Author: UncaScroogeMcD

  • Weekend Shopping Guide 2/29/08: Not The Messiah

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    Though a rather nice Criterion edition of the flick has been on shelves for quite awhile, the new Life Of Brian: Immaculate Edition (Sony, Rated R, DVD-$ SRP) is worth your hard-earned shekels for the extra-spiffy remastered, high definition picture and sound. The two commentary tracks, five deleted scenes, and radio ads are ported over from the Criterion edition (sadly, the 1979 BBC documentary “The Pythons” did not make the transition}, while new additions include an audio reading of the script done before shooting began and an all-new retrospective documentary, “The Story Of Brian”.

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    A few years back, I reviewed the incredible limited edition release of Star Wars: Dressing A Galaxy, which featured a supplemental DVD, fabric swatches from the iconic costumes, and much more. Truly, I was impressed. Well, as much as that blew me away, I was gobsmacked by the limited edition of Sculpting A Galaxy: Inside Star Wars (Insight Editions, $395.00 SRP). Not only do you get the book itself – a comprehensive overview of the ILM model shop’s work on all 6 films, written by model and sculpture designer Lorne Peterson – but the limited set (only 3,000 produced) is also signed by Peterson. The true geek of it all, though, is the replica of the original Landspeeder model, Death Star pieces, and Millennium Falcon piece that are included in the set. Truly a nerdly delight, and an incredible set.

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    The first “important” film I ever saw, The Last Emperor (Criterion, Rated R, DVD-$59.95 SRP) still holds a very special place in my cinema viewing heart. I’m delighted that Criterion has decided to dive into a beautifully remastered special edition of director Bernardo Bertolucci’s tale of China’s final monarch with a sumptuous 4-disc special edition, loaded to the brim with both the theatrical and television versions of the film (with a commentary on the theatrical version), multiple in-depth documentaries on Bertolucci and the making of the film, interviews, an analysis of the history presented in the film, and a essay and interview filled booklet.

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    It’s not often that lightning strikes twice, but it certainly did for Bob Newhart. While the 70’s had him anchoring the legendary Bob Newhart Show, the 80’s found him with another hit on his hands, starring as the owner of a small Vermont Inn staffed by characters only slightly less eccentric than the local townspeople in Newhart (Fox, Not Rated, DVD-$39.98 SRP). The 3-disc first season set features all 22 episodes, but sadly not a single bonus feature. Come on, people, bring Bob in while you can…

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    Oh, Robert Zemeckis… When did your ego become so goddamn infuriating? I know you’re desperate to prove… something or another… about your motion capture animation technique, and about how it allows you to, I dunno, achieve things you never could with live action. Well, if Beowulf (Paramount, Not Rated, DVD-$29.99 SRP) is your proof of concept after the creepy Polar Express, then I think you’re in serious need of a slap across the face. Neil Gaiman and Roger Avary’s script is enjoyable, and the actors are clearly engaged, but the animation is about on par with videogame cutscenes, and nothing within it could not have been handled much more believably by live actors and special effects. The unrated edition features behind-the-scenes featurettes, deleted scenes, and more.

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    One of the more iconic filmmakers to ever ply his trade gets a nice set of his flicks courtesy of the Stanley Kramer Film Collection (Sony, No Rated, DVD-$59.95 SRP), which contains a 2-disc special edition of Guess Who’s Coming To Dinner, Ship Of Fools, The Member Of The Wedding, The Wild One, and The 5,000 Fingers Of Dr. T. All of the films sport bonus features, while the Dinner bonus disc features an introduction, retrospective featurettes, Kramer’s Thalberg Award acceptance speech at the 1962 Academy Awards, the 2007 Producers Guild “Stanley Kramer” Award presentation to Al Gore, and a photo gallery.

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    I feel so bad for Frank Oz. Here he is, one of the finest comedy directors of our age (I’m ignoring Stepford Wives as the work of a pod-Oz), and his latest – Death At A Funeral (MGM, Rated R, DVD-$29.99 SRP) – is pretty much sent straight to DVD. It’s a shame, because this very British farce is a very funny flick. Bonus features include an audio commentary from Oz, a second screenwriter/actors commentary, and a gag reel.

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    I still bear a great deal of resentment towards all of these new DC animated projects, since the insipid Sander Schwartz cancelled the wonderful Justice League Unlimited – slapping Bruce Timm across the face in the process – and brought these projects forward. The latest is Justice League: New Frontier (Warner Bros., Rated PG-13, DVD-$24.98 SRP), which is adapted from Darwyn Cooke’s graphic novels of the same name – a cold war version of the formation of the famous league. Packed with a subpar voice cast that makes me long for the perfectly cast versions of the DC icons from the old series, it’s an awkward flick that at least is better than the horrid Superman: Doomsday. The 2-disc special edition features a pair of audio commentaries, two behind-the-scenes documentaries, Justice League episodes, and more.

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    Every bit as comprehensive as you’d hope it would be, the 14-disc America At War (History Channel, Not Rated, DVD-$199.95 SRP) is a massive documentary series that charts American warfare from the Revolution to the war in Iraq – including everything from the Alamo to Korea and more.

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    Yes, I’ll admit to being one of those children of the late 70’s who spend the early 80’s watching The Smurfs (Warner Bros., Not Rated, DVD-$26.98 SRP) on Saturday mornings, and who begged their parents for the Smurf figurines the rest of the week, desperate to create their own Smurf village. The Hanna-Barbera adaptation of Peyo’s still-appealing characters makes its DVD debut with a 2-disc first volume from season one, featuring 19 episodes, The Smurfs’ Springtime Special, and a music video. Frighteningly Smurfy.

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    As the aging criminal Des – who does no intend to go quietly into that good night – Sir David Jason is a still-spry, still funny guy in Rough Diamond (Acorn, Not Rated, DVD-$39.99 SRP). Still scheming and acting as a slightly selfish latter-day Robin Hood, Jason and Des is a real treat. The complete first series in now available, which features text interviews with the cast.

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    I remember seeing 30 Days Of Night (Sony, Rated R, DVD-$28.95 SRP) in the theater and wondering – after the vampires have pretty much wiped out the Alaskan town during the titular winter period in their first night of feeding, leaving just a small handful of morons – that the 29 remaining days were terribly boring padding. On DVD viewing, my initial assessment holds true. Bonus materials include an audio commentary and behind-the-scenes featurettes.

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    I’m usually not a fan of pop star forays into classical music, but I did find myself enjoying Paul McCartney’s Ecce Cor Meum (EMI, Not Rated, DVD-$30.98 SRP), a live performance at the Royal Albert Hall of which is featured on a new DVD. The set also features a behind-the-scenes documentary about the creation of the piece.

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    It’s been a long while, but Comanche Moon (Sony, Not Rated, DVD-$29.95 SRP) picks up the Lonesome Dove saga with a brand new miniseries focusing on young Texas Rangers Augustus McRae (Steve Zahn) and Woodrow F. Call (Karl Urban) as they face off against the Comanches, who defiantly intend to preserve their fast-disappearing territory and way of life. Bonus features include a pair of behind-the-scenes featurettes, and featurette focusing on Comanche heritage.

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    Long an importer of our trashy prime time soaps, the Brits have been growing their own in recent years, and Hotel Babylon (BBC, Not Rated, DVD-$39.98 SRP) certainly adheres to all of the common cliches of the form, this time revolving around the staff of a high class, high drama hotel. The 3-disc set features all 8 episodes, plus a commentary on the first episode and a making-of featurette.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

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  • Keneteph’s Corner: Experiencing The Power of Mentorship

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    Experiencing The Power of Mentorship

    keneteph2008-02-29.jpgLast December I attended my first Hollywood movie premier. It was for the independent film, The Power of Mentorship. This phenomenal film, is about the importance of having a mentor in life, to help one get where they want to go. It is based on the life of the film’s producer, Don Boyer, how he became a self-made millionaire, by following certain steps his own mentor gave him. It stars many of the top people in the personal development industry, such as Bob Proctor, and Marie Diamond, from the hit movie, The Secret. The ideas presented in the film truly get ones thinking going in the direction of pursuing their goals, and fulfilling their dreams. What made my attendance even more special was that I wasn’t only going as a fan or one interested in the personal development industry, but as a fellow cast member. No, I don’t make a physical appearance in the film, but a song I wrote, A Matter of Choice, plays during the credits of the film.

    Don, and his wife, Melinda, put in a lot of hard work to make the premier the success it was. The same dynamic time and energy they put into the movie premier, they put into the people they work with. They are authentic people that truly want to see the world succeed. Through their company Real Life Teachings, they give everyday people the chance to mentor others, and be published alongside the top names in the personal development industry. Overall, I was inspired by the feeling of increase for all that radiated throughout the event, and want to use this opportunity to thank Don Boyer personally for adding me to his team. I recently had the chance to pick Mr. Boyer’s brain, and ask him about his successes and future plans.

    Thaahum: How did you get your start as an author?

    keneteph2008-02-29-02.jpgDon Boyer: I had a desire to be a writer since I was 12 years old when I sent away for a course that I saw in a comic book called “how to become a writer”. Although it would not be for another 20 years I did see that dream come true in 1991. I wrote my first book called 7 keys to increase. I self published that book but it was soon picked up by a major Christian publishing company.

    It was a good selling book and made its way into Christian book stores. For some strange reason I did not write or publish again until 2004 when I wrote a book called Legends of Thithers and Givers. Once again, I found that to be a great seller that sold around the world. In 2006 I got the idea to do a book on mentorship and wanted to have both local writers as well as some of the best speakers in the personal growth industry. That came out in February, 2006 and I only planned to publish that one. It sold 4000 copies in the first 90 days and people starting me to contacting me to do another one. Today we have 11 books in that Power of Mentorship series and have over 90,000 copies in the market place world wide.

    Thaahum: How did you get your stat as a mentor?

    Don Boyer: I think I evolved in to mentorship by first becoming a good follower and student. I had the good fortune to have great mentors in my life starting at the age of 19. Today I still have great mentors in my life, people like my good friend Bob Proctor and Vic Johnson. I started mentoring, which means I started my speaking and coaching career back in 1984. From that point until today I still make it my life calling to mentor people. In fact, we just opened up our new Power of Mentorship training center in So. California so that we have people come here to be mentored and trained.

    Thaahum: When did you get the idea for the film?

    Don Boyer: People laugh when they find out, but I got the idea to do the film at a restaurant in May 2007 and put it all together in 7 months and had our Premier on Dec. 6,2007 at the Land Mark Theatre in Los Angeles. We had the movie cast there including Bob Proctor. People ask me all the time how I did this? My answer is always the same, it never crossed my mind that I could not do it! The truth is, we can all do what we can’t do if we don’t know we can’t do it.

    Thaahum: What is your goal with this film?

    Don Boyer: My goal for the film is the same from the start-to bring freedom to billions! I feel the film has so much power and holds the answer for people all over the world to learn how to live a better life. To have more, be more and do more. What is your dream? Whatever it is you can have it.

    Thaahum: How did you get the different teachers/mentors involved in the film?

    Don Boyer: Law of attraction. There is no other way I could have brought these kind of individuals into a film project from someone who really was not known (speaking of myself of course} Big name people are booked years in advance and they have to be very careful to who they agree to work with. Once I set the intent to do the film and who was going to be in it, it was the job of the universe to make it happen not mine.

    Thaahum: What do you like best about being in the personal development industry?

    Don Boyer: Helping people. My life changed completely for the better because of mentorship. I was a young lost 19 year old boy when I first met my mentor who forever changed my life. Besides that, the personal growth industry is my passion, and my life calling.

    Thaahum: What are your future goals and ambitions?

    keneteph2008-02-29-03.jpgDon Boyer: The future holds more books, more movies and more trainings. I will be doing this as long as I live. .

    Thaahum: Will you be making any more films?

    Don Boyer: Yes we are now working on our next film project called The Network Marketing Entrepreneur. It will be a combination of personal growth and how mentorship plays are role in this great industry.

    Thaahum: How can people find out more about you and your work?

    Don Boyer: People can reach us at www.DonBoyerAuthor.com

    Copyright 2008 Keneteph Entertainment

  • Quick Stop Thingamabobs: 2/29/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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  • Quick Stop Thingamabobs: 2/28/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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  • Cabin Fever #13: Brian Loves Josh Peck

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    Oh no! Just when you thought it was safe to hang out at the Quick Stop…

    cabin.jpgCabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

    Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

    Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

    Hugs and Kisses,
    Aaron P. + Rev. Fitzy

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    CABIN FEVER #13: Brian Loves Josh Peck – This week’s show is a little bit crazy. Aaron decides to take over musical duties, resulting in the rocking of the cheapest instrument ever. You can stop the madness by sending your songs or getting in touch on our myspace page (myspace.com/cabinfeverradio). Brian has to face his prejudices against the perfectly nice actor Josh Peck. This battle gets a little ugly. Needless to say, there may one day be a re-match. This one was recorded on the day of the Oscars so don’t laugh at us if we’re wrong about anything. Enjoy!

    [CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

    DOWNLOAD: (right click to save)
    Episode #13 (MP3 format)

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    SUBSCRIBE
    Subscribe to this Podcast via iTunes

    Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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    CLICK HERE FOR THE CABIN FEVER ARCHIVES

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  • Quick Stop Thingamabobs: 2/27/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • It’s the calls home to dad that are always the most awkward… (Thingamabob)
    • Bruce Forsyth hosting Have I Got News For You, Part 1… (Thingamabob)
  • Win the LORD OF DARKNESS Premium Format Figure from Sideshow!

    We’re giving away, in conjunction with Sideshow Collectibles, the exclusive edition of their LORD OF DARKNESS Premium Format Figure from the film LEGEND.

    The Lord of Darkness Premium Format Figure utilizes a wide variety of materials to capture the costuming, make-up effects, and demonic menace of the classic character. The real fabric costuming is incredibly elaborate, combining more than ten different fabrics and other materials. The figure is hand cast in high-quality, heavy-weight polystone, then hand-finished and hand-painted to exacting standards. Each Lord of Darkness includes a high-quality display base, allowing the figure to stand at over 23-inches tall.

    The Sideshow Exclusive version of Lord of Darkness Premium Format Figure includes an accessory available nowhere else, interchangeable components that will allow you to change Darkness’s sword for the unicorn horn!

    Contest ends at midnight EST on Monday, March 3rd.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of Quick Stop Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Tuesday, March 4th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Quick Stop Thingamabobs: 2/26/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • Mel’s Rock Pile Gives a Tribute to Punk Music, Part 1… (Thingamabob)
  • QUICK STOP EXCLUSIVE: I’m F***ing Seth Rogen

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    Straight from the set of Kevin Smith’s Zack And Miri Make A Porno – starring Seth Rogen, Elizabeth Banks, Jason Mewes, Traci Lords, Craig Robinson, Jeff Anderson, Katie Morgan and Ricky Mabe – comes a decidedly NSFW cautionary tale about just what it takes to get ahead in Hollywood…

     

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    Download “I’m F***ing Seth Rogen”:

  • Large (560 x 420 – QuickTime – 30.90 MB)
  • Small (320 x 240 – QuickTime – 13.61 MB)
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  • Win COMIC RELIEF: THE GREATEST & THE LATEST on DVD!

    We’re giving away, in conjunction with Shout! Factory, a copy of COMIC RELIEF: THE GREATEST & THE LATEST on DVD.

    Contest ends at midnight EST on Monday, March 3rd.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of Quick Stop Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Monday, March 3rd.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • The Greatest Movie Blog Of All Time: The Oscar Running Man

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    Well it’s Oscar night”¦ again. In past websites and incarnations of my bull I’ve done a recap of the show after the fact but this year I thought maybe I’d try something new, a “live” recap blog. Yes, I’ll do my best to articulate my thoughts as they come to me. This will likely be boring as all get out, but you knew that was a possibility when you started reading something written by me, right? It’s on YOU!

    5:27 PM PT ““ The pre-show is just ending and America’s new favorite old fart Regis (sorry Andy Rooney) is in the front row pointing out celebrities he recognizes including “Xavier” Bardem seated right next to Jack Nicholson. Jack has courtside seats to Lakers games and the Oscars every year it seems. Also of note, I missed all the fashion reporting. YAY ME!

    5:30 PM PT ““ And the show begins”¦ with about the oddest opening I’ve seen yet. What appears to be a UPS trucks races through “Hollywood” dodging a variety of “classic” characters. Um”¦ huh?

    5:32 PM PT ““ Jon Stewart emerges from a tube. “Tonight, welcome to the makeup sex!”

    5:34 PM PT- Stewart is really in his element. Referring to the number of bleak characters and films nominated this year: “Does this town need a hug?” “All I can say is thank God for teen pregnancy.”

    5:41 PM PT ““ Jennifer Garner strolls out to present the first award of the night: Best Costume Design. My pick: La Vie En Rose. The winner: Elizabeth ““ The Golden Age. 0 for 1. Crap. I mean, yay for the women in the funky glasses who gave a 3 second acceptance speech. That was classy.

    5:47 PM PT ““ George Clooney is so cool he doesn’t ever need ice cubes in his drinks. Okay that was dumb, but now he’s on stage to present a 80 years of Oscar retrospective montage. Retrospective pieces like this are usually my favorite part of the show but I gotta say, this one sucks. It’s an absolute mess. I mean editing it to “My Heart Will Go On?” C’mon. Some nice moments but really not well thought out.

    5:51 PM PT ““ Anne Hathaway (hubba) and Steve Carrell (stars of the upcoming Get Smart movie, hence the theme music) arrive to present the award for Best Animated Feature. My Pick: Ratatouille. Winner: Ratatouille. HA! 1 for 2. Brad Bird really does look a bit like a bird. Nice acceptance speech though.

    5:56 PM PT ““ Katherine Heigl (hubba) is out to”¦ I’m sorry lost my concentration”¦ Where was I? Oh right, she’s there to present the award for Best Makeup. My Pick: La Vie En Rose. Winner: La Vie En Rose. Don’t call it a come back, I’ve been here for 30 minutes. I’m now 2 for 3. Wait! Why did Katherine have to leave the frame?! Come back!

    5:59 PM PT ““ “Happy Working Song” song by Amy Adams. I love Amy Adams, but I’ll never understand having musical and dance numbers at the Oscars. Why is she on stage all by herself?

    6:06 PM PT ““ Stewart: “Welcome back to the 80th Academy Awards. In case you’re wondering what we all do here during the commercial break, mostly we just sit around making catty remarks about the outfits you’re all wearing at home.”

    6:07 PM PT ““ Dwayne “The Rock” Johnson presents for Best Visual Effects. My pick: Transformers. Winner: The Golden Compass. 2 for 4. First time winners, interesting. One of the winners reads a quote from Walt Disney: “It’s kinda fun to do the impossible.” Indeed.

    6:10 PM PT ““ Cate Blanchett arrives to present the award for Achievement in Art Direction. My pick: Sweeney Todd. Winner: Sweeney Todd. 3 for 5. Okay, I’m back over 50%, there’s hope for me yet.

    6:13 PM PT ““ A retrospective montage on the Best Supporting Actor award.

    6:15 PM PT ““ Jennifer Hudson comes out to present the award for Best Supporting Actor (didn’t see that one coming). Really strong field this year. My pick: Javier Bardem for No Country for Old Men. Winner: Javier Bardem. 4 for 6! No big surprise, Javier was the odds on favorite. Classy acceptance speech. Right about now Regis is going, “Javier?! What’d I say?”

    6:23 PM PT ““ Oscar’s salute to binoculars and periscopes. Kinda funny, kinda stupid. “Bad Dreams: An Oscar Salute.” Funnier.

    6:24 PM PT ““ Keri Russell (who was fantastic in “Waitress”) introduces the nominee for Best Original Song, “Raise It Up” from August Rush in which she starred.

    6:28 PM PT ““ Owen Wilson arrives to present the award for Best Live Action Short Film. My pick: The Tonto Woman. Winner: Le Mozart Des Pickpockets. 4 for 7. I had no shot really, that clip from The Tonto Woman looked terrible.

    6:31 PM PT ““ Jerry Seinfeld’s bee from Bee Movie (a film that was not nominated) presents a short clip on bees in cinema. Kinda cute, kinda stupid. The bee also presents the award for Best Animated Short Film. My pick: Peter & The Wolf. I’m in real trouble here. Winner: Peter & The Wolf. HA! 5 for 8. Totally pulled that one out of my ass.

    6:34 PM PT ““ A retrospective on Best Supporting Actress. Now, these are retrospectives are on the winners receiving the award and no footage of the performances that won them the award. I guess this year it’s all about remembering the award and not the work.

    6:35 PM PT- Alan Arkin comes out to present the award. My pick: Cate Blanchett for I’m Not There. Winner: Tilda Swinton for Michael Clayton. Wow, first surprise of the night? She was great in Michael Clayton. Of course, now I’m 5 for 9. This is payback for Peter & The Wolf.

    6:40 PM PT ““ Sidney Poitier reflects on the experience of winning an Academy Award. Now that was kinda cool. Not amazing, but at least somewhat interesting. So far these retrospectives are really terrible. I’m not impressed by any of them.

    6:44 PM PT ““ Pregnant Jessica Alba comes out to talk about the Nerd Oscars (I mean the Scientific and Technical Awards). I wish they would televise those awards.

    6:45 PM PT ““ Josh Brolin and James McAvoy present the award for Best Adapted Screenplay. Seems a bit of a conflict of to have Brolin up there given that No Country For Old Men is nominated. Brolin and Nicholson joke about Brolin’s terrible Nicholson impression. When in trouble, bounce a joke off of Jack. I suppose that’s really why he sits in the front row. On to the award. My Pick: No Country For Old Men. Winner: No Country For Old Men. 6 for 10. Back in the saddle again”¦

    6:50 PM PT ““ Finally! Something interesting! A short, behind the scenes piece about the nomination and award process. This is actually kinda funny and informative! And Michael Bay’s only chance of getting on the show!

    6:52 PM PT ““ Miley Cyrus comes out to introduce the 3rd nominated song, “That’s How You Know” from Enchanted. Bathroom break time!

    7:00 PM PT ““ “And the baby goes to”¦” Jon Stewart is on fire.

    7:01 PM PT ““ Dame Judi Densch and Halle Berry ““ oh wait it’s actually Jonah Hill and Seth Rogen riffing on who’s gives off a more Halle Berry vibe. Funny. The award is for Best Sound Editing. My Pick: Ratatouille. Winner: The Bourne Ultimatum. 6 for 11. I really suck at this. I mean I’m amazingly bad. It’s only dumb luck I got 6 right. My two year old niece could do a better job of picking winners than me at this point.

    7:05 PM PT ““ Rogen and Hill back at it again. The award is Achievement in Sound Mixing. My pick: Transformers. Winner: The Bourne Ultimatum. 6 for 12. Man, it’s like Jason Bourne came into my living room and kicked me in the balls.

    7:08 PM PT ““ Best Actress winners montage. Guess what’s coming next!!!

    7:09 PM PT ““ Forrest Whitaker presents the award for Best Actress. My pick: Ellen Page for Juno. I’m sorry Ellen, at the rate I’m going, it’s not looking good for you. Winner: Marion Cotillard for La Vie En Rose. Come here Ellen, let me console you (she doesn’t look that upset, actually). I’m now 6 for 13, including missing the past 3 winners.

    7:18 PM PT ““ Back from commercials and Jon Stewart playing Wii on the big screen. Hysterical. Colin Farrell comes out to introduce the 4th nominated song, “Falling Slowly” from Once (this was my pick, by the way. So it clearly hasn’t a snowball’s chance in hell.) This is a beautiful song, I’m off to iTunes.

    7:22 PM PT ““ Jack Nicholson earns his seat by presenting a retrospective on the Best Picture winners. Wow, I can’t believe they ran through them all. This might be the best montage of the night. Is it just me or do the winners from the last 10 years or so been less than memorable?

    7:28 PM PT ““ Renee Zellweger presents the award for Best Editing. My pick (sigh): No Country For Old Men. Winner: The Bourne Ultimatum (third win). I’m an embarrassing 6 for 14.

    7:31 PM PT ““ Nicole Kidman presents an honorary award to legendary production designer Robert Boyle (who is 98!!!). He was 18 when the Oscars started. This guy has done some amazing work. While I’m quite familiar with the films he’s worked on, I’m embarrassed to say I had no idea it was him.

    7:35 PM PT ““ Sharp as a tack, Robert Boyle comes out to a standing ovation: “That’s the great part about getting old. I don’t recommend the other part.” Ha! This is my favorite moment of the night.

    7:42 PM PT ““ Penelope Cruz presents the award for Best Foreign Language Film. My pick (and sure loser): The Counterfeiters. Winner: The Counterfeiters. Well okay I’m now 7 for 15 but that’s a pick I stole from Entertainment Weekly. I mean I’ll take it but I’m not proud of it.

    7:44 PM PT ““ Patrick Dempsey introduces the 5th nominated song, “So Close” from Enchanted. Another bathroom break!

    7:48 PM PT ““ John Travolta hams his way on to the stage so he can present the winner for Best Original Song. My Pick: “Falling Slowly” from Once. Winner: “Falling Slowly”. Fantastic. 8 for 16 and I’m back at .500. It’s a beautiful song (update from iTunes, it’s not available by itself, you have to spend $10 for the whole album”¦ which is probably a good idea). The orchestra plays before Market Irglova can give her thanks.

    7:56 PM PT ““ After the break, Jon Stewart brings Marketa Irglova back on stage to say her thank yous, which she didn’t get to do before due to time constraints. Wow, classy moment and an awards first. And she fucking NAILS it.

    7:58 PM PT ““ “Our next presenter is talented and beautiful. Apparently that’s what it takes to get ahead in this town”. Cameron Diaz presents the award for Best Cinematography. Will my streak continue?! My pick: Robert Elswitt for There Will Be Blood. Winner Robert Elswitt for There Will Be Blood. Someone must’ve cued the rally monkey! I’ve snagged the last 3 and stand at 9 for 17.

    8:01 PM PT ““ Hillary Swank introduces the In Memoriam montage. This year they added the dates (February 1st 2007 to January 31st 2008). The house remains dark and silent as ABC cuts to a goofy GMC commercial.

    8:08 PM PT ““ Amy Adams presents the award for Best Original Score. My pick: Dario Marianelli for Atonement. Winner: Dario Marianelli for Atonement. I am, dare I say, en fuego. 4 in a row and now standing at 10 for 18.

    8:11 PM PT ““ Tom Hanks introduces six soldiers live from Baghdad who present the award for Best Documentary (Short Subject). My pick: Salim Baba. Winner: Freeheld. I got cocky and fate struck me down. Now 10 for 19.

    8:15 PM PT ““ Tom Hanks presents the award for Best Documentary Feature. My pick: No End In Sight. Winner: Taxi to the Dark Side. I’m shocked (and now 10 for 20). I’m really surprised by this as No End in Sight was an amazing film (forget documentary) and Taxi To The Dark Side is a goofy title. But admittedly I’ve never seen and now I’ll have to check it out.

    8:19 PM PT – Only four awards left as the show approaches the 3 hour mark. You know the real reason the awards show is often so long? The 5 minute commercial breaks.

    8:23 PM PT ““ (4 minutes later!) Harrison Ford arrives to present the award for Best Original Screenplay. My Pick: Diablo Cody for Juno. Winner: Diablo Cody. 11 for 21. (be humble, be humble, be humble). Diablo Cody gives a very touching acceptance speech.

    8:26 PM PT – ANOTHER COMMERCIAL! 4 minutes of commercial. 3 minutes of show.

    8:29 PM PT ““ Montage of Best Actor award presentations. Let me guess what’s comin’ up”¦

    8:30 PM PT ““ The always classy Helen Mirren presents the award for Best Actor. My pick (and virtually everyone else’s): Daniel Day-Lewis for There Will Be Blood. Winner: Daniel Day-Lewis. Day-Lewis bows before Helen Mirren. For those still keeping score, I’m at 12 for 22.

    8:40 PM PT ““ Montage of Best Director award presentations.

    8:42 PM PT ““ The great Martin Scorsese presents the award for Best Director. My pick: Joel & Ethan Coen for No Country For Old Men. Winner: Joel & Ethan Coen. 13 for 23.

    8:44 PM PT ““ Denzel Washington presents the 80th award for Best Picture. My pick: No Country For Old Men. Winner: No Country For Old Men. I finish the night 14 for 24. Terrible.

    Well that about wraps it up. I thought Jon Stewart did a phenomenal job as host but many of the montages and additional pieces seemed rushed, whether that be because of the limited time frame provided by the writer’s strike or poor production overall I don’t know.

    Thanks again for reading my bull.


    Brett Deacon was voted least likely to win an Academy Award in high school, but was in fact voted most likely to write an Oscar blog, a good 10 years before anyone knew what a blog was

  • Cabin Fever #12: The World On iTunes

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    Oh no! Just when you thought it was safe to hang out at the Quick Stop…

    cabin.jpgCabin Fever (hosted by the twisted souls Brian Fitzpatrick and Aaron Poole) is the result of having too much time on your hands and access to your local community radio station.

    Over the course of an hour, they manage to trawl the depths of good taste, plus throw some music in. How much more could you want from a podcast?… Quality? Oh… we didn’t think of that.

    Enjoy! And we hope our cross Atlantic friends can understand the Irish accent 😉

    Hugs and Kisses,
    Aaron P. + Rev. Fitzy

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    cabin2008-02-25-01.jpgCABIN FEVER #12: The World On iTunes – And so we’re back from outer space. Don’t turn around now with that sad look upon your face. We can blame the delay of episode 12 purely on the fact that Aaron went on a trip to Belgium (no, he wasn’t “In Bruge”). However, we came back with a little wizzbang show containing pedophilic elephants, handlebar mustachioed air-hostesses and talk of an odd statue Aaron found on holidays. There’s music from the likes of Credit, The Bad Habits and, Jasper McVain. Good times! As always if you like what you hear, then drop us a line. We’re whores for props so feed this machine!

    [CONTENT WARNING]: Explicit contents! We say every naughty word you can think of. You have been warned!

    DOWNLOAD: (right click to save)
    Episode #12 (MP3 format)

    [audio:http://traffic.libsyn.com/cabinfever/cabin_fever_12.mp3]

    SUBSCRIBE
    Subscribe to this Podcast via iTunes

    Got something to say? E-mail Aaron & Brian at the Cabin Fever mailbag.

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    CLICK HERE FOR THE CABIN FEVER ARCHIVES

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  • Quick Stop Thingamabobs: 2/25/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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    • Sarah Silverman is copulating with Matt Damon… (Thingamabob)
  • Ken P. D. Snyde-Cast #32: Golden Bets

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    Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.

    Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.

    Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.

    VISIT THE SNYDECAST EXPERIENCE

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    KEN P.D. SNYDECAST #32: Golden Bets – Ken & Dana return with their 2nd annual Oscars bet, wherein they both challenge each other’s prognostication skills and make another round of ludicrous wagers.

    [CONTENT WARNING]: This podcast may contain some foul language and horribly off-color jokes. Don’t say we didn’t warn you.

    DOWNLOAD: (right click to save)
    Episode #32 (MP3 format)

    [audio:http://traffic.libsyn.com/snydecast/ken_p_d_snyde_cast-32.mp3]

    SUBSCRIBE
    Subscribe to this Podcast via iTunes

    Got something to say? E-mail Dana & Ken at the Snydecast mailbag.

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    CLICK HERE FOR THE SNYDECAST ARCHIVES

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  • The Greatest Movie Blog Of All Time: Golden Statues Of Naked Men

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    A bit of a disclaimer: If you use this list to cheat on your office pool and then lose, don’t blame me. I don’t need that kind of pressure. These are my best educated guesses. I haven’t seen every film nominated this year, though I have seen all five best picture nominees. And like a hypocrite, I will also be cheating (but at least referencing my source). So if you do use my picks you are hereby required to pay me a royalty (as for the sources I copied off of, let me deal with that).

    And on with the picks (my picks in italics):

    Best animated feature film

    • “Persepolis” – Marjane Satrapi and Vincent Paronnaud
    • * “Ratatouille” – Brad Bird
    • “Surf’s Up” – Ash Brannon and Chris Buck

    Comments: Why is “Surf’s Up” nominated? How did that one sneak past the goalkeeper? Anyway, Ratatouille is the easy pick here being the most popular of the films (though don’t be too surprised if “Persepolis” pulls off an upset).

    Achievement in Art Direction

    • “American Gangster” – Art Direction: Arthur Max; Set Decoration: Beth A. Rubino
    • “Atonement” – Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
    • “The Golden Compass” – Art Direction: Dennis Gassner; Set Decoration: Anna Pinnock
    • * “Sweeney Todd: The Demon Barber of Fleet Street” – Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
    • “There Will Be Blood” – Art Direction: Jack Fisk; Set Decoration: Jim Erickson

    Comments: “Sweeney Todd” has to win somewhere and this is its best shot.

    Achievement in Costume Design

    • “Across the Universe” – Albert Wolsky
    • “Atonement” – Jacqueline Durran
    • “Elizabeth: The Golden Age” – Alexandra Byrne
    • * “La Vie en Rose” – Marit Allen
    • “Sweeney Todd: The Demon Barber of Fleet Street” – Colleen Atwood

    Comments: Tough category as all films are period pieces (period films often being a shoo-in for this award). Still, never forget that the overall quality of the film can overshadow the contributions of any individual area and that applies here. I’m going with “La Vie en Rose”.

    Best Documentary Feature

    • * “No End in Sight” – Charles Ferguson and Audrey Marrs
    • “Operation Homecoming: Writing the Wartime Experience” – Richard E. Robbins
    • “Sicko” – Michael Moore and Meghan O’Hara
    • “Taxi to the Dark Side” – Alex Gibney and Eva Orner
    • “War/Dance” – Andrea Nix Fine and Sean Fine

    Comments: Do you remember when “Hoop Dreams” wasn’t nominated for best documentary deature 14 years ago (and judging by the looks on your faces you probably don’t)? Everyone went apeshit like it was a national tragedy and the Academy reworked its nomination process for this category. Well, there’s another glaring omission this year. There are four films here about the war in Iraq and one film about our ridiculous healthcare system. All relevant issues but none of them were as thrilling as “In The Shadow of The Moon” (a film I talked about in last week’s blog). Still, “No End In Sight” was a refreshingly bipartisan take on the war in Iraq and should be the clear winner.

    Best Documentary (Short subject)

    • “Freeheld” A Lieutenant Films Production: Cynthia Wade and Vanessa Roth
    • “La Corona (The Crown)” A Runaway Films and Vega Films Production: Amanda Micheli and Isabel Vega
    • * “Salim Baba” A Ropa Vieja Films and Paradox Smoke Production: Tim Sternberg and Francisco Bello
    • “Sari’s Mother” (Cinema Guild) A Daylight Factory Production: James Longley

    Comments: Haven’t seen any of these. Entertainment Weekly says “Freeheld” and “Sari’s Mother” are strong contenders. Coin flipping “¦ tails! “Salim Baba” is my pick.

    Best Foreign Language Film of the Year

    • “Beaufort” Israel
    • * “The Counterfeiters” Austria
    • “Katyn” Poland
    • “Mongol” Kazakhstan
    • “12” Russia

    Comments: This is where I cheat. I haven’t seen any of these films. Entertainment Weekly says “The Counterfeiters” is a shoo-in. I’m sold.

    Achievement in Makeup

    • * “La Vie en Rose” – Didier Lavergne and Jan Archibald
    • “Norbit” – Rick Baker and Kazuhiro Tsuji
    • “Pirates of the Caribbean: At World’s End” – Ve Neill and Martin Samuel

    Comments: Here’s where you go with the best reviewed film. I don’t think Academy voters can in good conscience make “Norbit” an Academy Award-winning film no matter how good Rick Baker is.

    Achievement in Music Written for Motion Pictures (Original Score)

    • *”Atonement” – Dario Marianelli
    • “The Kite Runner” – Alberto Iglesias
    • “Michael Clayton” – James Newton Howard
    • “Ratatouille” – Michael Giacchino
    • “3:10 to Yuma” – Marco Beltrami

    Comments: Johnny Greenwood’s haunting score for “There Will Be Blood” should’ve been nominated (and would far and away be my choice). But it wasn’t, so my pick is “Atonement” as the score was one of the few memorable things about that movie.

    Achievement in Music Written for Motion Pictures (Original Song)

    • * “Falling Slowly” from “Once” – Music and Lyric by Glen Hansard and Marketa Irglova
    • “Happy Working Song” from “Enchanted” – Music by Alan Menken; Lyric by Stephen Schwartz
    • “Raise It Up” from “August Rush” – Music and Lyric by Jamal Joseph, Charles Mack and Tevin Thomas
    • “So Close” from “Enchanted” – Music by Alan Menken; Lyric by Stephen Schwartz
    • “That’s How You Know” from “Enchanted” – Music by Alan Menken; Lyric by Stephen Schwartz

    Comments: I haven’t seen “Once” or “Enchanted” but I’m going to play the “split-the-vote” card (the belief that 3 nominations from one film will cancel each other out) and pick “Falling Slowly” from “Once” to win.

    Best Animated Short Film

    • “I Met the Walrus” A Kids & Explosions Production: Josh Raskin
    • “Madame Tutli-Putli” (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski
    • “Même les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse
    • “My Love (Moya Lyubov)” (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov
    • * “Peter & the Wolf” (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman

    Comments: I haven’t seen any of these films, but I know the story of Peter & The Wolf so that’s my pick.

    Best Live Action Short Film

    • “At Night” A Zentropa Entertainments 10 Production: Christian E. Christiansen and Louise Vesth
    • “Il Supplente (The Substitute)” (Sky Cinema Italia) A Frame by Frame Italia Production: Andrea Jublin
    • “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) A Karé Production: Philippe Pollet-Villard
    • “Tanghi Argentini” (Premium Films) An Another Dimension of an Idea Production: Guido Thys and Anja Daelemans
    • *”The Tonto Woman” A Knucklehead, Little Mo and Rose Hackney Barber Production: Daniel Barber and Matthew Brown

    Comments: I like the title “The Tonto Woman”. No idea what it means. I’ll pick it (this is how people lose at the track)

    Achievement in Sound Editing

    • “The Bourne Ultimatum” – Karen Baker Landers and Per Hallberg
    • “No Country for Old Men” – Skip Lievsay
    • *”Ratatouille” – Randy Thom and Michael Silvers
    • “There Will Be Blood” – Christopher Scarabosio and Matthew Wood
    • “Transformers” – Ethan Van der Ryn and Mike Hopkins

    Comments: I always say that there’s nothing more difficult than creating sound for an animated film because all sounds have to be imagined and created. I’m going with “Ratatouille”.

    Achievement in Sound Mixing

    • “The Bourne Ultimatum” – Scott Millan, David Parker and Kirk Francis
    • “No Country for Old Men” – Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
    • “Ratatouille” – Randy Thom, Michael Semanick and Doc Kane
    • “3:10 to Yuma” – Paul Massey, David Giammarco and Jim Stuebe
    • * “Transformers” – Kevin O’Connell, Greg P. Russell and Peter J. Devlin

    Comments: Kevin O’Connell has been nominated 20 times and has never won. He is the Susan Lucci of this category. It’s his time.

    Achievement in Visual Effects

    • “The Golden Compass” – Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
    • “Pirates of the Caribbean: At World’s End” – John Knoll, Hal Hickel, Charles Gibson and John Frazier
    • * “Transformers” – Scott Farrar, Scott Benza, Russell Earl and John Frazier

    Comments: You can’t say many good things about “Transformers”, but one thing you can say is that the special effects were indeed amazing. Bit of useless trivia: Nominee and ILM wonderboy John Knoll co-created Photoshop.

    Achievement in Film Editing

    • “The Bourne Ultimatum” – Christopher Rouse
    • “The Diving Bell and the Butterfly” – Juliette Welfling
    • “Into the Wild” – Jay Cassidy
    • * “No Country for Old Men” – Roderick Jaynes
    • “There Will Be Blood” – Dylan Tichenor

    Comments: I’m going with Roderick Jaynes and I hope he makes an appearance. (There is no Roderick Jaynes, he is a figment of the Coen Brothers’ imagination.)

    Achievement in Cinematography

    • “The Assassination of Jesse James by the Coward Robert Ford” – Roger Deakins
    • “Atonement” – Seamus McGarvey
    • “The Diving Bell and the Butterfly” – Janusz Kaminski
    • “No Country for Old Men” – Roger Deakins
    • *”There Will Be Blood” – Robert Elswit

    Comments: Tough choices here. I’ve heard there’s a lot of sentiment for Janusz Kaminski’s work on “The Diving Bell and The Butterfly”. “Atonement” has that one amazing five-minute tracking shot going for it, so that’s a possibility. And then you have Roger Deakins nominated twice. All that considered, I’m going to go with Robert Elswit’s work on “There Will Be Blood”.

    Performance by an Actress in a Supporting Role

    • * Cate Blanchett in “I’m Not There”
    • Ruby Dee in “American Gangster”
    • Saoirse Ronan in “Atonement”
    • Amy Ryan in “Gone Baby Gone”
    • Tilda Swinton in “Michael Clayton”

    Comments: Wide open field. Ruby Dee has never won and could be a legacy pick. Cate Blanchett and Amy Ryan gave stand-out performances in films that weren’t otherwise nominated. I’m going with Blanchett based on popularity, though I think Amy Ryan is probably more deserving.

    Performance by an Actor in a Supporting Role

    • Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford”
    • * Javier Bardem in “No Country for Old Men”
    • Philip Seymour Hoffman in “Charlie Wilson’s War”
    • Hal Holbrook in “Into the Wild”
    • Tom Wilkinson in “Michael Clayton”

    Comments: Second easiest pick of the night, Javier Bardem’s hitman character Anton is a performance for the ages. The only other performance that can match him is Daniel Day-Lewis’s, and he’s in another category.

    Performance by an Actress in a Leading Role

    • Cate Blanchett in “Elizabeth: The Golden Age”
    • Julie Christie in “Away from Her”
    • Marion Cotillard in “La Vie en Rose”
    • Laura Linney in “The Savages”
    • * Ellen Page in “Juno”

    Comments: Tough call. I’m going with Ellen Page because she really carries that film. Plus, I think Julie Christie and Marion Cotillard could steal votes from each other.

    Performance by an Actor in a Leading Role

    • George Clooney in “Michael Clayton”
    • * Daniel Day-Lewis in “There Will Be Blood”
    • Johnny Depp in “Sweeney Todd: The Demon Barber of Fleet Street”
    • Tommy Lee Jones in “In the Valley of Elah”
    • Viggo Mortensen in “Eastern Promises”

    Comments: Easiest pick of the night. Daniel Day-Lewis’s performance drinks every other performance’s milkshake.

    Adapted Screenplay

    • “Atonement”, Screenplay by Christopher Hampton
    • “Away from Her”, Written by Sarah Polley
    • “The Diving Bell and the Butterfly”, Screenplay by Ronald Harwood
    • * “No Country for Old Men”, Written for the screen by Joel Coen & Ethan Coen
    • “There Will Be Blood”, Written for the screen by Paul Thomas Anderson

    Comments: I really want to think Sarah Polley can win this, but in the end, it’ll probably be “No Country For Old Men”.

    Original Screenplay

    • * “Juno”, Written by Diablo Cody
    • “Lars and the Real Girl”, Written by Nancy Oliver
    • “Michael Clayton”, Written by Tony Gilroy
    • “Ratatouille”, Screenplay by Brad Bird; Story by Jan Pinkava, Jim Capobianco, Brad Bird
    • “The Savages”, Written by Tamara Jenkins

    Comments: It’s Diablo Cody’s moment.

    Achievement in Directing

    • “The Diving Bell and the Butterfly”, Julian Schnabel
    • “Juno”, Jason Reitman
    • “Michael Clayton”, Tony Gilroy
    • * “No Country for Old Men”, Joel Coen and Ethan Coen
    • “There Will Be Blood”, Paul Thomas Anderson

    Comments: I really want to think that Jason Reitman and Paul Thomas Anderson have a shot here, but “Juno” is probably a bit too cute and “There Will Be Blood” is probably a bit too long.

    Best Motion Picture of the Year

    • “Atonement” (Focus Features) A Working Title Production: Tim Bevan, Eric Fellner and Paul Webster, Producers
    • “Juno” (A Mandate Pictures/Mr. Mudd Production) A Mandate Pictures/Mr. Mudd Production: Lianne Halfon, Mason Novick and Russell Smith, Producers
    • “Michael Clayton” (Warner Bros.) A Clayton Productions, LLC Production: Sydney Pollack, Jennifer Fox and Kerry Orent, Producers
    • *”No Country for Old Men” (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production: Scott Rudin, Ethan Coen and Joel Coen, Producers
    • “There Will Be Blood” (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production: JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers

    Comments: Two months ago I would’ve said that “No Country For Old Men” was a shoo-in. But lately I think that “There Will Be Blood” with its more epic scope and likability of “Juno” are going to give it a run for its money. And “Michael Clayton” was very well received criticially. However, I don’t think anything can stop “No Country For Old Men” from walking away with the night’s top prize.

    And those are my picks. I’ll be keeping a running blog of the night while I sit in my jammies, munching on popcorn and chocolate-covered pretzels (you know, basically living the dream), and watching the festivities. Check back Monday!

    Brett Deacon, clearly, has no life.

  • Weekend Shopping Guide 2/22/08: Feck Off

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    The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Quick Stop Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…

    On the shortlist of my absolute favorite Britcoms – alongside such luminaries as Fawlty Towers and Blackadder – I must include Father Ted. In fact, I love it so much that I re-watched the entire run of the caustically hilarious misadventures of the trio of daft priests living on a backwater island in Ireland, contained in their entirety in Father Ted: The Definitive Collection box set (BBC, Not Rated, DVD-$79.98 SRP). The set contains all three series plus bonus features including audio commentaries (with all new commentaries on series 3), interviews, rare Comic Relief, PBS spots, the Father Ted episode of Comedy Connections, and new featurettes from the 2007 TedFest celebration. If you’ve yet to experience the holy misadventures of Fathers Ted, Dougal, and Jack, you must rectify that lack of comedic bliss immediately.

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    We’re finally into Oscar DVD season, when the previous year’s more high profile “important” films arrive in stores, and I’d certainly include Michael Clayton (Warner Bros., Rated R, DVD-$28.98 SRP) in that mix. George Clooney stars as an attorney whose specializes in cases for law firms that require a deft, swift, and discreet handling. His latest involves a top litigator who’s turned whistleblower (Tom Wilkinson), and a situation that becomes life or death and he becomes a target. A very nice thriller with enough twists to keep things moving. Bonus features include an audio commentary and additional scenes.

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    Best known as bumbling Baldrick in Black Adder – and also as the presenter of the BBC’s Time Team and Worst Jobs In History – Tony Robinson did a one man show last year detailing his life and career, Tony Robinson’s Cunning Night Out! (Acorn, Not Rated, DVD-$24.99 SRP). And it’s very, very funny. The DVD features a Q&A and a sing-along.

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    Why has it taken so damn long to finally get a DVD release featuring classic material from the 20-year history of the US Comic Relief? It’s ridiculous, really, but at least we have the 2-disc Comic Relief: The Greatest And The Latest (Shout Factory, Not Rated, DVD-$24.99 SRP), which culls the best moments from that long history and brings them back into your living room. To be honest, I would have preferred a box set collecting the full, unedited broadcasts, but I guess this will do for now… FOR NOW.

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    Just when I was about to write off Nicole Kidman after a string of abysmal flicks (Hello, Invasion!), she goes and turns in a stellar performance in Margot At The Wedding (Paramount, Rated R, DVD-$29.99 SRP) as the titular razor-tongued, bitter attendee at the wedding of her much more free-spirited sister (Jennifer Jason Leigh). Forget all of those Oscar flicks – give this one a play. Bonus materials include a conversation with writer/director Noah Baumbach and Jennifer Jason Leigh, and theatrical trailers.

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    I always love tales of subcultures that are enormously full of their own self-importance. It’s even more delightful when that subculture involves Donkey Kong, and the quest for high scores. The King Of Kong: A Fistful of Quarters (New Line, Rated PG-13, DVD-$27.98 SRP) tells the tale of the reigning Donkey Kong champion – an egotistical prick named Billy Mitchell, who nevertheless is revered by the gaming community – whose decades-long reign is threatened by a young teacher/family man named Steve Wiebe, whose underdog challenge runs headlong into both Mitchell’s ego and a banally corrupt series of self-appointed officials responsible for administering the title of highest scorer. Bonus materials include a pair of audio commentaries, extended interviews, an animated history of Donkey Kong, an art gallery, and the theatrical trailer.

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    Writer/Director Paul Haggis’s In The Valley Of Elah (Warner Bros., Rated R, DVD-$27.98 SRP) is 99% of a very good film. It’s that final 1% – conveniently placed at the end – where Haggis’s otherwise powerful tale of a father’s quest to find out what became of his son, an American soldier gone missing after returning from a tour of duty in Iraq, just falls apart. It’s a shame, because Tommy Lee Jones turns in an arresting performance as the questing father. By all means, watch the film – but just be aware of the disappointment that awaits. Bonus features include a pair of featurettes and an additional scene.

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    The year is flying by, and I’ve decide to mark its quick passage with Warner’s remastered re-releases of the animated Peanuts catalogue. With the Valentine’s releases already passed, we’re now up to It’s The Easter Beagle, Charlie Brown (Warner Bros., Not Rated, DVD-$19.98 SRP). The disc also contains It’s Arbor Day, Charlie Brown and a brand new featurette, “In Full Bloom: Peanuts At Easter”.

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    That American Gangster (Universal, Not Rated, DVD-$29.98 SRP) came and went from theaters in what seemed like rapid order is a bit of a surprise, considering that not only was it directed by Ridley Scott, but it starred both Denzel Washington and Russell Crowe. Perhaps holiday audiences just weren’t prepared to view a 2 1/2 hour plus look at the life of Harlem drug kingpin Frank Lucas (Washington) and the outcast cop (Crowe) who decided to bring him down. Either way, DVD provides audiences the luxury of rediscovering the pic in their own time, with the 2-disc edition featuring an extended, unrated version of the film. Bonus features include a making-of documentary, a trio of in-depth featurettes on the bringing the film to life, deleted scenes, and an alternate opening.

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    After 20 seasons of bad boys, what’cha gonna do? Put out a 2-disc Cops: 20th Anniversary Edition (Fox, Not Rated, DVD-$29.98 SRP), which celebrates the guilty pleasure viewing with a retrospective special, the original pilot with optional commentary, additional clip shows, and more.

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    One of the many US policy based dramas to hit screens last year, Rendition (New Line, Rated R, DVD-$28.98 SRP) – about a wife’s search for the husband who mysteriously disappeared on an overseas flight, which leads her to the CIA and a web of deceit – largely fell through the cracks. It’s worth a spin, if only for the performances of Jake Gyllenhaal, Alan Arkin, and Meryl Streep. Bonus features include an audio commentary, behind-the-scenes documentaries, deleted scenes, and an alternate ending.

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    Always ready to learn more about the Fab Four, I was interested in giving a spin to The Beatles: Destination Hamburg (MVD, Not Rated, DVD-$19.95 SRP) – a new documentary featuring rare footage and interviews chronicling the quartet’s formative years in Germany before they found success back in their home country. The DVD also features a 1968 Kenny Everett radio interview with John, Paul, & Ringo, as well as the Tony Sheridan music tracks featuring the young Beatles as backup.

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    Theater nerds will surely snap up their own copy of the Les Miserables 10th Anniversary Concert (BBC, Not Rated, DVD-$34.98 SRP), performed live at London’s Royal Albert Hall. The 2-disc set features a documentary on the making of the show and an on-screen lyrics option.

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    So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…

    -Ken Plume

    ##

  • Win BACHELOR PARTY 2 on DVD!

    We’re giving away, in conjunction with BBC Home Entertainment, five (5) copies of BACHELOR PARTY 2 on DVD.

    Contest ends at midnight EST on Friday, February 29th.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of Quick Stop Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Friday, February 29th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Quick Stop Thingamabobs: 2/22/2008

    thingamabobs.jpg

    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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  • Party Favors: Stone Cold

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    partyfavors2008-02-21-01.jpgWACO, TEXAS – The gruff voice on the other end of the phone is unmistakable. Stone Cold Steve Austin is ready to talk.

    He’s pumped up at the release of The Legacy of Stone Cold Steve Austin, a 3 DVD set with 9 hours of his time in and around the ring. It’s an amazing reverse Samson transformation as his popularity grows as his hair disappears.

    Because of time limitations and he’s f’n Stone Cold, the interview was done as part of a conference call with other writers. We’re limited to asking two questions, but can listen into dozens of Stone Cold’s answers. This is what it must be like to hang with the Buddha if he wore knee braces while in repose.

    The first Party Favors question: How do you feel when a fan says you inspired him to give his boss the finger and throw a beer at the guy?

    “I’ve never got that,” Stone Cold said. Turns out most of his fans say he inspired them to do positive things in their life.

    The second question: What does Stone Cold do to keep his shaved head looking so good?

    “I’ll go three to five days and let if get scruffy if I don’t have any meetings. When it comes time to shave, I always go with the grain. I use shaving cream and those Bic disposable razors. I don’t use a fancy razor. I can get a couple shaves out of one and toss it away. Go with the grain, my friend. Go with the grain,” the wise grappler said.

    He did reveal later in the talk that he has an ashy complexion. He douses himself with water before appearing on Monday Night Raw to look good for the camera. He hated wrestlers that oiled themselves up since it was hard to get a good grip on them.

    The following are answers he gave other reporters. The question of Stone Cold’s legacy comes up and the man with the leather vest and ripped jeans is quick to describe how he views himself.

    “These days when I do an appearance for WWE, it’s a light hearted affair. Cut a cute promo, slap a couple beers together and give somebody a Stone Cold Stunner. That’s not what I want to be remembered for. I want to be remembered as the guy who brought home a gray area into a black and white business of good and bad. Here was a bad guy that everybody ended up loving. I never said I was a good guy and transformed into the biggest babyface in the business. I’m a guy who stood for something…who knows what he stood for other than Steve Austin. He did a lot of things that should have been construed as heel-like, but for some reason, the way society was going, the people ended up loving that guy. I want to be remembered as that guy, not the guy who goes out there and does that light hearted stuff these days.”

    Later another writer asks what Stone Cold thinks when he hears the crowd go nuts. “When you hear that explosion and you know that’s the result of the 10 years in the WWE that you busted your ass and did everything you could to entertain those people. That means getting beat up, stitched up, cut up to the nth degree and making everything 120 percent real that’s the result of all that hard work. But for me and the limited capacity that I come back for, I feel like I’m ripping the people off. I know can cut a slick promo, but I can’t be the old Stone Cold.”

    This however does not mean that he’s tempted to make a full fledged comeback. He’s asked what it would take to make him go beyond the cute promos.

    “If really needed the money, I’d probably go back,” Stone Cold said. “Thankfully I’ve been very, very conservative with my money. I don’t spend my money. I’ve invested it wisely. I love the business. I’ve always loved the business. But I don’t miss it. I’ve got fond memories when I think about that stuff, but I’ve been out long enough.”

    While Legacy has plenty of matches from across his career, Stone Cold pointed out that many of his great matches have previously been released on DVD. “It was a good try. There’s really too much for three DVDs to cover. Because we’ve put out so many other DVDs in the past, they didn’t use a lot of that footage, so there’s a lot of holes. You kind of have to have all of them. And there really could have been more extras and commentary. But if you have the other DVDs, this does a good job of filling in the gaps,” Stone Cold said.

    One of the highlights of Legacy is seeing the moment when Steve gained his X Factor and became a sensation with the crowds. He won King of the Ring in 1996 and proclaimed Austin 3:16 for the first time. During the interview, he disclosed that he only got that break because Triple H was suspended for taking part in the farewell at Madison Square Garden for the trio that defected to the WCW. After years of being a middle card performer, he was at the top of the food chain with the perfect persona.

    His advice for up and coming wrestlers searching for their X Factor: “Don’t pretend to be anything. When I turned into Stone Cold Steve Austin, I just let it all hang out. That’s just me turned up to 10.” What gets him is watching young wrestlers who don’t believe the role forced on them by promoters. He can sense that their hearts and souls aren’t in their performances. And their brains can’t even fake reading the speeches from the WWE’s writers.

    When the subject comes up about Shark Boy impersonating Stone Cold on TNA, the original isn’t miffed. “If a guy is able to make a living off a Stone Cold rip-off or spoof, more power to him,” Stone Cold said.

    What wrestlers he wished he could have battled; Stone Cold listed, “Randy ‘Macho Man’ Savage, Andre the Giant, Harley Race, Jack Brisco and Dusty Rhodes.” Judging from Stone Cold’s ECW promo about his time on WCW (featured on Legacy), the Dusty match would have been good and bloody.

    Who is the best wrestler in Stone Cold’s eyes? “Nature Boy Ric Flair is my favorite pro wrestler in the history of the business. Ric Flair has the ability to go out there with an opponent of any talent level and have a five star match,” Stone Cold declared. He said that Hulk Hogan was more showbizzy.

    While Stone Cold plans on being at Wrestlemania as a spectator, his career is now focused on acting. He did well in Adam Sandler’s Longest Yard remake and took a starring role in The Condemned. He is slated to appear in two action films in the near future. But he wouldn’t mind getting involved in TV. He mentioned a desire to host a hunting show. Could Versus revive the American Sportsman? I want to see Stone Cold put the stunner on moose.

    At the end of the talk, a writer asked Stone Cold that since Chuck Norris was supporting Mike Huckabee, who was he backing for president. “John McCain,” Steve declared. Does this means we’ll be treated to a GOP debate with Walker, Texas Ranger mixing blows with the Texas Rattlesnake?

    UNCLE AL RETURNS!

    Fans of the original Comedy Channel have fond memories of Night After Night with Allan Havey. Since those days, Havey has done plenty of other shows including Fox’s Free Ride and a great guest appearance on Curb Your Enthusiasm. He also made Brandy cry on Punk’d. Now he’s finally adapting his great nightclub routine about being Uncle Al into a TV show. But instead of being stuck in development hell, Havey’s workshopping Life Lessons with Uncle Al on Youtube.

    The premise is an adaptation of Family Affair except without rich Uncle Bill with his lavish Manhattan apartment and Mr. French. These orphaned kids are stuck with Uncle Al. He’s a scam artist and a hustler who has no business being allowed near kids. But he sees moving in with the kids as a perfect chance to keep up his irresponsible ways. It’s a perfect role for Havey.

    Two episodes stand out as my favorites. Part 3 has Uncle Al explain to his nephew that he needs to rethink his college education dreams.

    Part 9 has the teenage niece confide her sex life with Uncle Al. He gives a response that is not Dr. Phil approved.

    It’s great to see Havey and his group use Youtube to expose their undiluted vision before the network suits decimate the concept with their notes. By the time a show like Life Lessons with Uncle Al gets on the TV, they’ll water it down until it becomes the second coming of Uncle Buck: The Series .

    PAINT OF GREATNESS

    My cousin Bill Gormley went over to the National Portrait Gallery in Washington D.C. to absorb the greatest art exhibit since King Tut. The triple portrait of Stephen Colbert really was hanging up near the bathrooms in the building.

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    Bill reported that the area around the Colbert was packed with admirers. There were more people trying to get a view of TV’s favorite pundit than in the rest of the gallery. The guards had to keep making paths for the people who actually did have to use the bathroom.

    The painting will remain on display until April 1. After that, the National Portrait Gallery will return to obscurity.

    COME CLEAN SIMON

    Is American Idol shaping up to be the biggest rigged contest on TV since the 21 scandal? The premise of the show is that hundreds of thousands of aspiring singers spend days camped out in football stadiums for that longshot chance to become the next Clay Aiken if Paula, Randy and Simon give them a ticket to Hollywood.

    This season has pretty much tossed that myth out the window. American Idol is as “real” as The Hills. While producer Simon Fuller gives us tons of short bio clips about these “unknowns,” the internet is buzzing that he’s packed his show with ringers. Here’s a quick rundown of stuff Fuller has hidden from viewers:

    David Archuleta won the junior singer category of ‘Star Search’ in 2003. Joanne Borgella won Mo’Nique’s Fat Chance in 2005. Robbie Carrico was a member of Boyz N Girlz United and dated Britney Spears in 1999. Jason Castro starred as the love interest in the MTV series Cheyenne. David Cook released a solo album, Analog Heart, but it’s no longer for sale at payplay. Kristy Lee Cook was signed by Arista and managed by Britney Spears’ production company. Amy Davis was on 2007’s Nashville Star. Michael Johns fronted a band, The Rising, which was signed to Maverick. Alexandria Lushington performed at the Apollo Theater and competed on Star Search. Syesha Mercado appeared on ABC’s The One: Making a Music Star. Brooke White released an album, Songs From the Attic, in 2005 and opened for Phil Vassar on tour. Jason Yeager was a finalist on the first season of Making the Band.

    Was there really an open contestant search or did Fuller cast this season from other reality shows? This is like a VH1 sub-Surreal Life. It’s a miracle he didn’t find a Baldwin brother to be in the final 24. Did these people really audition or were they flown by Fuller to the various locations to look real?

    I don’t want to deny any of these people a second chance at stardom, but Fuller needs to come clean. Quit trying to fool the viewers into thinking that these kids have never performed under pressure. One girl performed at the Apollo Theater. Think that crowd is harder to please than Paula? A kid won Star Search, but Fuller wants us to think that an empty stage in Hollywood is overwhelming to him?

    The queen of the ringers is the Irish tattooed diva who now goes by Carly Smithson. In 2001 she was Carly Hennessy and released a record, Ultimate High, for MCA. Don’t remember it? The bean counters at MCA do. The label burned $2 million on the album. It sold under 400 copies. What’s very interesting is reports have Randy Jackson working on the project since he was the head of A&R at MCA before getting the fat bucks from American Idol. Dog, that sounds pretty pitchy to me. Fuller wants us to think that she’s this simple Irish girl married to a tattoo faced guy. We’re supposed to feel bad that she lost her big chance in season 5 when she was denied a visa to be on the show. Carly has already had $2 million worth of a shot at stardom. Hasn’t she lived the dream of being a pop star? She even had the same songwriter as Kelly Clarkson and Clay Aiken on the album that cost more than Fleetwood Mac’s Tusk.

    If Congress can force football and baseball to swear on the Bible, it’s time those under the Dome to haul Simon Fuller and demand real answers. Where’s Sen. Kennedy demanding to know how Ryan Seacrest can promise viewers “Fresh, untapped talent” and then give us Carly? I don’t know the rules of game shows are in England, but in America we have a very simple one: contestants can’t have a previous relationship with employees of the show. Carly was signed to MCA during Randy Jackson’s tenure. He knows her from those days. If you had a business relationship or friendship with one of the stars on Hollywood Squares, you weren’t allowed to play. If you worked for Alex Trebek on High Rollers, you aren’t allowed to be a contestant on Jeopardy. For Randy to vote on an act that was signed to his label during his tenure at MCA is unethical and must be against the laws that govern TV gameshows.

    If this is true, American Idol is a game show fraud. Of course don’t expect to see the FCC and Congress nail the show. Why? Cause Rupert Murdoch owns those D.C. bitches. Maybe next season Randy will have his kids win the show.

    DVDs FOR RUNNERS

    The writer’s strike is over, but that’s no excuse to give up enjoying DVDs instead of broadcast tripe.

    The Fugitive: Season One, Volume 2 continues Dr. Richard Kimble’s search for the one-armed killer. Lt Philip Gerard was given the thankless task of hunting down Kimble. He has slowly come around to thinking that Kimble is innocent of killing his wife, but he can’t let the guy go free. He’s got to bring Kimble in to at least face justice a second time. Like all great TV shows of the ’60s, Bruce Dern appears in “Come Watch Me Die.” Telly Savalas plays a Reno hotel operator in “Where the Action Is.” Did his hotel accepted the Players Club Gold Card? Claude Akins kidnaps a rich man’s son in “Never Stop Running.” Barry Morse, who played Gerard, recently passed away. He did have a thankless role being assigned to bring most innocent man on TV to the electric chair. This second half of the first season keeps the good stories coming.

    George of the Jungle: The Complete Series brings together all 17 of the original cartoons along with Tom Slick and Super Chicken. This was the prize of Jay Ward’s animation career. Instead of using the Mexican paint factory, Ward was given the budget to use the animators who did his Cap’n Crunch commercials. George is an extraordinarily dumb apeman. His favorite gorilla is the brains of the operation. Tom Slick is Dudley Do-Right with wheels instead of horse. Super Chicken is great since he gets his amazing powers from mixing up cocktails. Now that’s a Saturday morning cartoon worthy of adult viewing. They also have the original pilot as a bonus feature. Can Classic Media please now come out with the final set of Rocky and Bullwinkle adventures?

    The Equalizer: Season One is proving to be a hardcore laugh around the house. How did Edward Woodward keep a straight face during his fight scenes? This is beautiful ’80s cheese. He’s a retired superspy who has put a personal ad in the paper offering his services to help out people. Each week he kicks another loser’s ass as penance for all the sins he’s done around the world as a spook. Don’t watch this without a gin and tonic.

    REDRAW DREW

    Drew Carey has been hosting The Price Is Right for a few months so it’s time to give him an evaluation. No need to jump on a guy in the first week as he attempts to find his spots on the floor. Now that Drew knows his way around the Bob Barker soundstage, he deserves a critique.

    The verdict: He’s extraordinarily the wrong man for the thin microphone. He is not a game show animal even though he’s hosted three of them. He’s perfunctory at best. He’s pathetic at worse. He has only one expression that covers his face. He has only one tone to his voice. He’s the definition of one note. Half of the games just crumble away towards the end as he stumbles to wrap things up. He has zero ability to build suspense. He won’t let contestants sweat.

    He needs to understand that he doesn’t have to give away every prize. The simple fact is that when the announcer calls their name, a contestant has already been made a winner. The cars and the living room sets are gravy. The audience at home won’t feel cheated if people lose. This is The Price Is Right and not Extreme Makeover: Home Edition. Drew needs to tease the animals. He doesn’t need to be extra cruel to them like a DMV employee. They act like Drew’s going to give them the trip to Las Vegas either way. If Drew needs a role model, think of Gene Wilder as Willy Wonka.

    Even after all these weeks, Carey seems like he’s been rushed in as a substitute host rather than anointed the new host. Is his name on the dressing room door written in masking tape? Having the folks say, “Alakazam” before exposing the winning price isn’t cutting it, Drew. Don’t leave it up to luck. Make these people fear that it’s their choice to win or go head to the Showcase Showdown as the first spinner. Play upon their fears that their friends steered them wrong. Or they’ve been shopping in the wrong stores. Don’t be their best friend. Be the host of the show!

    Drew’s inability to register any expression on his face besides his goofy grin also hurts the show. He might have made millions with those birth control glasses and buzz cut, but they’re doing too much of the heavy work. A husky guy wearing a Drew Carey mask can do Drew’s job.

    The also need to get him out of black suits. Since the show isn’t in HD, he nearly blots out half the screen when he turns. He’s a walking black hole. Go bright! This is a game show, not a funeral service. Make Drew look like he’s really having fun on the show. Quit shopping in the Alfred Hitchcock section of Botany 500. The suits worked on Barker because he was an old man. Stick Drew in freakish sports jackets that makes people stare at the patterns. Dare to flaunt design.

    Drew also needs to interact more with the women formerly known as Barker’s Beauties. Who are these women? Or is this an order from his fiancée that he needs to quit staring at their racks as they show off a diamond necklace?

    Drew Carey needs to understand that at this point The Price Is Right survives in spite of him. He needs to bring more game to the show instead of just sleepwalking through the hour.

    PG-13 TUDORS

    Scarlett Johansson and Natalie Portman promoting The Other Boleyn Girl is pretty funny. Three times I’ve heard reporters try to describe this twisted romance about the ladies of Henry VIII. They mention Desperate Housewives, Dynasty and a few other shows, but none dare utter Showtime’s The Tudors. Why not speak the obvious comparison? Am I to believe the producers of NBC’s Today Show only have access to HBO?

    Does uber-producer Scott Rudin force the media interviewing the Boleyn girls to sign an agreement to not cross-promote that other show that dares to give a steamy interpretation of the sultry English monarch? Does he think that nobody will compare Eric Bana to John Rhys Meyers? Who looks better on the throne: The Hulk or Elvis?

    While the trailer looks juicy with plenty of dorsal nudity and lips on neck action, The Other Boleyn Girl racked up a quaint PG-13. This means neither Scarlett or Natalie is going to equal the carnal Boleyn performance of Natalie Dormer on The Tudors. That woman knows how to make her King think he’s worthy of running a religion since she gives good worship. If Scarlett and Natalie approached the role like Dormer, plenty of guys would be buying season tickets to the film.

    Fans of The Tudors that skipped English history might want to avoid The Other Boleyn Girl until the relationship between Henry VIII and Boleyn sisters is resolved on the TV series. Will Scott Rudin use that blurb on the New York Times ad. Perhaps he should have a big “SPOILER ALERT!” before the opening credits?

  • Quick Stop Thingamabobs: 2/21/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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  • Quick Stop Thingamabobs: 2/20/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

    ————————————————

    • Lee Mack – Live At The Apollo, Part 1… (Thingamabob)
  • The Greatest Movie Blog Of All Time: Part III

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    Part III

    Sorry for the delay. Um, my dog ate my blog.

    Where I have been? I’ve been at the movies, naturally. I caught a screening of “National Treasure: Book of Secrets”, the sequel to “National Treasure” (in case you were not aware). Nicolas Cage is back as Benjamin Franklin Gates, along with his nerdy sidekick Riley Poole, on a mission to clear the Gates family name (an ancestor has been implicated in the Lincoln assassination “¦ an investigation one would’ve thought had been long over) and in the process finds the lost City of Gold. Yes, that’s a lot. Too much, you might ask? You would be asking the right question.

    The key to finding the lost City of Gold (and clearing the family name – never forget that) is the President’s Book of Secrets, which as legend has it contains every secret our nation has and is for the President’s eyes only. Much like the first film Gates and company rely on a ridiculous amount of historical knowledge and even more ridiculous technology to fumble through the somewhat corny plot. The movie tries to do everything the first one did, only it comes off as stale and predictable (which the first one really wasn’t).

    Of course there’s a lot of winking to the previous film. For example, at the end of “National Treaure” Riley drives off in a Ferrari, which was a throwaway joke at best. In the sequel, it’s a full-blown running gag.

    Sequels are a great idea on paper. Who doesn’t want to see our heroes in more adventures? Studios like sequels because they feature built-in audiences and mark the beginning of possibly lucrative franchises. But they’re a tricky game. Every film ever made should at least be fresh, and sequels will always be compared to the previous film. Sequels almost always follow a very popular film so expectations are high. Naturally it may seem smart to just take what worked in the first film and do that again, sometimes doing exactly that again which is, in my opinion, the worst thing a sequel can do. The two Back to the Future sequels did this ad nauseum, much to their detriment. Better to let the characters grow naturally in a new story than be anchored by the last one. Of course, that doesn’t always work either. Neither Indiana Jones film is as great as Raiders of The Lost Ark and even The Godfather Part II (which some consider the best sequel ever) isn’t quite as good as the originator. But at least those are good films that stand on their own. Nodding to previous films is so lame and tired. We’ve seen that movie, show us something new.

    Indiana Jones Trailer

    Speaking of sequels, John McClane and John Rambo have made comebacks so why not Indiana Jones, right? In Hollywood, everything old is new again I suppose so why not dust off the ol’ fedora and trot out Henry Jones Jr for another run at fortune and glory? I’m an Indiana Jones freak and “Raiders of the Lost Ark” is one of my favorite films of all time so naturally when I heard there would be a fourth Indiana Jones movie I thought, “Harrison Ford is 65 years old but so what? It’s god damn Indiana Jones!” And then I saw the trailer and I started to get worried.

    Much like the James Bond series, the Indiana Jones movies were great at transporting us to exotic locales as Indiana puts his fear of snakes aside in the interest of bare-knuckled archeology. And then we get this trailer where there’s an exciting car chase “¦ in a warehouse. Yes, I realize it very well may be the warehouse which was the final resting place of the Ark of the Covenant, but so what? Yes, there are teases of an ancient temple in a jungle (and some bad green-screen work of a car chase in said jungle). And some of the humor is still there (though a lot of it seems to be of the aforementioned “wink wink, remember the old films?” variety), so it didn’t get me excited as I had hoped it would.

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    After last summer’s horrible run of sequels (admitted obvious exception: Bruce Willis bringing John McClane back strong in “Live Free or Die Hard”), my pessimism is at an all-time high. And I have to be honest, the teaser for “Indiana Jones and The Kingdom of the Crystal Skull” did not get me jonesing.

    Fool’s Gold

    Here’s a movie that I hope never gets a sequel. Matthew McConaughey plays Finn, a fun-loving underwater treasure hunter who has severe problems with both responsibility and keeping his shirt on. He’s recently divorced from Tess (played by the very cute Kate Hudson), who left him most likely because of his problem with responsibility and not because he couldn’t seem to keep his shirt on. Finn enlists the help of billionaire Nigel Honeycutt and his nails-on-a-chalkboard-annoying spoiled brat daughter Gemma to fund a hunt for the Queen’s Dowry, a legendary treasure lost over 300 years ago. Unfortunately, said treasure is trapped off the coast of an island owned by a rap mogul named (and I’m not making this up) Bigg Bunny. Despite owning his own Bahamian island, Bigg Bunny can’t seem to let the thug lifestyle so he becomes the defacto heavy, refusing to let someone pull treasure off the coast of his island.

    This is a really dopey movie that suffers from what I consider the “filmmaking vacation” syndrome. See, sometimes when movies go to vacation-friendly destinations like the Bahamas (as is the case here), it looks like everyone had a great time making the film but never put a whole lot into actually making a good film. The Farrelly Brothers’ remake of “The Heartbreak Kid” from last year suffers from the same problem. The obvious side effect is you wish you were at these locations, just not with these characters (and certainly not in the movie theater you’re stuck in).

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    “You left your shirt WHERE?”

    I like all the actors from this movie. I just don’t like them IN this movie. And Donald Sutherland looks regretful that he’s even in the movie, with a “they told me this would be fun” look about him in just about every scene. Almost every character is a stereotype, from the surfer-dude-like Finn to the two gay chefs and the Paris Hilton-esque Gemma. Even Ray Winstone shows up as a crusty old treasure hunter who taught Finn everything he knows (and is now his greatest rival). And yes, you may think, “Didn’t I already see this movie when it was titled “˜Into The Blue’?” Trust me, “Into The Blue” is “The Godfather” compared to this movie.

    In The Shadow of the Moon

    Ah, salvation.

    Just when you thought you knew everything about the Apollo missions from Ron Howard and Tom Hanks along comes “In The Shadow of The Moon”, a new documentary (“presented” by Ron Howard) about the Apollo missions featuring new interviews with 10 Apollo astronauts and newly uncovered archive footage. This is amazing stuff.

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    “You’ll believe man can fly.”

    The astronauts who orbited and landed on the moon are the only people to have ever gazed upon the earth in its entirety with their own eyes. Imagine that. Imagine seeing the whole of everything you’ve known before in what looks like a small marble in a black sea. And the Apollo missions may have been the last time our country did something that made the rest of the world stand up in awe of our achievement.

    Each of the 10 astronauts interviewed bring an amazing perspective on the events nearly 40 years later. Michael Collins stands out in particular with his humor and good-natured “aw shucks” fondness for the historic event he was a part of. You’ll laugh, you’ll cheer, you may cry. It’s a brilliant film and out on DVD now.

    Roy Scheider

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    Venerable, salty actor Roy Scheider died last week and I would be remiss if I didn’t mention it. Obviously his best known character was as Chief Martin Brody in Jaws, a man with a crippling fear of the water who moves his family out to Amity Island so his kids wouldn’t be brought up in the crime-riddled streets of New York. His character was not without faults (using a tumbler for a wine glass, for example, showed more than just a lack of etiquette) but bound by duty he was going to get that shark.

    I never knew much of Roy Scheider personally, but I suspect he was a lot like that. I’ve always enjoyed his work from “The French Connection” to “Jaws” to “The Rainmaker” to “RKO 281″. He never seemed to lose the sense of play as an actor and that translated to the screen. IMDB.com lists this quote in his biography (unattributed): “The important thing is to do good work, no matter what medium you do it in.” That’s sage advice. He was an icon and he’ll be missed.

    Coming up”¦

    Later in the week I’ll offer up my Oscar predictions. Take them as you will, I’ve rarely won an office pool.

    Brett Deacon does not, in fact, own a dog

  • Quick Stop Thingamabobs: 2/19/2008

    thingamabobs.jpg

    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

    ————————————————

    • Michael McIntyre & Rufus Hound with Richard & Judy, Part 1… (Thingamabob)
    • Michael McIntyre at the Comedy Store, Part 1… (Thingamabob)
  • Win DEATH AT A FUNERAL on DVD!

    We’re giving away, in conjunction with BBC Home Entertainment, five (5) copies of DEATH AT A FUNERAL on DVD.

    Contest ends at midnight EST on Monday, February 25th.

    CLOSED! THANKS FOR ENTERING!

    Official Rules

    No member of Quick Stop Entertainment or their immediate families may enter.

    No Purchase necessary to win.

    Must be 18 years of age or older to enter.

    One entry per day, per person.

    All submitted entries must be received by 11:59pm EST on Monday, February 25th.

    The winner must allow 4-6 weeks after notification of win to receive the product.

  • Quick Stop Thingamabobs: 2/18/2008

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    The web. It’s a big place, full of plenty of distractions ““ some funny, some informative, some ludicrous, some disturbing, some inane, some profound. Each and every weekday, we present links to a few of our favorite finds”¦

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