I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I have another chat with author, presenter, and skeptic extraordinaire Rebecca Watson about dogs, cats, campers, and robot racism. And be sure to visit Skepchick.
The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the FRED Weekend Shopping Guide – your spotlight on the things you didn’t even know you wanted…
(Please support FRED by using the links below to make any impulse purchases – it helps to keep us going…)
While I don’t think it was one of their better seasons, there was still much to enjoy in South Park: The Complete Fourteenth Season (Paramount, Not Rated, Blu-Ray-$57.99 SRP), and even more so as both Trey & Matt return for their patented mini-commentaries on all of the episodes, deleted scenes, and a bonus episode.
If you’re in to DIY and want to extend it to your electronic devices, you might have been stumped by the often proprietary screws they have. Well, be stifled no more with the Access Pro Tool Kit ($19.99), which contains tips and tools that will give you access to everything from games consoles to cell phones and more.
DA Pennebaker’s seminal documentary Bob Dylan: Don’t Look Back (Docurama, Not Rated, Blu-Ray-$39.95 SRP) has made the transition to high definition, looking and sounding better than ever, carrying over the audio commentary and bonus features from the original DVD release, in addition to a bonus disc with a behind-the-scenes documentary on Dylan and an interview with Pennebaker.
Long before John Travolta became an alien joke, he starred as a sound effects man who believes he’s accidentally recorded a political assassination in Brian De Palma’s gripping if in consistent thriller Blow Out (Criterion, Rated R, Blu-Ray-$39.95 SRP), which has been given a beautiful high definition treatment by the fine folks at Criterion. This special edition pulls in brand-new interviews, De Palma’s 1967 feature Murder a la Mod, on-set photos, and the theatrical trailer.
In a change of pace from their recent nature documentaries, the BBC turns their high definition cameras on people for the series Human Planet (BBC, Not Rated, Blu-Ray-$49.98 SRP), which looks at how we interact with the natural world that surrounds us. The Blu-Ray contains the original UK version of the 8-part series, which features narration from John Hurt and three hours of scenes not screened in the US, plus a clutch of behind-the-scenes featurettes.
If you’re at all interested in the nuts and bolts that built the Hollywood Dream Factory, look no further than TCM’s excellent documentary series Moguls & Movie Stars: A History Of Hollywood (Warner Bros., Not Rated, DVD-$27.99 SRP). The 3-disc set features 7 episodes, tracing the business’s origins in peepshows all the way to end of the studio system in the late 60’s. The set also includes bonus interviews and featurettes.
It’s hard to believe Sid & Marty Krofft’s iconic H.R. Pufnstuf (Vivendi, Not Rated, DVD-$34.97 SRP) only ran for a total of 17 episodes. Like most enduring franchises, one remembers the number being far more robust, which just goes to prove how memorable the show was to be able to make so much of an impact with so little. This new collection improves the picture quality of the long out-of-print set from a few years back, and also includes a never-before-released episode of Horror Hotel from the Krofft Superstar Hour (not to mention the Pufnstuf Bobblehead that comes packaged with the special edition set).
If you haven’t been buying them individually, catch up on one of the most beautifully executed astronomical documentary series ever aired with The Universe: The Complete Series Megaset (History Channel, Not Rated, Blu-Ray-$179.95 SRP), which brings together all 5 seasons plus the 7 Wonders Of The Solar System disc. Nice.
Years after the release of its debut season, the Seaver family gets their sophomore run out of the gate with Growing Pains: The Complete Second Season (Warner Bros., Not Rated, DVD-$29.98 SRP). The 3-disc set features all 22 episodes, plus Kirk Cameron’s 80’s-fro.
If you have a youngster in your family, Scholastic’s Storybook Treasures line of book adaptations are lovely gifts to give. The latest is a collection celebrating Asian Heritage, featuring the story Tikki Tikki Tembo (Scholastic, Not Rated, DVD-$14.95 SRP), plus 6 additional stories.
Before Earth’s mightiest heroes hit the big screen, Marvel has primed audiences with an animated series – and you can now get the first 13 episodes of the inaugural season via The Avengers: Volume 1 – Heroes Assemble! & Volume 2 – Captain America Reborn! (Walt Disney, Not Rated, DVD-$19.99 SRP each). Both discs also feature a sneak peek at the upcoming second season.
I wish I had half the energy that Stan Lee has. The man’s got more projects going than Spielberg. One of them is a reality show for The History Channel, Stan Lee’s Superheroes (History Channel, Not Rated, DVD-$ SRP), which finds the octogenarian wonder fronting a series that looks at real-life superheroic feats done by extraordinary people. Excelsior!
Earth day may have just passed, but you can still explore the origins of the Earth and the potential consequences of our actions upon it in Our Planet: The Past, Present and Future of Earth (History Channel, Not Rated, DVD-$19.95 SRP), a documentary that does what it says on the tin.
While it attempts to capture the charm and update a classic, the BBC’s new take on Upstairs, Downstairs (BBC, Not Rated, DVD-$34.98 SRP) never seems to gel into something that’s actually watchable. Which is a shame, since there’s so much potential to the parallel tales of the rich and their servants. The 2-disc set also contains a behind-the-scenes featurette.
If you’ve ever wondered what special information the President of the United States might be privy to, you might get a kick out of the documentary The President’s Book Of Secrets (History Channel, Not Rated, DVD-$19.95 SRP), which looks at what exactly the POTUS knows and the trivia surrounding it.
Take one last look at the brutal members of some of the country’s toughest gangs in Gangland: The Final Season (History Channel, Not Rated, Blu-Ray-$49.95 SRP). The 3-disc set also contains additional footage.
So there you have it… my humble suggestions for what to watch, listen to, play with, or waste money on this coming weekend. See ya next week…
Adult Swim’s Dana Snyder and FRED’s Ken Plume set out to have a literate conversation between two pals, but inevitably devolve into a verbal, and funny, free-for-all full of bickering, infighting, and the special kind of male bonding that comes from conflict expressed through the podcast medium.
Actor/comedian/raconteur Dana Snyder, you’re certainly aware, is Aqua Teen Hunger Force’s Master Shake, Squidbillies‘ Granny, Minoriteam’s Dr. Wang, and The Venture Bros.‘ Alchemist. Available for weddings and bar mitzvahs (bat availability pending), you can keep tabs on him via his website, www.eyeofthesnyder.com.
Ken Plume is the editor-in-chief here at FRED. He is a friend of Dana’s, as well as his arch-nemesis.
This is a piece I never thought I’d write. At the very least, not until I was much older and it might be something that was almost expected because of advanced age. But here I am, still not quite believing what I’ve been told, regardless of how reliable the source may be. Â
My friend, Elisabeth Sladen, has died, losing what is being reported as a long fight with cancer. Not that you’d have known it while watching her work over the past several years. Her own series, SARAH JANE ADVENTURES, had become very successful and she had just signed with Big Finish to perform alongside her former co-star, Tom Baker, in a new series of DOCTOR WHO audio dramas. We were supposed to have Lis and Sarah Jane around for a long, long time.
Like most people reading this, I was first introduced to Lis through her work on DOCTOR WHO. As investigative reporter Sarah Jane Smith, Lis quickly got the audience’s attention as something new for the series. Sure, she still screamed from time to time in the face of things like dinosaurs and giant spiders on her back but who wouldn’t? Sarah Jane was strong without having to be harsh and vulnerable without becoming a whimpering mess. It’s not surprising that she is one of the most popular characters in the long history of the series.
When I was only 13 years old, I accepted an assignment to interview Elisabeth Sladen & Ian Marter at their first appearance in the United States, at the first actual DOCTOR WHO convention held in the US. After somehow convincing my Dad to drive me to Los Angeles from Iowa, I was on the convention floor, trying to make good on my assignment. Despite making advance arrangements, I found myself getting stonewalled and wound up having to resort to one of those insane backup plans in order to complete my assignment. In this case, the plan was winning a dance with Lis Sladen at the charity auction. Trust me ““ this is the short version of what happened.
Winning a dance with Lis was not a foregone conclusion. Auctioning a dance with Lis had been mentioned several times in the weeks leading up to the convention while I was making preparations with the convention organizer but hadn’t come up once as my friends and I sat at the auction. Lis Sladen and her WHO co-star, Ian Marter (the actor who played Dr. Harry Sullivan), were on stage along with the convention organizer, the woman I’d dealt with for weeks leading up to the event and whom we shall refer to as She-Who-Shall-Not-Be-Named. I wrote She-Who-Shall-Not-Be-Named a note, asking if she was still going to auction off a dance with Lis. The note was passed to her, she read it, dismissed it and sat it down on the table in front of Ian Marter.
A couple of things you should know about the late Ian Marter: 1: He was kinda nosy. He picked up the note and read it. 2: He had an evil sense of humor. He started giggling as he read the note, then leaned behind the Convention Organizer, She-Who-Shall-Not-Be-Named, and started talking to Lis.
Next thing we know, there’s one more item up for auction: ONE (this number was stated emphatically by She-Who-Shall-Not-Be-Named while looking me right in the eye) dance with Lis. And the bidding began.
The bidding was, in a word, INSANE. As the bidding started to get into the hundreds of dollars and the money pooled by my friends and I was starting to reach its limit, She-Who-Shall-Not-Be-Named kicked her “bitch-mode” into high gear.
“You drove two thousand miles for this,” She-Who-Shall-Not-Be-Named said, looking right at me. “It’s what you came here for.”
No, I came here on an assignment and I was going to complete that assignment come hell, high water or convention organizer who gets full of herself when she’s got the slightest bit of authority. She was like dealing with Ilsa, She Wolf of the SS without any of the good points.
She-Who-Shall-Not-Be-Named could see we were reaching the limit of our funds. In an attempt to try and make a preemptive strike on other bidders, we bet the farm, hoping a couple hundred dollar jump in the bidding would clear out the other bidders. Our plan worked, except for one bidder. One extremely determined bidder who had a fanboy crush on Elisabeth Sladen that would probably get him put on a potential stalkers list today.
My friends pooled the rest of their money, then took up a collection. “Anybody who wants to see Ken win this, drop some money into the hat”. Donations dropped in while Lis was falling further into shock. I think Ian may have sent someone to drop a few bucks into the hat but I could never get him to confirm that.
Finally, I heard a dejected voice say, “Nobody wants to see me win this…” I felt bad but hey, I was on a mission. Despite the best attempts of She-Who-Shall-Not-Be-Named to get him to take out a second mortgage on his house to out bid me, the other bidder finally dropped out and I won the dance. She-Who-Shall-Not-Be-Named didn’t seem pleased but knew there was nothing she could do about it at this point. Right after saying “sold”, she looked me in the eye again and made it very clear ““ I had purchased a single dance, nothing more. Â
Lis was astounded, to say the least. Ian Marter was laughing so hard he nearly fell off his chair. Twice. Finally, with the bidding over, Lis walked over to me, eyes wide, sputtering that she had a new dress, would have her hair done and would be ready for the dance. She left for her next appearance, still talking about everything she was going to do to prepare for that night’s dance.
One of my friends congratulated me. “You handled that well,” he said. Â
I promptly collapsed, my legs suddenly turning to Jello.
That night, at the dance, Lis came in and looked gorgeous as promised. She’d had her hair done and wore an amazing white dress that seemed to flow around her as she danced. Despite what anyone who has seen the photos might think, I was not looking down her dress. Honest.
She was still amazed that anyone would pay that much to dance with her, especially someone who obviously could not dance. We talked as we danced (well, she danced and I tried to move as much as I could with both of my feet firmly planted on the ground). Seeing my complete lack of anything resembling rhythm, Lis coached me into position that allowed her to twirl, giving the appearance that I might not be as inept on the dance floor as I really was.
As we talked, I told her about my assignment to interview her & Ian. She congratulated me on my resourcefulness for getting a story ““ very Sarah Jane of me. And of course she’d love to do an interview and she was sure Ian would as well. Then, one of those slightly embarrassing moments happened:
My stomach growled. Loudly.
“It gets so unruly when you don’t feed it,” I said, trying to just laugh it off.
Lis looked amused. “When was the last time you ate?” she asked.
I thought for a second. “Let’s see…. this is Saturday night…” I paused. “Thursday?”
Lis stopped dead with a serious look on her face. “WHAT!?”
At which point she grabbed my arm and led me out of the ballroom, right past a sputtering She-Who-Shall-Not-Be-Named, Lis informing her that she was taking me to get something to eat. I tried to explain that not eating for a couple of days wasn’t unusual at a convention but she wasn’t hearing any of that ““ the order was for food and the timing was NOW with no delays.
This was how I met my friend, Lis Sladen. It was the start of my career and that act of kindness was so typical of Lis. She seemed to look out for me from time to time ever since. When I was working on a DOCTOR WHO documentary and ran into a problem with Jon Pertwee, it was Lis who took care of things between us without ever being asked.
There was always something special about her (although she would laugh if you tried to tell her that). It was no surprise that when long-time DOCTOR WHO producer John-Nathan Turner convinced BBC to think about a WHO spinoff series in the 80’s that he picked Sarah Jane to pair up with K-9. Years later, when Russell T. Davies brought DOCTOR WHO back after what the BBC likes to cal a “prolonged hiatus”, it just seemed natural for her to be the companion that created a bridge to the original series. Her own series, The Sarah Jane Adventures, has kept the spirit and feel of the original series alive while the main series becomes slicker & more “produced” by the episode. The ultimate fate of that series is unknown as of this writing but I hope there is some way to keep that spirit alive, although I’m at a loss right now at how to accomplish that without having Lis front & center.
When I heard the news that she had died, aside from just not believing it until I had it verified by at least two sources, my mind went to that first meeting, Lis encouraging me & making sure I was fed. Our relationship over the years was like that; she was always encouraging, ready with kind words, willing to help if she could. Even though we’d fallen out of touch, as people do, she was always there, an important part of my past. Who she was helped make me who I am and I’ll always be grateful for that. So many people in the various tributes to Lis have talked about how she would take them under her wing and that is something I can happily confirm. Lis wasn’t just that way for people she was working with. My experiences with her prove that she was that way every day, no matter the situation. She really was as special as people are saying. Sarah Jane is special because Lis was so very special.
It’s hard to imagine a world where I won’t have the chance to ever see or talk with Lis again but she has left so much behind, both in her work and in the people she directly influenced that her presence will be felt for a very long time. Her work is a part of modern mythology and as such, will likely outlive us all. As far as legacy’s go, she leaves us with a pretty damned good one.
YONKERS – Ernie Kovacs is the patron saint of innovative TV comedies. His impact can be felt on everything from Rowan & Martin’s Laugh-In to Monty Python’s Flying Circus to Saturday Night Live. Shout! Factory’s The Ernie Kovacs Collection gives a survey of his short yet stellar career that ended in 1962 with his death. Over the course of six DVDs, you realize this guy truly revolutionized what you could do on TV.
The boxset doesn’t have any of the episodes from his original Three to Get Ready show that aired on Philly TV. But we get a healthy helping of his other shows that allowed him to bounce between NBC, CBS, ABC and even the legendary DuMont. Along with creating comedy shows, he hosted talkshows, gameshows and even variety shows. He even contributed to Mad Magazine. His famous mustache and cigar popped up all over the dial.
I could type a rambling and praising review of The Ernie Kovacs Collection as the must buy for fans of classic TV and cutting edge comedy. Some of the visual gags might seem familiar, but mostly that’s because they’ve been stolen over the years by comics claiming to pay tribute. I’d toss in a memory of discovering him when PBS ran a series back in the day. But I’d rather talk to Josh Mills about this invaluable retrospective. Mills served as an executive producer. He’s also the son of Ernie’s widow Edie Adams. My first question turns into gushing praise about how amazing it is to finally see these shows on the boxset.
“I hope that your enthusiasm is translated to many others,” Mills said. “I hear a lot of that stuff so that’s always nice to hear.”
For those confused, Ernie Kovacs was married to the singer/ actress and Muriel cigar spokeswoman Edie Adams. Josh never met Ernie, but quickly learned about the comic. “Ernie passed away in January ’62 and I was born in ’68,” Mills explained. “My mom remarried to my father, the photographer Martin Mills. I did live in the Beaumont house where Ernie and my mom lived for years. I was aware of him from a very early age. In the ’70s there was the PBS special and an Ernie Kovacs album. Before I was ten I knew who he was and saw all the stuff.”
He knew about his mother’s amazing archive of Ernie’s work. He’s still collecting material about his mom and Ernie for the archive.
“The strange thing about being the son of my mom is there’s always not only visual photograph reminders, but moving images,” Mills said. “I saw clips of my mom when she was in her 20s when I was in my 40s. It’s always kinda weird to see that stuff, but it’s great too. The other day I get a Google alert that there’s a photo being sold on eBay of my mom and dad’s wedding. We ended up buying it because it was so cool. I had never seen it before. It’s just so weird that your private life is your public life sometimes.”
After film school, Josh Mills found himself working with his mom and Joel Hodgson of Mystery Science Theater 3000 on what to do with Ernie’s archive. “Before Comedy Central, it was called Comedy Channel,” Mills reminded. “They were competing with another comedy channel called Ha! Ha! was doing things like Rhoda reruns. Comedy Channel licensed the Kovacs stuff and that’s when we found out Joel Hodgson. We met at this weird Comedy Channel party in Los Angeles. My mom was like, ‘Who is this guy Joel? He’s amazing.’ Years go by and there was thing called the Ernie Kovacs award given at the Dallas Video Festival. Joel received it and we became pretty close. At some point we all got together and said, could we or should we figure out how to make this work. When I was in my mid-twenties, every Thursday night I was meeting with my mom and Joel Hodgson trying to figure out what to do with this Kovacs stuff. Trying to figure out from my mom’s being their perspective of what he was trying to accomplish, how he was trying to get it out there. What his mindset was.”
The transfers on the boxset aren’t quite as sharp as episodes of I Love Lucy since most of Ernie’s shows were broadcast live instead of being shot on film. This was a time before high resolution videotape mastering. Many of his shows exist only on kinescopes. A simple way to describe the kinescope process is during the show, they point a 16mm camera at a TV monitor. Kovac’s archive has been properly maintained over the years.
“At various times it’s been transferred so it’s not like everything is on kinescope and it’s going to go away,” Mills assured. “We did a little test when we first started looking into the stuff with Shout! Factory. We randomly pulled kinescopes, one inch, two inch and I think we actually pulled a Beta. We went to CBS tape vault and ran everything. The thing that looked the best was the kinescopes. It just happens to be way more expensive to transfers.”
The fact that there was any of Kovacs’ shows to transfer is a case of love overcoming bean counters.
“Ernie was beloved by his crew,” Mills said. “He was a taskmaster in a good sense. He would say, “I want this to happen.” They’d say, ‘You can’t do that.’ And he’d say, ‘You can do that. Try to make it happen.’ Creatively they’d be pushed. He also filmed in 24 hour cycles which would drive ABC crazy. He was going into golden and triple time. The crew was getting ridiculous money. When Ernie passed away, some of those crew guys said, ‘Edie, the network is using Ernie’s masters to tape game shows, weather reports and PSAs.’ This was ’63 – ’64. My mom said that can’t happen. She took some money that was in a life insurance policy and went to ABC, NBC and CBS with a lawyer and said, do you have any Kovacs stuff? And miraculously, they were like yes. She said, can I buy it? And they said yes. We’re going to make money on stuff that’s just sitting. That’s where this archive came from. She went around to everybody and bought this back.”
She didn’t buy Ernie’s old shows with a vision of making a fortune off syndication.
“My mom just realized it was special and different and it had to be around. She didn’t think, there’s going to be VCRs, DVD players, or HDTV. She had no clue about that, nobody did. If you look at what happened to the Tonight Show with Johnny Carson in New York, they just dumped (the tapes and film) in the Hudson River.” Indeed there are numerous stories of short sighted TV executives who viewed old shows as worthless. Most of Paul Lynde’s greatest moments on Hollywood Squares were taped over. It’s such a beautiful story that Edie refused to let Ernie’s legacy rest in the hand of network morons.
“Ernie was always butting heads with NBC, CBS and ABC,” Mills said. “He was always calling out (William) Paley or somebody by saying what boobs they were.”
Ironically the launch the boxset was at the Paley Center for Media. They hosted a night of Kovacs with Joel Hodgson as part of the panel with Robert Smigel (TV Funhouse), George Schlatter (Laugh-In) and Keith Olbermann (baseball card fanatic). Our conversation came back to Hodgson and his mother.
“The whole aesthetic of Mystery Science Theater when it first started was that it was very low budget. How do we make something creative out of something where there was no money? And that was what Ernie did. My mom recognized that in Joel really early. She said, this guy is as creative, innovative, funny and bizarre as Ernie. She was a huge fan of Joel. She loved him.”
She enjoyed working with him on Ernie’s archives, although the shows compiled by the channel weren’t the quality that the trio desired.
“When we did the Comedy Channel deal, they put a lot of those things together. It’s difficult to find a half an hour you can cut up and do the they way you want it. At the same time they choose things that wasn’t particularly great. My mom was always saying, there’s a ton of stuff that we have that’s ten times better than what anybody say. And that’s the morning stuff.”
Ernie was a pioneer in sunrise TV back at a time when a majority of the day dedicated to a test pattern instead of programming.
“Nobody thought that anyone was going to watch any morning so there consequentially wasn’t very much. In Philly they decided to do this “Three to Get Ready show. Ernie would come up with ridiculous gags like send us the count of the number of balls in the gumball machine. Send homemade items for these characters. They were getting so much mail that somebody at the station just went, there’s a lot of people watching this early.” That’s when Sigourney Weaver’s dad at NBC corporate in New York started The Today Show. “Ernie was the precursor of The Today Show,” Mills said.
While Ernie mocked his bosses, he loved his main sponsor: Dutch Masters cigars. The company backed so much of his work including the strangest gameshow ever. Take a Good Look is pure dada. A panel tries to identify a mystery guest with a sketch that makes so little sense. This is beyond Match Game on a weirdness scale.
“It never got amazing good ratings, but Dutch Masters people were really happy because sales went through the roof,” he said. “They were happy to keep the show on the air and sponsor it and let him do what he wanted because sales had gone crazy. You don’t have that system anymore.”
One of the odd things about the boxset is that it contains the last five of the eight episodes Ernie made for ABC in what would be his final series. These haven’t been lost to a network garbage pile. “We still have them. Those are the three that are owned by his one remaining daughter.” Mills still has 150 half hours of Ernie in the vault so there’s plenty more to see. ” We’d love to do a Volume 2,” he said.
Fans can get an extra helping of Ernie if they order directly from Shout! Factory. They’re including a bonus DVD. “It’s got Tonight which was an early version of The Tonight Show and two episodes of America After Dark that haven’t been seen since they were originally broadcast.”
A few of the episodes had to have their singing acts clipped. “There were times when the music clearances were so expensive that we had to take out some of the music. Some of the stuff I would have loved to have had in. Other things are the boy singer of the time singing a popular hit of the ’50s. Really not that great. We wouldn’t have missed it. But purely for aesthetics and historical sake, I would have loved to have included it,” he said. Once more a DVD suffers because music publishers wouldn’t budge on their licensing price.
We joked how in the ’50s Ernie was the second most famous man on TV with a cigar and mustache. Turns out the family were tight with the host of You Bet Your Life – Groucho Marx.
“My mom and Groucho were great friends,” Mills said. “I still have an autographed picture of him that said, ‘Dear Edie, I love you.’”
Once more Joel Hodgson’s name comes up. Mills remembers the MST3K genius pondering, “What I don’t understand is how did Ernie know that this would work. It wasn’t like vaudeville. It wasn’t like he took a theater sketch and put it on television. It wasn’t like he had tried this in movies before. It wasn’t like television had been around for 30 years and people knew it. He just had a clear idea of what he wanted to do and he knew it would work. If you think about it, no one else has done it or could do it like him. That was the genius of Ernie. He had these ideas and it worked.”
The Ernie Kovacs Collection shows a man who understood what he wanted to do on television. He figured out how to do an entire 30 minute show without uttering a single word. He knew how to make cars fall through parking lots and phones dial themselves. Ernie Kovacs was constantly pushing humor and technology on his TV shows. He was a rare performer.
“He was just naturally a little bit off. In the 1950s there weren’t that many people who were that weird,” Mills said.
PERFECT CASTING
How come Bristol Palin isn’t hosting the History Channel’s Mounted in Alaska? That seems to be the event that launched her to stardom.
MOD LION
As stores shrink their DVD sections, many of the distributors are turning to manufacture on demand DVD-Rs to get collectors and fanatics films they desire without worrying about warehousing. The latest dip into the MGM vault being offered through Twentieth Century Fox Home Entertainment MOD program has six fun titles that drip with cheesy goodness. The thing with the MODs is that they’re meant to be seen on player only DVDs so there might be issues playing them on your computer’s DVD drive. Some of the film presented in anamorphic transfers. You can order the through Amazon.
Body Slam is a gem of ’80s weirdness. At the height of the Rock and Wrestling meager comes a film that brings it all together under the direction of Hal Needham ( Smokey and the Bandit). Dirk Benedict (The A-Team) is a record executive who owes way too many people around Hollywood. Through a twist of weirdness, he ends up managing Roddy Pipper thinking the guy is a musician. This is how Dirk gets drawn into the world of pro wrestling. He brings the rock music to the squared circle to beef up his clients’ profiles. The stars include Tanya Roberts (“Las Vegas calling!”), Captain Lou Albano, Billy Barty, John Astin (Addam’s Family) and The Samoans. It’s got Charles Nelson Reilly as a talkshow host! That’s more stars than an episode of The Love Boat. Dirk appears to be mining Vince McMahon for his character. The movie is pure ’80s cheese and ought to be played at strange hours on cable. If you’re a fan of the ’80s wrestling genre, this must be the prize of your collection. This is so much better than Hulk Hogan’s movies from the era. They still wants us to think pro wrestling is real. Ric Flair has a cameo. How come this isn’t coming out on Blu-ray?
Queen of Blood is another classic American International Sci-Fi cheat film. Why is it a cheat? Seems that AIP bought the rights to several huge budget Sci-Fi films and stripped the effects from the storyline. They’d hire English speaking actors for low budget connecting scenes to link the expensive shots. It’s an efficient way to get quality for minimal cash. It wasn’t like people were begging to see Soviet sci-fi movies during the Cuban Missile Crisis. The cast in Queen of Blood includes stars Basil Rathbone (Sherlock Holmes), Dennis Hopper (Easy Rider) and John Saxon (Enter the Dragon). They’re sent on a mission to meet up with an alien lifeform that’s contacted Earth. Things get complicated when they discover the alien ambassador is not only a green woman, but she’s got issues. The guys on the crew can’t resist her outrageous demands. It’s like Alien with a hot green girl.
The Black Sleep hypes the cast featuring five icons of horror in Bela Lugosi (Dracula), Lon Chaney Jr. (The Wolf Man), John Carradine (House of Dracula) Basil Rathbone (Sherlock Holmes) and Akim Tamiroff (Black Magic). But they skip the biggest star on the screen: Tor Johnson (Plan 9 From Outer Space)! Basil plays a semi-mad scientist who is putting death row inmates into comas so they can be spared the noose yet delivered to his lab. He’s using them as guinea pigs to figure out how to remove a brain tumor from his wife. He’s got a lot of near misses lurking in his dungeon lab. What’s extra interesting is that Basil’s latest claim off death row is Gordon Ramsay. Is the TV chef using his real name or is it a stage name tribute to this film? The film is perfect for late night black and white horror action from the ’50s. This was Bela’s last role if you don’t count his barely there moment in Plan 9 From Outer Space. Worth ordering if you’re a fan of the Universal Horror series.
Edgar Allan Poe’s Buried Alive mixes the writing icon’s short stories with a girl’s correctional facility. What more can a late night viewer want in tawdry scares? How about the acting trio of Robert Vaughn, Donald Pleasence and John Carradine? And amongst the bad girls being corrected are Nia Long and Ginger Lynn Allen. What’s happening at the Ravenscroft Institute that’s causing the inmates to vanish? Hard to tell, but it involves black cats, ants and being buried alive. A great kill involves what can go wrong when a girl styles her hair using a blender. Do women really use home appliances to get a body in their locks? Must be the same people who dry their poodles in microwaves. A toilet nightmare is bound to shock anyone toilet training. This film is a major hit in Raleigh where Ravenscroft is the name of the posh kid high school. Vaughn deserves an award for his work in proving the ascot makes the man. A group showering scene with the female inmates gets goofy. Edgar would have enjoyed watching this after polishing off a few fuzzy nipples.
The Great Scout and Cathouse Thursday lets Oliver Reed star in a Western. He and Lee Marvin have to team up and go after the dirty dog Robert Culp (Greatest American Hero) to retrieve their gold. Culp does his best to avoid them so they kidnap Culp’s wife (Elizabeth Ashley). Things get confusing since she used to be with Lee Marvin. How does a woman dump Lee Marvin for Robert Culp? Guess that’s why this is a movie. Marvin and Reed get help from a local hooker (Kay Lenz) named Thursday. The brothel she works at has girls for every day of the week. This must be a good promotion for people who want a week long stay. Anytime you can mix gold and hookers in a Western, the action is bound to be entertaining.
Daughters of Satan for some reason doesn’t advertise its biggest star on the box: Tom Selleck (Magnum P.I.). This is a witchcraft creep out made in the Philippines. Tom finds a painting of burning witches in a Manila antiques store. He swears one of the burning witches looks like his wife (Mother, Jugs and Speed‘s Barra Grant). Turns out the painting is evil and turns the wife into a witch. She also gets two friends to help in sacrificing Selleck. Tom doesn’t hate this film since when it came out on home video back in the ’80s, he promoted it on Letterman’s show. Amazing how Tom’s hair and mustache don’t suffer from the heat and humidity. This is like a long episode of Night Gallery.
DVD SHELF
The Lucy Show: The Official Fourth Season transforms the series. Lucy moves from New York to Los Angeles. Gone is Vivian Vance and most of their children. “Lucy at Marineland” has the little son gleeful want to get into a military boarding school. Lucy takes the kid to Marineland to suck up to the head of the school. They meet up with baseball star Jimmy Piersall whose life would be the basis for Fear Strikes Out. Without Vivian, the episodes are mostly about escapades with Mr. Mooney (Gale Gordon) at his bank. There’s a big emphasis on Dean Martin and Bob Crane guest star. That’s enough for me to declare this the best season of Lucy without William Frawley. “Lucy Dates Dean Martin” sets up the redhead with Dino’s stunt double for a date. Because of a last minute scheduling glitch, the stunt double can’t go. Luckily Dino is free to take Lucy to a dance. Will she ever catch on that she’s with the real crooner? Is she that oblivious? “Lucy and Bob Crane” brings the swinging star of Hogan’s Heroes into the bank. During his setting up a new account, Crane somehow gets Lucy and Mr. Mooney onto the set of his latest World War I film. Lucy plays a stuntman who destroys the set. There’s a fun cameo from one of Bob’s pals from the stalag. “Lucy Meets Clint Walker” brings us the star of Killdozer, the movie. It might be a whole new show, but Lucy is up for the change.
Chawz is a Korean film that scares us from high on the hog. Finally a movie that warns us what can happen if Babe goes out of control. A small country town hides the nasty truth that there’s a hogzilla loose in the woods. The beastly film goes from grotesque to black comedy as a local cop attempts to figure out the mystery. It’s rather artsy in its approach to what would be a SyFy original film if it was in English. It’s not vivid in showing the huge beast munching on people. There’s a witty magazine reveal of one victim. You’re not going to be as grossed out as you’d imagine from a Korean film about Porky Pig’s evil cousin on the loose. You might want to chomp a plate of BBQ afterwards just to remind yourself that it’s just a movie and there’s one less hog out there to eat you.
Muay Thai Giant shows what former WWE wrestler Nathan Jones has been doing over the last few years. He’s a thespian! The seven foot giant went to Thailand to make a comical action flick that comes off as a twist between The Jerk and My Giant. Nathan is a bit clueless. He gets severally rolled by a hooker at a nightclub. Two kids save him from the horror of the streets. They make the mistake of giving the guy a rather hot piece of food and discover he’s not a gentle giant. He’s a one man wrecking crew and his destruction leads to bigger problems. He’s like Curly of the Three Stooges when he hears “Pop Goes the Weasel.” But the movie is more Little Rascals than Stooges since the kids dominate the action. Nathan works better with these kids in action scenes than he did during his time on Monday Night Raw. It’s another exciting martial arts production from the folks behind Ong Bak.
The Avengers: Earth’s Mightiest Heroes Volume 1 Heroes Assemble! and Volume 2 Captain America Reborn! compiles the first 13 episodes of the new animated series on two DVD releases. This is a good primer for people curious about the upcoming Avengers all-star film along with the upcoming Thor and Captain America solo flicks. For those who don’t completely follow the comic books and don’t want to ask the geeks at the store for a backstory, these DVDs will get you in tune. Volume 1 Heroes Assemble! explains what brings Iron Man, Thor, Captain America, Hulk, Ant-Man and Wasp together as a fighting unit. Turns out they all have equal disgust for Nick Fury and Hydra. They have to unit to go after five major villains that have busted out of various prisons. Volume 2 Captain America Reborn! keeps up the uneasy alliance when these solo superstars must join together. Most of them have an issue with Tony Stark’s calling the shots. Black Panther brings them over to Africa to help him regain control over his place. The show is good and aimed for the non-hardcore fanatic fanboy. Interesting that the producers decided to make World War II between the Allies and Hydra when Captain America takes down the Red Skull in a flashback scene. No need to complicate things with the Nazis. Eric Loomis’ Iron Man voice sounds like Jack Black impersonating Robert Downey Jr. Noted super geek Wally Wingert gets big and small as Hank Pym, the man whose both Giant-Man and Ant-Man. It’s good to get a little bit of a head start on what will happen when the Avengers unit in live action.
Sharpay’s Fabulous Adventure is Ashley Tisdale going solo after all her work on High School Musical. Her character from HSM goes to Manhattan to conquer the Great White Way. Is she really ready for the legit stage after dealing with dancing baseball players? The film has elements of Coyote Ugly with the hideous apartment scene and Legally Blonde. She has to fight to get the lead role from another stuck up actress. It’s a fight to see whose name shall end up in lights. Sharpay isn’t going down without a fight. There’s a lot of cute dog scenes. This is a fine little feature for kids who are still intrigued by where do you go after dominating your high school drama club.
I’m Ken Plume, and soon you’ll be listening to “A Bit Of A Chat” with me, Ken Plume.
In this episode, I chat with the co-creator/co-writer of LOOK AROUND YOU, creator/writer of FRIDAY NIGHT DINNER, and the man behind Timewaster Robin Cooper, Robert Popper, as we explore birdsong, feces, flowers, and cell-napping.
Welcome to our weekly round-up of featured giveaways here at FRED. Every week, we’ll present a new clutch of DVDs, books, and other cool stuff you can take a shot at winning. All you have to do is click on the graphics below to be taken to their respective contest pages. And good luck!
In conjunction with History Channel Home Video, we’re giving away three (3) copies of STAN LEE’S SUPERHUMANS on DVD.