rather than a physical one, movies are now more often than not a digital object.

    Predictions of the eventual digital hosting, projection, copying, and so forth, of movies have been rife since the early 1990s, or at least since the inception of Wired magazine. But who would have thought that Portland, Oregon – a drink water town in a state no one has ever heard of – would some day become the epicenter of a digital projection revolution?

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    Well, so it has come to pass. In early December, 2006, the six-screen Living Room Theaters complex opened in Portland’s downtown gentrified area, specifically at 10th and SW Stark. As its website announces, Living Room Theaters will be a complete leisure experience, with a restaurant, a bar, free wi-fi, and six small auditoria (the largest has 65 seats). The company putting the project together has a sister theater also going up in Miami, but the owners maintain that the Portland unit is the flagship of what they hope to be a national chain. What is most unusual about Living Room Theaters is that the founders also plan to exclusively screen independent and “speciality” (i.e., foreign) films, often trafficking in films that have not even premiered in the United States, and they add that in some cases they will be dealing directly with the filmmakers, circumventing the lugubrious, arcane, and outsider-excluding mechanics of national distribution, the stumbling block that fells most bright ideas in film production and exhibition.

    Shawn Levy of the Portland Oregonian has covered the theater’s advent the most thoroughly of local papers. The brain child of Felix Martin, Ernesto Rimoch, and Diego Rimoch, Living Room Theaters is at the very least an ambitious enterprise that prides itself on its energy conservation and green policies, and it aspires to tear customers away from the mundane reliance on popcorn, candy, and soda pop as inevitable movie time concessions. Writes Levy, “Martin and his partners currently operate a firm which converts celluloid prints of movies into digital files that can be projected in moviehouses, and they are establishing connections with independent and foreign filmmakers who don’t have distribution in the United States.”

    What’s curious is that about a year earlier Cinetopia, another digital theater with eight screens, a full restaurant, and “gourmet” butter for popcorn, went up in Vancouver, Washington, a neighboring burg situated but just across the Columbia River, and it appears to have made itself a rousing success by showing a mix of popular hits, such as Casino Royale, along side the studios’ definition of art films, such as Babel, as well as digital projection of football games on Sunday and Monday, among other special events. By coincidence, Cinetopia calls its three fine dining theaters, where waiters serve spectators candy, pop, beer/wine, and/or hot meals prior to show time, Living Room Theaters. The presence of these two venues within 15 miles of each other suggests that Portland and environs is plugged unwittingly into the zeitgeist.

    One wonders if the ernest founders of Living Room Theaters know what they are getting into. From the local arena to the national they may be greeted with resistance or, worse, indifference. Circumvented distributors may not be so happy about offering up at good terms the films that Living Room Theaters in fact does want to book. Film fanatics may decide that it is still cheaper to stay home with their own theater-equivalent presentation than to wend their way to a part of town where it is difficult to park and expensive to play. And finally there is the issue of where Living Room Theaters resides, which happens to be a busy but recently gentrified section of the city called the Pearl District, yclept thus for reasons no one can remember. The residents consist of mostly very wealthy but conventional-minded people living in high rise condos, who are more likely to be frustrated at the fact that the theater is showing the latest intellectual Argentine thriller rather than Superman Begins. Worse, the company’s founders may have overestimated the town’s general appetite for off-beat entertainment, although the theater complex’s presentation as a multi-faceted “experience” may indicate an awareness of this possibility. It’s Seattle, up north, that is the real movie town; Portlanders watch lots of movies, but have a very narrow appetite.

    Worst of all, Portland filmgoers have long been dominated by a succession of large dominating theater chains, all of which have flirted with federal anti-trust suits. Currently, it is Regal Cinemas that owns most of the city’s screens. Outside of the Regal chain, there are a handful of independent theaters scattered around the city that show either second run, revival, or repertory calendars, among them the Cinema 21 and the Hollywood theater. Each successive corporation that rules first-run theater-going experience in Portland has been aggressive in the past about preserving its hegemony.

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    Be that as it may, Living Room Theaters has announced its first schedule and the company appears to be living up to its self-imposed mandate. Among the films slated for screening, a mix of new and recent, are Agnes and His Brothers (German director Oskar Roehler’s award winning domestic drama), Claude Chabrol’s The Bridesmaid, the Edward Norton starer Down in the Valley, Look Both Ways (Australian helmer Sarah Watt’s blend of slacker ethos and animation), 13 Tzameti (Gela Babluanni’s hard-edged descent into masculinist competition), and a revival of Wordplay, among 14 titles.

    This is all well and good for Portland viewers, but what are the international implications? High tech may advance and improve, but people themselves don’t change and mostly what new technology does is appeal to people’s inherent laziness; thus, downloading a movie for home viewing is easier than getting up and fielding numerous obstructions in order to get to a theater. More optimistically, cheaper is better when it comes to poorer countries, which still rely on and enjoy the communality of public screenings. What it comes down to is what the film industry likes to call product. If Living Room Theaters can triumph over inertia through must-see movies, than their model may be one other theaters and other countries may follow.

  • Quick Stop Thingamabobs: 12/14/2006

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    Have a THINGAMABOB? Send it in!

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  • QSE News: 12/14/2006

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    Here are today’s top entertainment headlines:

    • qsnews.jpgJason Lee, of My Name is Earl fame, is set to produce and star in a comedy entitled Krater. The film follows a rock band as they bring on a new lead singer with hidden “oral talents,” and gain sudden popularity.  Lee maintains that his film is in no way a rip-off of Marky Mark’s, Rockstar, which was a film that followed a rock band that brought on a new singer after the original stopped hiding his “oral talents.”
    • It appears that America has a new, favorite past time… suing Borat. Fresh on the heels of a judge’s ruling to dismiss a lawsuit against Borat’s creator, Sacha Baron Cohen, by two, adorably misogynistic/racist/homophobic frat boys, a South Carolina man has filed suit stating the comedian made fun of the man while he urinated in the men’s room of an upscale restaurant.   When asked for comment, Cohen stated “I don’t think this man has the balls to go through with this.”
    • Proving that the apocalypse is, indeed, nearing, Paris Hilton has announced that she wants to have kids.  Surprisingly, the awkwardly sexual Paris is forgoing the traditional, celebrity method of conceiving children in the restroom of Hyde and has hired top scientists to genetically engineer a brand of “boutique children” small enough to fit nicely inside a Gucci shoulder bag. “It should be fairly easy,” said one scientist, “assuming we can get our hand’s on some of Tom Cruise’s seed.”
    • In sad news, Ramon Escobar, programming chief of Spanish network Telemundo, will be stepping down on December 31.  I’m sure we here at QSE speak for everyone when we say “Nosotros nunca miramos realmente Telemundo, pero cuando hicimos, vimos alguna mierda loca. Gracias para programar muchas a mujeres con senos grandes y muy poco ropa.”
    • The band Def Leppard is getting ready to record a new studio album, the band’s first disc of original music since 2002’s X. Singer Joe Elliott said the band is hoping to recapture the enormous fame it had in the 80’s by getting back to a grittier sound. “We saw the height of our popularity just after our drummer lost his arm. So to get back to that, we are going to amputate our bass player’s left leg.”
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    That’s all for today’s news, stay tuned to this channel for all the news that matters least but you still care about.

    (Compiled by J. Allen)

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  • Holiday Havoc Day 8: Kenny vs. Spenny

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    Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

    Not us.

    Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

    Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you.

    Ain’t that cool?

    Today we’ve got an exclusive uncensored clip from the Canadian cult sensation Kenny Vs. Spenny.

    Truly a guilty pleasure, it unfortunately reveals ““ in stark reality ““ the sad, pathetic competitive nature that makes idiots of even the brightest men. In this series, best friends Kenny Hotz and Spencer Rice engage in the most inane of head-to-head competitions ““ from best sperm count and best peeing to best female impersonation. It’s madness, but so very accurate ““ and so very funny.

    The complete first season and second season are currently available on DVD, and the third season is currently airing.

    This clip finds Kenny looking for a Spenny replacement after his perpetual punching bag decides to storm off – unfortunately, Kenny gets more than he bargains for with a man called Zanta…

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    Download Kenny Vs. Spenny – “Zanta”:

    Large (560 x 420 – QuickTime – 19.87 MB)
    Small (320 x 240 – QuickTime – 8.87 MB)

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    Check out the rest of this year’s “Holiday Havoc” HERE

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  • Quick Stop Thingamabobs: 12/13/2006

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • Alan Davies turns the tables on Stephen Fry during a special QI Christmas… (Thingamabob)

    Have a THINGAMABOB? Send it in!

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  • QSE News: 12/13/2006

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    Here are today’s top entertainment headlines:

    • qsnews.jpgFamous lesbian, Rosie O’Donnell, has found herself in hot water after stating on her show, The View, that the Chinese language is comprised mostly of “chings” and “chongs.”  In a statement to the press regarding those comments, O’Donnell stated that, contrary to popular belief, she is not racist against people of Chinese decent and what she meant to say is that the Chinese have an endearing love for Cheech and Chong.
    • In “they’ll give a recording contract to anybody” news, actress Halle Barry is going to release a CD next year simply titled Halle. Music industry insiders say this latest announcement is a clear sign that record executives have completely given up on entertaining the public and are now focusing solely on punishing them.
    • After being arrested for an alleged DUI, it was revealed that reality “star” Nichole Richie weighed in at a whopping 85 pounds.  I think we here at QSE speak for everyone when we say “come on Nichole, you’re really letting yourself go.  Put the cake down and have some damn self respect. Just because you are no longer on TV doesn’t mean you have to eat everything in site.”
    • Early punk icon Iggy Pop has re-teamed with his original band, The Stooges, and plans are being laid to release a new studio album; the first by the band in over 30 years.  Although he experienced some success with the Stooges, Pop is best known for penning the song “Lust for Life” for the movie Trainspotting and also for starring as “The Crypt Keeper” on HBO’s long running show, Tales From the Crypt.
    • In a touching moment, troubled singer Courtney Love broke down in tears as a judge ended her probation for assault and battery and dismissed three previous drug charges.  When asked what she was going to do on her first day of freedom, Love stated, in between sobs, that she was “gonna cook a spoon, [EXPLETIVE DELETED] a couple a dudes and find out which mother [EXPLETIVE DELETED] narc’d on me.”
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    That’s all for today’s news, stay tuned to this channel for all the news that matters least but you still care about.

    (Compiled by J. Allen)

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  • Holiday Havoc Day 7: Kaspar Hauser’s SkyMaul

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    Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

    Not us.

    Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

    Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you.

    Ain’t that cool?

    Today we’ve got an exclusive from the comedy troupe Kasper Hauser – a deleted ad from their SkyMall parody SkyMaul, that was deemed just too rude to print.

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    As I stated in our holiday shopping guide: “Parody, as an art, is incredibly difficult. But you know that. I know that. Everyone knows that. Kasper Hauser, in their aneurysm-inducingly funny parody of those already ludicrous in-flight catalogs, SkyMaul: Happy Crap You Can Buy From A Plane (St. Martin’s, $14.95 SRP), have managed to pull off a parody that builds on the inherent comedy and makes the humor transcendent. Which is all just a way to say that ads for products like Reality-Canceling Headphones, Crack Pipe Chess Sets, Llamacycles, and other absurdist offerings are very, very funny.”

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    Click the image to download a larger version.

    Check out the rest of this year’s “Holiday Havoc” HERE

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  • Quick Stop Thingamabobs: 12/12/2006

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • How not to slingshot your drunk friend… (Thingamabob)
    • Genndy Tartakovsky animates Nicorette… (Thingamabob)

    Have a THINGAMABOB? Send it in!

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  • QSE News: 12/12/2006

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    Here are today’s top entertainment headlines:

    • qsnews.jpgAcclaimed actress and Hyperthyroidism sufferer, Tori Spelling, garnered her most successful career move to date this weekend when she staged a giant yard sale at her Studio City home.  Hundreds of “fans” gathered to snatch up such “Spelling-licious” items as wine glasses, lingerie and a large, dusty, cardboard box labeled “Daddy’s Love.”
    • Columbia Pictures and Sam Raimi have secured the rights to produce a new film based on the pulp hero The Shadow. To update the character into the modern age, executives at Columbia sent a memo to Raimi urging him to consider changing the “look” of the character by dressing him in a “blue and red body-suit.”  The memo also stated that the studio “REALLY wants The Shadow to have the ability to shoot a “˜web-like’ substance from holes in his wrists.”
    • In a continuing effort to shy away from anything offensive, producers of this season’s Super Bowl have announced that Prince will be performing during the hallowed Half Time Show.  Prince has said that he will play a variety of songs from his catalog and looks forward to making the game’s large male audience “question their sexuality even more than watching men run around in tight pants and patting each other on the butt does.”
    • Actor Lou Diamond Phillips has pleaded “no contest” to charges of domestic violence.  Ironically, this event marks the first time since the film Young Guns that Phillips and the word “hit” have been mentioned in the same breath.
    • And finally, one of Japan’s most famous female stars has published a tell-all book that has all of Japan talking. In it, Mariko Ishihara tells of her sexual exploits, reveals some tawdry secrets of the Japanese entertainment industry and even “names names.”  Considering this book has fired up the country that gave the world Bukaki and the “used panty” vending machine, it just became the QSE “must have” gift of the season.
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    That’s all for today’s news, stay tuned to this channel for all the news that matters least but you still care about.

    (Compiled by J. Allen)

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  • 2006 Quick Stop Holiday Shopping Guide

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    It’s that time of year again, when sites the web-over compile helpful holiday shopping lists to guide you into the deepest, darkest pits of retail with a map that will hopefully get you out alive. Here now, without further ado, is the 2006 Quick Stop Holiday Shopping Guide…

    For those of us old enough to remember Mr. Hooper, viewing an “episode” of the current version of Sesame Street is a little like seeing McMurphy after he was lobotomized in One Flew Over The Cuckoo’s Nest. Gone is the sly, hip, multigenerational humor that defined the groundbreaking show’s early years – replaced instead with an infantilized, toothless program that has lost its ability to teach anything but how insipidly saccharine it has become. In fact, I won’t even let my nephew watch it, for fear of it turning him off to learning – and The Muppets. Thankfully, someone must have been awake at the wheel over at Sesame Workshop (formerly the Children’s Television Workshop, or CTW), because they’ve released the first volume of what they’re calling Sesame Street: Old School (Sony Wonder, Not Rated, DVD-$39.98 SRP). The 3-disc set features the complete, uncut premiere episodes from the first 5 seasons (well, except for a segment featuring a pop icon who wouldn’t clear the song used… Boo! to him). If that weren’t glorious enough, there are 45 additional bonus segments, the original sales pitch from 1969 (featuring Rowlf!), and more. Watching classic Sesame really drives home just how much they’ve lost the plot in recent years. Bring on volume 2 as fast as you can, because I’ve got to have something to show my nephew…

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    Everyone has a holy grail toy or collectible that they’ve wanted ever since they were just a kid. For some, it’s a Red Ryder BB gun, for others it might be a Boba Fett figure with firing missile – for me, it was simply a Kermit that looked like Kermit. It could be a doll, or a puppet, or an action figure – it didn’t matter, as long as it actually looked correct. The Henson company, through its long history, has had a horrible time of actually getting licensees who could produce accurate representations of the characters. Too often, the proportions were off, the materials were shoddy – the bottom line being that they were just not right. It wasn’t until Palisades came along a few years back and began producing their Muppets action figures that accurate representations of these cherished characters began to be released for fan consumption. But there was still the holy grail of actually owning a Kermit the Frog – a *real* Kermit the Frog. I won’t go into the history (you can find it elsewhere), but I played a role in getting my holy grail produced – a Kermit the Frog “photo puppet” from Master Replicas ($199). If you’re not familiar with the term “photo puppet,” they’re essentially fully-poseable, full-bodied representations of the Muppet characters used for photo shoots. They have an internal armature, but are constructed of the same patterns and materials as the workable puppet. Master Replicas have done a masterful job of creating a truly unique collectible that fans will kick themselves repeatedly if they don’t pick up. Considering the unbelievably reasonable price point and the edition size of only 2500, you’d be a fool not to snag one as soon as you possibly can.

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    This holiday season, I intend to spend those cold winter nights holed up with hot chocolate, Little Debbie Christmas Trees, and – Would you believe? – the complete 5 season Get Smart box set (Time Life, Not Rated, DVD-$199). Long a fan desire, never did I think that not only would we get completely uncut, stunningly remastered episodes that make the series look sparkling fresh, but that the entire run would be released in a special box set absolutely loaded with bonus features. In an age when studios release bare bones season sets only to screw over fans be releasing comprehensive, feature-laden sets at the very end (Hello, Fox!), this comprehensive bonus-filled bonanza is a true delight. Those bonus features include audio commentaries (with the likes of Mel Brooks, Buck Henry, James Caan, Barbara Feldon, Bernie Koppell, Don Rickles, and more), interviews, bloopers, featurettes, Emmy footage, rare commercials, and much more – literally hours of material. Packaged in a box comprised of multiple doors (ending with the phone booth), the set is currently an exclusive available only at TimeLife.com.

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    It’s been a long, long, LONG wait for the Steven Spielberg-produced Warner Bros. cartoons to hit DVD, and while Tiny Toons is still MIA, fans should be eagerly snapping up the first two volumes of both Animaniacs and Pinky and The Brain (Warner Bros., Not Rated, DVD-$44.98 SRP each) this holiday season. The 5-disc Animaniacs sets feature the show’s first 25 episodes apiece, plus voice artist Maurice LaMarche interviewing his fellow castmates and the writing staff about the show and their favorite episodes. Meanwhile, Pinky and The Brain advance their plans to take over the world with 4-discs and 22 episodes per volume, which also contain an interview with Rob Paulsen and Maurice LaMarche (Pinky & The Brain) and voice director Andrea Romano, as well as an awkward confrontation between Paulsen and LaMarche when they meet a pair of actors trying out for the big screen Pinky & The Brain – Mark Hamill & Wayne Knight. Must have more!

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    As a fan of the original Christopher Reeve/Richard Donner Superman film, I was more than delighted with the 4-disc box set released back in 2001, featuring the remastered director’s cut of that first flick, as well as the diminishing returns of its 3 sequels. Never in my wildest dreams, though, did I ever anticipate something as glorious as The Ultimate Superman Collection (Warner Bros., $99.98 SRP). Not only are those original quartet of films completely remastered and looking better than they ever have (including even their theatrical runs), but it’s been bolstered with the inclusion of both the original theatrical and the 2001 director’s cuts of Superman. If that weren’t enough, the set also features the legendary “Richard Donner Cut” of Superman II (Donner was fired and replaced by Richard Lester before he could finish the sequel, which he had shot concurrently with the first film), plus fully remastered editions of the Fleisher Superman cartoons of the 40’s, Bryan Singer’s Up In The Sky! documentary, the Superpup pilot, additional documentaries and featurettes, and much more? And that’s not even including the 2-disc special edition of Singer’s Superman Returns, which you’ll also find in the set. An incredible, one-stop set, no? And while you’re at it – because you know you’re a completist – why not pick up the incredibly flawed, incredibly campy, but nicely remastered international cut of Supergirl (Warner Bros., Not Rated, DVD-$14.98 SRP), featuring a commentary from director Jeannot Szwarc and historian Scott Bosco? You know you will.

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    At long last, with the release of Star Trek: The Animated Series (Paramount, Not Rated, DVD-$54.99 SRP), fans can finally rejoice in the knowledge that every televised Star Trek show and the entire run of feature films is now out on DVD. Ever since the release of Enterprise wrapped over a year ago, the anticipation for the early 70’s cartoon adventures of Kirk & crew has been high, with every scrap of information as to when it would finally see the light of day eagerly anticipated. Well, it” finally here, looking better than ever and sporting audio & text commentaries, a retrospective featurette, a look at the connection between the live action and animated series, a storyboard gallery, and a history of the show. If that weren’t enough, it also comes packaged in a snazzy plastic case similar to the ones that contained the original series DVDs.

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    If you’ve never heard of the UK quiz programme QI, you’re missing out on one of the funniest “educational” shows ever devised (the devisee being creator/producer John Lloyd, formerly of Blackadder, Not The Nine O’Clock News, and Spitting Image). The key to QI (which stands for “Quite Interesting”) is the central tenet of its philosophy – it’s not always being correct that counts, but interesting (and funny). The interesting nature of a given piece of information spurs conversation and debate, eventually leading round to the learning said informational nugget. Did you know that the Earth has more than one moon, for example? Or that otters kill crocodiles? Airing on BBC2 (and currently in its 4th season), it’s hosted by Stephen Fry and features a rotating panel of four comedians (one of which is mainstay Alan Davies) – and it’s one of the most hilarious shows I’ve ever seen… Honestly, you’ll laugh as much as you learn, and I hope a network in the US is smart enough to pick the show up uncut (Hello, Comedy Central! Hello, Discovery Channel! Hello, PBS! Somebody!). Until then, you can grab a copy of the interactive QI DVD game (Warner Home Video, DVD-£18.99), a 2-disc, feature-laden DVD set of the first season (2 Entertain, Not Rated, DVD-£19.99) – both of which are available only for Region 2, so make sure you have a Region Free player – and the very first QI Book of General Ignorance (Faber & Faber, £12.99), which collects much of the interesting information featured in the first four seasons into one handy volume. By all means, learn what all the hubbub is about (and stop by the official QI site at www.QI.com). 

     

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    I’m not knocking the rest of their fare, but the only series that transcends the fraternity comedy of much of the Adult Swim line-up is The Venture Bros. (Warner Bros., Not Rated, DVD-$29.98 SRP). Featuring some of the sharpest writing on TV – let alone adult animated comedy – it also contains an incredible cast of characters that are light-years beyond the cheap archetypes populating most series. Go pick up the complete first season set, and catch up with the reruns of the second season.

     

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    There are collectibles that are basically overpriced knickknacks that prey upon pop culture sensibilities, and then every once in awhile something will come down the pike that complete transcends geeky knickknackery and qualifies as an impressive work of art in its own right. I felt that latter rush when removing Sideshow Collectibles’ scale replica of Spielberg’s killer shark, Jaws ($279.95), from its massive box. Measuring an incredible 28″ from nose to tail, this is a jaw-droppingly stunning piece, sculpted to accurately portray the mechanical “Bruce the Shark” designed for use in the ’75 blockbuster. Mounted on a blue acrylic stand with an adjustable nameplate, it’s limited edition that trumps any Jaws collectible of the past and I daresay future – if you get this, you’ll be beyond satisfied.

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    For years, it was thought that the inordinate amount of musical clearances necessary would impede a complete season-by-season release of Saturday Night Live, but those not insubstantial hurdles must have been overcome since we now have the complete and uncut release of SNL: The Complete First Season (Universal, Not Rated, DVD-$69.98 SRP), featuring the Not Ready For Primetime Players literally figuring out what exactly the institution would become while putting on a seat-of-their-pants live program every week. In fact, it’s not until a few weeks in that the shape of the show finally begins to coalesce, and the likes of Belushi, Aykroyd, Chase, and Radner begin to make the show their own, instead of it being a showcase for guest hosts and musical acts. The 8-disc set also features the original screen tests, plus a 1975 TV interview with the cast.

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    While writer Roy Thomas’s Stan Lee’s Amazing Marvel Universe (Sterling, $50.00 SRP) would have been a must-have overview of the formative years of Marvel Comics and the equally amazing Lee in its own right, the addition of Stan Lee’s audio remembrances makes it an essential experience for anyone who grew up entranced by Lee’s hyperbolic universe and giddy hucksterism. Attached to the impressive tome is an audio player that, when you come to a cue within the book itself, you can press to hear Stan himself relate stories and anecdotes based on what you’ve just been reading about. In practice, it’s like getting an audio commentary from “The Man” himself, and I can only hope that more books will utilize this unique technology.

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    Of all the shows with fans clamoring for a DVD release, very few have been as requested as the single-season of the Saturday morning animated Dungeons & Dragons (BCI, Not Rated, DVD-$54.98 SRP), which aired during the 1980’s. I remember liking it as a kid… of course, I also liked Kidd Video. Still, those amazing guys at BCI (with Ink & Paint DVD) have constructed an wonderful set for the series, collecting all 27 episodes across 5-discs, with audio commentaries, interviews, rare/alternative footage, trivia, and even a “radio-style” performance of a “lost” script which wraps up the series’ cliffhanger ending. If that weren’t enough, geeks will love the handbook included with the set, which integrates the animated characters fully into the D&D universe.

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    Back when Shane MacGowan could still be intelligible, he and The Pogues crafted what many consider to be their masterpiece – If I Should Fall From Grace With God (Rhino, $11.98 SRP). Not only is this new edition complete remastered and loaded a half-dozen bonus tracks, but it contains one of the most amazing, poignant, and powerful holiday tunes ever penned – MacGowan dueting with the late Kirsty McColl on “Fairytale of New York.”

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    I can think of no harder to intellectual task than trying to explain a joke, and comedian Jimmy Carr and Lucy Greaves have tackled an even more formidable task in Only Joking: What’s So Funny About Making People Laugh? (Gotham Books, $23.00) – namely, why do we laugh at jokes? Are they universal to everyone? Are there gender-specific jokes that leave the opposite gender with nary a chuckle? Do jokes span cultures and ethnicities? What spurs the laugh reflex, and why is it so closely associated with fear and tension? Far from being a dry discourse, the book is quite a funny exploration that will certainly spur some thought… and, seeing as how it’s also packed with dozens of jokes from dozens of comedians, it may just leave a smile on your face, as well.

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    Before we move on, I’d also recommend you pick up a pair of Region 2 releases featuring Mr. Carr, beginning with a 2-disc collection of his stand-up DVDs, Jimmy Car: Live (Channel 4, Not Rated, DVD-£22.99) and the first uncensored highlights collection of the panel show 8 Out of 10 Cats appropriately subtitled Claws Out (Channel 4, Not Rated, £19.99). It’s a shame that the extent of Carr’s penetration into the US market is Comedy Central’s import of the Carr’s UK gameshow Distraction, because the man is freakin’ hilarious.

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    If I were to come up for the best metaphor to describe what reading Neil Gaiman’s Sandman was like – as I sat down with the very first trade paperback, long after a vast fanbase had taken it to heart during its initial run – I’d call it a literary Chinese finger trap. What seemed at first like a rather simple act of reading a piece of graphic fiction quickly ensnared me – so much so that I lost an entire evening trying to extract myself from the fantastic world Gaiman and a bevy of top-notch illustrators had created, only finding freedom after having read the entire run in one sitting. I’m usually not a fan of “double-dipping,” whereby a company will get me to buy another copy of something I already own by dangling the prospect of bonus materials or better quality, but there is no doubt in my mind, after heaving held and lovingly paged through it, that the first volume of The Absolute Sandman (Vertigo, $99.00 SRP) more than lives up to its title as the definitive collection of Gaiman’s epic. The premiere volume (of an eventual four) features the first 20 issues completely restored and recolored, bound in a beautifully slipcased hardcover edition. In addition to a new introduction by DC publisher Paul Levitz and an afterword by Gaiman, the volume also contains the full script to the award-winning “A Midsummer Night’s Dream,” as well as Charles Vess’s original pencils. I can’t recommend this highly enough.

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    It has now become a welcome holiday tradition that as the year comes to a close, you can hunker down during cold winter nights watching classic cartoons with the latest Looney Tunes Golden Collection (Warner Bros., Not Rated, DVD-$64.98 SRP). As with previous sets, Volume 4 features 4 discs full of fully restored and remastered gems starring Bugs, Daffy, Porky & pals, with a dazzling array of bonus materials – including commentaries, documentaries, featurettes, and more – providing welcome icing on the already filling holiday cake. Those just wanting a featureless sampler of the cartoons themselves at a reduced price can pick up the fourth volume of the Looney Tunes Spotlight Collection (Warner Bros., Not Rated, DVD-$26.98 SRP). Also available for the holidays is a brand-new Looney Tunes holiday film, Bah Humduck! (Warner Bros., Not Rated, DVD-$19.98 SRP), which recasts Dickens’ Christmas Carol with Daffy fulfilling the Scrooge role as the proprietor of the Lucky Duck megamart and Porky as his long-suffering manager.

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    Of course, the grand poobah of this here site also has a pair of DVD releases worth picking up for the holidays – and I’m not just saying that because he pays my bills. Long before I came to run Quick Stop Entertainment, I was a fan of Kevin Smith – in fact, I attended the Wilmington, NC stop of his college tour that eventually became An Evening With Kevin Smith. As a monologist, Smith is a crackling, visceral, very funny guy – in fact, in terms of delivery and timing, he ranks with the best. I don’t know how to define what “it” is, but he’s got the chops to carry an audience through an anecdote like nobody’s business – which is why I dug his second stand-up set, An Evening With Kevin Smith 2: Evening Harder (Sony, Not Rated, DVD-$28.96 SRP). The 2-disc set features gigs in both Toronto and London, as well as behind-the-scenes featurettes (in particular, the one starring Jason Mewes is a keeper). You will never view Dora The Explorer in the same way ever again.

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    But before he was a master of one-man performance, Mr. Smith was a filmmaker – starting with a little film called Clerks. A little over a decade later, he returns to familiar territory – and beloved characters – with Clerks 2 (Weinstein Company/Genius, Rated R, DVD-$29.95 SRP), which finds Dante & Randal bereft of the Quick Stop and working at a Mooby’s under the managerial eye of a comely lass named Becky (played with a twinkle and sly grin by Rosario Dawson). It also finds our two heroes at a crossroads in their lives, attempting to determine exactly what their lives should be as the leave their 20’s further and further behind. Going in, I wasn’t sure what I was going to think of the film – Clerks was such an icon of its era, and to revisit it seemed almost sacrilege. Thankfully, awkward moments were spared, as I thought Kevin managed to make a film that combined the raunchy, witty, character-driven fun of the early View Askew flicks with the maturity he brought to the severely underrated Jersey Girl (yes, I liked it… a lot). As with previous View Askew DVD releases, this 2-disc set is literally packed to the brim, including 2 audio commentaries, deleted scenes, an impressively in-depth feature-length making-of documentary (Back To The Well: Clerks II), bloopers, and 10 of the “Train Wreck” online diaries.

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    Keeping it in the family, add Jeff Anderson’s directorial debut Now You Know (Weinstein Company/Genius, Rated R, DVD-$19.95 SRP) to your shopping list. Anderson also wrote this comedic tale of a young man (Jeremy Sisto) who returns to his Jersey hometown after his fiancée cancels their engagement, and hangs out with his lawnmowing slacker buddies (played by Anderson and Trevor Fehrman). Is it a slacker paradise, or should he try and right his torpedoed nuptials?… and is she even still available? Bonus features include an audio commentary, a Q&A, and an intro to the film from Anderson and some guy named Kevin).

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    Erik the Viking (Arrow Films, Not Rated, DVD-£15.99 SRP) is one of the “lost” post-Python films, overlooked by many in favor of more well known efforts from the likes of Cleese (A Fish Called Wanda) and Gilliam (Brazil). Still, I find writer/director Terry Jones’s tale of a Viking with a conscience (Tim Robbins) to be an enjoyably fun flick, with many of the whimsical and visual qualities that have marked much of Jones’s style. Unfortunately, the original cut of the film was somewhat rushed, and Jones has never been happy with the theatrical version – which means, in this modern DVD age, he’s been given the chance to go back and tweak it for a new 2-disc special edition… well, actually, his son Bill Jones has done the tweaking, producing the “Director’s Son’s Cut” of Erik the Viking. While the US edition is MIA with no release in sight, Arrow Films in the UK has put together a beautiful special edition featuring both cuts of the film, audio commentary with Terry Jones, and interview with Terry and his son Bill, a making-of featurette, extended cast interviews, and a photo gallery.

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    I’m a huge space nut, and nothing has disheartened me more than the seeming loss of awe and wonder for space travel in kids today. Of course, granted, I was a member of the Young Astronauts as a kid, and haven’t lost that excitement when learning about space. One of the most enjoyable, informative books to cross my desk is Kids To Space: A Space Traveler’s Guide (Apogee Books, $29.95 SRP). It’s truly amazing – basically, it’s a collection of hundreds of questions about space, space travel, and space science posed by America’s school children and answered by astronomers, physicians, astronauts, educators, engineers and scientists. If you’ve ever wondered things like what’s a black hole and how soon we’ll be able to go to Mars (and what we’ll eat and drink there) – the answers can be found within. Not only great for getting kids interested in space, this book is also an amazing resource for writers. Apogee books has an amazing collection of space-related releases, including Go For Launch: An Illustrated History of Cape Canaveral, Sex In Space, and Dr. Werner von Braun’s never-before-printed science fiction Project Mars: A Technical Tale.

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    Mezco has taken the South Park toy license – one which was has been horribly misused by other companies in the past – and have been putting out a consistently great line-up of figures over the past year, featuring some very nice sculpts and welcome characters. While all are worth picking up (although you’ll probably have to resort to eBay for older waves, due to the popularity of the figures), you’ll find a pic of one of the most recent waves below – featuring Jesus, Butters, Mr. Mackey, Timmy, Frozen Kenny, and Policeman Cartman (Mezco, approx. $12.99 each, depending on the retailer). Notice how accessory-heavy they are, and rejoice that not only does Timmy come with the time-travel machinery for the back of his wheelchair, but Jesus has pitchers of both water and wine.

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    Let that not be your only South Park gift this holiday season, however, as you’d have to have a heart of stone and a bear trap wallet to pass up the 6″ talking Cartman (Mezco, $24.00). With a dozen catchphrases from the show – all rude and wonderful (including “Screw you guys – I’m going home,” “Kick ass,” “You guys are hella stupid,” and more) – it’s sure to brighten any fan’s desk. In the pic, you’ll see just how much larger it is than the regular Cartman figure.

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    Jerry Seinfeld cites it as the primary influence for his own show, and anyone who views The Abbott and Costello Show (Passport Video, Not Rated, DVD-$39.98 SRP each) will clearly see the precedent it established for a comedy set in New York City and almost entirely about unique characters and everyday events, rather than your typical sitcom fare. It was also anchored by an amazing comedy duo who managed to reinvent themselves for the small screen without falling into the trap of other comedians making the transition, who seemed to believe they were back on a vaudeville stage rather than pioneers on a brand new medium. I can’t recommend the two 5-disc sets comprising the complete 2-season run of the show highly enough, which also feature Lou Costello’s rare home movies, interviews with the duo’s children, the complete “Who’s On First?” routine, and the DVD premiere of the Abbott & Costello short film 10,000 Kids and a Cop.

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    I have immense respect for any cartoonist who can make a career out of single panel gags – particularly if they’re consistently funny. Long before Gary Larson made The Far Side into a prime example of this in the 80’s, Hank Ketcham’s Dennis The Menace was king of the single panels on the daily comics page. Not content with just their amazing Complete Peanuts line, Fantagraphics has also been releasing Hank Ketcham’s Complete Dennis The Menace (Fantagraphics, $24.95 SRP), the third volume of which is now available, covering the period from 1955 to 1956.

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    Many of you out there may have fond memories of the small, square, single-color Peanuts books in the “Happiness is…” series, which began with the legendary Happiness Is A Warm Puppy and included titles like Happiness Is A Sad Song, Security Is A Thumb And A Blanket, and Home Is On Top Of A Dog House. The entire series, full of Peanuts philosophy and art, are being re-released (Sterling, $5.995 SRP each) and make the perfect stocking stuffer.

     

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    Parody, as an art, is incredibly difficult. But you know that. I know that. Everyone knows that. Kaspar Hauser, in their aneurysm-inducingly funny parody of those already ludicrous in-flight catalogs, SkyMaul: Happy Crap You Can Buy From A Plane (St. Martin’s, $14.95 SRP), have managed to pull off a parody that builds on the inherent comedy and makes the humor transcendent. Which is all just a way to say that ads for products like Reality-Canceling Headphones, Crack Pipe Chess Sets, Llamacycles, and other absurdist offerings are very, very funny.

     

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    Watching the dozen episodes that comprise the second season of Dr. Katz: Professional Therapist (Paramount, Not Rated, DVD-$26.99 SRP), I’m baffled as to why the show isn’t still running to this day. Katz and the gaggle of comics that populated his couch seeking therapy (including Ray Romano, Kevin Meaney, Joy Behar, Emo Phillips, Janeane Garafalo, Garry Shandling, Steven Wright, Joy Behar, and more) produced comedy that remains timeless – and the interaction between the good doctor and his aimless son Ben (H. Jon Benjamin) manages to top even that. In addition to a pair of audio commentaries, the bonus features bear out my theory that the show could easily return with a trio of audio “follow-up calls” between Katz and Wright, Phillips, and Behar. Until Comedy Central recommissions the show, snap up this set and the previously available first season.

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    I hate double and triple dipping on titles, but the newly remastered films comprising the James Bond: Ultimate Edition (Fox, Rated PG/PG-13, DVD-$89.98 SRP each) look so incredible compared to the previous releases that the upgrade doesn’t feel nearly as bad as it could. These films have never – ever – looked better. The 20 films are spread across four 5-disc box sets, and each flick gets a 2-disc edition containing not only the bonus features from the previous releases, but newly-produced commentaries and featurettes as well. Snag the lot of them for yourself, or make sure someone special gets them under the tree this year.

     

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    I love it when a collectible pushes all of my nostalgia buttons, and that’s certainly the case with Dark Horse’s beautifully sculpted 6″ vinyl Underdog figure ($17.99). How can you possibly look at that and not want one? You can put it on your desk, right next to the talking Cartman figure.

     

     

     

     

     

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    No game show feels more gloriously representative of its era than Match Game, hosted by odd uncle-type Gene Rayburn. The game was almost irrelevant compared to the swinging era banter – and occasional cattiness – of the 6 “celebrities” comprising the show’s all-star panel that would fill in the “blanks” on phrases like “When Lola walked into the prom, everyone was amazed. You see, not only was her prom dress strapless, it was also BLANK-less.” Those celebrities included the likes of Jack Klugman, William Shatner, Vicki Lawrence, Fannie Flagg, Charles Nelson Reilly, and the devilish Richard Dawson. The 4-disc Best of Match Game (BCI, Not Rated, DVD-$34.98 SRP) contains a selection of 30 episodes (including one featuring Kirstie Allie as a contestant), plus a tribute to Gene Rayburn, the original 1962 pilot, a retrospective look at the best moments with Brett Somers, and an interview with Somers.

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    While collections have been available in the past, Fantagraphics has pulled out all the stops on the new chronological collection of E.C. Segar’s Popeye (Fantagraphics, $29.95 SRP). Also known as Thimble Theater, Volume 1: “I Yam What I Yam” begins its collection in 1929 (Thimble Theater began in 1919) with the introduction of a sailor named Popeye into Segar’s eccentric strip full of oddball characters. As lovingly constructed as Fantagraphics equally must-have Complete Peanuts, the first volume covers 1928-1930, featuring dailies as well as color Sundays. Hopefully, next Christmas will bring a complete Pogo collection…

     

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    Based on the success of the first volume, fans of The Electric Company (Shout! Factory, Not Rated, DVD-$39.98 SRP) can get quite the stocking stuffer for themselves (or the children in their life) full of old school instruction starring Bill Cosby, Morgan Freeman, Rita Moreno and Spider-Man with the second volume collecting even more episodes from across the series’ long, lauded run. The 4-disc set contains 20 more episodes, plus a retrospective featurette, new episode intros, trivia, and a Dick Cavett Show segment with Bill Cosby. And while you’re at it, if you haven’t already, why don’t you pick up the first volume, as well? Maybe that will speed the release of the next set…

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    Ah, but your holiday viewing is still not over! You absolutely must get The Original Television Christmas Classics box set (Classic Media, Not Rated, DVD-$39.98 SRP), featuring Rankin-Bass’s Rudolph the Red-Nosed Reindeer, Frosty The Snowman, Santa Claus Is Comin’ To Town, The Little Drummer Boy, Frosty Returns, and Cricket On The Hearth.

     

     

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    I have a theory that every property eventually gets a decent action figure line, even if they’ve had numerous dud licensees in the past. Case in point are the wonderful Looney Tunes figures coming out of DC Direct (approx. $12.99), which finally give these characters the respect and attention they deserve. They’re being released as 2 pairs of complimentary figures from a specific film – for example, Series 1 featured Bugs and Elmer in full regalia from Chuck Jones’ “What’s Opera, Doc?” and Sylvester and Daffy in the swordfighting scene from Jones’ “The Scarlet Pumpernickel.” Pictured below is Wile E. Coyote and The Road Runner from “Scrambled Aches.” Hopefully, a future wave will give us Robin Hood Daffy and that laughing porcine Friar Tuck.

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    For the true cineaste on your holiday shopping list, how about the limited collector’s edition of Cinema Paradiso (Miramax/Genius, Rated R, DVD-$39.99 SRP)? The set includes the 2-disc special edition of the film – which includes both the U.S. theatrical cut and the original director’s cut, an audio commentary, 2 new documentaries, and trailers – a CD of Ennio Morricone’s soundtrack, and one sheet & lobby card reproductions.

     

     

     

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    If you have any History Channel junkies on your shopping list (I count myself in that addicted number), then you should probably pick them up the massive 10-disc History Channel Ultimate Collections: World War II (History Channel, Not Rated, DVD-$59.95 SRP). The set collects 30 of the Channel’s documentaries covering both the war in Europe and the war in the Pacific into one comprehensive (and large) compendium packed with archival footage, interviews, plenty of context, and more. If that weren’t enough, the set also features documentaries from the History Channel’s “blunders” series – Battle of the Bulge, A Bridge Too Far, The Bomb Plot To Kill Hitler, and The Scattering of Convoy PQ17.

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    By all means, you can have your Darrell Hammond and Jimmy Fallon “Best Of” collections, but the Saturday Night Life: The Best Of… collections I was really looking forward to was for Robert Smigel’s Saturday TV Funhouse (Universal, Not Rated, DVD-$19.98 SRP). In addition to the original special that aired a few months back (which featured some truncated cartoons), the DVD features additional Funhouse pieces, including uncut versions of those edited for the broadcast. Best of all, though, is the collection of audio commentaries on the set – featuring Smigel, Mr. T, Al Franken, James Carville, Stephen Colbert, Steve Carell, Bryant Gumble, Ladysmith Black Mambazo, and more. Truly priceless, and truly funny. I demand a second volume posthaste.

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    Where most would opt to simply record a Christmas album, Elton John decided to collect together his favorite holiday tunes into Elton John’s Christmas Party (HEAR Music, $15.98 SRP), featuring 21 tracks from the likes of The Pretenders, The Band, John Mayer, Jimmy Buffett, Otis Redding, Bruce Springsteen, The Beach Boys, Rufus Wainwright, The Ronnettes, The Flaming Lips, and more.

     

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    Director Robert Zemeckis employs a lush all-CG canvas to bring the visual splendor of Chris Van Allsburg’s Polar Express (Warner Bros., Rated G, $26.98 SRP) to life, taking Tom Hanks along to play 5 different roles in the film – most important being the conductor of the magical train that carries a doubting child to the North Pole for a face-to-face with Jolly St. Nick. Unfortunately, that lush imagery doesn’t survive the translation to moving pictures, with much of the animation in the character’s faces being more akin to a zombie flick than a holiday perennial. The 2-disc set features behind-the-scenes featurettes, a nice mini-doc on Chris Van Allsburg, a deleted song, and more.

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    Although it’s no longer all over the television dial like it used to be when I was a kid, not a year goes by when I don’t take the time to watch It’s A Wonderful Life (Paramount, Not Rated, DVD-$19.99 SRP) during the holiday season. The special edition features a beautifully restored print (a far cry from the grainy, scratched prints of my youth), a making-of documentary, a tribute to Frank Capra, and the original theatrical trailer.

     

     

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    Speaking of must-have holiday films, you can now snag a 2-disc set featuring both the original black & white and colorized versions of Miracle on 34th Street (Fox, Not Rated, DVD-$19.98 SRP). Disregard the colorized version, but definitely watch the fully restored black & white original, with commentary from star Muareen O’Hara, Fox Movietone News footage, AMC Backstory, a promotional short, a featurette on the Macy’s Thanksgiving Day parade, and a TV version of Miracle.

     

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    Of those that have released new holiday albums this year, one that has been getting the most spin in my player has been James Taylor At Christmas (Columbia, $18.98 SRP), which finds the singer/songwriter putting a wonderful spin on seasonal chestnuts like “Winter Wonderland” and “Baby It’s Cold Outside,” as well as treats like Joni Mitchell’s “River.” It’s definitely a “warm and fuzzy sitting by the fireside and sipping a mug of hot cocoa” kind of holiday album.

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    Obsessive people always make the best documentary subjects, and such is the case of those featured in Wordplay (IFC, Rated PG, DVD-$24.95 SRP), which focuses on Will Shortz – the puzzle editor at The New York Times – and the people who create and obsess over the puzzles that run in that esteemed daily. The film features testimonies from famous faces who are obsessed with his puzzles, including Jon Stewart, Bill Clinton, Bob Dole, Ken Burns, the Indigo Girls – just a few of the estimated 50 million other Americans who enjoy the crossword of champions. Bonus features include an audio commentary, deleted scenes, an interview gallery, featurettes, 5 “unforgettable” puzzles, and more.

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    Those of you in a charitable mood – who share that attitude with a love of British comedy – should pick up the Region 0 PAL release of The Secret Policeman’s Ball: The Complete Edition (ILC, Not Rated, £24.99). For those of you unfamiliar with the series of concerts over about a 10-year span, they were a collection of comedy and pop acts – including the likes of the Pythons, Neil Innes, Peter Cook, Eric Clapton, Rowan Atkinson, Sting, and dozens more – that banded together to raise money for Amnesty International. This 5-disc box-set collects the lot of them, along with the retrospective documentary “Remember The Secret Policeman’s Ball.” Not only is this a collection of legendary British comedy, but 10% of each sale goes to Amnesty International.

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    During its initial run, I always heard great things about Aaron Sorkin’s The West Wing (Warner Bros., Not Rated, DVD-$299.98 SRP) – whose snappy patter chronicled the trials and tribulations of the fictional Bartlett administration of the United states. As portrayed by Martin Sheen, imagine a cross between Kennedy and Clinton and you have a pretty good idea of the liberal ethos on display. Despite avoiding getting swept up during its seven season run, it wasn’t until the complete collection box set arrived that I decided to take the plunge – mainlining the entire run. No small feat, I assure you. As with Sorkin’s work in the past, it teeters between sublimely brilliant and pompously self-important, but I found myself riveted overall, and eagerly anticipating who would succeed Bartlett at the end of the seventh – and final – season (and actually wishing for a different outcome than the one we got). The 45 discs comprising the set are exactly the same as those found in the individual season releases – featuring audio commentaries, deleted scenes, featurettes, and gag reels – but new to the set (besides the handsome, sturdy case emblazoned with the presidential insignia) is the pilot script, with an introduction from Sorkin, as well as an episode guide. If you haven’t begun picking up the series on DVD yet, this is definitely the way to go.

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    So there you have it… our humble suggestions for what to watch, listen to, play with, or waste money on this holiday season. Hope you make it out alive…

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  • Holiday Havoc Day 6: Neil Innes

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    Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

    Not us.

    Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

    Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you.

    Ain’t that cool?

    Today we’ve got an exclusive holiday tune from Neil Innes.

    It was during the Jurassic period (the late ’60s) that Neil was a member of the legendary Bonzo Dog Doo Dah Band, madcap purveyors of esoteric music (Who else would revive music hall standards in the age of rock? They did it, and it worked!). Their biggest hit was the deceptively poignant “I’m the Urban Spaceman” (While the credited producer on that track was one “Apollo C. Vermouth,” he’s better known as Paul McCartney”¦ Sir Paul McCartney, these days).

    While firmly ensconced within the Bonzos, Neil first became acquainted (and vice-versa) with Eric Idle, Michael Palin, Terry Gilliam, and Terry Jones while working on Do Not Adjust Your Set, a children’s show whose viewers tended to skew a bit older than the intended audience. Eric, Mike, and the two Terrys went on to form Monty Python with Graham Chapman and John Cleese, and The Pythons called on Neil’s musical skills numerous times over the years, particularly when producing their best-selling albums. When John Cleese decided to move on to greener pastures prior to Python’s fourth series, Neil stepped into the void as a contributing writer and performer. Neil was also tapped for Monty Python & the Holy Grail, contributing music and a memorable performance as the annoyingly truthful minstrel of Eric Idle’s cowardly Sir Robin. Not willing to let him get away just yet, Neil was brought in again for their follow-up film, The Life of Brian (wherein he outruns certain death during the colosseum debate scene).

    holidayhavocinnes2006-12-1102.jpgEven while working with the Pythons, Neil continued his solo career, and it was during this period that he produced one of his most memorable compositions, the haunting (and perpetually relevant) “How Sweet To Be An Idiot.” His BBC program, Innes Book of Records, ran for 3 series and featured 90 original tunes. From torch song and ballad to rock and parody, the show featured an exceedingly wide range of styles.

    It was during the latter-half of the ’70s, however, that Neil produced his most enduring work. While collaborating with Eric Idle on the post-Python TV series Rutland Weekend Television, the two devised a brief Hard Day’s Night parody with Idle portraying a boring filmmaker (so boring the camera ran from him) and Innes providing the Beatles-esque “I Must Be in Love.” During his next hosting gig on Saturday Night Live, Idle unleashed the short film on the American public. That led to SNL‘s Lorne Michaels producing a mockumentary of the mock-band, named The Rutles, for NBC. All You Need Is Cash aired on March 22, 1978, starring Eric and Neil as one half of the “Pre-Fab Four” and featuring songs by Innes. In 1996, Innes reunited with Rutles bandmates John Halsey and Ricki Fataar to release The Rutles: Archeology, which sported 16 brand new tracks “discovered in the vaults,” a la The Beatles Anthology.

    Neil continues to write and perform, and has recently released his latest solo album, Works in Progress (which you can learn more about at neilinnes.org or order here). He’s toured the UK with a reunited Bonzo Dog Band, and is about to launch an experimental podcast called “Radio Noir” on his official website, EgoWarriors.com

    In fact, Neil sent us over an exclusive preview of “Radio Noir,” which also contains his holiday tune “Tinsel & String,” just for all of you Quick Stoppers…

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    Download Neil Innes’ “Radio Noir – Tinsel & String“:

     

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    Check out the rest of this year’s “Holiday Havoc” HERE

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  • Nocturnal Admissions: DVD Review Alias: The Complete Fifth Season

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    All good things eventually come to an end, as they say, and so did Alias, in a somewhat shorted fifth season, bid farewell to its fans, both legion and seasonally confused. The boxed set of Season 5 is now available (it hit the street on November 21, 2006, for $39.95), and it also comes as part of a complete series box set which features supplementary material not available elsewhere.

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    To answer the question of what went wrong with Alias you have to first affirm what was right about it. It’s initial season was exciting and sexy, with a slightly boggling but intriguing multi-layer premise (Sydney Bristol as a spy within a spy). The second season was more of the same, but resolved a number of situations, and destroyed the secret evil organization with the CIA, SD-6, only to do something surely unique in episodic television: create a season ender that leaps two whole years into the future ( Battlestar Galactica did something similar at the end of its previous season). This was a prelude to a third season in which creator J. J. Abrams was suppose to solve all the “problems” of the show, which were essentially issues of repetitiveness, water treading, the sluggishness of the Rambaldi stuff, and too much confusion: no one could just “drop in” on Alias, and in that regard it more resembled an HBO show than a regular prime time network program. Season three imposed more impediments between Sydney and her former control, Michael Vaughn, i.e., he got married to someone else, who proved to be an undercover agent (replicating a situation that happened to Sydney’s dad), while she becomes an agent for a conventional CIA, battling The Covenant.

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    Then, like many TV shows, Alias, after making many, many changes and introducing and then disposing of numerous characters while taking many new and different directions, ended up right where it began, with Sydney working for a covert division within the CIA led by the vile Arvin Sloan, who had killed someone close to practically everyone who now worked for him again. THough few people are actually killed in Alias; they usually manage to come back somehow, including Michael, who we see at the end of season four getting smashed by a truck.

    Character-adding got out of control, and so in the middle of season five, while Sydney and the team were pursuing Project 5, ABC pulled the plug. The show took a hiatus in winter, and came back to wrap up all its story threads in a 19-episode season. This amounted to clearing up tangled messes caused by some of the new characters and finding a deeply satisfying “demise” for arch villain Sloan. In a coda, one reminiscent of Kill Bill, the show jumps into the future yet again, and catches up with a final quartet of characters.

    Title

    You can actually track the rise and fall of the show through its credit sequence, one of the most popular in TV history. Alias has one of those theme tunes that make you want to leap up and dance to it (like the one at both the beginning and end of MST3K). The first credit sequence was a triumph of catchy yet ominous music and graphic design. Magically it embodied the sharpness of the show. But with the fourth season Alias offered up a truncated theme song and added images of Jennifer Garner in a succession of her trademark costume changes and disguises. It’s true that Garner is the heart of her show (it must be disconcerting for male actors to work across from someone who has better bone structure than they do), but this addition seemed both pandering and soulless. The final season had a credit sequence that tried to squeeze in images of all the cast with even more dubious results.

    Still there are many pleasures to be hand in the final season, mostly to do with Sydney and her relationship with her father. And the Rambaldi material is finally wrapped up (which isn’t to say that it is cleared up).
    Buena Vista Home Entertainment does its usual job with the season, offering up the shows in excellent transfers (in 1.78:1 anamorphic widescreen) that look better than the TV broadcasts and great sound.

    Supplements are relatively modest, but for a reason we’ll get to in a second. There are four commentaries, over the episodes “Prophet Five” (with director Ken Olin, Producer Jeff Pinker and Sydney’s dad, Victor Garber), “Bob” (with writers Monica Breen and Alison Schnapker and cast members David Anders and newcomer Rachel Nichols), “The Horizon” (writers Josh Applebaum and Andre Nemec, along with the episode’s director Tucker Gates), and “There’s Only One Sydney Bristow” (in a novelty yak track featuring the Alias set’s production assistants).

    Abrams

    The fourth disc has the bulk of the video supplements. They kick off with “Behind the Scenes at the 100th Episode, which shows making of bits plus footage at the cast and crew “birthday” party. This is followed by “The Legend of Rambaldi,” which starts out as a parody of a History Channel segment before devolving into video interviews with cast and crew about their favorite Rambaldi artifacts. “The New Recruit: On Set With Rachel Nichols” interviews the young actress, while “Heightening the Drama: The Music of Alias,” profiles composer Michael Giacchino. Finally, there is a bloopers reel. All of these segments last about seven to 10 minutes.Those Alias fanatics who made the mistake of buying the season sets as they came must be kicking themselves a the advent of the complete season box set. It’s notable for a single disc of extras called “Endgame.” Among its unique featurettes are “Case Closed: A Look Back at Five Years of Alias,” “Alias Time Capsule: The Pilot Interviews,” “Forty-Seven,” “Axis of Evil,” some deleted scenes, a cover gallery for Alias Magazine, and a small hardcover book about the show’s mythology. Naturally, this disc (which I haven’t seen, only read about) comes only with the boxed set.

  • QSE News: 12/11/2006

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    Here are today’s top entertainment headlines:

    • qsnews.jpgComedy Central is set to air a new satirical cartoon named Lil’ Bush. The cartoon will follow a younger version of Bush and some of his friends as they make their way through elementary school. To keep the show as authentic as possible the show will remain on the air regardless of whether or not the majority of the United States population likes it.
    • Ice Cube and Snoop Dogg are pairing up for a tour of Canada. All 14 Black people in Canada are reportedly “totally stoked.”
    • Nerd’s rejoice!!  After months of speculation, it has been confirmed that director J.J. Abrams will helm a new Star Trek prequel movie scheduled to hit theaters in 2009.  When asked for comment, one fan, who was seen wearing pointy, prosthetic ears and peering at the outside world from a basement window in his parent’s home, proclaimed, in perfect Klingon, “Kluck ha gamog!!  Kluck ha gamog!!!”
    • Metallica has written 25 songs for a new album. Commenting on the style of the new songs, drummer Lars Ulrich said “In my day we didn’t have these fancy recordin’ contraptions that they have now-a-days. We use to record using wax and a needle stolen from our mother’s wretching machine.”
    • And finally, Mariah Carey is suing a porn star over the use of a similar name. Porn star Mary Carey responded to the suit saying “Oh yeah”¦ You like that? Oh. Give it to me. Harder. Faster.  Yeah, that’s it.  You’re a dirty boy.”
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    That’s all for today’s news, stay tuned to this channel for all the news that matters least but you still care about.

    (Compiled by J. Allen)

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  • Quick Stop Thingamabobs: 12/11/2006

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • Jim Henson performs Kermit the Frog, accepting some special holiday tidings from Michael Eisner. (Thingamabob)
    • The Fraggles celebrate the Festival of the Bells… (Thingamabob)
    • “Listen, and hear what I say, for a change…” (Thingamabob)
    • Robbie Williams on Ant & Dec’s Christmas Takeaway(Thingamabob)

    Have a THINGAMABOB? Send it in!

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  • Scrubs Blog: Exploding TV

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    VIDEO BLOG #69: “My Exploding TV” ““
    You’ve got a TV that absolutely, positively has to go out a window in episode 6×01 – so now what do you do? Find out in this week’s blog…

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    Download Scrubs Video Blog #69:

    • Large (560 x 420 – QuickTime – 27.73 MB)
    • Small (320 x 240 – QuickTime – 11.96 MB)

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  • Holiday Havoc Day 5: Billy West

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    Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

    Not us.

    Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

    Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you.

    Ain’t that cool?

    Today we’ve got an exclusive holiday greeting & tune from the one, the only – voice actor extraordinaire – Billy West, the voice of Futurama‘s Fry, Farnsworth, Zoidberg, and Zap Brannigan, plus Ren & Stimpy, Popeye, Bugs Bunny”¦ cripes, this list could go on awhile”¦

    Billy sent over a pair of exclusive tracks – “Christmas In Kenmore Square” and his acoustic take on “Jingle Bell Rock” – which we’ve combined into a single piece with a special greeting from the man himself (who you can find on the web at www.BillyWest.com)…

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    Download Billy West’s “Christmas In Kenmore Square“:

     

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    Check out the rest of this year’s “Holiday Havoc” HERE

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  • Weekend Shopping Guide 12/8/06: No Nudity Allowed

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    While sadly lacking in bonus materials this go round, the sixth season of Roseanne (Anchor Bay, Not Rated, DVD-$39.98 SRP) is certainly one of its most dense, with Becky’s return (now played by Sarah Chalke), Jackie’s pregnancy, Dan’s reignition of an old flame, the discovery of Roseanne & Dan’s stash, the lesbian kiss, a “White Trash Christmas,” and DJ’s surreptitious churchgoing.

    While not entirely accurate (in fact, some of the “natural” action was staged), there’s no denying that networks like Discovery and Animal Planet owe a huge debt to the nature films produced by the Walt Disney Company under the banner True Life Adventures in the 1950’s. The series has been fully restored for the 4-volume “Legacy Collection” editions of True LifeWonders of the World, Lands of Exploration, Creatures of the Wild, and Nature’s Mysteries (Walt Disney, Not Rated, DVD-$32.99 SRP each). Each 2-disc set features an introduction from Roy Disney (who worked on the series as one of his first assignments at his uncle’s studio), as well as additional featurettes, tributes, and trailers.

    Nudity. Prostitution. Adultery. Would you believe that all of this – and more – could be found in Hollywood films of the early 1930’s? Our modern view of early Tinsletown cinema as staid and buttoned-up is the result of the film industry’s adoption of a self-imposed Production Code, which was enacted out of fear that the government would soon begin dictating what was “decent” – a move that crippled American cinema for decades, forcing it to present a largely whitewashed view of how real people lived and interacted. The Forbidden Hollywood Collection: Volume One (Warner Bros., Not Rated, DVD-$39.98 SRP) collects a trio of pre-code films – all beautifully restored – that present a fascinating portrait of how daring early cinema actually was. The three films featured in this inaugural set are Baby Face, Red Headed Woman, and Waterloo Bridge, and the 2-disc set also features an intro from TCM’s Robert Osbourne and the theatrical trailer for Baby Face.

    While my assertion that it’s not the holiday season without a pair of very nice Bernardo Bertolucci special editions may seem a bit of a stretch, it is a nice surprise to get feature-laden editions of Bertolucci’s The Conformist (Paramount, Not Rated, DVD-$14.99 SRP) and 1900 (Paramount, Not Rated, DVD-$19.99 SRP). While The Conformist features a trio of brand-new behind-the-scenes and retrospective featurettes, it’s the 2-disc edition of 1900 – featuring the full 5 hour original cut – that really shines, with documentaries covering the story and cast, as well as the creation of the film.

    For someone who regained so much of his seemingly long-lost mojo with Match Point – which paired him with new muse Scarlett Johansson – Woody Allen seems to have lost most of his gains with the rather turgid murder mystery Scoop (Universal, Rated PG-13, DVD-$29.98 SRP). Johannson stars as a college journalist who winds up following clues relating to a spate of murders – all of which lead her to a romantic entanglement with a dashing young gentleman (Hugh Jackman) that may pose a hazard to her health.

    There’s something so 70’s-era greasy and grimy about the Me Decade remake of A Star Is Born (Warner Bros., Rated R, DVD-$19.98 SRP), starring Barbra Streisand as the titular rock n’ roll star and Kris Kristofferson as the Grizzly Adams-esque object of her affections. This newly remastered special edition features an audio commentary from Streisand, additional scenes, wardrobe tests, and a trailer gallery.

    Anyone going in to Michael Mann’s big screen take on his own 80’s icon Miami Vice (Universal, Not Rated, DVD-$29.98 SRP) expecting the sun-drenched pastels and larger-than-life villainy of yore will be in for quite a shock, as he’s reimagined it as a grim, gritty, overly-realistic slice of urban drama, and Colin Farrell and Jamie Foxx as Crockett & Tubbs are nowhere near their almost-playful 80’s counterparts. If you go into it with no expectations or comparisons, you’ll probably enjoy it for what it is. The unrated director’s cut features additional footage, plus an audio commentary with Mann and behind-the-scenes featurettes.

    An incredibly memorable online success story, Happy Tree Friends eventually found a home on G4. You can now snag the 9 episodes that comprise the complete first season of the twisted little cartoon (BCI, Not Rated, DVD-$19.98 SRP), plus audio commentaries, a behind-the-scenes featurette, storyboards, and more.

    While some titles have been available separately, it’s wonderful that you can now get 7 great flicks from a great director via Preston Sturges: The Filmmaker Collection (Universal, Not Rated, DVD-$59.98 SRP). Those films include The Great McGinty, Christmas In July, The Lady Eye, The Palm Beach Story, The Great Moment, Hail The Conquering Hero, and my personal favorite, Sullivan’s Travels.

    You know, I dug Super Troopers. I even found a good deal of humor in Club Dread. But Broken Lizard’s latest, Beerfest (Warner Bros., Not Rated, DVD-$28.98 SRP), left me cold. The concept – about a group of Americans banding together to compete in Germany’s secret underground “Beerfest” competition (and for two of the team members to avenge their grandfather and reclaim their brewing heritage) – does have plenty of comic potential, but in execution it’s just… too much. The unrated version, in particular, is a bloated mess. Come on, guys – I know you’re capable of better (and smarter). Bonus materials include audio commentaries, delete scenes, and behind-the-scenes featurettes.

    With everyone else getting their moment in the spotlight, it was only a matter of time before we got an Elizabeth Taylor & Richard Burton: The Film Collection set (Warner Bros., Not Rated, DVD-$49.98 SRP), sporting a quartet of the flicks the tumultuous couple made for Warners. The four fully remastered films in question are Who’s Afraid Of Virginia Woolf?, The Comedians, The V.I.P.s, and The Sandpiper. While all the flicks get vintage featurettes, the real bonus feature bonanza is on the 2-disc Woolf, which contains commentaries, brand new featurettes, interviews, screen tests, and more.

    Just when the series began to flag – and Jack Bauer’s adventures in antiterrorism seemed to be sinking into cliché – along came season 5 of 24 (Fox, Not Rated, DVD-$59.98 SRP), which finds a resurrected Bauer (after faking his own death at the end of season 4) trying to figure out who is systematically eliminating the tiny group of people who know he’s still alive. Is it the Russians? Is it an American? Is it even more impressive a reveal? The bottom line is the show felt fresh and energized, and actually ended on a note that had me eager for season 6. The 7-disc set features audio commentaries on select episodes, deleted/extended scenes, behind-the-scenes featurettes, and a season 6 “prequel” featurette.

    Though its appeal is completely lost on me, tweeny-boppers have embraced with a fierce, frightening passion The Disney Channel’s original movie High School Musical, so much so that it’s prompted the release of a brand new “Remix” special edition (Walt Disney, Not Rated, DVD-$29.99 SRP). The 2-disc set features a new complement of bonus materials, including behind-the-scenes featurettes, interviews, music videos, and more.

    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

  • QSE News: 12/8/2006

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    Here are today’s top entertainment headlines:

    • qsnews.jpgExecutives at Nintendo are cautioning gamers about swinging their new, Wii wireless controllers as reports of extensive damage to personal property are popping up on the web.  When asked for comment, one executive stated, “We GROSSLY underestimated the over-developed wrists and forearms on these sexually repressed kids.  Seriously, they should think about stepping away from the game, getting out of the house and meeting ‘actual’ girls. Seriously.”
    • In international news, David Beckham and Victoria Beckham have created quite a stir in England over their apparent split with prancing super couple Elton John and David Furnish.  I’m sure that we here at QSE News speak for all of America when we say, “who the hell is David and Victoria Beckham?”
    • The nominations for this years Grammy’s have been announced, and leading the pack with eight nominations is R&B artist Mary J. Blige.  While most of the nominations were expected, the nomination of Clay Aiken for Best Female Performance was a complete surprise.
    • Stephen King and Peter Straub’s outstanding collaboration The Talisman is in the production pipeline for a TNT mini-series. The original book, released in 1984, is about a boy who can travel between dimensions.  Staying true to form, executives at TNT have promised to make some “minor” changes to the story – like making the main character an 18-year-old, blonde, big-breasted woman and changing the “travel between dimensions” plotline to “traveling to Oakland for cheerleader tryouts.”
    • And finally today, comedian Eddie Murphy is denying reports that he is the father of “Scary Spice” Melanie Brown’s unborn child.  Representatives for Murphy confirmed that the pair had dated in the past, but are no longer an item since Murphy found out that Brown is not a transvestite.
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    That’s all for today’s news, stay tuned to this channel for all the news that matters least but you still care about.

    (Compiled by J. Allen)

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  • Quick Stop Thingamabobs: 12/8/2006

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • George Harrison performs “The Pirate Song”… (Thingamabob)

    Have a THINGAMABOB? Send it in!

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  • The Fred Hembeck Show: Episode 83 – All You Need Is Fred

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    You’ve seen my Classic Cover Redos turn up frequently here at “The Fred Hembeck Show” in weeks past. Well folks, feast your eyes on THIS one…

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    What? You say it doesn’t look at all familiar to you, oh dedicated Silver Age Beatlemaniac?

    As well it shouldn’t, friend, since – surprise! – I made it up! Yup, did it for a fellow fan of both the Dynamic Duo and the Fab Four a while back, and thought I’d share it with you as a pictorial preface for a little talk we’re gonna have today about messing with the past.

    That’s right – welcome to my review of The Beatles’ Love!

    But first, let me dredge up a quick personal anecdote to better set the stage: way back in 1989, shortly after we purchased our first ever CD player, I naturally went out and snapped up a copy of the Abbey Road compact disc. The second thing I did with it (after giving it an initial spin, of course) was to go back and use this then new-fangled technology to program the heralded medley that closes the group’s final studio recording to play in REVERSE order!

    Why?

    Simply because I COULD.

    Now, I’ll be the first to admit that it didn’t sound all that good, and no, I’ve never gone back and tried that stunt again, but my purpose in relating this whim of mine to you here today is to clearly demonstrate that, when it comes to Beatles music, I’m not at all adverse to a little mucking about. And when it comes to Love, the mucking about of the Martins – Sir George and son Giles – is SO very much more rewarding than my own ham-fisted amateur attempts that it’s well worth repeated listens!

    You all know the back story, right? Cobbled together from the Fabs’ tape vault to serve as soundtrack for a gala Cirque du Soleil show (housed at The Mirage in Las Vegas) by the group’s original producer (and his offspring), Love combines, mashes, and melds into a non-stop medley some of the greatest performances ever captured for posterity – all with gloriously upgraded sound! Short of hopping a plane and heading for Vegas – and believe me, considering that the showroom itself boasts some 3000 state of the art stereo speakers, that notion HAS crossed my mind! – Beatles fans need to add Love to their already burgeoning library.

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    (As one review suggested, even if you view Love merely as a trailer for the promised forthcoming sonically upgraded Beatles catalog, it’ll turn those frowns (“Oh man, am I gonna have to buy all those CDs AGAIN?”) instantly into smiles (“Oboy, I can’t WAIT for the “bang bang” in “Maxwell’s Silver Hammer” to sound so real that it’s as if he were hitting ME on the head!”)!)

    Yes, for the sound alone, I heartily recommend buying this latest repackaging – and while you’re at it, get the special edition with the additional audio DVD disc! It’ll cost you maybe an extra five bucks, but if, like me, you have a DVD player hooked up to your stereo speakers, it’ll be well worth it. No, we don’t have surround sound here in Casa Hembeck, but luckily the included DVD has several other sound options, and as good as Love sounded coming through the CD player, it sounds even better via the DVD machine. A word to the wise.

    Okay, so we’ve established that the Beatles have never sounded better – what about this whole mash-up business, tracks overlaying tracks and other such wackiness? Well, let me tell you this – I guarantee you, you’ll never forget your first time! That initial listen will delight and awe you with inspired surprises and breathtaking transitions, ones that let you experience these long familiar tunes in an altogether fresh manner! I firmly believe that most of the enthusiastic reviews that I’ve read – and there have been plenty – must have been written shortly after each author’s first glorious listen.

    Me, I’m up to about my tenth time through now, and a funny thing happens about the fourth time around – you begin to realize that, in some ways, it’s all just a gussied up parlor trick, signifying little. And so you suddenly become a tad bit disappointed. But you’re a fan, so you keep playing it, mainly because – did I mention it? – the aural quality is just so doggone outstanding! And eventually, you find yourself coming back around, landing in a sort of comfortable mid-range. No, Love isn’t the greatest thing since jelly babies, but neither is it unworthy of occupying a notable – and decidedly unique – place in the Beatles recording pantheon. Some people, y’see, will NEVER get tired of these silly love songs – and what’s wrong with that, I’d like to know?…

    Some specific observations then about the Martin’s aural antics – chalk me with siding with Paul (“The Cute One Who Doesn’t Get Nearly Enough Respect”) McCartney who, although satisfied with the final product, observed that he would’ve liked to have seen them go even further with the whole mash-up concept. Cuz understand, there are an awful lot of full (or near-full) length songs here, but for me the true highlights are the little stitched together oddities, such as the eerie combination of John singing “Tomorrow Never Knows” over the percussion from George’s equally trippy “Within You Without You” track. I was also quite taken by the melange that starts out as “Drive My Car”, segues effortlessly into “What You’re Doing”, zaps in a quick couplet from “The Word”, then merrily goes back to “Drive My Car”, making for a seamless meld of three generally overlooked middle-era Beatles’ classics. Beep beep YEAH!

    I liked too how Ringo begins crooning “Octopus’s Garden” over the majestic orchestration of his White Album closer, “Good Night”, before the lads chime in with their original Abbey Road backing – and if my ears don’t deceive me, there’s even a few stray sound-effects from “Yellow Submarine” tossed in for good measure. It’s Ringomania, distilled into a tidy three minute segment!

    Paul’s guitar picking on “Blackbird” eases nicely into a full performance of “Yesterday”, and the driving coda to “I Want You (She’s So Heavy)” makes the whirlwind finale of “Being For The Benefit of Mr. Kite” all the more dizzying! And then there are the little quick riffs – the opening guitar flourish of “A Hard Day’s Night” leading instead into “Get Back”, and the fadeouts of various longer cuts sonically decorated with signature snatches of numbers like “Penny Lane”, “In My Life”, and “Nowhere Man”. Picking out all the pieces of this puzzle is half the fun for ardent Beatles addicts, and I only wish there had been more goodies to discover. I’d gladly have sacrificed hearing a near complete take of “Come Together” for the chance to wallow in an even more diverse pot of Beatles’ stew! Ah well…

    The other gripes I have with this project fall squarely under the category of song selection, which, in my opinion, leans a bit too heavily on the Beatles psychedelic period, and features a disproportionate number of lead vocals from (you should pardon the expression ) The Dead Beatles.

    Look, while I may often effusively champion Macca’s not-insignificant contribution to the ensemble, I love Lennon, too – honest! And there’s no way you’re gonna expect the Martins to pass over such iconic tracks as “A Day In The Life”, “Strawberry Fields Forever” (commencing with a portion of a charming never before released demo that metamorphasizes into the groundbreaking single version) and “I Am The Walrus” (which cleverly segues into a truncated, audience enhanced “I Want To Hold Your Hand”, brilliantly illustrating the breadth of the group’s evolution in a mere four years, reversing gears from perhaps their most avant garde musical number right on back to the tune that paved the way for the four lovable Mop Tops to conquer America in 1964!), but both “Come Together” AND “Revolution”? “Lucy In the Sky with Diamonds” AND “Being For The Benefit Of Mr. Kite”? Okay, I understand the latter track was included at the specific request of the Cirque du Soliel people – and it is the only number listed here that hasn’t suffered from massive radio overplay, but still, c’mon! John also solos on “Help” and “All You Need Is Love” – how little more than a brief snippet of the organ interlude from “In My Life” made the final cut I’ll never know…

    (Not that I have any problem with “Help”. Fact is, I longed for more of those wonderful ’65, ’66 vibes, the likes of which produced my two favorite Beatles’ LPs, Rubber Soul and Revolver. But outside of “Eleanor Rigby” and the aforementioned mashups of “Tomorrow Never Knows” and “Drive My Car”, there’s little beyond a stray line here and there to be found of those two tremendous LPs. And while I know all too well that it was absolutely inevitable that this presentation – on stage and on disc – would end with “All You Need Is Love”, I have a small confession to make: I’ve never really thought all that much of that ditty. I mean, sure, it makes for a nice slogan, but so does “Give Peace A Chance”, and that’s no tune for the ages, either. I just find the repetitive, sing-songy chorus a tad boring after awhile, and I’m seriously thinking maybe the boys might’ve as well, as they did their very best to pretty it up with some tasteful – if dull – orchestration, all the while cutting up with their Goon Show-inspired antics over the tune’s extended fadeout as some sort of wacky counterpoint. Herein, the fade is (naturally) reconfigured, featuring not “In The Mood”, but, among other samples, a smidgen of “Sgt. Pepper’s Lonely Hearts Club Band”, ending with a few lines of Lennon dialog culled from one of the group’s Fan Club only Christmas recordings (all kudos to the Martins for resisting any urges they may’ve had to end the proceeding with that tired old “And I hope we passed the audition” bit – John’s rarely heard goofy ad lib makes for a refreshing, and even poignant, end to this really big show. I’m just sorry I’m gonna have to make my way all the way through “All You Need Is Love” each time to hear it…).

    (Paul said much the same thing in the final seconds of “The End”, y’know – and so much more succinctly – but THAT doesn’t close Love, now does it? Okay, “All You Need Is Love” isn’t exactly a BAD song – it IS a Beatles’ tune after all – but there are just so many more of the group’s numbers, including plenty of album cuts, that I prefer. So sue me…)

    And what about George? Look, I loved that guy too, make no mistake about it, but y’know, I once put together a compilation CD of ALL the songs he wrote and recorded while a member of the Beatles (including some belatedly issued Anthology tracks), and guess what? The total time came in just under 80 minutes! And yet, Love offers us a complete “Something”, a full length previously unreleased demo version of “While My Guitar Gently Weeps” (featuring an admittedly lovely orchestration scored specifically for this project by Martin the elder, the only “new” music included), substantial portions of “Here Comes The Sun” and “Within You Without You”, and notable transitional excerpts from “Blue Jay Way” and “The Inner Light”! “The Inner Light”, fer Krishna’s sake! And I clearly heard pieces of “Piggies” and “Savoy Truffle” in the mix as well – how “Don’t Bother Me” missed making the final cut, hey, I’ll never know…

    Poor Ringo. All he gets is the aforementioned tarted up “Octopus’s Garden” to warble in that lovable ol’ croak of his. You’d think maybe his two most famous numbers – “A Little Help From My Friends” and “Yellow Submarine” – would figure into things, but no. At least his ace drumming is readily apparent throughout, but I wouldn’t have minded maybe a little more Starr singing (my picks, aside from the obvious pair that were nonetheless overlooked, would’ve been “What Goes On” and/or “Don’t Pass Me By”) With verses about being in a car crash and losing your hair, well gee whiz – how could the Martins have possibly overlooked THAT? But they did…

    Despite a comparative paucity of Paul, what McCartney there is, is choice. “Lady Madonna”, mixed up with “Hey Bulldog”, comes off especially nicely, as does the program’s opening rocker (following the beautifully tranquil a cappella “Because”) “Get Back” (the only selection chosen from the ill-fated, largely Martin-less Let It Be album). The cold opening of “Hey Jude” sounds terrific following directly on the heels of the elongated final chord of “A Day In The Life”, and the Martin clan takes the opportunity to shave not only some instrumentation off the track (letting the “na na na” vocals stand on their own briefly for a round), but several minutes running time as well. Look, I love “Hey Jude” – for a long time, I’d readily identify it as my all-time favorite Beatles number, though these days I’m not quite so certain – but have you ever looked at your watch while that thing was running? The fade out begins a full two minutes before the cut ostensibly ends! I’d heard that the boys issued such a lengthy tune as a 45rpm single in an effort to one up Richard Harris, who, only months earlier, had hit the top of the charts with his over seven minute long ode to weather-challenged baking, “MacArthur Park”. The Beatles, the story goes, wanted THEIR number one record to exceed his, time wise – and it did, if only by scant seconds! Well, nice idea guys, but maybe not the best of executions – “MacArthur Park” ends with a giant choral swell of “oh no”, a monumental finale that wouldn’t ever allow radio disc jockeys the luxury of trimming the tune’s running time when it was broadcast. Whereas, even from the start, “Hey Jude” rarely made it all the way to the its not-so-much-bitter-but-somewhat-excessive end when piped out over the airwaves. “Oh no”, indeed…

    (And a few short years later, Don McLean’s trumped ’em both with eight minutes plus of “American Pie”. At least the lads can take some satisfaction (Mick, too) in being a key part of Don’s song story – there was nothing, I fear, to be heard concerning Mr. Harris’s ill-fated icing in McLean’s metaphorical melody…)

    What songs would I have chosen to jam in? Well, how the insistent bass line from “Day Tripper” escaped inclusion is a mystery. “Eight Day A Week” has a swell opening, and “She Loves You” might’ve added even more to the historical context. Beyond that, favorites like “I’ve Just Seen a Face”, “Two Of Us”, “Good Day Sunshine”, “Girl”, “All My Loving”, “Every Little Thing”, “You Never Give Me Your Money”, “No Reply”, “The Night Before”, “Wait”, “I’m A Loser”, and “I’ve Got a Feeling” might’ve been nice. Actually, anything short of “Wild Honey Pie” would’ve worked for me. Love 2, anyone?…

    So there you have it – my rave review of Love, wherein I nonetheless spend most of my time grousing! Ah well, such is the mindset of a dyed in the wool Beatlenik – as good as things may be, you can always somehow imagine them to be better! But until better comes along, Love will do.

    One final observation: my 16 year old daughter Julie popped the CD into her computer, hitched up to some less than extraordinary speakers, and after only fifteen minutes play, she practically came running out of her room, a wide smile on her face, exclaiming, “Omighod, that’s the BEST thing I’ve EVER heard!” – and this was coming from someone who had only recently developed at best a middling appreciation of the band! Friends, if Love can serve as gateway for a new generation of listeners, then maybe there IS a purpose to this project beyond putting food on the tables of gaudily festooned acrobats! Maybe the boys WERE right – maybe all you DO need is Love!

    (Well, not entirely – we DO still need that promised whole newly refurbished catalog! C’mon Apple! I want my sonically shined up Beatles For Sale – and the sooner, the better!…)

    Hembeck.com – it’s all too much! True, some of the writings are long, long, long, but it’s getting better all the time! If you don’t go there, you won’t see me – until you come back here next week! If you will, I will. Now, I’m so tired. Good night!

    -Copyright 2006 Fred Hembeck

  • Music For The Masses: December 7th, 2006

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    Welcome, friends, to another edition of Music for the Masses! How the hell you doing? Me? Why I’m happier than Rosie O’Donnell shopping for flannel shirts right now because I ABSOLUTELY love this time of year. That’s right, now that Thanksgiving has been kicked to the curb like O.J.’s book and T.V. deals, it’s time for me to turn my Attention Deficit Disorder to Christmas, that magical time of year where Christians exchange gifts to celebrate the birth of Santa Clause… or something like that. You know? I probably should have paid more attention in church but seriously, do you have any idea how hard it was to stay awake through that after chugging half a bottle of communion wine? It was all “Blah blah blah”… but I digress. In fact, friends, this year is better than most, because unlike Christmas’s past, I can actually sit back, relax and enjoy the season because my gift-shopping is complete. I shit you not. And do you know who I have to thank for this little miracle? Britney Spears.

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    In the uncensored pic, it looks like she’s holding a Cornish Rex Cat in her lap.

    You see, usually, I’m beating my… umm, head against the wall in a vain attempt to jar loose “present ideas” for all of the “hard-to-shop-for” people in my family. But after seeing that picture of Britney messing up the seat of Paris’ car, I had perfect gift ideas for everyone.

    For instance, I took one look at that picture and realized my father, much like Brittany, prefers a “clean, close shave.” So… BAM!!!… dad’s gift is the new Norelco shaver.

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    Another glance at the picture, between knuckle shuffles, and I think to myself “hmmm…  Aunt Selma could use some new, red drapes…

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    After a half an hour of staring at the picture, it dawns on me that my grandma needs something to cover her vulv… I mean, Volvo… to protect it from the elements…

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    Winters in Dubuque can be REALLY harsh. And just as I’m finishing, I think “Oh yeah, Uncle Nancy needs some new mud flaps for “˜his’ truck…”

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    See what I mean? And you thought I was joking. So say what you want about my little trailer park princess, but the only thing I can say is “Thank you, Brittany!” The world is truly a better place with you in it. Of course, your kid, the one you dropped, probably disagrees, but what the hell does he know? He’s retarded now. The only thing he knows is not to let you pick him up because “mommy gave him a metal plate in his head” and that every time you hit “START” on the microwave, he shits himself and runs into the wall.

    But enough about all of that, folks. It’s time now to check out some new music! This week, we check in with a Beatles re-mix and Double A digs deep to check the latest offering from Prince Po. Plus, my 10-year-old nephew Jacob checks in with a review of the new one from +44. Should be fun. So, what do you say? Let’s get to it, shall we??!!

    m4m-love-dec6 Artist: The Beatles
    Album: LOVE
    Bastard Love Child of: George Martin and LSD
    Best for: Realizing that these 40ish-year-old songs sound better than 98% of the shit being released today.
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    As I’ve explained to you folks, previously, I love the Beatles… have ever since I was a wee-lad. In fact, while all my friends where out “getting fresh air” and playing the “sports,” I was holed up in my room listening to my dad’s original Beatles albums. Yes, I was a lonely child. Now, what I don’t love is Cirque De Soliel. Not because of the beautiful choreography, mind-boggling stunts and haunting music, but more so because I’m not a big fan of watching ambiguously gay French guys bench pressing each other. Call me “silly pants,” but that’s just the way I roll. I also eat hot dogs with a knife and fork, but I digress… again. So, when I heard that Cirque De Soliel’s new production was going to incorporate the music of the Beatles, I thought, “Wow… wonder what “stunt” they’ll perform for “˜Why Don’t We Do It In The Road?’” and then I didn’t give it another thought.

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    That is, until this weekend, when I picked it up at the recommendation of a friend (Thanks, Ken!!) and after listening to the Audio DVD in 5.1 sound, mixed and mastered from the original, 4-track recordings, I gotta say… “HOLY SHIT!! This is an amazing disc!” First and foremost, it sounds fucking incredible. As I noted, that 5.1 mix will blow your mind and I will state, right now for the record (no pun intended), the Beatles have never sounded better on disc. George Martin’s formidable production abilities have never been more vividly on display and his work here with son, Giles, is mesmerizing. In keeping with the spirit of the Beatles, tracks have been reversed, sped up and slowed down, but all of it is original. I take that back… there is ONE “new” track… a string arrangement that George Martin composed to accompany an acoustic version of “While My Guitar Gentle Weeps.” Absolutely brilliant.

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    Now, fans of the early work will argue that the song selection here is skewed in favor of the band’s more psychedelic material and that song’s like “Octopus’s Garden” and “Being for the Benefit of Mr. Kite!” shouldn’t be focal points of the disc, but like Lance Bass playing butt darts with his boyfriend, you’re just “splitting hairs.” Sure, the tracks that get the most attention (read: that you hear the most of) are from later discs, but with all that is going on here in between and within the songs themselves LOVE actually does a hell of a job sampling the band’s entire career. If you are evenly REMOTELY a fan of this band, this is an absolute must-have and rest assured, you’ve never heard the Beatles quite like this. And oddly enough, after listening to this disc, I now have a new-found admiration for the work of Cirque de Soliel. So, if you’ll excuse me… I have to go put on a cod-piece and do some push-ups.

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    Rating: 5 out of 5

    M4M-DOUBLEA-TURK
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    As I was walking through my local record store, looking for something to review this week, I was perplexed. There was absolutely nothing that I wanted to even listen to. I picked up the Best of Cee-Lo album, but put it down. I don’t mind Cee-Lo, but this album didn’t interest me. I saw The Game sitting on the shelf, and I had opted out of it last week, but it just doesn’t seem to be my speed. Eminem? Hell no. Not even if it were to save my grandmother from being beaten about the face and head by angry men wielding monkey wrenches. Wow, that was a little harsh, wasn’t it? But seriously, fuck Eminem. I’ve heard good things about the Bidman/Lil Wayne album, but again, it just didn’t interest me. But then, as I reached to put back the Birdman disc, I noticed something. It was Prince Po’s Prettyblack. Now to be fair, this album came out a little bit ago, but with the dredge of shit that has come out lately, anything would be better than the options that I was presented with. So I got it, and I’m pretty glad that I did.

    Prettyblack is by no means the best rap album to come out this year, but it is light years beyond anything that has come out in recent weeks. The only thing that I’ve ever heard from Prince Po is the song “Copy Cats,” from quite possibly the best rap album ever, Danger Mouse and Jemini’s Ghetto Pop Life. Listening to Prettyblack, the vocal styling’s that made “Copy Cats” a great song on a great disc are all there. Unfortunately, the beats suffer a little. On almost every track, the beats are flat with little variation through the course of the song. I’m not saying that the beats are bad, they’re not, just a little stagnant. The rhymes do more than their part to bring the production up a notch.

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    One thing that separates this album from a lot of other rappers work is this disc doesn’t feel the need to bring in big, flashy stars to flesh out a weak song. There are a few guest stars on this album, but not a single one that I’ve heard of. But even on the tracks with a guest, Po is front and center, doing his thing on his disc. The best song on the album is “Creep On It” with a nice little bump-iness that’ll get you moving, and Po’s clever lyrics flow with the beat like they are peanut butter and jelly. Or, for those of you who are morbidly obese and aren’t constantly thinking about food, the beat and raps go together like handcuffs and faux fur. Does that simile make sense? Maybe?

    Like I said, this isn’t the best rap disc out there, but it is a hella good one. Before you go out and spend your hard earned money on some of the other crap that is clogging the shelves these days, pick this one up. Now, I’m going to go get me a peanut butter and jelly sandwich because I’ve got to keep up my girlish figure.

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    Rating: 4 out of 5

    REVIEWS BY. . .

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    Jacob Montana Bell
    Des Moines
    , IA

    m4m-12/6-44

    My CD review is about a CD by the band that used to be Blink 182 but isn’t anymore because two guys from blink 182 made a new CD that I like a lot but not as much as “Ben 10″ on Cartoon Network. I like the songs on this CD and they are really good songs and they make me feel like jumping up and down and sometimes they make me want to hit my sister but my dad yells at me when I do that and I don’t like to get into trouble.

    My dad says Blink 182 used to be good but then they got wussie and should be on that show “Will and Grace” but I don’t know any Blink 182 and I think that +44 is good no matter what my dad says. He says to go get him a beer and that everyone can think what they want and that is what makes America good and I think Macaroni and Cheese makes America good but my dad says that doesn’t make sense which makes my heart sad.

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    The best song on the album is the one with the guitars and the drums and goes “when your heart stops beating” or something like that because sometimes it’s hard to hear. My mom told me not to listen to the music too loud because I might mess up my ears but when she leaves dad lets me turn it up as loud as it will go and sit right in front of the speakers. He says that is called rocking out and he tells his friends sometimes that he likes to rock out with his cock out and he doesn’t think that I hear that but I do and one time when I said it my mom made me eat some soap. There are some slow songs on this CD that are really good but not as much fun to rock out to but I don’t care because the singer does good singing and my second favorite song on the CD is “Baby Come on” and I also like “Make You Smile” and “Little Death.” The song “115” and “Lillian” are not very good but “Weatherman” and “Chapter 13″ are good and I don’t remember the names of the other songs but I like them and they are good sometimes.

    This CD is good and I would tell all my friends in Mrs. Johnson’s third grade class to make their parents get it for them.

    UPCOMING RELEASES:

    As a public service to you fine folks out there, I’ll be posting the upcoming CD releases going forward. Be careful though, friends, there are a lot of turds in the toilet, if you know what I mean. . .

    Dec. 12 AGRESSOR DEATHREAT
    Dec. 12 ALBERTI, ALEJANDRA ALEJANDRA ALBERTI
    Dec. 12 ANTAEUS BLOOD LIBEL
    Dec. 12 AUFGEHOBEN MESSIDOR
    Dec. 12 BENNETT, TONY AN AMERICAN CLASSIC
    Dec. 12 BIG TUCK THE ABSOLUTE TRUTH
    Dec. 12 BUDDHA-BAR BUDDHA-BAR TEN YEARS
    Dec. 12 BUSHWICK BILL LITTLE BIG MAN
    Dec. 12 CAURAL MIRRORS FOR EYES (2XLP)
    Dec. 12 CONTRIVA SEPERATE CHAMBERS
    Dec. 12 CURRENT 93/OM INERRANT RAYS OF INFALLIBLE SU
    Dec. 12 DAHL, IAN VAN JUST A GIRL
    Dec. 12 DIAMOND, NEIL 12 SONGS
    Dec. 12 DREY, JENNA BY THE WAY
    Dec. 12 EMINEM EMINEM PRESENTS: THE RE-UP
    Dec. 12 ENTRANCE PRAYER OF DEATH
    Dec. 12 FANTASIA FANTASIA
    Dec. 12 GHOSTFACE KILLAH MORE FISH
    Dec. 12 GIDDY MOTORS DO EASY
    Dec. 12 GORELORD NORWEGIAN CHAINSAW MASSACRE
    Dec. 12 GORGOROTH ANTICHRIST
    Dec. 12 GORGOROTH INCIPIT SATAN
    Dec. 12 GORGOROTH PENTAGRAM
    Dec. 12 GORGOROTH TWILIGHT OF THE IDOLS
    Dec. 12 GORGOROTH UNDER THE SIGN OF HELL
    Dec. 12 GORGOROTH DESTROYER
    Dec. 12 HICKS, TAYLOR TAYLOR HICKS
    Dec. 12 JAY-Z KINGDOM COME
    Dec. 12 JIMMY LEVINE SHARE MY LOVE
    Dec. 12 KARMA LATENIGHT DAYDREAMING
    Dec. 12 KNIGHT, FERN MUSIC FOR WITCHES AND ALCHEMISTS
    Dec. 12 K-THE-I??? BROKEN LOVE LETTER
    Dec. 12 LOVELY FEATHERS MY BEST FRIEND DANIEL
    Dec. 12 MARY J. BLIGE REFLECTIONS – A RETROSPECTIVE
    Dec. 12 MIRRORS 13 PATIENT FLOWERS
    Dec. 12 MONGIL, MANOLO VIVO
    Dec. 12 NECROPHAGIA SLIT WRISTS AND CASKET ROT
    Dec. 12 NECROPHAGIA SEASON OF THE DEAD
    Dec. 12 NOVY, TOM IBIZA SESSIONS VOL.2 (2XCD)
    Dec. 12 ORIGINAL HAMSTER TRENDSETTER AND THE FOLLOWERS
    Dec. 12 OST REST STOP DEAD AHEAD
    Dec. 12 REINA ON MY OWN
    Dec. 12 SONIC YOUTH The Destroyed Room: B Sides and Singles
    Dec. 12 TAHA, RACHID DIWAN 2
    Dec. 12 TYRESE ALTER EGO
    Dec. 12 YOUNG JEEZY THE INSPIRATION
    Dec. 12 VA MARY ANNE HOBBS WARRIOR DUBZ
    Dec. 12 VA CHARLOTTE’S WEB
    Dec. 12 VA BRAZILIAN BEATS BROOKLYN (2XLP)
    Dec. 12 VARIOUS BEST OF DA BAY
    Dec. 12 VARIOUS ERAGON: MUSIC FROM THE MOTION PICTURE
    Dec. 12 VARIOUS THE COVENANT
    Dec. 19 AGUILERA, CHRISTINA HURT
    Dec. 19 ALARM CLOCKS THE TIME HAS COME
    Dec. 19 BLACK JAK PLACE YOUR BETS
    Dec. 19 BOW WOW THE PRICE OF FAME
    Dec. 19 BROOKLYN LOBSTER BROOKLYN LOBSTER
    Dec. 19 DJ Clue THE PROFFESSIONAL III
    Dec. 19 DO OR DIE HEADZ OR TAILZ
    Dec. 19 GOJOGO ALL IS FAIR
    Dec. 19 GRAND HUSTLE PRESENTS IN DA STREETZ, VOL. 4
    Dec. 19 HARRY PERRY BAND VIDEO COMMANDER
    Dec. 19 JERRY LEE LEWIS ROCKIN’ WITH THE KILLER
    Dec. 19 NAS HIP HOP IS DEAD
    Dec. 19 PACK , THE SKATEBOARDS 2 SCRAPERS (CD ENHANCED)
    Dec. 19 RBD REBELS
    Dec. 19 SLAYER CHRIST ILLUSION
    Dec. 19 STYLES P TIME IS MONEY
    Dec. 19 SUGARCUBES THE COMPLETE STUDIO ALBUMS
    Dec. 19 TRICK DADDY BACK BY THUG DEMAND
    Dec. 19 Soundtrack Blood Diamond (James Newton Howard)
    Dec. 19 Soundtrack Night At The Museum (Alan Silvestri)
    Dec. 19 Soundtrack We Are Marshall (Christophe Beck)
    Dec. 19 Various Artists Juke Joint Soul!
    Dec. 19 Various Artists The Flow Volume 2
    Dec. 19 Various Artists Variety
    Dec. 19 Various Artists Variety Volume 2
    Dec. 19 Various Artists Massive Dub (2 CD)
    Dec. 19 Various Artists The Ultimate 50’s Collection
    Dec. 19 Various Artists Chicano Riders At The Park [Enhanced CD]

    Well, folks, that’s going to do it for me and the gang this week, so… until next time… keep wearing it proud and playing it loud.

    Send your homo-erotic work out regimen, review copies, presents and assorted hate mail to:


    M.C. Bell
    P.O. Box 1222
    Arvada, CO 80001

    E-MAIL THE AUTHOR

  • QSE News: 12/7/2006

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    Here are today’s top entertainment headlines:

    • qsnews.jpgOnly days after liquor stocks crashed at the news of Lindsay Lohan’s planned “sobriety,” the hard-partying actress went into a boozed-up tirade at an exclusive dinner for GQ magazine.  “Thank the [EXPLETIVE DELETED] lord,” said an un-named Smirnoff executive, “I thought we were going to have to lay some people off.”
    • Following in the footsteps of fellow “comedian” Michael Richards, Andy Dick is the latest “celebrity” to slip and utter a racial slur in front of an audience.  Dick jumped onstage at a Los Angeles Improv and joked about the Richards incident, saying to the crowd “you’re all a bunch of N****.” This incident marks the pinnacle of Dick’s quest to prove to the world that he is the least funny person in America.
    • Don Cheadle is set to star in and direct a film centering around the life of famous trumpeter Miles Davis.  To prepare for the role, Cheadle has been shadowing other famous “horn blowers” Wynton Marsalis and Clay Aiken.
    • Robert Smith of The Cure has writer’s block, preventing him and the rest of his band from completing their next album. Smith told reporters that he is having a hard time trying to come up with new ways to depress himself.
    • It appears that Jennifer Anniston and Vince Vaughn have, apparently, “broken up” for good.  When asked for comment, Anniston’s publicist said, “Yeah, well, Jen wanted to be free to pursue another publicity-fueling, faux-relationship with a hot, Hollywood actor to bolster the expected weak ticket sales for her next movie, Friends-less, which hits theaters next spring.”
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    That’s all for today’s news, stay tuned to this channel for all the news that matters least but you still care about.

    (Compiled by J. Allen)

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  • Quick Stop Thingamabobs: 12/7/2006

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • Okay, so, when a flying snowman wants some of your soda, you share… (Thingamabob)
    • Whatever you do, stay away from Pine Oaks… (Thingamabob)

    Have a THINGAMABOB? Send it in!

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  • Holiday Havoc Day 4: Rick Moranis

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    Some people hang the holly, others decorate the tree, and a few even terrorize the neighborhood with off-key caroling.

    Not us.

    Here at Quick Stop Entertainment, we’re celebrating the holiday season by giving a little something back to you, our readers (you know who you are).

    Every weekday leading up to the holiday break, we’ve got uber-exclusive gifts provided by a whole range of artists, actors, comedians, and studios. One a day, straight from them to you.

    Ain’t that cool?

    Today, we’ve got a special gift from actor/writer/comedian Rick Moranis. Unless you’ve been living in a cave, you’ll know Rick from SCTV (where he co-created the legendary MacKenzie Brothers with Dave Thomas), Ghostbusters, Honey I Shrunk The Kids, and many more flicks through the years (including a guilty fave of mine, My Blue Heaven).

    Rick has provided us with an exclusive track from his album (yes, album!) The Agoraphobic Cowboy.

    Before you go thinking it’s some comedy album ““ it’s not. Yes, many of the songs are funny and the wordplay definitely comes from a brilliant comic mind, but it’s more in the vein of Randy Newman or Harry Nilsson ““ and trust me, that’s strong praise. With a country flair and a solid backing band, Moranis has recorded an album that never becomes kitsch or a novelty, but stands on its own two feet as a legitimately enjoyable listen. For more information, check out his official website at www.RickMoranis.com.

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    Download Rick Moranis’ “Give Me The News“:

     

    [display_podcast]

    Check out the rest of this year’s “Holiday Havoc” HERE

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  • Nocturnal Admissions: DVD Review and giveaway, Miami Vice

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    Vice title

    Regular readers of this diary may recall that the last time I reviewed Miami Vice I saw it on the big screen, in the theater, just me and 400 passholes, of which one, a violent cockeyed retard, created a scene.

    Yet I still managed to like the movie.

    It wasn’t because I was a fan of the show. The movie proves to have little to do with the source show. Instead it is a fantasia on themes originally enunciated in Miami Vice.

    Nor was it just because I am a huge Michael Mann buff, though the film is all of a piece with what he has been doing in films as diverse as Heat, Collateral, and even Ali and The Insider, with a similar catalog of moral questions and stylistic choices.

    No, it was the sheer physical near-silent beauty of the thing, with its actors like sleek panthers, all movement and style. I love the opening shots of the film, which showed Crockett and Tubbs (Colin Farrell and Jamie Foxx) standing off to the edge in a disco watching the crowd. Now, thanks to the DVD which hits the street on Tuesday, December 5, 2006 for $29.95 (available in either a widescreen edition of the release version and in a unrated director’s cut), I have the movie again to enjoy, ponder over, and revel in.

    Have you ever seen a wolf in the wild? I did once, while driving along the coast road in my home state with a friend. It had just come up over the edge and was looking sharply at the traffic, seeing if there was a way across the two lanes. I only saw the animal for a second as our car sped by, but I still haven’t forgotten how alert it was. It’s whole affect was there, here, alive, looking, sensing, seemingly every hair buzzed with the reality of what was going on around him, above, behind, in front. It was the sharpest thing I saw on the road.

    Like foxes

    That’s what Crockett and Tubbs reminded me of at the start of Miami Vice. Now, most viewers complained that because the movie starts in media res like this, they didn’t know what was going on, and remained lost for the rest of the movie. And if you take a glance at the screenplay (not included on the DVD) you can see how much of the dialogue Mann threw out (was that one of the reasons Foxx was reportedly unhappy on the set? Or was he worrying about his performance in Dreamgirls, in which he is reportedly uncomfortable looking?). Mann has a way of shooting people in the middle of action that looks really realistic, and he is fond of a shot that contributes to that feeling, which is one that Tarantino uses at least once per movie too, a close tracking shot behind someone walking somewhere, but in which you can also see the whole field of battle he is walking onto. The film is shot by Dion Beebe, who also worked on Collateral, and it has some stupendous shots in it, which look great on the Universal DVD.

    Dion

    As I said, it is less an episode of Miami Vice, than Mann’s “Answer to Heat.” As I wrote about the original release, “This is the second time that Mann has gone to the well of TV work to fashion a movie. Heat is a masterly re-filming of his TV movie, the 1989 Crimewave (AKA L.A. Takedown). In essence, what Mann has done here is re-write the end of Heat. In that film, crook De Niro and cop Pacino have a face off on a busy airport runway in a sequence that left a lot of people unsatisfied. Here, in a similar situation, a character makes a wholly different decision, and it is indeed much more satisfying. Thus, both because of their roots and because of their contrasting resolutions, Heat and Miami Vice are paired films in Mann’s filmography. Mann tries to balance to entirely different moods, absolute quotidian realism on the one hand, and romanticism on the other. This time he may have got the ending right.”

    There are about six new minutes in the unrated version, bringing the film up to 140 Minutes, most of which appear to be in the very beginning, in a sequent which also explains why the task force is in the disco. As far as I can tell, though, the film still doesn’t explain who the criminal mole is in the complex of agencies trying to catch the film’s big drug dealer. The answer may be in there; I just haven’t found it yet.

    Mann

    The widescreen anamorphic transfer (2.40:1) is excellent, and the audio comes in English, Spanish, French Dolby Digital 5.1. Supplements consist of a host of making ofs, including “Miami Vice Undercover,” “Miami & Beyond: Shooting on Location,” “Visualizing Miami Vice,” some so-called behind the scenes featurettes (“Gun Training,” “Haitian Hotel Camera BLocking,” and “Mojo Race”, with the biggest supplement being a commentary track from Mann. Mann’s been doing these a lot lately, and he comes prepared, remembers a lot, and likes to tell stories. As far as I can tell, though, he doesn’t go into any detail about Foxx’s supposed dissatisfaction on the set.

    If you’ve got this far, let it be known that if you are the first person to email me at dkholmcontests@mac.com, you get a free DVD of the uncut Miami Vice, care of Universal Home Video [10:18 PM PST: We have a winner]. Obviously I can’t reply to everyone, so if you don’t hear from me within a few hours, odds are that you’re not the first.